Category: Features

  • Chris Robinson Brotherhood Closes 3-Night Run at Brooklyn Bowl

    Upon taking the stage, Brotherhood bandleader Chris Robinson clearly felt at home beginning the final show of his band’s three-night stint at Brooklyn Bowl, inquiring of the venue’s bowler-patrons, “How’s your game tonight?” The casual confidence of this still-young band comprised of veterans was evident in their choice of “Taking Care of Business” as opener.

    CRB

    Heads bobbed to a few tightly delivered bluesy numbers, with keyboardist Adam MacDougall’s trippy pitch-bent Mini-Moog often carrying the melody and helping to define the group’s signature sound. The ensemble’s musical versatility revealed itself in stages, with bassist Mark Dutton laying down a juicy, rolling bassline to start “The Music’s Hot,” which also featured soloing from guitarist Neal Casal reminiscent of Little Feat. The energy reached a new plateau mid-set with a rendition of Bob Dylan’s “Down In The Flood” as large portions of the crowd began to let loose and dance. Dutton, looking serene and often nearly motionless at far stage-left, was locked in as he consistently delivered basslines that were generally big and deep, dropping heavy notes like anchors dead on the beat. “I’m A Hog For You” was the only tune of the night to feature Robinson on harmonica and left the crowd simmering as it ended the first set.

    The second set began with the band providing lyrical mantras celebrating Saturday night and having a good time. The playing throughout was freer and more varied. In its instrumental improvisations, the band modulated between cerebral and spacious textures, often dominated by MacDougall, and energetic rollicking rock-outs, typically led by Casal. More than a few audience members perked up when the Los Angeles-based band busted out their cover of the Grateful Dead’s “West L.A. Fadeaway.” Another highlight was disco-jammer “I Ain’t Hiding,” the second Black Crowes song to appear during the evening. Acoustic instruments appeared for the two-song encore, culminating with a beautiful delivery of Dylan’s “Girl From The North Country”.

    Despite having three records to their name, Chris Robinson Brotherhood relied on only three tunes from last year’s Phosphorescent Harvest on this particular night, fleshing out the show with their interpretations of numerous classics. If you want old fashioned psych-blues rock and roll played with authority, CRB are among the best doing it in 2015.

    Setlist:
    Set 1: Taking Care of Business, Jump the Turnstiles, The Music’s Hot, Oak Apple Day, Down in the Flood, Little Lizzie Mae, Like a Tumbleweed in Eden, I’m A Hog For You

    Set 2: Saturday Night in Oak Grove, Louisiana, Ain’t It Hard But Fair, Shore Power, Clear Blue Sky & The Good Doctor, West L.A. Fadeaway, Tough Mama, I Ain’t Hiding, Got Love If You Want It

    Encore: Betty & Dupree, Girl From the North Country

  • REO Speedwagon Raises The Roof While Supporting The Stanley Center for the Performing Arts

    Here in New York state, we are lucky to have some of the most amazing historical venues still intact, showcasing their spectacular architecture and the history that goes along with each one.  One such venue is The Stanley Center for the Performing Arts, located in Utica.

    Originally built to be a movie palace, The Stanley opened on September 10, 1928 with 2,963 seats. Constructed in just 13 months, it was designed by famous architect Thomas Lamb, who is considered one of the foremost designers of theaters and cinemas in the 20th century. His creations include the Fox Theatre in San Francisco and the Capitol Theatre in New York, both now demolished. It is one of three remaining Lamb theaters: The Stanley, Proctor’s Theatre, Schenectady, NY, and The Landmark Theatre, Syracuse, NY.

    Today, The Stanley is host to shows presented by the Broadway Theatre League of Utica, and the Utica Symphony Orchestra as well as several promoters. Recent acts include Martina McBride, Trace Adkins, Tony Bennett, Jerry Seinfeld, Jackson Browne, The Goo Goo Dolls, Green Day’s American Idiot and Shrek: The Musical.

