Category: Regions

  • Jim Brickman Celebrates 20th Anniversary With Central New York

    On March 15, 2014, Jim Brickman celebrated a monumental achievement in his career; 20years to the date, he released his first album, No Words.  Twenty years later, Jim Brickman stepped foot on stage for the first time at the Stanley Center for the Arts, bringing along more than 33 best-selling albums, dozens of collaborations with the top artists in the business, numerous awards and achievements, and multiple projects under his belt to share with the audience.   Utica was thankfully chosen for his special occasion and the performance shared by all was truly heartfelt.

    Jim Brickman 20th Anniversary Celebration
    Jim Brickman 20th Anniversary Celebration

    Opening the evening with “The Promise,” a musical piece from his Simple Things album, his beautiful playing drew in the audience and set the mood for the evening with a light and airy feeling.  He shared moments throughout of how the music came to be, joked about things that occurred over the years, and by the end of the evening, it was as though it was a small room filled with friends and family, celebrating a very special anniversary. Below, Jim shares how he came to record his first album, and you see how fate sometimes plays a hand in the avenues taken in life.

    [youtube http://www.youtube.com/watch?v=shzUoE359Qk]

    Jim was joined throughout the evening by special guests Anne Cochran, a childhood friend from his hometown in Cleveland, Ohio, and George Perris, a young man originally from Greece who has been performing worldwide since the age of 14.  Jim shared childhood stories of how he and Cochran became acquainted.  His memories and admiration for her still hold true today as they have remained friends and co-workers now for several decades.  This was apparent as they bantered back and forth with each other throughout the evening like brother and sister.  Cochran has collaborated on several numbers and shows with Jim, of which they performed one of their most popular of the evening, “After All These Years.”  Perris was then introduced and impressed the audience with not only his knowledge of music and amazing talent, but his ability to speak multiple languages as well; four in total.  Joining Jim onstage for multiple numbers and a “selfie” of the three of them, Perris amused and enchanted the audience.

    Anne Cochran and George Perris at Meet & Greet
    Anne Cochran and George Perris at Meet & Greet

    I have always been a big fan of Jim Brickman over the years as he has written two of my favorite songs of all time: “Valentine” and “The Gift.”  I have listened to him on the weekends on his radio show, and it was nice to hear some personal stories on his road to success.  His influences from Jim Henson and those from Walt Disney effected his love of music and the styles he would perfect over the years.  I have to say that his performances of the Muppets and Disney tunes were my favorites of the evening; perhaps because they were light-hearted and fun, perhaps because I knew the tunes such as “It’s Not Easy Being Green”, “Rainbow Connection”, or “When You Wish Upon a Star”, or perhaps because they were some of my favorite tunes growing up and they brought me back to a time when life was simple.  It was nice to connect with a musician on a level of commonality, even if it’s just a love of the same type of music.

    For those who may not realize this, Jim has offered his musical talents to numerous shows, commercials, and events. One event he spoke of was the 2014 Sochi Olympics.  As he played the numbers he wrote for the Olympics, he joked that some music is often used as background to narrations and sometimes for sad stories even.  As humble as he is, he still gets excited though to hear his music when it plays out in public places.  One such moment was as he was on hold with a credit card company.  Upon calling in to fix a credit card issue, he waited patiently, listening to his music, until the customer service operator came on the line.  As impressed as he was with himself, unfortunately the person on the other end didn’t share the same excitement as he joked about listening to himself on hold.  A more recent occurrence happened as he was traveling through an airport and heard his music playing while he took a pit stop.  Wanting to share his excitement with others, he thought better of it as perhaps that wasn’t the time or place to share that information.  It was stories such as these that bring such huge performers and stars into a perspective that is relatable with their audiences.  Again, the stories, jokes, and insights are what make Jim Brickman the star he is today and continue to build the relationship he fosters with his followers.  His talent and generosity provide opportunity to give back to his audiences worldwide, while his appreciation and gratitude are genuine.

    [youtube http://www.youtube.com/watch?v=yaBsczMHKyQ]

    As mentioned above, Jim’s career has garnered multiple albums with multiple hits over the years.  His musical compositions and songwriting skills have elevated him to a level of expertise as one of the greats of our era.  At the same time, it was nice to see such an approachable, easy-going, and humorous individual on stage and in person.  He goes out of his way to remain approachable to his fans by sponsoring cruises and parties.  This years event, Brickman’s Bash, will be held in Cleveland, Ohio on July 17th-20th.

