Category: Manhattan

  • Justin Timberlake is “Selfish” and “Sanctified” SNL with host Dakota Johnson

    For the second episode of Saturday Night Live in 2024, Studio 8H welcomed back Madame Web actress Dakota Johnson, along with musical guest and SNL Five-Timer Club member, Justin Timberlake.

    Justin Timberlake SNL

    The opening sketch this evening through was a bit more of a cold and dry open, making light of the NFL season coming to an end this weekend (short of the Super Bowl), and draining the last comedic bits of Taylor Swift’s influence, out of the football and SNL seasons.

    During Johnson’s monologue where she reminisced about her last stint as host, and brought up The Social Network co-star Justin Timberlake, who showed up to casually remind Johnson that he’s available for sketches, given his Five-Timer Club status.

    During the “Waiters” sketch, Sarah Sherman displayed equal parts Gilda Radner and Kristin Wiig with her unique quirk worked in.

    “The Barry Gibb Talkshow” returned for the first time since 2013, taking a look at the 2024 election, with Jimmy Fallon making a special appearance as Barry Gibb and Timberlake as Robin Gibb. Bringing this back was a no-brainer with Timberlake on the show this week, even if Fallon has gotten a little tiring as of late.

    “Home Videos” would be the highlight of the episode, with Andrew Dismukes as a son who learns his parents were on a Maury Povich-style talk show, where his father (Mikey Day) learned he was the father.

    An always a welcome short from Please Don’t Destroy kept their hot streak going, even if Dakota Johnson did knock the trio down a peg, referring to Ben Marshall, John Higgins, and Martin Herlihy as ‘The Lonelier Island’ in a roast-filled segment.

    Timberlake performed “Sanctified” for his first song, the second single from his upcoming sixth solo album, Everything I Thought It Was, due out on March 15. JT was joined by Houston rapper Tobe Nwigwe for the rock/rap/R&B number, walking in from stage left, flanked by dancers clad in flowing white dresses, an appearance that was teased last week on Nwigwe’s Instagram.

    https://www.youtube.com/watch?v=zLC8XiBxV1k

    Timberlake’s second song was the first single from Everything I Thought It Was, “Selfish,” the same title as a 2011 release from his ex, Britney Spears. Surrounded by white neon lines along cascading walls, stripped down with just a drummer and keyboardist, Timberlake sang softly in contrast to “Sanctified,” a more passionate and smooth pop hit in “Selfish.”

    SNL returns on Saturday, February 3 with host Ayo Edebiri and musical guest Jennifer Lopez.

    https://www.youtube.com/watch?v=ZCKqeaR1CgE
  • In Focus: Searows Play to a Sold-Out Crowd at the Mercury Lounge on First Headline Tour

    Indie-folk artist Alec Duckart, known professionally as Searows, played a sold-out show January 25 at New York City’s Mercury Lounge as part of his first headline tour.

    searows
    Alec Duckart – Photo by Molly Higgins

    The show was the last of the tour’s U.S. leg and his second in the NYC area, having played Brooklyn venue Baby’s All Right the day before. The intimate, 250-capacity Mercury Lounge proved to be a cozy home for Duckart’s serene sound. 

    searows

    The crowd of fans, mostly in their teens and twenties, cheered and shouted “I love you”s while Duckart tuned his guitar, before opening with his 2023 single “Older.” The room was hushed as Duckart captivated his audience—the crowd swayed and sang along quietly, but many were silently transfixed by Duckart’s blissful acoustic guitar and poetic lyrics. 

    searows

    Duckart wrote, recorded, and produced his own debut album Guard Dog, which was released in September 2022. In 2023, Duckart released the single “House Song,” which has amassed nearly 20 million streams on Spotify. By the end of that year, Duckart signed to Matt Maltese’s record label, Last Recordings on Earth, and released his six-track EP End Of The World, which his ongoing tour is promoting. 

    searows

    Now that the U.S. leg of the tour is complete, Duckart will make stops in London and Paris. Duckart previously toured as a supporting act for artists including Maltese, Gracie Abrams, and Leith Ross.

