Category: Hip Hop/Rap

  • Wu Tang Wednesday: Cash Rules Everything Around Me

    With one of the more iconic hooks in hip-hop history, “C.R.E.A.M” (Cash Rules Everything Around Me) is by far Wu-Tang Clan’s most popular record, making them household names. The single was on their debut LP Enter the Wu-Tang (36 Chambers) and is considered a magnum opus of hip hop music. When you combine Method Man’s unique — yet silky-smooth flow — along with Raekwon and Inspectah Deck’s cutting-edge lyricism, you have the makings of a classic record. 

    “C.R.E.A.M” was recorded by the group in July of 1993, but was officially released November 9, 1993 as the eighth track from the 36 Chambers LP. RZA — the group’s defacto leader and beat maker — produced the song by sampling the opening piano riff from Charmel’s 1967 record “As Long as I Got You,” with a perfectly placed set of looping drum kicks added on.

    Despite all the praise the record received within the hip-hop community and its current status as a classic record, “C.R.E.A.M” was not a chart-topp. Debuting at number 96 on the U.S. Billboard Hot 100, it eventually peaked at number 60 later that week, also peaking at number 8 on the hottest hip-hop/R&B songs. It became certified gold officially in 2009, 15 years after its release.

    Cash Rules Everything Around Me
    “The Rza is just razor sharp, he always on point with the beats with the rhymes”

    In an interview for 247HH (hip-hop), Raekwon revealed the meaning behind the song’s tittle, revealing that “cream” was a slang term for money kids around the neighborhood would use. Saying that it came from cartoons like, Tom & Jerry, where the titular cat — Jerry — would slap Tom (the mouse) with whipped cream as they would fight over food. As a result, “cream” became something that they said when they were fighting over money or. in general, want of a better financial situation.

    He also revealed that the acronym “cash rules everything around me” came from group mate Method Man’s associate, Raid. Detailing that back then, people would write graffiti and would break words down to give them meaning so, Raid broke down “cream” to mean “cash rules everything around me.”

    Cash Rules Everything Around Me

    RZA shed light on how the record came about, in an interview with SiriusXM. Divulging that the name of the original track was “The Lifestyle of the Mega Rich” and it had about 8 minutes of material from Raekwon and Inspacteh Deck. He wanted them to condense their lyrics into more concise verses and thought it needed a great hook. That’s where Method Man came in to play. The most culturally transcendent of the group, RZA even acknowledged that it was Method Man’s melodic flow on the hook that took Wu-Tang from gold to Platinum.   

    In a more recent interview with DJ Vlad, Inspectah Deck revealed that it was the success of “C.R.E.A.M” that made him realize how big of a group they were. Recalling a memory from a show the clan in Webster Hall, noticing that many of his heroes were there to see the Clan perform. From Big Daddy Kane, to Tracy Lee and Q-Tip. 

    The songs music video paid homage to where each member of the group was from, as a form of imagery that added even more depth to the record. The music video begins in the projects of Staten Island and then sees the Clan make their way to a more lavish lifestyle, driving Mercedes and sipping champagne.     

    Raekwon And Inspectah Deck were the only members of the group to have verses on the record. With both relating to the harsh realities of being from the inner cities. Telling their life stories’ in each verse. Rae gives a timeline of his life from his move from to Staten Island and his time spent in New York City. His first two lines perfectly captures the environment he hails from.

    “I grew up on the crime side the New York times side

    Where staying alive was no jive.”

    Continuing with more personal tales of being separated from his father with his mother leaving and moving the family to Staten Island.

    “Second hands moms bounced on old man, then we moved to shaolin land”

    He chronicled his entire life on this verse and gave descriptive accounts of his times in the inner-city. The story being told is raw, real and vivid, something the man known as “the chef” is known for. Finishing his verse with: 

    “Figured out I went the wrong route, so I got with sick a** clique and went all out

    Catching kings from cross seas hauling MVP’s every week we make 40 g’s 

    N***a respect mine or here goes the tech nine ch-ch pow move from the gate now”

    Inspectah Deck took a similar approach to Raekwon, with similar accounts, while his verse detailed his own attempts at preventing the youth from following a similar path.  