    Although this was the first time Jim Brickman visited The Stanley Center for the Arts, I have a feeling it will become a permanent stop on each tour.

  • The Devil Went Down To Peekskill: Charlie Daniels Band Live at the Paramount Hudson Valley

    It was a cool and rainy evening on March 29 in Peekskill with the last remnants of snow banks melting away making for a perfect virtual escape from the Northeast with the southern rock and country stylings of The Charlie Daniels Band.

    The night started with an acoustic set from Nashville country singer-songwriter Jacob Powell, who is making a handful of stops with the Charlie Daniels Band during his current tour. While his self-titled debut EP features a full band, he was joined on stage with fellow Nashville guitarist Jason Brooks to create a nice, full live acoustic sound. Singing some songs about summer, good times and koozies, Powell eased the crowd’s minds out of the cold northeast weather and warmed folks up for the Charlie Daniels Band.

    After a brief set change, the Charlie Daniels Band took the stage, wasting no time in setting the energetic tone for the evening. The band’s slightly short but appropriate length set of 75 minutes featured a number of CDB favorites. “Birmingham Blues” radiated vibes akin to an Allman Brothers Band performance both in song style and in the chemistry on stage. A rather interesting display came to us during a longer instrumental jam, “Black Ice.” Featuring some funky beats and riffs, elements of country and rock and roll and a spotlight on each band member, this fused a conglomeration of sounds and ideas and was a treat for every member of the audience. The set also included “The South’s Gonna Do It,” popular fan request “Long Haired Country Boy” – a tune that turns 40 this year – and of course “The Devil Went Down To Georgia.”

    This best-known hit for the Charlie Daniels Band closed the evening with flawless fiddle lines and a few extended segments over the studio version. It’s one thing to get a guitar pick from a band, but one lucky fan in the front row was given by Daniels himself the frayed horse hair fiddle bow in the middle of the song. Another crowd-pleaser came with a raucous cover of “Folsom Prison Blues” with fans having a grand time clapping and cheering along with the Johnny Cash classic.

    Throughout the evening, Daniels presented some songs off his latest album, Off the Grid – Doin’ It Dylan. Prior to performing “I’ll Be Your Baby Tonight” about mid-show, Daniels paused from the music for a moment to explain his connection with Bob Dylan which goes back to the late 1960’s when he recorded with Dylan on Self Portrait and New Morning. Aside from that song, Daniels also gave his nod to Dylan with “Tangled Up In Blue” early on in the set with a refreshing up-tempo and fuller arrangement of the tune. Off the Grid – Doin’ It Dylan was released this past Tuesday, April 1st.

    One unique element of the show was when Daniels, who holds his band mates in high regard, stepped to the back of the stage to put the limelight on the talent of two of his band members. Lead guitarist Bruce Brown, a 24 year veteran of the band, stepped forward and performed one of his solo works with the rest of the band; guitarist Chris Wormer did the same with his rockin’ version of the “William Tell Overture” on his double neck guitar.

    At age 77, Daniels can still perform a powerful show. His frequent quick wit and humor exchanged with band members and the audience between songs, along with a few anecdotes, kept every party at the Paramount engaged with one another. For those who missed the show in Peekskill, the Charlie Daniels Band will be back in Upstate NY at the Times Union Center in Albany May 31 with the Marshall Tucker Band and Bret Michaels (of Poison) and at the Main Street Armory in Rochester on June 1.

  • Chick Corea in Concert at The Massry Center at The College of Saint Rose

    American composer, 20-time Grammy winner, brilliant  and undisputed keyboard virtuoso, Chick Corea will perform in concert on Friday, April 11th at 7:30 p.m. in the Kathleen McManus Picotte Recital Hall at The Massry Center for the Arts at The College of Saint Rose in Albany.

    chick corea albanyFresh from his 2013 Grammy wins for “Best Jazz Instrumental Solo,” and “Best Jazz Instrumental Album”, Chick Corea will put his five decades of unparalleled creativity and vibrancy on full display in a rare solo piano performance at The College of Saint Rose in Albany.

    From straight ahead to avant-garde, bebop to fusion, children’s songs to chamber music, along with some far-reaching forays into symphonic works, Chick Corea has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is awe-inspiring. A tirelessly creative spirit, Corea continues to forge ahead, continually reinventing himself in the process.

    Remaining tickets are $85 and include a pre-concert reception beginning at 5:30 p.m. and priority reserved seating. For concert information and tickets, contact Sal Prizio at 518-337-4871 or email concerts (at) strose.edu.

