Category: Features

  • Hearing Aide: Kimberly Schad “Mystic Kingdom”

    Kimberly Schad debuted her new self-produced, four-song EP, Mystic Kingdom, Friday evening at The Palace Theater, bookending her eighteen song set with the tracks from the new release. In this case I saw the concert before listening to the EP, it gave insight to the formal version and how Kimberly sees the music in a bigger picture.

    Kimberly Schad Mystic Kingdom
    Photo by Sandra Jackson for Sublunar Studios and NYS Music

    She is an artist who has complete control over her music and how it’s presented. In the studio she handles all facets of the project, from vocals, piano, keys, to programming, mixing and producing, besides one tasty guitar track on “Secret” from Kevin Farrell (Hard Promises, The Hurricanes). Live, the lush stage production and instrumental ensemble represent her complete vision.

    Her backing band consisted of her long-time partner Will Masiclat – keyboards, sampling and video, Travis Reed – piano, Andrew Greacen – guitar, Jim Lucas – drums and Gary Lucas – percussion. All of this tied together with her father, Tim Schad, mixing F.O.H. and her uncle, Steve Schad, as L.D.. The stage was set with flowing white drapes, an elevated, spinning riser at the center with an antique chaise lounge and access ramps on each side dressed in white. Dozens of moving light fixtures cast their colors in dramatic scenes accentuating the setting combined with a rich, full mix of ear candy for the highly receptive crowd that assembled. All of the songs performed were Kimberly’s compositions with the exception of four covers that will be noted along the way.

    Kimberly Schad Mystic Kingdom
    Photo by Sandra Jackson for Sublunar Studios and NYS Music

    The show and EP opener, “Secret” has a Spanish note and feel, brought to bear through the acoustic performed by Andrew Greacen and the drums/percussion/sampling. Her vocal reading gives many hints at what was to come from her in both the concert and the EP. She has a tremendous grasp on what she feels, believes and practices. “After Midnight” is deep and proggy, while flexing her R&B and trip-hop chops. The breadth of Kimberly’s lyrical content becomes evident even more here, as she often does, speaking from her soul, deeply.

    “Dirty/Money” features the piano of Travis Reed, a voice we’d hear from often through the show, a brilliant young talent who played as if he wrote the material. A deft touch with ease and a knack for the open spaces. Kimberly mixes in a taste of Drake’s “Star 67”, the code on your phone used to block your number when dialing someone. Stalker? Joker? You decide. The next song is one I’ve been told the background story for and it has twisted my listening a bit since. “Nothing But a Bitch” is a biting send-off to emotional attachment delivered with an appropriate bitch-slap. “Where R U Now?” was the first cover of the evening, the Skrillex/Diplo collab. featuring Justin Bieber is given a fittingly electro-pop read and hits right in her sweet spot.

    Following a costume change, Kimberly took to the piano, solo, where her art truly comes from. Hitting on yet another mark of professionalism, that being the whole picture, the aesthetic, were well looked after. “Afterglow Confessions” is a post-show expression of love and emotion toward her muse. These moments directly after baring your soul to an audience can be some of the most reflective to an artist. One of the highlights of a show filled with them, this one stands out clearly. Travis took the stage again for Stevie Wonder’s masterpiece, “All Is Fair In Love” with more than a hint of Jennifer Hudson’s take on it. Immaculately executed, Kimberly’s voice and Travis’ piano brought the crowd to a height of exuberance, it was simply brilliant. “Look Outside” and “Twice,” a Little Dragon cover, stayed in the piano/voice form, lending clarity to the vocals and space to the piano, both flourishing within it.

    “When I Think Of You,” “Might As Well Be Magic,” and “Solid Ground,” all being from Kimberly’s deep repertoire, grow and develop with time and perspective. They’re reflective of her maturing as an artist and a person, it’s remarkable to behold. “Two Weeks,” the final cover of the night, this time by FKA twigs, is emblematic of where she is now. Dream Pop, Trip-Hop, Prog R&B, Trap Nouveau, way too many different influences to pin-point, which is probably thee point.

    “Fly” and “See Your Face” lead us to the final two songs of the night expressing more themes from her life. She exhibits her behind the scenes skills in tracking, sampling and triggers that become pillars of her compositions. It shows in every note. “One More Time” marks Greacen’s chance to bring his electric guitar to the ensemble, he does it well, perhaps a bit under the mix, but layering textures is what it’s all about. I’d like to hear more of him. The closer, “Mystic Kingdom”, is a signature piece that is perfect in its placement and character. It sums up much of what the performance was about and what we have to look forward to from Ms. Schad.

    While Mystic Kingdom is Kimberly’s first officially released EP, it’s apparent that there is much more to be heard from her. She has plenty of material for two full length albums and her skills as a writer, performer, producer and engineer are growing in giant steps. Her consciousness toward the larger picture and vision are strengths many will never enjoy. At twenty-six, she has a very long way to go and all of the faculties to get her there. Congratulations on the magnificent work and we cannot wait to hear and see what comes next.

