NYS Music 2023

Category: Show Reviews

  • Flashback: Crosby, Stills and Nash open for the Grateful Dead at Rich Stadium, July 16, 1990

    It was hot and muggy in Western New York on July 16, 1990. Crosby, Stills and Nash were opening up for the Grateful Dead at Rich Stadium, and Brent Mydland was amid his final tour with the Dead.

    grateful dead 1990

    The Grateful Dead played Buffalo a total of 12 times in their storied career, including May 9, 1977 at Buffalo Memorial Auditorium (a day after the famed Cornell 77 show) a show at Kleinhan’s Music Hall on March 17, 1970, and six total shows at Rich Stadium, including this show in 1990. A typical summer stop from 1986-1993, Orchard Park’s Rich Stadium had far more space for fans, after the band outgrew the Memorial Auditorium, The Rich shows becoming part of Deadhead lore. 

    grateful dead 1990

    Playing in Foxboro, MA the night before, fans trekked overnight from Eastern Massachusetts to Western New York, a seven hour drive (not factoring in stops, switching drivers and catching sleep at rest stops along the way). With a capacity of more than 70,000, Rich Stadium was ready to welcome more than Foxboro held by a margin of 10,000, plus plenty of fans arriving from across the Empire State who would call this their first Grateful Dead show.

    grateful dead 1990

    On the NYS Thruway, traffic crawled in the heat, with fans walking along the highway, slow cars filling the breakdown lane, with fans looking for Miracles via hand-lettered signs as you filed into the Rich Stadium lot. The traffic was so bad getting from the Thruway to Orchard Park, fans were pulling into the lot as the opener, Crosby, Stills and Nash, were beginning to play, the songs trickling over the top of Rich Stadium.

    Ticket to the Grateful Dead at Rich Stadium, July 16, 1990

    Part of their “Live It Up Tour,” Crosby, Stills and Nash toured off the album Live It Up, the first album the trio recorded since 1983. The album came together when Crosby and Nash began working on a new album as a pair, but following the trio performing at the collapse of the Berlin Wall in 1989, Stills became involved in the Crosby and Nash project, as noted in Dave Zimmer’s Crosby, Stills and Nash: The Authorized Biography (The Definitive Inside Story of the Super Group).

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

    Playing a set that was mostly unchanged for the entire tour, CSN made sense as an opener – both bands were part of the late 60s music explosion on the west coast, and with Crosby from Los Angeles and the Dead based in San Francisco and many festival and show billings together, the two bands shared a long history together. Crosby even recorded and performed live with members of the Grateful Dead, billed as David and the Dorks for three shows in 1970. So an opening slot or two on their summer tour was a natural fit, especially with large stadiums like Foxboro and The Rich on the tour schedule.

    grateful dead 1990
    David and a dork

    However, CSN did not mix up their setlist and did not factor in the Grateful Dead shows on their tour, where fans would see more than one night of the tour and catch onto repeats a bit faster. Fans not engaged in the July 16th opening set led to Graham Nash saying to the audience something to the effect of “show us you deserve to wear those tye-dyes and get into it,” reacting to fans non-reaction of the milquetoast opener. One fan recalled that at both shows they saw on the tour, CSN said both times “So, this is what a Grateful Dead audience looks like” with the same banter factored into the set. 

    This show at Rich Stadium for the Grateful Dead would also be the final tour for Brent Mydland, although that may not have been apparent to many fans at the time. A week later, Mydland would play his final show with the Dead, and die three days later from an overdose. There are points of the show between tunes where the band is enjoying themselves and Brent takes a moment to play a few bars of George M. Cohan’s “Over There” and the “Mickey Mouse Clubhouse,” keeping it playful and fans on their toes during these brief interludes.

    It was unmistakable though, the presence of Mydland on this short, Midwest/east-coast 12-show summer tour, that made his death harder on many. His talent and boisterous vocals on “Man Smart, Women Smarter” and originals like “Blow Away,” the last of which was played this evening in Orchard Park, were unmistakable, clearly identifying shows with his raspy, soulful voice and precision work on the keys.

    Following a breezy afternoon, the stadium climate was muggy yet the Grateful Dead were dialed in from the start, opening with “Hell in a Bucket” and following up with an early highlight of the set, “Mississippi Half-Step Uptown Toodeloo.” “Blow Away” had all the emotion Brent ever put into any of version, and featured a “Mind Left Body” jam, standing out as the final performance of the song.

