Staff Photographer Bryan Lasky gives us a look at Rock n Roll Resort v4: The Dream Machine in his extensive photo gallery of the weekend. Stay tuned for a full review on Wednesday and Chris DeCotis’ photo gallery on Thursday.
Friday Saturday Sunday Photos
The lineup for the 2014 and eighth annual Backwoods Pondfest in Peru, NY was announced Sunday night via Facebook.
All, that is, except for the headliner.
The list of acts is heavily laden with Upstate New York talent – Twiddle, Spiritual Rez, Turquaz, Cabinet, Alan Evans Trio, The Garcia Project, Lucid, The Manhattan Project, Hot Day at the Zoo, Sophistafunk, Aqueous, The Blind Owl Band, Conehead Buddha, Capital Zen, Big Daddy Love, Big Mean Sound Machine, The Big Takeover, Mister F, GUBBILIDIS (Twiddle Duo), Formula 5, Doomfxck, and North Funk Tree.
As it has since the beginning, the festival will take place at Twin Lake Campsite on August 8th and 9th, a tossed apple from Plattsburgh; or, roughly 13 miles south of the college town.
Advanced tickets are on sale now for $70, and will continue to be sold online until August 5th. Afterwards, tickets are advertised to be sold at $85 ($5 off with a non-perishable good) at the time of the show.
Tesseract will make an appearance at The Chance in Poughkeepsie on Sunday, April 27th. This tour, named after their latest album, Altered State, will Ashe O’Hara on vocals, who delivered a critically acclaimed vocal debut for the album.
Metal veterans Intronaut will open the concert with Cloudkicker, which will be a first time experience for fans, as this is the first time Cloudkicker will make an onstage appearance featuring members of Intronaut to fill out their parts.
Tickets are available through Bandsintown as well as The Chance Theater.
Formula 5 is one of those hidden gems hidden within our borders of Upstate New York. The band generally calls Albany, and the surrounding area, home and has been lighting up that scene for a couple of years now. The band’s latest offering, Edging on Catastrophe, is the follow-up to their self-titled debut album that was released last year. From their debut to their sophomore release, the band has grown tremendously in their cohesiveness and general song writing capabilities. The new album as a whole spans many genres, yet keeps a tight flow between songs as they sonically weave their way in and out of each style. Throughout this album, you can hear the guys touch on funk, bluegrass, jam, electronica, blues, reggae, and many others, all while keeping a general theme throughout. The four-piece has developed their identity and this album really shows their comfort within that while still stretching into untouched areas.
The first song that grabbed my attention was “Pedro,” which really showcases guitarist Joe Davis’ skills as he leads the band melodically through this piece. This song illustrates another thing the band does well, which is understanding how far to push a jam. The guys have a great feel for how much is just right and your ears are continuously treated to that balance on this song and throughout the album. The band lays down a solid backing through the first few minutes of the song with a catchy little guitar riff and a chorus that opens up and allows the band to stretch out. As the song progresses, it continually picks up steam until around four minutes in when the band takes it over for some exploratory jamming. Their choices for both the effects on their instruments and overall ambient sound is spot on, providing a perfect and slow-rolling current for keyboardist Mike McDonald to show his skills while trading off with Joe Davis’ riffing. The closing minute of the song swells before relaxing and jumping back into the chorus, bringing it back full-circle and resolving the built-up tension.
My favorite song on the album immediately follows “Pedro” and is appropriately titled “Ride.” The song starts with some ominous keyboard chords before the bass and drums jump in, giving it an STS9-like feel right from the get go. The vocals and instrumentation on this song are layered perfectly and combine for a haunting and transfixing composition. The verses of this song remind me of Neil Young’s “Rockin’ In The Free World” and has the same internal pull that evokes raw emotion. The second guitar solo that starts around the four-and-a-half-minute mark comes out of nowhere as, leading up to this point, the song was still mellow and relaxed. The driving nature of the band combined with Davis’ playing launches you from the ground and into the outer atmosphere. He makes beautiful lines through the chord progressions and really adds color to the overall song before it slows down again, tucking away into this beautiful environment of ambient tones that’s both driving and relaxing at the same time. At around the eight-minute mark, you can hear a little Paul Simon “You Can Call Me Al” flavor from the keys before the band begins the haunting swell that closes the song. As the pace climbs, notes are blurred together and the beat continues to escalate before they drop you on your face, leaving you wondering where the ride left off.
