Category: Manhattan

  • Alice Coltrane’s Spirited 1971 Performance at Carnegie Hall to Be Released

    In 1971, harpist/pianist Alice Coltrane performed at Carnegie Hall for a special gala benefiting the Integral Yoga Institute. Backed by an all-star group of musicians, Coltrane delivered a captivating set which will now be available in its entirety for the very first time.

    Alice Coltrane Carnegie Hall

    On March 22, Alice Coltrane – The Carnegie Hall Concert (Impulse!), will finally bring the complete document of Coltrane’s Carnegie Hall performance to fans worldwide.

    Held four years after John Coltrane’s untimely passing and recorded by Impulse!, this deeply spiritual performance marked Alice’s first as a leader at Carnegie Hall.  The concert arrived at a pivotal moment in both Coltrane’s musical career and her spiritual journey. She had just released her fourth solo album, the universally acclaimed Journey in Satchidananda, and had deepened her spiritual quest over a five-week trip to India. Her band that night added two members from her teacher/guru Satchidananda’s circle — Kumar Kramer and Tulsi Reynolds, playing harmonium and tamboura, respectively. They provided a distinctly Eastern flavor to a large jazz ensemble largely comprised of collaborators with her late great husband, sax giant John Coltrane. The group included legendary saxophonists Pharoah Sanders and Archie Shepp, bassists Jimmy Garrison and Cecil McBee and drummers Ed Blackwell and Clifford Jarvis

    Coltrane’s set began with two transcendental tunes from the recently-released Journey in Satchidananda, the title track and “Shiva-Loka.”

    The live version of the title tune is the perfect scene setter. It begins with a hypnotic riff by the bass duo of Garrison and McBee, followed by celestial waves of harmonic washes from Coltrane’s harp.  Sanders follows with a wonderful flute solo, with hummed and vocalized harmony, before Shepp brings it home with a bluesy, chromatic excursion on his piercing soprano sax. “Shiva-Loka” is another one chord modal romp which gets deeper with each passing minute.. It is underpinned by a repetitive riff which seems a tribute/lift to/from John Coltrane’s “Equinox.”  Alice’s harp casts a heavenly backdrop for a skronking sax solo by Sanders and then a thunderous drum duet. 

    The remaining two tracks, “Africa” and “Leo,” are covers of latter-day classics by her husband John.  For these long journeys, Alice is at the piano providing chordal colors and the occasional solos. “Africa” stretches out to 27+ minutes, with another explosive drum duet, bass solos and plenty of frenzied soloing by Sanders and Shepp in the Trane tradition– a sound that closely captures what John and his crew were conjuring on latter-day recordings like “Live in Japan.”

    This year Impulse! and Verve Label Group have partnered with The John & Alice Coltrane Home to launch the “Year of Alice,” a year-long celebration of Alice Coltrane’s profound work.  At the center of the celebration are Coltrane’s groundbreaking recordings for Impulse!, and the label will be working in tandem with The John & Alice Coltrane Home for varied activations throughout the year. To kick off the year-long celebration, there will be special night of performers and speakers that include Ravi ColtraneMichelle ColtraneBrandee Younger and more at the legendary Birdland on February 22.

    To learn more, visit ververecords.com

    Pre-order the album HERE.

  • Hip-Hop Education Center & Lincoln Center Collaborate to Celebrate Women in Hip-Hop 

    The Hip-Hop Education Center and Lincoln Center for the Performing Arts (LCPA) will present the inaugural Fresh, Bold & So Def Symposium: A Tribute to Women in Hip-Hop on April 5 at the Lincoln Center’s Alice Tully Hall. This will be the first conference of the three-part series that will spotlight the often-unsung heroines who have played a pivotal role in shaping the landscape of Hip-Hop culture.

    Hip-Hop Education Center

    The mission of the Hip-Hop Education Center is to empower individuals and communities by catalyzing social change and equity through research, curated curricula, collaborative programming, career and leadership training, and the development of a living archive. 

    The Fresh, Bold & So Def Symposium aims to showcase the rich tapestry of talent and innovation that these trailblazing women offers in a male-dominated industry as a means of empowering future and seasoned artistic leaders to push Hip-Hop culture forward with new perspectives and daring insight, backed by prominent leaders in the community.