    “Spent 22 long hard years we still struggling

    Survival got me bugging but I’m alive on arrival

    I peep at the shape of the streets 

    And stay awake to the ways of the world cause sh*t is deep”

    With Raekwon’s story-telling abilities an entire story was told in one perfectly executed verse. From this verse alone, we learn, that at 15 he had plans of making “cream” but, was sent to jail for selling drugs. Yet, he only sold drugs because he never had much and only wanted a piece of the finer things in life – a sentiment many incarcerated Black men can share in. In the end, his life was taken away for trying to get his version of the American dream. 

    “Life as a shorty shouldn’t be so rough.

    Though I don’t know why I chose to smoke sess

    I guess that the time when I’m not depressed

    But I’m still depressed, and I ask; what’s it worth 

    Ready to give up so I seek the old Earth” 

    “C.R.E.A.M” has left behind a significant legacy in hip-hop. The song’s popularity helped shift the balance of power from the West coast to the East, even going on to transcend any tension between the differing coasts. 

    The record has been sampled or interpolated by Drake on “Pound Cake/Paris Morton Music 2,” Notorious B.I.G on his hit record “Notorious Thugs,” featuring Bone-Thugs-N-Harmony. Other artists include Joey Bada$$ on his song “Paper Trail$” as well as, Mos Def on “Mathematics.”

    With contributions from Maxwell Amankwah

  • Bobby Shmurda turns 26; Best Gift of all still to come

    Incarcerated rapper Bobby Shmurda celebrates his 26th birthday today, with hopes of it being his last behind bars. On the heels of  the anniversary of his breakout record, the Brooklyn-born drill rapper may have even more good news to look forward to, as a parole hearing — set for August 17— will determine his immediate future. 

    Bobby Shmurda
    Why they wanna pin a felly on me?

    After a countdown from a website seemingly belonging to the embattled rapper set a date for August 4, many began to speculate about the meaning, with some assuming it was related to his release. Speaking to TMZ in late July, The rapper’s mother — Leslie Pollard — confirmed that the rapper was indeed scheduled for a parole hearing in August. While also divulging his plans for a documentary about his life, as well as new music as soon as he gets out — as the rapper is still contractually tied to Epic Records. For his birthday, GS9 cohort Rowdy Rebel’s official Instagram, shared its own social media ode to his label-mate, hash-tagging “3months left.” It is unclear whether it is referring to his own release or that of Bobby Shmurda. 

    https://www.instagram.com/p/CDeM1vQnXIF/

    Nonetheless, rumors of a release as early as August 5, set social media ablaze, with most eliciting thoughts of joy.

  • Westside Gunn announces debut studio album ‘Who Made the Sunshine’

    On the heels of his 38th birthday, Buffalo rapper Westside Gunn — along with the rest of his Griselda Records cohorts — have been on quite the roll. And fresh off of his critically-acclaimed EP Pray for Paris and the much recently released mixtape Flygod Is an Awesome God 2, the Shady Records rapper looks to keep the momentum on his side with his third project of the year. On Wednesday evening, the one known as the “FLYGOD,” made a lengthy Instagram post describing what exactly this latest project means to him, as well as the journey and the conviction he had in his artistry that led him to this point. Accompanied by what can be assumed as the album cover, the caption read: 

    “Everything I’ve done thus far has led up to this moment, when I said FLYGOD was a classic ppl didn’t see it at that moment, then I dropped Supreme Blientele and made ppl to start believing, then I dropped PRAY FOR PARIS and I knew I had my formula together and I was ready for my first major release album and now it’s officially here “WHO MADE THE SUNSHINE” every project has been painted diff and with purpose, I know soon I’ll be done rapping but I have to give u WSG on a diff level this project I swear is my best work to date and I know it’s great bc it took me a week to make and not 2 days lol… but this is what HIP HOP is ALL about I feel young on this Album and I can’t wait until I give u this offering, I promise u You never heard ANYTHING like this on @shadyrecords this is ALL BUFFALO  BEAUTIFUL ART PIECE by WS POOTIE thank u so much Baby Daddy Loves YOU “ WHO MADE THE SUNSHINE” 8/28 on WESTSIDEGUNN DAY #CLASSIC #MASTERPIECE#CULTURE #ART #FLYGOD #GXFR#ICON this cant be compared to anything I’ve done beforE it’s IF “FLYGOD” and “SUPREME BLIENTELE” has a baby @shadyrecords@griseldarecords @interscope

