Category: News Desk

  • moe.ron Mondays to feature never before seen 2005 Portland shows

    The next two moe.ron Mondays on Nugs TV will feature a pair of shows from the State Theatre in Portland, Maine, which will also conclude the weekly streaming series.

    These two shows did not allow taping and served as record release shows for The Conch, one of moe.’s best-received albums, receiving 4/5 stars in Rolling Stone. The shows, seen for the first time, will offer a glimpse at a band 15 years into their career. Tune in at Nugs.TV

    moe.ron mondays portland
    moe. Summer 2005 tour poster by Emek

    Setlist, June 10, 2005
    Timmy Tucker, It, Lost Along the Way, Happy Hour Hero, McBain -> George, Tailspin, The Pit, Recreational Chemistry, She, The Road, Brent Black
    Encore: Wind It Up, Blue Jeans Pizza, Crab Eyes

    Poster by Marq Spusta

    Setlist, June 11, 2005
    Captain America, She, Wind It Up, The Road, The Pit, Kyle’s Song, 32 Things, Wake Up, St. Augustine, Head, George, Rebubula
    Encore: Plane Crash

    Watch and enjoy “MacIntyre Range,” featured on The Conch and inspired by the Adirondack Mountain range of the same name.

  • Pete Seeger’s Clearwater Sloop Hosts ‘The Virtual Great Hudson River Revival: An Epic Stream to Save the River’

    Setting sail five decades ago by the folk icon Pete Seeger, The Hudson River sloop Clearwater was recently doubting its state of continuing after the pandemic forced a stop to its educational and activism activities. With donations from supporters worldwide, the ‘nation’s oldest music-rooted activist organization’ has stopped this ship from sinking. The annual music festival will once again go on this year, but virtually to keep in accordance with the current social distancing guidelines, dubbed ‘The Virtual Great Hudson River Revival: An Epic Stream to Save the River.’

    Airing June 20 from 11 a.m. to 11 p.m. est. Viewers can enjoy the 3 hour festival on Clearwater’s website, YouTube channel  and Facebook page for free with donations being accepted that will go to continue the educational, environmental and activism programming. Artists will get to perform one at a time, giving them a chance to watch their fellow performers, something that has never occurred in the history of the activism festival.  

    Great Hudson River Revival

    Grammy winning singer/songwriter Tom Chapin, a returning headliner and one of the organizers for this year’s virtual concert said, “Happiness, for me, is performing at the Clearwater Revival and, for the first time, being able to actually watch all the other great artists play.”

    Other musicians who have stepped up to the plate for 2020 include Judy Collins, David Amram, John McCutcheon, Jay Ungar and Molly Mason many more.  

    Conceived in 1966, the Clearwater sloop has played an important role in the history of environmentalism and grass-roots activism along the Hudson River. From a history of female captains, to flying of the rainbow flag in support of its trips dedicated to empowering LGBTQ young people and its role in the long running cleanup of the Hudson River. The organization called for an end to systemic racism in a post on their Facebook page and recalled when Seeger and civil rights activist Paul Robeson were attacked 70 years ago after performing in Peekskill, NY according to a Billboard article. Also the sloop has hosted several generations of the region’s youth have learned about the Hudson River from field trips aboard the Clearwater.

    “Despite the distance, we’ve been excited to be able to bring people to the river through virtual sails and interactive online programs, and the response so far has been terrific,” says Erik Fyfe, Clearwater’s education director.

  • Annual Make Music Day to Be Held Virtually on June 21

    Even amidst this pandemic, the annual Make Music Day will still be held in hopes of spreading happiness and music to anyone across the globe. 

    Annual Make Music Day
    Photo by Thomas Retzer

    Originally started in France in 1983 as Fête de la Musique, Make Music Day is the only music festival of its kind: its mission is to bring free music to anyone and inspire them to create music themselves regardless of their age or experience level. 

    The festival made its North American debut in New York City several years ago, and now has chapters all over the US, including Rochester, Ithaca, and Ossining-Briarcliff. Now every year on the Summer Solstice, over 1,000 cities across the globe take part in this great celebration of music. This year, Philadelphia will dedicate their events to the Black Lives Matter movement.