    “The Hip-Hop Education Center is extremely proud to elevate the achievements and contributions of women in Hip-Hop at one of the most prestigious performing arts institutions in our country,” Martha Diaz, the Chief Curator for Hip-Hop Education Center shared, “Having a platform where our history is honored and can be shared, documented, and made accessible to the masses is not only monumental, it is empowering!” She added. 

    B Girl G.I.Jane

    The morning sessions will focus on mostly educating local high school students on the elements of Hip-Hop culture through hands-on workshops, a career cipher, and more, while the afternoon symposium, tailored to industry professionals, will offer panel discussions, fireside chats, performances, and networking opportunities.

    The inaugural celebration will include over seven different panels that will include the DiSRUPTERS: Women Who Dare To Be Different, the first panel moderated by author and journalist Kathy Iandoli on paving new career pathways with trailblazers Erica Ford, founder of violence prevention organization LIFE Camp, also a renowned graffiti artist and designer Claw Money, legendary DJ and radio host Jazzy Joyce, and Rosa Clemente, the first Afro-Latina to run for Vice-President of the United States on the Green Party ticket. 

    BOSS UP! The Art of Negotiation, will be a lecture with Wendy Day, the founder of the Rap Coalition, a not-for-profit organization helping artists navigate the industry more advantageously. GAME CHANGERS: Trailblazer Mentoring The Next Generation of Girls & Women in Hip-Hop, featuring legendary stylist and fashion designer Misa Hylton of Misa Hylton Fashion Academy, Tiffany Miranda of Girls Make Beats, Ladies of Hip-Hop founder Michele Byrd-McPhee, music industry veteran Sophia Chang of Unlock Her Potential, and Shyvonne Sanganoo of Lower East Side Girls Club.  

    Straighten Your Crown: Staying Grounded and Centered in Self-care, a fireside chat with artist and Hip-Hop ambassador Toni Blackman and music industry executive Shanti Das on how community and mental health affect quality of life

    Blow the Whistle: Culture Shifting Women, will be a panel discussion on navigating misogyny in the culture with filmmaker and scholar Rachel Raimist, pioneering MC and author Sheri Sher of the Mercedes Ladies, Elizabeth Mendez-Berry, Vice President and Executive Editor of One World, May Praseuth, Founder and Executive Director of The Good Foot Arts Collective, Juana Sperling of female rap group JJ Fad, and writer and producer Kim Osorio

    Mic Check: First Ladies Cypher, a fireside chat with pioneering MCs Sha-Rock, Pebblee Poo, Debbie D, and Lisa Lee, moderated by Martha Diaz

    The award winning journalist Dr. Joan Morgan will present Hip-Hop Feminist Futurism and later fans will be able to participate in workshops rooted in breaking, beat-making, graffiti, and oral history with Community for Urban Dance & Art, Girls Make Beats, Ladies Love Project, and Lower East Side Girls Club. The panel will host performances by Ladies of Hip-Hop and Full Circle Souljahs of world-renowned Hip-Hop dance duo Kwikstep and Rokafella. 

    Fresh, Bold & So Def Symposium will take place on April 5, 2024, inside Lincoln Center’s Alice Tully Hall. Tickets are Choose-What-You-Pay and go on sale on February 22, and fans can view the full schedule by visiting  LincolnCenter.org/SoDef.

  • Hearing Aide: A Legendary Composer Looks at his Greatest Work in “Philip Glass Solo”

    A most-esteemed American composer, Philip Glass has released a new album, Philip Glass Solo, on January 26. The collection features his most enduring and beloved piano works, painting an intimate portrait of the renowned pianist.

    Philip Glass Solo

    Philip Glass Solo was recorded during the COVID-19 pandemic, a time when the world was undergoing a major shift and Glass was shifting from a busy tour and premiere schedule to spending time at home. Glass dedicated this time to revisiting some of his most critically acclaimed piano music, taking to them with a fresh view from his home studio in New York.

    Glass’ most personal record to date, Philip Glass Solo offers a snapshot of his life, and a portrait of daily practice over eight decades through several cherished works.

    Now 86, Glass reflects on his career and the new release:

    “This record revisits my works for piano. From 2020-2021, I had time at home to practice the works I have played for many years. This record is both a time capsule of 2021, and a reflection on decades of composition and practice. In other words, a document on my current thinking about the music. There is also the question of place. This is my piano, the instrument on which most of the music was written.

