NYS Music 2023

Category: Show Reviews

  • Soaring to New Heights: Goose Play Biggest Show Yet in SPAC Debut

    It was a career-defining night for Connecticut’s indie-groove sensation Goose on Friday, July 7. Making their debut at the iconic Saratoga Performing Arts Center, it would ultimately prove to be their biggest headlining performance to date, drawing an estimated 11,000 fans from across the Northeast.  Rising to the occasion, the high-flying band captivated attendees with their signature sound, all played with purpose, gusto, and pride. A milestone moment in time that was as satisfying for the fans as it was for the members of Team Goose, this show felt special and more like a homecoming celebration for our triumphant underdogs.

    Goose made their Saratoga Performing Arts Center debut on 7/7/23

    From the dimly lit club scene to lighting up amphitheaters across the country, the meteoric rise of Goose has been a phenomenon rarely seen in today’s music climate. Ever since accepting the proverbial “torch” from a guy named Trey at Radio City Music Hall last summer, the band has been running with it full speed ahead, no brakes and all gas.  From making their national television debut to selling out Red Rocks and their residency at the Capitol Theatre, to earning praise from legendary Grateful Dead members Bob Weir and Phil Lesh and even comedians like Jimmy Fallon and Bert Kreischer, the widespread appeal of this band seems to span across generations. Even people who don’t listen to “new” music are talking about Goose.

    Goose guitarist/lead vocalist Rick Mitarotonda performing at SPAC on 7/7/23

    Consisting of Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], Ben Atkind [drums], and Jeff Arevalo [vocals, percussion, drums], the buzz surrounding Goose’s SPAC debut was palpable. Coming off major festivals like Peach and the final Resonance, then a pair of sold-out 4th of July shows at the Stone Pony and Portland, ME, the momentum coming into Saratoga had reached a level not seen since, well, Phish. Afternoon rain would make for a bit of a messy shakedown situation, but right around showtime, as if on cue, the clouds turned as fans started filling up the lawn and pavilion. The highly collectible posters commemorating the evening were long gone well before the first note was played. 

    Goose made a little Saratoga magic during their SPAC debut on 7/7/23

    Walking out to a thunderous and sustained standing ovation, the members of Goose were grinning ear to ear upon taking their positions on the storied SPAC stage. Afterward, on social media, the band would reflect on it saying, “We will never forget the energy we felt right at the start of last night’s show, absolute chills.”  Soaking it all in for a moment, the guys would suddenly drop into an inspired “Silver Rising,” with Mitarotonda emphatically singing out the opening lyrics:

    Feel the rush

    Taste the blood

    Feel the fear behind your eyes

    All my dreams and

    All my reasons

    Swallowed up into the night

    Lyrics from “Silver Rising”

    Pardon the cliché, but with the combination of those lyrics and hearing Rick’s voice for the first time in that kind of atmosphere, it simply gave you goosebumps. Saratoga would soon see a little “California Magic” before Goose would unleash a monster 19-minute version of “Animal” that had everyone up and movin’ their bodies.

    Peter Anspach lead Goose through “Red Bird,” a touching tribute to his Mother on 7/7/23

    Next came the emotional high point of the first set with a personal song near and dear to multi-instrumentalist Peter “Handini” Anspach. Leading the band through “Red Bird” in a fitting tribute to his mother who has supported his music every step of the way, hearing Peter sing it during the biggest show of his career was very touching. After dipping their toes into some gorgeous improvisational type-II territory, a rollicking rendition of “Same Old Shenanigans” (SOS) would send us to intermission and leave the excited crowd buzzing about what they’d just witnessed and what was still yet to come.

    Red bird don’t get tired now

    You can almost touch the light

    Red bird don’t stop singing your song

    Fly for tomorrow tonight

    – Lyrics from “Red Bird”

    The second set started off with the band paying homage to Goose’s precursor project Vasudo. Playing a heartfelt rendition of “The Empress of Organos,” a song that was also played at the final Vasudo show ten years ago, one couldn’t help but be inspired by just how far this band has come during that time. Now playing with a new custom-made guitar appropriately named “The Empress,” Mitarotonda’s tone sounded glorious all night long and the band looked completely comfortable and at home on the big stage. They are simply born for this. Following the 23-minute “Empress” came a beautiful blues-inspired cover of David Gray’s “Please Forgive Me” that saw some serious peak shredding from Snakes.

    The Empress: Rick Mitarotonda’s new custom ax sounded glorious under the SPAC pavilion on 7/7/23

    The SPAC show will be remembered for a lot of things, but for me, the real “get down” took place during the SPAC “Thatch.” One of the funkiest and crunchiest grooves this side of Phish’s “Moma Dance,” the band originally debuted the song just up the road in Glens Falls last November while opening for the Trey Anastasio Band. Nearly doubling its length with this version (while also managing to sneak a “Tequila” tease in), the song is destined to become a fan favorite and setlist staple for years to come. Check out pro-shot footage of “Thatch” here:

    Easing us into the comedown was another beautifully executed version of “This Old Sea,” one of the most tender ballads in the band’s arsenal, it would also be the shortest song played all night. Seamlessly transitioning into the title track from the band’s latest studio album, 2022’s Dripfield, the mesmerizing climax and stunning light show courtesy of LD Andrew Goedde left Goose fans dripping for more.

    On your way to kill the beast

    You meet the child, the only one you know

    And he sings to you, “Let go,

    May the nighttime be your home

    -Lyrics from “Factory Fiction”

    After hanging backstage for a minute to bask in the ovation and savor the moment, there was only one song that made sense for an encore; a song reserved for only the most special and monumental occasions. As the opening notes of the rare “Factory Fiction” rang out (or ‘Spactory Fiction’ as some fans are already calling it), the excitement and jubilation could be felt by everyone who was there and collectively sent chills down your entire body. Bringing the band full circle on this surreal summer night, from beginning to end, their performance made an emphatic statement. The golden Goose has arrived, and buckle up because their time is now

    Goose played their biggest headlining show to date on Friday, 7/7/23 at SPAC

    Up next, the band will return to the Newport Folk Festival for their first appearance on the main stage.  Later this fall, Goose will return to New York to headline the Borderland Music Festival in Buffalo, before heading across the pond to play their first European tour in November.