    This year, although events cannot be held in person, the creators of the festival have still managed to invent creative ways to get many involved with music. A global day-long live stream will be held featuring several New York artists, there will be 12-hour long online music lessons for 25 different kinds of instruments for all experience levels, and composers from around the world will be challenged to perform another’s song. A contest for young people from ages 13-21 motivates them to submit their own work. Make Music Day even will even join Bash the Trash Environmental Arts by encouraging all to create instruments out of trash or household items. Performances of Elliot Cole’s Flowerpot Music, in which he makes music using flowerpots as percussion, will be live streamed for eight hours.

    Annual Make Music Day
    NEW YORK, NY – JUNE 21: Marching bands perform during Make Music Day at the Brooklyn Museum on June 21, 2014 In the Brooklyn Borough of New York City. (Photo by Brad Barket/Getty Images for Make Music Day)

    Make Music New York even has their own unique lineup of events for the day. An ever-growing list of musicians and singers will perform Mozart’s Requiem at noon, and it is still possible to sign up and get involved in the performance, and the Third Street Music School will livestream Beethoven Sonatas from 1-5pm. Paul Stein, the activist accordion player, will be entertaining countless via livstream at 4. Joe’s Pub at the Public Theatre will host a virtual block party that will feature NYC immigrant and international performers.

    Make Music Day has even organized ways to safely bring music in person to some. One June 21, musicians will serenade the elderly from outside nursing home windows in order to maintain a healthy distance. Nursing homes are still looking for musicians! If you are interested, contact your local FirstLight Home Care to be matched with a participating nursing home. One-person marching bands will parade around cities across the US; look out for Matthew Cain, who will be playing the tuba in Park Slope on 9th street in Brooklyn. CenterPoint Arts is hosting live concerts from cars outside of Brooklyn Crepe & Juice (274 Flatbush Ave) at 4:15. Porch Stomp! will host pop-up socially-distant singalongs all around Brooklyn from 6-7:10.

    There are even more events which will take place throughout the day on June 21, and there are still many chances to get involved in this global celebration of music.

  • CMJ Music Marathon Returns Under Amazing Radio

    The CMJ Virtual Music Marathon will return virtually this year, now under the ownership of Amazing Radio. Amazing Radio also has begun their new show One Night Stand, a weekly live performance which will feature up and coming artists broadcast on AmazingRadio.tv.

    CMJ Music Marathon

    One Night Stand was kicked off June 15 with a special introductory show featuring The 1975, Alvvays, alt-J, Daughter, and Wolf Alice and included informational interviews with Amazing Radio founder Paul Campbell and CEO DJ Andy Zicklin. One Night Stand will showcase two new artists each week through music and interviews. Starting June 19, the show will begin broadcasting regularly every Friday night from 8-8:30PM EST. 

    On June 19, fans can watch or listen to interviews and performances by Huw Edwards of KOYO (Leeds, UK) and Grace Gillespie (London, UK), and additional performances by Needshes (Moscow, Russia), Daring Greatly (San Diego, CA), Firstimers (Denver, CO), and James Alexander Bright (Hampshire, UK). The audience will be able to tip the artists directly. 

    Launched in England in 2007, Amazing Radio’s mission is to “[help] new and emerging artists get discovered and make money, without getting screwed.” Its North-American branch kicked off in 2018. Amazing Radio helps undiscovered artists gain media attention in an ethical way. Several iconic artists have been discovered by Amazing Radio, such as Alt J, Haim, London Grammar, Bastille, Chvrches, The 1975, Royal Blood, Sam Fender and Dua Lipa. Billboard called the station “a powerful promotional machine.”

    CMJ Music Marathon

    Amazing Radio now also owns CMJ, the College Music Journal. CMJ was founded in 1977 and began hosting an annual music festival showcasing new, undiscovered talent in New York City in 1980. The festival helped artists like Lady Gaga, Mumford & Sons, and Arcade Fire gain notoriety. Unfortunately, the CMJ Music Marathon has not taken place since 2015. However, CMJ and Amazing Radio are happy to announce that the festival will be returning virtually this Summer. Although the festival cannot be in person, it will still maintain “its spirit of new music discovery,” and will now span “New York and beyond.” 

