Category: Show Reviews

  • Re:SET Forest Hills Day 1: LCD Soundsystem Bring The Funk To The Tennis Courts

    Re:SET Concert Series kicked off its three day run at Forest Hill Tennis Stadium this past Friday, June 16th. The traveling mini festival is in their inaugural year, taking a stacked lineup on the road and commandeering local venues for a long weekend of music. The opening night of Re:SET Queens featured legendary NYC natives LCD Soundsystem supported by Jamie XX, IDLES, and fellow New Yorker L’Rain. Each band brings a distinct style of the music to the stage, creating a truly unique night of music you can’t get at a normal concert.

    re:set forest hills
    LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    The atmosphere was electric from the beginning. General admission floor wristbands were given out on a first come first served basis, drawing a large crowd for the early start time. A brief thunderstorm pushed doors back an hour, but those first fans in the door were greeted to the amazing L’Rain welcoming them from the stage. Her uniquely experimental pop and R&B filled the stadium with dense layers of vocal loops and instrumentation. L’Rain finds herself on many bills throughout the city opening for all sorts of artists, keeping it fresh by bringing something new every time.

    re:set forest hills
    Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    IDLES were up next, who brought a drastic shift in energy with their classic, in-your-face punk rock. The band boasts an extremely loyal and engaged fan base that made it out to Forest Hills in droves. IDLES have been pretty active since their excellent 2017 debut Brutalism, releasing four LPs in that time span and embarking on countless tours. Over the course of their one hour set, IDLES hit each of their four LPs including crowd favorites “Crawl!” from 2021’s CRAWLER and “Never Fight a Man With a Perm” from their sophomore LP Joy as an Act of Resistance.

    re:set forest hills idles
    IDLES, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    The band loves to be engaged with the crowd, crowd surfing while singing and even jumping into the mosh pit and playing guitar while mixing it up with the kids. Before closing the set with “Rottweiler”, vocalist Joe Talbot thanked the fans for coming out, saying “the only reason we exist as a band is because of the love and passion you bring to the shows, so thank you.”

    re:set forest hills idles
    IDLES, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    After the punk infused mosh pits cleared off the tennis courts, UK garage and house infusion was up next courtesy of Jamie XX. One half of The XX, Jamie XX blends the classic garage sound with old school house and rhythm and blues beats to create a unique style of dance music. Parked in front of a giant disco ball projecting rays onto the crowd, Jamie XX played a rather deep setlist littered with snippets of some of his bigger hits hidden in the layers. He opened the set with “KILL DEM”, a one-off single from 2022 that features a vibrant, glitchy vocal array over a very tribal garage beat. Jamie XX followed that up with “Idontknow”, another single that mixes scattered percussions with trippy vocal loops.

    Jamie XX, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    Jamie XX took a 5-song setlist and fleshed it out for his hour-long set by mixing his songs in and out of curious beats and musical tangents, without skipping a beat or allowing a second of dead space. He rolled on with the fun and vibrant duo of “I’ll Take Care of You” followed by “LET’S DO IT AGAIN” before ending things off with a funky edit of “Gosh”, the opening track from his stellar 2015 LP In Colour. The audience on the floor and in the stadium seats were dancing from the moment he took the stage

    Jamie XX, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    LCD Soundsystem always draw quite a bit of hype when they are in town, regardless of the countless residencies they perform in the city. A staple in the city’s thriving music scene since their inception in 2002, the band is beloved in New York and can bring a tiny dive bar or an entire arena to its knees with their infectious dance rock. Forest Hills Stadium was packed to the upper deck before the band took the stage to an enormous reception on a gorgeous night in Queens.

    re:set forest hills lcd soundsystem
    LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    James Murphy and company started things off with a bang with the driving drum beats of “Get Innocuous!”, the opening track from 2007’s Sound of Silver. The beat sent the audience into a dance groove that did not let up until curfew. The song continued to swell until a sudden transition to “I Can Change” instigated a loud sing along from the 13,000 fans in attendance. The set rolled along with endless crowd favorites, leading up to a climactic three song finale. “New York I Love You But You’re Bringing Me Down” always comes with a vocal outburst from the crowd, which was followed up by the thunderous jam “Dance Yrself Clean”. The band fleshed this song out a bit for the live show, sending an already amped crowd up into another gear. All good things must come to an end, with LCD Soundsystem ending the night with “All My Friends”. A truly joyous ending to day one Re:SET.