    It’s also the same room where I have worked for decades in the middle of the energy which New York City itself has brought to me. The listener may hear the quiet hum of New York in the background or feel the influence of time and memory that this space affords. To the degree possible, I made this record to invite the listener in.”

    Philip Glass

    Philip Glass Solo features “Opening,” originally written for the 1982 album Glassworks, which remains one of Glass’ most transfixing pieces and established a sound that quickly became a calling card, the masterpiece of “Metamorphosis” I, II, III, and V, the series of music Glass arranged for his first solo piano concerts in the 1980s; one of his most beloved pieces and longest performances on record (at 16:35), “Mad Rush,” which he composed as an organ piece in 1978 when the Dalai Lama made his first public address in New York; and a reworked version of “Truman Sleeps” from the soundtrack of the beloved 90s film The Truman Show, where Glass appeared on screen performing the piano in one of the pivotal scenes of the film. His changes speak to the heart of all artists’ evolution of both themselves, and their music, over time.

    Born in Baltimore, Maryland, Philip Glass graduated from the University of Chicago and the Juilliard School. In the early 1960s, Glass spent two years of intensive study in Paris with Nadia Boulanger and while there earned money transcribing Ravi Shankar’s Indian music into Western notation.

    By 1974, Glass had a number of innovative projects creating a large collection of new music for The Philip Glass Ensemble and for the Mabou Mines Theater Company. This period culminated in Music in Twelve Parts and the landmark opera Einstein on the Beach, for which he collaborated with Robert Wilson.

    Philip Glass Solo

    Since Einstein, Glass has expanded his repertoire to include music for opera, dance, theater, chamber ensemble, orchestra and film. His scores have received Academy Award nominations (KundunThe HoursNotes on a Scandal) and a Golden Globe (The Truman Show). Glass’s memoir Words Without Music was published by Liveright Books in 2015. Glass received the Praemium Imperiale in 2012, the U.S. National Medal of the Arts from President Barack Obama in 2016, and 41st Kennedy Center Honors in 2018.

    Glass’s recent works include a circus opera Circus Days and Nights, Symphony No. 13, Symphony No 14, and Triumph of the Octagon, commissioned and premiered by the Chicago Symphony Orchestra. Glass is currently writing his 15th symphony commissioned by the National Symphony Orchestra.

    Philip Glass Solo is available in both digital and limited-edition condensed vinyl format. Listen and order here.

  • UB40 Announces Red Red Wine Tour Celebrating 45th Anniversary

    UB40’s summer tour will kick off in NYC on July 2 at Sony Hall on a tour that will feature UB40’s hits as well as songs from their upcoming album, UB45.

    The Red Red Wine Tour will also feature other artists on select dates including The English Beat, Inner Circle, Maxi Priest, Third World, and Fastest Land Animal.

    This upcoming tour marks the third straight year that the band will rock audiences in the US. UB40 will have two dates in New York on July 2 and Aug. 15. Sony Hall in Manhattan will see UB40 kick off the tour live with their world-renowned hits, and new releases. They are also performing at the Harry Chapin Lakeside Theater in Nassau County on Aug. 15.

    “We’re excited to get back to the States again for our third year in a row, as we love coming to America.  We can’t wait to play songs from our new album that we’re so very proud of, showcasing Matt Doyle’s vocals on the tracks. He’s brought a new lease of life to our music, as has the addition of our ‘permanent guest’ MC Gilly G and my son on backing vocals, Matt Campbell, carrying on the legacy. When you play songs over so many years, the arrangements and vocals evolve and change. These updated versions of our hits are still close to the originals, but now reflect how we perform them today and they sound better than ever.”

    Robin Campbell, UB40 Guitarist

    The band’s impactful reggae-pop music will be out in full effect this summer. The talent and influence that UB40 emanates is something to behold live. The band will showcase their abilities in celebration of their 45th anniversary, as well as the release of the UB45 album which commemorates the anniversary as well.