    All emerging artists can submit their music for the CMJ Virtual Music Marathon by becoming Amazing Artists on Amazingradio.us. Doing so offers the artists several benefits, including the chance to be considered for One Night Stand. Additionally, new artists who sell their music on AmazingRadio will keep 100% of their profits and donations.

    Be sure to watch or listen to One Night Stand on AmazingRadio.tv or AmazingRadio.us respectively every Friday night from 8-8:30PM EST and submit your original work for the CMJ Virtual Music Marathon.

  • Live Nation Implements Changes That Will Include Cutting Artists’ Pay

    Due to the economic climate’s downturn from COVID-19 the American events promoter Live Nation is cutting artists pay and is putting pressure on the artist in unprecedented ways. Artists will now be given a lot more of financial responsibility and accountability. 

    Live Nation was originally called SFX Entertainment and formed in 1996 by Robert F. X. Sillerman. The company has gone through a few different renditions but finally landed on Live Nation in 2005. Then in 2010, Live Nation ended up merged with the widely known ticketing company Ticketmaster and formed the larger conglomerate Live Nation Entertainment that we know today. 

    One of the major changes Live Nation is embarking on is that now if a show is cancelled due to poor ticket sales the artist will now only receive 25% of a predetermined guarantee. Generally artists would always receive 100% of  predetermined guarantee before the pandemic according to the document acquired by Rolling Stone. The other major change Live Nation is enacting is that it will now require artists who cancel their performances due to illness, or any other reason in breach of contract, to pay out twice their artist’s fee which is unheard of. 

    The Live Nation memo to talent agencies reads, “We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists.”

    Live Nation stock since the COVID-19 pandemic started has experienced a 48% drop. Live Nation not only slashed artists pay but also enacted sweeping salary reductions, furloughs and hiring freezes in an attempt to keep the company afloat. 

    “We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans,” The Live Nation memo to talent agencies writes. It is unclear what the follow out from these changes will exactly look like for the industry and artists. 

    Read the full memo below:

    Live Nation Memo to Talent Agencies

    The global pandemic has changed the world in recent months and with it the dynamics of the music industry. We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists. The principle changes for 2021 are outlined below.

    Artist Guarantees: Artist guarantees will be adjusted downward 20% from 2020 levels.

    Ticket Prices: Ticket prices are set by the promoter, at the promoter’s sole discretion, and are subject to change.

    Payment Terms: Artists will receive a deposit of 10% one month before the festival, contingent on an executed agreement and fulfillment of marketing responsibilities. The balance, minus standard deductions for taxes and production costs, will be paid after the performance.

    Minimum Marketing Requirements: All artists will be required to assist in marketing of the festival through minimum social media posting requirements outlined in artist offer.

    Streaming requirements: All artists will be required to allow their performance to be filmed by the festival for use in a live television broadcast, a live webcast, on-demand streaming, and/or live satellite radio broadcast.

    Billing: All decisions regarding “festival billing” are at the sole discretion of the promoter.

    Merchandise: Purchaser will retain 30 % of Artist merchandise sales and send 70% to the artist within two weeks following the Festival.

    Airfare and Accommodations: These expenses will be the responsibility of the artist.

    Sponsorship: The promoter controls all sponsorship at the festival without any restrictions, and artists may not promote brands onstage or in its productions.

    Radius Clause. Violation of a radius clause without the festival’s prior authorization in writing will, at the festival’s sole discretion, result in either a reduction of the artist fee or the removal of the artist from the event, with any pre-event deposits returned to the festival immediately.

    Insurance: The artist is required to maintain its own cancellation insurance as the promoter is not responsible for the artist fee in the event of a cancellation of the festival due to weather or a force majeure.

    Cancellation by Artist: If an artist cancels its performance in breach of the agreement, the artist will pay the promoter two times the artist’s fee.

