Category: Hip Hop/Rap

  • New York Hip Hop: A Year in Review

    As the proprietor of hip hop, New York, carries certain expectations from the genres’ emcees. Take for instance that within the last half-decade alone we’ve seen top 10 records like “Hot N****,” “OOOUUU,” “All The Way Up” and “Dior” become staples of each respective summer. The inhabitants themselves walk around with a certain hubris, knowing that their fashion, demeanor and dialect is a valuable commodity within pop culture. With rap artists being a reflection of New York’s current state, there was bound to be an equal amount of historic moments and tragedy. As such, we take a look at the major events from 2020.

    Hip Hop Review
    Young Artists Stake Their Claim

    As cities like Atlanta and Memphis continue their surge within the genre, it is of importance that established young artists from New York continue their ascension, to keep pace with their counterparts. A Boogie Wit Da Hoodie kept himself relevant with the release of his much-anticipated Artist 2.0 album. Pop Smoke (before his tragic death) continued his meteoric 2019 with a strong sequel to his breakout mixtape, Meet the Woo 2. Dave East dropped a tertiary edition to his Karma mixtape series and Brooklyn continued to make waves with projects from J.I the Prince of N.Y., Fivio Foreign, Sheff G, 22Gz, Curly Savv, Rah Swish and the surging Bizzy Banks

    Veteran Emcees Still Have Something to Say

    Hip Hop is the culture of the youth. It always has been and always will be. Yet, many prominent veterans reminded fans that they still have stories worth listening to. Juelz Santana battled through turbulent times to release his #FREESANTANAmixtape, Jadakiss released a solid effort with, Ignatiius, M.O.P’s own Billy Danze dropped The Listening Session, KRS-One and Public Enemy dropped protest anthems. Twenty-twenty also saw the return of Nas, whose King’s Disease album showed an exceptional ability to blend his old school style with newer melodies. 

    Pop Smoke’s Death

    In a year that saw one celebrity after the other pass away tragically, New York felt their fair share of grief. On February 19, 2020 New York’s latest rising superstar, Pop Smoke, was fatally shot at a Los Angeles home in a botched robbery attempt. His death came a week after the release of his Meet the Woo 2 mixtape. His death was followed by outpouring support from fans and industry peers, including his music rising atop the charts. 

    The Kids from Buffalo 

    Building upon their established buzz, the trio known as Griselda — Westside Gunn, Conway The Machine and Benny the Butcher – continued their takeover as the faces of New York hip hop. The Buffalo natives brought some much-needed attention to upstate New York. 

    I know people in Buffalo that have never been to New York City in they life and they 30 years old. So, we come from one of them type of cities, that kind of mentality.

    Westside Gunn – The Ringer.

    Known for their gritty-hard hitting tales of the street life, the group kept themselves ablaze with multiple releases from each member throughout 2020. Westside Gunn kicked things off with his April release of, Pray for Paris, followed by Flygod Is an Awesome God 2 and his self-proclaimed retirement album, WHO MADE THE SUNSHINE. Benny The Butcher released his much-anticipated Burden of Proof record, while Conway the Machine’s From a King to A God rounded up a strong year for the upstate rappers. Their influence not only stems from their music, but also in the way they market themselves. That mentality perhaps comes from their head honcho, Westside Gunn.

    I never considered myself really a rapper, I just curate. I love putting different people together and just painting a certain picture..

    Westside Gunn
    Hip Hop Review
    Shoot For the Stars Aim For The Moon

    Despite his life coming to a tragic end, Pop Smoke’s musical momentum didn’t waiver, with his popularity in fact rising. His debut studio album was announced with 50 Cent as executive producer. The star-studded album became the record of the summer, with all 19 tracks simultaneously charting on the Billboard 100, eventually reaching platinum status.

    Listening to Pop come into his own as an artist was a bittersweet feeling. Despite the commercial success of the album, many songs consisted of either duplicated or unfinished verses. Yet, his ability to melodize on records like “Something Special” and “Backseat” combined with his already strong delivery on his grittier records made him a rarity in the drill rap genre. In fact, he had long surpassed the label of “drill rapper” and was blossoming into a superstar whose charisma would have made hip hop just the tip of his monetary exploits.

