NYS Music 2023

Category: Show Reviews

  • In Focus: Ruel brings the “4th Wall World Tour” to Terminal 5

    Ruel, the prodigious Australian singer-songwriter, took the stage by storm at New York City’s renowned Terminal 5, captivating the crowd with his soulful melodies and undeniable talent. This highly anticipated show marked a milestone in Ruel’s career as he embarked on the East Coast leg of the tour. From the moment the lights dimmed and the first notes filled the air, it was clear that this night would be one for the books. The energy in the venue was palpable as fans eagerly awaited Ruel’s remarkable performance, ready to be swept away by his mesmerizing voice and magnetic stage presence.

    Sam MacPherson, the incredibly talented singer-songwriter, mesmerized the crowd with his captivating opening performance at Terminal 5 in Manhattan. As he stood in the center of the stage belting out soulful vocals and heartfelt lyrics, he effortlessly commanded the stage, leaving a lasting impression on the audience. MacPherson’s infectious energy and authentic musicality created an intimate and introspective atmosphere, solidifying the connection between performer and listener. Blending elements of folk, pop, and soul, he showcased his versatility as an artist, setting the perfect tone for the night ahead and leaving the crowd hungry for more incredible music. It was a true testament to his talent and a memorable start to an unforgettable evening of live music.

    Ruel, the prodigious 20-year-old singer-songwriter hailing from Australia, has taken the music industry by storm with his undeniable talent and soulful artistry. At a remarkably young age, Ruel’s journey embarked on a meteoric rise when he captured the world’s attention with his debut single “Golden Years” in 2017. This captivating release not only showcased his remarkable vocal prowess but also showcased his ability to connect with listeners on a profound level. 

    As he continued to ascend, Ruel’s magnetic presence and introspective songwriting captivated audiences around the globe. With each subsequent release, including his EP Ready in 2018, Ruel solidified his position as a musical prodigy, effortlessly blending genres and delivering poignant lyrics that resonate deeply with fans. 

    Drawing inspiration from his own experiences, Ruel fearlessly explores themes of love, growth, and self-discovery, forging a deeply personal and relatable connection with his audience. With a maturity beyond his years and an unwavering commitment to his craft, Ruel stands poised to leave an indelible mark on the music world, captivating hearts, and minds with his extraordinary talent and unwavering authenticity.

    Ruel’s “4th Wall Tour” reached its pinnacle at Terminal 5 in New York City, delivering an awe-inspiring performance that left the audience in a state of pure musical euphoria. As the anticipation built, the crowd erupted with excitement, ready to embark on a sonic journey led by the prodigious Australian singer-songwriter.

    From the moment Ruel took the stage, the energy was palpable. Opening with the powerful anthem “GROWING UP IS ____,” he immediately captured everyone’s attention with his soulful vocals and magnetic stage presence. The audience was fully immersed in his world as he flawlessly transitioned into the introspective “YOU AGAINST YOURSELF,” where his heartfelt lyrics resonated deeply with fans.

    Throughout the night, Ruel showcased his versatility and artistry, effortlessly weaving between his own captivating tracks and surprising covers. The crowd erupted with joy as he delved into unexpected renditions of the Black Eyed Peas’ “I Gotta Feeling” and One Direction’s “Night Changes,” infusing them with his own unique style and charm.

    As the show progressed, Ruel’s connection with his fans became undeniable. The venue transformed into a collective sea of voices singing along to every word, creating a powerful sense of unity and shared experience. The atmosphere reached its peak during the poignant performance of “Younger,” a heartfelt song that resonates with audiences of all ages.

    The highlight of the evening came with the spine-tingling rendition of “Painkiller,” where Ruel’s soulful voice soared effortlessly, eliciting a wave of emotions from the crowd. The synergy between Ruel and his band was evident, as they flawlessly executed each song, transporting the audience into a world of musical bliss.

    As the final notes reverberated through the venue, Ruel took a moment to acknowledge the incredible team behind the “4th Wall Tour.” With a list of credits displayed on the screens, from the tour crew to the guitar and PR companies involved, it was a testament to the collaborative effort and dedication that made the tour possible.

    Ruel’s show at Terminal 5 was a tour de force, a testament to his undeniable talent, and a testament to the unwavering support of his fans. It was an unforgettable night filled with electrifying performances, heartfelt moments, and an undeniable connection between the artist and the audience. As the lights dimmed and the crowd dispersed, the echoes of Ruel’s unforgettable performance lingered in the hearts and minds of everyone fortunate enough to be part of this musical journey.

    Ruel Setlist: GROWING UP IS ____, YOU AGAINST YOURSELF, SOMEONE ELSE’S PROBLEM, IF AND/OR WHEN, MUST BE NICE, I Gotta Feeling (Black Eyed Peas cover), Night Changes (One Direction cover), WISH I HAD YOU, golden hour – Ruel Remix (JVKE cover), Flames (SG Lewis cover), SET YOURSELF ON FIRE, SITTING IN TRAFFIC, Dazed & Confused, Younger, Painkiller, I DON’T WANNA BE LIKE YOU

    In terms of upcoming shows, “The 4th Wall World Tour” will be finishing up the North America portion in Los Angeles on July 7th, but the rest of the tour picks back up in August down in Santiago, Chile.

    Updates for any future Ruel shows can be found on socials and his website. The same goes for Sam MacPherson, and you can find his socials and website linked here.