    Searows Setlist: Older, End of the World, Coming Clean, Collector, Keep the Rain, Roadkill, Used to be Friends, I Have More Than Enough, I Can and I Will, House Song

  • WFUV’s Ceol na nGael Celebrates 50 Years of Irish Music

    Irish reels and jigs vibrated throughout Symphony Space as WFUV’s Irish music program, Ceol na nGael, celebrated its 50th anniversary. For half a century, Ceol na nGael has provided over 40,000 listeners nationwide with the best in Irish music every Sunday from 12-4pm on 90.7 FM. To celebrate the milestone, the Rogue Diplomats, Celtic Cross, Cillian Vallely and Kevin Crawford of the band Lúnasa, Patrick Mangan, Alan Murray, Séamus Egan of Solas, and Jenna Moynihan performed at Symphony Space located in the Upper West Side on Saturday, January 26. 

    Also present at the anniversary concert was Ceol na nGael’s co-founder Mary Maguire. Maguire was a student at Fordham University in January of 1974 when she and fellow student Gerry Murphy suggested a traditional Irish music segment during one of WFUV’s fundraisers. Murphy and Maguire believed they would have an audience with New York’s expansive Irish community. The two convinced WFUV (Fordham University’s radio station) to give them one hour of airtime. Little did they know that one singular hour on a winter afternoon would turn into a four hour weekly show.

    “We were totally unprepared for how the phones exploded during the first program,” founder Maguire recalled. The one hour of airtime quickly turned into four hours. Eventually, Maguire had to leave the station, or she’d be late to work. Maguire recalled mentioning her workplace on air.  She said, “When I got to my waitressing job, the owners came up to me frantically asking ‘What’s going on?! People have been calling and asking why Mary Maguire had to leave some radio station!’”

    Due to the high demand of listeners across the tristate area for Irish music, Maguire and Murphy were asked to return next week to the station with more Irish tunes. With that, Ceol na nGael, which is Irish Gaelic for “the music of the Irish,” became a staple of WFUV, airing every Sunday from 12-4pm. 

    From left: Ceol na nGael hosts Deirdre McGuinness (01-04) with producer Jen Croke (99-02). Also pictured is Joanie Madden, leader of the group Cherish the Ladies, and host Frank McCaughey (00-01).

    Not only was the show a staple of WFUV, but it quickly cemented itself as a staple within the Irish community. It could be heard from every corner of the house. Former co-host Dierdre Hogan, FCRH ‘98, said, “As I brought laundry in or out, my father was listening from a small radio in the garage. My mom would have it on again upstairs in the kitchen as she tidied and cooked.” 

    Ceol na nGael became a household name in the tristate area due to its human touch. “Anyone can go to YouTube or Spotify and search for a good mix of Irish music,” former host Kevin Quinn, FCRH ‘09, said. “But Ceol na nGael has that very, very important human element that makes it endure for as long as it has.” 

    This human element is seen in the numerous dedications the show takes each and every week. Hosts interact with the listeners on a weekly basis, reading out dedications wishing loved ones happy birthdays or sending out a song in their memory. 

    Former host Elizabeth Flanagan, FCRH ‘05, noted just how important these dedications are, especially when she hosted in the days that followed 9/11. Her co-host Deirdre McGuiness, FCRH ‘04, recalled playing Irish ballads along with the dedications going out to lost loved ones to provide “hope and healing” to all those affected. Flanagan said, “It goes to show how profound our music is, and how it’s there for us on the happiest and the saddest days of our lives.” 

    The music bonded together the tristate’s Irish community, which soon became much more than just a community. It was a family. Family is an essential aspect of Ceol na nGael as the music acts as a gateway for one to connect with their roots. Former host Maggie Dolan, FCRH ‘07, said, “Both my grandparents on my father’s side came from Ireland, Cavan and Mayo. I unfortunately did not get to meet my grandparents. However, through music, and its connection with Irish history, I felt that listening to Ceol nGael brought me a bit closer to my grandparents.” 

    From left: Ceol na nGael producer Liz Noonan with former hosts Colleen Taylor (09-12) and Tara Cuzzi (11-14).

    The music continues to connect listeners to their families, their homeland, and their culture. The music’s lyrics depict various political figures and historic events that shaped Ireland’s cultural and political landscape. Ballads like “The Foggy Dew” depict Ireland’s 1916 Easter Rising; while “The Town I Loved So Well” depicts songwriter Phil Coulter’s experience during the Troubles. 

    This history doesn’t just stay in the past. Listeners can stay up to date with Ireland’s current news every Sunday at 2:00 pm during the show. Reporting straight from Ireland, Louise Williams and Brendan Tier give a seven minute report each on Ireland’s latest news and sports. Every hour, there’s also weekly community bulletin boards to keep listeners informed of local Irish events.  