    Alas, that future was not meant to be. Instead, Pop Smoke’s music, exploits and legacy will be passed down from generation-to-generation where he’ll eventually become a fabled and mythical figure. In due time, the sorrow from his passing will turn into nostalgia, where we’ll remember 2020 as the year Pop Smoke ruled the airwaves. 

  • Holiday Rapping: The Eight Rhymes of Christmas

    Christmas is here. Which means it’s time to deck the halls with bars of the holiday. So grab your cup of eggnog, your Santa hat, and enjoy this list of Christmas raps.

    Christmas Rap
    Remember the 80s?

    “You’re A Mean One Mr. Grinch” by Tyler, the Creator.

    Inspired by the music and animation of Dr. Seuss’s “How The Grinch Stole Christmas,” Tyler took the reigns and composed a soundtrack to accompany the 2018 Universal Studios animated film The Grinch. Although a whole EP full of songs inspired by The Grinch can be found on Tyler, the Creator’s Spotify, something about Tyler’s typical cartoonishly deep vocal inflections make this song a true holiday standout.

    “Christmas in Harlem” by Kanye West featuring Teyana Taylor

    There’s something almost ironic about how Kanye, a man known for calling himself “Yeezus,” would release one of the 2010s most critically acclaimed Christmas songs. Originally released on December 17th, 2010, “Christmas in Harlem” brings us the best of both worlds around the holidays. Produced by Hit-Boy and originally released as part of Kanye’s GOOD Music series, “Christmas in Harlem” exhibits the raw talent West possesses when it comes to the meticulous process of arranging music.

    “Santa Clause Goes Straight To The Ghetto” by Snoop Dogg featuring Daz, Nate Dogg, Tray Deee, & Bad Azz

    Have you ever wanted to hear a gritty, G-Funk Christmas song that simultaneously critiques the modern commercialization of Christmas? Well, “Santa Clause Goes Straight to The Ghetto” is the song for you to hear this holiday season. Again, this song is a perfect blend of Snoop’s typical West Coast cool, calm, and collected rap flows while flipping the typical narratives driving Christmas songs. This song is sprinkled with social commentary and full of joyous Christmas cliches.

    https://www.youtube.com/watch?v=mVkg5FM59NA

    “Christmas in Hollis” by Run D.M.C.

    If there were ever to be a rap song synonymous with Christmas, it would be Run D.M.C.’s “Christmas in Hollis.” This song may owe some of its notoriety to the hotly contested Christmas movie, Die Hard (yes, it’s a Christmas movie! ). Run D.M.C. trade-off shouted verses about stumbling across Santa in the park.

    “Christmas Rappin’ ” by Kurtis Blow

    For the next song on our list, we go back to the early days of rap when its popularity as genre was just becoming mainstream. Curtis Blow’s “Christmas Rappin’,” was released in 1979 and found instant success, capitalizing on two popular trends, rap and holiday music. “Christmas Rappin’,” was a product of two Billboard employees who recognized the potential for a hit song. They then enlisted Curtis Blow as the MC who would deliver this rendition of the Christmas classic “Visit from Saint Nick.”

    “Merry Muthaf****n Xmas” by Eazy-E featuring Menajahtwa, Buckwheat from the Lil Waskals, Will 1X, & Atban Klann

    Eazy-E isn’t referred to as one of the kings of gangsta rap for nothing, the twisted spin “Merry Muthaf****n Xmas” takes on Christmas music and is a prime example of E’s close ties to gang life growing up in Compton, CA. Everything about this song rings true to West Coast rap: the beat, the lyrical narratives Eazy-E and company explore, and, not to mention, the yuletide sampling and mentions of Santa that classify this otherwise raunchy cut as a Christmas song.

    “Nothing For Christmas” by Rae Sremmurd

    Rae Sremmurd’s “Nothing For Christmas” is the first song on our list that takes all the tropes and clichés of Christmas music and combines them with all the lackluster components of trap instrumentals. In a way, this song gives birth to a new musical genre – trap-mas music. And that alone gives this song an immense amount of bragging power.