    https://www.instagram.com/p/CCNDANVHqT8/

    With his latest release only a few weeks old (July 3), and Pray for Paris the ripe age of 3 months old, his classification of this impending project as his “first major release album,” has caused some confusion. While signed to their own Griselda Records label, the trio of Westside Gunn, Benny the Butcher and Conway the Machine, have also inked paperwork with Eminem’s Shady Records, a subsidiary of the West coast based Interscope records. The trio have combined to release WWCD, under Shady but no individual albums.

    https://www.instagram.com/p/CDPEgbvH6EF/
  • Wu Tang Wednesday: Ghostface Teaches us how to stay ‘Mighty Healthy’

    Ghostface Killah is one of the more renowned members of the Wu Tang Clan, lauded for his exceptional skills as an emcee, where he mixes detailed storytelling with a unique sense of imagery and style. Those abilities were ever-so-present on his second studio album Supreme Clientele. On the RZA produced album, he successfully implemented a trendsetting combination of lyrical excellence and story-telling exclusive only to him.

    The lead single was the oft-sampled “Might Healthy,” which showcased his deadly skills as an emcee, as well as the kind of presence that would make him a mainstay of hip hop culture. Debuting at #7 on the Billboard 200, Supreme Clientele was the most acclaimed of each Wu Tang member’s respective sophomore effort. And ironically, the highlighted record — “Mighty Healthy” — was one of the few not produced by Wu Tang head honcho, RZA, with production being handle by producer and Wu Tang Clan DJ, Mathematics. 

    Ghostface Mighty Healthy
    The iconic album cover

    “Mighty Healthy” was partly inspired by Brooklyn based hip-hop group, Divine Force, and their single pack “Holy War (Live).” Divine Force was made up of emcees Sir Ibu, Lady Nefertiti and her brother Supreme and their DJ, Jizer. They were managed by Melquan, who also managed RZA (then known as Prince Rakeem), GZA (then known as Genius), and Ol’ Dirty Bastard, before 36 Chambers fame. “Holy War (live)” sampled drum patterns from Melvin Bliss’ “Synthetic Substitution,” an uncharted record that went on to become one of the most sampled songs in hip hop history. 

    On “Mighty Healthy,” Ghostface begins the sampling at around the 1:12 mark. You can hear him using Sir Ibu’s flow as well as some of his lyrics as a way of paying homage. 

    When we hug these mics, we get busy

    Come have a good time with G-O-D

    Make you snap your fingers or wiggle

    Scream, shout, laugh or just giggle

    Shake that body, party that body

    Don’t f**k with ghost you’ll feel sorry

    That’s word, I’m not the herb

    Understand what I’m saying, saying, saying

    Sir Ibu’s lyrics on “Holy War (Live)” read:

    “The wisdom that I’m speaking are words that I’m rhyming 

    The God of rhyme, Divine Force gets busy

    Make you hip or hop or get dizzy

    Make you snap your fingers or wiggle

    Scream, shout or laugh or just giggle

    That body, party that body

    Don’t (F**k) with me you’ll feel sorry 

    That’s word, I’m not the herb

    Understand what I’m saying?”

    Besides the Divine Force interpolation, “Mighty Healthy” sampled records from other pioneers of hip hop, sampling “Wish I Could Talk to You” by The Sylvers, as well as, “Nobody Beats the Biz” by Biz Markie featuring T.J. Swan and “Funk President (People it’s Bad),” by James Brown (another heavily sampled artist).

