Marlboro New York’s Mazzstock Music Festival cancels their 2020 festival in light of the COVID-19 pandemic. This decision didn’t come lightly, but staff decided that protecting the health, safety, and well-being of their attendees, staff, performers, and vendors was most important than having the festival take place this year.
In Mazzstock Music Festival’s original COVID-19 announcement posted on their website and Facebook page on April 5 said the festival would be tentatively scheduled for August 20-23, 2020. Then it was announced on June 23 via their Facebook page they would be cancelling the event entirely saying, “Mazzstock will not take place in 2020. We will miss all of the awesome people who make our event special this year, and we look forward to celebrating life, love, music, and our health with you under more normalized circumstances in 2021. Until then, please stay safe and take care of each other. We [love] you!
Take A Walk On The Wild Side ~ The Mazzstock Allstars ~ Mazzstock 2018
If it all goes as planned, and COVID-19 calms down, Mazzstock Music Festival will be back and kicking in 2021. The Mazzstock Music Festival hosts jam bands to blues, reggae to trip hop, alternative to country, this family vibe fest covers the entire spectrum of great rock and roll. Previous lineups can be found here and include a lot of great local music. The festival started as a birthday party back in 2008 has become an annual three-day festival that sprawls over two stages.
For more information on Mazzstock Music Festival visit their website.
Proctors and 98.3 TRY will present musical acts paired with classic movies in a Concert Cinema Drive-In Series at Jericho Drive-In in Glenmont. The series features artists performing oldies, Motown, classic rock, and even Disney music over five consecutive Wednesdays beginning July 8. Each artist is paired with a similarly-themed classic film that is shown after the live concert performance, except for a Pink Floyd tribute act which performs The Dark Side of the Moon as the soundtrack during a showing of the 1939 film classic “The Wizard of Oz.”
The concerts will kick off with a performance from The Oldies Show as well as the screening of the film “American Graffiti” on July 8 at 8p.m. The Albany-based The Oldies Show, led by three dynamic singers and backed by a rhythm section and horns, play hits from the 1950’s, 60’s, and 70’s. “American Graffiti” is the 1973 American coming-of-age comedy film directed and co-written by George Lucas, starring Richard Dreyfuss, Ron Howard, Harrison Ford, and Cindy Williams.
Into the Floyd will performPink Floyd’s The Dark Side of the Moon live as the soundtrack to the “The Wizard of Oz” on the big screen on July 15 at 9p.m.
The Little Mermen is set to perform on July 22 at 7:30p.m. followed by the movie “Beauty and the Beast.” The Little Mermen are a New York City-based Disney cover band that play the hits from “The Jungle Book,” “The Lion King,” “Frozen” and more. “Beauty and the Beast” is the 2017 live action musical film about an arrogant prince cursed to live as a terrifying beast until he finds his true love.
A performance from Tusk- The Ultimate Fleetwood Mac Tribute is on July 29 at 8p.m. as well as the screening of the movie “Almost Famous.” Tusk takes audiences on a sweet ride down memory lane through the catalogue of one of classic rock music’s most enduring acts; the 2000 comedy-drama “Almost Famous” follows. The film, written and directed by Cameron Crowe, is the fictional story of a 15-year-old music fan assigned by Rolling Stone magazine to interview an up-and-coming rock band.
Reflections: A Motown Tribute Ensemble and “Lady Sing the Blues” is scheduled for August 5 at 8p.m. Reflections: A Motown Tribute Ensemble is an all-star group of lead singers from top Capital Region bands who pay tribute to the golden age of Motown, Staxx Records, Chess Records and Philadelphia International soul music. “Lady Sings the Blues” is a 1972 film about legendary jazz singer Billie Holiday featuring Diana Ross.
Saratoga Performing Arts Center, Absolutely Live Entertainment and Caffè Lena have announced the first ever “Freihofer’s Jazz Fest Stay Home Sessions” to take place June 26 -28 at 8 p.m. est. The series will feature pre produced videos from national artists along with live performances on Caffè Lena‘s stage from local favorites. Each session will be hosted through Caffè Lena’s “Stay Home Sessions” Youtube channel. “Freihofer’s Jazz Fest Stay Home Sessions” have replaced the 2020 Freihofer’s Saratoga Jazz Festival usually hosted at Saratoga Performing Arts Center that was cancelled due to health and safety concerns as a result of the Coronavirus Pandemic.