    “Chi-Town Christmas” by Chance, The Rapper

    The most recently released song on this list, “Chi-Town Christmas” is perhaps one of the most emotionally potent tracks from Chicago-born artist Chance, the Rapper. Chance released a whole album’s worth of original Christmas music this past month featuring longtime collaborator Jerimiah. In “Chi-Town Christmas,” Chance once again takes center stage as the rap game’s family man and recites verses depicting a lowkey Christmas in Chicago. This isn’t the first time we’ve seen Chance dabble in Christmas music. However, this is by far his most organic attempt.

  • Rowdy Revel Out Of Prison, Ready to Get Back in The Rap Game

    Brooklyn rapper, Rowdy Rebel, has officially been released from prison, to the rejoice of fans and acquaintances alike.

    Chad Marshall, known professionally as Rowdy Rebel was released this past Tuesday after spending nearly four-years incarcerated at Collins Correctional Facility in Erie County. Upon his release, the “Beam Jawn” emcee was greeted by family, friends and associates. Soon-after, he was being gifted eye-popping jewelry and made his way to a private Jet, as well as a recording studio.

    Originally arrested back in 2014 alongside fellow rapper Bobby Shmurda and other GS9 hip-hop collective affiliates on murder, drug, and weapons charges. The two Brooklyn drill rappers then took a plea on conspiracy to possess weapons and were then sentenced to seven years in prison.

    Even while locked up, Rebel kept up his grind, keeping his focus on music. The “Computers” rapper made a guest appearance on Pop Smoke’s Billboard charting record “Make it Rain,” recording his verse via a collect call from prison.

    Videos surfaced all over social media documenting Rowdy Rebel’s first day of freedom, including a call to still incarcerated Bobby Shmurda. Who, on the other hand, hasn’t fared as well with the Board of Parole despite taking a plea deal so his compatriot would serve less time. Bobby Shumrda has allegedly racking up violations for possession of weapons and drugs while in prison and is serving the rest of his sentence, Bobby is scheduled to be released in December of 2021.

    Fans should keep their ears to the ground for new music coming from Rowdy Rebel as he has already been seen cooking it up in the studio, you can see him live on Instagram reveling in his newfound freedom and triumphant return to Brooklyn’s rap game.



  • Queens Rapper Kyngjo Making a Leap With ‘Who That’ Official Video

    Upon the release of the music video for his single, “Calling Me,” Lefrak city native Kyngjo was happy with how his music was progressing, but was not fulfilled. Having begun his foray into the rap game only a year prior, he had seen significant growth in his sound and audience. With songs like “I’m Good Luv,” “Calling Me” and “Hypnotize” having reached tens of thousands of plays, he felt like it was time to up his production value.

    “A lot of people want to rap, but what separates most of them is who puts their own money behind it,” he adds. “People always say this, but you really have to invest in yourself.” 

    Kyngjo Who That

    With that, he embarked on a quest to shoot his best music video to date. The slick & catchy single “Who That,” which contains features from Long Island native, Pell The Don and Bronx rapper, Goggle Boy.”

    “I just felt like that was a song I could push,” he explains. “Everyone did they thing on it and it’s something you could bump in the club or in your whip.” With a more polished music video in mind, he sought out popular Queens videographer, V.Lens. “I have ideas, but I also want a videographer who can come with their own [ideas] and knows how to shoot a story, not just record the video.”

    Together, both artist and videographer brainstormed ideas and eventually came up with a fitting storyline to match the record. And so, the quartet made their way to the Long Beach section of Nassau County, as the boardwalk was designated as the perfect locale.

    Actress and model, Ceecee Valez, played Kyngjo’s love interest in a plot that sees him and Pell The Don counting wads of cash when Kyngjo peers off, noticing Valez’s character making her way out. The rest of video sees the trio deliver their verses in the two Rolls Royce Wraiths and inside a club-themed locale.

    Overall, the music video was quick and to the point (along with plenty of eye-catching props). Each artist got their chance to showcase not only their verses, but how well they work in front of the camera as this was a significant step up for each of them. “I wanted to separate myself from a lot of other people and I feel like I did that,” Kyngjo reveals.