    A pair of cowboy songs – “Mama Tried” and “Mexicali Blues” flowed seamlessly together with Bob Weir on vocals, with a fresh off-the-shelf “Loose Lucy” following, fans cheering in gratitude to hear a song not played since 1974 that made its return in March of 1990. The Rolling Stones “It’s All Over Now” fit in nicely with the flow of this stimulating first set, with “High Time,” and a thoroughly enjoyable “Let It Grow” following, with the Brent-heavy “Don’t Ease Me In” closing out the first set.

    The second set would feature a unique “Sugar Magnolia” / “Sunshine Daydream” sandwich, the show opening with the first stanza of “Sugar Magnolia” before dissolving into a smooth and unexpected segue onto “Scarlet Begonias” after only three minutes. The crowd reaction when “Scarlet Begonias” is realized by thousands is a sound to behold and embrace. Not stopping, the Dead moved into “Man Smart, Woman Smarter,” the lyrics in unison from Garcia, Weir and Mydland driving the song. 

    “Ship of Fools” served as a bridge to the obligatory and long-awaited “Truckin’,” with the “Truckin’, up to Buffalo” lyrics eliciting the largest cheers of the night, the jam meandering but finding itself in the final minutes before “Drums.” If you’re looking to revisit the show or listen for the first time, “Drums” is a percussive trip, with “Space” having a creepy laugh track in the background during the first half, a fun (maybe?) accent to the night for those in attendance.

    grateful dead 1990
    Ticket to the Grateful Dead at Rich Stadium, July 16, 1990

    Jumping out of “Space” were short versions of “The Wheel” and “Gimme Some Lovin’” and a somber “Wharf Rat” to balance them out. “Around and Around” found its place coming out of “Wharf Rat,” diving into “Sunshine Daydream” to an enthusiastic crowd hearing a fantastic full set sandwiched inside a classic Grateful Dead song. 

    “When the 2nd set ended, I remember experiencing an exaggerated exhilarated feeling that I’ve never felt from any show before. Obviously others felt the same because when the Sunshine Daydream reprise finally ended, we were jumping up and down and even the people behind us were so amped that we all just stood there hugging each other. It was ridiculously intense. No other show has lifted me to such heights before and I am so glad I was here.”

    Jazdead, as shared on Dead.net

    The encore of “Brokedown Palace” fit in perfectly to close the night, capping a day for the fans, and Brent Mydland as he performed his final show in New York.

    Crosby Stills and Nash – Rich Stadium, Orchard Park, NY – July 16, 1990

    Setlist: Love the One You’re With, Chicago, Drive My Car, Live It Up, Got It Made, Just a Song Before I Go, Night Time for the Generals, For What It’s Worth, Wasted on the Way, Our House, Almost Cut My Hair, Helplessly Hoping, Déjà Vu, (Got to Keep) Open, Southern Cross, Wooden Ships, Teach Your Children, Woodstock

    Grateful Dead – Rich Stadium, Orchard Park, NY – July 16, 1990

    Set 1: Hell in a Bucket, Mississippi Half-Step, Blow Away, Mama Tried > Mexicali Blues, Loose Lucy, It’s All Over Now, High Time, Let it Grow > Don’t Ease Me In

    Set 2: Sugar Magnolia > Scarlet Begonias > Man Smart/Woman Smarter, Ship of Fools, Truckin’ > drums > space > The Wheel > Gimme Some Lovin’ > Wharf Rat > Around and Around > Sunshine Daydream

    Encore: Brokedown Palace

  • Tom Keifer, RATT and Vixen Bring Rock Back to Tag’s Summer Stage

    For those of us who remember the music of the 80’s & 90’s it was a trip down memory lane with an unforgettable night of music at Tags in Big Flats, NY on Saturday, July 8th. That music came in the form 80’s Metal as headliner Tom Keifer the former singer of Cinderella, Stephen Pearcy former front man of the 80’s band Ratt and and the all woman hard rocking Glam metal band Vixon. Throw in amazing weather ironically in the 80’s and you have an amazing night of music. 

    Tom Keifer bringing 80’s metal back to Tags.

    Tom Keifer has come along way since his days of Cinderella and the tough times of dealing with “vocal cord paresis” in the early 90’s. It’s a disease that litterally attacks the vocal cords and forcing Tom to litterally learn to sing from scratch.  Hey brought many of his favorites this night such as “Coming Home”, “Nobody’s Fool”, “Gypsy Road” and “Don’t Know What You Got (til it’s gone).”