    Chick Corea last performed at The Massry Center on April 4th, 2012. Watch his “Bud Powell Tribute.”

  • Yonder Mountain String Band Announce 2014 Summer Tour Dates

    YMSB Spring 2014

    The boys from Yonder Mountain String Band will be bringing that thumpin noise back through Upstate NY in 2014 with their brothers in bluegrass arms, Railroad Earth, with their respective signature bluegrass sounds. Their summer tour will have stops throughout the East and West Coasts, with a much-needed stop in Syracuse, NY on July 11th at the F Shed.

    This is an all ages show, doors open at 7PM and the show starts at 8PM. Tickets are $29.50-$60 and can be purchased online here, tickets go on sale this Friday at 10AM.

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  • Biohazard, Sworn Enemy Lead Hardcore Clash at The Loft in Poughkeepsie

    bio loftThis past Friday night, April 4th, The Loft in Poughkeepsie turned into a hardcore madhouse as NYC area headliners Biohazard and Sworn Enemy lead the night along with other hardcore and metal acts from the 845 and 518 area.  About 170 people packed the place to unleash their aggression and have a good time.

    The doors opened at 7 and local area metal newcomers Pug Box opened the night around 7:15 with their six song set to set the tone for what was to come. Soon after, 518 hardcore outfit Life Sentence played their six song set adding a lot of attitude to the stage.  Their style and presence felt very similar to Madball.

    The Standard Assault (better known as TSA) then graced their stage with their unique set.  They really stood out due to their metalcore and groove metal style.  Along with that, their songs were far more lengthy than the other bands on the bill.  They were aggressive and thrashy. Guitarist  John Reilly played blazing solo’s that were clearly influenced by Slayer and frontman Pete Stott’s vocals were unique with a Randy Blythe-like flair to it.  Their songs were clearly about past girl friends and betrayal.  It was a nice change of pace for the night.

    Albany’s Brick By Brick then took The Loft into hostile territory as they brought a bloody knuckle atmosphere with their eight song set that caused the floor to erupt with slam dancers and borderline dangerous moshing.  Despite some sound trouble, they never missed a beat and kept the energy high.  Frontman Mike Valente even called out the crowd hanging at the bar to get themselves closer to the stage.  They ended their set with “Bro Hymn” with lots of crowd participation that just made everyone on the floor go crazy.

    Sworn Enemy stormed the stage around 10PM.  They’re out promoting their upcoming album Living On Borrowed Time.  Their set consisted of their classics as well as two new songs fused into their set.  Opening with “One Way Trip,” the already established pit grew even bigger and caused the floor to go completely chaotic.  Luckily, no one was hurt.  There was one person in the crowd that stood much bigger and taller than anyone that was dancing in the pit.  About mid-way through Sworn Enemy’s set, this guy in the crowd just walked over to frontman Sal LoCoco and picked him up off the stage and swung him around.  Luckily the show was not stopped or interrupted and there was no ill-intent.  Sworn Enemy ended their set on a high note with “We Hate” and let everyone in their crowd release their aggression.

    Biohazard finally took the stage at 11:30 with a setlist that contained hits and album cuts from their first three records.  Opening the set with fan favorites “Chamber Spins Three” and “What Makes Us Tick,” Biohazard proved at even their veteran status, they still bring lots of energy on stage and show absolutely no sign of slowing down.  From that moment on, it almost seemed that everyone in the crowd was from Brooklyn. Midway through their set, Biohazard unleashed the iconic “Tales From The Hardside.”  Things in the pit became hostile, and a huge scuffle broke out in the crowd causing the entire security team to stop it, which ultimately caused the band to stop what they were doing.  Even I ran to the corner and hid when this all went down. After a few minutes Biohazard resumed and played a few tracks off their first record.  Then lead guitarist Bobby Hambel addressed the crowd on the corruption of news and politics which lead to “Black And White And Red All Over.”  Finally, Biohazard wrapped their eighteen song set with their breakout hit “Punishment” and their creed motto “Hold My Own.”

    Everyone at The Loft had a blast, and it’s obvious Biohazard still enjoys what they do. I was lucky enough to chat with the band after the show.  They all confirmed they are hard at work on a new album and will be touring through Upstate New York again.  Biohazard currently finished a brief East coast run and is now doing a month-long European tour but come back to the U.S. in May for the annual “Black N Blue Bowl” at The Well in Brooklyn on May 17th and 18th along with Hatebreed, Agnostic Front, Sworn Enemy, Brick By Brick, and many more.