    Cancellation Due to Poor Sales. If a show is cancelled due to poor ticket sales, the artist will receive 25% of the guarantee.

    Force Majeure: If the artist’s performance is canceled due to an event of force majeure – including a pandemic similar to Covid-19 – the promoter will not pay the artist its fee. The artist is responsible for obtaining any cancellation insurance for its performance.

    Inability to Use Full Capacity of the Venue: If the promoter – either because of orders of the venue or any governmental entity – is not permitted to use the full capacity of the venue, then the promoter may terminate the agreement, and artist will refund any money previously paid.

    We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans.

  • The Disco Biscuits Takes You Out to the Ball Game in Support of Black Live Matter

    The Disco Biscuits announce “The Disco Biscuits Take You Out to the Ball Game” benefit concert. This will be a free live-stream concert at Citizens Bank Park, the home of the Philadelphia Phillies, supporting PLUS1 For Black Lives Fund. The show will take place on the infield on Tuesday, June 23 at 7:45pm ET. 

    The concert is being put on by the Philadelphia Phillies, Citizens Bank Park, and Live Nation in support of PLUS1 For Black Lives Fund. The show will donate 100% of donated proceeds to the PLUS1 For Black Lives Fund. Donations will be distributed to various organizations including Urban League of Philadelphia. All partners in the event recognized that the on-going struggle with racism and violence aimed at the Black Community in this country need to be fought against and that the many systemic injustices are the root of the issue. 

    The Disco Biscuits were in discussion with the Philadelphia Phillies to perform at Citizens Bank Park when the death of George Floyd in Minneapolis happened and decided that this was an issue they wanted support and decided to make their performance support PLUS1 For Black Lives Fund. Live Nation is providing financial funding, personnel, production support and other resources. Philadelphia Phillies are donating their field to the event as well as resources and personnel to the event. The Disco Biscuits will be wearing Phillies jerseys, have use of the Phanavision and other iconic stadium signage, and have an introduction from iconic public address announcer Dan Baker

    People can watch the event live on the official YouTube & Facebook pages for The Disco Biscuits, Phillies and Live Nation, as well as on Live Nation’s Live From Home platform. To donate to PLUS1 for Black Lives website or text DISCO to 50155.

    For more information visit The Disco Biscuits website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • LIGHT FROM LOCKN’ LIVE-STREAM Brings Three days of Music to Your Home

    LOCKN’ Music Festival announces it’s “The LIGHTS FROM LOCKN’” live-stream festival that will include three days of free music. The festival will begin at 10AM each day and running until 2AM and is taking place on June 19-21. The festival will include live music, archived footage, special  guests, virtual dance parties, and more. Between music and audience engaging activities “The LIGHTS FROM LOCKN” is attempting to put that festival feeling right into your home. 

    The Lights From Lockn’ full line up.

    “The LIGHTS FROM LOCKN’” and FANS are partnered up with HeadCount‘s nationwide voter registration campaign and Conscious Alliance‘s “Virtual Art That Feeds Food Drive” in hopes of the audience making socially conscious actions throughout the festival. Although the festival is entirely free, the audience is encouraged to donate and register to vote. 

    “The Light From LOCKN” will be hosting special appearances from friends of the LOCKN’ festival as Andy Falco, David Shaw, Doobie Decibel System, The Infamous Stringdusters, Jack Casady, Keller Williams, The Lil Smokies, Luther Dickinson, Marcus King, Melvin Seals, Moonalice, Nahko, The Suffers, and Warren Haynes. 

    The festival will include many archived performances from legendary artists as The Allman Brothers Band and The Black Crowes. It will also be featuring performances from  Billy & The Kids, Charles Bradley, Zac Brown Incident, Col. Bruce Hampton & Friends w/ Oteil Burbridge, Del McCoury w/Preservation Hall, Fishbone, Furthur ft. Trey Anastasio, Gov’t Mule ft. Ann Wilson, Grace Potter & The Nocturnals, Jason Isbell & The 400 Unit, Hot Tuna, Joe Russo’s Almost Dead, Keller’s Grateful Gospel, Khruangbin ft. Trey Anastasio, Lettuce, Margo Price, Phil Lesh & Friends, The Revivalists, The Suffers, Tedeschi Trucks Band, Trey Anastasio Band ft. Derek Trucks, Umphrey’s McGee, Vulfpeck, Widespread Panic, and Zac Brown Incident.