Throughout the rest of the album, the band does a tremendous job of really engaging the listener with a wide array of music styles, terrific lyrics, and overall top-notch musicianship. If you want a snippet of how talented these guys truly are, take a listen to “Timmy’s Dream,” as the minute-long jam really shows how polished their sound has become in their short existence. I will be the first to admit that I haven’t had the time to check these guys out up until now and I now fully regret that decision. It’s baffling to me how such a young band could put out an album of this caliber; whatever the formula is, it’s dialed in right with these guys and other bands need to take note. Edging on Catastrophe is edging on being the catalyst to a very successful future.
Key Tracks: Pedro, Ride, Nu-Gen
Upstate New York’s Formula 5 have announced the release of their sophomore album Edging on Catastrophe. A more ambitious project than their debut album, it contains 13 tracks total and has a run-time of near 75 minutes. Recorded at the beautiful Edie Road Recording Studios in Argyle, NY, Edging on Catastrophe seeks to illustrate the progression of the groups song-writing and album-crafting, while continuing to satisfy the group’s ever-expanding palette for different musical styles. They also bring to the table a new bassist in James Woods.
Sprinkled into this album are various musical styles including bluegrass, folk, funk, reggae, and electronica, among others. This album incorporates a more cohesive feel with each track thoughtfully blending into the next through the use of re-occurring melodies and lyrical themes throughout. The appearance of acoustic guitar, violin, saxophone, trombone, an increased use of synthesizers, instrument and studio effects provide for a more polished final product. Guitarist and songwriter Joe Davis echoed this sentiment. “I’m really excited for people to hear the growth we’ve had over the last year. I feel this album is much more complete than our last and I think that will be clear right from the very first track. We explored a lot of new territory this time around in the studio and I’m extremely pleased with our effort.”
Album release shows will be held on April 18th at Red Square in Albany, NY with The Hornitz (Boston, MA) and Suitable Groove (Albany, NY) opening the show, and April 19th at The Monopole in Plattsburgh with locals North Funktree opening.
The April 19th Formula 5 show also marks the debut of new bassist James Woods joining the band with his fretless bass and a root in jam and improvisation. “It feels great to be a part of a band which not only appreciates the bass but also a band that works as a whole. Every instrument is adding equally to deliver music, not just a spotlight for a single person.” Joining the band has proved seamless for Woods, a Lake George native. “Being a new member to this group I’m exited to add a fusion edge to the sound, constantly piece together original ideas and bring the fretless tone back and into local music.” Added Woods, “It’s not every day that you can link up with some new musicians and throw together a Jeff Beck song in a few minutes.”
Keyboardist Mike McDonald follows suit with the excitement of Woods’ addition to the band. “We are extremely excited for the next chapter of Formula 5. What immediately drew us to James was his interesting style and bass tone. He plays a fretless jazz bass and immediately brought a new feel to our style of improvisation and groove. You will notice this change instantly, but we feel this is a great opportunity for us to evolve as a band, continue to write interesting new material and push the boundaries of what we want to do as a band. James will be a key component of really pushing us there.”
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On May 7th the road leads full circle for Ben Mauro, Syracuse native and world-class musician, as he takes the stage at Shifty’s Bar & Grill on 1401 Burnett Avenue to launch his new EP, Take Your Time. The year was 19-something when those at Shifty’s Bar & Grill first saw Ben take the stage for open mic night.
Since that time, he’s gone full steam ahead to have one of the most successful careers a musician could hope for, traveling the world, meeting and playing alongside the most amazing musicians, mentors, and fans along the way. However, after only two seconds I knew he was something special as we chatted about his upcoming event. The success that Ben has achieved has not changed his priorities, and this is apparent as he comes home to share this special release. Giving back to the community that embraced him originally was Ben’s goal, and for this we embrace our home town star and say thank you.