    Kyngjo Who That
  • A Boogie Arrested Following Birthday Celebration

    Bronx rapper, A Boogie Wit Da Hoodie, was arrested in Bergen County, NJ Monday, Dec. 7th following his 25th birthday celebration. A Boogie is currently facing an array of gun and possession charges.

    Born Artist J. Dubose, A Boogie was arrested following a search warrant issued at his residence in Demarest, NJ where police seized four illegally owned handguns. The rapper’s security guard, Quashan Hagler, and his manager, Samblou Camara, were also arrested on possession of illegally owned firearm charges. Police also found an assortment of cannabis and drug paraphernalia which were added to the charges A Boogie is currently facing, according to prosecutors.

    A Boogie

    The search warrant was issued following a brawl that took place outside of a nightclub where A Boogie was celebrating his 25th birthday. Details are scarce, but witnesses report the fight escalating to a shootout. At this point, A Boogie’s involvement at this point is unsure, however, the investigation continues according to the police.

    The events that transpired over the weekend take place during a year where we have lost countless rappers to street violence, most notably, Grammy-nominated Brooklyn artist Pop Smoke who was shot and killed following a home invasion in LA this past February.

    More information about the shooting should be rolling out soon however, at this point there’s no indication that A Boogie was injured nor is it clear the group was directly involved in the shooting.

  • Happy Birthday Jay-Z, Hip Hop’s Big Brother

    When talking about the significant birthdays in hip hop, few mean more to the genre than Jay-Z’s. The Brooklyn-bred mogul has turned modest beginnings into a billion-dollar empire while doubling as one of the world’s most popular and influential entertainers. A product of Brooklyn’s Marcy projects, Hov has found success by being a forward thinker and staying ahead of the curve, something he has no problem reminding peers and fans alike. After all, who else could serve as Hip Hop’s “Big Brother?” So, as we wish him a happy 51st birthday, here are the top Jay-Z songs where he lets you know that he sets the trends, we just follow.

    Imaginary Players

    The fourth track off of his sophomore album, In My Lifetime, Vol. 1, “Imaginary Players” has stood the test of time as one of the premier “sh** talking” records in Hip Hop history. Hov spends nearly four-minutes reminding rappers that their records don’t sell as well as his, they’re not as fly as him and their money simply doesn’t stack up. As part of his earlier discography, it’s always fun to hear Jay – Z brag about cars, money and jewelry before his ascension to mogul status. The intro alone sets the tone for the whole record.

    I gotta be like the pioneer to this sh**, you know
    I was popping that Cristal
    When all y’all n***** thought it was beer and sh**, you know
    Wearing that platinum sh**
    When all y’all chicks thought it was silver and sh**
    I gotta really be the pioneer of this sh**
    Bottom line

    30 Something

    This is an interesting part of Jay – Z’s career. Hip Hop has always been driven by the youth, yet on this record, a 35-year-old Jay tried to convince the world that all the youthful materialism (rims, jewelry, gunplay) that had been a part of the rap culture for decades was now irrelevant.

    I’m young enough to know the right car to buy
    Yet grown enough not to put rims on it
    I got that six-deuce with curtains so you can’t see me
    And I didn’t even have to put tints on it
    I don’t got the bright watch, I got the right watch
    I don’t buy out the bar, I bought the night spot
    I got the right stock
    I got stockbrokers that’s movin’ it like white tops

    It was certainly gaudy of him to believe that he could single handedly shift hip hop’s culture to fit where he was at in his own life. But, the fact that he was able to turn this train of thought into an entire album — Kingdom Come — and not get ridiculed is impressive in itself.

    On to the Next One

    https://youtu.be/AQY7hivw67Q

    One of the lead singles off of 2009’s The Blueprint 3 album, this record continues the trend of Jay – Z letting rappers know that they simply do not have the connections that he does, so the moves he make will always be of a higher plateau. The Swizz Beats assisted record sees Hov double down on his new way of thought, letting listeners know that he’s only moving forward and since he’s used to setting trends, this would just be another one that the masses would eventually follow.

