“All I Can Say,” a documentary on the late Shannon Hoon, the late lead singer of Blind Melon, was released on June 26. The film will not be released in theaters as planned due to the COVID-19 pandemic, but will be available to rent on Relix.
The film is made up of many clips Hoon filmed of himself between 1990 and 1995. Hoon was known for religiously filming himself and his day to day life and left over 200 hours of raw footage right up until his death at the age of 28. The footage starts from before Hoon joined Blind Melon and through the band’s experiences in L.A, filming right up until a few hours before his death. The film was co-directed by Danny Clinch, Taryn Gould, and Colleen Hennessey.
The film was funded by a Kickstarter that hoped to raise $100,000 but ended up raising $115,524 with almost 2,000 backers to the campaign. The Kickstarter explained their hopes for the film saying, “This film documents the band’s rise to fame, Hoon’s family life, his creative process, his tumultuous struggle with addiction, as well as the politics, technology and culture of the 90’s. It is being made in a way that honors the footage Hoon shot while maintaining a genuine and authentic story.”
Oscilloscope Laboratories made the film available to the public via a rental program. Viewers can purchase a 3-day rental period of the film. Relix is partnered with Oscilloscope to share the film.
https://youtu.be/3xph8pPJMB8
For more information or to rent the film visit Relix Presents website.
Pixar this weekend debuted an inspirational new trailer for their upcoming movie, Soul.
The first trailer depicted the soul of the musician Joe Garner, voiced by Jamie Foxx, struggling to find himself in ‘The Great Before,’ a place where souls gain personality traits before they are born into the world.
The new trailer depicts Joe as a middle school band teacher, sharing his passion for music that he finds everywhere in his neighborhood in New York City.
Soul will arrive in movie theaters in November 2020.
“Music moves people,” says Joe, “Music is life, you just need to know where to look.”
Written and directed by Pete Docter, who co-wrote notable movies like Up, Inside Out and Monsters, Inc., Soul centers around Joe Gardner (voiced by Jamie Foxx), who gets a chance to perform at a famous jazz club, but instead falls into a sinkhole, where his soul leaves his body. He must then has to find his way back to his body, with the help of 22, a soul voiced by Tina Fey.
Soul promotes passion and to go for what you love. In Joe’s case, it is his love for music.
Although the score for the film was composed by Oscar winners Trent Reznor and Atticus Ross, both trailers feature neo-soul musician Cody Chesnutt with the song, “Parting Ways,” and pop rock band AJR with the song, “Overture.”
This marks Pixar’s twenty-third film and will release in theaters on November 20 of this year.
When Soul is released, it will be accompanied by Burrow, from the Pixar SparkShorts program. The official description of Burrow says:
In Disney and Pixar’s new short film Burrow, a young rabbit embarks on a journey to dig the burrow of her dreams, despite not having a clue what she’s doing. Rather than reveal to her neighbors her imperfections, she digs herself deeper and deeper into trouble. After hitting (bed)rock bottom, she learns there is no shame in asking for help. Directed by Madeline Sharafian and produced by Mike Capbarat as part of Pixar’s SparkShorts program, Burrow opens in theaters on Nov. 20, 2020, in front of Disney and Pixar’s Soul.
OFC Creations have announced the 2020 line up for ROC Summer Theatre Experience will continue this summer with added precautions and safety measures for July and August.
From July 6 through August 22, 2020, campers ages 4 to 18 will participate in a variation of 15 musical theater productions across three venues with 25 directors. Most camps run two weeks from 9 AM to 3 PM with options for before-care and after-care hours. Each camp concludes with performances open to family, friends, and the public. Camps will take place at various locations throughout Rochester including the Kodak Center, the Lyric Theatre, Seton School, and OFC’s brand-new theatre, The OFC Creations Theatre Center in Winton Place Plaza.