    Red Red Wine 2024 Tour Dates:

    July 2              Sony Hall – New York, NY

    July 3              The Wilbur – Boston, MA

    July 5              The Great Cedar Showroom at Foxwoods Resort Casino – Mashantucket, CT

    July 6              The Event Center at Hollywood Casino – Charles Town, WV

    July 7              Freeman Arts Pavilion – Selbyville, DE

    July 10            Bergen Performing Arts Center – Englewood, NJ

    July 11            OLG Stage at Fallsview Casino – Niagara Falls, ONT

    July 12            FIM Capitol Theatre – Flint, MI

    July 13            The Event Center at Rhythm City Casino and Resort – Davenport, IA

    July 15            Clowes Memorial Hall – Indianapolis, IN

    July 16            Marion Cultural and Civic Center – Marion, IL

    July 18            The Lincoln – Cheyenne, WY

    July 19            The Amphitheater at Canyon’s Village – Park City, UT

    July 20            Shoshone Bannock Casino – Fort Hall, ID

    July 21            Emerald Queen Casino – Tacoma, WA

    July 23            Oregon Spirit Distillers – Bend, OR

    July 25            Mountain Winery – Saratoga, CA

    July 26            Morongo Casino — Cabazon, CA

    July 27            Star of the Desert Arena at Buffalo Bills – Primm, NV

    July 28            Green Music Center Sonoma State University – Rohnert Park, CA

    July 30            Ace of Spades – Sacramento, CA

    July 31            The Greek Theatre – Los Angeles, CA

    August 2          Chumash Casino Resort and Spa – Santa Ynez, CA

    August 3          Wildhorse Pass – Chandler, AZ

    August 4        Casino Del Sol Resort – Tucson, AZ

    August 5          The Bridge at Santa Fe Brewing Company – Santa Fe, NM

    August 8          The Sound at Coachman Park – Clearwater, FL

    August 9          Pompano Beach Amphitheatre – Pompano, FL

    August 10       The Saint Augustine Amphitheatre – St. Augustine, FL

    August 11        King Center for the Performing Arts, Melbourne, FL

    August 15      Eisenhower Park – Harry Chapin Lakeside Theater – Nassau County, NY

    August 16      Seaside Heights Live – Seaside Heights, NJ

    August 17      El Patio – Dorado, Puerto Rico

    August 18      University of the Virgin Islands, Hermen E. Moore Golf Course – St. Thomas – USVI

    Pre-sale is February 7 and 8; and on sale is on February 9 for most shows (unless otherwise listed). Tickets and fan experiences are available for purchase at UB40.GLOBAL.

  • Stevie Nicks Adds Albany Date to 2024 Tour

    Rock and Roll Hall of Famer Stevie Nicks has expanded her wildly successful 2023 tour with 13 additional performances added. The Live In Concert tour will make stops in New York State on Feb. 14 at the UBS Arena and June 12 at MVP Arena.

    stevie nicks

    General on-sale for the additional dates will begin on Friday, February 9 at 10 a.m. local time at LiveNation.com.

    STEVIE NICKS 2024 TOUR DATES:

    Sat Feb 10 – Atlantic City, NJ – Mark G Etess Arena
    Wed Feb 14 – Belmont Park, NY – UBS Arena
    Sat Feb 17 – Baltimore, MD – CFG Bank Arena
    Wed Feb 21 – Greenville, SC – Bon Secours Wellness Arena
    Sat Feb 24 – Hollywood, FL — Hard Rock Live^
    Wed Feb 28 – New Orleans, LA – Smoothie King Center
    Sun Mar 03 – Omaha, NE – CHI Health Center
    Wed Mar 06 – North Little Rock, AR – Simmons Bank Arena
    Sat Mar 09 – Arlington, TX – AT&T Stadium*
    Sat May 04 — Charlotte, NC — Lovin’ Life Music Fest — First Ward Park+
    Tue May 07 – St. Louis, MO – Enterprise Center – JUST ADDED
    Fri May 10 – Thackerville, OK – WinStar World Casino and Resort^ – JUST ADDED
    Tue May 14 – Nashville, TN – Bridgestone Arena – JUST ADDED
    Sat May 18 – San Antonio, TX – Frost Bank Center – JUST ADDED
    Tue May 21 – Highland, CA – Yaamava’ Resort and Casino – JUST ADDED
    Fri May 24 — Napa, CA — BottleRock Festival — Napa Valley Expo+
    Mon May 27 – Salt Lake City, UT – Delta Center – JUST ADDED
    Thu May 30 – Denver, CO – Ball Arena – JUST ADDED
    Tue Jun 04 – Indianapolis, IN – Gainbridge Fieldhouse – JUST ADDED
    Sun Jun 09 – Uncasville, CT – Mohegan Sun – JUST ADDED
    Wed Jun 12 – Albany, NY – MVP Arena – JUST ADDED
    Sat Jun 15 – Hershey, PA – Hersheypark Stadium – JUST ADDED
    Tue Jun 18 – Grand Rapids, MI – Van Andel Arena – JUST ADDED
    Fri Jun 21 – Chicago, IL – Soldier Field*