    Ghostface did much more than just interpolate others, and “Mighty Healthy” showcased some of the best rapping of his career.  Heavily inspired by martial arts — much like the rest of the Clan – the song begins with a sound bite from the film Shaolin Rescuers. He starts his verse with his typical and colorfully descriptive lyrics.  

    Son trifling f**k, wildflower on the cycle and 

    Picked up the broom thought I was Michael in

    West Brighton Pool, now I’m into Iron Duels

    Turn nuns to Earth Whoopi, she at Allah school

    He starts with an honest, yet blunt description of himself, then says he thought he was “Michael in West Brighton Pool”– a home goods store located in Staten Island — but the imagery, metaphors and double entendre are ever present, as “broom” is also slang for guns; in the next line he talks about now being into “iron duels,” (as a gun is made of steel). Before finishing off the bar with a Whoopi Goldberg reference, known best at the time for Sister Act, where she played a choir singer who had to relocate after having witnessed a murder and enters witness protection as a nun.

    “The world can’t touch Ghost, purple tape Rae co-host

    In his second verse, he continues his onslaught, first by paying homage to Sir Ibu on the bride before getting into his verse, setting it off with this” 

    Hit mics like Ted Koppel, rifle expert

    Let off the Eiffel, burn a flag in your grass, spiteful

    Ringleader set it off, rap Derek Jeter 

    Culprit, prince of the game wish you could see us

    Ghost brags here, letting the audience know that he is better than most. Ted Koppel was a famous anchor and broadcaster for ABC and Nightline, from 1980 until the program’s end in 2005. Ghost continues by saying, he’s a rifle expert who lets off “the Eiffel,” and “burn a flag in your grass, spiteful” is his way of saying that after conquering his enemy with his superior weaponry, he will continue to acknowledge it to the world. Finishing off by labeling himself “ringleader” and the “rap Derek Jeter.” He continues his braggadocios rhyming throughout

    “Too hot to handle, one thought from scrambling the mandolin

    Hundred game Wilt Chamberlain, smack ‘em, say when”

    “Mighty Healthy” has meant a great deal to hip-hop and to Ghostface, with Complex Magazine even naming it his best song.  It has also been sampled on a myriad of records, including  “No More Parties in L.A” by Kanye West — off of his 2016 album The Life of Pablo. The chorus was heavily interpolated on the Pusha T and Kanye West collaboration “New God Flow,” as well as  a J. Cole rendition titled “Mighty Crazy.”

    “Mighty Healthy” is one of the many bright spots from Supreme Clientele, yet its enduring legacy within hip hop circles has solidified the album as a classic. Ghostface stuck to his style and made it something to behold, especially at a time when other rappers were changing their sounds to fit the new party and club theme music of the 2000’s. The album’s success also cemented him as one of the commercial faces of Wu Tang, a spot that had only been previously reserved for Method Man.

  • Buffalo Rapper Westside Gunn Celebrates his 38th Birthday

    Prolific Buffalo rapper Westside Gunn celebrates his 38th birthday today, July 27. Born Alvin Lamar Worthy, Westside has dominated the western New York rap scene along with the help of his brother, fellow rapper Conway the Machine, and their cousin, Benny the Butcher. The three have made a name for themselves in the current hip hop landscape through the formation of Griselda Records in 2014 which led the “Griselda gang” on their trip to stardom.

    2016 saw the release of Westside’s debut studio album Flygod which lent further credit to the rapper’s name. The following year saw Griselda Records made a deal cosigning with Eminem’s Shady Records which further accelerated the groups career. The groups deal with Shady Records, a subsidiary of Interscope records, made Westside and his brother Conway the Machine the first Buffalo based rappers to sign to a major record label, giving the two an almost untouchable status in the Buffalo rap scene.

    Recently, Westside Gunn has been a hot feature for artists such as Rick Ross and Anderson .Paak, collaborations that would have been hard to land without the backing of Eminem’s label. Westside has also made a name for himself in the music festival route playing massive summer events such as Coachella and Governor’s Ball.