    Since Ceol na nGael’s start in January of 1974, it has pushed the boundaries to be an active part of the Irish community. The show never just stayed in the studio. It was alive and breathing on the streets of New York and across the nation as the show is now available to stream on wfuv.org. Ceol na nGael has been broadcasted live from Mary O’Dowd’s in Manhattan. Former hosts have introduced bands at concerts, such as Cherish the Ladies at their annual Tarrytown Christmas concert and to multiple bands on the main stage at the Guinness Fleadh at Randall’s Island. Former hosts have also been guest judges for New York’s Rose of Tralee concert, and just this past week on January 20, Ceol na nGael was at the Symphony Space, celebrating its 50th anniversary. 

    Former Ceol na nGael host Eileen Byrne (89-94) conducting interviews on site.

    Ceol na Gael’s 50th anniversary concert started off with a set by the Rogue Diplomats. The Pennsylvania-based band kicked off the show with their rendition of “South Australia” followed by “Step It Out Mary.” The Rogue Diplomats allowed the audience to ease into the show during these first two songs, but by their third song, they decided to grab hold of the audience and up the craic. Bodhrán player Matthew Cullen Breiner sang a witty introduction to “The Star of the County Down,” mentioning all the intricacies of the New York Irish community and even taking a jab at the New York Giants, all of which caused the crowd to erupt in laughter. 

    The Rogue Diplomats continued to add bits of dry humor throughout their performance, as heard in their next song, “The Galway Hooker.” Not even half-way through the first verse of the song, guitarist Patrick Marran laughed and said, “Don’t worry, it’s about a boat! Not what you think it is.” Laughter echoed throughout the crowd. Smiles were etched upon the audience’s faces as they were captivated by the Rogue Diplomats’ comedic and musical talent. 

    The fun of the night carried over into the next act, New York based band Celtic Cross. The band honored Ceol na nGael’s mission to “keep the tradition alive” with their song, “Who I Am.” The song’s lyrics – “I’ll not forget from where we came as I carry on their name” – speaks to remembering one’s roots and honoring one’s history. The song encapsulates what Ceol na nGael stands for and explains why it’s continued for half a century. 

    Celtic Cross continued to honor Ceol na nGael, dedicating their song “Those Were The Days” to all who helped make Ceol na nGael what it is today. It was a perfect song to dedicate as the song gives a direct shoutout to the show. “Ceol na nGael on FUV taught the words to you and me.” The crowd sang along to a song that captures at least one part, if not more, that they can relate to of growing up in New York’s Irish community. Celtic Cross rode the audience’s high-energy and continued with a fast-paced reel, titled “Mason’s Apron,” before concluding the concert’s first act.

    From left: Former hosts Ryan Slattery (17-20), Allie Small (23-present), Maggie Peknic (20-23), and Patrick Breen (19-22).

    There was a short intermission before the second half. The second act started with welcoming past hosts from 1974 to 2024 onto the stage. Out of the 40 past hosts, over 30 were able to make the concert. Seeing all the hosts on stage was truly like taking a screenshot of history. They represented 50 years of dedication to the preservation of traditional Irish music. It’s a feat not easily accomplished, especially when considering all of Ceol na nGael’s hosts were former Fordham students, and let’s just say, getting up early on a Sunday morning in college isn’t as easy as it seems. 

    The music then resumed with lovely tunes from Cillian Vallely and Kevin Crawford of Lúnasa, Patrick Mangan, and Alan Murray. Their melodic tunes created an otherworldly escape. A highlight was a tune titled “Sinead Maire’s,” which Vallely wrote for his daughter. The tune’s tin whistle starts off leisurely, slowly picking up pace before being joined by the uilleann pipes and fiddle. 

    Before the last act performed, short videos by Joanie Madden of Cherish the Ladies and Brian Warfield of the Wolfe Tones were played. Both musicians expressed their regrets of not being able to make the concert but wanted to make sure Ceol na nGael and its listeners knew just how vital the station was to their lives and their music. A live version of the Wolfe Tones’ “Streets of New York” was then played. Not a week goes by on Ceol na nGael without this song being played. It’s a fan favorite, and the audience confirmed that fact. They sang along to the song, waltzing up and down the aisles as if the Wolfe Tones were truly there in-person performing live. 

    The night then concluded with a beautiful set by Seamus Egan of Solas, who was accompanied by Alan Murray and Jenna Moynihan. Throughout the set, Egan told stories of his journeys before playing tunes from his 2020 album Early Bright

    At the end of his set, Egan was joined on stage by all of the acts. The stage became packed with various instruments as the opening notes to “Dirty Old Town” were played. The audience got up, sang, danced, and clapped along. And like all good Irish sessions, the concert ended with a fast-paced reel. 

