Category: Regions

  • Cher Lloyd and David Correy Turn Up The Heat at the Spring Meltdown

    Central New Yorkers have ushered out the cold winter weather for the past three years with the help of Mohawk Valley Community College and Kiss FM 97.9/105.5 as they host their annual Spring Meltdown each April.  This April’s event was even hotter than the previous years with the headlining British sensation, Cher Lloyd, and her special guest, David Correy.

    cher lloyd
    Cher Lloyd

    David Correy is more than just an amazing performer, he’s an inspiration to all of his fans world wide.  Looking back on his life to date, David ‘s course of history appears to be predestined.  Born in Brazil to a family in extreme poverty, his mother made the difficult decision to give David up for adoption to afford him more opportunities in life.  This selfless act gave a couple in Annapolis, MD the opportunity to be a part of David’s life and love him as their own.  Throughout his childhood David was always drawn to music and performing whether it was in school productions or singing and writing music where ever he could.  David’s love for music was recognized and awarded with a full scholarship to the prestigious Berklee School of Music in Boston, MA.  Off to refine his craft in Boston, David was dealt a horrendous blow in his sophomore year when he became ill and completely lost his voice.  Having to give up school, David returned home to recuperate.

    This, however, didn’t deter David though as he pushed through the roadblock to only bounce back with more determination to succeed. But shortly after that, fate once again had alternative plans for David when he was in a near fatal car accident.  Once again David proved what he was made of and how much of a fighter he was, as he recovered and pushed back once again with even more perseverance.  In 2012 David was a contender on the second season of the US version of the reality show, X-Factor, being a member of LA Reid’s team.  Even thought he was eliminated, the appearance on the show lent a hand to fate once again and brought David and his birth mother back together as she recognized his baby photos on the show.  Chronicling the reunion with all of his Facebook and Twitter fans as it unfolded, we all became part of his heart warming reunion with his mother and family in Brazil.  Since the reunion, David’s talents have extended past the shores of America to incorporate fans world wide.  He has had opportunities to work with greats such as Ne-Yo, Bow Wow, Omarion, and the likes over the last few years. This world wide acclaim has widened to now incorporate sports fans as David joins forces with Aloe Blacc on David’s new song “The World Is Ours”, the Coca- Cola 2014 FIFA World Cup Anthem.

    In March of 2014, David once again was dealt with one of life’s unfairnesses with the passing of his adoptive mother.  As he grieved, he picked himself up and pushed through the pain yet again.  Joining us at MVCC for the 2014 Spring Meltdown only a few short weeks after his loss, he dedicated the show to his late mother and his Central NY family, the family that first embraced him at his first big show in 2012 at MVCC’s first Spring Meltdown, and the crowd welcomed him home with open arms.

    cher lloyd
    Cher Lloyd

    With the amazing talents of David Correy opening, Cher Lloyd could feel the love within the Jorgenson Complex as the crowd chanted and went wild in anticipation of the superstar to emerge. Cher Lloyd, at a young age of 20, hails from the UK and is best known for her appearance in the seventh series of the X Factor in the UK.  Finishing fourth however didn’t deter her as she was signed immediately to Syco Music, Simon Cowell’s label.  Releasing her first single “Swagger Jagger” the single went immediately to number one on the UK charts and five on the charts in Ireland. With a second release of her collaboration with Mike Posner on “With Ur Love”, her success was apparent as the single went top ten again.  In October of 2011 Cher signed with Logan Entertainment and we saw the release of her premier album, Sticks & Stones here in the US shortly thereafter.  The single “Want You Back” immediately went top ten and she was a household name in no time.  In addition to her amazing musical talents, she’s a beauty.  Signed as a model with the prestigious Select Agency, she began to appear on magazine covers as well.

    Cher Lloyd
    Cher Lloyd

    As Cher took the stage at MVCC, it was an amazing site to see how this petit firecracker took control of the stage and wrapped her audience around her little finger.  Her stage presence spewed of passion, strength, and life on her own terms.  As she sang many fan favorites from her first album Sticks & Stones interspersed with songs from the upcoming new album, Sorry I’m Late, (to be released by end of May 2014) it was apparent that her musical talents were unique and genuine to her vision.  As she performed acoustic numbers such as “Goodnight” a ballad writen about her father, and “Sirens” you gathered an insight into this multi-talented artist as she is much more than a pop, rap, hip hop, contemporary R&B.  She is a truly gifted songwriter and an amazing performer.  When categorizing Cher Lloyd to any one genre, one would be pressed to select.  She credits artists such as Nicki Minaj in trailblazing the unique sound she has created as well as legendary country artist Dolly Parton.  With such a diverse inspirational background, it’s only inevitable that Cher would create an unique sound of her own.