  • The Revivalists to play The Sinclair in Cambridge, MA, April 22nd

    Listen up Bostonians, and any other Northeasterns that may be in the area –  a show you do not want to miss is coming up on Thursday, April 22nd. The Revivalists, a 7-man band filled with old-school spirit and new-age appreciation, are coming to The Sinclair of Cambridge in Cambridge, MA and bringing a wild mixture of genres to the stage.

    the revivalists sinclairThe Revivalists have been providing their voluptuous sound since 2007 with members Ed Williams on pedal steel guitar, David Shaw on vocals, Zack Feinberg on guitar, Rob Ingraham on sax, Georges Gekas on bass, Andrew Campanelli on drums and Michael Girardot on keys and trumpet. Like their extensive list of instruments, their sound has been plunging from traditional rock to airy acoustics to funky beats reminiscent of their New Orleans hometown – a musical jambalaya, some may call it.

    This is the kind of band that will blow the roof off of a 30,000 person warehouse, let alone an intimate venue like The Sinclair. Their live set has so much sound and energy you’ll walk out of the show needing a slap in the face to wake you from the heavy trance you were just in. Lovers of all genres and a wild time are bound to enjoy this one.

    So don’t be afraid of the musical revival these fervent performers have in store – you know you want to be a part of it. Get your tickets for The Revivalists at The Sinclair, 4/22 here

    …and give them a listen if you’re still unconvinced:

    Studio version of Navigate Below

    Live version of Concrete (Fish out of Water)

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  • Hearing Aide: Hard Soul “Heart of Plaster”

    Hard Soul - press photoThe up-and-coming band, Hard Soul, from Albany NY is about to release their first full-length LP, Heart of Plaster. The band has been diligently gigging and recording since their formation in 2011. Hard Soul’s short history has included many shows in upstate and central NY as well as the release of two singles, “Love Eat the Young” in 2012 and “Seize the Year” in 2013. On April 8th, Hard Soul is releasing their new album and will be celebrating at their release party at The Low Beat in Albany on the 11th, which will also start off their 2014 tour season.

    Hard Soul’s versatile sound can only be attributed to the dedicated musicians that make up this Pop/Punk Rock quartet. Music on their new album ranges from a heavy, up-beat hard rock, celebrating the pure fact of being alive, to quiet acoustic songs recalling life’s mistakes that we can all relate to. The group’s sound is very reminiscent of the punk-skater music that became popular in the late 90’s and mid 2000’s. Hard Soul’s lyrics are those that people of all ages can relate to, but would definitely be more favorable to teenage ears. Similar to bands like Green Day and Blink 182, Hard Soul has a raw, uncut feeling that holds nothing back in expressing the struggles and trying times in life that make us question our very existence.

    Hard Soul’s talented members have written, played, and produced the entire album themselves with the help of Steven Goldman at Four Legs Records in Washingtonville, NY. Front-man Johnny Salka is the beating heart of the band. Not only did Salka produce the album, but he also provides vocals and lead guitar, which is a large part of what gives Hard Soul their appealing sound. Helping out are Nick Kossor on lead and rhythm guitar and Ryan Klaeysen on bass. And last, but certainly not least, is drummer Mark Podbielskim, who ensures that your foot won’t stop moving till the album is finished.

    heart of plaster

    Heart of Plaster starts off with a track titled “Let Go!” and serves as a perfect opener to kick off their debut album. It starts off with a no-holds-barred driving rhythm intro accompanied by a public service announcement calling everyone to attention for “an important announcement.” The songs talks about the urge that everyone has known, where you just feel the need to escape from the real world and take time to figure out who you really are. Its high energy is a perfect vessel for the message to just let it all go and be yourself. The album’s big hit and popular music video, “Just Be Love,” is another fast tempo tune with a positive message. The song recalls the trials and tribulations of being “young and dumb” and reminds the listener that through it all, when you may be most conflicted, to “just be love.” The music video is the full band in a small room, with a crowd of loyal fans in the background dancing their hearts out to a tune they all love. The album’s tenth and last song, exemplifies the band’s stellar musicianship, versatility, and range of emotion that Hard Soul can evoke. “Sincerely” is an enduring eight-minute ballad that evolves from a solemn acoustic opening into a heart-wrenching electric guitar section that sends chills down the spine. This final track begs to know whether the love that singer-songwriter Salka has been feeling is real. He swears he will be fine with whatever answer he is given, but you know by the tone of his voice that heartbreak surely awaits him. All he wants to know is if she is sincere or if this feeling he has is nothing more than a fading memory.