    But the celebrations didn’t end with the last note. They continued into the next day in the studio. Previous hosts were invited back to the Fordham campus in WFUV’s studio to help host the show. Each host got to play one of their favorite Irish songs or tunes and share stories of their time on air. To listen to Ceol na nGael’s special 50th anniversary show that aired on January 21, head to WFUV’s archives by clicking here. 

    The celebrations then concluded with a big cheers, or as one would say in Irish Gaelic, a big sláinte to Ceol na nGael’s 50 anniversary with wishes for it to continue for 50 more years! Over the next 50 years, new hosts will take over the show. They’ll bring their own musical tastes and stories. They’ll teach the next generation and continue to keep the tradition alive, just as current hosts Allie Small and Matt Cuzzi do. To listen to Ceol na nGael, tune into 90.7 FM or WFUV.org every Sunday from 12-4pm for the best in Irish music. 

  • New York Youth Symphony to Welcome John Kilkenny as New Chief Director

    The New York Youth Symphony (NYYS) has announced they will be appointing John Kilkenny as the new executive director, effective this March. NYYS has been extensively searching for an executive director after their last director of 12 years, Shauna Quill stepped down. Now with a promising future in the hands of John Kilkenny, NYYS is thrilled at what lies ahead.

    John Kilkenny

    John Kilkenny has served both the Chattanooga Symphony and Opera and the Sewanee Music Festival, where he was Executive Director. His experience in leading orchestra and chamber music is extraordinary. Mr. Kilkelly has also led programs in composition and has supported music education for aspiring young artists for years.

    “We are thrilled to have John at the helm of our organization. John’s experience and impressive knowledge of music education will surely help to
    propel NYYS to the next level. We are excited to see what John can do as he helps to shape our future and
    make our mark on young musicians even stronger and more impactful.”

    Bill Kappel, President of New York Youth Symphony’s Board of Trustees

    As Executive Director, John Kilkenny will be overseeing community outreach, fundraising, artistic programming and marketing. He will also be in charge of all programs throughout the organization from writing and composition to musical theatre, conducting, and the newest orchestra – crescendo.

    NYYS at Carnegie Hall

    “NYYS is an incredible organization and a fantastic match for my passion and skillset – I cannot wait to get started and write the next chapter! They are one of the premiere arts education programs in the nation – leading the way in the training of young musicians. This is a dream opportunity for me!”

    John Kilkenny’s enthusiastic response to his thoughts on being appointed Executive Director of NYYS

    For more information on the New York Youth Symphony and its upcoming plans, visit NYYS.org.

  • DJ Anastazja Returns to NYC with Rhythmic Mixes

    On January 19th, Anastazja touched down in Manhattan to perform, as she calls it, “her favorite mix” at SOB’s. Having been a firsthand witness to this event, the crowd’s energy was expected. As their favorite tunes resonated, it motivated some individuals to leap onto the stage and break into dance.

    anastazja with headphones on covered in purple hue
    DJ Anastazja 1.19 at SOBS – photographed Jordyn Britt

    I had the privilege of securing a brief interview with this talented young artist, who currently resides in LA. She attends the University of Southern California where she will be earning with a Bachelors in Media Arts and Practice

    Anastazja was born and raised in the Northwest Suburbs of Chicago, her father is from Los Angeles and her mother is a Polish immigrant. Her initial inspiration to pursue a career as a DJ stemmed from an underground EDM event. It was a go-to spot for college students and was known for being grimey. Anastazja recalls one of those wild nights:

    I witnessed a guy climb onto the DJ table, surrounded by a group of men. The men and everyone within the crowd became so excited. In that surreal moment, I felt a strong desire to experience the joy of sharing music, especially as one of the few women in the music industry. I vividly recall a distinct high school memory, driving through the school parking lot, thinking of the idea of being a DJ despite my limited knowledge. The universe and timing aligned, leading me to USC which completely altered my course.

    Anastazja
    DJ Anastazja 1.19 at SOBS – photographed by Jordyn Britt
    DJ Anastazja 1.19 at SOBS – photographed by Jordyn Britt

    Anastazja continues to gain her inspiration from all around her and within. From other DJs, Pinterest, her friends that send her music, simply walking in a grocery store and hearing a classic. Grandparents playing music from their own memories, and the resonance it carries, adds a unique and distinct touch to the experience.