    [youtube http://www.youtube.com/watch?v=HvRV7zY75Ss&w=560&h=315]

    Touring since 2011 with the XFactor tour, and then accompanying Hot Chelle Rae in 2012 and Taylor Switft in 2013 on her Red Tour validates her upward climb to success in the US.  For those interested in catching her on tour this year, she will be out on the road with Demi Lovato on her 2014 Neon Lights Tour.

    Cher Lloyd
    Cher Lloyd

    Although Cher is only 20, her amazing talent and drive to the top signifies what a superstar this young lady is and will be in the future.  Many artists rise to the top with a few hits, but it’s her diversity in music and the ability to stay true to her craft that will maintain Cher on the top for many years to come.  It is the uniqueness of what she creates that makes her stand out above others.  It is her honestly in her songwriting and performing.  She’s definitely one that marches to the beat of her own drum, wearing her heart on her sleeve literally, proudly displaying her ink featuring her love of her father.  Cher develops an aura at her show.  By sharing details of her personal life with her audience she draws them in as friends and not just fans in an audience.  If we were to make predictions on future stars to watch for that will stay true to their music, true to their personal beliefs, and true to their creativity,  I would definitely place Cher on that list.  If I were to choose one word to describe Cher, it would be honest.  Cher is honest to herself and her fans, and that is why they love her.

  • Jimkata Comes Home to Play The Haunt in Ithaca with Turkuaz

    Ithaca’s The Haunt was the place to be on Friday April 11th as Jimkata and Turkuaz broke it down for the locals. Ithaca locals Jimkata has just returned from a countrywide tour that included 18 states and over 35 shows, with a few more still to go as they prepare for festival season. The band has been exponentially growing in popularity in the past few years, as they have made appearances at some of the nation’s largest festivals and venues. From the Rockies to the East Coast, Jimkata has been featured at Gathering of the Vibes, Summercamp, Catskill Chill, and most recently, opening Colorado’s SnowBall.

    Since Jimkata’s formation in 2006, the band’s style and overall sound has changed immensely. The band started as a jam/rock group with meaty guitar solos and psychedelic undertones, but since then has morphed into more of an electro/indie rock band. Jimkata’s influences can easily be detected in their music, with hints of MGMT, Talking Heads, and LCD Sound System. The unique electro-rock music that the band makes has somewhat forged a new frontier for this ever-expanding genre and is constantly evolving all the time.

    2

    Opening for Jimkata was the notoriously funky band Turkuaz. For those who have never seen or heard of the group before, your ears will be pleasantly surprised. The Haunt seemed almost too small for the energy and huge sound that Turkuaz produced. The band consists of nine members, including two saxophonists, both tenor and baritone, two guitarists, bass, trumpet/keys, two vocalists, and of course a rock solid drummer to keep all that funk together.

    Starting off the set was an unreleased track titled “Typa-Lika,” exemplifying the power that the group has harnessed. The distorted guitar, groovy bass line, and driving rhythm are comparable only to funk music masters such as Lettuce. Their set continued with all original songs from their three studio albums and even a few more unreleased tracks. Besides giving the crowd outstanding dancing music, Turkuaz also had a soulful side that allowed the audience to feel the music on a whole new level. Lead guitarist and vocalist Dave Brandwein, in combination with the two female vocalist/dancers sang the blues like no other, ending their set with all instrumental jam, “20 Dollar Bill.”

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    With the crowd sufficiently sweaty and riled up, Jimkata wasted no time making their way to the stage. In contrast to the big-bad-funk of Turkuaz, Jimkata started off with a more laid back tune, “American Cars,” combining psychedelic bass and synthesizer. Their popular songs “Lighter” and “Nightshade” followed, featuring big choruses and breakdowns, as what seemed like the entire audience bellow the lyrics “You can let it go!” The band maintained the high energy set with more songs from their two most recent studio albums, Die Digital and Feel In Light. Winding down the show, Jimkata pulled out some of its older fan favorites, going back to their roots with a couple tracks off their self-titled debut album. These songs allowed one to see the transformation the group has made from the harder rock and heavy guitar solos that Jimkata started off their career with. As to be expected, the Ithaca natives drew a huge crowd, filling The Haunt nearly to capacity with a party that will not soon be forgotten.