    There will also be the virtual late-night dance parties mentioned before. These dance parties will including DJ JerrBrother with the hugely popular “Jerry Dance Party,” Andy Frasco’s “I Wanna Dance With Somebody,” (currently in the Top 10 of Pollstar’s Livestream Chart), and wrapping things up with “The Rock and Roll Playhouse Father’s Day Celebration,” which will air Sunday morning. Other highlights of the festival include a special “Photos With Stories” session, chronicling the incredible visual history of LOCKN’ with renowned photographer Jay Blakesberg.

    “The Light From LOCKN” live-stream event will be available to view via FANS.com, FANS Facebook Page, FANS Twitch, Relix YouTube, Littlestar (Playstation4) and DailyMotion.

    For more information on the “The Light From LOCKN” festival visit Fans website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • The Roots Picnic Goes Virtual

    The 13th annual “Roots Picnic” will be joining , like many other concerts this summer, the virtual experience platform as an attempt to keep everyone as safe as possible while still connecting during COVID-19. The event will take place on June 27 at 8PM EST and will stream on The Roots’ youtube channel. The event will have musical acts along with speakers including Michelle Obama. 

    The Roots Picnic is partnered with Obama’s nonprofit, “When We All Vote” and will be helping people sign up to vote by texting viewers through a platform that targets unregistered voter. This event won’t replace the usual festival, which is still postponed, but will be additional content. Organizers of the festival urge people to, “Please stay tuned for more updates on the 2020 festival.” 

    The musical acts include H.E.R, Lil Baby, Roddy Ricch, SZA, Kirk Franklin, Snoh Aalegra, D-Nice, Polo G, G Herbo, Musiq Soulchild, and Earth Gang. The Speakers include Michelle Obama, Janelle Monáe, Tracee Ellis Ross, Kerry Washington, Tom Hanks, Liza Koshy, Chris Paul, Elaine Welteroth, Lin-Manual Miranda, Deon Cole, Coach K, Wallo267, and Ghetto Gastro. 

    RSVP to the event and for more information in the event visit the Roots Picnic website.

  • Celebrate Juneteenth virtually with SummerStage Anywhere’s Digital Day of Dance

    Capital One City Parks Foundation Summerstage is virtually celebrating the 155th anniversary of Juneteenth, a day commemorating the end of slavery in the United States. The New York City concert series, now known as Summerstage Anywhere, is having a digital day of dance on Friday, June 19, with hourly tribute performances starting at 12:00 p.m. EST leading up to a panel discussion at 7:00 p.m. Originally planned to be held in-person, the Juneteenth event will be free and fully virtual on Summerstage’s Instagram and YouTube channels.

    https://www.instagram.com/p/CBiim-5npb4/

    Performers include RudduR Dance, who will perform an excerpt of their three-part contemporary ballet “Witness” at 6:00 p.m. “Witness” intertwines art and activism to depict the past, present, and future of race in America. During his candidacy, current French president Emmanuel Macron visited a rehearsal. RudduR Dance was founded in 2015 by Guggenheim fellow Christopher Rudd.

    At 7:00 p.m., Hope Boykin of the Alvin Ailey American Dance Theater will host a panel discussion called “Reflecting the Times.” Boykin, an alumna of Howard University, is a three-time recipient of the American Dance Festival’s Young Tuition Scholarship. Following the panel, there will be a tribute performance of “Hanging Tree” featuring Jamel Gaines Creative Outlet (JGCO) Dance Theatre, vocalist Marcelle Davies-Lashley, and poet Carl Hancock Rux. For almost 25 years, JGCO has performed across the United States as well as internationally.