  • Darius Rucker Squares off with Mother Nature at CMAC

    With their second big show of the year in three days, CMAC dodged a huge storm by Mother Nature to let Darius Rucker bring his “Starting Fires” tour into the Finger Lakes region. Darius making a return stop at CMAC after playing here in 2021 made it a night worth remembering. This was the third date of his 20 city “Starting Fires” tour. 

    dariusruckerCMAC

    Up and coming act Drew Holcomb & the Neighbors brought their contemporary style of Nashville country to the stage as the opening act as Darius got things going around 9:15. 

    Darius Rucker opened the night with “Have a Good Time” followed by a crowd favorite “Beers & Sunshine” and then “Drinking & Dialing.”

    Paying tribute to John Mellencamp, Rucker then did his version of “Pink Houses” that was very well received.  For Hootie & the Blowfish fans, Darius also sang some of his old classics, “Hold my Hand”, and “Let Her Cry.”

    dariusruckerCMAC

    Since leaving the Grammy Award-winning Hootie and the Blowfish, whose debut album “Cracked Rear View remains in the top 10 albums sold of all time, Darius has become one the top country stars today.  Since releasing his first country LP in 2008 Darius has four # 1 albums on the Billboard Country charts, plus 10 #1 singles. 

    For those at CMAC waiting to hear his biggest country hit “ Wagon Wheel” they had to wait till the end of the night as it was the third of three encore songs which came after “Valerie“ and “ Hands on me.”

    The “Starting Fires” tour continues with shows July 13th & 14 with shows at Q Casinos Backwater Stage in Dubuque, Iowa and Windy City smokeout respectively. For more info on Darius turn to his website at www.dariusrucker.com 

    dariusruckerCMAC
    dariusruckerCMAC

  • Wednesday I’m In Love: Night 2 Of The Cure’s MSG Residency

    The definitive band of the gothic rock genre – The Cure – swept through Midtown Manhattan this past week for a three-date residency at Madison Square Garden (MSG).

    Selling out arena after arena on the North American leg of their Songs of a Lost World Tour, a 34-date affair that the band embarked on in New Orleans, Louisiana back on May 10, The Cure have long since secured their legacy due to being one of the first alternative bands to break into the mainstream well over four decades ago. And as luck would have it, I found myself fortunate to provide coverage of The Cure’s second show in The Big Apple this past Wednesday evening, June 21.

    Robert Smith of The Cure | Photo: Michael Dinger

    The only constant member throughout the band’s storied history that began in West Sussex, England in 1978, frontman Robert Smith has been teasing since March of last year that new material, the first since their 13th studio album (4:13 Dream) was released nearly fifteen years ago, is on its way. Although fans of The Cure are still waiting for a 14th release from their beloved post-punkers, they are certainly satisfied with the progress Smith has been forging on a different front. Outspoken against Ticketmaster and their dynamic pricing model that has ticket prices fluctuating based on demand, and often to exorbitant levels, Smith fought back and guaranteed that for The Cure’s tour, tickets were only allowed to be resold at face value. And in an unprecedented response to the good fight that Smith fought for his fans, Ticketmaster issued partial refunds in mid-March to ticket holders for shows by The Cure to lessen the burden of add-on fees. Even The Cure’s tour merch was affordable, with t-shirts selling for only $25!

    Madison Square Garden | Photo: Michael Dinger

    Accompanying The Cure on all their US and Canadian dates are The Twilight Sad, a post-punk/indie rock quintet formed just outside of Glasgow, Scotland by vocalist James Graham and guitarist Andy MacFarlane as high school friends in 2003. The Twilight Sad and The Cure are no strangers to one another, as Smith handpicked the Scottish outfit to support The Cure back in 2016, which also included three shows at Madison Square Garden. The Twilight Sad are rounded out by Johnny Docherty (bass), Grant Hutchison (drums) and Brendan Smith (keyboards).

    James Graham of The Twilight Sad | Photo: Michael Dinger

    The 40-minute set kicked-off sharply at 8:00 pm with intensely thumping bass, before giving way to driving guitar, and eventually Hutchison’s pounding drums that introduced “Kill It in the Morning,” taken from their third studio album (No One Can Ever Know, 2012). At the song’s conclusion, Graham genuinely thanked the audience for being there and explained how it was such an honor for a “small band from a small town in Scotland” to be playing The Garden in New York City.

    With flashing strobes offering short glimpses of each band member in otherwise green, red and blue lighting, I was immediately taken aback by the intensity of their performance, particularly that of Graham. As the band delivered “Let’s Get Lost” and “VTr,” two tracks from their most recent studio album It Won’t Be Like This All the Time released in 2019, and fifth overall, I was transfixed by his stage persona. Particularly fascinated by Graham’s sharp gesticulating and bizarre mannerisms, as if he were possessed at times, I knew then what it must have been like to have witnessed Ian Curtis (Joy Division) perform live in the late-1970s.

    Andy MacFarlane of The Twilight Sad | Photo: Michael Dinger

    The Twilight Sad’s emblematic depth and darkness, incorporating goth despair and 90s industrial with catchy synth and grinding guitar, was prevalent for the duration of their 8-song set. Although I was unfamiliar with The Twilight Sad before tonight, it was not very difficult to get swept up by the emotional highs and melancholic lows that songs like “That Summer, at Home I Had Become the Invisible Boy” – the band’s very first single from 2007 and a nod to the film Stand by Me – and 2014’s “There’s a Girl in the Corner” could transport a listener to. As their newest fan, I cannot wait to see what these Scottish lads have in store for us during the remainder of 2023, and beyond.