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    Turkuaz Setlist: Typa-Like, Bubba > Coast, Chatte > Lookin Tough, Rules > M’Lady > Tiptoe Thru Crypto, Murder Face > Pickin Up, 20 Dollar Bill

    Jimkata Setlist: American Cars, Lighter, Nightshade > Beat the Curse, Die Digital > Legoland, Electronic Stone, Feel in Light, Feed > Daytime Fiction, Low Low, Chainstore

    Encore: Intro, Release > Mind Crossing

  • Lacuna Coil, Kyng, Eve To Adam, and Cilver to play Westcott Theater this Tuesday, April 22

    Italian prog-metallers Lacuna Coil return to Syracuse for the first time in five years by playing at the Westcott Theater this coming Tuesday, April 22 at 7PM with Kyng. Lacuna Coil is touring to promote their latest album Broken Crown Halo, which came out April 1 and debuted with 13,000 copies sold its first week of release to land on No. 27 on The Billboard 200 chart.  lacuna

    Los Angeles based hard-rockers Kyng are co-headlining to promote their album “Burn The Serum” which came out on April 15, while New York City based alternative outfit Eve To Adam join the tour to promote their latest release Locked And Loaded which came out last November.  New comers Cilver from New York City is slated to open the show.

    Tickets can be purchased here.

  • Photo Gallery 2 – Rock n Roll Resort v4: The Dream Machine

    Staff Photographer Chris De Cotis gives us a look at Rock n Roll Resort v4: The Dream Machine in his photo gallery of the weekend. Check out the full review from Tim O’Shea and Susan Rice  and Bryan Lasky’s photo gallery too!

  • An Intimate Evening with Art Garfunkel: More Spring/Summer Dates With Appearances in NY and MA

    Art Garfunkel, legendary folk singer known for his part in Simon and Garfunkel, has recently returned to the stage with a select number of acoustic performances across NY.

    Starting his tour Garfunkelthis past December Garfunkel has just announced more performance dates for late spring and early summer, with three of those stops in downstate NY and the not-too distant reaches of the Capital District. Garfunkel recently performed several shows in New York, New Jersey and Connecticut between the months of March and April.

    Be a part of “An intimate Evening with Art Garfunkel,” an acoustic performance with songs, anecdotes and prose at these nearby tour stops:

    Tour Dates:

    June 13: White Plains Performing Arts Center, White Plains, NY (Tickets now on sale here)

    June 14: Paramount Hudson Valley, Peekskill, NY (Tickets are on pre-sale until April 20, open to the public afterward here)

    June 20: Mechanics Hall, Worcester, MA (Ticket sale date not yet announced)

    For a full listing of Art Garfunkel’s performances, visit his website here.

  • Phil Lesh and Friends Trucking Over to Central Park

    Coming hot off of the heals of eight great performances at The Capitol Theatre and two at The Brooklyn Academy of Music, Phil Lesh and Friends have added a new show at New York City’s Rumsey Playfield in Central Park on Wednesday May 28.

    For this performance Phil’s friends will be Warren Haynes, Joe Russo, John Medeski, and John Scofield. All of these amazing musicians have played with Phil in prior incarnations of the friends band over the years. This show is part of the deal that Phil Lesh made with Peter Shapiro at the beginning of the year that is letting New York City Deadheads reap the benefits with plenty of music from the 74-year-old bassist. Tickets go on sale on The Capitol Theatre’s website on Friday April 25th and Noon.

    Scott_Harris_Phil_Central_Park_2013.11.9_1024px_20
    Photo Credit: Scott Harris at the Central Park Jazz and Colors Festival 2013
  • Local Limelight: Familiarize Yourself

    Based out of the extended Capital District, Formula 5 has been gaining fans from over the Upstate region and beyond with their improvisational funky jams. Familiarize yourself with Formula 5 consists of Joe Davis on guitar, Mike McDonald on keys and Bill Shattuck on bass.

    Their live performances are nonstop dance parties as they combine elements of funk, jazz, rock and more to their own original music. Besides their unique sound, each show sends the crowd soaring with covers and teases from a never ending list of musicians such as Phish, Herbie Hancock, Elton John, Steve Miller Band, and Was Not Was.

    Ever-changing melodies with familiar sound and catchy lyrics are enough to turn anyone into a lifelong fan. Formula 5 has performed at Upstate festivals such as Strange Creek, Backwoods Pondfest, Green Mountain Getdown, Autamation Indoor Music Festival plus many others. Don’t miss their new album Edging on Catastrophe release party Friday the 18th at Red Square in Albany with The Hornitz and Suitable Groove or Saturday the 19th at Monopole Bar in Plattsburgh with North Funktree. The boys will always be a part of this year’s Spring Revival festival May 8th-11th in Macedon, NY.