    One thing that Anastazja hopes to gain from being a DJ is the experience. “I look forward to being able to travel the world and explore music from different backgrounds. While DJing may appear mostly social to many, for me, it’s about chasing this specific feeling in my stomach when I witness the profound impact music has on people. Experiencing music from various parts of the world has the potential to change the way I perceive sound and life. In a sense, that would be my “gain” – the wealth of diverse musical experience.”

    anastazja focused on her set and moving the sliders on her dj roundtable
    anastazja covered in orange and red lighting as she looks down on her dj round table
    anastazja eyes closed, only her face illuminated with blue and purple light, smiling

    The highlights that make up these experiences start in those first few minutes of Anastazja’s sets, when she can get a sense of the crowd catching the groove. “When I play that one song everyone wants to sing along to, it becomes a moment of pure joy and peace – dancing and singing with a group of strangers. It’s truly incredible to witness how music can move and bond people, bringing emotions that are visible in this type of setting, ultimately bringing everyone together.”

    As for her favorite mix to date, that honor goes to a recent NYC show at SOB’s on January 19. “While my boiler room experience was great, there was still a small sense of catering to the space. At SOB’s I had true creative freedom to explore anything I wanted – literally ANYTHING. I took my sound in various directions, and it resonated the best. The addition of live saxophone made the performance even more incredible, shout out to Kobie Dozier!”

    Check out Anastazja Soundcloud below, and discover more here.

  • John Vincent III Live In New York City at Bowery Ballroom

    On January 18, night one of John Vincent III’s sold out double-header at the Bowery Ballroom, family, friends, and loyal fans who’ve waited nearly five years for a performance from Vincent packed the 600 occupant venue. John Vincent III and his band opened their mini-tour of five stops in New York City in celebration of their newest record, Songs For The Canyon.

    Photograph by Shauna Hilferty

    Celebrating the close-knit musical nature of New York, he sourced two local performers to open the evening: AYLA and Noah Pope, two impressive lyricists and advocates of acoustic simplicity. AYLA is an East Village native who pulled in a crowd of her own. With her teal guitar and dream-state poetry, she was the warmest icebreaker. Noah Pope, fresh to the city from Nashville, followed suit with a kind demeanor and unique vocal offering. His soft and cloudy voice designed for folk music and a knack for the harmonica proved him a surefire crowd favorite.

    Photograph by Shauna Hilferty

    In between sets, the audience conversed quietly and showed off their new merchandise emulating Vincent’s newest record, Songs For The Canyon (2023). Their excitement for John Vincent III was genuine, like that of a supportive friend. The tight quarters enabled friendships to form, strangers packed shoulder to shoulder spoke to one another, their smiles lingering.

    When the Bowery lights dimmed, John Vinent III made his way onto stage solo to take a seat in front of the rustic piano. On the finger-stained keys he played the show into motion. Following his intro, his band made their way on stage to take their places behind their respective instruments. A drumset, an electric guitar, an acoustic guitar, and a bass.

    Photograph by Shauna Hilferty

    John Vincent III’s stage presence was calm. No amount of high energy compensation was needed to enhance his performance. The poetry did all the heavy lifting. Each song would be introduced by title, maybe a slight anecdote was given of its origin, and the band would deliver folk-brilliance. Second song on the setlist, “City Rain,” third song “Lover of Mine,” an audience safehold. 

    Photograph by Shauna Hilferty

    “I don’t really know what this song is about… I guess getting excited about the unknown I suppose.” Vincent introduced his fourth song of the evening, “Slow Song.” It’s one of the wonders of music when a song’s “meaning” is not dependent on the literacy of lyrics, but can be tangibly understood through the direction of a melody and the culmination of instrumental sounds.

    John Vincent III bowery ballroom
    Photograph by Shauna Hilferty

    The audience absorbed everything Vincent had to say, studying up at him eager to know more about his writing, his stories. While his music didn’t warrant an explosion of energetic dance, it offered a more reflective service. Crowd members gently swayed, held themselves and others, and listened with their noses tipped upwards towards the stage trying to hear and uncover the sheet draped over each lyric. 

    The set turned acoustic, and the band sat back as John Vincent strummed solo on his guitar etched with a hummingbird design. The crowd yewed and softly sang along.

    John Vincent III bowery ballroom
    Photograph by Shauna Hilferty

    After an earnest ode to New York City, Vincent thanked his friends and family who made it to night one of their Bowery double-header. The Ohio born and raised, Texas and Los Angeles living traveler pulled in people from all across the country.