    Each year the venue strives to make ends meet and continue to bring those in the central New York region top acts in the entertainment business.  Fund raising plays an enormous part in keeping their doors open.  Local sponsors see the need in continued support and this year reached out to legendary performers REO Speedwagon to join with them in raising money to support the local Stanley Center for the Arts.  It was no surprise to NYSMusic readers to learn their (REO’s) dedication to community support, as we recently learned when Neil Doughty spoke with readers in a two part interview this past summer. They have a reputation for rallying behind community in times of need.  As the announcement for the October 17, 2015 show came out, patrons scrambled to purchase tickets to the sold out show.

    REO Speedwagon - DSC_2756 copy

    Opening for the evening was local talent, Justin Smithson, perhaps best known as member of a favorite local band, Showtime.  This dynamic musician belted out a few numbers warming up the crowd and literally hit it out of the park, reaffirming to patrons to get out and enjoy local music because today’s local artists are tomorrow’s national acts.

    Justin Smithson - IMG_0151 copy

    REO Speedwagon - DSC_2846 copyWith the crowd sufficiently warmed up, REO Speedwagon took the stage and for the next two hours rocking the house in true rock and roll style, showing up their signature lyrics and instrumental solos they are best loved for.  Playing hits from early days such as “Golden Country,” “Keep Pushin,” and “Music Man,” together with 80’s hit’s “Time for Me to Fly,” “In Your Letter,” “Back on the Road Again,” and “Tough Guys,” audience members were up out of their seats dancing and singing along for the entire evening.

    It was good to see the venue filled to capacity.  It is this support that music venues need to continue to bring us both local and national talents.  As the holiday season is upon us, I can’t think of a better gift to give and receive; a night out with good music, time with friends and family, and community support.  It’s a win/win.

    Setlist: Don’t Let Him Go, Music Man, Take It on the Run, Keep Pushin’, In Your Letter, Can’t Fight This Feeling, That Ain’t Love, Tough Guys, Golden Country, Time for Me to Fly, Back on the Road Again (Bruce Hall on lead vocals), Roll With the Changes
    Encore: Keep On Loving You, Ridin’ the Storm Out

  • Photo Gallery: Assembly of Dust at Stage One, Fairfield, CT

    Assembly of Dust kicked off their pre-Thanksgiving run with a sold out show in Fairfield, CT at Stage One. Opening this evening was Dave Diamond Band. Assembly of Dust performs Saturday, November 21 at Flour City Station in Rochester and Sunday, November 22 at The Waiting Room in Buffalo.

    Set 1: Fountain, Avenue of Giants, Weehawkin Ferry, Paul Henry, Vaulted Sky, Myth of Mine, Bus Driver, Arkansas Traveler, Mama
    Set 2: Valhalla, Sideways Train, Edges, Lost and Amazed, Second Song, Burned Down, Honest Hour, Stone Choir
    Encore: Straight, Bootleggers Advice

    Assembly of Dust Stage One

  • Hearing Aide: The Werks ‘Inside A Dream’

    The Werks Inside A DreamThe Werks have released their fourth studio album, Inside A Dream, which takes listeners through the wonderment of a dream. Their concept album is full of twists, turns and surprises.  The Werks consists of Chris Houser on guitar, Dan Shaw on keys, Dino Dimitrouleas on bass, and Rob Chafin on drums. Hailing from Ohio, their new album treats fans to fresh sounds with each new song.

    The first track, “The Answer,” draws listeners in immediately with slowly building guitar chords full of crunch, as if the music were running from something.  Ever present touches of psychedelia flow throughout. Funkalicious “The Drop” highlights itself as a tune that is perfect for jamming. Extended guitar play leaves wide open spaces for live performance experimentation on this track. Fans should keep an ear out for this one during upcoming shows just to see how they take this to new depths over time.

    Chopin’s “Opus 66” gets a ghostly twist with haunting organ and mysterious guitar melody accentuated throughout, taking listeners to a darker dream state with this track. An upbeat “For You” is infused with lighthearted piano and sunlit lyrics, drawing listeners out of the darkness from the previous track. This tune calls for you to get up and dance.

    [soundcloud url=”https://api.soundcloud.com/tracks/232745620″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

    The distinctive sound of an old piano in a smokey bar takes over during “Give or Take,” maintaining that hopeful feeling as the album continues a dreamy ride. “Find Your Way” is packed with complex arrangement, offering pause and time to reflect on life.