  • K-Pop Band Oneus Returns to New York This Spring

    K-pop band Oneus has announced they are returning on a major North American Tour “La Dolce Vita”, with the 11-city tour featuring a stop at Madison Square Garden on March 24.

    oneus madison square garden K-pop

    South Korean pop band Oneus first released their debut EP Light Us in 2019 with “Valkyrie” serving as its lead single. The song was received with positive reviews and quickly gained attention in the international markets by charting in top ten of several countries’ iTunes charts, including at number one in the US and Australia. In 2021 the pop band released their first full-length album Devil, consisting of eleven tracks, including the lead single “No Diggity”. 

    Oneus members, Ravn, Seoho, Leedo, Keonhee, Hwanwoong and Xion came up with their band name which has two meanings. One is that the members came together by gathering strength from every one of their fans, the other meaning symbolizes Oneus’ mission to bring together regular people who will work side-by-side to create a united world. “Oneus” in Korean also can be spelled as “One Earth”. The band is seemingly eager to get back in front of their fans and follow up from their Blood Moon tour in 2022.

    In addition to the success of other K-pop acts like Blackpink and BTS, Korean dramas like “Squid Game” have also contributed to the appeal of Korean pop and culture in the US. It goes without saying that local and NY K-pop fans will be thrilled to see one of the South Korean boy bands perform in their area soon. 

    “La Dolce Vita” will be the band’s third tour after their Fly With Us tour in 2019 and the Blood Moon tour in 2022.

    Fans can find tickets here for Oneus’ 11 stop tour that will feature a performance at the Madison Square Garden on March 24.

    Oneus “La Dolce Vita” 2024 World Tour dates:

    Sat Mar 16 – Seattle, WA – Moore Theatre

    Mon Mar 18 – Oakland, CA – Paramount Theatre

    Fri Mar 22 – Chicago, IL – Byline Bank Aragon Ballroom

    Sun Mar 24 – New York, NY – Theater at Madison Square Garden

    Tue Mar 26 – Washington, D.C. – The Theater at MGM National Harbor

    Thu Mar 28 – Louisville, KY – The Louisville Palace

    Sun Mar 31 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for Performing Arts

    Wed Apr 03 – Dallas, TX – Music Hall at Fair Park

    Fri Apr 05 – Houston, TX – Bayou Music Center

    Mon Apr 08 – Phoenix, AZ – Arizona Financial Theatre

    Wed Apr 10 – Los Angeles, CA – The Wiltern

  • Benny the Butcher Lights Up Sirius Studio with ‘Everybody Can’t Go’ Release Celebration


    At an event at Sirius Studio in New York City, Benny the Butcher marked a pivotal moment in his career as he celebrated the release of his latest album, “Everybody Can’t Go.” The album, a significant milestone as his first major label release under Def Jam, has already been making waves in the hip-hop scene.

    The studio session was nothing short of electrifying, featuring an exclusive interview with Benny conducted by DStroy and Gray Rizzy. The atmosphere was charged with excitement as the rapper delved into the creative process behind the album and shared insights into the journey that led him to this groundbreaking release.

    Benny treated the audience to a captivating live performance, showcasing his lyrical talent with renditions of three tracks from the album. “Big Dog,” “Jermaine’s Graduation,” and “Back Again” echoed through the studio, leaving an indelible mark on everyone present. The raw and authentic energy in Benny’s delivery resonated with fans and further solidified his status as a force to be reckoned with in the rap game.

    The studio audience played an integral role in the event, engaging with Benny through a series of thought-provoking questions. This interactive element provided a unique glimpse into the artist’s mindset and the stories behind the tracks that make up “Everybody Can’t Go.”

    A surprise guest appearance by none other than Bun B elevated the celebration to new heights. The special call from the legendary rapper not only underscored the impact of Benny’s work but also emphasized the camaraderie and respect within the hip-hop community.