    For more information, tickets, and tour dates, visit here.

    Set 1: Silver Rising, California Magic, Animal, Red Bird, Same Old Shenanigans

    Set II: The Empress of Organos, Please Forgive Me (David Gray cover), Thatch, This Old Sea, Dripfield

    Encore: Factory Fiction 

  • Dream Theater’s Dreamsonic tour plows through Hamilton ONT

    Hamilton’s FirstOntario Center became a haven for progressive metal enthusiasts. The mighty Dream Theater stormed the stage on their highly anticipated “Dreamsonic” tour on Wednesday, July 5. Sharing the spotlight were the incomparable Devin Townsend and the virtuosic Animals as Leaders. The evening promised a sonic journey unlike any other, and the bands delivered an unforgettable experience that left the crowd breathless.

    Animals as Leaders

    The main support of the show was the one and only Devin Townsend, a visionary artist known for his eclectic and experimental soundscapes. With a mesmerizing stage presence, Townsend took the audience on a musical odyssey with his setlist. From the mind-bending complexity of “Truth” to the atmospheric beauty of “Kingdom,” Townsend showcased his ability to seamlessly transition between contrasting moods and styles. The crowd was captivated by his powerful vocal range and the intricate layers of instrumentation that formed the backbone of his performance.

    Next up, Dream Theater took the stage with an explosive rendition of “Caught in a Web,” instantly igniting the crowd’s energy after they started the setlist with some newer songs. The band’s technical prowess was on full display as they flawlessly executed complex time signatures and intricate melodies. Songs like “About to Crash” and “Solitary Shell” showcased their ability to seamlessly blend heavy riffs with melodic passages, creating a dynamic and captivating sonic experience. Their guitarist John Petrucci is one of the few performers who have mastered this.

    The concert reached its climax with the epic “The Count of Tuscany” a monumental piece that showcased Dream Theater’s musical virtuosity. The band’s chemistry was palpable as they flawlessly navigated through the song’s ever-shifting dynamics and intricate arrangements. The audience was spellbound by the precise synchrony between each band member, as they wove together a sonic tapestry of progressive metal mastery.

    For the encore, Dream Theater invited the other band members from the prior bands to join them on stage for a stunning rendition of “Act II: Scene Eight: The Spirit Carries On.” The collective energy and talent of all the musicians on stage created a transcendent moment, leaving the audience in awe.

    Dream Theater’s setlist was a carefully curated journey through their illustrious discography. Classics like “Pull Me Under” ignited nostalgia in long-time fans, while newer tracks like “The Alien” showcased the band’s continued evolution and growth. Each song was performed with impeccable precision, showcasing the band’s unrivaled musicianship and dedication to their craft.

    The Dreamsonic tour in Hamilton was a night that will forever be etched in the memory of progressive metal fans. Dream Theater, accompanied by support acts Devin Townsend and Animals as Leaders, delivered a mesmerizing display of technical prowess, musical depth, and sheer sonic brilliance. With a setlist that spanned their extensive career, Dream Theater left no doubt that they are masters of their craft, captivating the audience and leaving them craving for more.

    Animals as Leaders

    Devin Townsend

    Dream Theater

  • In Focus: Tears for Fears Rock Out at Bethel Woods

    This past Wednesday, July 5, the iconic 80s band Tears for Fears took the stage at Bethel Woods for a night of new-wave nostalgia. The English band, consisting of Roland Orzabal and Curt Smith, with Lauren Evans supporting the two on vocals, put on a fantastic show for their The Tipping Point Part II tour.

    Tears for Fears, photographed by Sarah Hyun

    Tears for Fears originated in Bath, UK in 1981 and disbanded for a nine-year-long period in 1991. After reuniting in 2000, the two released albums Everybody Loves a Happy Ending, The Hurting, and their most recent release, The Tipping Point. Tears for Fears recently played a show at Madison Square Garden and Saratoga Performing Arts Center. With nineteen dates left in the North American / European leg of their tour, the duo will be busy playing shows until late November.

    Tears for Fears, photographed by Sarah Hyun

    Orzabel and Smith have been playing shows virtually their whole lives. The two know exactly how to work for a crowd, as thousands of fans in middle age and older stood up in their seats to get a good view of the stage. Concertgoers danced, jumped, swayed, and clapped along to iconic songs like “Shout,” “Head Over Heels,” and their most popular track, “Everybody Wants to Rule the World.” After playing “Everybody Wants to Rule the World,” Orzabel paused for a moment and said, “This song gets a million streams every day, which would be remarkable if they weren’t all from us.” A sustained laugh from the crowd. During their performance of “Mad World,” fans screamed in excitement as the two scaled the stage, singing and dancing as colorful lights flashed about. 

    The end of the show was exciting yet bittersweet, as the two closed the night with a powerful performance of “Change” and “Shout.” Although they do not have any more scheduled tour dates in New York State, the two are sure to come back again as they have in the past.

    Setlist: No Small Thing, The Tipping Point, Everybody Wants to Rule the World, Secret World, Sowing the Seeds of Love; Long, Long, Long Time; Break the Man, My Demons, Rivers of Mercy, Mad World, Suffer the Children (sung by Lauren Evans), Woman in Chains, Badman’s Song, Pale Shelter, Break It Down Again, Head Over Heels / Broken

    Encore: Change, Shout

  • My Morning Jacket Deliver Powerhouse Performance in New Haven

    Bolstered by charismatic rock-star energy and a one-of-a-kind voice, the legendary live band known as My Morning Jacket lived up to all expectations and then some on Friday night, delivering a max effort, powerhouse performance to the storied city of New Haven, CT on the last day of June 2023.

    An outstanding evening of song and dance, hugs and headbanging, and music with enough substance and depth to make even the most jaded concertgoer feel alive, fans who couldn’t make it to their headlining Peach Festival set the following night were treated to a far more intimate experience at the Westville Music Bowl. Featuring bust-outs, rarities, and songs played for the first time on this tour, the two-and-a-half-hour, career-spanning set felt inspired and special and showed exactly why many consider MMJ to be one of the greatest American bands of this generation.