As I reviewed the new EP Take Your Time, I came away with a sense of who Ben is and what he wanted to achieve in his new release. His versatility is amazing to me and after speaking with him, I can see how all of the influences over the years lend to what we hear on Take Your Time. A positive vibe comes across in his sound as the lyrics tell a story of love, happiness, and living life uncomplicated as it should be. With a mix of pop, country, southern rock, jazz, and Latin flavor the audience is treated to many genres, sounds, and instruments along the way. In “She’s Beautiful”, the jazzy tune is upbeat and happy with an interjection of a sax solo that is reminiscent of songs during the Motown era. In “Complicated” Ben’s songwriting skills inherently shine through. While on the track “Down By The River” you have this urge to grab a cooler, bathing suit, and fishing pole to play hooky all day like Huck Finn and Tom Sawyer. On the title track “Take Your Time” Ben’s guitar solo rocks this number to the point where that’s the one thing that stands out..WOW…this man can play a guitar. Here’s a small taste of “Take Your Time.”
Lately I’ve been on a kick for ethnic sounds and find myself drawn to songs of this nature so on the final track “Burn It To the Ground” I was immediately drawn in to the sultry song with the Latin flair to it. Not only does it showcase the songwriting talents of Ben, it also showcases the amazing talent of Ben’s backup musicians with the percussion and keyboards, while his guitar solo evoked a feeling of being in a small cantina listening to the mariachi band serenade me. Only thing missing was my cerveza. Over all, once I listened to the Take Your Time EP, I couldn’t help feeling happy, upbeat, with an admiration for Ben. I was curious to see who and what had influenced him over time to bring us to the point where this mix of music originated from within. So as Ben toured the world with Lionel Richie through Australia, Asia, and many countries, he so graciously took the time to answer a few questions for me and the audience to get to know him better.
Kathy Stockbridge: So let’s begin this journey and share with me some insight to how it all began. When did you know that music was your destiny? You share how you began as a young adult jamming in the basement to Led Zeppelin tunes, but did you also participate in music through grade/high school also? Garage bands? Marching Bands? Was a formal education in music helpful to your understanding of the craft?
Ben Mauro: I played French Horn in middle school, and was All-County Band and Orchestra. Then I took a break from music for a while, until my dad brought home an electric guitar he had trash-picked while out running one day. That’s where it started, and I’ve been playing since I was 16. I had a garage band in high school ,and we played in the school talent show and at a couple of parties. That was really it.
My formal education was mostly with Rick Balestra, a private jazz instructor, that still teaches and performs around Syracuse. I studied with Rick for two or three years – he really opened my eyes to a lot of different types of music and it made a huge difference. I was mostly playing Southern Rock up until that point. Plus going to OCC for classical guitar really helped a lot – learning technique and how to read music. My instructor there was Joe Jewel. He left Syracuse to go to Los Angeles and now plays on “Dancing With The Stars.”
KS: As a parent I support my children in anything they wish to do, no matter how risky it may be as I feel when you love what you do, it’s not even a job, it’s a lifestyle. Did your family support you like this as well? Do you come from a musical family?
BM: The short answer is no, I don’t come from a musical family. A couple of my cousins were kind of musical – one played guitar and one had long hair. But the rest of my family are all teachers. My dad started the rugby team in Syracuse, so I was surrounded by rugby players growing up. I was always hanging around athletes, not musicians. They still know how to party, though! Really, I’m very lucky because nobody in the family knew much about music. My dad said if I could make it my job and make a living doing it, we support you. And they did – still do.
KS: You share how you took off for NYC to for a “street musical education”. As a starving artist, do share some experiences that defined in which direction you ventured. We know you gravitated towards the music scene in Greenwich Village at Café Wha? Were there other venues you played that held special meaning? Types of music that helped you learn the business more so than had you just hit the tour scene?
BM: What I tell up and coming artists all the time is that they have to work – hard. Before I got the Lionel Richie gig, I was a freelance musician playing around the circuit in NYC for years. I paid my dues and at the time that I got the Lionel audition I was playing in ten different bands. I used to say “Yes” to every call I got. It was a badge of honor in our circle of friends to see who could play the most nights in a row without taking a night off. It would usually be about 35-40 nights straight of playing before I would take one night off and then go back at it. Sometimes that was two gigs a night –three sets in two different bars! We would play one gig then drive into NYC to start our second gig at 1am and then play sometimes until 4am. But that is really what helped me keep my name out there – just keep going and going. And playing in all different kinds of bands. I got the experience in Jazz, Funk, Rock, Latin. Even if I wasn’t sure I could do it when the call came in, I would say yes and then make sure to learn. You can’t just play one style of music, even if it is your favorite. Learn as much as you can and play as much as you can.