    Susan Rice: You are parting ways with your bassist, Bill Shattuck. What is one of his strengths as a musician that you will miss most?

    Formula 5: Well anyone that knew Bill knew that he had quite the presence, whether it be in person, on stage, or when we were writing new material. His stage presence is something that we will surely miss and his ability to completely take over or lead a jam was second to none. Bill was an extremely creative person, our friend, and has been a huge part of what we’ve developed with Formula 5.

    SR: With the addition of a new band member, how does this effect your band’s formula for practices and live performances? Does each member find himself adjusting drastically or is this an easy transition?

    F5: Any time you bring in a new member and especially because we are a very improvisational “jam”-type band, there will always be a significant difference in the dynamic of the band. James has a very different style and with it a different set of influences that shape his playing A large reason we were so impressed with James was with his ability to just fit into our style so quickly, it was like we had been playing with him for months and this was literally his first time playing music with us. In terms of our live connection as a band, we’ve felt that progress abnormally quickly.

    SR: Formula 5 is known for their original improvisational tunes as well as some recognizable covers, especially from Phish. How has their music influenced you? Any specific shows? Do you have plans in the works for any Phish after parties during the summer tour?

    F5: Phish is obviously a very big influence on us and they helped pave the way for artists in this broad genre of jam music. Our favorite part of Phish is that they span so many different styles of music and their extensive list of covers helped open our eyes to some amazing artists that came before them. The question about specific shows that have influenced us is a GREAT question, Joe would have to nod to the 12-29-97 MSG show as he felt it was some of their best playing as a group. Mike’s would have to be 6-11-94 (Red Rocks) because it was one of the early SBD bootlegs of Phish (long before the days of Live Phish and torrents) he received on cassette tape and it was some of their most polished, energetic playing or go with the Colonial Theater show from 7-12-91 with the awesome addition of the Giant Country horns. James’ favorite would be the infamous 10-31-94 Glens Falls show because he remembers his friend burning him a copy and recalls it as an “eye opener” musically. As for after parties, we will have to see…..

    SR: With the release of your new album, ‘Edging on Catastrophe’ what are you hoping to achieve with new and old fans? Why that album name? I would think that you are on the edge of a great explosion of success.

    F5: The album is definitely a step in the right direction, we were trying to illustrate how our songwriting has developed but we are also trying to push our music in different directions. And yes, that means there will still be a healthy amount of “jamming”, or improvisation, on the album but we have a few shorter ballad type songs that show another side of us as well.

    The title “Edging on Catastrophe” specifically comes from a lyric on the second track on the album “Earthbound Tim”, to us it represents a sort of fearlessness and freedom that comes from living in the moment. This theme is represented lyrically throughout most of the album and in the overall musical layout of the album as well. We like to push the energy live and improvise as a group in the moment, which adds a lot of risk for “catastrophe” but can also create special moments of musical connection that otherwise won’t be attained.

    SR: It’s almost festival season, if you had the choice to play at any festival in the United States, which
    one would it be and why?

    F5: Right now, I think it would have to be gathering of the vibes. It’s such an amazing festival and has been the ultimate festival in the northeast for years now. This year’s lineup is ridiculous.

    SR: In efforts to help fund your latest album, you went thru Indiegogo to request contributions from fans. What was the easiest part of the process? What was the hardest?

    F5: The easiest part I suppose was the setup of the actual campaign. The indiegogo service is great and they help bring some amazing independent art and music projects to life. Honestly the hardest part was “panhandling” to people who love original music. Fans may think we are just being lazy with it and asking for additional handouts to be able to play music, but when it comes down to it, there is a lot more time and money that goes into being in an original band than most people know. We know these are not the best of times economically but through our fans, friends, and family we were able to help pay for this album which has been our focus for the last 4-5 months and we can’t wait for everyone to hear the final product.

    http://www.youtube.com/watch?v=X45ewXJZIms

    Keep up to date with all things Formula 5 on their website, Facebook, Twitter and download their shows for free via their archive page.