    The EP is available for purchase on iTunes and CDbaby and can be streamed on Spotify.

    Setlist: Secret, After Midnight, Dirty/ Money, Nothing But A Bitch, Where R U Now? (Skrillex/Diplo), Afterglow Confessions, All Is Fair In Love (Wonder), Look Outside, Twice (Little Dragon), When I Think Of You, Might As Well Be Magic, Solid Ground, Two Weeks (FKA twigs), Fly, See Your Face, One More Time, Mystic Kingdom

    You can see many videos of the songs performed in earlier concerts on Kimberly’s Youtube page, and keep up with her on her website, Facebook and Twitter.

  • Robert Trujillo Premiers “JACO” for RSD Black Friday 2015 in Syracuse

    Many people associate the madness that is Black Friday with people waiting in extremely long lines, sometimes even camping out, to get the hottest items of the year at the best bargain prices. Typically the main events happen at malls and big box stores and end up being the centerpiece of the 5 o’clock news. I, however, associate Black Friday with an event that is a quintessential experience for devotees of vinyl record collecting: Record Store Day.

    Chris Besaw Robert Trujillo 14

    Syracuse is fortunate enough to be the home of Soundgarden, an amazing independent record store. Soundgarden is one of the hosts of Black Friday Record Store Day, a day that boasts rare and unique music releases primarily on vinyl, but other formats are included in the celebration as well. One of the special releases this year was a documentary film that highlights the life and death of Jazz musician Jaco Pastorius. The film was directed by Paul Merchand and Stephen Kikak and was co-produced by Metallica bassist Robert Trujillo and John Battsek of Passion Pictures.

    Robert Trujillo has been on the road promoting the release of the film and made a stop at Soundgarden on Black Friday Record Store Day. Trujillo signed copies of the film, took photos and chatted with a long line of fans. Anyone who purchased a copy of the film at Soundgarden received a wristband for the meet and greet. The purchase also included tickets to a premier screening of JACO and a question and answer session with Robert Trujillo at the Palace Theater that evening.

    The event at the Palace Theater was packed with fans. It kicked off with a very heartwarming introduction by Frank Malfitano Executive Director of Syracuse’s Jazz fest of over 30 years. Michael Massurin Executive Director of Syracuse International Film festival and Soundgarden owner Bryan Burkert were also in attendance. Robert Trujillo provided a brief history of how the idea for the documentary was conceived, including the process and some of the highs and lows during production.

    The film explores the life of Jaco Pastorious from his childhood through his rise to fame as the world’s greatest bass player to his tragic and early death in 1987. The film also explores the sad reality for many people who suffer from mental health issues. During the time that Jaco was alive the reality was that the issues were mainly ignored and written off and there was no effective treatment in place for mental health disorders.
    After the film ended, Robert spent some time with fans answering questions about Jaco, his journey making the film, what happened to his famous “bass of doom” and one exuberant fan managed to sneak in the question many Syracuse fans have been wondering “when is Metallica, coming back to Syracuse?” to which Robert smiled and stated, “Well, let us finish working on the new record and I will see if I can get all of us here.”
    It was great to see so many musicians and music fans of all genres come out to this event. It truly shows how supportive the Syracuse music scene is of all music types! I hope to see more events like this take place here in the near future.

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  • Hearing Aide: Ellie Goulding ‘Delirium’

    EllieNovember was indubitably a huge month in pop music. A number of artists like Justin Bieber, Adele, and One Direction each released new albums that are all getting a great deal of hype in the music world. In addition, Ellie Goulding’s Delirium was released on a New Music Friday with a whopping 23 tracks on the deluxe version. The album features the 2015 top hit “Love Me Like You Do,” which was featured the on the Fifty Shades of Grey soundtrack back in February. However, this album is filled with a lot more than just the big movie hit.

    Delirium is one of those albums you don’t have to listen to in order; however, it’s best to listen to the wistful, wordless introduction track and its progression into “Aftertaste” before listening on. The two songs are nicely juxtaposed, contrasting a ballad with a more upbeat tune, and this foreshadows the variety of styles throughout the album.

    In an article on Music Times, it says, “Ellie… has stated that she is trying to step away from indie and EDM to become a bona fide pop star.” This is made clear as Ellie’s last album, Halcyon Days, released in 2013, could be classified as indie pop/synthpop. New album Delirium falls under the category of plain old pop. Without being cliché, this album is definitely pop first and foremost because all the tracks are incredibly catchy. You’ll be whistling the choruses to “On My Mind” and “Around U” after each play. It also seems like each track is about the great or the no-so-great parts of a romantic relationship, which is standard for the genre. In addition, the album cover features the top half of her body in a somewhat provocative pose, which is in congruence with the often-sexualized portrayal of pop artists.