Summer 2020 camps include the following productions:
Ages 4-7
Chicken Little, The Three Little Pigs, Jack and the Beanstalk, Cinderella
Ages 7-11
Joseph and the Amazing Technicolor Dreamcoat, Aladdin Jr, Matilda Jr, Willy Wonka Jr, Peter Pan Jr, The Sound of Music, Law and Order: Fairy Tale Unit
Ages 11-17
Footloose the Musical, Sweeney Todd: School Edition, Chicago: School Edition, Rock of Ages: School Edition
New safety precautions will be added to all summer camps including spaced drop off and pick up times, keeping campers in groups of no more than 10, wearing masks especially while singing, as well as hand sanitizing stations and frequent hand washing. OFC’s health advisor, Erika Kozlowski, will be on hand at camp with a focus on health and safety and answering any parent questions. A full breakdown of safety precautions are now on OFC’s website.
OFC Creations Executive Director, Eric Vaughn Johnson, is no stranger to summer camp programming. From 2013 to 2018, Johnson had designed and spearheaded the Summer Stock program at RAPA, leading an upwards of 400 campers throughout the summer. Johnson also served as the artistic director of SNAP Musical Theater for four summers with casts of 80 kids performing shows including Hairspray and The Little Mermaid.
Johnson says why he wanted to continue the ROC Summer Theatre Experience:
We wanted to bring a one-of-a-kind theater opportunity for youth in Rochester during the summer months. Kids have been stuck inside without any social interactions for months, they need this summer now more than ever.
Here are some of the teaching artists and staff members at OFC Creations:
Emily Beseau is a frequent teaching artist for OFC Creations. Beseau graduated with a Bachelor of Music in Vocal Performance from Ithaca College. Currently, Beseau is teaching OFC’s Experiencing Broadway class.
Hunter Ekberg, originally from Minneapolis Minnesota, Ekberg frequents the Rochester stage as a performer in children’s theater productions. Ekberg is currently vocal directing OFC’s Frozen Jr and Mamma Mia productions.
Rebecca Kemp is the general music teacher for Park Road Elementary School and will be vocal directing several of the youth shows for summer. Kemp recently vocal directed Barker Road Middle School’s production of Spamalot.
Jason Rugg, Irondequoit NY, is a theater teacher for Irondequoit High School and will be directing several summer camps. Rugg serves on the board of Pittsford Musicals, performs in community productions, and directed The Frog Prince at the Kodak Center in summer 2018.
Additional directors and staff members include:Lizzi Adams (Monroe Community College), Tammi Colombo (Rochester, NY) Andrea Gregoire (Rochester, NY) Mandi Gurell (Penfield, NY), Kendra Hacker (University of Kansas School of the Arts), Jane Huffer (University of Rochester), Misty Irwin (Spencerport, NY), Gregory Maddock (Rochester, NY), Jillian Oddo (Rochester, NY), Brianna Ross (SUNY Fredonia), Eric Schutt (Greece, NY), Courtney Weather (Brighton, NY), and Jamie Wisset (Brighton, NY).
Registration is now open for 2020 summer programs. Discounts are available for campers signing up for more than one camp. Registration information and details are available at www.ROCSummerTheatre.com and at www.OFCCreations.com.
Flushings, Queens native and Public Enemy co-founder, Chuck D, and Shepard Fairey, the artist behind OBEY, have come together bringing us a cross-sectional introduction of street art and hip hop. The artists, each citing the other as an influence, have announced the “Fight The Power: Chuck D” print, which memorializes the 1989 Public Enemy politically centered rap song, “Fight The Power.”
Fairey has cited Public Enemy to be one of the many influences behind his socially and politically charged propaganda-like art style which was tagged throughout the streets of cities on the East Coast in the late ’90s.
Along with announcing the release of the “Fight The Power” print, Fairey has urged his audience to listen to Public Enemy’s music, giving attention to the groups latest single, “State of The Union (STFU),” released last week.
“Chuck D has long been a hero of mine as founder and leader of Public Enemy. He’s an outspoken social and political voice, and activist. Chuck’s lyrics always spoke truth to power.”
Shepard Fairey
After receiving the invitation to participate in Chuck D’s art show, “The Terrordome,” Fairey decided to create his first portrait of the Public Enemy MC. Presented in a dulled orange and blue colorway, the “Fight The Power” print will be available at the OBEY online store Tuesday, June 30th.
Limited to 500, each print will be delivered signed by Shepard Fairey and Chuck D with all proceeds going to Black Lives Matter Greater NYC.