    My Morning Jacket performing live at Westville Music Bowl on 6/30/23

    A timeless attraction, My Morning Jacket possesses a rare appeal that spans across generations. Consisting of frontman Jim James on vocals and guitar, multi-instrumentalist Carl Broemel, bassist Tom Blankenship, drummer Patrick Hallahan, and keyboardist Bo Koster, after more than two decades on the road the Louisville quintet have remained innovators of their genre and a creative force to be reckoned with. Still one of the “hairiest” bands out there, their look often harkens back to the glory days of 70’s rock n roll, while their sound has continually evolved to include more sonic experimentation and a wider palette of styles ranging from country to soul to psychedelia to even a bit of pop — all of it would be on full display on this hazy, humid Friday in New Haven.  

    With the bowl in Westville slightly more than half-packed, one could only assume the draw was directly impacted by The Peach Festival happening at the same time; the same festival My Morning Jacket would headline the very next night. But make no mistake, this was no “warm-up” gig for the band. In fact, they’d been on tour for several weeks already at this point, doing different setlists in each city, and by all fan accounts, have been having as much fun playing together as we’ve seen in years, acting reinvigorated and ready to rock out.

    My Morning Jacket performing live at Westville Music Bowl on 6/30/23

    After taking the New Haven stage accompanied by some hypnotic orchestral music and, of course, the colorfully dressed bears, Pooch and Denise, fans would see the light early as the show kicked off with the tour debut of “The Dark” from My Morning Jacket’s earliest album, 1999’s The Tennessee Fire, letting everyone know they were in for a treat tonight and to buckle up for the ride. Flowing directly into the thought-provoking crowd-pleaser “Compound Fracture,” vocalist Jim James, wearing heart-shaped sunglasses, would put his guitar down and work his way out to the front of the stage, locking eyes with the audience and drawing them in closer with his every movement and gesture; his presence was simply magnetic.

    There’s no evil, there’s no good
    Only people doing as they should
    There is life in love and sound
    Get as much as you can keep around
    Before they put you into the ground

    For who knows how long? (paradise calling)

    -Lyrics from “Compound Fracture”

    Now strapping back up with an acoustic guitar, James would go back to his childhood way with the title track of 2011’s Circuital before flowing directly into the classic MMJ rock anthem “Anytime.” A reimaged rendition of “I’m Amazed” featuring a Beatles-esq intro brought out goosebumps when the whole crowd shouted “Where is the justice?” in unison. Our next tour debut was the delicate song “Sooner” which saw multi-instrumentalist Carl Broemel move over to the slide guitar for one of the very few times in the evening. The show was already seven songs deep before the band would play anything from their most recent self-titled studio album, uncorking a seven-plus minute version of “Least Expected” that featured a beautiful extended keyboard solo from Bo Koster. Next came the song which perhaps best summed up the overall message of the night with “Love Love Love.”

    Jim James of My Morning Jacket was all about love on 6/30/23

    In another setlist surprise, “One Big Holiday,” a signature song usually reserved for the encore slot, dropped early and would feature James improvising lyrics over its outro, expressing his love for the “beautiful, scenic, historic, and wonderful people of New Haven,” leading us directly into one of My Morning Jacket’s most cherished songs and my personal favorite, “Steam Engine.” Played under hazy skies and a cool jeweled moon, the lyrics felt particularly potent on this number; complete with a beautiful saxophone solo from Broemel and a piano outro that seamlessly segued into a powerful rendition of “Feel You” that would see the members of the band huddle around Patrick Hallahan’s drum riser to headbang in unison, something the band often does when they are locked in and “feeling it.” 

    My Morning Jacket performing live at Westville Music Bowl on 6/30/23

    A well-received “Victory Dance” would then set the tone for the real meat-and-potatoes of the show, putting in motion a series of songs that would alligator together through “Cobra” and see the incredible light show come to life before your eyes. After giving the crowd a chance to show off their best falsetto voices, “Wordless Chorus” took on a particularly funky groove before transitioning back into the hard-rocking second part of “Cobra.” Somewhat reminiscent of Metallica’s “Enter Sandman” here, the chugging low end was easily the heaviest of the night. “Cobra Pt 2” would then morph into the anthemic rocker “Wasted” which would evoke a dynamic, delayed pause that would send the audience into a frenzy, before reaching its high-octane peak.

    Melting back into the conclusion of “Cobra” then slithering into the danceable electro groove of “Touch Me I’m Going to Scream Pt 2” (as popularized by the band’s guest appearance on Fox’s animated series American Dad), the song would see a bit of a different arrangement here, jamming out with more intensity and yielding a rocking, hair swishing, shred fest that would bring the impressive near 40-minute frame of uninterrupted music to a close. Not done pummeling the audience yet, “Holdin’ On to Black Metal” would get the crowd singing along once again before the band would disappear behind the smoke-filled stage to leave fans begging for more.

    Fissure is the thrill of the day
    Forget about feeling, that’s not what pays
    But you know, all of this can change
    Remember the promise as a kid you made

    Ah, ooh, ah, ah, aha
    Aha, ooh, ah, ah

    We are the innovators, they are the imitators
    C’mon, hey, don’t you know how we started
    We forgot about love, but weren’t brokenhearted

    -Lyrics from “Wordless Chorus”
    My Morning Jacket’s Carl Broemel letting it rip at Westville Music Bowl on 6/30/23

    After a brief break in the action, the band would reemerge from the shadows and Jim James would candidly address the audience, letting them know how special this moment together was, saying “Thank you so much, New Haven, wow, what a beautiful bunch. We’re so grateful to be here, so honored that you’re here. Were so glad to all be together, all be alive right now, right here on this beautiful planet. All together just having a beautiful, beautiful night.” The band would then slowly strum the opening chords of another bust outplayed for the first time on this tour in “Old September Blues” which also included a healthy nod to the Santo & Johnny classic “Sleep Walk.” 