    So how has her sound changed? Overall, her vocals haven’t changed much with her standard doubled lead vocals and her own voice harmonizing the backing vocals. The instrumentation is also quite similar to her other albums. It’s important to note that Ellie was a contributing writer on each of the tracks, and thus had a great deal of creative control. It seems like she wasn’t pushing for an entirely new sound, but rather a change in how the album was to be marketed. She desires to be known as a pop artist in the music scene, perhaps on a quest for more recognition.

    Each song on the album was artistically produced by her producers with a number of electronic instruments. There isn’t really one song one would identify as a “banger,” but they’re each high-quality and deserving of a listen or two. The single releases of “On My Mind,” “Something in the Way You Move,” “Lost and Found,” and “Army” were decent picks in incentivizing listeners to check the album out. Overall, this album would be great to play as ambient music at a small party or to sing along to in the car.

    Key Tracks: Don’t Need Nobody, Codes, Army

    https://www.youtube.com/watch?v=qJ_sDIQe6gk

  • Unknown Blues Band Not so Unknown

    Nectar’s, the mecca of Vermont’s music scene celebrated it’s 40th birthday with a re-union of the Unknown Blues Band which also marked the tenth anniversary of the passing of bandleader Big Joe Burrell. This famed band reunited with it’s crack Kilimanjaro brilliant core of Paul Asbell on guitar, Chas Eller on organ, Tony Markellis on bass, Lucas Adler on drums with Terry Younk and Dave Grippo on saxophone. They were joined vocally by soul man Dave Keller and the stellar Dwight Ritcher and Nicole Nelson as well as honored harmonica hosts Charlie Frazier and Bob Stannard. It was a night of great music recalling the past songs of Big Joe Burrell with shakes and solos to a crowd that swung to the groove and called for more.

    unknown blues bandBig Joe and the Unknown Blues Band first performed at the Newport Jazz Festival and then toured the world in the 1990’s as well as backing up the legendary bluesman Paul Butterfield. Musical celebrities passing through Burlington would frequently join the band such as B.B. King and Betty Carter.

    An association formed with Phish guitarist’s Trey Anastasio, who said he moved to Burlington largely because of the Unknown Blues Band and the quality of live music they put out. Paul Asbell, the UBB guitarist’s became Trey’s guitar teacher, and later on bassist Tony Markellis began playing with Trey in Trey Anastasio Band and keyboardist Chas Eller partnered with Trey at his personal recording studio, The Barn.

    After this great show, people are hoping that the UBB will be back on the scene and bringing the blues back to Burlington and beyond.

  • Conversation With Mike Campese, Albany Guitar Virtuoso Performing at the Madison Theater

    Albany area-based guitarist Mike Campese has an incredible resume built off of a talent he has perfected from an early age. Guitar was his academic pursuit, one that has served him well and opened doors both in opportunity and experience. Of the several big acts he has opened for or worked with, the most familiar of the Christmas season is Trans Siberian Orchestra whom he recorded and toured with for a short time.

    This Saturday, Dec. 5, Campese is performing at The Madison Theater in Albany at 8:30 pm. With a lot to talk about, Campese chatted with NYSMusic about some of his influences and experiences and about what’s in store for this Saturday’s show.

    Steve Malinski: How did you get started on the professional musician track?

    Mike Campese: My brother played acoustic guitar and my dad had been a violinist but went into engineering. My early influences were Black Sabbath and the guitar-driven bands. It went from there. I took lessons as a kid and would hang out at the music store at the mall, see all the guitars hanging up. I’d always ask the guy what the price is and they’d be so expensive. He didn’t think I’d buy it but my mom came up to the mall and helped me out. My sister and her boyfriend had gotten me a bass but I didn’t want to play bass so I traded it in the next day. But yeah, I was really into Black Sabbath and they influenced me as a kid. I moved to Los Angeles for the Guitar Institute (GIT) at the Musicians Institute (MI). It was a great experience, great school. I was exposed to all kinds of music. My teacher was a jazz guitar player. Before I went there I had already known a lot of theory but it opened a lot of doors musically for me.

    SM: You mention Black Sabbath as an influence, so I see why you went for that guitar driven style. But you really have a playing style along the lines of Eric Johnson, Steve Vai, Buckethead, and so on. How’d you ultimately settle into that groove?

    MC: As you advance as a player… even though I love Black Sabbath, their stuff was easy. Catchy, but easy. I got more into – my brother was into Al Di Meola. I would listen to his stuff, and brought some of that to my teacher. Then Yngwie [Malmsteen] came around too. So they’re the ones who started it for me.  I started listening to more of the classical stuff. My dad and I were driving in the car to school one day and I said “Why don’t you put on the rock station?” He replied with “Oh, like classical stuff?” I told him I didn’t want to listen to classical stuff but he said I should. So I started listening to Mozart, Beethoven, Vivaldi. The shred stuff – Paul Gilbert was teaching at GIT and I was in his classes. Eric Johnson – I first heard him play at MI. I remember hearing “Cliffs of Dover” and our teacher had shown us how to play the riffs. I love Steve Vai’s Passion and Warfare.