    Former Cinderella front man Tom Keifer playing to a great crowd at Tags.

    Tom’s band is called Keiferband and includes Tony Higbee on lead guitar, Bill Mercer bass (both from Nashville, TN), Jarred Pipe on drums from Hendersonville TN, and Kory Myers on keys hailing from Southaven, Mississippi.  Back up singers are Tom’s wife Savana and Tanya Davis, also from Nashville. 

    Before Tom got things going it was Stephen Pearcy bringing back the 80’s in style.

    Stephen Pearcy performing to an excited crowd at Tags.

    Pearcy, the former front man for the 80’s hair band Ratt proved that age is just a number by belting out famous Ratt ballads as good as he did 40 years ago. Ratt favorites “Back for More”, “ Wanted Man” and “Round & Round” we well received by the crowd.

    Stephen Pearcy, former front man for Ratt helped bring 80’s metal back to Tags for the night.

    Starting the night was Vixen with there all female lineup featuring original member Roxy Petrucci on drums, Britt Lighting tearing it up on lead guitar, Lorraine Lewis on lead vocals and recent addition Julia Lage on bass.

    Vixen, whose history goes all the way back to the streets of St. Paul, Minnesota in 1980, has withstood the test of time by being the only female band from the 80’s to sell over a milllion albums, had six #1 videos on MTV and had four songs in Billboards top 100.  The Tags crowd gave them a huge ovation when they finished their show with “Edge of a Broken Heart.”

    Lorraine Lewis of Vixen enjoys an excited crowd at Tags.

    The show was another amazing night celebrating 30 years of music at Tags Summer Sound Stage in Big Flats, located between Corning and Elmira. The next big show on the horizon is Country star Dustin Lynch on August 11. Go to www.tagstickets.com for more info. 

    Vixen’s Julia Lage gets excited for a great crowd at Tags.
    Vixen Drummer Roxy Petrucci playing for an excited crowd at Tags.

  • MAX Shakes up Jones Beach Theater

    Max Schneider, the charismatic and multi-talented artist, set the stage on fire as he opened for Big Time Rush on June 9th at Jones Beach Theater in Wantagh, Long Island. With his infectious energy and undeniable talent, Max captivated the crowd from the moment he stepped foot on stage.

    This highly anticipated show brought together fans who were eager to witness the magic unfold. As the sun set and the first notes reverberated through the air, it became evident that this night would be filled with unforgettable moments. The atmosphere was electric as fans anxiously awaited Max’s performance, knowing they were about to be treated to an extraordinary display of musical prowess and captivating stage presence.

    Max Schneider, the versatile and dynamic artist, is making a name for himself with his magnetic blend of pop, R&B, and soul. Hailing from Manhattan, Max’s musical journey began at a young age, with songs like “Someday” from the Nickelodeon movie he starred in Rags. Since, he’s immersed himself in various genres and honing his craft as a singer and songwriter. With his undeniable talent and captivating stage presence, Max quickly gained attention and built a devoted fanbase.

    His music is marked by infectious melodies, heartfelt lyrics, and an innate ability to connect with his audience on a deeply personal level. With breakout hits like “Lights Down Low” and “Love Me Less,” Max showcases his versatility as an artist, effortlessly blending catchy pop hooks with soulful vocals. 

    As he continues to push boundaries and explore new sonic territories, Max’s star continues to rise, solidifying his position as a rising force in the music industry. With a string of successful releases and an electrifying stage presence, Max Schneider is poised to captivate audiences around the world with his undeniable talent.

    Max’s performance at Jones Beach Theater was an exhilarating display of his immense talent and showmanship. With a setlist that spanned his diverse discography, Max delivered a high-energy and unforgettable performance that had the crowd on their feet from start to finish.

    Kicking off the set with the infectious hit “Love Me Less,” Max immediately established a powerful connection with the audience. The atmosphere was electric as he seamlessly transitioned into a medley of “Holla” and “Drop It Like It’s Hot,” infusing his own unique style into these iconic tracks.

    Max’s versatility as an artist was on full display as he effortlessly shifted gears into the hypnotic and dreamy “Acid Dreams.” The crowd was captivated by his smooth vocals and mesmerizing stage presence, fully immersed in the musical vibes he created.