    While only a recent fan of The Twilight Sad, I have been listening to The Cure since I was 14-year old boy growing up in coastal Connecticut. I do not remember exactly who introduced me to this band at the forefront of the new wave movement in 1986, but I still have a copy of one of the first compact discs that I ever bought, Staring at the Sea, a greatest hits compilation of singles that marked a decade since the band was founded, and a magnificent sampling of ‘The Cure sound’ that I continue to love 37 years later.

    Robert Smith of The Cure | Photo: Michael Dinger

    At approximately 9:15 pm, with the sound of rain and thunder playing over the house PA suddenly ceasing, the moment had arrived! One by one, the members of The Cure entered from stage left. The first was Jason Cooper who took to his stool behind the kit on an elevated riser at center stage. He was quickly followed by Reeves Gabrels (guitar), Roger O’Donnell (keyboards) and Perry Bamonte (guitar, keyboards) who assumed their respective positions as fans were going wild with excitement. Simon Gallup, a member of the band for all but three years of their history, strapped on his custom Schecter Ultra Spitfire bass as the entire arena held its collective breath until finally, Smith appeared from the dark shadows at the side of the stage.

    Simon Gallup of The Cure | Photo: Michael Dinger
    Reeves Gabrels of The Cure | Photo: Michael Dinger

    Clad in all black and donning a t-shirt depicting the famous Marilyn Monroe scene from the 1955 Billy Wilder film The Seven Year Itch, Smith wore his signature smeared red lipstick and black eyeliner as he internalized the grand spectacle that lie in front of him. For several moments, as his bandmates commenced the instrumental introduction to “Alone,” a new song that will be included on their yet to be released Songs Of The Lost World, Smith slowly walked from one end of the stage to the other, and back again. With clasped hands, he frequently paused at the edge of the stage apron as he gazed longingly into the upper levels of The Garden, a grateful expression across his face for the outpouring of support raining down on him.

    Jason Cooper of The Cure | Photo: Michael Dinger
    Roger O’Donnell of The Cure | Photo: Michael Dinger
    Perry Bamonte of The Cure | Photo: Michael Dinger

    With everyone in the house standing, classic tune after classic tune would be the overriding theme of the evening. 1989’s Disintegration made a particularly strong showing with prodigious renderings of “Pictures of You,” “Lovesong” and “Fascination Street.” The live staple “Burn,” a contribution by The Cure to The Crow’s 1994 motion picture soundtrack, featured Smith playing the penny whistle during the song’s intro. The main set was bookended with another newly recorded song from Songs Of The Lost World titled “Endsong.”

    Beginning at 10:45 pm, the first of two glorious encores comprised of five songs ensued. Masters of the melodic and atmospheric, especially during their extended, trademark instrumental intros, “A Forest” closed the first encore, procured from their second studio album Seventeen Seconds released in 1980. Renowned for a catalog of introspective alternative hits that always make it into The Cure’s live agenda, the whopping nine song second encore did not disappoint, to say the least! As midnight approached on the first day of summer in Gotham, the 29-song marathon gig came to an end with a triple threat of the choicest songs – “In Between Days” (The Head on the Door, 1985), “Just Like Heaven” (Kiss Me, Kiss Me, Kiss Me, 1987) and “Boys Don’t Cry,” the title track from their first compilation released in 1980.

    Madison Square Garden | Photo: Michael Dinger

    Over the course of the following week, the 2019 Rock & Roll Hall Of Fame inductees’ trek across North America will continue through Pennsylvania, Maryland, Georgia and Florida, with the tour finale slated for July 1 at the Kaseya Center in Miami, Florida. After a much needed respite for the duration of the summer, the English rockers will be back on the road beginning this fall, with a headlining appearance at Riot Fest in Chicago, Illinois (September 17), followed by another headlining gig at Festival Corona Capital in Mexico City (November 19). Their calendar remains full with six additional shows slated for late-November and early-December that will take The Cure to Peru, Argentina, Uruguay, Chile, Brazil, Paraguay and Columbia. And hopefully, not before too long, fans of The Cure will be treated to their first new music since 2008 with the arrival of Songs Of The Lost World in the coming months.

    The Twilight Sad Setlist: Kill It in the Morning > Let/s Get Lost > VTr > That Summer, at Home I Had Become the Invisible Boy > There’s a Girl in the Corner > I/m Not Here [missing face] > The Wrong Car > [10 Good Reasons for Modern Drugs]

    The Cure Setlist: Alone > Pictures of You > A Fragile Thing > A Night Like This > Lovesong > And Nothing Is Forever > Like Cockatoos > Burn > If Only Tonight We Could Sleep > Charlotte Sometimes > Push > 39 > Fascination Street > From the Edge of the Deep Green Sea > Endsong > Encore 1: I Can Never Say Goodbye > Want > Shake Dog Shake > One Hundred Years > A Forest > Encore 2: Lullaby > The Walk > Friday I’m in Love > Doing the Unstuck > Close to Me > Why Can’t I Be You? > In Between Days > Just Like Heaven > Boys Don’t Cry

    THE TWILIGHT SAD

    THE CURE

  • So Good, the Neil Diamond Experience, Turns on the Heartlight at The Egg’s Swyer Theater

    On Friday evenings in late June, the Empire State Plaza hosts numerous high school graduations. Tucked away between South Colonie and RCS graduates and their families on June 23 was the entrance to The Egg, where So Good! The Neil Diamond Experience performed to an enthusiastic crowd who knew all the words to the deep cuts and all the hits from Diamond’s decades-spanning catalog.

    so good neil diamond

    Following a run of sold out shows throughout Long Island and New Jersey over the past three years, So Good! is an all-Long Island band that began a run of 40 shows over the next 10 months with their performance at the Swyer Theatre at The Egg. Fronted by Broadway, TV and film star Robert Neary, the show was truly impressive and hit all the right notes from start to finish. His tribute to Neil Diamond in appearance, on stage mannerisms and voice made the evening truly unforgettable, with The Mystics backing him up and never missing a beat.