    I’m glad I grew up in the time that I did because nowadays there are so many different genres to sort through. But yeah, I’ve always been a fast guitar player after my first year of playing. And now I’m better at composing and am more well-rounded than I was as a teenager. It does take a lot of maintenance playing every day – really have to keep up with it.

    SM: Can you talk about your experience working with Trans Siberian Orchestra?

    MC: I was part of the band in 2004/2005, around the time when Lost Christmas Eve was out. I got a call from them and auditioned. Paul O’Neill – I was down in the city and auditioned and they were really happy when I played. About a week later I got a call from their manager and he said they’d like to hire me for the band. It was really cool. I wasn’t in the band for a really long time, just a couple of years, and I hope to get back to them again sometime. It was a great experience traveling and playing the music, covering both the left and right guitar parts. It was really amazing experience, incredible band. Just being picked for that, I was amazed. It was a great accomplishment – a band like that, multi-platinum band. I still talk to them. We’re on good terms and I see the guys in the band all the time. A lot of guys in the band have their own groups so I support their bands. I play a trade show in California every year and always run into them there. So at some point – you never know with these bands – there are so many musicians they work with. There’s a full east coast and west coast touring band. So we’ll see.

    After that I put out a Christmas album of my own, The Meaning of Christmas. It’s similar to Trans Siberian Orchestra but its more guitar driven and there’s some acoustic and vocal work on it. So it was right after and I thought that maybe I should do my own Christmas stuff. So I’ve been promoting that recently since it’s Christmas season and it’s really the only chance I get the chance to do that. I like Christmas music but did change it up and wrote new sections of the pieces and did a few of my own original Christmas tunes. So it wasn’t like the same traditional tune but a re-written version to basically get it out of my system.

    SM: Aside from Trans Siberian Orchestra, you’ve gotten to play with or open for some pretty big names?

    MC: Yeah, a bunch. Joe Bonamassa. B-52’s were my first opening act. Spin Doctors –

    SM: Cruefest?

    MC: Yeah! My own band, my original band played. It was Mötley Crüe, Godsmack, Drowning Pool… That was an awesome show, a great experience playing at SPAC. The cool thing is that my stuff is different that all those guys. My stuff was exposed to people who don’t normally dig into that type of sound.

    I try to play music for the crowds. I have acoustic material too, so I mix it up at my shows. And this Saturday I’m going to be doing a little acoustic segment in the middle of the show. It’s going to be mostly an electric show though, with that in the middle. We’ll be playing a variety of stuff, things off the Christmas album and the others as well. So I’m looking forward to that. At the Madison Theater, being a movie theater, they’ve got a screen behind us. I was there recently and asked the sound guy and he said we could use the screen if we want. Se we’ve got some videos and backdrops that we’ll have behind us. I’m looking forward to it because people are coming to see us whereas at a bar people are just hanging out and we’d be more of just a background sound.

  • Leftover Salmon Lays it Down at The Egg

    Twelve years after last appearing at The Egg, Leftover Salmon returned to Albany for a nearly two-hour set in the intimate Swyer Theater. Fans danced in the periphery, while others remained seated, tapping their feet to the rhythm and mouthing the words to familiar lyrics, yet rarely seen live in these parts. Going in with no expectations, this marked my first opportunity to see Leftover Salmon after 14  years of patient listening.

    Drummer Alwyn Robinson stood out immediately, not only because of his presence behind the kit in a bluegrass band, but especially because he did not overshadow his bandmates. He was not driving the songs nor was he reserved to the point of a feigned presence on stage. Robinson is the ideal bluegrass drummer.

    Giving a nod to recent corruption news from the nearby Capitol, Vince Herman introduced “Hey Woody Guthrie,” calling on the fabled folk legend to return as the good fight is still being fought. “Flight of the Durban,” led by Andy Thorn on banjo, was upbeat and a long journey through a composition that could double as a soundtrack for a travel video. “Troubled Times” and “High Country” were on the country side of things, while an upbeat version of Dylan’s “Simple Twist of Fate” was a refreshing take on a classic folk tune.

    Drew Emmitt showed masterful prowess on the mandolin and switched to electric guitar during an extended jam, following the same style of Robinson—not taking an overpowering Warren Haynes-esque solo, but augmenting the existing jam. Herman introduced “Two Highways,” a song he dedicated to his wife to-be (as of next week) in Mexico during Strings n Sol festival prior to band intros, capping off the set with a lively cover of T. Rex’s “Bang a Gong (Get it On).” The band returned to the stage with a standing ovation from the audience and performed “Gold Hill Line” for an encore, prior to signing autographs in the lobby for the ardent fans.