Elizabeth Sobol, President and CEO of Saratoga Performing Arts Center gave this statement in a press release; “Freihofer’s has been a generous and steadfast supporter of Jazz Fest for the last 23 years. When presented with the possibility of creating a Virtual Jazz Fest, they didn’t miss a beat – pledging to support our efforts to bring great musicians and audience together despite the challenges of COVID-19. Being able to create connection for jazz lovers – and support both national and local musicians, the latter performing from Caffe Lena — is a privilege.”
The series is broken down into three themed nights. Kicking things off with a Cuban-themed evening will be previous headliner, Grammy nominated Pedrito Martinez with local artists Chuck Lamb and Jorge Gomez. Bringing the sounds of folk and jazz together will be husband and wife duo Bela Fleck (four time headliner and winner of 15 Grammy awards) & Abigail Washburn followed by Saratoga Spring’s own Skidmore Jazz Institute Alumni Trio. Closing out the weekend long event with some smooth sounds from Detroit will be Garland Nelson’s Reflections: A Motown Tribute Ensemble” opening for musician and television personality Jon Batiste.
Freihofer’s Jazz Fest Stay Home Sessions Lineup:
*all performances at 8 PM EST
June 26
Pedrito Martinez
Chuck Lamb & Jorge Gomez
June 27
Béla Fleck & Abigail Washburn
Skidmore Jazz Institute Alumni Trio
June 27
Jon Batiste
Garland Nelson’s “Reflections: A Motown Tribute Ensemble”
Rough Trade Records NYC has announced that their Manhattan storefront will be reopening Wednesday, June 24th at 12 noon. The store also is operating under new business hours which were also announced in the original Twitter post.
WE'RE REOPENING!
We are very pleased to announce that Rough Trade NYC will be reopening on Wednesday June 24th, at 12pm.
Our new hours are Wed. - Sun. 12-6pm. We will remain closed on Mon. and Tue.
The new business hours will be Wednesday- Sunday, 12pm-6pm, remaining closed on Mondays and Tuesdays until further notice.
In cooperation with State of New York’s latest government guidance’s, the store has implemented safety measures keeping the health of both costumers and employees at the forefront of priorities.
New guidelines include the use of masks and or face coverings by everyone in the building as well as strict card only transactions.
Rough Trade NYC will continue to fulfill all Click and Collect orders as usual and, as always, will be open online 24/7.
The virtual benefit festival, Justice Comes Alive, was announced and will be streamed across multiple platforms. It will take place on June 28 at 12PM ET. The festival will be a donation based event supporting the PLUS1 For Black Lives Fund. It will feature live performances from big names like Phil Lesh and The Terrapin Family Band, The Soul Rebels, and Lettuce. It will also feature speakers like Gary Bartz, George Porter Jr., and Harvey Mason tackling racism & the fight for equality.
This festival is taking place after the success of the Quarantine Comes Alive which raised over $170,000 to benefit participating artists and PLUS1’s COVID-19 Relief Fund. The creators of QCA and mainstay events Brooklyn Comes Alive and Denver Comes Alive decided to create Justice Comes Alive in hopes of having similar outcome and felt obliged to shift their focus to matters of racial inequality facing our nation. The festivals partnership with the PLUS1 For Black Lives Fund will donate proceeds raised during the day-long event directly to benefit participating artists as well as organizations. Some of the organizations include Equal Justice Initiative, Impact Justice and The Bail Project. The donations will also go to Black and Indigenous-led grassroots organizations combating racism. Justice Comes Alive is also partnering with HeadCount during this event to encourage voter participation and help people register to vote.
The virtual festival will feature performances by: Antibalas, Alvin Ford Jr., BANDEMIC (feat. John Scofield, John Medeski, Billy Martin and Jesse Murphy), Big Sam’s Funky Nation, Bobby Rush, Brandon “Taz” Niederauer, Christone “KINGFISH” Ingram, Cory Henry, D’Vibes Trio w/ Adam Deitch & Adam “Shmeeans” Smirnoff, David Shaw, Doom Flamingo, Dumpstaphunk, Eric Krasno, Everyone Orchestra, Full Moonalice, The Funky Knuckles, G. Love, Galactic, George Porter Jr., The Ghost of Paul Revere, Ivan Neville, Jennifer Hartswick w/ Nick Cassarino & Christian McBride, Kim Dawson, Lettuce, Louis Cato, Marco Benevento, Maurice “MOBETTA” Brown, Mononeon, Moon Taxi, The Motet, MoTown Getdown, Nahko, Neal Francis, Nick Cassarino & Erin Boyd, Nigel Hall, The OG’s, The Original Nth Power, Phil Lesh and the Terrapin Family Band, Robert Walter, Roosevelt Collier, Shaun Martin, The Soul Rebels, Southern Avenue, Stanley Jordan, Star Kitchen, Stout, Tank and the Bangas, TAUK, Terence Higgins & The Nola Krewe, Turkuaz, and Umphrey’s McGee.