    With a crowd – median age: retired – nestled into their seats before the 8pm show time, the band slowly took the stage, with Neary outside the doors singing the opening lines to “America” before appearing on stage with the band for the crescendo of the song. Hits that most everyone in the audience knew the words to – “Cracklin’ Rosie”, “Blue Jeans” and “Song Sung Blue” – would follow, with the band jumping from tune to tune until after “Longfellow Serenade” where Neary spoke about E.T. and how it had a profound influence on Diamond, which led him to write the next song, “Heartlight.” 

    More banter about Diamond’s scant film career discussed a movie he did not land a part in, but affected him profoundly, Bob Fosse’s Lenny. This led to an identity crisis for Diamond, and amid this and moving he and his family to Los Angeles, he penned “I Am… I Said.” Another film song, “Hello” from Diamond’s most memorable film, The Jazz Singer, would follow, before the horns rejoined the rest of the Mystics for “Solitary Man,” “Holly Holy” and the deep cut “Brother Love’s Travelling Salvation Show” that got the crowd up and moving. If that didn’t do it, “Cherry, Cherry” capped off the show, with a noncore of “Sweet Caroline” and “Soolaimon” to close it out. 

    So Good! The Neil Diamond Experience is on tour this summer and fall, with an incredible stage show and songs you’ll be singing along to all night and on the way home. Check out their website for more details.

    So Good! The Neil Diamond Experience 2023 Tour Dates

    June 28 145 Park Avenue NYC

    July 5 Newbridge Road Park, Bellmore, NY

    July 9 Sieminski Theatre,  Basking Ridge, NJ

    July 14 Seaside Pavillion, Old Orchard Beach, ME

    July 15 Ellsworth Allen Park, Farmingdale, NY

    August 17 Harry Chapin Lakeside Theatre – Eisenhower Park, East Meadow, NY

    August 19 The Murphy Theatre, Wilmington, OH

    September 9 Infinity Music Hall, Hartford, CT

    October 8 The Argyle Theatre, Babylon, NY 

    October 13 The Argyle Theatre, Babylon, NY 

    so good neil diamond

    So Good! The Neil Diamond Experience – The Swyer Theater at The Egg – Albany, June 23, 2023

    Set 1: America, Cracklin’ Rosie, Blue jeans, Song sung blue, Longfellow Serenade, Heartlight, I am… I Said, Hello, Love on the Rocks, September Moon, I’m a Believer

    Set 2: You are the Sun, Shilo, Kentucky Moon, Girl, You’ll be a Woman Soon, Solitary Man, Holly Holy, Brother Love’s Travelling Salvation Show, Cherry, Cherry, Sweet Caroline, Soolaimon

  • Steve Miller Band Summer Tour stops in the heart of Berkshires

    A rainy Friday evening on June 23 did not keep fans from dancing the night away to Steve Miller Band at Koussevitzky Music Shed at Tanglewood in Lenox, Ma.

    Bruce Hornsby and the Noisemakers opened up the evening with an hour-long set playing a great selection of their hits such as “My Resolve,” “That is the Way it is,” and “Mandolin Rain.” Bruce chatted very little in between songs but did mention that he was happy to return to Tanglewood for the first time in 29 years.

    During the brief intermission while the stage was being prepped, people mingled with friends and neighbors as well as walk up to the stage edge to snap photos of the iconic white pegasus design from the album Book of Dreams on the drum kit.

    Steve Miller Band took the stage and with a clever introduction they started off their set with “Swing Town” followed by many hits such as “Fly like an Eagle,”” The Stake,” “Jet Airliner,” “Born in the USA,” and “The Joker” during their 90-minute set.  Steve also shared a fun personal story about his first Les Paul guitar which he had on stage with him. 

    Steve Miller Band is currently on their summer tour, below is a list of their planned stops:

    June 28 – Boston, Ma
    June 29 – Selbyville, DE
    July 1 – Wantagh, NY
    July 2 – Bethel, NY
    July 7 – Cincinnati, OH
    July 8 – Niagara Falls, ON
    July 27 – Austin, TX
    July 29 – Houston, TX
    July 30 – Dallas TX
    August 3 – Waukegan, IL
    August 5 – Lincoln, NE
    August 8 – Shipsewana, IN
    August 9 – Youngstown, OH
    August 11 – Jackson, MI
    August 12 – Clarkstown, MI

    Steve Miller Band is also touring in September & December. Be sure to check out their website for all their up-to-date tour information.