KS: We all are inspired by other greats along the way. Share with us some of these influences that shaped your musical style and steered you towards the craft you do today? Teachers, mentors, bands, sounds…who and what has shaped the sound we hear today on “Take Your Time”?
BM: My favorite band growing up was the Allman Brothers Band – that kind of Southern Rock type band. Learning all the different styles helped me figure it out along the way, but my all time favorite is a guitar player named Warren Haynes.
KS: On this timeline, please share with us some of your musical moments beginning at Shifty’s and carrying on through to your world-wide tours with artists such as Lionel Richie, Don Felder, John Fogerty, Kelly Clarkson, and so many other great musicians along the way.
BM: The thing with Shifty’s is, that is where I first met Delmar Breland. He was playing bass and I went up and started talking to him. My first band was with Delmar, Ricky Chisholm, and my good friend Paulie Cerra. And that all happened because of Shifty’s. Ricky loves the Commodores and we played all kinds of those songs. Which really helped out a lot when it came to my current job. Delmar was also a big help to me because he and this other dude named Sugarfoot are the ones who really taught me how to play that kind of funky rhythm guitar. Here I was, this long-haired white kid from the country and these two big guys took me under their wing and taught me how to really play. That is why I am working today – that funky R & B guitar skill has served me well.
It kind of goes with a story about Lionel, too. After I had played a couple of gigs just filling in for his main guitar player he made some changes and he fired everyone in his band except the drummer and sax player. I had to try out again too, and at first the new musical director didn’t want to hire me. He told me later he was thinking who is this surfer looking dude in here, but it was Lionel who said to him, “Naah, give him a chance – he’s funky.” So if I hadn’t hung out with Delmar and Sugarfoot, or learned all those Commodores songs with Ricky…
KS: In between, what are some “a ha” moments that you have had?
BM: Probably watching the first season of American Idol and then getting a call to play in the band for the tour and backing up Kelly Clarkson. She was really great to work with – and then doing TV shows with her. Getting a call from Don Felder from the Eagles asking me to be his guitar player in his solo band and then playing the Hotel California harmony guitar solo on stage with him. That was a WOW moment. Auditioning in John Fogerty’s garage and getting the job as his guitar player and background singer. That was pretty surreal. He asked me if I knew any country! And pretty much every time I get onstage with Lionel and he looks me in the eye while he is singing his ass off!
KS: As I previewed the new songs on Take Your Time EP, one thing definitely jumped out at me, and that is that you are very versatile in your styles. Many times you will listen to an album and get a flavor of similarity in all the songs, however on this album, you get a wonderful variety of genres, musical instruments, and moods.
BM: I think this goes back to my days in NYC where I had to play all those different styles of music. Now that I’m an artist and write my own stuff, that is all coming out. It just feels comfortable and comes naturally to go from one style to the next. I don’t set out to write in a specific style – it just comes out.
KS: And I must add they go together extremely well. They have a common theme to them and a positivity.
BM: I’m happy to make music that makes people feel good instead of all down and dark.
KS: Talk with me about the making of this album and the songs on it. What do you want the listener to take away from this album?
BM: Uplifting. I want people to feel good and positive.
KS: What was the creative process, the inspiration, and share some of the moments in the making of the album cuts. Do you come up with lyrics and immediately reach for the closest paper? Were there melodies in your mind you came up with and then put the lyrics to them?
BM: The music usually comes first and then I write the lyrics as I play the tune. I don’t write it down very often – just start playing. Sometimes I will record things on my phone so I don’t forget an idea. Some of the new songs were written in the area. “Down By The River” was inspired by something my dad said when we were all on a family vacation. He just said one thing and it clicked – the song came from that. And I wrote “Take Your Time” sitting at my parents kitchen table.
KS: Do you collaborate on any of the songs? Share with us the band and how you chose the instruments to accompany the music.