    This past April Westside Gunn released his Pray for Paris LP which debuted at number 67 on the Billboard 200. The album features sample heavy production handled by both The Alchemist and Tyler, The Creator who also guest stared in a verse on the track “327.” Other features on the album include Freddie Gibbs and Wale along with the rest of the Griselda gang, Conway The Machine and Benny The Butcher.

    During the recording process for Pray for Paris, Westside learned that he had contracted COVID-19 which, he recounts, led to much of the promotion for the album to be handled while sick and isolated. Pray for Paris is yet another musical project that has faced obstacles placed by the global coronavirus pandemic. Following the mandated cancelation of large gatherings, the initial release party was postponed and traded in for a live stream event which took place on Twitch.

  • This day in hip-hop: Bobby Shmurda becomes the ‘Hot-test’ of them all

    Six years ago today, Bobby Shmurda and his effervescent first single “Hot N-gga” was made digitally available for consumption by Epic Records. The music video – which has garnered nearly 650 million YouTube views – was released in May of 2014 and quickly became an internet sensation. While the record was re-packaged, the music video was not subjected to such changes, most likely because it had already reached “viral” status, but also because it represented the ingenuity of Brooklyn inner-cities. It spawned the “Shmoney Dance” craze where, in a moment of inventiveness, the rapper throws his hat in the air and begins to pop his hips left and right. Unplanned, the “Shmoney Dance” helped cement the record as the song of 2014. Peaking at Number 6 on the Billboard Hot 100, it helped usher in a new era. This was the first song that this current incarnation of social media (Instagram, Facebook and Twitter) made prominent, something we’ve since seen replicated several times over. 

    The hottest song of 2014

    A subsequent EP – Shmurda She Wrote– followed along with other Billboard hits like “Bobby B!tch” and the cult classic “Computers.” Unfortunately, the success was short-lived. In December 2014, Bobby Shmurda, along with his associates, his brother and GS9 label-mate Rowdy Rebel, were arrested on charges of drug and gun possession, reckless endangerment and conspiracy to commit murder. 

    bobby shmurda hot
    Ah Ah Ah

    Less public members of the organization received the harshest of sentences, while Bobby Shmurda and Rowdy Rebel have been behind bars for the past six years, with an impending release set for the tail-end of 2020. Their impact on the New York culture has not been forgotten (as they successfully implemented the Chicago drill sound to help popularize the sub-genre of New York drill) and in return, fans have showered them with support and promises of a hero’s return. Hot

  • Woodstock 99 Revisited

    21 years ago this weekend, the festival calamity known as Woodstock 99 took place at Griffiss Air Force Base in Rome, NY. If you know anything about Woodstock 99, you likely know about the festival-ending fires and mild rioting that took place in the concert grounds, built out of a weekend of frustration with festival pricing and lack of an adequate infrastructure.

    Over Friday and Saturday, the festival seemed to be your typical late 20th century festival – bands playing mostly on schedule, an amalgam of various groups of music lovers, basic amenities and little in terms of technological infrastructure. This was a time where cell phones were a luxury item and resembled Zack Morris’ brick phone.

    via Getty Images

    There was the giant plywood wall that surrounded the grounds, which gave you a feeling of being trapped inside, with only two or three entry points where you’d be searched at security’s leisure. Once inside, prices were high, even by today’s standards. Four dollars for a bottle of water, eight dollars for a hamburger, nine dollars for a cheeseburger, ten dollars for a chicken sandwich and twelve bucks for a small personal pizza. If you were lucky, you found a lemonade stand where the drinks cost only two dollars, but if you wanted alcohol, you had to drink it in the beer garden, which was devoid of shade or quality sound, and put you in a direct line of fire from people slinging mud through the chain link fence.

    woodstock99

    The musical lineup was as solid as it could be for 1999. In alphabetical order, you’d be able to catch Bush, Chemical Brothers, Creed, Sheryl Crow, Dave Matthews Band, DMX, Everlast, Guster, Ice Cube, Korn, Jewel, Limp Bizkit, Live, Los Lobos, Megadeth, Metallica, moe., Alanis Morissette, Willie Nelson, The Offspring, Rage Against the Machine, Red Hot Chili Peppers, Rusted Root, Sugar Ray and The Tragically Hip, among many others

    Two stages that were a long, long walk from each other separated the acts. If you wanted to see someone on the West Stage, you’d be sacrificing a great deal at the East Stage, and vice versa. The schedule was staggered, but surely this could have been organized better. At least moe. got a set.