    As if the show hadn’t been epic enough already, My Morning Jacket would then uncork a monstrous nine-minute version of “Spring (Among the Living).” A bit of freestyle pandering in the middle of the song would again feature Jim giving the audience some love, singing “Among the living in beautiful New Haven now, among the living in historic New Haven town, wooo” before breaking it down into one of the funkiest grooves heard all night to coincide with perhaps the most impressive light show of the night. With the venue’s early curfew now rapidly approaching, there was time left for just one more song. With fans shouting out dozens of titles still on the table, it would be the time-tested favorite “Magheetah” that was chosen as the final sing-along, sending fans home gleefully into the night with huge smiles on their faces, bringing the powerhouse performance to a close.

    My Morning Jacket performing live at Westville Music Bowl on 6/30/23

    In a city with such storied history, on the way out some fans could be heard drawing comparisons between Jim James and Jim Morrison. While the band never blatantly acknowledged The Doors’ influence, upon reflection, certain moments of the show certainly seemed to conjure up images of the Lizard King. From the opening lyrics of “The Dark,” to the cool jeweled moon above the venue, to the fact that Morrison became the first ever rock star ever arrested on stage in this same city, you couldn’t help but wonder if it was all a happy coincidence.  Either way, both men should be considered icons of their era and two of the greatest frontmen in rock n roll history. 

    Strike a Pose: Jim James of My Morning Jacket performing live in New Haven, CT 6/30/23

    After headlining the Peach Festival the following night, My Morning Jacket will get a few weeks of rest before returning to the road at the Newport Folk Festival at the end of July. Fans in New York will have plenty to look forward to this fall, as the band will return to the beautiful Beacon Theatre for a three-night run celebrating the 20 anniversary of their album It Still Moves. The fall tour will also see My Morning Jacket’s highly anticipated debut at the Place Theatre in Albany.

    Setlist: The Dark *, Compound Fracture, Circuital, Anytime, I’m Amazed, Sooner*, Least Expected, Love Love Love, One Big Holiday, Steam Engine, Feel You, Victory Dance, Cobra (Pt 1) > Wordless Chorus > Cobra (Pt 2) > Wasted > Cobra (Pt 3) > Touch Me I’m Going to Scream Pt. 2, Holdin On To Black Metal

    Encore: Old September Blues* > Sleep Walk **, Spring (Among the Living), Mahgeetah.

    *Tour Debut

    **Santo & Johnny cover

  • In Focus: Weezer Brings Indie Rock Roadtrip to CMAC

    Weezer delivered an electrifying performance on their Indie Rock Roadtrip tour at CMAC on July 3, catering to audiences new and old with their expansive and iconic discography. For almost thirty years Weezer has been churning out hit after hit, including the notable “Buddy Holly” to “Island In The Sun,” as well as their infamous cover of “Africa” by Toto.

    Photo by Jamie Mohr for NYS Music.

    With storms earlier in the day, the clouds lightened up and the beautiful hot sun pounded down on those ready to see a night full of great indie music. Punk rock band Joyce Manor was the first opener of the night, with their grunge-esque sounds and aesthetic, the group kept the audience engaged and in the mood for the night ahead.

    The second opener, Future Islands, was a whole different vibe and experience than the band before it. With their futuristic-sounding instrumentals, unique and intimidating vocals, and a stage presence like no other, the almost 20-year-old band pulled from their extensive and creative discography for a set like no other. Lead singer Samuel T. Herring put on quite the show with his immersive and passionate performance, moving all around the stage and even falling to the floor a few times.

    Future Islands, photo by Jamie Mohr for NYS Music.

    Finally came the moment everyone was waiting for, Weezer taking the stage. Founded in 1992, the band features Rivers Cuomo (lead), Patrick Wilson (drums), Scott Shriner (guitar), and Brian Bell (bass). Since its inception, Weezer has sold more than 35 million albums worldwide, finding fame with their 1994 record Weezer, dubbed “the Blue Album.” When the curtain fell to start the show, the stage emerged into a car, with the radio and wheel, and graphics showing different roads throughout the whole night, very fitting to the Indie Rock Roadtrip name.

    Photo by Brian Ferguson for NYS Music.

    Weezer opened with “My Name Is Jonas” an iconic and nostalgia-infused track from their first record. The crowd immediately started jumping and moving back and forth as the music started, with the band just as hyped. Quickly moving through tracks, the band performed one of their most famous tracks “Beverly Hills,” featuring the audience screaming the lyrics, “Beverly Hills/That’s where I want to be.”

    Photo by Jamie Mohr for NYS Music.

    Keeping up with the pace, the band grooved to their instrumental track “Return to Ithaka,” and brought out some oldies including “The Good Life,” “Pork and Beans,” “Pink Triangle,” and “El Scorcho.” During “You Gave Your Love to Me Softly,” Weezer brought out the lead singer of Joyce Manor, Barry Johnson, to sing, adding more vocals to the already perfected harmonies the band has. At this point, I was already spent from dancing and singing, but I carried on because the show was so energetic and infectious.

    Things got softer in the middle of the show to give the audience the much-needed break, with Rivers Cuomo performing solo acoustic tracks like “I’m Just Being Honest,” the live debut of the track, and the infamous “Only in Dreams,” bringing out the rest of the members for the songs long instrumental break.

    Photo by Brian Ferguson for NYS Music.

    The rest of the concert was exciting and fun with more popular tracks like “Island in the Sun” bringing out new stage effects like a giant sun, and other tracks like “Say It Ain’t So,” seeing the crowd at their loudest. My favorite part of the night was the encore because the crowd was the most hype they had been so far, with songs like “Surf Wax America,” and “Buddy Holly,” ending the most perfect evening. Overall, Weezer’s Indie Rock Roadtrip was exciting, fun, and very tame, leading to a great experience full of amazing music.

    Set: My Name Is Jonas, Beverly Hills, Return to Ithaka, The Good Life, Pork and Beans, Pink Triangle, El Scorcho, You Gave Your Love to Me Softly, Blast Off!, Undone – The Sweater Song, I’m Just Being Honest, Susanne, Only in Dreams, The Greatest Man That Ever Lived (Variations on a Shaker Hymn), Island in the Sun, Perfect Situation, All My Favorite Songs, Say It Ain’t So, Run, Raven, Run (instrumental only), Hash Pipe, and Thank You and Good Night.

    Encore: The Waste Land, Surf Wax America, Buddy Holly.