    Songs For The Canyon, their newest release, is an excellent revival record. Vincent’s lyricism remains tethered to the idea of transience. Each song offers the experience of leaving and coming back while meditating on the people, presence, and life collected along the way. While physical travel is a large player in Vincent’s modality of storytelling, equally is severe isolation. How one can be isolated in time and space through the disablement of thought and attachment – his lyrics break down this paradoxical phenomenon.

    John Vincent III bowery ballroom
    Photograph by Shauna Hilferty

    The stage lights hued a warm golden orange, like that of a sunset afterglow. This energy perfectly matched the soulful, fire crackle, smoked ambiance of their sound. As the stretch of the show came towards its close, John Vincent III exchanged I love you’s with fans who tossed the words up to him on stage from all corners of the venue.

    He closed out the set with one of his most socially acclaimed songs “Next To You,”, with Vincent saying “This is a song I am very grateful for, and without it I don’t think some of you would be here.” The audience harmonized with him, and the ballroom hummed. 

    After the band left the stage, it wasn’t long before they returned for an encore – the modern day icing on the cake for concerts. People just can’t get enough, and artists never want the plate to clear. The three song finale was intimate. The band brought out stools and played each song acoustically, raw. Their hit, “In My Sheets” warranted a gutty singalong, and a memorable lyric change.

    “Maybe somewhere like New York, love.”

    Photograph by Shauna Hilferty
  • X Ambassadors Complete North American Tour with Stops in NYC and Ithaca

    Multi-platinum pop-rock band X Ambassadors have announced they will embark on a headlining tour across North America this spring, stopping in Manhattan, plus a hometown show in Ithaca.

    X Ambassadors cayuga sound festival
    Photo by Graham Fielder

    The group will make its rounds throughout Canada, and the US, with one stop in Mexico as well. Two New York shows are on the calendar as well – at State Theater of Ithaca and Irving Plaza in Manhattan. X Ambassadors, originally hailing from Ithaca, will return to their hometown for what is sure to be an incredible show on June 1.

    X Ambassadors originated in Ithaca as a pop-rock band. The group has performed with acts like Imagine Dragons, Panic! at the Disco, and recently made works with artists from the likes of Rihanna, The Weeknd and SZA. The band has recently relocated from Ithaca to Brooklyn but remain loyal to the crowds of their hometown as they tour across the nation.

    The band’s sound certainly has aspects of several different subgenres. They draw large influence from the indie-pop sound, with an acoustic-alternative mashup of sounds with overdrive chords and heavy drumbeats with backing acoustic chords. Their most popular song “Renegades” has over 340 million views on YouTube.

    The tour kicks off April 5 in conjunction with the release of their latest album, Townie. Songs from the new album, as well as the band’s classics will be performed on the tour. The dates for the tour in the US will feature support from Rowan Drake and New West. In Canada, the band will see support from Noah Gundersen.

    General on-sale begins on Friday, January 26 at 10:00am local time. Full details can be found at XAmbassadors.com.