    Governor George Pataki is rumored to have said of the Woodstock weekend,

    “It seems to me the whole reason Woodstock ’99 failed was because of the kids. Kids from all over came to Rome and had no sense of authority, and did not care about anyone but themselves. The promoters should be held to blame, but also the irresponsible people who attended. It seems a strange contradiction. The week before Woodstock 99, 120,000 people gathered in Oswego, New York to see the rock band Phish. The event was in more cramped quarters, and was just as hot, and to my understanding no major problems were reported. Maybe if people behaved like they did at the Phish event this wouldn’t have happened.”

    Pharmer’s Almanac, Volume 6

    While Pataki’s remarks are off by around 90,000 ‘Camp Oswego‘ attendees, it does highlight the weekend prior where similar conditions of oppressive heat and humidity did not lead to the same circumstances as they did in Rome from July 22-25. How can two festivals, 80 minutes apart, be so diametrically opposite? You’d have to factor in an audience from mixed walks of life, many of whom may not have been to a multi-day music festival prior to this, and festival promoters who came up short in every single area – from bathrooms to food, safety to water, and layout to operations.

    Skip ahead to Sunday, July 25, and on the main East Stage, you’d catch Al Green, Willie Nelson, Brian Setzer Orchestra, Everlast, Elvis Costello, Jewel, Creed, and Red Hot Chili Peppers. Genre-wise, in order, you could catch gospel/soul, country, swing, rap, rock, pop, ‘hard’ rock and pure rock ‘n’ roll from the Chili Peppers. Quite a variety to see in one day.

    woodstock99

    Long lines at the limited vendors that had food to serve coupled with very long lines for water, overflowing portos and litter seemingly everywhere, finally hit a tipping point. Add in the aforementioned oppressive heat and humidity plus a complete lack of shade, and a powder keg was ready to burst. The plywood fence around the venue was already being torn down casually throughout the day by concert-goers taking out their frustrations, which led to more seeking a piece of memorabilia.

    During the day, in an odd bit of cosmic irony, anti-gun violence group Pax (now the Center to Prevent Youth Violence), distributed candles to those who stopped by their booth during the day. The original intent was for a candlelight vigil during “Under the Bridge,” but instead some used the candles to start bonfires, and when coupled with the thousands of empty water bottles that littered the East Stage field, there was plenty of fuel to light the grounds on fire from stage to stage.

    At some point towards the end of the Chili Peppers set, the audio tower caught fire, and the fire department had to be called in. The festival was over thankfully, and many had left during the day, but for the thousands needing to vacate the grounds while emergency personnel were arriving, the scenario had to be frightening. CBS News reported:

    The three-day concert climaxed into a frenzy about a quarter mile from the main stage when several concertgoers set fire to twelve parked tractor-trailers.

    Several people pulled cases of soda and merchandise from the trucks and fed the flames with debris. Others toppled light stands and speaker towers, while another group tried to destroy a radio station truck.

    via CBS News

    As a result of Woodstock 99, it would be a number of years before a festival with pop bands reaching a broad audience would take place. Jam festivals were already on the rise, and while the lineup for Bonnaroo 2019 looks little like that of Bonnaroo 2002, the key to the festival formula was in building a lineup for a defined audience, not gathering an audience towards a known lineup.

    And while Woodstock 50 never even got off the ground and Woodstock 99 was a stain on music festival history, the original and even the 1994 edition bear the torch for a name still synonymous with peace, music and love.

    The nine-episode podcast Break Stuff: The Story of Woodstock 99 from The Ringer gives a detailed breakdown of the festival. Listen here.