Milton Glaser, the master artist who created many of the most popular images of our times, from logos for IBM, DC Comics, UPS, Brooklyn Brewery, and ABC, to the iconic “I ♥ NY,” has passed away at 91. For we devotees of music, and especially New York State music, Glaser also holds an interesting place, as the man who inadvertently helped bring Bob Dylan and many figures of Sixties music and beyond to Woodstock.
According to Barney Hoskyns must-read history of Woodstock and its music scene, Small Town Talk, it was Glaser who we may largely have to thank for Dylan’s relocation to Woodstock.
As told in Hoskyns’ book, Manhattanite Glaser and his wife Shirley owned a second home in Woodstock since the 1950s, where they often entertained city friends, including Dylan’s famed manager Albert Grossman. It was natural for Milton Glaser to be drawn to the town since it has a history in art going back to the founding of the still-going strong Byrdcliffe, America’s first art colony in 1903.
When a large property with 60 acres of land became available in 1962 in adjacent Bearsville, for the then princely sum of $50,000, Glaser immediately thought of Grossman. As quoted by Hoskyns’, “We didn’t know a single person with $50,000 except Albert,” said Glaser. The fact that Grossman resembled a bear may have also played a role in his choice of location, according to Glaser.
Though Dylan first came to Woodstock in 1961 to stay at a cabin owned by the family of Peter Yarrow of Peter Paul and Mary, another Grossman-managed act, it was the comfort and protection of Grossman and his wife Sally that finally made him settle, as a way to escape the crazed demands of his stardom. Dylan lived in several homes in the area and was followed up by his backing band, The Band, who took up residency and created a musical workshop at the famed but decidedly humble Big Pink in West Saugerties, from whence the famed Basement Tapes emerged.
Lightnin Hopkins album cover by Milton Glaser
In time, many more would follow to become full and short-time residents including Van Morrison, Jimi Hendrix, Paul Butterfield and Janis Joplin, another Grossman-managed artist, and more recent names like David Bowie, B-52 Kate Pierson, King Crimson bassist Tony Levin, jazzers Jack DeJohnette and Pat Metheny, to name a few. Goldman went on to expand the musician attraction offerings in Woodstock by creating Bearsville Recording Studios and the soon-to-reopen Bearsville Theater.
Glaser was also famed for his poster art, creating more than 400 at his Push Pin Studios. One of his most famous was one he created for the 1967 album, Bob Dylan’s Greatest Hits. Here, he drafted a simple outline of the singer’s head, based on a black-and-white self-portrait silhouette by Marcel Duchamp, and added thick, wavy bands of color for the hair, forms he imported from Islamic art. Nearly 6 million copies made their way into homes in America, making it one of the most popular wall hangings on the bedrooms of young people in the Sixties. Glaser also produced a slew of album covers for artists including Paul Simon, Peter, Paul and Mary, Doc Watson and Townes Van Zant.
For more on Woodstock music history, pick up Barney Hoskyns’ Small Town Talk, which features a handy map to many of the former homes of the music stars. For more on Glaser and his art career, read today’s obit in the New York Times.
Sevendust announced new music for the first time since 2018 critically acclaimed album All I See Is War. The heavy metal legends released a new lyric video for their Soundgarden cover of “The Day I Tried to Live” on June 26 and is available on all streaming platforms.
Sevendust photo credit to Travis Shinn.
Sevendust decided it was time to release new music and return to the airwaves after seeing the societal changes happening around the globe. “The Day I Tried to Live” was relevant back in 1994 when it was first released by Soundgarden and is just as relevant today. The message behind the song is all about trying to learn to live a better life which is only possible for everyone if everyone is given equal opportunities to do so.
The new track was produced by Michael “Elvis” Baskette who worked on the bands latest album. The new lyric video for the song was created by Wayne Joyner who is known for his work with Dream Theater. The video features a lone figure walking down a road thinking about his life. The video also includes clips of the band throughout it.