    Leftover Salmon performs tonight at Higher Ground in Burlington, VT, Brighton Music Hall in Boston, MA, on Dec. 4 and The Wolf Den in Uncasville, CT, on Dec. 5.

  • Dark Star Orchestra Keeps it Alive at the Palace

    On November 16, DSO barreled into the Palace Theatre in Albany, a place guitarist Rob Eaton said is near and dear to the band’s heart. There are more Grateful Dead cover bands than I can count in the Albany area alone. These groups keep the spirit of the Dead alive and well.

    dark star palace
    Dark Star Orchestra

    Nationwide, the number of Dead tribute acts is basically astronomic. Hell, there’s even a website to help us keep track of them all.

    But there’s only one who is universally known across the jam band scene: Dark Star Orchestra. As of November 29, DSO has played more than 2,500 concerts since forming in 1997, either recreating old Dead setlists, or creating their own from the Dead’s hefty 30-year catalog of shows.

    From the opening pair of “Alabama Getaway” and “Greatest Story Ever Told,” it seemed as if the band might be playing an early 1970s set. Then “Dupree’s Diamond Blues,” “Black Throated Wind,” “Ramble on Rose,” “Easy to Love You,” “Passenger,” “Shining Star,” “Beat it on Down the Line,” and “China Cat Sunflower?I Know You Rider” made me think the group had concocted it’s own setlist.

    dark star palaceAnd in grand Grateful Dead fashion, DSO even had an equipment issue, when keyboardist Rob Barraco lost power to his rig following “Dupree’s,” prompting Eaton to talk about how the Palace is one of the band’s favorite venues to play.

    The second set was a non-stop roller coaster, kicking off with a tender “St. Stephen>Lost Sailor>Saint of Circumstance>Terrapin Station,” before giving way to a somewhat boring “Drums>Space.” “At a Siding>Terrapin Transit>Terrapin Reprise>Hey Jude>Visions of Johanna>One More Saturday Night” closed out a fun, but at times slow second set.

    One of my personal favorites, “Unbroken Chain,” finished the night in style, sending the near capacity crowd home with one of Phil Lesh’s songs.

  • So What?! Music Festival Lineup Announced

    The lineup for the So What?! Music Festival has been announced, and it includes Albany’s State Champs, New York City’s Bayside and Long Island’s Stray From The Path.

    so_what

    So What?! Music Festival (formerly South By So What?!), now in its ninth year, will take place Saturday and Sunday, March 19 and 20, at Quiktrip Park in Grand Prairie, Texas. The initial lineup for the 2016 festival was announced this week: New Found Glory and Underoath will headline the festival on Saturday and Sunday, respectively. State Champs and Bayside will play Saturday, while Stray From The Path will play Sunday. Other artists include Neck Deep, Real Friends, The Devil Wears Prada, Saosin and Beartooth.

    From the press release:

    Different from other music festivals, So What?! is a “festival made by fans for fans,” stated founder and promoter Mike Ziemer. Opening its doors in 2008, Ziemer and his company Third String Festivals had a vision to create an alternative music festival where fans could get away from the massively growing South by Southwest. The festival was designed for a more intimate ambiance for fans at a reasonable price. Located just a few hours shy of Austin, So What?! Music Festival delivers an array of musical acts including rock, metal, folk, dance, pop, pop-punk, and this year an all new acoustic stage (artists yet to be announced). Previous artists include Asking Alexandria, The Early November, Motion City Soundtrack, G-Eazy, Pierce The Veil, Cartel, Sleeping With Sirens, A Day To Remember, Taking Back Sunday, and more.

    Tickets for So What?! Music Festival are available now. Single-day passes can be purchased for $50. Two-day weekend passes are available for $75. VIP packages are also available, starting at $150.

    State Champs on Facebook
    State Champs on Twitter

    Bayside on Facebook
    Bayside on Twitter

    Stray From The Path on Facebook
    Stray From The Path on Twitter

  • Shinedown, Breaking Benjamin and Sevendust Show Rocks Alive and Well in Albany

    Rock fans filled up the Times Union Center on November 23 as Shinedown, Breaking Benjamin and Sevendust heated up the Albany area arena with three incredible live performances by three of today’s top rock acts. Albany’s rock family was out in full force to witness the star-studded, Hall of Fame caliber rock lineup, that not only consisted of some of the best musicians in the business, but also three of today’s top rock frontmen: Shinedown’s Brent Smith, Benjamin Burnley of Breaking Benjamin and Lajon Witherspoon of Sevendust.

    20151123-Sevendust-1

    For a Monday night, some would expect the crowd to be more laid back since it’s the start of most people’s work week, but that was not the case here as the fans in the arena were pumped and ready for a rock show. Even Upstate New York’s own Maria Brink from the band In This Moment, was in attendance as a fan with friends and family. Machine Head drummer Phil Demmel was also hanging out at the show.