  • Portraits: Legendary Pianist Chick Corea at The Massry Center

    The Massry Center for the Arts played host to yet another legend of American music, bringing Chick Corea to the stage of the Picotte Recital Hall on April 11th. The venue has played host to Soulive, Chris Thile, John Medeski, B.B. King and numerous classical performances in its brief six-year history, putting the yearly calendar on par with The Egg when it comes to spectacular music in a state of the art performance space. Speaking with a Boston brogue meets Manhattan accent, Chick sounded a bit like Vermont Senator Bernie Sanders, passionate and thorough in his insight into the music of the evening.

    chick coreaOn this evening, Chick Corea used but did not need the microphone to address the sold out crowd, for the venue’s acoustics allowed for his voice to echo throughout the entirety of the Hall. Coming out unannounced, Corea spoke of attending Saint Rose church while growing up in Chelsea, Massachusetts, referencing the collegiate campus of The Massry. He spoke of leaving Massachusetts for New York City, so he could be with his musical heroes, many of whom he performed the work of this evening. Opening with “It Could Happen to You”, recorded by Miles Davis, his fingers glided across the Steinway & Sons piano, followed by an introducing the crowd to Stan Getz “Desafinado” and played bossa nova on the piano.

    Corea then asked the crowd, “Would you like to hear something by John Coltrane?”, and he then proceeded to play a track from Village Vanguard, off his phone, into the mic, for a solid 30 seconds, with laughs and applause from all. No one complained about this, and it lightened up the evening even more. Chick Corea was not looking for a night of serious, focused performance, but one where he interacted with the audience and kept things light. Two Bill Evans numbers followed, “Song #1” and “Very Early”, the latter a serenading waltz.

    chick coreaRemarking that Thelonius Monk was the “most profound jazz composer,” he treated the audience to “Pannonica,” elegant and melodic, and “Work,” plucking the internal strings for an added, deep bass sound and a highlight of the evening. Continuing with tributes to those he admired and called friends, he spoke of Stevie Wonder, who he first met in 1972/1973 at The Bitter End in New York City. Having recently discussed American standard songs, such as “My Funny Valentine,” Stevie said to him “What about new standards, like my music?” Donning a flannel shirt, Chick played “Overjoyed” and “Pastime Paradise,” which found audience members mouthing the lyrics to two classic Wonder songs.

    A break from 20th century musicians brought Corea back to 19th century composer Frédéric Chopin, performing the Polish composer’s “Matzurka in A Minor, Op 17 No 4”; regardless of familiarity with the piece, all took great pleasure in this beautiful classical selection. Corea then took a step back, raised his hands to the piano in thanks and took a short break to allow the piano to be briefly tuned. He strolled back out to the stage 15 minutes later, unannounced, and casually waited for the audience, even taking a moment to answer a pronunciation question on Monk’s “Epistrophy”. The final cover of the night was the late Paco de Lucia’s “The Yellow Numbus”, with each hand playing two distinct melodies, intertwining the Spanish influence of the late de Lucia along the journey.

    chick corea“I have an idea,” said Corea. He wanted to create portraits, also the title of his latest double album, chock full of solo performances. He invited audience members who were interested to come down and have a seat next to the piano while he improvised their ‘portrait’, much as a visual artist might do, but in this case, his medium was the piano. Four audience members were given a rare treat – a personal composition based on nothing more than their name and appearance.

    chick coreaPortrait #1 was for Nancy, a Kindergarten teacher, a lovely number that seemed to combine the theme to ‘Mr. Rogers Neighborhood” and springtime. Portrait #2 for Richard in his off-white suit had a Billy Joel mid-70s vibe. Portrait #3 for Lorena ‘from the mountains’ (Inlet, NY), sounded like Glassworks #4 and was truly gorgeous. The fourth and final portrait was for an audience member most were familiar with, Jim Kambrich from WNYT, whose Portrait started out in the vein of Walt Disney’s The Old Mill (1937), with a fresh, light and airy ending.

    Chick Corea then spent the last 10-15 minutes performing a variety of his “Children’s Songs”, musical portraits of the spirit of children. Playful, energetic, and brief – these too can be found on his double album Portraits. His hands jumped over one another, a game of leapfrog on the piano, and when they weren’t doing that, they were once again playing inside the piano, creating at times a harp sound, at others that of a harpsichord, with different plucks along the inner body of the piano.

    chick coreaSome of Corea’s “Children’s Songs” could compared to The Grateful Dead’s “Space”, with added piano accompaniment. Ending with a flourish and an audience cheering for more, Chick quietly left the stage, the audience left to catch their collective breathes and reflect on the masterful performance they had just witnessed.