    Photos by Jamie Mohr for NYS Music

    Photos by Brian Ferguson for NYS Music

  • Flashback: David Bowie “Sound+Vision” Tour at SPAC – July 7, 1990

    Saratoga Springs welcomes dozens of bands each summer, with the biggest names making it to the stage of Saratoga Performing Arts Center. In 1990, one of the biggest names in rock n roll history, David Bowie, performed his one and only show at SPAC, with a Saturday night performance on July 7.

    Wow, remember Record Town?

    For the “Sound+Vision” Tour, Bowie opted for a smaller band and suggested he was looking for a smaller sound, saying in an interview with Q Magazine, “It’s a much smaller sound. It’s not quite as orchestrated as any of the other tours. The plus of that is that there is a certain kind of drive and tightness that you get with that embryonic line-up, where everybody is totally reliant on the other two or three guys, so everybody gives a lot more.” Read the full interview with Paul Du Noyer here.

    david bowie SPAC
    Q magazine from April 1990

    This tour was not in support of a new album, as the latest release from Bowie was 1987’s Never Let Me Down which launched the “Glass Spider” tour. This was instead billed as a greatest hits tour, with Bowie planning to retire his catalogue of hit songs from live performance, a move that would draw millions of fans worldwide to see him on the “Sound+Vision” tour. With two albums having flopped in the mid-80s (hello 1984’s Tonight), he was looking to give himself a creative and artistic boost, and shedding his old hits became the drive behind “Sound+Vision.”

    Bowie was also playing with Tin Machine at this time, and told the band he was contractually obligated to embark on this greatest hits tour, inviting guitarist Reeves Gabrels to join him on the road. The Tin Machine guitarist declined, but suggested Adrian Belew, giving him a phone call and putting Bowie on the phone.

    It’s time to put about 30 or 40 songs to bed and it’s my intention that this will be the last time I’ll ever do those songs completely, because if I want to make a break from what I’ve done up until now, I’ve got to make it concise and not have it as a habit to drop back into. It’s so easy to kind of keep going on and saying, well, you can rely on those songs, you can rely on that to have a career or something, and I’m not sure I want that.

    David Bowie, interview with Music Express Magazine, March 1990

    Bowie went on discussing his clean break from his past catalog, adding, “I’ve never done a show where I’ve just done songs that over the years have proved to be popular with the audience in that way. It’s always been about 50/50. I’ve done enough that they know to keep their attention on the show and the rest of the of it – I can do the stuff that I want to do in between – but I’ve never actually almost allowed them to choose the show for me, which is in fact, what we’re going to do.”

    Music Express Magazine, March 1990

    Thus, the personnel for Bowie’s 1990 tour were the Thin White Duke himself (guitar, saxophone, vocals) Adrian Belew (guitar, backing vocals and also serving as music director), Erdal Kızılçay (bass guitar, backing vocals), Rick Fox (keyboards, backing vocals) and Michael Hodges (drums.) Canadian dance choreographer Édouard Lock of the Québécois contemporary dance group La La La Human Steps co-conceived the tour with Bowie, and served as artistic director for this tour.

    It had been reported there was tension among the band during the tour, as Kızılçay, who recalled that Bowie “wasn’t very happy“ and when they were in South America by the end of the tour, Bowie was not coming to soundchecks.

    As noted in Chris O’Leary’s Ashes to Ashes The Songs of David Bowie 1976-2016, keyboardist Rick Fox was not invested in the Sound+Vision tour, going so far as to eat dinner on stage, and at least once turned off his own keyboards and played his own songs while sampled parts of Bowie’s songs were playing.

    In total, Bowie spent seven months on the road at five continents, performing 108 times in 27 countries. Discover more about the Sound+Vision tour here.

    david bowie SPAC

    So with a greatest hits tour and only so much drive in the tank after a pair of commercial failures, David Bowie gave it a go on a global tour, and his performance at SPAC was full of the hits he promised and a notable moment following “Young Americans” where he spoke out in defense of free speech and expression.

    Fans recalled the venue was packed, as this sold out show had the SPAC lawn filled, even with KISS performing 30 minutes south in Albany at the Knickerbocker Arena that same night. One fan who was not a fan of Belew’s noted the difference, saying “Belew, while a great instrumentalist, did not have the style and flash or sound of Spiders from Mars guitarist Mick Ronson. Sure enough, after a few songs I knew I’d made the wrong choice! The comparatively subdued band to the Spiders couldn’t give any authentic glitter and sleeze to those songs and they fell flat for me. I stayed but wished I was at the KISS show seeing their over the top excess.”

    david bowie spac
    Bootleg album cover art

    A Times Union review of David Bowie at SPAC, written by Michael Eck, referred to the concert as “the most breathlessly awaited show of the summer” and called the show “one of the best things in life – the kind of performance that could breathe life into a tired soul.”

    During the performance, Bowie utilized multiple screens and the best video effects of the early 90s to capture his movement, performance and engagement on stage. Watch below and you’ll be able to see Bowie singing duets with a 20-foot projection of himself, dancing with an androgynous look-alike, and thin screens housing projections of Bowie over the stage. Providing fans these visuals in conjunction with his greatest hits showed the tour name “Sound+Vision” was more than a song or box set, and allowed Bowie to find balance in this extensive tour. Bowie was, after all, going through the motions of playing these songs live for the final time, relieved for sure, and as the tour wore on, surely experiencing wistfulness of the occasion.

    The show is a greatest hits show from one of the greatest musicians, and having listened to this show numerous times, its a crowd pleaser for any Bowie fan. Of note, and tied to the politics of the era, is Bowie’s aside during “Young Americans,” where Bowie took a moment to offer supportive commentary towards 2 Live Crew – whose album As Nasty As They Wanna Be was declared obscene by a judge and was the focus of ire against lyrics, particularly rap and hip-hop.

    While stretching out “Young Americans” with a blues riff that Belew and Bowie smoked, Bowie said, “This is the unnecessary portion of the show,” and began to talk about growing up in London, listneing to American music, especially the blues. He mentioned listening to Ray Charles, Stevie Wonder, and James Brown, and then shifted gears to authors he read: Kerouc and Ginsberg, who wrote about what they felt and were going through. And with a captive audience in a seemingly ‘off script’ moment, Bowie said:

    “Do you know that they’re banning Hemingway in libraries these days? You don’t know do you? Does anybody here hear that they’re banning Hemingway? Fahrenheit 451 is now on the restricted borrowing at some libraries. You don’t care do you?”