    re:set forest hills lcd soundsystem
    LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    Re:SET has certainly established itself as one of the more unique traveling festivals in only its first year. Each day features a bill of four bands that could all headline shows on their own; many who just completed or are in the middle of their own tours. Each band brings something new to the stage when it’s their turn to play, drawing the interest of the fans who came out, and the other bands themselves. During the earlier acts for Re:SET, James Murphy and others from LCD Soundsystem were in VIP checking out the music, rocking along to IDLES and dancing to Jamie XX. During the headline set, many of the band members from the earlier acts made their way into the crowd to witness the legends themselves. It’s truly a great festival for fans who enjoy a wide array of music.

    re:set forest hills lcd soundsystem
    LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

    Night two on Saturday featured headliners Boygenius along with Clairo, Dijon, and Bartees Strange. The final day was on Sunday, with a stellar performance by Steve Lacy supported by James Blake, Toro y Moi, and Fousheé. Stay tuned for our coverage of nights two and three and check out our gallery from the opening night below.

    LCD Soundsystem, Re:SET Forest Hills 6/16/2023

  • Country On Tour continues for Luke Bryan at Darien Lake

    Luke Bryan gets his Country On at Darien Lake as his 4 month long tour makes stop in Western NY. Coming off a boisterous and packed house in Syracuse, Bryan coasted into Darien Lake Theme Park with special guests Alana Springsteen (no relation to the famous New Jersey guy), Chayce Beckham, and Tyler Braden.

    With over 15 million album sales under his belt, 30 #1 hits, and 20 billion streams, the native of Georgia is no stranger to success and the crowds that come with it. The packed house at this Live Nation venue in Corfu, NY was proof of that as the crowd was on their feet for his entire set, singing along to nearly every word.

    Opening the night for Bryan was Alana Springsteen. Newer to the music scene, Springsteen has released a few EPs since her debut in 2019, and in July 2023 will be releasing TWENTY SOMETHING: Figuring It Out. The first single, “When We Were Friends”, was just released this week and of course she belted it out for the crowd at Darien Lake. The song is about hardships among friends which many can and will relate to.

    Used to wear each other’s sneakers // Get drunk behind the bleachers // Raise some hell, but we always said amen // I knew who you were kissin’ // What tattoo you were gettin’ // Now I don’t even know how you’ve been // Truth is, I miss when // When we were friends

    A little Miranda Lambert, a little Chirstina Aguilera, and a whole lot of fire, Springsteen sang her heart our for about 25 minutes, preparing the fans for who was following her.

    To learn about this rising star, click here Alana Springsteen

    Next up to the stage, came Chayce Beckham. Imagine being a forklift operator and deciding to enter a singing competition on national television. Imagine being told by Katy Perry that you “sound like the heart of America”. Imaging singing a song you wrote and having that be the reason you won American Idol. This was the path that led Chayce Beckham to where he is now. He no longer is a forklift operator.

    Serenading young and old alike, Beckham confidently kicked some ass on this stage, getting some hand shakes and fist bumps from fans. Sultry voice, with some slicked back hair, thoughts of early Johnny Cash, and maybe some Chris Isaak are sure to enter your mind as this 27 year old belts out lyrics from his song “23”

    Following Beckham, Tyler Braden strutted around on the stage for another 25 minute set. The former firefighter has been raising eyebrows for about 7 years as he makes his presence know. Go watch him on stage for one set, and you will be forever hooked. Luke Combs-esque looks and smooth vocals will make Braden a household name very soon.

    Where the longnecks don’t get hot in our hands
    The bar keeps doublin’ down on doubles
    It ain’t hard to find a little trouble

    Neon Grave – Tyler Braden

    Released in early 2023, Neon Grave is the latest EP that features the title track along with “Try Losing One”, “Middle Man,” “Wrong Right Now,” and “Choose Me,” Check out more of Tyler Facebook

    I first saw Luke Bryan about 10 years ago. I don’t recall much of the night, honestly, but that story isn’t for publication. What I do recall is that Bryan got the crowd jumping, hooting and hollering immediately and never let off the gas. This night was no different in that regard.