    Setlist: It Could Happen to You, Desafinado, Song #1, Very Early, Pannonica, Work, Overjoyed, Pastime Paradise, Matzurka in A Minor, Op 17 No 4^, The Yellow Nimbus, Portrait #1, Portrait #2, Portrait #3, Portrait #4, Children’s Songs (multiple)

    ^followed by a short intermission

  • Rock N Roll Resort v4: Dream Party Machine

    Rock N Roll Resort v4 was a dream come true for those looking to start the festival season of 2014 on the right note. Wicked Cool Productions and Magic Hat presented the fourth annual music and arts festival hosted at the Hudson Valley Resort & Spa in the heart of the Catskills in Kerhonkson, NY on April 4th-6th. Given the history of the resort, it was the ideal location to host such a grand weekend party after the long winter and cabin fever that Upstate had endured. With over 60 musical acts, 4 stages, an indoor shakedown scene, the Overlook Art Gallery, themed costume nights, plus all the extra activities, dreams came true for guests at Rock N Roll Resort v4: The Dream Machine.

    Friday night’s festivities began with a set from Scooter Dude in one of the more ornate and lavish rooms that Hudson Valley Hotel and Spa offered, the Grand Ballroom. Located right off the main lobby and in the heart of all the action, so to speak, this carpeted dance room saw luxurious couches lining the outside of it for comfort and an incredible chandelier that aided everyone’s visual enjoyment. Every band and/or lighting director took turns all weekend using this crystal centerpiece to their benefit by bouncing and reflecting lights off of it, much to the delight of all in attendance. This was definitely one of the more aesthetically pleasing constants of the weekend which never failed to disappoint. Space Carnival took over the Grand Ballroom for a set filled with their spacey disco jams that included a killer Talking Heads’ “Cities” that sent the crowd shooting through the room almost as fast as the laser beams. The Oneonta quartet took their performance with serious precision as they lopped melodies and held a fast consistent dance tempo that was hard to orbit out of.

    Guitar phenom Bobby Paltauf was joined by Jen Durkin on the Acoustic Stage which was located literally right in the center of the lobby, so it was by far the most accessible of all the stages. Their hour long set gave the young guitarist a chance to make his name known and featured a fun take on the Keller Williams classic hit “Best Feeling”. This was a pleasant intro for one of the more pure rock n roll acts of the weekend, The Broadcast. The played in one of the two larger rooms of the weekend, the Empire Lounge, which had all the look and feel of a swank cocktail lounge from the 70s. While the room may have been a little sparse due to late arriving festival goers, the Asheville, North Carolina rock outfit delighted those who had checked in already with their energetic set of primal rock. The icing on the cake was a phenomenal version of Led Zeppelin’s “Rock and Roll” which could have easily served as the motto for what this group delivered all weekend. With a lot of electronica and funk outfits on the bill, their brand of pure rock, with an impressive female lead singer named Caitlin Krisko, was quite the breath of fresh air.

    It was a short walk from the Empire Lounge to the adjacent Manhattan Theater that housed many of the larger acts of the weekend. The first of these was Upstate New York’s own Conehead Buddha. The resurgent rock, funk, reggae and ska act delivered a little bit of all of this and then some to the patrons that were in attendance early. With a nice mix of uptempo originals and cover songs, Conehead Buddha did a fantastic job of turning a fairly empty and lifeless room into one full of energy and anticipation for the rest of the weekend. The Alchemystics turned the Empire Lounge into a tropical storm of smooth reggae and hip hop that preached fierce words of spreading love and hope. The soulful groove was contagious as the simple and exotic percussion kept bodies moving with lyrics that inspired a revolution on the dance floor. The vocal harmonies were uplifting with echoes of a timeless message but with a modern day aura.

    BRYAC Funk Allstars is a collaboration of all things funk from Connecticut with members from Kung Fu and Deep Banana Blackout. A classic big band sound like an Earth, Wind and Fire funk, but with way more edgy rock. The band’s everlasting notes and chords kept the peaks high as the brass section kept in triumphant unison. One of the highlights of the set was the head banging, thrash about jam of “Red Hot Mama” with Jen Durkin wailing on vocals and tambourine. Peter Prince & the Trama Unit was a five-piece, pure rock show mixed with funk and a great female sit in from Shannon Lynch of Conehead Buddha on Saxophone for “Friends” for an added jazzy blast. Peter Prince wailed bluesy vocals as Johnny Trama joined him for continuous guitar shredded. DJ Honeycomb sweetened the night in the Grand Ballroom with sit-ins by Friendship from The Hornitz and fellow beat boxer, Frido Lays, putting a fresh spin on the night with their fast spitting beats.