    Steve Miller Band

  • Les Claypool Brings His Fearless Flying Frog Brigade to The Capitol Theatre

    On Friday, June 23, Les Claypool performed with his Fearless Flying Frog Brigade, a talented band featuring Sean Lennon on guitar, Harry Waters on keys, Paolo Baldi on drums, Skerik on saxophone, and Mike Dillon on percussion. They are playing a massive tour including the Peach Music Festival this coming weekend.

    Neal Francis opened up the show with a funky set full of catchy riffs and exceptional vocal work. This proved to be much lighter to the heavier, bass rich riffs of Les Claypool. It fit well as an opening act but the music was truly different.

    Les Claypool’s Fearless Flying Frog Brigade opened up their set with “Thela Hun Ginjeet”, a King Crimson cover, followed by a couple Les Claypool songs including one about mushrooms, a very trippy “Amanitas”. 

    This led to the band performing Pink Floyd’s iconic album Animals, a psychedelic and heavy album; quintessential of the dark 1977 Pink Floyd sound. This proved to be an incredible performance, close to the studio version with really great solos and vocals by both Sean Lennon & Les Claypool.

    Afterwards, the band played “Precipitation” & “Cosmic Highway” to close out their set, quickly returning for a lengthy encore featuring “One Better” & “Whamola”.

    Different shenanigans included Les Claypool playing a stand up bass with a bow, wearing a pig mask, and ultimately a disco ball helmet. This along with Claypool’s relaxed stage presence and banter, and of course virtuoso level musicianship resulted in an intensely fun and laid back Fearless Flying Frog Brigade show.

    Les Claypool’s Fearless Flying Frog Brigade – The Capitol Theatre – June 23, 2023

    Setlist: Thela Hun Ginjeet, Rumble of the Diesel, Amanitas, Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon, Pink Floyd’s Animals, Pigs on the Wing, Part 1, Dogs, Pigs (Three Different Ones), Sheep, Pigs on the Wing, Part 2, Precipitation, David Makalaster, David Makalaster II, Cosmic Highway

    Encore: One Better, Whamola

    Photos by Cory Schwartz

    photos by Filip Zalewski

  • In Focus: The Quebe Sisters at Caffe Lena

    Texas-style folk music made a stop at Caffe Lena on Thursday, June 22, with the swing revival sounds of The Quebe Sisters. The Dallas group played to a sold out crowd this evening, emanating progressive western swing with jazz and blues influences peppered throughout, as well as a healthy dose of comedy and the history behind the music.

    These sisters first appeared on my radar thanks to Col. Bruce Hampton, a legend among jam band fans, who had a keen eye for identifying and fostering talent throughout his career. Only mentioned in passing in a 2016 interview, the sisters shared with NYS Music that their connection to Col. Bruce was thanks to his fellow Aquarium Rescue Unit member (and current Widespread Panic guitarist), Jimmy Herring. It was he who saw them perform at a local fair in Georgia, met them following the show (all parties were humbled), and Herring later put the band  on Col. Bruce’s radar. From Hampton’s lips to my ears, Caffe Lena was the perfect venue this evening.

    As the performance began promptly at 7pm, standing on stage left to right were sisters Hulda, Grace and Sophia, who have each been playing fiddle for more than two decades. Joining them were Simon Stipp on guitar and Daniel Parr on bass, and at times, Grace would play snare drum ever so lightly, stirring with a brush in one hand, and a light tap of the stick with the other. An evening of old-timey folk music, with some songs more than a century old, began with “Avalon” by Al Jolson. If T. Bone Burnett were tasked to produce a soundtrack in the style of O Brother, Where Are Thou?, the sounds of the Quebe Sisters would be a centerpiece of the album. 

    With folk songs of trails, cowboys and traveling, tunes of pioneers were played, a history lesson in the form of stories handed down as song. A dive into 19th century poetry yielded “My Love, My Life, My Friend, influenced by the Emily Dickinson poem “That it will never come again.” A duet of “Lullaby of Birdland” was followed by The Mills Brothers’ arrangement of a 1942 song, “Cow Cow Boogie” and the medley “Speed the Plow” which closed a set that had the style of music you’d expect to hear in a Quentin Tarantino film.

    The all fiddle family returned for a second set with “Lonesome Road” and the wonderful “Shame on You,” which hit all the right spots, reminiscent of Patsy Montana’s “I Want To Be a Cowboy’s Sweetheart.”

    Set to the tune “Home on the Range,” the prescient and eerily humorous “Drone on the Range” sang of the perils of technology and the neighbors who misuse it. The Bob Wales instrumental “Roly Poly” would follow, along with Ray Charles’ “Georgia on my Mind” and the instrumental “Load in at 7 (leave at 8) likewise was a tongue in cheek take on life on the road. 

    “Lullaby of Leaves” saw the three sisters fiddling together, before diving into the extensive catalog of fellow Texan Willie Nelson on “Summer of Roses, follows by a unique as ever “Merch Jingle” to encourage fans to meet and greet them after the show and pick up merchandise before heading out. “It’s a Sin to Tell a Lie” would close the set, and the original familial song “Texas” served as the lone encore. 

    The Quebe Sisters have one of the most unique harmonies and a sound that bridges generations of country and western music, influenced by time and the fiddle prowess of a trio of 20 years strong, just getting started.