The festival will feature talks by: Christian McBride, Dennis Chambers, Ellis Hall, Eric Krasno, Gary Bartz, George Porter Jr., Harvey Mason, Ivan Neville, Karl Denson, Oteil Burbridge, Patrice Rushen, Terence Blanchard, and Weedie Braimah.
Justice Comes Alive will be hosting a donations page which can be found on their website where the viewer donates the amount of their choice and then will be emailed links to watch on the day of the show. Options range from donating $5 to $1,000 and any donation gives the viewer the link to stream on the day of show to donating. There is even a custom donation amount viewers can use to donate less or more depending on their financial situation.
For more information please visit Justice Comes Alive’s website.
Photo by Victor Diaz Lamich/Courtesy of Festival International de Jazz de Montreal
Le Festival International de Jazz de Montréal is an annual event and draws millions of visitors to the city of Québec each Summer. It holds the Guiness World Record for largest jazz festival. Unfortunately, the festival cannot be held in person this year; however, recordings of live performances will be available for free online. Thanks to support from TD Bank Group and Rio Tinto as well as public partnerships with the Government of Canada, the Government of Québec, and the City of Montréal, the Montréal Jazz Festival will reach more than ever before.
In order to keep everything up to the Festival’s standards, all performances will be filmed with high-quality production value in a specially made studio in Montreal’s L’Astral catered specifically for these online performances. Director Maxime Théoret-Bissonnette will manage these recordings and ensure that they will be of the highest quality. These live recordings will be free to view for anyone anywhere, making the Festival more accessible than it has ever been. If you can’t catch the performances live, they will be available for free on demand afterwards as well.
The Festival will kick off on Canadian Multicultural Day, June 27, with a lineup that will showcase Canada’s rich and diverse talent. The show will begin with the Apéros SAQ, a mix of live performances from some of the Festival’s favorite artists. Up next are the Sessions TD and Rhymes Rio Tinto, sessions that will be enjoyable for all fans. The Festival will also showcase recordings of performances from past Festivals. The opening night will finish with the Fin de Soirée Loto-Québec, a virtual party for everyone who wants to join.
Photo courtesy of Festival International de Jazz de Montreal
The Festival will continue for three more days and wraps up on June 30. Although the full schedule has yet to be announced, the lineup includes the top local luminaries and artists of the city. Some notable performers who will be featured are Charlotte Cardin, Jean-Michael Blais, The Barr Brothers, Dominique Fils-Aimée, Elisapie, Jordan Officer, and many more.
The Festival’s General Manager Jacques K. Primeau expresses that it is extremely important for the Festival’s team “to bring the jazz Festival to the people.” He also expressed that the Festival “is thrilled to be able to offer an innovative solution to get the music out to the fans” even with such difficult challenges.
The Festival is only taking place thanks to the leadership of Primeau and Laurent Saulnier, the Festival’s team, the artists, and the Festival’s generous sponsors. Primeau remarks that “#JazzTogether is truly a community and a family affair” even in the hardest of times.
Disney + has just released their trailer for Hamilton: An American Musical which will be available for streaming on July 3.
First produced Off-Broadway at the Public Theater in 2015, Hamilton then moved to the Richard Rogers Theater on Broadway later that year. The show’s music, lyrics, and book were written by the musical’s star, Lin Manuel-Miranda based off of Ron Chernow’s biography of Alexander Hamilton. Hamilton is most famous for presenting America as it was in the 1700s, but in today’s light. Every character save King George is played by a BIPOC to highlight the diversity of America today.
Hamilton took Broadway by storm and the hype has not yet let down. Due to the show’s popularity, tickets continue to be expensive: at one point, a premium seat went for $1,150. However, the show is famous for their memorable lottery, the #Ham4Ham, when lucky winners are given front row tickets for only $10, or one Hamilton. Fans have been anticipating the release of this recording for years, as Lin Manuel-Miranda confirmed that the show would be recorded in a tweet in 2016. The release of this high-quality recording makes Broadway more accessible to people who cannot experience it live for themselves.