BM: I do most of the writing and then my producing partner Gary Davenport comes in to collaborate on some of them. He does some arranging and polishes the songs up. Makes them more focused – just better. The band is the 13 Curves Band, Oscar Seaton and Gary Davenport. 13 Curves was my rock band from a few years ago. We played together for a while and then it kind of morphed into me as a solo with them playing for me when I recorded. Gary is also from Syracuse and I played with him way back before I left for New York. I first met Oscar touring with Lionel – he has been Lionel’s drummer for 15 years. He also plays with jazz guitarist George Benson and a bunch of other great artists.
It’s also cool because Paulie Cerra, my old bandmate is still one of my best friends. He plays saxophone with me on “She’s Beautiful.” That’s another Syracuse connection.
KS: Do you play multiple instruments in the recordings?
BM: I play guitar, dobro and banjo on this one.
KS: As I mentioned above I have noticed that you are a very upbeat and positive individual and that shines through your music and your show Let’s Go! With Ben Mauro. How did you come up with the idea for Let’s Go! and share with us how long you have been documenting your adventures?
BM: Let’s Go! came from my dad telling me I had to go out and see things while I was on tour. I kept telling him I was too tired after having been on a 12 hour flight, but he would say things like, “The Tower of London is only 20 minutes from your hotel.” I finally went and took some pictures and posted a blog. I started to do it for my family – so they could know what I was doing while I was on tour and stuff. But people really liked it so it expanded. I got an HD camera and started to do the videos. The very first one I did officially was the Great Wall of China and it’s been almost 4 years.
KS: What are some of your most favorite places and you’ve been able to share with viewers along the way? I also want to commend you for featuring band mates and other musicians along the way as well. It’s great to not only see these amazing countries and places, but also to see behind the scenes of the rock and roll way of life with sound checks and traveling and all of the things that accompany this lifestyle.
BM: Some of my favorite places are Morocco, Brazil and the Great Wall of China. It is very important for me to show the life of working musicians. I say that in every episode. What we do is really so different from what most people think. It’s a great job and I’m very lucky to get to do a lot of really cool stuff, like seeing places I might never see. But it is not all rock and roll glamour. We are on planes. A lot. We are in hotels. A lot. It’s a job and we work hard.
KS: As a fun way of getting to know the musicians and give the readers an insight into their personalities…would love if you would play along in a “Social Speed Round” of questions, some very random questions for you to answer. And…”Let’s Go! With Ben Mauro!”
1. You’re flipping through the channels on TV and come across this movie or show that you always stop on!!! No matter how many times you’ve seen it!!! – Million Dollar Baby or Anchorman.
2. You come across a restaurant out-of-state that claims to have the best original NY food…you think THIS has to be on the menu to even be considered a NY restaurant? –
3. I meet a lot of great individuals in my line of work, some that have left me at a loss of words. This is the person that leaves you speechless and at a loss of words when you finally meet them? – Greg Allman.
4. Time to get away for the touring for a while. Where is your “Happy Place”? – Zuma Beach, Malibu, California.
5. You’re at Disneyland/World…you only have time for one ride because you have to do a sound check and perform immediately after…you choose Roller Coaster/Bumper Cars/Sky Ride or Ferris Wheel? – Roller Coaster.
6. You get an offer to be a featured star on a cable television show but you can only do one..you choose Dancing with the Stars/ Man vs. Food/ Off Limits? – Man vs. Food
7. Dream collaboration – Greg Allman again.
8. Favorite board game? – Yahtzee.
9. If you weren’t a musician what was your plan B? – When I was a kid I wanted to be a professional athlete – soccer player, but never really had a plan B. Since I was 16, I always wanted to be a musician and I loved it so much that I never thought about doing anything else. Even when I was dirt poor in New York, I never thought I would do this for a few years and then get out.
10. Your guilty pleasure? – Spy and adventure novels. Like Lee Child or the James Bond books.
As you can see, Ben Mauro is a fun, positive, upbeat type of person. He works extremely hard to be the best he can be, and he is appreciative of his beginnings and those along the way. Syracuse is honored to have Ben Mauro return home to launch his new EP Take Your Time and we urge everyone to take the time to stop down to Shifty’s Bar & Grill on May 7th to welcome Ben home. Ben will be joined by SAMMY award-winning performers Phoenix Eleven and special guest Ricky Chisholm. Tickets are being sold ahead of time and can be purchased at http://bpt.me/622514 There are limited tickets available so I urge you to not wait, but buy in advance to guarantee to be part of this event.