    Taking a moment, Max performed a heartfelt mashup of “Someday” and “Me And You Against The World,” showcasing his ability to tug at heartstrings with his soulful delivery and emotionally charged lyrics. The audience swayed along, enveloped in the powerful atmosphere Max created.

    The highlight of his set was the debut of a new, unreleased track titled “Say Less.” The funky and energetic song ignited the crowd, with its infectious hooks and irresistible groove. Max’s performance of this fresh offering left fans eager for what’s to come from his forthcoming album.

    Continuing to dazzle the audience, Max delved into the energetic yet intimate “Blueberry Eyes,” a fan-favorite that showcased his vocal prowess, korean rapping mastery, and ability to evoke genuine emotions. The crowd sang along, creating a beautiful moment of unity and connection.

    With “Strings,” Max demonstrated his artistry and musicianship, delivering a captivating performance that showcased his skill on the guitar. The intricate melodies and heartfelt lyrics resonated deeply with the audience, further solidifying Max’s status as a true musical talent.

    The energy reached its peak as Max unleashed the infectious anthem “Satisfied.” The crowd erupted into cheers, dancing and singing along to every word. Max’s infectious energy and stage presence were contagious, filling the venue with an electrifying atmosphere.

    A standout moment came with the performance of his chart-topping hit “Lights Down Low.” As the opening chords filled the air, the entire stadium was illuminated by the sea of phone flashlights held up by fans, creating a magical sight and a testament to the profound impact this song has had on listeners.

    Closing out the set with the powerful and dynamic “Mug Shot,” Max left the audience craving more. In a moment of excitement and anticipation, he announced a forthcoming album, set to be released at the end of the year, accompanied by an accompanying tour. The crowd erupted into cheers, eagerly awaiting what promises to be another exceptional chapter in Max’s career.

    His performance was a masterclass in showmanship, talent, and connection. With an electrifying stage presence, a versatile setlist, and an unwavering connection with his fans, Max proved once again why he is a force to be reckoned with in the music industry. As fans eagerly anticipate his upcoming album and tour, it’s clear that Max Schneider will continue to rise, and his captivating performances leave an indelible mark on all who have the pleasure of witnessing his artistry.

    Stay up to date with Max on socials and any updates from upcoming tour here. 

    MAX Setlist: Love Me Less, Holla / Drop It Like It’s Hot, Acid Dreams, Someday / Me And You Against The World, Say Less [Unreleased], Blueberry Eyes, Strings, Satisfied, Lights Down Low, Mug Shot

  • Volbeat and Halestorm Rock Toronto at Echo Beach

    Toronto’s Echo Beach was set ablaze on Wednesday July 12th as the Danish rockers Volbeat, accompanied by the powerhouse American rock band Halestorm, unleashed a sonic storm upon the fervent crowd. The air was electric with anticipation as fans eagerly awaited the musical extravaganza that awaited them. And boy, did these bands deliver!

    Halestorm last play the area in Hamburg last year. Kicking off the night with an explosive energy, Halestorm took the stage by storm, leaving the audience breathless with their blistering performance. Frontwoman Lzzy Hale commanded the stage like a true rock goddess, her powerful vocals piercing through the night air. With her signature charisma and raw intensity, she effortlessly captured the hearts of every spectator in the venue.

    Halestorm’s guitar-driven anthems reverberated through the amphitheater, igniting an uncontainable fervor among the crowd. Songs like “Love Bites (So Do I)” and “The Steeple” resonated with fans, who eagerly sang along to every word. The band’s seamless synergy and tight musicianship were evident, creating an undeniable chemistry that fueled the entire performance.

    After a brief intermission, the stage transformed into a grandiose spectacle, signaling the arrival of Volbeat. The “Servant Of The Road” tour had kicked off in Toronto, and the band wasted no time in proving why they are considered one of the most dynamic acts in rock music today.

    Frontman Michael Poulsen’s commanding stage presence and distinct baritone vocals took the audience on a wild ride. The band effortlessly transitioned from hard-hitting, foot-stomping rockers like “The Devil’s Bleeding Crown” to more melodic and introspective tunes like “Becoming.” Each song was executed flawlessly, fueling an intense euphoria that pulsed through the veins of every fan.

    Volbeat’s performance was accompanied by a stunning visual display, with mesmerizing light shows and striking backdrops that added an extra layer of grandeur to the concert. The crowd’s collective energy reached its peak during the band’s iconic hit, “Still Counting,” with fans chanting the infectious chorus with unbridled enthusiasm.