    David Bowie, to the SPAC audience, during “Young Americans”

    Sensing the crowd was drifting away, Bowie reeled them back in, saying “That’s why I went out and bought my 2 Live Crew album” which was followed by enthusiastic applause from the audience. Bowie continued on, saying that “You don’t have to like the stuff but my god I support any right for anybody to write a song without going to jail for it, motherfuckers.”

    Despite the injection of what some would call ‘politics’ in a rock concert (gasp!), David Bowie brought the SPAC audience full circle, revisiting the roots of one of his greatest hits, tying it to his youth and that of the crowd, then to present day, with a supportive pro-free speech statement.

    As Michael Eck noted in his review, the reunion tours that took place in 1989-90 – the Rolling Stones “Steel Wheels” tour, The Who 25th anniversary tour, and Paul McCartney embarking on his first solo tour – it was Bowie who stood alone among them. “Saturday night Bowie took his past in his hands and gloriously threw it all away while we watched. Those other tours were history shaking with age, Saturday’s was history shaking with life. It was simply one of the greatest spectacles I have ever witnessed.”

    David Bowie – Saratoga Performing Arts Center (SPAC) – Sound+Vision Tour – July 7, 1990

    Setlist: Space Oddity, Rebel Rebel, Changes, Ashes to Ashes, Life on Mars?, Pretty Pink Rose (Adrian Belew cover), Stay, Blue Jean, Let’s Dance, Sound and Vision, Ziggy Stardust, China Girl, Station to Station, Young Americans, Suffragette City, Fame, Heroes
    Encore: White Light/White Heat, Baby What You Want Me to Do, The Jean Genie, I’m Waiting for the Man, Gloria

  • Diana Ross Shines at Radio City Celebrating Greatest Hits

    Diana Ross, the legendary diva and iconic figure in the music industry, mesmerized a sold-out crowd at Radio City Music Hall during her Music Legacy Tour. The concert was a celebration of her numerous chart-topping hits, and it was an evening that will forever be etched in the memories of her fans.

    Diana Ross at Radio City Music Hall 6.29.23

    Accompanied by a magnificent 19-piece band, Diana Ross took the stage and immediately captivated the audience with her timeless charm and magnetic presence. The show was a true testament to her enduring talent and the incredible impact she has had on the world of music.

    Throughout the evening, Ross graced the stage in five stunning costume changes, each one adding to the spectacle of the performance. Her elegant outfits perfectly complemented her larger-than-life persona, making her a vision of beauty and grace.

    Diana Ross at Radio City Music Hall 6.29.23

    In addition to performing her greatest #1 hits, Diana Ross took a moment to speak about her latest album, Thank You, which she recorded during the pandemic. With heartfelt sincerity, she expressed her gratitude to the audience, dedicating the album to each and every one of them. She shared her realization during the challenging times of the pandemic, acknowledging that true happiness could be found in the simplest things—being with loved ones and maintaining good health.

    The setlist for the evening was a nostalgic journey through Diana Ross’s remarkable career. The crowd was treated to unforgettable renditions of classics such as “Come See About Me,” “Reflections,” “You Can’t Hurry Love,” and “Ain’t No Mountain High Enough.” The performance also included gems like “Mirror, Mirror” and “I’m Still Waiting” from her 1970 album Everything is Everything. The energy soared during the disco hit “The Boss,” and Diana Ross playfully encouraged the crowd to get on their feet and dance.

    Diana Ross at Radio City Music Hall 6.29.23

    During the iconic song “Upside Down,” Diana Ross injected a dose of humor into the performance. Addressing her age, she exclaimed, “Move it or lose it… if I can move my body like this at 47… you know I’m 79, right?” Her vitality and enthusiasm were infectious, inspiring the audience to join in the celebration and embrace the joy of music.

    Diana Ross’s Music Legacy Tour at Radio City Music Hall was a testament to her enduring talent and her indomitable spirit. Her enchanting presence, combined with her timeless hits, created an evening that will be treasured by her fans for years to come. The sold-out show served as a reminder of the impact she has had on the music industry and the love and admiration she continues to receive from audiences worldwide.

    Setlist: I’m Coming Out, More Today Than Yesterday, Come See About Me, Reflections, You Can’t Hurry Love, Love Child, The Boss, Touch Me in the Morning, Mirror, Mirror, Upside Down, Chain Reaction, He Lives In You, I’m Still Waiting, Endless Love, Home, Love Hangover, Take Me Higher, Ease on Down the Road, Don’t Explain, God Bless the Child, Tomorrow, I Still Believe, If the World Just Danced, Why Do Fools Fall In Love, Theme From Mahogany, Ain’t No Mountain High Enough, I Will Survive

  • In Focus: Counting Crows Bring Banshee Season Tour to Canandaigua

    It was a night to celebrate 90s rock music on Sunday, as Counting Crows brought their Banshee Season Tour to CMAC on Sunday, July 2nd. The concert featured direct support from Dashboard Confessional.  

    It’s hard to believe it’s been 30 years since Counting Crows burst onto the music scene, releasing their multi-platinum debut album August and Everything After in 1993.  The California natives have gone on to release seven more studio albums, along with numerous live albums. 

    Fronted by Adam Duritz (vocals), the band also features David Bryson (guitar), Charlie Gillingham (keyboards), Dan Vickery (guitar, pedal steel), David Immergluck (guitars), Jim Bogios (drugs) and Millard Powers (bass guitar).   The band is touring in support of their latest release, Butter Miracle Suite One (2021).

    Heavy showers swept across the concert facility minutes before gates opened on Sunday evening.  This did not deter a passionate fan base from arriving early to take in opener Dashboard Confessional.  Originally the solo-acoustic project of Chris Carrabba, it would morph into a full band in 2002, as Carrabba was asked to perform on MTV Unplugged. The added bandmates allowed Carrabba’s songwriting to take on new depths and sounds. 