    I had Oprah chillin’ in the projects, Had her out in Bed Stuy chillin’ on the steps, Drinking quarter waters I gotta be the best,
    M-J at Summerjam, Obama on the text,
    Y’all should be afraid of what I’m gonna do next.

    He also continues his hilarious vendetta against throwback jerseys, which have been and always will be a staple of Hip Hop culture.

    Used to rock a throwback, balling on the corner
    Now I rock a teller suit, looking like a owner

    U Don’t Know

    One of the very best records from one of the best album’s in Jay – Z’s discography, “U Don’t Know” is the 6th track off of the original Blueprint album. The record serves as a reminder that Jay – Z’s business acumen was crafted from his time on the street. Backed by thumping drums and horns, Hov reminds everyone that if he’s nothing else, he’ll always be a hustler. From selling crack cocaine, to records, to clothing, he’ll always find a way to remain on top.

    I sell ice in the winter, I sell fire in hell
    I am a hustler baby, I’ll sell water to a well

    His ambition alone should serve as motivation.

    Could make 40 off a brick but one rhyme could beat that
    And if somebody would of told ’em that Hov’ would sell clothing
    Heh, not in this lifetime, wasn’t in my right mind
    That’s another difference that’s between me and them
    Heh, I’m smarten up, open the market up

    Otis

    I invented swag

    One of the very best songs of 2011, “Otis” is titled after legendary soul singer Otis Redding because of the heavy sampling of his voice throughout. But make no mistake, this song is 2:58 of unabashed braggadocio. The opening line sets the tone and from there on Hov and ‘Ye take turns letting us know that they’re the hottest sh** out and the biggest trendsetters in the game (and who would argue?).

    I made “Jesus Walks” I’m never going to Hell
    Couture level flow, it’s never going on sale
    Luxury rap, the Hermes of verses
    Sophisticated ignorance, write my curses in cursive
    I get it custom, you a customer
    You ain’t customed to going through customs
    You ain’t been nowhere, huh?

    After years of turning up his nose at those who would brag about women, cars and jewelry, Jay – Z sounded rejuvenated on this record.

    Poppin’ bottles, puttin’ supermodels in the cab, proof
    I guess I got my swagger back, truth
    New watch alert, Hublot’s
    Or the big face Rollie I got two of those
    Arm out the window through the city I maneuver slow
    Cock back, snap back
    See my cut through the holes

    We don’t know if Jay – Z will release anymore music, but his historic longevity has allowed us to see the maturation of the most influential figure out of New York City and for that, we can be grateful. While a few of these attempts at leading the charge have been hilariously head scratching, the impact, innovation and hustler’s mentality is something to be revered. Happy Birthday Hova!

    Happy Birthday Jay-Z
  • Wu Tang Clan and Texas Reunite for the First Time in Two Decades with ‘Hi’

    Wu Tang Clan released “Hi,” a new single alongside Texas, on Tuesday, December 1.

    Recognized as one of the pioneers of the grimy, raw, hard-nosed sound, Wu Tang Clan’s status as international stars is not to be underestimated. They were synonymous with New York for almost three-decades. Their reputation as one of the most influential factions in Hip Hop history has seen their popularity soar in nations throughout the world, one being Scotland.  

    It was February 9, 1998, when Clan members Method Man and RZA joined Scottish pop-rock outfit, Texas, on stage at the Brit Awards in London. The two factions were performing the remix to the latter’s top 10 UK charting single, “Say What you Want.” Now, over twenty years later, the two groups have collaborated on another trans-cultural record, “Hi.” 

    Featuring RZA, Ghostface Killah and with vocals from Sharleen Spiteri, the record came about during RZA’s time in Glasgow. Whilst the Clan head honcho was filming a documentary, he connected with Spiteri and subsequently contributed a verse the Wu Tang Clan track, “Hi.” 

    A fast-paced alternative record, the music video opens up with Top Boy actor, Kadeem Ramsay, watching footage of their iconic performance at the Brit Awards. The television then segues into a more recent interview between RZA and Spiteri in which they discuss their yearn to work together again. Ramsay’s character is a super-fan of the two groups, as his room is filled with posters, memorabilia, as well as a shirt with a picture from the 1998 Brit Awards plastered on it.