    The chemistry between the band members was palpable, as they effortlessly navigated their extensive catalog of rock anthems. From the blistering guitar solos to the thunderous drumming, every musician on that stage showcased their immense talent, leaving the audience in awe.

    The Volbeat and Halestorm show at Echo Beach was an unforgettable experience, leaving no doubt that rock ‘n’ roll is very much alive and thriving. These two bands proved that they are the rightful torchbearers of the genre, infusing it with their unique sound and captivating performances. The Toronto crowd was treated to a night of pure rock ‘n’ roll magic, and everyone left Echo Beach with their hearts pounding and their souls rejuvenated.

    Halestorm

    Volbeat

  • In Focus: Pleasantville Music Festival 2023

    The Pleasantville Music Festival 2023 was held on July 8th at Parkway Field, in Pleasantville.  This year’s lineup featured many New York State based performers; including headliners, They Might Be Giants. 

    They Might Be Giants
    They Might Be Giants

    Curating a one-day event with 18 musical acts, on three stages, is a daunting task. Aiding in the selection process, The Garage at Lucy’s. The Garage, a Pleasantville music club, hosted a series of battle of the band competitions. Victors were given the opportunity to open the day on one of the three stages.

    Allison Ponthier

    With the lineup complete, the festival was good to go. First up on the Pamnation Party Stage, Hunter Road. This Valhalla based group set the bar high for the following acts, with their rocking opening set. On the Party Line Chill Tent Stage, singer songwriter Ursula Hansberry performed solo, sharing her bluesy jazz style with the early attendees. On the main stage, overall battle of the band winner Summer Fling welcomed everyone with a distinctive funk, rock, pop sound. 

    Summer Fling
    Summer Fling

    Kudos to the festival for their music traffic management allowing people to move from stage to stage without missing acts they would like to see. From Chill, to Party, to Main, the groove of each stage matched its description. The sequencing of bands was also spot on. When one band finished, the next one picked up where the last one left off, talking it to the next level.

    Hunter Road
    Hunter Road

    Mother nature made a special appearance at Pleasentville Music Festival 2023, bringing with her two rounds of pouring rain and lightning. This required the stoppage of music and the need for people to leave the park grounds till the storms passed. Even with two delays, many stayed through the end. In retrospect, instead of being a deterrent, the rain acted like a cleansing of the pallet, as if to prepare oneself for the next musical course. 

    Allman Betts Band

    In addition to some of New York State’s finest musicians, there were notable national acts on the bill. Sophie B. Hawkins took to the Chill tent stage in bare feet, closing out that performance space. People were spilling out beyond the sides of the tent to get an earful of her music. On the main stage The Allman Betts Band shared originals while slipping in a few Allman Brothers tunes, to the crowd’s pleasure. Allison Ponthier was a glow with her indie pop sound, sharing a new unreleased song as part of her set. 

    Sophie B. Hawkins

    Multi Grammy Award winners John Flansburgh and John Linnel, aka They Might Be Giants, brought the night to a close. With forty years of performing under their belt, they did not hold back. Backed by a full band (including The Horns), TMBG bestowed on the crowd their surreal, humorous, experimental style of music, jamming on tunes till it was time to go.

    Main Stage

    They Might Be Giants
    Allman Betts Band
    Allison Ponthier
    Blac Rabbit
    Smooch w/Matt Crossett
    Summer Fling

    Pamnation Party Stage

    The Criticals
    Strange Neighbors
    Moonunitt
    SunDub
    Social Creatures
    Hunter Road

    Party Line Chill Tent Stage

    Sophie B. Hawkins
    Pete Francis
    Brandi & The Alexanders
    The Moonrise Cartel
    Dave Casale w/Petey Hop
    Ursula Hansberry

  • Tedeschi Trucks Band Take It Higher in Canandaigua

    Another beautiful summer night on the shores of Canandaigua Lake enjoying some live music at CMAC. Such was the fate for the thousands of fans who filled the shell and lawn for the Tedeschi Trucks Band show Tuesday night. What could be better?

    The stage would also be filled to the max. Reggae great Ziggy Marley and his ten-piece band would command the stage for an hour-long opening set before the Tedeschi Trucks Band would take over, besting Marley with their unit of twelve. At nights end however a band of eighteen would be serenading the audience. Six from Marley’s band would join the headliners for a raucous encore of a mashup of Sly and the Family Stone’s “Sing a Simple Song” and “I Want to Take You Higher.”