    “Inside A Dream,” the title track, shares touches of jazz and funk while it carries a wave of confidence as they sing, “Your dreams are calling out your name.” Don’t be surprised when hitting the repeat button for this track again and again. “Alive” continues the spirited atmosphere of the album as husky vocals and commanding guitar, combined with pounding piano, maintain that ‘can do’ attitude when chasing a dream.

    “Not Alone” is the track that lifts self-doubt within a dream. Full of synth and psychedelic undertones, this tune takes a journey through melodic and exploratory notes from start to finish. “Transformational” begins to awaken the album from a dream state with a refreshing touch of African drum beats before seamlessly easing into this dynamic song.

    The album finishes with “Waiting Room,” bringing the dream concept full circle.  An uplifting song full of harmony and softened guitar is a perfect ending to the album, as it returns to reality. Inside A Dream fully captures the focus and intent of the band’s concept, having taken listeners on a journey and are able to reflect on their own personal adventures through life.  This well balanced album, full of surprises at every turn, captures the imagination and really nails the concept on the head.

    Information regarding the new album, along with tour dates for The Werks, can be found on the band’s official homepage.

    Key Tracks: Drop, Inside a Dream, Not Alone

  • From New Orleans to Albany: An Interview with The Revivalists Guitarist Zack Feinberg

    For the past seven years, Guitarist Zack Feinberg has been on a seemingly endless tour with New Orleans rock group The Revivalists.

    Currently touring to promote their 2015 album Men Amongst Mountains, the group made a stop at the Hollow Bar and Kitchen in Albany, NY on November 5. Feinberg, along with pedal steel guitarist Ed Williams and drummer Andrew Campanelli, took a few minutes of his pre-show time to speak with NYSMusic about the band’s origins including the “famous bike story,” early tours with The Rebirth Brass Band, their Prince-inspired Halloween show and more.

    Erin Clary: How did you all come together? I understand none of you are actually originally from New Orleans.

    Zack Feinberg: Yes, I’m actually from New York. A bunch of us went to college in New Orleans; six out of seven of us. Everyone but Dave, our lead singer, went to college in New Orleans. The famous “bike story” is that Dave had just moved to New Orleans and he was singing on his front porch. I was riding my bike and stopped because he sounded so good. He was looking for people to play with, had just moved to the city. I had known Andrew, our drummer, from Tipitina’s, a club in New Orleans. They have these weekly clinics and we had been going there kind of jamming with each other. He knew George, our bass player, from college. He knew Rob from college. We knew Mike from college and playing in bands in New Orleans. Ed we knew from bands but he also went to school down there.

    EC: So because you all lived in New Orleans but you all happen to be from different areas, does that influence your sound? Because it’s clear it’s not a strictly New Orleans sound.

    ZF: Yeah. I think we’re all musicians that have a different range of influences. We love New Orleans. We love New Orleans music. We like a lot of different music. I think a lot of musicians in New Orleans also are into different styles.

    EC: I’ve heard that the Rebirth Brass Band took you guys under their wing for a time. Can you talk about how that has shaped your influence along the way?

    ZF: They were generous enough to allow us to open for them when we first started to tour. It was really because our manager at the time, Stu Schayot, he is the general manager for a pub in New Orleans call The Howlin’ Wolf. He manages them as well. So he kind of set that up. But they throw a great show and they get the crowd moving the whole time.

    EC: Yeah – like you guys!

    ZF: Yeah!

    EC: I’ve been listening to you guys for a few years. I first heard you at Mountain Jam a few years ago. You played a few sets.

    ZF: Yeah! That was awesome. That inside set was so awesome.

    EC: This was the first time I heard you. My friend and I were like, “Who are these guys?” But I listen to you a lot and the lyrics include struggle and love, of course. How do you come up with these lyrics? Is there one person who generally writes, or do you all take turns?

    ZF: Dave writes a lot of them, as the singer. If there’s a song that’s stemming out of an instrumental idea where everyone’s jamming on, he will tend to be the one to do it. I’d say he writes probably 70 percent of our lyrics. Andrew, our drummer, writes lyrics. I write lyrics. It’s pretty collaborative. A person could write an entire song on their own or write a lot of the song on their own.