    From his first notes of “Kick The Dust Up” to his last notes of “Light it Up” Bryan had the entire seated crowd of 6400 and the extras in the lawn up and dancing around. The glow of cell phone screens filled the amphitheater and the subtle smells of vapes, pot, and spilled beer were prevalent as Luke was “Knockin Boots” on stage for close to 2 hours.

    Starting around 905, the stage and house lights went dark as the crowd suddenly erupted in massive screams and cheers. We heard a little mash up of Luke Bryan songs as the curtains were pulled back and light filled the stage with light and finally Luke Bryan as he started off his set with a “Kick The Dust Up”

    Along with his infamous dance moves and thought-provoking lyrics, Luke Bryan shows also boast quite a picture/light show throughout his performances. Each song is paired perfectly with proper graphics and/or light shows on large screens behind him. “Roller Coaster”, an appropriate theme for this venue, displays large coaster on the backdrop, complete with matching sounds. Other songs like “I Don’t Want This Night to End” show clips from music videos. While “Country On”, Luke’s most recent chart topper, the screen becomes an ode to service people.

    With that song coming to an end, Luke called out Shannon from the pit area and brought her up on stage with him has he thanked her husband for his active duty service. Of course, this can’t be done without a surprise, right? Shannon’s husband Jeff came out from back stage and was welcomed by not only Shannon but the rambunctious crowd. Chants of USA were heard throughout the seating area. Very touching moment that brought tear to many eyes.

    As Bryan continued playing until nearly 11pm, the fans kept getting louder and more active as they were dancing in all the aisles. As much as the ushers tried, these active fans were not clearing out. Ushers near me eventually gave in and began dancing along to the music.

    Having been signed to music labels since 2017, Luke spent time prior to that writing songs for the likes of Travis Tritt and Billy Currington. With this experience, Bryan has nearly 40 musical awards, 10 headliner tours, and has played countless festivals and spring break events. Its no wonder why he has become one of the most famous acts in country music history. Keep up Luke as he continues his current tour and his subsequent ones. Farm Tour 2023 (lukebryan.com)

    Setlist: Kick the Dust Up, What Makes You Country, Knockin’ Boots, Roller Coaster, But I Got a Beer in My Hand, Strip it Down, Rain is a Good Thing, Games, Country On, One Margarita, Sunrise/Sunburn/Sunset, Huntin’/Fishin’ and Lovin’ Every Day, I Don’t Want This Night to End, Kiss Tomorrow Goodbye, Buy Dirt (Jordain Davis), Play it Again, What She Wants Tonight, Down to One, I See You, Light It Up, Country Girl (Shake it For Me), That’s My Kind of Night

    Photos by JM Photography

  • 4 Years Later and Young The Giant Returns to Buffalo

    Alternative indie band Young The Giant performed in both rain and shine at Artpark on June 13. The group has been off the road for the past four years and finally decided to come back to tour life this Summer. 

    Photo credit: Maddie McCafferty

    Indie artist Talk kicked off the rainy night in Lewiston and had people crowded around to hear his hit “Run Away to Mars.” German rock duo Milky Chance followed up their set just as skies began to clear. Starting as high school friends, Clemens Rehbein and Philipp Dausch have been making music together for years. They create this infectious energy on stage by constantly moving and switching instruments. They are able to liven up a crowd effortlessly as shown when they performed “Stolen Dance.” 

    Photo credit: Maddie McCafferty

    Later on in the evening Young the Giant took the stage. The band consists of Sameer Gadhia, Jacob Tilley, Eric Cannata, Payam Doostzadeh, and Francois Comtois. The group finally got to play tracks off of their 2022 album American Bollywood live for the first time. An album that explores the preservation of cultural identity while simultaneously assimilating to a new country. 

    Photo credit: Maddie McCafferty

    Frontman Sameer utilizes dreamlike lighting matched with cinematic visuals to take the audience through the journey of the human experience. Throughout their set the band would take a break to show optimistic and storytelling displays. This made the Young The Giant show feel like a journey the audience got to endure. 