    Dumpstaphunk then took over the reigns of the Manhattan Theater which was now much more full of revelers. This act has become a staple on the festival circuit and their vibrant, energetic blend of rock and funk always seems to draw a crowd. Friday night was no different as the energy and mood of the venue continued to soar with each new number played by this supergroup of sorts. Drummer Nikki Glaspie really stood out in this performance (a feat unto itself) which was punctuated with a spellbinding “Drum solo -> Scat solo -> Immigrant Song” cover. Tauk was the set of the night with their face melting rock jams that took everyone by surprise in the Empire Lounge. The quartet from Brooklyn has a consistent rhythm in their live performances as they fuse progressive rock with experimental improvisation creating a unique genre of their own. Tauk’s instrumental rendition of The Beatle’s “I Want You (She’s so Heavy)” is one for the ages as they break it down to hypnotize audiences with pauses and driving climaxes.

    Saturday

    Saturday was a fresh start for festival goers to wake up to a catered breakfast, enjoy the spa amenities and partake in the numerous activities being hosted such as the Disc Golf Tournament, The Great American Pin off and the Magnificent Mini-Golf Tournament. The afternoon saw bands like Eggy, a galactic rock band, and The Hornitz, a beatboxing funky dance duo, kicking things off to start the day before 7 Below, an up and coming Phish cover band, did their thing in the first set in the Manhattan Theater of the day. The energy really kicked up with SOLARiS and their set in the Grand Ballroom. Taking full advantage of all the sights and sounds this room had to offer, this rising act that was formed in Binghamton, NY was really one of the jewels of the weekend. Producing way more energy and sound than any normal three piece band, this group has the look and feel of established electronica acts like The New Deal and Conspirator. They had everyone bouncing around the room to their infectious sound, including one guy who was compelled to do multiple back flips on the dance floor. This is truly an Upstate band that should not be missed.

    Their set flowed quite nicely into that of another Upstate New York act, Roots of Creation. These guys have been delivering their brand of ska-infused rock for many years now and it was nice to see them get a respectable time slot for their performance which featured a nice take on the Grateful Dead classic “Row Jimmy” among other songs. Following them in the Empire Lounge was another great New York band that’s fairly new to the scene as a band, but with musicians who have been around the block a little. Mister F is composed of members of the now defunct Timbre Coup and Capital Zen and they recently released their first album entitled The F Stands Four. Rock and Roll Resort was an ideal venue for this band to start having their sound heard by the masses. They play a truly infectious brand of electronic-based rock that had the entire room dancing in unison. With stellar performances of songs like “Vocoder” and “This One Goes to 11”, there is no doubt this performance turned some heads and garnered the group a few new fans.

    One of the other weekend headliners, Everyone Orchestra, then took center stage for the night. Featuring prominent names like Steve Kimock, Reed Mathis, Natalie Cressman and Jennifer Hartswick, this traveling ensemble delighted everyone with a special blend of jams, improv and soaring vocals courtesy of Hartswick and Jen Durkin who resurfaced during their set. EO delivered the soaring jams and quirky improv along with the audience participation for which they’ve become so well known.

    Business Casual Disco kept the party going in the Ballroom with their DJ remixes of classic and today’s hits with danceable beats and breakdowns. The crowd pleasers were The Jackson 5’s “ABC ” and Daft Punk’s “Doin it Right.” But for a completely different direction, Cabinet provided a Bluegrass Americana groove that is a classic staple to the historic Catskills and the rest of Upstate New York. The Empire Lounge was filled with string plucking and picking, as bows glided with rising vocal harmonies. Jordan Simms had quite the rowdy crowd singalong in the Acoustic Stage area as he played a late night set with Nephrok, Bobby Paltauf and Jen Durkin for the Rolling Stones “You Can’t Always Get What You Want” and Joe Cocker’s “Feelin Alright.”

    The last major act of the evening was a break from all the other groups that did such an exemplary job of representing both New York and the East Coast. The Motet flew out from Colorado and delivered a true dance party. This most recent incarnation of the band has been touring nationally the last few years and includes elements of funk, afrobeat and disco among others that had the entire Manhattan Theater eating it up. This represented perhaps the peak of the weekend in terms of intensity and crowd population. Seemingly everyone in the hotel was present for both of the band’s sets this evening. The highly anticipated act delivered a rousing performance that surely had some folks hoping they’ll be on other bills later this summer.