Hamilton was nominated for a record-breaking 16 Tony awards, and won 11 in total, including best musical, best book, and best score, as well as Leslie Odom Jr. (Aaron Burr) winning best actor, Daveed Diggs (Lafayette/Thomas Jefferson) awarded best featured actor, and Renée Elise Goldsberry (Angelica Schuyler) receiving the Tony for best featured actress. Many other members of the cast were nominated for Tonys, and they can all be seen in the original Broadway cast recording on July 3.
This is Lin Manuel-Miranda’s second Broadway show. In The Heights, a story about a predominately Hispanic neighborhood community living in Washington Heights, had its Broadway debut in 2008 also at the Richard Rogers Theater and was nominated for 13 Tonys and won 4, including best musical. In the Heights has just been adapted into a feature film as well, with Anthony Ramos (who plays John Laurens/Philip Hamilton in Hamilton), playing the lead role of Usnavi. In the Height, previously scheduled for release June 2020, will now be released on June 18, 2021.
Hamilton will be available to stream on Disney+ on July 3.
Danish punk band Twin Dive have released a new track in remembrance of George Floyd, a recent victim of police brutality whos death has sparked protest and outrage worldwide. The energy and pure anger that shine through on this track perfectly captivate the strong emotions behind the Black Lives Matter movement.
“Say His Name” is riddled with lyrics that target the systematic racism and oppression perpetuated by the American upper class. Much like the protests themselves, this song is a screaming demand for justice. In further support of the Black Lives Matter movement, Twin Dives will be donating 100% of the proceeds and royalties made from this release to the cause.
Twin Dive is a duo from Denmark who, although formed only in 2018, have been grabbing attention in their respective music scenes. Blending the braggadocious nature of front men from the 70s punk scene with all the contained noise and distortion of the low-fi grunge era, Twin Dive are no stranger to taking political stances in their music.
To find out more on the band make sure to follow them on Facebook and Instagram to keep updated with their shenanigans.
What lengths are you willing to go to keep your life’s work alive; will these adaptations muddle the concert experience forever.
Devastation throughout the music industry has crippled artists and their mediums – Venues. Amid a global pandemic we are seemingly waiting – for venues to open, shows to begin and the concert experience to shapeshift into a safe, sustainable event. Nobody is sure what the final product will be, yet passion radiates. Through blooming efforts like the National Independent Venue Association (NIVA) right here in New York, we have band together to save our industry and the concert experience as we knew it.
The Past:
Being elbow-to-rib is just part of the experience. Hours spent waiting in line that sparked anxious anticipation, or getting sucked into the stage by the crowd when the lights go dim, before the main act, cannot be replaced by live streams. Maybe you’re the one up front hanging over the barrier, screaming every lyric verbatim; maybe you’re setback, studying your favorite instrument or player; you’re moving around, dancing or moshing (respectfully of course); or you’re the type that hangs at the bar with friends, reminiscing how you’ve seen this particular band hundreds of times. All of these moving parts create energy.
When you walk into a venue it sets the mood, the crowd and band feeds off one another. From local dive bars and smaller venues, to theatres and arenas, stepping in pre-soundcheck has a therapeutic energy for performers, as does the commotion when the doors open. Artists paint backstages, leaving totems or memorabilia that builds a venue’s character. When those spaces are cut to half capacity, or less, that energy is depleted.
Everyone’s safety and economic sustainability is paramount, but nobody is talking about sustaining these colorful parts of the canvas. Adapting is necessary. Yet, promoters, artists and venues are stuck in limbo. Letting go of the experience as we knew it remains untold.
Music Canada sites 40% of concertgoers won’t return until six months after restrictions lifted.
The Present:
NIVA was created by Independent Venue Week, top venues and promoters across the nation, “to fight for the survival of independent venues, their employees, artists, fans and their communities,” (nivassoc.org). Sucking in 450 members across 43 states in the first three days, they are now pushing 2,000 members nationwide (50 States) for an endless-scrolling roster on their website. Founded by the industry’s best, NIVA states that 90 percent of independent venues will collapse if they don’t open this year. With rumours saying this lockdown can lead well into 2021, will we be able to recover.