    EC: Are they from your own life experiences? When I’m listening it often feels like a movie scene in my head. I can see the girl, the guy, the struggle…

    ZF: I think personal experience definitely offers a big part of it but it doesn’t necessarily have to be.

    EC: There’s an audible passion for the music. It is evident that this is your love. Did you grow up surrounded by music? Were your parents musicians?

    ZF: They’re not musicians but my family really likes music a lot. My older brother is a musician; he’s a guitar player. My dad plays guitar.

    EC: You just released an album this summer, “Men Amongst Mountains.” Can you talk about the process in creating it? And what is the theme?

    Ed Williams: It’s literally a man walking into a mountain.

    Andrew Campanelli: I always think of it that our songs were written a lot when we were on the road in those years that we spent touring after we made City of Sound, a record that we made while we were getting used to living in New Orleans. And then we went on the road and that song itself was written while we were on the road in the Colorado mountains. The one thing that ties all the songs together is the years that they were in. We’ve been going out into this world and realizing it’s a big place, and we’re just men.

    EC: Ok, so the process then?

    ZF: It was made over three sessions in 2014. We did a week in January 2014, at a studio in the country which is a studio in Bogaloosa, Louisiana. It was kind of like a cabin in the woods situation. From there, we added two or three songs onto the record and did overdubs on two different sessions in New Orleans. The process was very much like get everyone together playing in a room and track it. Then do our overdubs.

    EC: I counted this tour you have 40 shows…

    ZF: Yeah, we’re doing about 150 a year, so it’s really a never-ending tour.

    EC: Well I would call that “extensive” then. So what are some of the highlights?

    ZF: Definitely Halloween.

    EC: I mean…you guys dressed as Prince. You nailed it.

    ZF: I made an appointment at a barber shop and everything. We had a blast; that was amazing. It was a sold out show at the 930 Club. It was a great milestone and we really prepared a lot with all the Prince material. Red Rocks was another highlight. Outside Lands was definitely a highlight. Kaaboo was cool. We got to see No Doubt at Kaaboo! Brews and Blues Festival in Telluride.

    EC: So now you’re here in Albany, called “Smalbany” by some. Does playing in a small city and small venue offer any opportunities?

    ZF: It’s its own thing. It’s cool to do shows where you have less expectations all day because in a way you’re looser and it’s a different vibe to the set. So it’s really fun as an audience member to see shows like that and as a musician. And you know what, its’ fucking packed up there! We played here, but it wasn’t called The Hollow. We played here a few years ago, and sat in this very basement. So this is a huge improvement.

  • Bearsville Bluegrass with Yonder Mountain and Henhouse Prowlers

    Getting off I-87 and heading on Route 212 towards Woodstock, you pass by a road sign that says ‘Veteran.’ On each trip to Woodstock towards Bearsville, NY, the sign never held any significance to me, but being Veteran’s Day, and heading to see some purely American music – bluegrass from Yonder Mountain String Band and Henhouse Prowlers – it brought a knowing smile to my face, and likely to those of other travelers headed to Bearsville Theater this evening.

    yonder mountain henhouse prowlers
    Yonder Mountain String Band

    Henhouse Prowlers, a five piece bluegrass outfit from Chicago were a well-received opener tonight, channeling Bill Monroe’s classic sound and spreading their music beyond our nation’s borders. There were original traditional numbers, such as Fool’s Carnival Song, with thoughtful lyrics and well-rounded between the five band members. What was truly intriguing this evening was learning that Henhouse Prowlers make a number of international tours through the State Department, bringing American Bluegrass to Africa (three tours so far), Russia, and soon Saudi Arabia and the United Arab Emirates. Bringing back a little African music, they performed the Nigerian song “Chop my Money”, and as one would suspect, a lively tune, “Dancing Cures All.” The set ended with Todd Livingston’s dobro playing highlighted on the finale, a cover of Jimi Hendrix’s “Fire.”