    The Quebe Sisters – Caffe Lena, Saratoga Springs – June 22, 2023

    Set 1: Avalon, Please Don’t Talk > Going Away Party, Teardrops, Pierce the Blue > Twin Guitar, Timber Trail > Trouble in Mind, My Love, My Life, My Friend, Lullaby of Birdland, Cow Cow Boogie, Twilight > Speed the Plow

    Set 2: Lonesome Road > Shame on You, Distraction, Drone on the Range, Roly Poly, Georgia on my Mind, Load in at 7 (Leave at 8), Day People, Lullaby of the Leaves, Swingin’ the Bow, intros > Summer of Roses, Merch Jingle > It’s a Sin to Tell a Lie

    Encore: Texas

    photos by Derek Java

  • Annie in the Water Welcome Members of Twiddle and more at Post-Alive at 5 Show at Parish Public House

    It was a great night to be a fan of live music if you were anywhere near downtown Albany on Thursday, June 15th. With the annual Alive at 5 free concert series now in full swing, fans from across the Capital Region flocked to Jennings Landing for “Jam Night” with Mihali Savoulidis. While it was undeniably a great time and great exposure for the ultra-talented and charismatic Twiddle front man, it was the show-after-the-show that ultimately provided the biggest improvisational peaks of the evening. Playing to a packed Parish Public House directly across the street after Mihali’s set, Annie in the Water kept the party going long and strong well into the next morning.

    Alive at 5: Mihali, featuring Scott Hannay and the West End Blend Horns got the party started

    Going off the cuff without a written setlist, the band unleashed the perfect combination of original songs, unexpected covers, and guest sit-ins galore from some high-profile friends, including members of Twiddle, Scott Hannay, and the West End Blend, all making for a perfect night cap to an already memorable night in Albany.

    Often regarded as one of the leading forces in the Capital Region’s live music resonance, Annie in the Water has been making steady waves across the northeast for years. Comprised of Brad Hester (Lead Vocals/Rhythm), Michael Lashomb (Lead Guitar/Vocals), Joshua West (Drums/Vocals), Chris Meier (Bass/Vocals), Matt Richards (Keys/Vocals) and Brock Kuca (Percussion/Vocals), the band has already played everything ranging from the Adirondack Independence and Memorial Meltdown Festivals, Rock the Dock, the Catskill Mountain Jubilee, and even made their Alive at 5 debut last summer, opening for fellow jammers Spafford. Making plenty of friends along the way and taking pride in making every performance different, you never know who might show up at an Annie in the Water show.

    Brad Hester performs with Annie in the Water at the Parish Public House

    On this Thursday night, things at the Parish got heated up quickly as fans cramped into the dimly lit club early to get a glimpse of the action. Right out of the gates we were treated to a guest sit in from Ryan Dempsey, a classically trained keyboard player and one of Mihali’s bandmates in Twidde. Opening the frame with a jammed-out version of “Pleasure in Sin,” Annie in the Water would then play their latest R&B inspired single “Honeybee” to the adoring crowd who just seemed to love these guys.

    Ryan Dempsey of Twiddle sat in with Annie in the Water for several songs

    Pulling double duty, our next musical collaboration would feature West End Blend saxophone player Mike Oehmen, a cancer survivor who was also was part of Mihali’s Alive at 5 band earlier in the evening. Lending his talents to the relaxing groove of “Out of Phase,” Oehmen’s soaring sax solo would soon lift the energy in the room to the next level. From there Joe Davis made a surprise appearance, jamming out to his former bandmate’s song, the Matt Richards penned, “In The Sand.”

    The dancing would continue with a delightful version of “Bloom,” the infectious lead track from Annie in the Water’s latest studio album, 2022’s Sun At Dawn. One affectionate couple in the front row were particularly grateful to hear it, describing it as “their song.” Indeed, it’s catchiness makes it the type of song that could easily be a massive hit if given proper airplay. With the audience now fully feeling sexy, the next surprise came in a cover of Christina Aguilara’s late 90’s pop TRL hit, “Genie in a Bottle,” which got the entire audience going wild and singing along. Giving this version a bit of the “rock” treatment, by the time “Genie” reached it’s over-the-top guitar solo courtesy of Michael Lashomb, even the hardest fans in the room could be seen letting their guard down and bobbing along. What, you think I didn’t see you? The guilty pleasures would continue for another cover song from the same era, this time with Brad Hester turning his cap around and doing his best Mashall Mathers impression on “The Real Slim Shady,” which would bring the incredibly fun opening set to a close. Showing both their musical diversity and their sense of humor, how the guys planned to top it for the second set was anyone’s guess.

    Annie in the Water guitarist Michael Lashomb was firing on all cylinders

    After a brief break to catch our breath and air out the room, it was time for everybody to get a drink. That’s because not only was Ryan Dempsey of Twiddle making his second appearance of the night, he would also lead the charge through a pair of classic Twiddle songs. First up was “Mamunes the Fawn,” which brought the party vibe to a whole new level and perhaps with it, some optimism that Twiddle front man Mihali would possibly make an appearance too. While ultimately he did not, for the next Twiddle cover, we did get two of Mihali’s Alive at 5 bandmates, West End Blend’s Michael Bafundo pumpin’ on the trumpet and Mike Oehmen on sax once again for a joyous rendition of “Syncopated Healing.” Despite lacking Mihali’s distinct vocals, it was pretty amazing to hear how well Annie in the Water recreated Twiddle’s massive sound, obviously long-time admirers of the band.