    Photo credit: Maddie McCafferty

    With five studio albums under their belt Young The Giant has plenty of music in the discography to perform. However, they don’t shy away from playing their oldies such as “Cough Syrup” and “Mind Over Matter.” One song in particular that really wooed the crowd was their closing performance of “My Body.” This age-old hit has broken records for a reason because people have no choice but to dance. This was no exception either at that night in Buffalo.  

    Photo credit: Maddie McCafferty

    This Summer concert series at Artpark is something you don’t want to miss. Michael Franti & Spearhead will be there June 21 and My Morning Jacket performs June 26. Get tickets here.

    Photo credit: Maddie McCafferty

    Setlist: American Bollywood, Wake Up, Something to Believe In, Cough Syrup, My Way, Apartment, Nothing’s Over, The Walk Home, Dollar $tore, Cult of Personality, Heat of the Summer, Tonight, Mind Over Matter, Dancing In The Rain, 

    Encore: Metropolis, Superposition, Tightrope, Silvertongue, My Body

  • In Focus: New York State Blues Festival, Day 1

    The 31st edition of the New York State Blues Festival kicked off Thursday afternoon of June 15th at the New York State Fairgrounds in Syracuse, underneath beautiful blue skies.  The annual event, which has grown substantially over the last thirty years, is known for being one of the largest, free, multi-day blues festivals in the northeast, and features a mixture of local, regional, and national blues acts.

    Brandon Santini performs at the 2023 NYS Blues Festival

    The festivities kicked off Thursday afternoon with a high energy set by Syracuse’s own Fillmore Blues Band.  As the band took to the stage, the areas in front of the stage were already filled with early arriving blues fans, eager to get the party started.  Festival goers sang and danced as the Fillmore Blues Band weaved their way through a 75 minute set of covers and originals.  The set showcased a band known for their dynamic musical improvisation.  Led by Mike Petroff on harmonica and vocals, the performance did not disappoint those in attendance.  Petroff even took his harmonica into the crowd, playing stage-side on top of a table, giving passionate onlookers an up close view of the musician.

    The Fillmore Blues Band kicked off the 2023 NYS Blues Festival

    Next up was Memphis based rocker and blues harmonicist, Brandon Santini.  Santini launched into his set with a harmonica solo which set the stage for his performance.  The set was high energy, and saw crunchy blues guitar riffs to back Santini’s deep vocals and harmonica playing.   Santini paid tribute blues harmonica legend Sonny Boy Williamson, with a phenomenal rendition of “Nine Below Zero”.  Santini, who played the festival in 2016, was easily an early favorite of the audience as many in attendance came donning his merchandise.  His set did not disappoint.

    Brandon Santini performs at the 2023 NYS Blues Festival

    Headlining the evening were the Blood Brothers ft Mike Zito & Albert Castiglia.  The duo of blues guitar heavy-weights were touring in support of their January 2023 full length album Blood Brothers.  Easily one of the most anticipated sets going into the weekend, the two did not let those in attendance down.  The long time friends, known for their immense musical chemistry on stage, showcased why Joe Bonamassa once stated “They finish each other’s sentences, musically.” Their set, which leaned heavily on tracks from their self titled release, saw the pair dual on many guitar solos.  Their passion for the music was visible from the audience, as the two routinely flashed smiles to each other as they tried to “out dual” the other. 

    Blood Brothers ft Mike Zito & Albert Castiglia perform at the 2023 NYS Blues Festival

    The festival continues through Saturday and features headliner and blues legend, Buddy Guy with direct support from Samantha Fish on Saturday night. Admission is free.

  • Blonde Redhead Preview New Album With Intimate Show at Brooklyn’s Baby’s All Right

    New York based art punks Blonde Redhead are heading on tour to celebrate their first new album in nearly a decade. Sit Down For Dinner is due on September 29th via section1 Records and the band are warming up for the tour with intimate gigs in London, Los Angeles, and Brooklyn’s Baby’s All Right. Check out the dreamy lead single “Snowman” along with photos from the show at Baby’s on Wednesday, June 14th.