    X Ambassadors 2024 Tour Dates

    April 5—Vancouver, BC—Vogue Theatre*

    April 6—Kelowna, Canada—Big White Ski Resort

    April 9—Calgary, AB—The Palace Theatre*

    April 11—Edmonton, AB—Union Hall*

    April 12—Saskatoon, SK—Coors Event Centre*

    April 13—Winnipeg, MB—Burton Cummings Theatre*

    April 16—London, ON—London Music Hall*

    April 17—Montreal, QC—Mtelus*

    April 18—Ottawa, ON—Bronson Centre*

    April 19—Quebec City, QC—Impérial Bell*

    April 23—Waterloo, ON—Maxwell’s Concerts and Events*

    April 24—Toronto, ON—Danforth Music Hall*

    May 4—San Diego, CA—The Observatory North Park+

    May 5—Pioneertown, CA—Pappy & Harriet’s+

    May 7—San Luis Obispo, CA—Fremont Theater+

    May 8—San Francisco, CA—August Hall+

    May 10—Portland, OR—The Hawthorne Theatre+

    May 11—Seattle, WA—The Showbox+

    May 13—Salt Lake City, UT—The Depot+

    May 14—Denver, CO—The Ogden Theatre+

    May 15—Colorado Springs, CO—Pikes Peak Center+

    May 17—Omaha, NE—Slowdown+

    May 18—Minneapolis, MN—Varsity Theater+

    May 19—Des Moines, IA—Wooly’s+

    May 21—Chicago, IL—House of Blues+

    May 22—Grand Rapids, MI—Elevation+

    May 24—Detroit MI—Saint Andrew’s Hall+

    May 25—Milwaukee, WI—The Rave II+

    May 26—Cleveland, OH—House of Blues+

    May 28—Millvale, PA—Mr. Smalls Theatre+

    May 29—Philadelphia, PA—Brooklyn Bowl+

    May 31—New York, NY—Irving Plaza+

    June 1—Ithaca, NY—State Theatre of Ithaca+

    June 2—Boston, MA—Paradise Rock Club+

    June 4—Washington, D.C.—9:30 Club+

    June 5—Norfolk, VA—The Norva+

    June 7—Charlotte, NC—The Underground+

    June 8—Atlanta, GA—Buckhead Theatre+

    June 9—Nashville, TN—The Basement East+

    June 11—Dallas, TX—Granada Theater+

    June 12—Austin, TX—Mohawk+

    June 14—Phoenix, AZ—The Van Buren+

    June 15—Los Angeles, CA—The Fonda Theatre+

    June 22—Mexico City, Mexico—Foro Puebla

    *with special guest Noah Gundersen
    +with special guests New West and Rowan Drake

  • Martin Scorsese at 92Y: Unveiling ‘Killers of the Flower Moon

    On January 23, 2024, the famous 92nd Street Y (92Y) was buzzing with excitement as Annette Insdorf led a lively talk with legendary filmmaker Martin Scorsese. The main focus of the event was a close look at Scorsese’s latest film, “Killers of the Flower Moon.” The audience enjoyed insights into the movie, and with Scorsese having earned an Oscar nomination, he now surpasses Steven Spielberg in directorial acclaim.

    martin scorsese killers of the flower moon

    Adding to the historic moment, Lily Gladstone, who stars in the film, made history herself by becoming the first Native American actress to be Oscar-nominated. Her groundbreaking achievement is a testament to the film’s commitment to diversity and authenticity.

    During the on-stage conversation, Scorsese delved into the intricacies of the filmmaking process, shedding light on the chemistry between the actors that brought his vision to life. One of the key elements discussed was the musical score, composed by Robbie Robertson. Scorsese shared insights into the collaborative process of creating the film’s music. This soundtrack, became Robertson’s last film score before he passed away in August 2023. The film is dedicated to his memory. Robertson’s musical talent earned him a posthumous nomination for the Academy Award for Best Original Score in 2024, showcasing the impact of his contribution to the movie’s emotional atmosphere.

    Another standout point in the conversation was Scorsese’s commitment to authenticity in depicting the Osage Nation, a Native American tribe central to the film’s narrative. The director and his team actively engaged with members of the Osage Nation, meeting with them on multiple occasions to ensure accurate and respectful portrayals of their people and culture. This collaborative effort added a layer of depth to the film, making it a more immersive and genuine cinematic experience.

    To sum it up, the night at 92Y showed us Martin Scorsese’s creative thinking and how he made “Killers of the Flower Moon.” This event celebrated not just his successes but also the diverse magic that makes movies special. It’s a noteworthy moment in his impressive journey in the film world.

  • The Doobie Brothers and Steve Winwood Tour to Stop in NYC and Saratoga Springs

    Four-time GRAMMY award winners and Rock & Roll Hall of Famers, The Doobie Brothers have announced a 2024 Tour this summer.

    The rock legends will make their way to 38 cities across the nation, including two stops in New York. They will play Madison Square Garden on August 7, and Broadview Stage at SPAC in Saratoga Springs on August 13. The Doobie Brothers will be joined on the tour by special guests Robert Cray and Steve Winwood on various dates.

    The Doobie Brothers tour steve winwood

    Both of these artists have extensive and impressive musical histories. Robert Cray and Steve Winwood, Rock and Roll legends, have created countless hits over the span of their career. The Doobie Brothers have had five top-10 singles, 16 top-40 hits, 3 multi-platinum albums, 7 platinum albums, 14 gold albums. The tour, featuring so many massive talents, will not be one to miss.