Capacity restrictions will limit venues’ revenue, and minimum thresholds vary. A Chicago study deemed a 12:1 ratio of economic impact among small venues (nivassoc.org). Twelve dollars of economic stimulus to hotels, restaurants and shops flooded in for every dollar spent inside the venue. Extrapolate that on a $50 ticket, or a night out for a group of excited fans. The impact is everything.
According to a USA Today article, Johns Hopkins Director of the Master of Bioethics degree program and Research Scholar, Travis Rieder, said there’s serious doubt about live music returning before 2021 and “a shortage of test and lack of vaccine simply make things too risky.” Unfortunately, he continues that “the risk of those events as we would have done them in the past outweighs the benefit of doing them.” Masks, temperature checks and spacing restrictions may not be enough. Is your favorite band or venue worth the risk.
With the music industry on the rise prior to COVID-19, Pollstar predicts a daunting $8.9 billion hit, should quarantine continue and venues remain dark. They go on to state “industry losses could total about $5.2 billion in just missed ticket sales alone,” and not to mention residual impacts on the economy and all of those employed in the box offices, concession stands, parking valet, and so on.
The answer is NOTHING. Nothing will stop us from preserving our life’s work, the concert experience, our art, and all the pieces that work together to keep it alive.
On Thursday, June 18, NIVA made an official statement urging for federal help:
We, the undersigned artists, respectfully submit this letter in support of NIVA’s request for federal assistance for independent music venues and promoters across the United States.
This is no petty petition. Industry giants, artists and celebrities wave an official SOS including: Joel, Eilish, Seinfeld, Gaga, Letterman, Goldberg, Iver, Lauper, Plant, Nelson, Aoki, Mayer, Leno, Weir, Watts…
The irony in their signatures – it merits no value when we are all on lockdown. Something super-fan would unassumingly die for is now a cry for help, for congress to help kickstart the industry back to the creative and thriving outlet it once was, pre COVID-19.
We will continue to fight, support and be the voice for all artists, venues and industry mediums that are struggling. Stay tuned for ‘The Vault,” featuring venue and artist specific coverage on this topic. Please contact NYS Musicso your voice can be heard.
In August of 2019, a huge festival celebrating the 50th anniversary of the original Woodstock was supposed to be held. The event’s lineup included artists such as Jay-Z, Miley Cyrus, The Killers, Imagine Dragons, and more. Although it was extremely hyped, the festival was cancelled less than a month before its scheduled date due to multiple issues which were prompted after Dentsu, one of the festival’s investors, pulled out of the event. Now, Woodstock is taking Dentsu back to court and demanding that they be refunded for the company’s fraudulent actions.
Photo by Evan Agostini/Invision/AP/Shutterstock (10160758ad)
Woodstock co-producer and co-founder, Michael Lang, participates in the Woodstock 50 lineup announcement at Electric Lady Studios, in New York
Woodstock 50 Lineup Announcement, New York, USA – 19 Mar 2019
On April 29 2019, Dentsu announced that the event was cancelled altogether, claiming that the reason was due to doubts regarding the festival’s ability to host a safe event for artists and customers alike, as an administrator of New York’s Schuyler County reported that the tickets could not be sold because Woodstock had failed to get a mass gathering permit from the Department of Health. Despite this, the New York State Department of Health announced that the “cancellation announcement [was] not a result of the permit application pending with the Department,” admitting that “The Department was surprised to learn of [the] decision to cancel the event.”
Woodstock still assured fans that the festival would go according to plan without Dentsu, and on May 6, co-creator of Woodstock Michael Lang claims that Dentsu “illegally swept approximately $17 million from the festival bank account” and tried to persuade artists into dropping out of the festival. Woodstock asked for a court order shortly after demanding that Dentsu refund the festival the $17.8 million. Dentsu disputed their claims, and the Supreme Court of New York’s order on May 15 said that although Dentsu could not cancel Woodstock 50, they owed the festival nothing.
Now, over a year later, the Woodstock 50 organizers have officially filed a lawsuit against Dentsu for “sabotage” despite the previous court decision. The suit claims that Dentsu’s decision to pull out of the event had “nothing to do with any alleged breaches by Woodstock 50, but rather to avoid the potential that the Festival would not make money or not be as successful as they hoped” even though Dentsu claimed that the decision to leave the festival was because of the lack of a proper permit. The plaintiff states that Woodstock 50 is entitled to “tens of millions of dollars in compensatory and punitive damages” as a result of Dentsu’s fraudulent behavior. The suit alleges that it was Dentsu’s intention from the start to “kill the festival.”