    Blonde Redhead at Baby’s All Right, 6/14/2023. Photo by Joseph Buscarello

    Blonde Redhead’s catalog dates back to the mid 90s when the post-punk and shoegaze scene was thriving in New York City. The band, consisting of vocalist Kazu Makino and twin bothers Simone and Amedeo Pace, released nine records to their name with the last one, Barragán, coming back in 2014. After a mostly quiet hiatus with some scattered shows, the trio is back at it with a new LP and lengthy headlining tour. The band just played intimate warm up shows in LA and NYC, with the next one at The Lexington in London in July. The full tour kicks off in October with a North American run followed by a leg in Europe. Head over to the band’s website for the full itinerary.

    Blonde Redhead at Baby’s All Right, 6/14/2023. Photo by Joseph Buscarello

    The excitement was palpable at Baby’s on Wednesday night. All the fans who made it out to the show knew they were in for a treat to see the legendary band in such an intimate setting. Housing only a couple hundred people, the venue quickly packed in tight. After the opening bands finished up, Kazu, Amedeo, and Simone took to the stage to meticulously set up their gear. The audience began to buzz with anticipation, and the trio was well aware of it. At one point, Simone asked a fan in the front to plug in his pedal board to an outlet he couldn’t reach, much to the fan’s delight.

    Blonde Redhead leaned heavily into the more recent parts of their catalog, opening the show with “Falling Man” from 2004’s Misery is a Butterfly followed by the slinky darkwave of “Here Sometimes” from 2010’s Penny Sparkle. The trio played a few unrecognized songs off the upcoming record Sit Down For Dinner including two labeled “Sit Down For Dinner 1 & 2” on the handwritten setlist. The main set ended with lead single “Snowman” followed by an encore featuring “Silently” and “23.”

    The trio breezed through the short but immensely captivating setlist with an effortless grace you would expect from a band playing together for 30 years. At one point, Kazu felt there was some feedback coming from her set-up, asking the crowd if they were hearing what she was. Someone yelled from the darkness “we don’t hear it, you all sound amazing!” The statement brought big smiles to the band, who continued to unleash their infectious art punk.

    Blonde Redhead at Baby’s All Right, 6/14/2023. Photo by Joseph Buscarello

    Aside from the warm up show next month in London, the band is opening for Phantogram on August 31st in Utah. Kazu, Simone, and Amedeo then take a short break before kicking off the tour in October in San Francisco. Blonde Redhead return to New York on November 10th for a show at Brooklyn Steel. Tickets are still available HERE and make sure to check out Sit Down For Dinner this September.

  • New York Philharmonic kicks off Summer with Van Cortlandt Park Concert

    The New York Philharmonic started off summer with a bang on Tuesday, June 13th in the Bronx.

    For years, the New York Philharmonic Orchestra has had a yearly summer concert in Van Cortlandt park, and last night continued the tradition. This summer, music director Jaap van Zweden conducts iconic classical pieces Beethoven’s Fifth Symphony and Johan Strauss’ On the Beautiful Blue Danube. The orchestra also plays Copland’s Fanfare for the Common Man, the William Tell overture, and Strauss’ overture to The Bat.

    Audience members got to the Van Cortlandt Parade Grounds in the afternoon early before the concert. Hundreds of people were out on the grass before the sun set. With the orchestra playing such famous pieces, everyone was excited. Plus, audiences this summer get to hear recent pieces composed by two graduates of the New York Philharmonic’s Very Young Composers program. 

    Founded by John Deak, the very Young Composers Program (VYC) mentors kids and gives them the “tools they need to transform their musical ideas into finished compositions.” The kids also get to hear professional New York Philharmonic musicians—and sometimes the full orchestra—playing their work. The 12-week program works to empower children ages 8-15 and help them reach their full creative potential. Then, they can create art to express themselves and the world around them. The New York Philharmonic was founded in 1842, and it’s the oldest symphony orchestra in the country. Educational programs like the VYC ensure the future of music by making sure the next generation is given opportunities to learn. The two pieces that the orchestra are performing this summer were written when the students were in VYC.

    Bronx resident Mio Mićić wrote their piece, Raft Dino Spies, in 2013 when they was just 9. “The title reflects the fact that I was 9,” they said to the audience last night. The piece depicts the experience of riding a rollercoaster that they went on as a kid. Mićić tried to compose it “as audibly realistic as possible” to make audiences feel the same experience. They even asks the musicians to do something unusual: to scream as loudly and long “as they’re willingly able.” Even though the music is memorable on its own, the screaming orchestra makes it stand out in audience’s minds. 