“Soundgarden is such an important band to all of us in Sevendust and this love for them goes all the way back to when we were starting,” explains lead vocalist Lajon Witherspoon. “We discussed trying to do one of their songs and our producer Elvis suggested ‘The Day I Tried To Live.’ I would have been fine with any of those songs personally. When I first heard it, I thought the lyrics were timeless. The lyrics are about trying to experience new things and change the way you live, and we see examples of that every day with what is happening around the world. To have the chance to cover this song and release it is so special to all of us. Thank you, Chris Cornell and Soundgarden.”
The song is available for purchase here. For more information on Sevendust please visit their website.
Scotia Freedom Park’s Quarantunes Series kicked off on Friday, June 20 with a performance from American Idol finalist Madison VanDenburg. The summer concert series, normally held in person, is now streaming online for free from the Freedom Park Quarantune Studio. Through the end of August, new concerts will go up on YouTube and Facebook at 7:00 p.m. each Wednesday and Saturday. Concerts will also be aired live on Spectrum channel 1302 and Fios channel 37.
The Quarantune Series is dedicated to the Class of 2020. The series’ headliner, Madison VanDenburg, is a recent Shaker High School graduate who progressed to the top 3 of American Idol’s season 17 last year. Some of her notable performances on the show include covers of Dan + Shay’s “Speechless,” Adele’s “All I Ask,” and Lady Gaga’s “Shallow” from A Star Is Born. VanDenburg’s new song “Reason” was released to Spotify and Apple Music on June 19, a day before her Quarantune concert.
Other Quarantune Series performers include Celtic quartet Screaming Orphans, local rock duo Sirsy, bluegrass band Skeeter Creek, the Capital District Youth Pipe Band, and more. This season’s lineup is especially diverse, encompassing artists of all ages and genres.
This season’s sponsors include Berkshire Farm Center, GoToScotia.com, Scotia-Glenville Dental Center, Marshall & Sterling Insurance, and the park’s neighboring Jumpin’ Jack’s Drive-In. Each individual concert is also sponsored by a different local business, such as Stewart’s Shops and Scotia Cinema. While the concerts are completely free, Freedom Park is still accepting donations online via Venmo and Paypal.
Quarantune Series T-shirts are also available on their website in unisex sizes from S to XL, featuring the season’s lineup with the slogan “The Season That Almost Wasn’t.”
Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!
Brooklyn-based indie rock band, The Next Great American Novelist (aka NGAN), share their new single, “Drag,” from their upcoming sophomore record, Careless Moon. Written before the pandemic and a better-late-than never Civil Rights revolution took the main stage of society. The new single, “Drag,” works to show that there was never a comfortable or correct “normal” in life when times were “precedented,” fully working for everyone.
Songwriter Sean Cahill explains the new single, saying:
I love New York City, though, some days it feels like a dysfunctional landscape of ill-routine. Living here, you realize you’re functionally necessary but of small significance or importance within the larger enterprise. I’m immersed in a series of habits: standing in line, getting on a train, heading to work, buying coffee, buying booze… Are these choices I want to make or am I just keeping the machine going.
Cahill was on the verge of ending his The Next Great American Novelist project before it really even got off the ground. He recalls his experience saying:
I was working in life insurance, and I had a gig at some small venue in Bushwick. I almost didn’t do it because I was so depressed from my living situation and work. I knew nobody, and my girlfriend didn’t show up. I played the show solo, and I was so over everything. I just didn’t give a shit, so I was very open and honest on stage. And this guy who was super shy came up to me afterwards and was like, ‘Hey, I really like your music. I’m a sound engineer, you should come by my studio,’ and gave me his card.
That shy fan was Justin Helm, an engineer at New York’s The Cutting Room. Cahill later stopped by the studio and met the in-house producer, who happened to be Cummings. The two quickly hit it off, connecting over a love of The Beatles and Dirty Projectors. With Helm co-producing and engineering, Cummings would go on to co-produce and play onI’ll See You in the Art You Love, Cahill’s partially crowd-funded debut as The Next Great American Novelist.
It wasn’t long before the pair went from friends to true creative collaborators. As soon as Art You Love was completed, they started approaching a few dozen bedroom demos Cahill had written. Eventually, Cummings expressed a not-so-secret desire to join NGAN, and Cahill was happy to welcome him to the foil. From that moment, the band’s trajectory dramatically changed.