  • J. Cole Drops Two New Singles And Announces New Album

    J. Cole dropped two singles following a string of Instagram Story posts hinting towards an upcoming release. The singles are the first confirmed tracks on the southern rappers upcoming album, The Fall Off.

    On Wednesday night, J. Cole made an Instagram post announcing the upcoming release of “The Climb Back“, produced by Cole, and “Lion King On Ice“, production arranged again by Cole aided by T-Minus and Jetson. The Fall Off will be Coles first solo project since 2018’s KOD.

    https://www.instagram.com/p/CC6mFLeFC02/?utm_source=ig_embed

    The first of the two singles, “The Climb Back” has J. Cole performing in his pocket, spitting bar after bar over a sparkling piano melody and a high-pitched vocal sample leaving plenty of room for Cole to switch up his flow which he finds himself doing several times. The song is missing a strong hook however, the understated vocals Cole croons out serve towards the emotional potency of the track.

    The second track released, “Lion King on Ice” is a J. Cole track by the numbers. Cole is again operating in his comfort zone; with an stripped back trap instrumental beat featuring similar pitched vocal sampling present in “The Climb Back”, Cole is able to ride the beat comfortably verse after verse.

    Cole has made it clear that he has an album coming on the way. However, he is seemingly under little pressure to release the album because he has also made it clear he has no planned release date for the album.

    For more information visit J. Cole’s website.

  • Wu Tang Wednesday: The Foundations of Wu Wear

    Wu Tang Clan have long been innovators within hip hop culture, whether it came from their music, style, or their lingo. Before the masses draped themselves in popular streetwear like Supreme, V-Lone and Bape, Wu Wear occupied that space within the streetwear community. Always the trendsetters, this was the first of many clothing lines by rappers. Its impact was worldwide, as each article of clothing was designed to showcase the most iconic logo in the history of hip-hop, the infamous Wu Tang Clan “W” which combined their love of kung fu and hip-hop. 

    wu wear

    A unisex clothing line, Wu Wear offered a variety of fleece jackets, long sleeve t-shirts with graphics, crew necks along with sweatshirts — all of which donned the iconic logo. While RZA is regarded as the group’s de-facto leader, the idea for Wu Wear stemmed from Oliver “Power” Grant, a close associate of the groups who has executive produced every Wu-Tang Clan album.

    In 2008, they faced a counterfeiting scandal, hurting the brand’s credibility. Consumers were under the assumption that they were getting ripped off with fake clothes that they were paying a lot of money for. The brand has since bounced back and has made a relaunch to their website. Partnering up with the likes of Nike, ALIFE and other popular clothing brands.

    To recognize the brand’s cultural significance, RZA recorded a song titled “Wu-Wear: The Garment Renaissance.” which was included on the High School High soundtrack, as well as RZA’s greatest hit album. The record also features Wu tang affiliate Cappadonna and Method Man.

    Method Man’s laid back and rhythmic hook (along with his charisma and style) gave the record much needed flavor that balanced RZA’s scientific flow and lyricism.

    “Ain’t what you want baby

    It’s what you need baby

    Ain’t what you want baby

    It’s what you neeeeeeeed”

    Setting a calm and relaxed tone (which was needed) before RZA began his verse. The famed producer begins the record with a breakdown of what makes Wu garments unique, and why it had been deemed a renaissance for streetwear.

    “Yo,  diamond crystal rings sharp like icicles, nickel plated pistols

    official Wu-Wear covers my physical”

    RZA begins his verse describing the jewelry and diamonds that cover his body, concluding with Wu Wear as a way of associating the clothing brand with the valuable jewelry he dons.  