    Rodriguez wrote his piece in 2019. At the age of 12, he was inspired by the moon landing to write Trip to the Moon. He saw the moon landing footage and compared it to musical concepts. As the orchestra counts down from ten, they “[take] you for a ride and [give] you a perspective of such an amazing feat.” (Michael Rodriguez) Lately, Rodriguez has been inspired recently by Latin music, and how to compose for orchestras based in the style. 

    Just like always, the performance ended with a fireworks show. The New York Philharmonic is still performing free Concerts in the Parks this summer. On the 16th, they’ll be in Queens’ Cunningham Park, then Friday the orchestra plays at Prospect Park in Brooklyn. Both of these outdoor shows start at 8PM. Although sold out, the Philharmonic wraps up their concerts in the parks on the 18th with an indoor concert in Staten Island’s St. George Theatre. Still, concerts in Brooklyn and Queens are open for all! If you can’t make it this summer, you can still listen to some of the NY Philharmonic’s great work online.

  • Weekend at Levon’s with Deer Tick

    On the cusp of releasing their latest album Emotional Contracts, Deer Tick performed two sold-out nights (June 9th and 10th) at Levon Helm Studios in Woodstock. Both shows included performances of new songs while sharing favorites from the bands catalog. 

    Deer Tick

    Opening Saturday’s show, Rafay Rashid.  A Providence R.I resident by way of Islamabad, Pakistan. Introducing songs from his debut solo album Kitchen Weapons, Rahid and his band (including a few members of Deer Tick) had a melodic grove intensifying as their set progressed. His excitement opening for Deer Tick was evident, calling them out occasionally between songs. Rafay’s performance set the groove, readying the house for what was to come.

    Rafay Rashid
    Rafay Rashid

    With the intimacy of Levon Helm Studios, the vibe between band and audience is beyond palpable. The moment singer/guitarist John McCauley, guitarist Ian O’Neil, drummer Dennis Ryan, bassist Christopher Ryan hit the stage, it was on.  With dueling guitars, multiple lead vocals, a solid rhythm section, Deer Tick is a formidable part of rock and roll. 

    Deer Tick

    Opening with “Forgiving Ties” from their latest project, the night continued with a host of new material. Deeper into the set, the band maneuvered across the spectrum of Deer Tick. “Jumpstarting” from Dear Tick Vol. 2 had the crowd singing. It continued on from there with people clapping in time and jumping up to dance, because they had no choice.

    Deer Tick

    On night two, their makeshift encore (at Levon’s, it is not logistically feasible to step off the stage to a backstage area), La Bamba leaped out to start it off. Closing, McCauley and company shared “The Real Thing,” the final track from Emotional Contracts.

    Deer Tick with Robert Ellis
    Deer Tick with Robert Ellis

    As a bonus, the Texas Piano Man Robert Ellis sat in with the band. Tucked into the corner of the stage, Ellis’s ticking of the ivories helped take the night to an even higher level. For both Deer Tick and those in attendance, this was a special weekend. Experiencing new songs while pulling out favorites. Quenching the Deer Tick fan palate to the fullest. 

    Deer Tick

    Rafay Rashid

  • In Focus: Hawthorne Heights Kick off Alive at 5 in Albany

    On Thursday June 8th, Hawthorne Heights started Albany’s Alive at 5 concert Series with tribute to their roots as Emo artists. The show was moved to Albany’s rain location under I-787, but the skies were as clear as could be for the show.

    James Woodruff of Hawthorne Heights – Photo by Jarron Childs

    Alive at 5 is a free summer concert series that the city of Albany has been throwing on annually for over 30 years. The series host artists from from the local area to national scene to bring the capital region some music from their favorite genre. Each week has a different theme; this one being Emo Pride Night.

    The show’s opener was the band Bad Luck from New York City. They had just come off a spring tour to play a 45 min set. Bad Luck set the tone for what was to come for the headliner.

    Hawthorne Heights formed in Dayton, Ohio a little over 20 years ago in 2001. They sent out their first song, “Silver Bullet,” to hundreds of record labels until one stuck with Confined Records. By 2006, they had two gold albums and were opening for Fall Out Boy during their Black Clouds and Underdogs Tour. The first stop on that tour, in fact, was in Albany, at what is now MVP Arena.