    Juneteenth

    Observed annually on June 19, Juneteeth celebrates the end of slavery in Texas in 1865. Following the U.S. Civil War, Abraham Lincoln’s 1863 Emancipation Proclamation still had yet to be enforced in Texas until Union general George Granger issued an order in Galveston freeing the last remaining slaves in the Confederacy.

    “As a Black woman in America, I am a direct beneficiary of the struggles and battles for justice and I stand on the shoulders of those who fought and continue to fight for my freedom,” said Danni Gee, Dance Curator and Music Programming Associate for SummerStage. “I am honored to be able to celebrate this important anniversary of Juneteenth in our country’s history on SummerStage Anywhere. I am proud to present this program even more so in light of current events and it is crucial to me that the communities we serve know that we stand with them.”

  • Anti-Union Initiatives Instigate Work Stoppage at Pitchfork

    The American online-media-magazine Pitchfork is undergoing work stoppages in protest against the anti-union initiatives being taken by the publication and its parent company, magazine publisher Condé Nast. The stoppages also revolve around the lack of diversity within the publication and the unresponsive management to staff trying to address these issues.

    Pitchfork Work Stoppage

    The editorial staff refused to publish any new content on the website and let all social media go dark on Thursday, June 18 for four hours beginning at 9 a.m. This stoppage was done to draw attention to the targeted lay-off of senior editor Stacey Anderson, the union chair and the only senior editor who was a person of color, according to the Pitchfork’s union statement. The staff of the Pitchfork worked hard to try to find an alternative to the lay-off of Stacey Anderson and presented a plan to Condé Nast and Pitchfork management (Editor-in-Chief Puja Patel and Managing Editor Amy Phillips) as a way to keep jobs intact while achieving their target savings for this year.

    Pitchfork unionized last year with the New York chapter of the Newsguild. The NewsGuild was founded back in 1933 by newspaper journalists in hopes of not only improving wages and working conditions, but to also help uphold honest and quality work from journalists and the news industry’s business practices. Newsguild currently represents a number of other unions that Condé Nast publications owns like Wired and The New Yorker, The New York Times and The Daily Beast.

    Pitchfork employees have not only stopped publishing but have also sent criticizing letters to people like editor-in-chief Puja Patel and CEO Roger Lynch about the lack of respect for employees. A lot of the unrest from employees comes from the lack of diversity within the publication and Condé Nast’s alleged racist treatment of staffers of color. The staff proposed that the publication should require that 50 percent of prospective job candidates who are brought in for an interview should come from minority backgrounds and, according to Pitchfork’s union statement, Condé Nast and Pitchfork counsel rejected their proposal because “for certain positions it’s hard to find qualified applicants from underrepresented backgrounds” and “not every job is created equal.”

    Pitchfork’s union statement expanded on this saying,”When it comes to diversity and inclusion, Condé Nast has been broken for a long time. This includes Pitchfork. Stacey’s removal would be the second layoff of a Senior Editor of color in under 18 months. We need to change the culture of Pitchfork and hold management accountable for their decisions. We also need to acknowledge our own complicity in these systemic failures so we, as coworkers, can improve.”

    Condé Nast has been holding town hall meetings over the last few weeks to address concerns but also has given vague warnings to staff about unionizing journalists losing their jobs for being in unions. CEO Lynch sent an email to the all-staff dismissing the usefulness of unionization saying, “some may believe that joining a union will protect their job, unfortunately, it’s just not the case. We all have seen the thousands of journalists who have lost their jobs over the last many months. The headwinds that the media industry is experiencing right now, combined with COVID-19, are just too strong for any union,” according to the The Daily Beast article.

    Pitchfork’s union statement explains their demands saying they want the targeted lay-off of  their union chair Stacey Anderson’s reversed and for Condé Nast to agree to their counter-proposal to achieve both parties’ goals and re-center attention on other issues. One of the biggest issues they want worked on is making sure Pitchfork and other Condé Nast brands uproot all their pre-existing racist power structures.

    For more information on the Work Stoppage at Pitchfork please read Pitchfork’s union statement.