    Throughout the Wu Tang Clan “Hi” music video, he is seen performing routine tasks such as; picking out an outfit, driving his car and getting a tattoo. It is revealed that he kidnapped Spiteri in an attempt to get the two groups to collaborate once again. Spiteri responds by facetiming RZA, and after a short conversation, he obliges to the request. Spiteri and Ramsay then share a smoke, as she lightly ridicules his poor attempt at tying her up. 

  • SAINt JHN Releases The Timely ‘While The World Was Burning’

    SAINt JHN, an artist from Brooklyn (real name Carlos St John Phillips), released his third album While The World Was Burning as artists continue to use the pandemic as inspiration for their music. His successful hit “Roses (Imanbek Remix)” spent 34 weeks on the Billboard Top 100 and peaked at #4 this past summer. The rest of his discography includes two other albums or “collections” with Ghetto Lenny Love Songs released in 2019 and Collection One in 2018. His commercial success took off in 2019, writing “Brown Skin Girl” for Beyoncé’s album The Lion King: The Gift. While the World Was Burning is a glimpse at SAINt JHN’s endless potential as an artist who can capitalize on using unpredictable times as momentum towards his promising career.

    SAINt JHN

     “Sucks To Be You” is the introductory track that successfully sets the tone of While The World Was Burning by reintroducing the world to a different side of SAINt JHN. The repeated lyrics from the chorus, “I said you know who I am, this kid from Brooklyn,” describe an adverse journey from humble beginnings to a successful artist. His honesty about his upbringing coincides with growing apart from someone who supported his initial dreams of wanting to become an artist. SAINt JHN expresses a vulnerable side as an artist who can make an upbeat hit like “Roses” and explain who he is as a person on “Sucks To Be You.”

    https://youtu.be/pDsas5WHPXk
    SAINt JHN made his TV debut performing “Sucks to Be You” on The Tonight Show With Jimmy Fallon

    SAINt JHN gathered a star-studded list of features on this album including 6LACK, Lil Uzi Vert, Future DaBaby, Kehlani, A Boogie Wit Da Hoodie, Kanye, and JID. On “Ransom,” he teamed up with 6LACK and Kehlani to create a complementary vibe for each artist involved. Earlier in the year, he released a music video for “Ransom” featuring only his initial verse. By adding 6LACK And Kehlani, SAINt JHN proves his capability of knowing how to improve a song with the right features.  While “Ransom” and “Sucks To Be You” are both tracks that highlight melodies, “Freedom Is Priceless” delivers an up-tempo beat that showcases his lyricism as a rapper.

    “Pray 4 Me” is a cautionary tale about the possible repercussions of a rockstar lifestyle. SAINt JHN expresses his deepest fears of fame getting the best of him with lyrics like, “My life now, this highlight now/ Play my mama this if I die right now.” In comparison, Kanye’s featured verse feels superficial and so out of place the song would thrive even more without his verse. “Smack DVD” is the second collaboration between the duo and is available on the re-release version of While the World Was Burning. Kanye has a better verse on “Smack DVD” than on “Pray 4 Me,” but SAINt JHN outshines him on both tracks.

    SAINt JHN mentions “Tryin to be the next Kanye” on “Quarantine Wifey,” but his originality is his biggest asset rather than emulating any other artist. Looking back on this year, While the World Was Burning will be a reminder of how music made the uncertain times a little more bearable.

  • Post-Rap’s DIE the Monk Unveils Impurity in ‘The Beauty Complex’

    DIE the Monk is a music alias that explores the macro imperfections of the worlds porous skin. In his latest release, The Beauty Complex, the post-rap artist turns a musical effort emotive. Thus, dissecting brash human composition in real time.

    London born, Sebastien Carnot, deems the stage as his battleground, “where the enemy of the past meets the savior of self-preservation.” Likewise storytelling through dramatized musical ideas and industrial sounds are the essential elements to his craft. The Beauty Complex surely isn’t everyones spot of tea, but the inter-workings of the album shed light on modern warfare in the likes of self-destruction and social [media] evolution.