    “Everybody Can’t Go” is not just an album but a testament to Benny the Butcher’s evolution as an artist. The Def Jam release marks a significant chapter in his career, and the Sirius Studio event served as a fitting tribute to the hard work and dedication that went into crafting this masterpiece.

  • Montauk’s Annie Trezza Performs in Manhattan at Arlene’s Grocery

    On February 2, Annie Trezza provided the tunes and ensued the grooves at Arlene’s Grocery, a Lower East Side treasure. From the most eastern point of New York State, Annie and her band descended into the city from Montauk, bringing their east coast surf-rock demeanor with them in blue suitcases, fur coats, and their soulful sound.

    Bass rattled the vintage infrastructure of Arlene’s as Annie prepped her stage. She twirled around her staple acoustic and a sky blue electric-guitar perched behind the microphone, sipping a Tecate and dancing to the pre-show tunes. Huddled on stage was the Arlene’s grocery drum set, a bass guitar, and a pedal set that her bandmates fiddled with. Friends and family members of the band milled about the tight-spaced room, and curious New Yorkers in search of live music filed down the stairs into the pit. 

    Annie and her whole crew made their way onto stage. “Hey everyone! We track from the east end, AKA Montauk – the coolest place on Earth!” She wore a memorable coat with fur trimmed cuffs, velvet cowboy boots, bell bottoms, and a cowboy hat. Her style matched her sound, as she strummed her band into play. 

    After her first couple of songs, Annie Trezza introduced her band: Jack Marshall on the steel guitar, Andrew Winthrop on the drums, and Kevin L. on the bass. Their stage presence was commanded by Annie’s charisma, and they gelled together seamlessly. After the song “Ave. A,” Annie was excited to play her song “Summer//Winter,” which can be heard in the neo-western thriller “The Last Victim” on Hulu.

    With drinkable influence from iconic artists like The Doors and Fleetwood Mac, and more modern-scale groups like Houndmouth or The Growlers, Trezza has combined classic riffs and the jam-band groove with her own poetry and life-style flair. 

    Each song threaded a narrative with unique lyrics. In the span of the mere hour long set, we were pulled from New York City, to Montauk, to Florida, to the French countryside. With strong influences from the ocean, surfing, relationships, and the seasons changing, Trezza holds an earthy and empathetic discography.

    Their set deserved more time, for the storytelling between songs had to be nipped in order for Annie to perform the entirety of her setlist. Trezza acknowledged the time passing, “ All of these songs have a story, and I do like to ramble…” The crowd replied, “Ramble on!” The collective reference to Led Zeppelin couldn’t be missed. 

    A story that seemed to resonate with the audience was that behind her song “French Countryside.” Sleeping in the room next door to the person you’re in love with. The song had a tremendous build that mirrored the feeling of emotional climax – when feelings can no longer be contained and the body becomes an emotional well.

    The bridge warranted dancing and Annie’s pal Kate grooved front and center. She bounced around the rim of the stage, and her energy encouraged others to move their feet. Annie invited the audience to fill in the dance floor. Bodies pushed towards the stage and the motion met the music.

    “Alright, that was the acoustic set. We’re gonna go surfing again!” Annie swapped her acoustic guitar for her electirc as she geared up for the last couple of surf-inspired songs “Surf Crush,” and “Pitted.” “This song is about surfing, the greatest thing in the world! We’re in New York City, let’s get pitted!”

    “Pitted” was the final song of the evening, and it ended the night on a high note. Once the show concluded, Annie hung around the Arlene’s chatting with her audience. Her artistry as well as her connective nature was genuine.

  • Meet Me @ The Altar – Irving Plaza Edition

    Meet Me @ The Altar, the vibrant and genre-defying trio, is redefining the punk and pop-punk scene with their electrifying energy and empowering anthems. With lead vocalist Edith Victoria, guitarist Tea Campbell, and drummer Ada Juarez, the band’s dynamic sound reflects their diverse influences and shared passion for breaking barriers in the music industry. Hailing from different corners of the U.S., MMATA found their common ground, and swiftly became a force to be reckoned within the world of punk.

    MMATA

    MMATA’s “Say it To My Face Tour” stop at Irving Plaza on January 25 was an exhilarating celebration of punk, diversity, and unapologetic self-expression. The night kicked off with stellar performances by Elliot Lee, John Hardie, and Honey Revenge, setting the stage for a high-octane headlining act.