    Photo by Jarron Childs

    Hawthorne Heights is currently on a traveling festival around the US called the “Is For Lovers” festival. It has lineups of some of the best emo and pop-punk bands that could have ever been assembled, all in one place.

    Hawthorne Heights played a long 90 minutes set to start Albany’s Alive at 5 for 2023. Lead singer, James Woodruff, said this was the longest set they have ever played. Though he proclaimed early on that they would rock out the whole night, there were a lot of speeches in between songs. Fans grew restless towards the end of the set as it could be felt that he was trying to fill up their time slot. Though the speeches did give their songs more meaning, and young fans got to understand emo better, it could be felt that fans just wanted to rock out the night.

    Photo by Jarron Childs

    Hawthorne Heights did come through with their promise as fans got to mosh to some of their favorite songs. At least two mosh pits that broke out on top of, crowd surfing and the audio engineer jumping into the crowd. The crowd screamed the lyrics to “Niki FM” and helped to close out the show with “Ohio is for lovers.”

    Hawthorne Heights will continue their “Is for Lovers” festival on June 24th in Stateline, NV. There are currently no NY shows scheduled, but hopefully NY fans will get new music from them soon.

    Don’t miss this week’s Alive at 5 with Mihali with special guest Side B opening. NYS Music will be on site so stop down and check out what the NYS Music team has in store!

    Hawthorne Heights Setlist: Pens and Needles, Constant Dread, This is Who We Are, Lucerne Valley, The Transition, Crimson Sand, Saying Sorry, Rescue Me, Spray Paint it Black, Silver Bullet, Hard to Breathe, Blue Burns Orange, Stab Myself, We Are So Last Year, Niki FM, Dandelions, Ohio Is For Lovers

  • Governors Ball Day 3 – Kendrick Lamar, Lil Nas X, and Pusha T Close Out The Weekend

    Governors Ball wrapped up the weekend last night with a stellar, career-spanning performance from Kendrick Lamar. Sunday was another eclectic day of music from all ends of the spectrum, featuring sets by Lil Nas X, Pusha T, Black Midi, Girl In Red, and Phony Ppl.

    Kendrick Lamar, Governors Ball 6/11/2023. Photo by Lucas Kurzweil

    Rap music was on clear display for Sunday. Coast Contra gave some early afternoon rap to the Bacardí stage. The dynamic rap group brought the old school vibes with their “Scenerio Freestyle.” Over on the GoPuff Stage, Central Cee displayed classic UK rap to the New York crowd. He had the fans going wild for his hit song “Doja.” 

    Leading up to the headlining slot on Sunday, Pusha T brought his rash flow to a wild crowd at the Bacardi Stage with a deep setlist full of crowd favorites and covers. At the same time, Sofi Tukker’s house/pop blend reverberated from the GoPuff Stage sending infectious dance beats through the park. Lil Nas X followed with thrilling dancing and intricate costumes culminating in a giant sing-along to his hit song “Old Town Road”.

    governors ball pusha t
    Pusha T, Governors Ball 6/11/2023. Photo by Joseph Buscarello

    It was only fitting that Kendrick Lamar headlined Sunday night because there was truly no better way to end the 2023 edition of the Governors Ball. Fresh off the larger-than-life Big Steppers Tour, Kendrick brought his more stripped-back festival production to the GovBall Stage. It’s hard to imagine how such a mega artist can create an “intimate” festival performance while still bringing every bit of energy you expect. A bare stage with varying backdrops, flanked by lighting from the sides of the stage and vertical laser walls made Flushing Meadows feel like a window into the life of Kendrick Lamar songs. The power and raw energy of Kendrick’s flow echoed throughout the audience who were in awe of what they were witnessing.

    governors ball kendrick lamar
    Kendrick Lamar, Governors Ball 6/11/2023. Photo by Joseph Buscarello

    With 2023 in the books, we can already start thinking about next year. The move to Flushing Meadows Park was a major success for Governors Ball. The vast park is the perfect venue for a music festival with large field areas and thick tree lines providing shade and texture to the grounds. Fans have easier access via mass transit and the neighborhoods surrounding the park are home to the most diverse local food vendors anywhere in the world. The future is bright for Governors Ball after finally finding the perfect home. After housing multiple World Fairs in 1939 and 1964, the city has kept large festivals away from Flushing Meadows; a trend that has finally ended.