    Like a series finale, all the story lines from the evening came to a head at once, resolving in highly entertaining fashion. Mini-jams broke out all over: a keyboard duel, a 2-man bass-off, a drums and percussion battle, a triple guitar threat, horns aplenty, and a handful of vocalists directing it all to a t. The entire audience was on their feet, amazed at how they managed to wrap up the evening so perfectly.

    Watching it unravel song by song, it was a lot to binge in just one evening. Marley flexed his heritage in the opening set, getting properly political with the dark dub of “See Dem Fake Leaders” and “Justice,” which effortlessly worked in splashes of his father’s “Get Up Stand Up.” Those contrasted nicely with the sunnier “We Are the People” and “Circle of Peace.” His two female backup singers added some edge with rapping over “The Lucky One” and the soulful closer “Look Who’s Dancin’” while also exhibiting some entrancingly good dance moves.

    The intrigue was set, it was time for the main act. The Tedeschi Trucks Band worked a solid groove on Joe Cocker’s “Woman to Woman,” using it as a quasi walk-out tune for Susan Tedeschi. When she finally took the stage, she immediately commanded it, her incredible voice carrying over all else. She would continue to be the person of interest in the following “Anyhow,” ripping a rocking solo reminiscent of Traffic’s “Dear Mr. Fantasy.”

    Each ensuing song would bring different members of the endlessly talented ensemble into the spotlight. Piece by piece the story of the band would come together, all working toward that grand finale. The three segments of the band, be it Tedeschi, Truck, or Band, got equal time and each had their highlights. Tedeschi’s voice shined brightest on “Don’t Think Twice It’s Alright,” just crackling and soaring. Trucks’ guitar found no better time to growl, stretch and moan then the set-closing “I Want More / Beck’s Bolero” combo. The drummers took over on Dr. John’s “I Walk On Guilded Splinters,” blasting low rumbles leaving the rest of the band hanging on and hanging in. Keyboardist Gabe Dixon took a turn on the vocals and highlighted his playing on the New Orleans soaked “Gravity.” Saxophonist Kebbi Williams got his turn on the retro soul groover “Part of Me,” and also got to tangle for a spell with Trucks, Dixon, and bassist Brandon Boone on a gorgeous “Midnight in Harlem.”

    Whatever they made it out on a Tuesday night for, be it Tedeschi, Trucks, or any and all of the band, there’s not a chance anyone went home unsatisfied. And now the difficult wait for the next season to get released so we can binge on their talents all over again.

    Photo gallery by Jamie Mohr

  • In Focus: Shania Twain’s Unforgettable Queen In Me Tour At Lakeview Amp

    A sold-out crowd eagerly gathered at St. Joseph’s Lakeview Amphitheater in Syracuse for a momentous occasion – the highly anticipated Woman In Me Tour featuring country music icon, Shania Twain. With excitement in the air, cowboy hats, sparkle ensembles, and devoted fans were in for a treat that would be etched in their memories for years to come.

    As the lights dimmed and the anticipation reached its peak, the crowd erupted in thunderous applause as Shania Twain surprised everyone by emerging from a box in the middle of the crowd singing “Wake Up Dreaming.” It was a jaw-dropping moment that set the stage for a night filled with surprises, energy, and pure musical magic instantly establishing a connection with her fans.

    This concert marked a significant milestone for both Shania Twain and the Central New York region, as it was her first performance in the area in an impressive 25 years. The anticipation and nostalgia were palpable, as fans eagerly awaited the chance to witness the country superstar’s return to the region that holds a special place in their hearts.

    Shania Twain’s stage presence was nothing short of captivating. Throughout the night, she effortlessly commanded the stage with her unmistakable charm and undeniable talent. The crowd was treated to a visual feast as she donned multiple dazzling outfits, and glamourous visual backgrounds to her set.

    One of the highlights of the evening was Shania Twain’s exceptional crowd interaction. She had a genuine connection with her fans, taking the time to engage with them on a personal level. From sharing heartfelt stories and reading the signs her fans waved high in the air, she made everyone in attendance feel like they were part of an intimate gathering rather than a sold-out arena. It was this genuine connection that further heightened the concert experience, leaving the audience feeling seen and valued.