    Michael Bafundo and Mike Oehmen pulled double duty playing sets with both Mihali & Annie in the Water

    The horns would stick around for a few more songs, while a third (yes third) keyboard player, Scott Hannay, would join in on the fun for “Feel That Pulse.” The family-style jam would continue for one more song, “Seeds,” which was arguably the high point of the evening. After both pulling double duty performing at Alive at 5 and now sitting in for several songs with Annie in the Water, it’s fair to say the tuckered out West End Blend boys earned their keep on this night and the right to take the rest of it off. Scott Hannay, however, was just getting warmed up and would stick around to crush his part of “Seaside Highway.”

    With a Little Help From Their Friends: It was sit in’s galore at Annie in the Water’s Parish Performance

    Ryan Dempsey would then return for one final dose of triple piano action on the always appreciated Talking Heads cover, “Take Me To The River.” The remainder of the set though, would be vintage Annie in the Water performing some of their best original material. Starting with “Change My Mind,” next on tap was “Balloons,” the song their very own IPA beer is named after.

    Scott Hannay never fails to crush a sit in with his Annie in the Water pals

    Following a quick encore break and a 50/50 drawing for a good cause, Brad Hester would then take the stage by himself for a heartfelt, vocal’s only rendition of “Free (No Need for Forgiveness). About halfway through the number, the remainder of the band would emerge from backstage one at a time and slowly join in on the song as it seamlessly transitioned into “Sativa,” a special song about embracing life’s challenges, growing and learning from the unexpected struggles. Annie in the Water would finally bring things back full circle by closing out with “Free Again (reprise)” to bring the stellar performance to a close. Great music, great people, great collaborations and great times. Just a ‘grade A’ evening all around.

    Up next, the band will release their next single “Sailing” on Friday, June 30th. In celebration, Annie in the Water will then be ON the water, finding their sea legs as part of a sold-out Boatcruise weekend on July 1st, 2023. Later this summer, the group plans to link up with long time friend, Hayley Jane, to recreate the classic Fleetwood Mac album, Rumors. That’s if their tour van can get them there. A blown transmission has recently sent them scrambling for a little help. A Gofundme page is expected to be announced shortly. You know what to do.

    Annie in the Water | June 15, 2023 | Parish Public House | Albany, NY

    Set 1: “Pleasure in Sin” > Jam *Ryan Dempsey Keys, Honeybee, Out of Phase *Mike Oehmen Sax, In the Sand > Jam *Joe Davis Guitar, Bloom, Genie in a Bottle (Christina Aguilera), The Real Slim Shady (Eminem)

    Set 2: Mamunes the Fawn (Twiddle) *Ryan Dempsey keys, Syncopated Healing (Twiddle) *Ryan Dempsey keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Feel That Pulse, *Scott Hannay keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Seeds *Ryan Dempsey keys, Scott Hannay keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Seaside Highway *Scott Hannay keys, Take Me to the River (Talking Heads) *Scott Hannay keys, Ryan Dempsey keys, Change My Mind, Balloons, Free Again > Sativa > Free Again (reprise)

    Photo courtesy of Frank Cavone/Mirth Films
    Photo courtesy of Frank Cavone/Mirth Films

  • Santana Elevates Canandaigua’s Consciousness at CMAC

    Santana made his eighth visit, and first since 2017, back at CMAC in Canandaigua on Thursday, June 22, part of his 1001 Rainbows tour and to open up the season for the venue. The shed was packed and so was the stage, as Carlos always has a hefty crew along to bring his unique fusion of Latin and rock music to fruition.

    This time at CMAC, Santana had Ray Green on vocals and trombone, Andy Vargas on vocals, Benny Rietveld on bass, David Matthews on keys, Tommy Anthony on guitar, Paoli Mejias on congas, the great Karl Perrazo on percussion, and Santana’s wife, Cindy Blackman Santana on one of the biggest drum kits you’ll see.

    With puffs of smoke filling the air, and tribal music and videos playing on a huge screen, they all took the stage, picking up the beat and launching into “Soul Sacrifice.” A sizeable rhythm section break, an organ solo, some trombone, and of course Santana’s signature searing guitar all made the rounds from the get-go.

    There was no holding back and no wasted time. With no pause they launched into “Jingo” and from there “Evil Ways.” A trio of tunes off Santana’s 1969 debut, songs he must have played as much as anyone has played the same songs ever. Yet they were played with fire and urgency, Santana giving his ensemble direction with glances, nods and motions. The early hit train kept rolling along with “Black Magic Woman/Gypsy Woman” and “Oye Como Va” as classic Santana footage played over the screens. A long line of musical history still delighting and energizing.

    “Our goal is to flood you with enthusiasm,” Santana announced at the first of only a few very short breaks. Later he urged the crowd to “Elevate the consciousness of the planet to stop the corruption.”

    The band continued to work through Santana’s vast catalog, seemingly chronologically. A big hit of the mid 70’s followed, with “Everybody’s Everything” including a ripping bass solo, “Europa,” “Batuka,” and “No One To Depend On” with a particularly fiery solo from Santana.

    The second half of the show belonged almost solely to their late 90’s hit album, Supernatural, with “(Da Le) Yaleo,” “Put Your Lights On,” “Corazon Espinado” and “Maria Maria” all making big splashes with the audience.

    With a massive catalog to draw from, they still found plenty of room to pay tribute to other musical heroes. A subtle tease of his friend Mahavishnu John McLaughlin here, and few riffs from The Beatles’ “While My Guitar Gently Weeps” there. A seemingly random mash-up of James Brown’s “Funky Good Time,” The Doors’ “Roadhouse Blues” and The Chambers Brothers’ “Love Peace and Happiness,” may have just been an excuse for Santana to squeeze in some final unadulterated guitar shredding into the encore.