    First to grace the stage for the night was Atlanta, Georgia natives Sevendust. One by one each band member took the stage as the bass vibrated the whole building. Frontman Lajon Witherspoon stood front and center and asked the crowd “How y’all doing tonight?” The crowd screamed and once again Witherspoon asked the question to even louder screams from the crowd. Witherspoon then asked the crowd “Do you know who we are?” Witherspoon then shouted “We are Sevendust, let me see everybody’s hands in the air.” As the band went into the second song of the night “Driven,” Witherspoon asked the crowd if they were ready.

    Before the band played the song “Not Today,” from the bands new album Kill the Flaw, the always emotional Witherspoon stopped for a minute to have a heartfelt talk with the fans. Witherspoon stated:

    It’s a pleasure for us to be here. To be in your town. We’re a band, we go by the name of Sevendust. A lot of times, I feel like I have to build a relationship, with those that don’t know who we are. I’m not afraid of that.  I like to say ah, you can love us, you can hate us, but you can’t fucking defeat us. With that being said, Were very proud to be out here with our brothers, from a band that goes by the name of Shinedown.

    Witherspoon went on to thank everyone who helped on the tour, and those who have taken care of them by helping take situations that don’t feel like home, and that these people made them feel at home.

    Witherspoon then asked the crowd, what do you guys know about Breaking Benjamin, to screams from the fans. Witherspoon then went on to say “Can you feel the energy? I said can you feel the energy, as fans yelled back. See now I feel like this relationship is starting to build.”

    Witherspoon then asked the crowd if they wanted to hear a new song, and told fans to put their hands in the air. As the band played the intro, Witherspoon told the fans that were sitting in seats to put their hands in the air. Witherspoon then added “You get to sit down when you go back to your house tonight. Are you having a good time right now? Albany make some fucking noise.”

    Witherspoon got all choked up when he gave an emotional speech about the recent tragedies in France before the bands song “Angels Son.” Witherspoon said:

    Have you ever heard of the song ‘Angels Son?’ Tonight I’m dedicating it, because of the terrible things that have gone on in our world that we live in. The last couple of weeks, I’m talking about what happened in Paris. And I can’t believe it touched so close to home cause we had a few people that we knew that died over there, and what I’m trying to say is how very lucky, and how very blessed we are to be in this building together, and to be safe. See to me war is when you have someone on the other side and you know he has a gun, we have a gun and there’s a certain means, we have to do a certain thing. I don’t believe its a war when you go into a beautiful building (pauses as he chokes up for a few seconds) and you blow up people who have no freakin’ chance. Does that make sense to you guys? So what I have to say is, lets stay together, lets stay strong and lets not let them crazy motherfuckers scare us. Cause it’s not suppose to be like this, it’s not suppose to be like this, so we dedicate Angel’s Son to all those beautiful people that we lost.

    Sevndust closed their set as Witherspoon introduced the last song for them of the night “Thank You,” by saying the song is a testimony to everything the band and he fans have been through together. He then added when it comes to fans of Sevendust, that he feels like they don’t have concerts, they have family reunions.

    Sevendust Setlist: Black, Driven, Not Today, Angel’s Son, Shine, Thank You

    Breaking Benjamin walked on the stage to the opening theme from the movie Star Wars, which frontman Ben Burnley is a big fan of. Burnley even sports the droid BB-8 from the upcoming Star Wars movie The Force Awakens. Breaking Benjamin then went from Star Wars to the first song in the setlist “So Cold.”

    Burnley introduced the song Unknown Soldier by saying:

    Right now I wanna take this time to send this next song out to every single man, and every single woman in this audience tonight that served this country. Your bravery, your courage, and your self-sacrifice, stand above all others in the world. It is because of those things, that America is the greatest country in the world. We are all indebted to you for your service. For without the service, of our soldiers and our veterans, we would not be up here playing rock & roll, you would not be out there listening to music, and we would not be having a concert tonight. Thank you or your sacrifices, thank you for the pain you have to endure in order for us to be here tonight. 

    Burnley then said to fans “Everyone of you, has a great heart, and you are thankful for the things that you have, you are thankful for the things that you have earned, you are thankful for the gifts that you are given. You have the things that you have, and you get the gifts that you get because of the service of our veterans and our soldiers.” This broke out a U.S.A chant from the crowd with help from Burnley.

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    Burnley decided to give his vocals a rest on the next song, and handed over the lead vocal duties to the fourth song in the set, “Sooner Or Later,” to guitarist Keith Wallen who sang the song as if was his own.

    Breaking Benjamin then went into a small medley of songs that kicked off the “Imperial March Theme” from Star Wars. Burnley, from the catwalk behind the drummer sported a red light saber and said to the crowd that there is a new Star Wars movie on the horizon and showed his loyalty to the Empire.