    A true celebration of Shania Twain’s iconic discography, with hit after hit igniting the crowd’s enthusiasm. From timeless classics like “Any Man of Mine” and “That Don’t Impress Me Much” to heartfelt ballads such as “You’re Still the One” and “From This Moment On,” each song was met with resounding cheers and singing from the passionate audience. The energy in the venue was infectious, with everyone on their feet, dancing and singing along to every word. The combination of Shania Twain’s soaring vocals, the vibrant stage lighting, and the backdrop of a breathtaking sunset over the lake created a truly magical atmosphere. It was a moment where music, nature, and community seamlessly intertwined, amplifying the already incredible experience.

    As the final notes rang out, the crowd erupted in thunderous applause, showing their gratitude and appreciation for the unforgettable evening they had just experienced. Shania Twain delivered a concert that exceeded all expectations, leaving fans with a renewed sense of joy and a reminder of why her music has stood the test of time. In conclusion, Shania Twain’s Woman In Me Tour at St. Joseph’s Lakeview Amphitheater in Syracuse was a monumental event that showcased the enduring power and talent of a country music icon and her long-awaited return to Central New York was a triumph, and the memories created will undoubtedly be cherished for years to come.

    For more on Shania Twain, click here.

    Set List: Wake Up Dreaming, Up!, Don’t Be Stupid, I’m Gonna Getcha Good, You’re Still The One, Giddy Up!, Any Man of Mine, Who’s Bed Have Your Boots Been Under?, Honey, I’m Home, Inhale/Exhale AIR with Breland, From This Moment On, Medley, Forever And Always, My Number One, Rock This Country.

    Encore: You Don’t Impress Me Much, Party For Two, Man! I Feel Like A Woman!

    Shania Twain at Lakeview July 8 2023

  • In Focus: Plush rock out at Alive at 5

    On Thursday, July 6th, Plush rocked a hot summer stage for Albany’s 4th installment of Alive at 5.

    Kenny Hohman of Super 400 – Photo by Jarron Childs

    Super 400, from Troy, NY, opened rock night with a strong 1 hour set. Playing together for over 20 years, they are no stranger to the Capital Region spot light. The trio were inductees to the Class of 2022 Eddies Hall of Fame. Their psychedelic and class rock sound really drew in the very adult Albany crowd. Towards the end of their set, they brought up singer, writer, and producer Sean Whiteford for a song. They crowd gave them a strong exit as they really played straight through the summer heat.

    Sean Whiteford and Kenny Hohman – Photo by Jarron Childs

    Lead vocalist, Moriah Formica, got her start in music at a fairly young age. She was previously on The Voice at the age of 16 in 2017. She made it to the last playoff round before getting eliminated; but it was enough to jump start her professional music career. Plush was formed soon after during the COVID-19 pandemic mainly through ads on social media. The young, all female rock band has been capitalizing on the growing female rock scene. From debuting their first song “Hate,” it wasn’t long before they were supporting acts like Kiss.

    Moriah Formica of Plush – Photo by Jarron Childs

    Lead by Albany native Moriah Formica, they did not not let the heat stop them from playing a full hour and a half set. Plush braved the humidity with a burst of energy the radiated well into the crowd. With lots of bopping around stage, they really brought the excitement of rock to the stage with their classic and hard rock rock style. Bassist and New York native, Ashley Suppa, seemed to be a crowd favorite as she really took up the as much as the stage as she could. Her and guitarist, Bella Perron, kept switching places which helped really stimulate the audience to keep on moving with them. Perron also had some great solos where she really used her guitar to bring the energy from some of Plush’s newest fans.

    Ashley Suppa of Plush – Photo by Jarron Childs

    Even though they may have had a weird start, they had a powerful exit with their latest single, “Left Behind.” They took a photo with the crowd before greeting them by the merch table for fans to greet their new favorite band. Their great sound coupled with young energy make them really hard not to like.

    The closest show the band has to New York is in Atlantic City on September 8th. They play at Rock Fest in Cadott, WI on July 15th for anyone that can check them out soon.

    Faith Powell of Plush – Photo by Jarron Childs

    Plush Setlist: Athena, Champion, Sober, Better Off Alone, Baracuda, Found A Way, Walk Away, Don’t Say That, Man in the Box, Hate, Will Not Win, I Don’t Care, Bring Me Down, Why Do I Even Try, Sorry, Heaven’s On Fire, Left Behind

  • Trying to Catch a Ray: Trey Anastasio Band at The Stone Pony

    Trey Anastasio’s Band stopped at The Stone Pony Summerstage amidst their tour. The place was packed and there were loads of people listening to the concert outside of the gated-off, outdoor venue. This proved to be an incredible show filled with fan favorites, incredible solos by Trey and the horns section and even Natalie “Chainsaw” Cressman’s masterful vocal work on “1977.”