    Though the encore showstopper was handed to his wife, as she was granted a massive drum solo that brought the house down. Carlos has been around long enough to know how to put on one a hell of a rock show, and how to go home with happy wife.

    Andy Vargas back up singer
    Rock & Roll Hall of famer Carlos Santana
    Rock & Roll Hall of famer Carlos Santana
    Paoli Mejias, drums
    Rock & Roll Hall of famer Carlos Santana with drummer Karl Perazzo in the background
    Rock & Roll Hall of famer Carlos Santana plays to a excited crowd with drummer Karl Perazzo
    Cindy Blackman Santana drummer
    Carlos Santana plays along with guitarist Tommy Anthony
    Cindy Blackman Santana drummer
    Benny Rietveld, bass

  • Brooklyn Public Library’s “Philosophy of Hip Hop” Exhibition Brings Culture Full-Circle

    As hip hop’s 50th anniversary nears (August 11, 1973), the yearlong celebration of the world’s most popular music genre has been ramping up. However, hip hop is more than just rhyming over drum patterns. After all, the graffiti artists, breakdancers, b-boys, fashion and street culture are what the music reflected. It was only fitting that more than 4,000 people gathered at the Brooklyn Public Library for the philosophy of hip hop one of the largest celebrations of hip-hop’s anniversary to take place this year. 

    KRS One was a keynote speaker at the philosophy of hip hop
    KRS One was a keynote speaker at The Philosophy of Hip-Hop

    About the Event

    As part of the BPL’s “Night in the Library” initiative, the philosophy of hip-hop brought together dozens of artists and thinkers for a dynamic all-night exploration of the genre. The event took over the iconic Central Library from 7 p.m. to 2 a.m. with keynote addresses, musical performances, discussions, debates, and activities inspired by the genre’s music and culture.

    KRS one was a keynote speaker at the philosophy of hip hop.
    KRS-One was a keynote speaker at The Philosophy of Hip-Hop exhibition

    Co-curated by LeBrandon Smith founder of Really Just Hip-Hop, Kelly Harrison, and April R. Silver, founder of AKILA Worksongs, Night in the Library: The Philosophy of Hip-Hop featured a number of Roc Nation artists, including GRAMMY-nominated rapper Rapsody, Johnny Cocoa, HDBeenDope, and Rueben Vincent.

    The event tied in together several decades of hip hop history from its inception up to the present. All the while interpolating various parts of the culture and showcasing some of the less-heralded figures that have spearheaded hip hop. In addition, a host of legendary cultural figures made appearances including the likes of Dapper Dan, Angie Martinez, performers and rap legends Smif-N-Wessun, Dead Prez and Keynote speaker KRS-One. The Philosophy of Hip Hop was a time capsule into hip hop’s roots as various deejays serenaded the audience with classic hip hop cuts, culminating in a performance by Dead Prez.

    Fashion has long been an integral part of Hip-Hop culture.
    Dapper Dan made an appearance at The Philosophy of Hip-Hop

    Discussions & Lectures

    Similarly, there were several panels and discussions with key hip hop figures. Roc Nation artist Rapsody provided insight while leading a discussion on “Women in Hip-Hop: Sexuality, Empowerment, Competition, Success & A Fight for Respect.” Chiefly, Rapsody and Dr. Kathryn Sophia Belle discussed the pressures women face when it comes to their presentation. “I’ve learned to see it in different lights and overall, we’re just dope MC’s at the end of the day,” Rapsody Summarized.

    Rapsody participated in a discussion on Women in Hip Hop

    Panels

    Other notable panels and lectures included “Which American Region Is the Most Important in Hip-Hop?” Where a panel of journalists which include journalists Mitchell S. Jackson, Alvin Blanco, Chad Sanders and musical acts Jazzy Lo and DonWill. The panel answered questions on the trendsetters and groundbreaking acts from their respective regions (the East Coast, South, West Coast and the Mid-West). All the while a lively audience were eager to offer insight.

    “Which American Region is the Most Important in Hip Hop?” was one night’s liveliest discussions.

    In like manner legendary music journalist Bill Adler took the stage with Pete Nice of 3rd Bass for “The Expansion of Hip-Hop: How Non-Black Players Built a Home in the Genre.” A Brooklyn native, Adler has covered hip hop since the very wee points of its inception and shared stories on being one of the first writers to cover Kurtis Blow. By the same token, Pete nice shared his experiences as a Caucasian making his way through a black art form, having been on the Def Jam label during its formative years. The Long Island native shared stories of the joint-hunger and pursuit of success between him and the rest of Def Jam’s early roster.

    The philosophy of hip hop included several lectures.
    Bill Adler and Pete nice led a discussion on The Expansion of hip hop

    The evening closed with a performance from Dead Prez, who performed their cult-favorite “Hip-Hop.” With lyrics that see the Brooklyn duo criticize the capitalist nature of the music industry and its exploitation of black people, Dead Prez doubled-down with an intensified, acapella rendition of the record to hone in the message. Afterwards, the Deejay ended the night with a run of classic 80’s and 90’s tracks as the crowd celebrated hip hop in unison.

    Dead Prez closed the night out with their hit-record “Hip-Hop.”