    Sunday

    With the Sunday theme being “Pajama Party”, everyone was dressed with bathrobes and slippers, ready to relax and enjoy the last day of Rock n Roll Resort. The Akashic Record, the five-piece funk machine from Boston woke up the crowd with jazzy, free flowing tunes with solid Hammond organ jams thanks to Beau Sasser and soul charging trombone from Brian Thomas. Sasser stayed on to take the reins for the later set of Beau Sasser Trio who had members of Turkuaz join in for a cover of Frank Zappa’s “Stinkfoot.” The Grand Ballroom was filled with sweet salvation pouring from the vintage organ all day long and out into the glorious sunshine for festival goers to enjoy the fresh air. The Kings of Belmont returned to the Empire Lounge in the morning after having their raging first set of the weekend at 4:30am on Saturday. Keeping with the easy flow of Sunday, they covered Pink Floyd’s “Time” and “Breath” for a psychedelic groove.

    One of the great things about festivals, no matter the type, is a band that’s somewhat off the radar beforehand and then blows the house down and makes one of the biggest impressions of the weekend. Turkuaz filled the role of pleasant surprise this weekend and did it in a most impressive manner. This nine-piece band featured a blaring horn section, two guitarists, backup female singers, along with a sterling rhythm section that all worked in perfect harmony with each other from start to finish. It was loud, it was energetic, and it was in your face rock music that blew the roof off of the Hudson Valley Resort and Spa. A first set cover of Peter Gabriel’s “Sledgehammer” was played with precision and was very well received by the crowd, which had dissipated a lot from yesterday as many festival goers chose to leave early on Sunday. Although the numbers may have been fewer, the energy of those still remaining and dancing was palpable. This is all thanks to Turkuaz, a must see act that’s surely coming to festival near you in the future.

    To cap off a fun and full weekend of music, the Rock n Roll Resort Superjam featured a constant revolving door of talented artists. From Beau Sasser to Nephrok himself, the Superjam was a fun and spirited way to cap off the festival. The couches in the Grand Ballroom may have gotten a little more use at this part of the weekend due to tired legs and bodies, but there was still a lot of good music to experience before calling it quits. The crowd did eventually thin out even more and as traces of sunlight began to make themselves visible, it was clear to all that this massively successful festival was at its end point and the time to start planning for next year’s bash was now underway.

  • Turkuaz and Playonbrother Coming to Funk Up WNY on Back to Back Nights

    Turkuaz and Playonbrother kicked off their co-headlining tour together just a few weeks back with an atypical album release party for both bands in Saratoga Springs.  Turkuaz released Future 86, while Playonbrother, fresh off of a name change, released their Woodstock Sessions album.  Fast forward to today, and this funk train is barreling down the I-90 for stops at Rochester’s Montage Music Hall on April 17th and Buffalo’s Nietzsche’s on April 18th.

    Turkuaz has been blazing a path for themselves via combination of feel-good funk and constant touring.  The band is just coming off of their two-set performance at Rock ‘n Roll Resort with raving reviews from those that were there.  Similar to Lettuce, this funk “army” calls New York City home and has a deep roster that’s completely stacked with talent.  With as much as we could go on about these guys (and gals), that’s just half of the show.

    Playonbrother isn’t a band you want to sleep on.  You may not recognize the name quite yet, but I promise you, you will know it walking out.  The band’s last show in Buffalo was when they were still known as Alan Evans Trio, but their sound and sheer funk-ferocity haven’t changed.  Despite their size, the trio packs a huge punch live and offers up an opposing approach to their tour mates, who easily outnumber them.

    Besides how well the two fit on paper, they seem to have great chemistry off the stage as well.  For Beau Sasser’s birthday, the two bands combined to form Jaguar at Beau’s home base of Bishop’s Lounge in Northampton, MA.  The special evening featured Beau on hammond organ (POB), Michael Angelo Carubba on drums (Turkuaz), Danny Mayer on guitar (POB), and Craig Brodhead on guitar as well (Turkuaz).  For our shows in Buffalo and Rochester, there’s been rumors of some more intermingling of band members with the Turkuaz horn section prepping to join in on Playonbrother’s set.  It’s not too far-fetched either as we all know that Alan Evans has always loved to add horns to his other band, Soulive.

    Regardless of what happens, one thing is for sure: your feet won’t stop moving from the drop of the first beat to final crash of the cymbal.  These two bands have been having a great time on the road together and that will only permeate throughout the crowd and Western NY region following these two dates.