    In an amazing sight during the song “Give Me A Sign,” Burnley took a break to ask the crowd to pull out their cell phones and turn their flashes on. Burnley then went on to say “Alright, now were gonna do something. Were gonna turn off every light in this building, every single light on this stage, turn all of it off. Right now. Right at this moment. The only light that you see in this room, is the light that your shining yourself, and there is no other light than what you are shining right now. We are so grateful for that light. Without that light Albany, we would be in pitch black dark right now. Since you brought us into the light and out of the darkness, I want to sing this together as one. We’re gonna do this as one. And I wanna sing this so loud that we tear a hole in the roof. Can you do that Albany, New York?” Burnley and the fans then closed out the song together.

    Burnley once again, then gave away the lead vocal duties for a song, but this time to bassist Aaron Bruch. Bruch then sang the song “Believe,” from the bands second studio album We Are Not Alone.

    Burnley thanked the fans after the song “I Will Not Bow,” for their support. Burnley the told the fans that there is not a day that goes by, that he is not grateful to be up here on stage playing for you guys tonight. “You guys are so awesome. When you play for such an incredible audience, all of you fans in here, all of us up here, we’re nothing without you, we love you so much for that. Thank you so much.”

    Burnley then reminisced to fans about growing up and going to concerts.

    When I was young. I used to come to rock concerts just like this, and arenas just like this. I would stand here, I would stand there. When I went to go see my favorite bands, I would stare at this stage, and I would want to be up there so bad. I wanted to up there playing, or up there playing with my favorite band, you name it. I just wanted to be on this stage and it’s a dream come true to be on this stage. I want to thank you fans. Thank you for making all of our dreams come true.

    Burnley then asked if there was some rebels (children) out in the audience who want to stand on stage with Breaking Benjamin for one last song. Breaking Benjamin closed out their set with “The Diary Of Jane,” with a stage full of kids rocking along side them.

    Breaking Benjamin Setlist: So Cold, Angels Fall, Unknown Soldier, Sooner Or Later, Ashes Of Eden, Blow Me Away, Failure, Breathe, Medley (Imperial March, Schism, Smells Like Teen Spirit, Walk), Polyamorous, Give Me A Sign, Believe, I Will Not Bow, The Diary Of Jane

    The National Anthem started to play throughout the venue followed by Jay-Z’s “99 Problems.” Only thing left was for the black curtain with a huge Shinedown logo to drop.

    Shinedown came right out with authority. Looks like their pyro fit the fire code of the Times Union Center, as there were explosions, flames and sparklers throughout their set. Fans were ready for the bands high energy and Smith’s on stage theatrics to kick off.

    Shinedown started off with the first single from the new album Threat To Survival, “Cut the Cord.” After the curtain dropped frontman Brent Smith stood on the catwalk and sang the song elevated behind drummer Barry Kerch.

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    After the opening song “Cut the Cord,” frontman Brent Smith asked the screaming fans, what’s going on? Smith then asked , whats up? Smith then said to the crowd “It’s been far too long wouldn’t you agree? It’s such a pleasure to be here tonight. Thank you so much for showing up on this cold, cold Monday night.” After cheers from the audience Smith then asked if everyone  was in a good mood? Smith then asked the crowd if they had a wonderful week last week. After screams from the fans, Smith replied “Well we’re gonna start out with a phenomenal week, this week,” to more screams from fans.

    Before moving on to the next song “Fly From the Inside,” Smith asked the crowd to give themselves a round of applause after he told them that he was always amazed by the fans that come out to a show. Smith then turned to drummer Barry Kerch in his hypnotizing voice “Mr. Kerch, so you have the floor. So why don’t you set the tone for what’s about to happen this evening.”

    Smith told the crowd after the song “You see, you’re right about right here.” Smith held his hand flat out in front of him. Smith then added that where they need the crowd to be is right here, as Smith raised his hand and turned it into a thumbs up. Smith then added “Don’t worry, we’ll get you there.”

    Now if you never been to a Shinedown concert, this is the part where Smith makes the crowd into one big rock family. Smith said to the crowd “Ladies and gentlemen. Boys and girls. If this is you very first time ever seeing Shinedown raise your hands. Ok listen up, before we can go any further, we have to take care of something extremely important. So everybody in the building look to your left. Now look to your right. There’s a reason for this. See the person standing next to you right now. You may have never met them before tonight’s event. So we’re gonna change that. Everyone turn to you neighbor right now cause we want to see you shaking each other’s hands, giving each other high fives and telling everybody how nice it is to see them at the show.

    Smith then went on and started shaking hands with the security team in front of him, and the photographers that graced the photo pit below as fans all got acquainted with each other.