    The Doobie Brothers: The 2024 Tour Dates

    Saturday, June 15 Seattle, WA, White River Amphitheater

    Sunday, June 16 Ridgefield, WA RV Inn Style Resorts Amphitheater

    Tuesday, June 18 Bend, OR Hayden Homes Amphitheater

    Thursday, June 20 Wheatland, CA Toyota Amphitheatre

    Saturday, June 22 Concord, CA. Concord Pavilion

    Sunday, June 23 Los Angeles, CA The Kia Forum

    Tuesday, June 25 San Diego, CA North Island Credit Union Amphitheatre

    Wednesday, June 26 Phoenix, AZ Footprint Center

    Saturday, June 29 Dallas, TX Dos Equis Pavilion

    Sunday, June 30 Houston, TX Cynthia Woods Mitchell Pavilion

    Tuesday, July 2 Tulsa, OK BOK Center

    Wednesday, July 3 Durant, OK Choctaw Casino and Resort

    Saturday, July 6 Rogers, AR Walmart AMP

    Monday, July 8 Jacksonville, FL Daily’s Place

    Wednesday, July 10 West Palm Beach, FL iTHINK Financial Amphitheatre

    Thursday, July 11 Tampa, FL MIDFLORIDA Credit Union Amphitheatre

    Sunday, July 14 Knoxville, TN Thompson-Boling Arena

    Tuesday, July 30 Charlotte, NC PNC Music Pavilion

    Wednesday, July 31 Raleigh, NC Coastal Credit Union Music Park

    Saturday, August 3 Camden, NJ Freedom Mortgage Pavilion

    Sunday, August 4 Bristow, VA Jiffy Lube Live

    Tuesday, August 6 Holmdel, NJ PNC Bank Arts Center

    Wednesday, August 7 New York, NY Madison Square Garden

    Friday, August 9, 2024  Bridgeport, CT Hartford HealthCare Amphitheater

    Saturday, August 10 Gilford, NH BankNH Pavilion

    Monday, August 12 Boston, MA  Xfinity Center

    Tuesday, August 13 Saratoga Springs, NY Broadview Stage at SPAC

    Thursday, August 15 Detroit, MI  Pine Knob Music Theatre

    Saturday, August 17 Noblesville, IN  Ruoff Music Center

    Sunday, August 18 Cincinnati, OH Riverbend Music Center 

    Tuesday, August 20 Pittsburgh, PA The Pavilion at Star Lake

    Thursday, August 22 Cleveland, OH Blossom Music Center

    Saturday, August 24 St. Louis, MO Hollywood Casino Amphitheatre

    Sunday, August 25 Tinley Park, IL Credit Union 1 Amphitheatre

    Tuesday, August 27 Omaha, NE CHI Health Center

    Thursday, August 29 Denver, CO Ball Arena

    Friday, August 30 Salt Lake City, UT USANA Amphitheater

    The Doobie Brothers in 2021

    General on sale begins Friday, January 26 at 10:00 AM local time, and a limited number of VIP Packages will also be available, including amazing seats, access to the pre-show soundcheck, preferred entrance and more. Citi is the official card of the Doobie Brothers 2024 Tour. Cardmembers will have access to presale tickets beginning Tuesday, January 23 at 10am local time. For complete tour and ticket information visit LiveNation.com.

  • Disco Biscuits Announce Album Release Show At Webster Hall

    The Disco Biscuits have announced an upcoming album release show for Revolution in Motion at New York City’s famous Webster Hall. The much anticipated gig is set to take place on March 29, coinciding with the release date of the band’s first new studio project in more than nine years. It comes in the midst of an already expansive 2024 winter tour, right in between performances scheduled for Wilkes Barre, Pa and Buffalo. It also marks the return of The Disco Biscuits to Webster Hall for the first time in nearly 25 years.

    Revolution in Motion is already being touted by the Biscuits’ fanbase as the bands latest rock opera, following in the footsteps of Hot Air Balloon and Chemical Warfare Brigade. This latest one was originally conceptualized by guitarist Jon Gutwillig and collaborator Joey Friedman in 2021 before they brought Biscuits keyboardist Aron Magner in to help write the following year. The songs, which tell the tale of an alien interstellar journey, have all made their way into the band’s live repertoire one by one upon completion and are now ready for their official release in album form.

    “With a large part of the space opera taking place in New York City, we thought it was only appropriate to play a show there on the day of its release,” noted Magner. “After our late-night rager at the Palladium over our New Year’s run in 2023, we can’t wait to get back to NYC and tell this story from start to finish.”

    The Album Release Show at Webster Hall will go on sale to the public on Friday, January 26 at noon E.T. An Artist Presale will begin on Wednesday, January 24 at noon E.T. with the password: RevolutionInMotion. Visit www.discobiscuits.com for more information.