    MMATA

    As MMATA took the stage, the atmosphere crackled with excitement. A fan in the front row held a sign that declared “Ada is my everything,” a testament to the profound connection the band fosters with their supporters. The show became a participatory experience when Edith let the crowd choose between two songs, playfully warning them about the sad backstory of “A Few Tomorrows” before launching into it, resulting in playful banter between the band and their adoring audience.

    MMATA

    Edith, Tea, and Ada’s banter with the crowd showcased not only their musical prowess but also their genuine connection with fans. They acknowledged a dedicated fan who had attended 10 shows with applause, reinforcing the reciprocal love between the band and their followers. The concert marked a significant milestone for MMATA, as they headlined at Irving Plaza for the first time, reflecting on their journey from opening for MUNA in 2022 to sharing the stage at Madison Square Garden with 5 Seconds of Summer.

    MMATA

    Inflatable beach balls bounced through the crowd, adding to the playful atmosphere, while Edith’s confusion about the continued existence of BeReal revealed a charming, down-to-earth side. The concert took unexpected turns, such as Tea’s witty remarks during the intro to “Hit’s Like a Girl,” celebrating love and adding a personal touch to the night.

    MMATA

    A standout segment dubbed “Songs We Wish We Wrote” featured spirited covers, including “Since You’ve Been Gone” and “Burnin’ Up,” showcasing the band’s versatility and sense of humor. The fan project during “Garden,” where paper flowers bloomed in the crowd, was a visually stunning moment, and Edith’s acceptance of a flower from a fan emphasized the symbiotic relationship between the band and their admirers.

    MMATA

    Meet Me @ The Altar used their platform for more than music, incorporating activism into the show with the presence of Headcount volunteers promoting voter registration. Crowdsurfing added a final touch of chaos to the night, encapsulating the raw, unfiltered spirit of punk.

    In summary, Meet Me @ The Altar’s concert at Irving Plaza wasn’t just a show; it was a riotous celebration of individuality, shared experiences, and the unifying power of music. The trio’s ability to seamlessly blend punk, pop-punk, and heartfelt lyrics created an atmosphere that resonated with the diverse audience, making it a night to remember.

    Setlist: Same Language, Now or Never, Try, A Few Tomorrows (Crowd voted for this over May the Odds Be Ever In Your Favor), Hit Like a Girl, It’s Over for Me, Since U Been Gone (Partial Kelly Clarkson cover), Take Me Away (Partial Christina Vidal cover), Burnin’ Up (Partial Jonas Brothers cover), T.M.I, Garden, Feel a Thing, Kool, Say It (to My Face)

  • Cyndi Lauper Holds Intimate Keynote Event at Berklee NYC Career Expo

    The students of Berklee NYC were treated to an intimate and fascinating experience with pop legend Cyndi Lauper in January.

    The 2024 Berklee NYC Career Expo was an event held at the Berklee NYC campus on January 22. The event featured several music icons including Cyndi Lauper, who took center stage.

    Cyndi Lauper Holds Intimate Keynote Event at Berklee NYC Career Expo

    Cyndi Lauper shared valuable knowledge about experiences in the entertainment business. Ms. Lauper was joined by several NYC songwriters, producers, and other accomplished industry leaders to discuss the many aspects of music and entertainment.

    The entire event saw many students excited to listen and learn from such greatness. The program included a discussion on how a song is written, produced and marketed, as well as an interactive workshop for theater writers.

    Further, students were shown a behind-the-scenes demonstration of the modern music festival setup with first-hand insights from creative designers.

    “We were honored to welcome the inimitable Cyndi Lauper to Berklee NYC, an artist who has left an indelible mark on music history just as she did with the audience at the expo. We extend our gratitude to all of the brilliant artists and industry leaders who shared their experiences with our students. Our team places an extremely high value on delivering meaningful and relevant industry insights to the aspiring professionals in our program, and this event reaffirmed that shared passion within our community in every way.”

    Betsie Becker – acting executive director

    The Berklee NYC Career Expo was a successful means of engaging the student body with a meaningful night of intrigue and networking. Every audience member present on January 22 left with something of value to take away from the experience. For more information on the career expo with Cyndi Lauper, visit Berklee NYC’s Website.