The Paramount Hudson Valley is no stranger to the blues, having hosted one of a handful of NY Blues Hall of Fame induction ceremonies this past fall featuring performances from Commander Cody and Professor Louis and the Crowmatix, among others. The theater itself was even inducted as a great performing arts center in the Blues Hall of Fame. The Paramount lived up to that recognition with an excellent double bill of blues headlined by Robert Cray on March 30th.
The night started off with an opening set by local NY blues artist Nik Rael. Rael, on acoustic guitar, was joined by Joe Plum on electric guitar for an instrumentation that created a well-balanced sound for the blend of blues, soul, rock, and pop that was to follow. As a duo, many of the songs were not too complex but performed with a lot of expression and dynamic, from Rael’s voice to his guitar which carried the set to Plum’s electric riffs and lines that iced the cake. His set included a mix of his original work as well as some covers. One notable cover was of Bob Marley’s “Redemption Song,” where Rael put on an accent to emulate Marley’s voice. Just as Charlie Daniels did with two songs at his show the night before at the Paramount, Rael performed three Dylan tunes that he has on his tribute album Highway 61. Most notable was “All Along The Watchtower,” combining elements of both Dylan’s and Hendrix’s arrangements. Rael’s opening set went beyond the expectations for a warm-up act with an impressive and engaging performance.
After Rael’s opening set, the silhouettes of Robert Cray and his band took to a dimmed stage with much applause. Cray dialed in to the excitement of the crowd to get things going with a solid performance of “Phone Booth.” By the third song, “Right Next Door,” we saw the first of Cray’s rather dynamic, expressive and animated performances of the night, pretending to sing along with his guitar solos and bringing part of his second solo on the song down whisper quiet as fans listened intently.
Unlike some artists that almost seem to make an effort to install a glass wall between themselves and the audience, there was no such barrier that night giving an almost living room like feel at the Paramount. Yes, the cozy quarters of the Paramount with its chest-high stage helped in that regard, but it was really the connection Cray built with the audience that did it. His quick wit led to jokes between songs about the subject of the song – some he would carry on to the next break – and brief exchanges with the audience.
Cray gave a sneak peek, or rather gave us a sneak listen, of several new tracks off his latest album, In My Soul, released on April 1, just two days after the show. He debuted “You Move Me,” “Fine Yesterday,” “What Would You Say,” “Hip Tight Onions,” and a Bobby Blue Bland tune, “Deep In My Soul.” An example of Cray’s humor came when he joked about the new material. “You’ll never know we forgot the songs!” he said citing that no one in the audience would know how the songs were supposed to go. A highlight of the new songs was the band’s first instrumental track, “Hip Tight Onions,” written as a nod to the stylings of Booker T and the MG’s with Cray and bassist Richard Cousins dancing in sync and a more dominant keyboard presence over the other songs.
Throughout the show, it wasn’t hard to miss the chemistry of the band on stage. Whether it was Richard Cousins sharing a moment with drummer Les Falconer (a 2013 addition to the band) as they laid down the groove for a song or Cray connecting ideas with keyboardist Dover Weinberg, the cohesion on stage radiated into the audience.
The combination of Nik Rael and Robert Cray created an unforgettable evening of blues, setting a tone for a theater rebuilding a strong reputation for its musical presence after briefly closing its doors in 2012. It was a truly genuine performance and experience, leaving the crowd eager to hear more from Robert Cray on his next NY appearance, which he will hopefully make on his next tour.