    Yonder Mountain’s set opened with “Sideshow Blues” and a cover of Smokey Robinson’s
    “I Second That Emotion” fit inside, with Jacob Joliff’s mandolin playing standing out among his bandmates, despite not overshadowing the others as the strings were rapidly strummed. “Things You’re Selling,” about televangelists, stood out in a lively set, as did “C’est La Vie”, featuring Allie Kral on vocals. Yonder brought up Todd Livingston and Dan Andree from Henhouse Prowlers for a stellar extended jam on “Angel” and a segue into the classic Grateful Dead tune, “Shakedown Street.” The second set was highlighted by covers of Son Volt’s “Drown,” and The Rolling Stones’ “Torn and Frayed,”, with originals “Looking Back Over my Shoulder” and “Sidewalk Stars” closing out the night.

    Watch a performance of “Black Sheep” and “Insult and an Elbow” with a Q&A from Radio Woodstock, recorded earlier that day.

    Set 1: Sideshow Blues > I Second That Emotion > Sideshow Blues, I’m Not Saying, Up For Brinkley’s, A Father’s Arms, Things You’re Selling, C’est La Vie, Angel* > Shakedown Street*

    Set 2: Around You> Nothing But A Breeze > Drown, Walking Shoes^, Leavin’^, Torn And Frayed, My Gal, Night Out, All Aboard > Looking Back Over My Shoulder > Sidewalk Stars 

    Encore: Dominated Love Slave

    *Todd Livingston on dobro & Dan Andree on fiddle
    ^Aaron Dorfman on guitar & Ben Wright on banjo

  • Darius Rucker Wheels Into New York and Brings The Party to Syracuse & Albany

    Ever since having the opportunity to interview Darius Rucker for NYS Music, I was anxiously awaiting Darius’s arrival in New York as a little kid would be awaiting Christmas morning. His genuine easy going manner during his interview was only a mere foreshadowing of how dynamic this entertainer was.  Raising the roof at the Oncenter War Memorial in Syracuse and the Times Union Center in Albany, he played to the crowd like a pro athlete. How could he not with the hat trick he had in store for us?  The evenings lineup was definitely stacked to ensure winning performances as newcomers Cam and David Nail got the house a rockin’ before Darius came in to score the final winning goal.

    Cam - DSC_2944 copyOpening the evening was newcomer Cam. Hailing from California, this dynamic young lady has made her mark in country music in a huge way. Catching the attention of this journalist with her recent release of Burning House, she has been on my radar from the moment I heard her unique sound, her deep lyrics, and melodic voice. She’s fresh and energizing and took the stage like a ball of fire bouncing around delivering a set that didn’t disappoint. I urge you to remember her name as she will soon be head lining and selling out arenas all by herself as a top entertainer in the business. No tomato here.

    Next up was David Nail. Nail’s persona was a bit more subdued, however don’t let his quiet demeanor hinder his ability to wow you. The moment he opens his mouth this strong sultry country crooner melts your heart and mesmerizes you. Singing his hits “Whatever She’s Got,” “Let It Rain,” and “Kiss You Tonight,” Nail nailed it.

    David Nail - DSC_3103 copy

    As Darius took to the stage, his opening number was a celebration of lights and a bit reminiscent of Elvis’ “A Little Less Conversation,” minus the scaffolding. He continued on that momentum and revved it up a bit more playing all of his country hits while interspersing bits and pieces from not only his Hootie & The Blowfish catalog but also other favorite covers from the Black Crowes to Blackstreet.  Have to say, my favorite ditty of the evening, hands down was “No Diggity.”

    Darius Rucker - DSC_3380 copyDarius has a way of connecting with his audience because he leaves it all out there on the stage.  His comedic manner of asking people to stop taking photos of him when he comes over to sing to them, gave us a glimpse of his sense of humor. And just for the record, the man had groove. He could move it and didn’t have a problem shaking it while he sang.  His no holding back continued throughout the evening as he shares intimate bits and pieces of inspirational moments that brought him to music; personal peeks into his life featuring video footage of his wife and children, and he ultimately shared moments of his true inspiration, his mother.  It’s this sharing and connection that makes you feel as though you are a personal friend, and what makes Rucker a true country superstar.

    My favorite moment of the night was the encore. As Darius and fellow bandmates returned to the stage for the encore, he shared with the crowd what he coined as “the most honest song he ever wrote,” “So I Sang.”  The only song that could possibly have topped that in my book was his cover of Old Crowe Medicine Show’s “Wagon Wheel” which has become a signature song and which closed out the night.

