Category: Regions

  • Soulive’s Bowlive V at Brooklyn Bowl

    On Friday March 22nd and Saturday March 23rd, Soulive took to the Brooklyn Bowl stage to finish off their eight night “Bowlive” residency. The coveted residency is in its fifth year, and always brings out special guests from all over the musical spectrum. Each night features The Shady Horns, which currently consists of Ryan Zoidis (alto and tenor saxophone), James Casey (tenor saxophone) and Eric Bloom (trumpet). In addition, each night has its own special guests. Friday night featured Marco Benevento (keyboards) and Sonya Kitchell (vocals), and Saturday featured Bill Evans (saxophone) and Scott Metzger (guitar). This was just what was on the bill, but Soulive brought plenty of unannounced guests of their own.

    Bowlive V

    Friday night’s show started off with Soulive sans The Shady Horns for a few burning classics, “Shaheed” and “Aladdin.” “Aladdin” is a track in which Neal Evans’ precision becomes obvious. He uses a gritty, distorted tone for this one that causes just about everybody in the audience to display their own version of the “wince-y funk face.” Soulive then brought The Shady Horns to the stage, dropped a Lettuce cover called “The Dump” and proceeded into a sultry cover of “Lenny” by Stevie Ray Vaughan. It’s always a treat when you get to hear Soulive play this cover, because it always brings out the best of Eric Krasno’s improvisation, with bends and licks that you can feel touch your soul. After this relaxed “Lenny”, Soulive brought it way up with a cover of Jimi Hendrix’s “Manic Depression.”

    Marco Benevento came out for this one, and didn’t leave the stage the rest of the night. This wasn’t just any version, but a version that included the first unannounced sit-in of the night, Brandon “Taz” Niederauer. The 11 year-old guitar prodigy shredded through solos and didn’t slow the band down one bit. Krasno got the sound guy to boost him up in the mix and the kid completely stole the show. As the song came to a close, the crowd went wild and as he left the stage Alan said, “See this is why we need more instruments in schools, y’all.” Building on the high energy, Soulive brought out Felix Pastorius (son of the legendary jazz bassist Jaco Pastorius) for a jazz standard. This version of Billy Cobham’s “Stratus” was the highlight of the night and included solos by Pastorius and Benevento.

    Friday night’s second set included an all-star lineup of guests that played an all-star lineup of covers. The additional unannounced guests included Roosevelt Collier on pedal steel guitar, Oteil Burbridge on bass and Kofi Burdbridge on flute. The covers in this set were all over the genre map. The set opened with a medley of Stevie Wonder’s “Jesus Children of America” and “If You Want Me to Stay” by Sly Stone, and progressed to “Revolution” and “While My Guitar Gently Weeps” by The Beatles. The set came to a close with “The Ocean” by Led Zeppelin and then onto an encore of “I Want You (She’s So Heavy)” by The Beatles. Friday night’s penultimate show was an amazing show full of special guests, Soulive classics, and fan-favorite covers.

    Bowlive V

    Going along with the previous nights’ trend, Soulive came out alone to do a few classics, “Uncle Junior”, “Bubble” and “Brother Soul” before welcoming their guests. “Uncle Junior” is one of those fast-paced grooving songs that is perfect for getting the crowd dancing and interested in what’s to come next. Bill Evans was the first to take the stage for another Soulive original, “Cannonball”. Evans brought a heavy jazz-fusion influence to the mix with solos that were a bit more adventurous, even a bit dissonant at times. The perfect song to fit Evans’ style was the next one they played, “Nubian Lady” by Yusef Lateef. Soulive did quite a few off of their Melvin Spark’s tribute album Spark! on this magical night. Soulive brought out Maurice “Mobetta” Brown (trumpet) of Tedeschi Trucks Band to play another track from the Sparks cover album called “Povo.”

    As expected, the second set brought special guests and covers galore. Sonya Kitchell came out for a sweet version of “Grandma’s Hands” which then segued into Marvin Gaye’s “Inner City Blues” with Mark Rivers on vocals. Next, Saunders Sermons (trombone) of Tedeschi Trucks Band graced the stage for “When I’m Kissin’ My Love.” The night ended in an unbelievable encore that included all the guests of the night and The London Souls. Neil Young’s “Down By The River” and “Feelin’ Alright” by Dave Mason were the last two songs played on this magnificent eight-show run.

    These two nights of music contained some of the best performances I have ever seen. I will most certainly be back next year and would recommend any night of “Bowlive” residency to anybody looking to go out and see live music done right.