    Just after 7:30, Carrabba and his band mates took to the stage, and were met with a heavy cheer from the audience. The band launched into the upbeat “Don’t Wait”, which delivered a call and echo vocals, to with the audience enthusiastically obliged. From there the band would perform “The Sharp Hint of New Tears”, a song from Carrabba’s 2000 debut release (with lyrics that showcase the origin of the band’s name). Once known for writing acoustic emo rock, with themes centering around heartbeat and loss, Carrabba and his mates delivered a 60 minute set, spanning the band’s twenty year catalog and was filled with songs of hope and self-triumph. The band would close out their set with perhaps their biggest hit, the high energy “Hands Down”, which saw his band mates jumping and leaping around the stage.

    As the 9pm hour approached, a pedal steel guitar was wheeled to stage left. Moments later, the house lights would dim and Duritz and his bandmates took to the stage. A lone spotlight illuminated guitarist Dan Vickery as he began to pluck the hauntingly familiar guitar riff to “Round Here”, one of the band’s most well known songs. Additional lights would slowly illuminate the remaining members of the band as Duritz moved to the center of the stage to start delivering his poetic lyrics, at times acting out key moments in the song. As the song built on energy and emotion, the audience became engaged, belting out lyrics. The band continued to build on the energy and emotion, following up with the upbeat “Hard Candy” and then the familiar “Mr. Jones”.

    While the band’s set would lean heavily on music from their early years, Duritz didn’t hide his excitement when they would perform tracks of the band’s latest two releases. Tracks like “God of Ocean Tides” and “The Tall Grass” hit home with the audience as well as the band’s early hits. The later portion of the band’s set saw them perform their latest release Butter Miracle Suite One in entirety. They would conclude the main set with the familiar classic “Long December” which saw the grounds illuminate with cell phone lights and erupted into an audience sing along.

    Crowd pleas for an encore would be obliged by the band, as they would return to the stage and deliver a four song encore. Returning to the stage with “Time and Time Again,” a beautiful track of their debut release, Duritz’s voice proved to be strong as ever, as the chorus echoed through out the center. Chris Carrabba and his band would join the Counting Crows for the next piece of the encore, Dashboard Confessional’s 2006 hit “So Long, So Long” which saw Duritz provide a guest vocal appearance on the studio recording. Carrabba would return the vocal favor on the next song, trading lyrics with Duritz on the hit “Hangin’ Around”. Fans flocked to the aisles to sing and dance along, as Carrabba and Duritz bounced around the stage, singing and triumphantly trading high-fives with fans.

    Counting Crows ‘Banshee Season’ Tour – CMAC, Canandaigua, NY – July 2, 2023

    Setlist: Round Here, Hard Candy, Mr. Jones, Colorblind, Butterfly in Reverse, Omaha, Catapult, God of Ocean Tides, Friend of the Devil, Goodnight Elisabeth / Pale Blue Eyes, The Tall Grass, Elevator Boots, Angel of 14th Street, Bobby and the Rat-Kings, Rain King, A Long December

    Encore: Time & Time Again, So Long, so long, Hanginaround, Holiday in Spain

  • Rodney Atkins helps bring in the 4th at Tags in Big Flats

    Even a day of hard rain was not enough to prevent Rodney Atkins and Sammy Kershaw from helping the Southern Tier celebrate 4th of July weekend at Tags in Big Flats, NY on Sunday, July 2nd.

    By the time Sammy Kershaw took the stage at 7pm, it was light sprinkles and by the time Rodney Atkins took over the rain had completely stopped and made a wonderful night of classic and modern country music. 

    Sammy Kershaw at Tags in Big Flats

    Sammy opened the night with one his most popular hits “Cadillac Style”. Along with the wonderful gift of his music, Sammy took the fans down memory lane with mini stories of his life in between songs. How he started playing the “Honkey Tonks” and bars of Texas as early as 12 years old. He also told a tale of his life with Country Music legend George Jones. His hit “Queen of my Double wide” got a huge ovation. 

    Sammy Kershaw at Tags, in Big Flats NY.

    Rodney Atkins hit the stage with his hit “Backroad”. Atkins, a native of Cumberland Gap, TN, has been banging out hits since 2003 with his debut LP Honesty.  Fast forward to 2023 with Atkins supporting his latest LP Caught up in the Country witch the title single has set a record for the longest run on the Country Singles charts. 

    Rodney Atkins helped the southern tier celebrate the 4th of July with a well received show at Tags in Big Flats, NY.

    During a recent local interview Rodney stated that Charlie Daniels was a major influencer to his chosen path. He honored Charlie Daniels tonight by adding the opening segments of CDB “The South’s Going to do it Again “ into his hit “About the South” and played Charlie’s hit, “Long Haired Country Boy”. 

    Rodney told a story about how when was getting started and how the “suits” in Nashville tried to influence him on what he could and could not write about.  The song “Cleaning My Gun” was a direct response to wanting to be in control of his subject matter and lyrics which has proved very beneficial for Rodney.

    Rodney Atkins at Tags in Big Flats NY.

    The night ended with huge CMA hits “Watching You,” “It’s America” and “ These Are My People.”  Coming back for one more, Rodney treated the mildly soggy crowd to a encore with his huge single “Going through Hell”. 

    Local fans missing this show can catch Rodney very soon on August 5th at the Buffalo Country Music Fest in Akron NY. This show was a continuation of the 30 year anniversary of concerts at Tags, in Big Flats NY.  

    Big shows still coming up is next Saturday July 8th rock fans will fill the place as Cinderella’s Tom Keifer, joins Stephen Percy (Ratt) and the all-girl band Vixen come to the Summer Sound Stage. After that country music sensation Dustin Lynch will play for the Southern Teir on Aug.11th. For more info on Tags and tickets to their remaining events go to tagstickets.com.

  • Wallice Returns to Rock Bowery Ballroom

    Wallice, the rising indie-pop sensation, graced the stage at Bowery Ballroom in Manhattan on June 27th, captivating the crowd with her infectious melodies and magnetic presence. This performance marked her triumphant return to NYC (and Bowery Ballroom) after her opening act with JAWNY last March.

    With her irresistible charm and undeniable talent, Wallice delivered a performance that was nothing short of electric. Sharing the spotlight was the indie rock boy band Nitefire, whose infectious energy and captivating melodies set the perfect tone for the evening.