    DIE The Monk
    The Beauty Complex album art. Released Nov. 19, 2020.

    Carnot pursued the DIE the Monk persona in 2018 when he felt the urge to express energy outwards and publicize his secrets. The realization becomes apparent through The Beauty Complex: that we are all Monks, stewing on our own thoughts for better or for worse.

    I was aiming to create a dancy album full of industrial noises. Messages in this album surround feelings of concern for: self-preservation, mindlessness, over-thinking, and listening to your gut.

    The 9-track DIY opens with “The Void,” a ghoulish opera that crosses the threshold of your inner black hole. With no hope of return, the monk’s musical tinure holds true to the genres dystopian harmony. Immense reverb, choir like voices and a seemingly subconscious conversation drives the listener indefinitely inward.

    “Driver,” may have suited as a better opener, as it sucks you into a heavy trance. Envision London’s late night, underground dance tunnel thriving through all hours, until the explodes into a fountaining half-time.

    Point blank song titles provoke emotion in its purest form. “Timid” takes on a mystical intro. Opening with heavenly exploration, the music weaves into a darker reality of ones insecurities. Off-the cuff raps leave hints of social media and Instagram complexes, but in monk’s reply “I’m not a pretty picture.” None of us are.

    Influenced by artists like Shabazz Palaces, JPEGMAFIA, Xiu Xiu, and Macula Dog, DIE the Monk has carved an underground vibe that transcends pop-up backyard and basement shows. In 2018 DIE the Monk released his debut album, Privacy, filled with drama and dark underlying tones. In the last year a follow up album, Deep End, captured a love disaster, where on his third effort DIE the Monk states “The Beauty Complex is just the beginning.”

    The Beauty Complex is surely an acquired taste, yet worth the exploration in its musical and social exploration. The driving and infinite electronic colours will keep the listener entwined. No “Pressure.”

    More DIE the Monk on Facebook & Instagram

  • M.O.P.’s Billy Danze Returns With ‘We Busy (The Listening Session)’

    On the heels of back-to-back releases in 2019 and in anticipation of his long-awaited album, The Billy Danze Project, Mash Out Posse’s (M.O.P.) own Billy Danze returns. His 13-song, 37-minute LP We Busy (The Listening Session) is a collaboration with Swiss producer, Too Busy. Known for his aggressive delivery and roughneck subject matter, Danze gained notoriety during the mid ‘90’s and early 2000’s as part of the hardcore Hip Hop duo M.O.P., along with fellow Brownsville native, Lil Fame. 

    The Mash Out Posse

    Recognized as a hardcore Hip Hop legend, Danze looks to present fans with a different point-of-view ahead of his upcoming album. A close associate and frequent collaborator to fabled producer DJ Premier, much of M.O.P.’s sound was rooted in classic hip hop principles. Heavy drums and loud snares, plenty of scratching, as well as distinctive riffs and sound effects, as exemplified by their breakout single, “Ante Up.” While The Billy Danze Project may see the Brooklyn-bred emcee return to his musical roots, he looks to show fans a different side of himself on We Busy

    We Busy is more of the thinking section that leads to my album. The soulful beats helped me showcase the Billy Danze my audience may not know; I’m painting familiar portraits on an unfamiliar canvas,” Danze commented.

    We Busy features notable collaborations from a number of Hip Hop legends and pioneers. Along with production and narration from DJ Premier, guest appearances can be found from Method Man, legendary rapper, producer and one half of Mobb Deep, Havoc, M.O.P cohort Lil Fame, fellow Brooklyn native and Firm member Cormega and renowned West Coast rapper, producer and Dogg Pound member, Daz Dillinger. 

    With varying production styles, the project sees Danze remain in his own pocket on the Method Man assisted record, “Gotham.” Yet, on the song “Damn” the underground veteran tries his hand at more contemporary beats and flows, delivering his rhymes in a much lighter and playful tone. On records like “One to Grow on,” the aforementioned soulfulness rears its head, as the Havoc assisted record shows a vulnerable side of Danze. he raps about his apprehensions, fears, failures, goals and ambitions.