    “You can detect the true and living God from the score

    Keep your sword straight, maintain your weight

    But he ate too much monosodiumglutumate, and polysorbate

    and drug rate concentrate, with sodium benzoate

    By the chicken thighs and tryglycerides

    And this bitch advertised her breast size

    Eighty-five didn’t realize, til the truth opened up his eyes”

    He begins to breakdown all the things that is poisonous to body and wellbeing of his body and of others. He is also referencing the “five percent” teachings when he speaks on searching for the God within. The five percenters focus on how the Black man is the original man and how they are Gods on the earth. That’s why it’s important to keep and maintain your health from many of the substances in this society that destroy your mental and body, which RZA references while also discussing his recent wealth. He refers to is as “chicken” that fattens his thighs which in tun, leads women to show their “breast size,” a clever play on words. He finished the bar off by letting the masses know that  he was once one of the 85% until he searched for his own truth.  

    “Then he became highly civilized,

    and spent time amongst the wise,

    went through a garment renaissance

    and stopped wearing Benetton, Tommy Hill, Perry Ellis, Nautica,

    or Liz Claiborne, Ocean Pacific, Fila, Bill Blass and leave fitted

    Quit the Armani sweaters with the Gucci wool knitted

    Mecca, Pelly Pell, 88, North Q, Bear and a few others

    For the new year, strictly Wu-Wear

    Once he opened up his mind, he spent time with wiser men and gained a greater understanding of his purpose. His garment renaissance came when he stopped wearing name-brands clothing and focused his efforts on the success of Wu-Wear and other Black owned clothing brands. With the renaissance signifying 

    While the theme remained the same, Cappadonna’s verse was much more straight-forward, relying less on philosophical references.

    “The Century 21 son, the new portfolio dunn

    Now it’s my time, Asian Wu-Wear, Cap and fleece wear

    One wear plaids the Don will hold the best for all wear

    plus blue wear, Wu-Wear, what’s going on

    We’re the best of this year, Wu-Wear and fleece wear”

    While RZA focused on the meaning behind his beliefs, Cappadonna spent more time detailing his exploits as a well-dressed man, aligning Wu Wear with other recognized name-brands. 

    “Just hold your own baby

    and just rock on baby

    I got this wine on my mind

    feelin fine darlin

    Now all you see baby

    ain’t what you need baby

    I wanna know just how low it goes

    Official nasty asses, straight shots in dirty glasses

    Wu-Wear fleece for you and your stinkin piece

    Hard time and killer tactics”

    Known for having more crossover appeal, Method Man took a took a different approach to his verse. Unlike the others, he demonstrated how the allure of the clothing line can be used to allure women, a major point of contention for most men. 

    The record sampled The Soul Children and their 1972 single “Don’t Take My Kindness For Weakness,” spending 17 weeks on Billboard charts and peaking at number 20. While it served as great promotion for the clothing line, it also showcased the diversity that made Wu Tang Clan so iconic. There’s knowledge-of-self and wisdom from RZA, “fly talk” from Cappadonna, and the smooth slickness of Method Man. 

    Wu-Tang having their own clothing line and iconic logo has been ingrained in the fabric of hip-hop since the brand came out. They were innovators taking their interests and creativity outside of music and making it into a business to profit off of other than just recording music. You can say this was the model for artists such as Notorious B.I.G and Bad Boys records, Jay-Z and Roc-A-Fella records, rapper Camron and his Dip Set clothing line and Kanye West with his Yeezy brand.

    Companies have also used rappers to promote their companies clothing lines such as the rap group Clipse with Bape and the late Tupac Shakur with Versace. All of this can be traced bac to the Clan and their influence on the culture. 

  • Roll On In Presents Drive-In & Tune In series featuring Honeycomb, The Breakfast and more

    Roll on In will present their live entertainment series Drive-In and Tune In beginning on Friday July 24. The events will deliver the premier destination for a night out of live music and will feature local BBQ and food legends while staying true to the roots of Western Massachusetts.

    Drive-in

    Roll On In stresses the idea of safe live entertainment and has gone through extensive planning over the past months with the help and partnership of industry pro Joel MacKenzie. The weekly, Friday and Saturday evening events will go above and beyond the health guidelines to reduce the spread of COVID-19.

    The live entertainment will kick off with performances from RCA, Danny Pease and The Regultators, Honeycomb, Uncle Bob, The BreakfastNew Mosaic, and Shantyman. Check out more details below.

    Drive-In
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