Cahill had never fostered a strong ambition to take his music beyond a personal escape. He’d studied classical guitar in college, but left the program when the criticism and perfection of academia began to suck the fun out of the art. Now with Cummings to play off of, Cahill was rediscovering the joys that attracted him to writing and performing in the first place. The duo have applied creative efforts outside the band as well, writing jingles for everything from Swedish Fish to dog medication.
More than ever, Cahill wanted NGAN to become a band people brought their friends to come see live. United, Cahill and Cummings set to work creating new songs that would “make sense live.” It all came together in the studio with drummer Danny Sher of Horse Torso (his outfit with Baroness bassist Nick Jost) laying down the rhythm live to tape as they built towards their new record, Careless Moon.
Careless Moon is about the relationship between romance and indifference. How it’s possible to see different concepts in the same symbol. One night, you could look at the moon and see an illuminating presence, brimming with light, offering clarity to a sky that is otherwise shrouded in darkness. The ridges of its surface appear as something familiar, a face, looking down and bringing you comfort. Other nights the moon can seem callous: an indifferent rock suspended unwillingly by gravity. You remember that the moon drifts from the earth by 3.8 cm each year, orbiting away from you as it barrels out into space. Your life changes but the moon doesn’t, each night you can find it waiting for you. When you realize that it has no attachment to you, it is frightening.
Bonnaroo Music & Arts Festival announced it’s decision to cancel it’s 2020 festival due to the COVID-19 pandemic. The festival had previously planned to postpone their 2020 festival but decided to completely cancel it. Like many festivals out there right now, the priority of keeping people safe trumps the priority of the festival happening this year.
Bonnaroo Music & Arts Festival was originally postponed to September 24-27 back in March. The festival was ultimately cancelled on June 24 via a statement made on their website. Their statement on their reasons behind cancelling the festival said, “Our annual time together on the Farm is nothing short of magical, but out of an abundance of caution and for the health and safety of all Bonnaroovians, artists, staff, partners and our community, this is a necessary reality. More information on lineup, camping and accommodations will be available at a later date.”
The festival will be offering for current ticket holders to either having their tickets roll over to the 2021 season or to get a refund on their tickets. Ticket holders will have to log into their Frontgate account and select the refund option starting on July 1, 2020 and will be able to request refunds until July 31, 2020. Ticket holders who don’t request a refund within this time will have their ticket automatically roll over to the 2021 festival. Ticket holders who purchased from Nashville Shuttle, Airport Shuttle, Hotel package, or purchased tickets through Lyte, Fevo, or Ticketmaster Resale, there will not be a rollover ticket option for 2021. Those ticket orders will be automatically refunded and will be issued to your original method of payment.
Although there will be no Bonnaroo Music & Arts Festival this year, a weekend-long virtual festival will be taking place on the rescheduled Bonnaroo dates September 24-27, 2020. The virtual festival will include some of the staff’s favorite moments from past and present, along with some special surprises. There will be more details on this released on this virtual festival soon.
For more information on the Cancellation of the 2020 season and the virtual festival visit Bonnaroo Music & Arts Festival’s website.
On Thursday June 25 at 8pm, heavy prog and future groove band lespecial will debut “Cheen Stream II,” featuring multi-angle video and a soundboard audio live set. Filmed at the band’s studio and music school The Music Cellar in Millerton, NY the performance will be streamed live on lespecial’s Facebook and YouTube.
“A lot of times in horror movies sequels don’t live up to the original. But the best ones expand on the lore and go deeper, introducing the makings of a franchise. I don’t know what that has to do with cheen stream II. But I do know that with the multi-angle video and soundboard audio, this will be a big step up from the first cheen stream. There will still be a level of in-studio casualness, but more bangers. Older songs we haven’t played in a while in a new setting, and some new music we’ve been working on. We’re excited to bring some music to people right now, in our home studio with some fresh production.”
Luke Bemand, bassist for lespecial
lespecial recently joined Royal Artist Group, whose roster includes DJ Logic, Ghost-Note, James Casey, Natalie Cressman and many more. If you’re looking to see lespecial live and in person, they will be performing a private drive-in show in the Glens Falls area this on Saturday, June 27. For details and information on tickets, please email claw@jamflowmgmt.com.