Setlist: Phone Booth, Poor Johnny, Right Next Door, It Doesn’t Show, You Move Me, Won’t Be Comin’ Home, Don’t You Even Care, Fine Yesterday, Chicken In The Kitchen, Bad Influence, What Would You Say, Hip Tight Onions, Forecast Calls For Rain
Encore: A Memo (Nothin’ But Love), Deep In My Soul
Lucid! The North Country’s finest barreled through the competition with strong support from their fans, knocking off the top seeded Ominous Seapods on their way to the championship against Big Leg Emma. It was a true Cinderella story, a #16 seed coming out on top over 6 rounds of tight voting in March Madness 2014. Lucid has plenty of time to relish the victory, as we await the soon to be announced lineup for their own Backwoods Pondfest Music Festival, held in Peru, NY on August 8th and 9th.
When asked how it felt to win the inaugural March Madness, percussionist Lowell Wurster had this to say:
It feels like there is a lot of love out there for Lucid. We have been working really hard for 10 years and I think we have good name recognition. As I generally don’t view music as a competition, because I think it’s hard enough to be a musician in the first place, the football player in me is ferociously competitive, so it was interesting to see that side come out of me again.
I am happy people recognize us and felt they knew us well enough to vote for us, especially during this very exciting transitional period for us. Having Chris English join the band is one of the best things that has happened in a long time, and it got all of us amped up to make some serious moves. We feel that we are finally the band we were always supposed to be, and we all have the same goals now and that is super exciting. We are looking forward to the future with bright eyes and cant wait to see where it takes us.
Winning the march madness tournament only gives us more validation that we are onto something and people may be taking notice. This whole transition has happened within the month of March, which also marked Lucid’s 10th year. I don’t think this is coincidental, we are excited and can’t wait to keep working as hard as we ever have, to play our music, and spread our message of love, light and community.
Look for our Local Limelight profile of Lucid later this month, and be sure to check them out at these shows in April:
April 24, Monopole Bar, Plattsburgh
April 25, Unitarian Church, Plattsburgh
April 27, Plattsburgh Half Marathon, City Rec Center
Buffalo’s groove rock champions Aqueous are in the midst of a Kick Starter campaign to fund their new studio album. With the advent of mp3’s and digital music rendering cd sales and labels practically moot, more and more artists are turning directly to their fan base to fund the expensive process of studio creation, mixing and production.
This has become a win for fans – with most campaigns including a plethora of unique and exclusive opportunities up for grabs, the barricades between artist and audience start to crumble. Aqueous’s campaign is no exception, offering everything from personalized artwork from band members, brand new merchandise, personalized set lists, to having the band play a raging full show in your backyard.
Even the most basic contribution will net the lucky investor their name in the albums liner notes. is a big supporter of these campaigns and we hope you’ll consider helping out one of our favorite up and coming bands.
At the least you should check out the page for the really amusing video. Lemonade anyone?
Upcoming Upstate Aqueous Dates
April 24th Putnam Den, Saratoga NY*
April 25th The Westcott Theatre, Syracuse NY*
April 26th The Waiting Room, Buffalo NY **
May 9-10 Carey Lake Spring Revival Festival, Macedon NY
* w/ Dopapod
** w/ Dopapod and Mister F
Aqueous – King For a Day – Erie Pa 2013-12-31
http://youtu.be/x7YHjUm7XBI
Unearth may not be as widely known outside of metal’s circle pits, but their impact on the scene and genre as a whole can be seen throughout. Originally debuting back in 1998, the band rose to prominence with other New Wave of American Heavy Metal acts such as Killswitch Engage, Lamb of God, and Shadows Fall, re-energizing the genre and grabbing the bar from previous nu-metalites and setting it much higher than it’s been since the early 90’s.
Their style, along with the others mentioned, mixed the speed and chops of metal with the heaviness of hardcore into a brand new genre known as metalcore. Their most prominent album, The Oncoming Storm, was released in 2004 and is one of the best of the era with well-written, beautiful melodies giving way to the most brutal breakdowns of the time; you couldn’t help but feed off of their energy. They are one of the few bands whose onstage presence somehow carries over to the studio. With the album reaching its 10 year anniversary, the band has decided to put a tour together and play it in its entirety for the first time ever, start to finish.
Announced yesterday, the band will be hitting the road for over 20 dates including a stop in Rochester on May 31st at Montage Music Hall. In direct support will be Texas in July, Cruel Hand, and Armed for Apocalypse. If you’re unfamiliar with Unearth’s body of work, here are two of their official videos from The Oncoming Storm. Crank it up and enjoy! m/