    The band opened up with “Set Your Soul Free” which featured the lovely accompaniment on vocals by Jennifer Hartswick & Natalie Cressman. The first set included “Steam,” “Heavy Things,” a roaring “Night Speaks to a Woman,” and a funky “Moma Dance.”

    The second set opened up with a Trey original, “I Never Needed You Like This Before.” The sun was going down and the band was settling into a familiar groove with Trey’s solos getting loner and heavier. If this show is foreshadowing the Phish summer tour ahead, we are in for quite a ride! The second set included a personal favorite “Alaska,” which was jammed out entirely with an extensive solo by Trey, “1977” with Cressman’s mesmerizing rapping, an insanely jammed out “No men in No Man’s Land,” and “Everything’s Right” to close out the set.

    That last song really helped this writer get through a rough day. The positivity and healing in Trey Anastasio Band’s music have helped greatly and I am sometimes in awe of its power. The band came back for their encore, an a capella “Over the Rainbow” and a shredding “First Tube.”

    Set 1: Set Your Soul Free, Simple Twist Up Dave, Evolve, Rise/Come Together, Steam, Heavy Things, Cayman Review, Night Speaks to a Woman, The Moma Dance, Curlew’s Call.

    Set 2: I Never Needed You Like This Before, 1977, Acting the Devil, No Men In No Men’s Land, Oblivion, Love is What We Are, Drifting, Alaska, and Everything’s Right.

    Encore: Over the Rainbow, First Tube

  • Big Time Rush Takes the Stage at Bethel Woods 11 Years Later

    This past Friday, July 7, the iconic Big Time Rush band from the early 2010s played an incredible show at Bethel Woods Center for the Arts. Playing almost eleven years earlier at the same venue, many superfans flocked back to see them—this time all grown up. Concertgoers sported sparkly attire, OG Big Time Rush t-shirts, and posters stating their love for their favorite band member as they waited eagerly in anticipation for their Can’t Get Enough tour. 

    Big Time Rush, photographed by Sarah Hyun

    Big Time Rush, consisting of members Kendall Schmidt, James Maslow, Logan Henderson, and Carlos PenaVega, originally began as a TV show for the Nickelodeon channel. They formed in 2009 and garnered a cult audience of superfans, continuing their show with four seasons until their final episode in 2013. The band took a break afterward to allow each member to work on his solo career but recently regrouped in 2021. Big Time Rush has been touring since, and is now at the beginning of their Can’t Get Enough tour, with twenty-five shows left. They previously played at Saratoga Performing Arts Center and are scheduled to play at Northwell Health at Jones Beach Theater.

    Big Time Rush, photographed by Sarah Hyun

    With the concert being delayed for almost two hours due to thunder, there was an almost-certain chance that the show was going to be canceled. Although openers MAX and JAX could not take the stage, the boy band made sure that the show went on. Fans were ecstatic. The boys came out on a large platform with bright lights shining behind them to create a silhouette of their bodies. The screams that followed were absolutely deafening and continued that way for the rest of their set. During their song “All Over Again,” the members pointed to different parts of the crowd whilst singing the lyrics “To the left, left, left/On the right, right, right/To the back, back, back/On the side, side, side.” Confetti shot out of cannons during the performance of “Confetti Falling,” and a video montage of the boy band played on the large screen during their intermission song, “I Just Want To (Party All the Time).” At one point in the show, each member chose a female fan from the audience to personally serenade on stage. 

    During the encore, the band left for a good two to three minutes before re-entering to perform “Windows Down,” their most popular song “Boyfriend,” and “Til I Forget About You.” At the beginning of the encore, the members ran off the stage and into the seated sections to greet some of the fans that were farther away from the stage. Big Time Rush promised that they would definitely be back at Bethel Woods to play more shows in the future. 

    Setlist: Can’t Get Enough, Elevate, Song for You, Waves, Weekends, All Over Again, Any Kind of Guy, Ask You Tonight, Forget You Now, Love Me Love Me, Paralyzed, Nothing Even Matters, Worldwide, Invisible, I Just Want To (Party All the Time), Famous, City is Ours, 24/Seven, Shot in the Dark, Big Night, Confetti Falling, Big Time Rush

    Encore: Windows Down, Boyfriend, Til I Forget About You