    Hard Soul’s new album can be found on Amazon or itunes. You can also follow the band online via Facebook or their website, thehardsoul.com.

    Key Tracks: Let Go!, Just Be Love, Sincerely

    https://www.youtube.com/watch?v=xBZUR1k2eqM

  • Rochester’s Lilac Festival Announces Music Lineup for 2014

    Rochesterians are once again gearing up for the annual springtime Lilac Festival 2014 – lilacs, food, arts & crafts and most importantly, LIVE music! are all part of this celebration of warmer weather and lilac blooms. Taking place May 9th-18th in Rochester’s Highland Park.

    This family friendly festival boasts of live music and children’s entertainment all day, every day. Saturday May, 10th will host the Lilac Parade at 10:30am, while the rest of that week will be filled with live music, shopping for unique and handmade creations from artists, designers and craftspeople and carnival style rides for the kiddos.

    While a handful of the musical acts are local and somewhat tied to the history and backdrop of Rochester, each year the festival hosts a nationally touring well-known musical act or two. This year’s lineup has been released and the locals are excited about the bands playing this year’s festival without a doubt. All of the music events are free of charge and family friendly so grab the kids and your dancing shoes and head down to the Lilac Festival for some barefoot dancing in the fresh Spring grass, to the fragrance of the lilac blooms.

    Full Music Lineup:

    May 9, 2014 at 7:00pm – Duke Jupiter

    May 10, 2014 at 7:00pm – The Skycoasters

    May 11, 2014 at 7:00pm – Rubblebucket

    May 13, 2014 at 7:00pm – Classic Albums Live- Dark Side of the Moon

    May 14, 2014 at 5:30pm – The Infamous Stringdusters

    May 14, 2014 at 7:00pm – Keller Williams

    May 15, 2014 at 7:00pm – Rusted Root

    May 17, 2014 at 7:00pm – The Original Wailers

    May 18, 2014 at 7:00pm – Eddie Money

  • Regional Music History 101 with the Carolina Chocolate Drops

    The Egg Performing Arts Center’s American Roots and Branches series featured two unique acts that celebrated bygone eras of early American music that have since been revisited, to critical acclaim. Carolina Chocolate Drops, along with opening band Birds of Chicago performed in the Swyer Theater to an intimate sold out crowd, sitting quiet and focused during each song and story behind it, but applauded with great aplomb once a selection had completed. Hanging onto every note, the bands on stage were feeding a patient and receptive audience, eager to hear music that has otherwise been forgotten in American musical history.

    Carolina Chocolate DropsBirds of Chicago opened the night with a six song set of folk-country that was mellow yet had a steady beat. Performing for the first time in Albany, Allison Russell sang with a June Carter-esque voice and vibe, playing banjo and clarinet on “Wild Horses”. Making jokes about her heritage (Scottish-Grenadian-Canadian) and nodding to her husband JT Nero (who has an incredible range in his voice) who is also Scottish, noted that this only complicates their daughter’s extensive heterogeneous background even more. “Sans Souci”, a pre-zydeco French influenced tune was a highlight of the set, and with the guitarist using his pedal with a gentle touch, he carefully poured each note out carefully, turning what may have been a 45’ speed song to that of a 33’. The finale, “Fever” gave the audience a fake-out, where an initially chill and happy song turned into a foot-stomping rager. A perfect complement to the main act this evening, Birds of Chicago stood out with a sound that was as unique as their band members.

    Carolina Chocolate Drops took to the stage and opened up with an Emma Shelton tune “Pretty Little Girl with the Blue Dress on”, where Rhiannon Giddens somehow did not stumble over the complicated Micro-Machines-Guy speed of lyrics, accentuating every word perfectly. “Sandy Boys” encouraged a community sing-along, in an Appalachian/Hackensaw Boys style. A soulful “Country Girl” preceded a brief history lesson, taking the audience back to 1855 and using an 1858-era minstrel-style banjo, which had a light sound due to its hollow back. Along with the Bones, two pieces of wood click-clacked together with precision by Rowan Corbett, these are two of the oldest instruments in the world, brought to America by slaves from Africa and the banjo only brought into the broader musical pantheon in the latter part of the 19th century.

    Rhiannon, reserved and soft-spoken but with a stage presence that shows marks of experience and maturity that added to the sound and performance on stage, also played banjo and fiddle in the course of the evening, the latter of which was key to the sound of many songs and underscores Hubby Jenkins’ banjo. A Hank Williams tune suggested by a friend “Please Don’t Let Me Love You” preceded a solo tune from Hubby, who had only a single string holding his guitar around him – no sturdy strap – for this was a band playing ol’ timey music with ol’ timey instruments, down to how they wore them on stage.