    As the lights dimmed and the first chords resonated through the venue, it was evident that this would be a night to remember. The atmosphere was charged with anticipation as fans eagerly embraced the fusion of Wallice’s honest lyrics, vulnerability, and witty storytelling. With each song, she effortlessly transported the audience into her world, exploring themes of love, self-discovery, and the rollercoaster of emotions that come with growing up. The synergy between Wallice and Nitefire created a dynamic and unforgettable concert experience, leaving the crowd craving for more.

    Nitefire,the dynamic musical project of Nico Geyer and Luke White, boldly defines themselves as the “budget Wallows.” Blending the pop sensibilities of turn-of-the-century indie rock with the vibrant sonics and youthful spirit of Brit-pop, Nitefire fearlessly carves out a lane that is uniquely their own, leaving nostalgia behind. With their roots embedded in the thriving Los Angeles music scene, the band has gained recognition for their DIY approach, hosting their own events and shows that embrace an “if you build it, they will come” mentality, diverging from the digital-dominated landscape of today. Nitefire’s sound and attitude are entirely their own as they carve out a distinct lane. With their debut single “Up 2 U” released, the band has already amassed an impressive following and garnered over 40K monthly listeners on Spotify. Nitefire’s journey has only just begun, and their upcoming releases and live performances promise an exciting and vibrant future for the band.

    Nitefire’s opening performance was an electrifying display of energy and connection. Despite a minor setback earlier in the day, with Luke breaking his pinky, the band turned it into a playful guessing game during their set. Nico, the charismatic frontman, challenged the crowd to speculate on the cause of Luke’s injury, teasing them with the statement, “You’ll literally never guess.” Hilarious suggestions of door-related incidents were quickly debunked, fueling the curiosity of the fans. To their surprise, it was revealed that the pinky was actually broken in a Frisbee accident, leaving many scratching their heads and engaging in animated discussions.

    Nico’s crowd interaction was a highlight, as he jumped into the crowd multiple times with guitar and mic in hand, creating a central pit of excitement. One fan attempted to converse with Nico in French, only to be misheard, prompting Nico to ask if she was speaking Spanish instead. The lighthearted exchange drew laughter and further showcased the band’s down-to-earth and approachable nature. The finale saw Nico leaning back into the crowd, crowd surfing during the last song, “Saturday.” Nitefire’s performance was a thrilling and engaging experience, leaving fans captivated by their boundless energy and genuine connection.

    Nitefire Setlist: Daisies, Here We Go, La La, LA’s Got Gorgeous, Love Gets Ug, Uptight, Lovekiss, Life Gets Funny, Worth It, Saturday

    Wallice, the rising indie-pop sensation hailing from Los Angeles, is making waves with her captivating blend of honesty, vulnerability, and wit. With a musical upbringing that exposed her to a diverse range of influences, from classic rock to 90s R&B, Wallice has developed a unique sound that sets her apart in the industry. Her breakout hits, including “23” and “Off The Rails,” have garnered attention for their raw and authentic approach to songwriting, tackling themes of love, loss, and self-discovery with remarkable vulnerability. Her newest EP, “Mr Big Shot,” released June 23rd, further showcases her exceptional songwriting prowess, offering a masterclass in Gen Z’s hopes, dreams, and failures. 

    Following a successful run of North American shows with JAWNY and Australian dates with The 1975, Wallice is now embarking on her own headline tour across the US, captivating audiences with her infectious energy and tongue-in-cheek, self-effacing anthems. With each release, Wallice reaffirms her status as an artist to watch, captivating listeners with her authentic storytelling and undeniable talent.

    Wallice’s performance at the iconic Bowery Ballroom was an extraordinary display of her artistry, accompanied by heartwarming moments and genuine interactions with the audience. The show kicked off with a sweet gesture as she gave her guitarist a peck, setting a playful and affectionate tone for the evening. A fan’s gift of a black gemstone studded cowboy hat became a striking accessory as Wallice embraced it during her soulful rendition of “John Wayne,” captivating the crowd with her magnetic presence. After the song, she graciously returned the hat from whence it came.

    Throughout the set, Wallice’s affection for New York was evident as she expressed her love for the city, instantly establishing a connection with the enthusiastic crowd. The audience reciprocated with adoration, elevating the energy in the venue. A touching moment occurred when a fan handed her a crochet bandana and a heartfelt letter accompanied by personal photos. Wallice graciously accepted the gift and wore the crochet bandana while performing the introspective and introspective song “Quarterlife,” adding an intimate touch to the performance.

    In a playful exchange, Wallice humorously reprimanded her bassist for removing his goggles after the spirited performance of “Why Do You Love Me?“. This lighthearted banter showcased the camaraderie and dynamic chemistry within the band, further enhancing the overall experience for the audience. Following the energetic performance of “Prepaid Wireless,” Wallice took a moment to introduce her talented band members by name, highlighting their contributions to the music.

    Although faced with a technical glitch during “Japan,” Wallice’s professionalism shone through as she gracefully restarted the song, seamlessly carrying the audience along with her. Her ability to handle unexpected situations with poise and maintain a strong connection with the crowd was a testament to her artistry and stage presence.

    Wallice’s set at Bowery Ballroom was a memorable and captivating experience, filled with genuine moments of connection. Her ability to embrace fan gifts, engage in playful interactions, and overcome technical challenges showcased her authenticity as an artist. With each song, Wallice’s honesty and vulnerability resonated deeply, leaving the audience with a lasting impression of her talent and charisma.

    Wallice Setlist: Disappear, Little League, Loser At Best, Punching Bag, 90s American Superstar, Wisdom Tooth, Rich Wallice, John Wayne, Headache, Quarterlife, Dramamine, Hey Michael, Why Do You Love Me?, Prepaid Wireless, Off The Rails, Japan, 23, Best Friend, Funeral

    In terms of upcoming shows, Wallice and Nitefire will be on the road with plenty of chances to catch them on tour until they wrap up on July 20th in San Francisco.

    Updates for any future Wallice shows can be found on her socials, and her linktree. The same goes for Nitefire, and you can find their socials and linktree here.