    Next song on the setlist, “If You Only Knew,” Smith told the fans that this song is for the ladies. Smith then said to the crowd “So guys, gentlemen, if your with your girl, grab her.” He jokingly added , ladies, if your with your girl, grab her, to laughter and cheers from fans. During the song Smith threw out a bunch of red roses to the ladies in the crowd.

    Smith had the arena shaking when he asked fans to jump in unison to the song “Enemies.” Before the song Smith asked, “Ladies and gentlemen, do you know how we jump at a rock shows? Smith then said that this was the fans moment to reach for the stars. Smith then stated:

    You see, there is already a ceiling on the building, but in Shinedown, we don’t believe I ceilings. They don’t exist to us. Smith then asked the fans to put their arms around each other and jump as one big family. So when I say go, we bounce as a family cause there is no such thing as a Shinedown fan. We don’t call them that. There is nothing in our world but Shinedown family, and that’s where you are tonight. That’s who is in front of you. So at this moment in time that person next to you, that’s your family.

    Before playing another new song from their new album, Smith now took the time to explain to the crowd about the bands new record and why they go in the direction musically that the band choses to go in for each album:

    So, I don’t know who wrote this down somewhere in history. Especially, the history of rock & roll, that you weren’t allowed to dance anytime like after the year 2000. Boggles my mind. On September 18 of this year, we released a record called Threat to Survival, which some of you might have. Thank you. Here’s the thing, we’re not hardwired to make the same record twice. We’ve never done it, never going too, cause that’s not growing. That’s not being artistic. When we write songs, we have to write about what we know.”

    Smith then asked for the house lights to be turned down. As the arena went black, Smith then said to the crowd “Just listen to my voice. And if you don’t mind, would you show us that there stars out there in Albany.”

    Smith went on to say “Here’s the thing. every lighter you got, every cell phone you own. Anything that shines. The whole place, and you gotta keep them up the whole time during the song and just follow us. Alright? Cause ladies and gentleman, it is officially time to dance.” Shinedown then played “State of my Head.”

    Even though fans sung word for word, with every song during Shinedown’s set, fans were most vocal throughout the song “Second Chance,” singing every word loud and clear along wit Smith.

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    Smith and guitarist Zach Myers, stayed on stage for the bands cover of “Simple Man” by Lynyrd Skynyrd. Smith and Myers kept looking at each other in amazement as the fans hit every note during the song. The way the fans sang the words “simple kind of man” back to Smith, who held the mic out over the crowd sent chills through Smith and Myers body.

    Shinedown closed out the show in style with the pyro set on all cylinders to final song of the night “The Sound of Madness.” Smith closed the show by thanking Sevendust and Breaking Benjamin and the fans. Smith then stated that Albany was the most vocal crowd on the tour.

    Class act Smith ended by saying “Thank you all so much for showing up. Thank you, thank you, thank you. Be good, be good to each other and God bless you all.”

    Smith then said his signature line “It’s never goodbye, It’s just til’ next time.” Smith told drummer Barry Kerch to lock it down and ended the show with four pyro blast as Kerch hit the drums I sync with the explosions.

    Shinedown Setlist: Cut the Cord, Fly From the Inside, If You Only Knew, Unity, The Crow & The Butterfly, Diamond Eyes, I’ll Follow You, Enemies, State Of My Head, Bully, How Did You Love, Second Chance, Simple Man, Sound of Madness

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  • Hearing Aide: The Primrose Drive EP

    Going into my first listen to The Primrose Drive’s EP I was apprehensive. From the sessions I’d seen online, I knew the the group had talent, but I had no idea how they would display it in the studio. Primrose opens their EP with “Empty Auditorium”, a Dan Auerbach-esque tune with a catchy riff and driving drums. I was disappointed when the vocals entered, because it felt to me like they were too separated from the music.

    Their second song, “Funk > Shakedown Street”, completely changed my opinion. It proved to me that the skills are certainly present as are the vocals. I think the fault in “Empty Auditorium”, if any, lies in the production. I grooved to Funk >. It’s certainly something that I’m going to play on my radio show in the coming weeks. I pressed onward to “Up Close”simple, catchy, groovy. It’s a sweet, introspective tune. This eventually became my favorite song on the EP because it fits with the songs that I’ve been listening to since my move to Syracuse. Things only got better with “Site 21”. It was folky in nature, which I absolutely love, and the minor chord progressions leading into the chorus were a great touch. The final song, “Waiver” was a nice ending. It grooved, and the guitar solos were stellar.

    All in all, I don’t think there was anything “groundbreaking” about the Primrose Drive’s first EP. It’s their take on a genre that has existed for quite some time. That being said, I’m excited to here for more them in the coming years. The Primrose Drive certainly separates themselves from other rock groups with the authenticity of their music. Every tune is genuine and heartfelt, a window into the group’s wild highs and morose lows. watch out for these guys.

    Key Tracks: Up Close, Funk > Shakedown Street