    Singing Odetta’s “Waterboy”, the peak of the song was the wick of a firecracker, setting off the audience in applause and loudly garnering a ‘God Damn!’ from an audience member, certainly speaking for all. “Goin’ Down the Road Feelin’ Bad” was performed in a more upbeat fashion than the familiar Grateful Dead version while “Ruby”, a bluegrass standard, was played in its original version with dobro, bones and Rhiannon’s sweet voice eliciting the cry for the title woman. “Buck Creek Girls” had cellist Malcolm Parson playing his cello in the style of Edgar Meyer, and later picking it up to play it as the song accelerated, thanks to Corbett’s Bones, a new favorite instrument of all in attendance.

    Thanks to Scottish settlers in North Carolina in the 1700s, Scotch-Gaelic mouth music was brought to the region. “Puirt a Beul”, sung by the Chocolate Drops with a beat from the bass drum, it recalled Irish singing but without a full band sound and had a distinct language it, incomparable to any other folk style. These songs could have been an early inspiration for Cajun songs if the Acadians were to have picked something up on their way from Maine to Louisiana.

    As the set came to a close, more raucous upbeat songs were performed, closing with storytelling music in “Old Cat Died/Brown’s Dream”. The encore, “Read ‘em John” was a song about how to spread and enrich an idea, a capella style, a perfect Coda for the evening.

  • Sunday Sensory Overload with Mike Gordon at Bearsville Theater

    Bassist Mike Gordon of Phish tackled an impressive tour, promoting his latest album Overstep all over the country – plus a show in Canada – all within a month before returning to Upstate New York to the Bearsville Theater in Woodstock. Nestled in the Catskills, the venue holds less than 500 people with multiple viewing areas of the stage in what feels like a luxurious half barn, half log cabin. The cold and damp spring evening didn’t keep fans away who know better than to miss a Sunday night show. As the lights dimmed, Mike Gordon took the stage with guitarist Scott Murawksi, keyboardist Tom Cleary, percussionist Craig Myers and drummer Todd Isler.

    The lighting effects were ideal in an otherwise intimately dark setting. The lighting changed throughout the night, either synchronized with the music or completely off to focus a dramatic spotlight on Gordon and Murawksi. Everything on stage was used as an instrument, whether it was the actual instrument itself or the microphone stands, they all played a key role in a unique sound for the show. A mind game of shadows questioning your sight and perception, a recurring theme with Phish shows, of which Gordon is a master. Cleary led the way with vocals and strong keys for “Pretty Boy Floyd” that built up rockin’ harmonies along with a stand out, strung out, hi-bred Sitar solo from Myers.

    Mike took a moment to encourage the crowd to start a mosh-pit; a “friendly, Ska one [and] not the one resulting in blood everywhere,” he joked.

    After a brief intermission, the band was back on to start with a newer Phish song “555” with a recognizable melody that charged the crowd. One of the highlights of the second set was the jammed out versions of “Ether” and “Yarmouth Road” that had Gordon jogging and bouncing in place with a deep bass rhythm and alternating tempo. One of the coolest backgrounds was the scrolling city scape during the encore of “Cities”, clearly a big fan favorite. The entire show felt like a music video for an episode of the Twilight Zone with experimental jams that were unpredictable and forced the crowd’s attention to every detail. There was an eclectic blend of genres covered for everyone’s entertainment, with a variety of bluegrass, cosmic poetry and sci-fi jazz.  Mike Gordon’s shows aren’t dance-crazed parties; they are a chance to appreciate the bizarre twist he and his band create on old and new songs alike. Gordon’s tour will end this week with stops at Tarrytown, Mass MoCa and finally, the sold out show at Higher Ground in VT. Try very hard to get tickets to any of these shows.

    Mike Gordon, Bearsville Theater, Woodstock, NY – March 30, 2014

    Set One: Couch Lady, Face, Peel, Mrs. Peel, Dig Further Down, Pretty Boy Floyd, Spock’s Brain, I’m Deranged > Take Me to The River Jam> Tiny Little World

    Set Two: 555, Jones, Sailin’ Shoes> Ether, Yarmouth Road, Barton Hollow, Long Black Line

    Encore: I Wish I Could Shimmy Like My Sister Kate, Cities

    Download a recording of this show from Etree