    Stay tuned for more artist galleries, as well as a in-depth look into Kendrick Lamar’s historic headlining set in Queens.

  • Deer Tick Keeps It Weird at Lincoln Hill Farms

    A week in advance of the release of their new album, Rhode Island folk-rock stalwarts Deer Tick visited Lincoln Hill Farms in Canandaigua. It was a bit of a weird week in Western New York as smoke from Canadian wildfires filled the air, forcing people indoors and into masks once again. The air cleared enough to safely stage the show, and the show would go on.

    But still, for Deer Tick, “it was a weird time to be alive,” according to guitarist and singer John McCauley. Not this era, decade, week, or day, but specifically the current time, 7:47pm. A hard curfew of 9pm, ensured the sun would be out for pretty much the whole show. It was an early set for the band more attuned to the late night bar crowd, even if they’ve outgrown their bar band days.

    Weird as it was, Deer Tick stuffed their early-evening time with songs spanning their career, from some of their earliest tunes. like “Easy” and “Twenty Miles,” all the way up to their as-yet released material. It all flowed together seamlessly. The old tunes felt as fresh as ever, while the new ones had a well-worn quality like they had been there all along.

    The new record, Emotional Contracts, was actually recorded not all that far away, in the similarly named Cassadaga, NY at Tarbox Road Studios. Kinda weird?

    In their own weird way, they worked in some tributes to some of the rockers that helped paved their way. “Me and My Man” got a little bit of ZZ Top’s “La Grange” added at the front, which prompted McCauley to suggest they do that for all of their songs. So on the ensuing, “The Bump,” his band mates jokingly obliged with teases of Tom Petty’s “Running Down a Dream,” and The Beatles’ “Day Tripper.” When MCCauley’s monitor needed a battery change, the rest of the band settled into a nice little groove while waiting. This sounded like Santana and Rob Thomas’ hit “Smooth” to McCauley so he of course started singing what he could remember from that. Then on the tail end of “The Dream’s in the Ditch,” McCauley tacked on Santo and Johnny’s “Tear Drop,” with their signature languid slide guitar sound. They weren’t over a more traditional cover either, throwing in a rollicking rendition of Little Feat’s “Rocket in my Pocket” mid-set that featured searing solos from both McCauley and guitarist Ian O’Neill. Even the banter included tributes, with Cheap Trick’s famous line, “This is the first song off our new album!” appropriately introducing the new tune, “If I Try to Leave.”

    The latest single, “Once in a Lifetime” was titled like a cover, but it was all original, getting down with Chris Ryan’s groovy bass line. As much fun as the band was having with their little asides, their original material ruled the day, or the early-evening rather. Drummer Dennis Ryan penned the new “Running From Love,” which came to him in a dream. The soul-inflected tune built and built, culminating in a fiery solo from McCauley on his orange guitar, with his matching orange pick, which he also thought was “weird.”

    The set closed on “Mange,” tossing the previous 80 minutes together into a rock assault. A long intro set the scene, a grooving bass laid the groundwork, and a big “whoop” set the fuse. Then the band went all in with raging guitars, a big drum solo, and a drifting feedback jam. They put it all out there for a big rock show finish.

    But of course there was more. They came back for a two-song encore that pushed right up to that 9pm curfew. The night closed with “the last song on our new album,” the slow oozing rocker “The Real Thing” that surely left everyone in attendance hotly anticipating their first listen to Emotional Contracts.

    If you missed out, don’t fret, the band will be back in the area with a show at the Homer Center for the Arts on November 12.

    Setlist: Forgiving Ties, If I Try to Leave, Me and My Man, The Bump > Easy, Rocket in My Pocket (Little Feat), If She Could See Me Now, Twenty Miles, Running From Love, Hope is Big > Tripping Up the Stairs (Traditional), Once in a Lifetime, Clownin’ Around, The Dream’s in the Ditch > Tear Drop (Santo & Johnny), Mange
    Encore: Jumpstarting, The Real Thing