    It was truly a pleasure welcoming Darius Rucker back to the New York region in Syracuse and Albany.  This Charlestonian demonstrates what I love most about him and all those I’ve ever met in Charleston, the hospitality they extend, their pride they take in all things family, tradition, and culture, and their honesty in what’s important in life amidst a culture so full of technology, hustle, and bustle.  It’s Darius’s music that makes you stop and take notice of all those things around us that are matters.  That’s his Southern Style, up front and personal.

  • Space Carnival Launches IndieGoGo Campaign

    Space Carnival, a four-piece psychedelic groove rock band from Oneonta, NY who have played throughout the Northeast amid successful tours have begun an IndieGoGo campaign for the release of their first studio album.

    In citing the purpose of their IndieGoGo, Space Carnival says “A studio release would allow us to showcase our material in a high quality format and give people easy access to our tunes. In order to do that we need our devout fans help. Going into a recording studio to do an album takes a lot of time, effort, and money and we could really use everyone’s help on this one.”

    Fans can donated and gain a variety of perks through support of Space Carnival’s first studio album. Support this rising New York band here.

  • Gwar Killed the Internet at the Town Ballroom

    DSC_2154Nobody could hide from the blood and spew Saturday night in Buffalo at the Town Ballroom with GWAR in town. The band brought their best show I have seen to date. Celebrating their 30th year together, the band was sans Vulvatron. She lasted a short but memorable time. Fans were thrilled to see how their costumes and theatrics have improved over last year. In particular, Blothar has fleshed out his costume more elaborately with penis udders and embellishments. The narrative for this Gwar show revolved around “Killing the Internet,” and the screens behind them projected cute kitty photos and other appropriate images. Things started with two rappers in rubber monster costumes of course; playing a terrible indescribable song.

    There were some moments of genuine humor — Blothar mentioned a website that ‘My friend Jared from Subway told me about.’ That led to a spirited version of “Baby Raper” complete with the props that you’d expect. Some had to turn and walk away because they couldn’t handle it. Special guest’s appeared such as Hilary Clinton and Kanye West, who were shortly killed after entering the stage. The show climaxed with the dismembering of the giant internet troll. The ending speech was that we should put our phones down and interact with one another face to face.

    DSC_2339 - CopyBattlecross, also on the bill, is a thrash band from Detroit. Their performance was hard to match. They had so much energy on stage, they kept fans entranced throughout the night. They seemed to be genuinely enjoying themselves. Playing a handful of songs from their new LP Rise to Power including “Not Your Slave,” “Absence” and “Bound by Fear.” Their set really whipped the crowd into a frenzy.

    Battlecross have produced three full length albums and tour constantly. They are forever loved in Buffalo and appear frequently there.

    Armageddon opened the night. They had replaced Born of Osiris due to an injury. This whole band was under the age of 21. Turns out they are a local band, I feel they could have found someone a little more experienced on such short notice. The guys really did give everything they had on stage that night. This was their biggest show to date and they didn’t let their nerves get the best of them.

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  • Photo Gallery: Dead and Company keep Truckin’ on through Buffalo

    Dead and Company came to the First Niagara Center in Buffalo on Wednesday November 11, 2015. The band, which includes three of four founding members of The Grateful Dead and Oteil Burbridge, Jeff Chimenti and most notably John Mayer. Mickey Hart, Bill Kreutzmann, and Bob Weir were on top of their game and the chemistry that was ignited really created a great experience. There is no doubt that John Mayer brings something incredible to the table and the reviews couldn’t be more accurate. Mayer continues to turn heads. If Dead and Company does continue to tour, John Mayer better be a part of the cast.

    dead and company buffalo

    Set 1: Promised Land, New Minglewood Blues, Bertha, Here Comes Sunshine, El Paso, Althea, U.S. Blues
     
    Set 2: Viola Lee Blues > Wang Dang Doodle > Viola Lee Blues > New Speedway Boogie > Truckin’ > Dark Star >
    Drums > Space > Dark Star > China Doll > Sugar Magnolia
     
    Encore: Casey Jones