  • Rhubarb/Ocupanther/Brown Sugar at Nietzsche’s Buffalo April 4th

    10173476_10152350524041789_1819991101_nRhubarb sucks. At least that’s what their website “rhubarbsucks.com” would seem to indicate. However, the music of Rhubarb, self-described as “twisted psychedelic funk”, that also contains elements of surf rock, grunge, jazz and more, most certainly is the polar opposite of suck and they’re at Nietzsche’s this week. The band’s been on the Buffalo music scene for 15 years now, most recently supporting their 2013 release Shoot Yer Body BabyBuffalo fans are no doubt psyched about this upcoming show, not only due to the excellence of the ‘barb, but also due to the killer support coming along for the ride.

    Rochester’s Ocupanther, birthed in 2011 from elements of the now defunct Pia Mater, plays their own brand of psychedelia and electronica-infused funky rock and roll. Fresh out of studio sessions for their upcoming new 3rd album, Ocupanther will likely feature a mix of brand new material and classics for the Nietzsche’s faithful. Special guest sit ins are always a possibility as well.

    Along for the ride up front is the brand new University of Buffalo jam club birthed Brown Sugar. Debuting a few weeks back for the brilliant Aqueous “mystery artist” themed night, this trio brought the jams more like it was their 50th show much to the delight of onlookers.

    Music starts promptly at 10PM and is a mere 5$. Put down your smart phones, lock up the cable remote, and come dance. It won’t suck, we promise!

  • Night Lights Fall Music Festival Lineup Announced: It’s a Doozy

    Night Lights Fall Music Festival is only venturing into their fourth year, but they packed a serious punch in terms of talent when they made their initial announcement this past week.  Also known as “The Carnival of Lights,” the annual festival takes place at The Heron, located just outside of Jamestown, NY, and is set for the weekend of September 12th and 13th this year.  Night Lights is unique in the sense that, besides great music, it packs a visual light show that is set up throughout the venue’s sprawling forest.  It’s something that you really need to see in person as pictures only paint part of the picture.

    night lights festival

    The festival is looking to climb to the top of the region with a huge headliner.  Fresh off their Grammy win and with enough hype to carry them for the rest of their careers, Snarky Puppy will be making their return to the region to try to one-up Marco Benevento’s incredible performance from last year.  The lineup doesn’t drop off from there – with support from Turkuaz, The Mike Dillon Band, Consider the Source, Jimkata, Aqueous, The Manhattan Project, Smackdab, Lazlo Hollyfeld, and many more.  The organizers have even stated that a “few more doozies” are soon to be announced.

    night lights festival

    Early bird tickets are on sale now for $60, but only for a limited time, so get them quick!  This is easily the best lineup for Night Lights yet, making it one of the must-see festivals in the Western NY region this year.  Keep your eyes peeled for future announcements, as this one is only going to get better!

  • Back-to-Back Evenings with the Charlie Daniels Band and Robert Cray March 29 and 30 at the Paramount Hudson Valley

    Two great back-to-back evenings of music are set this weekend at the historic Paramount Hudson Valley in Peekskill, NY as the Charlie Daniels Band takes the stage on March 29 at 8pm and Robert Cray on March 30 at 7pm.

    charlie daniels robert crayAt 77 years old, Charlie Daniels is a true road warrior. He is presently touring with over 60 scheduled stops throughout the United States until the end of the year, including two more stops in NY on May 31 and June 1 in Albany and Rochester. Daniel’s genre defining Southern rock anthems and his award winning country hits have left an in indelible mark on America’s musical landscape and is sure to make a mark on the Paramount this Saturday. The Charlie Daniels Band is set to release Off The Grid – Doin’ It Dylan, a studio album featuring covers of 10 Bob Dylan songs, shortly after this show on April 1.

    charlie daniels robert crayFive-time Grammy Award winner Robert Cray will be joined by his band for an evening of blues. Cray is set to release his 21st studio album, In My Soul, on April 1, just two days after his appearance at the Paramount. With his performance near the release date, one could speculate that he may debut a few songs from In My Soul. There’s no April Fool’s about this weekend’s shows at the Paramount Hudson Valley.

    Check out a sneak preview of Robert Cray’s new album here:

  • Red Square Plays Host to Groovestick and The Jauntee

    Two bands I had yet to see, The Jauntee and Groovestick, were on the bill with The Assortment of Crayons at Red Square on March 21st. Assortment of Crayons are a solid group from New Paltz who have established themselves in the mid-Hudson Valley and are always a treat to see, but the other two bands eluded me thus far. The Jauntee have a fair amount of hype thanks to this article where they were considered potential heirs to the throne of Phish. A statement like that will perk my ears up any day, but I had to see them for myself to make a fair call. Their shows on Archive.org are good, but in person was the deciding factor.

    groovestick jaunteeTaking the stage quickly after Assortment of Crayons, The Jauntee started with “I Wanna Love You > J.M.O”, the latter of which was short and goofy, always a plus when a band doesn’t take the music too serious. “Mr. Murderin’ Man” had some early jam potential that built up with hypnotic guitar and keys, to the point where it was hard to tell which instrument was making what sound. Beck’s “Devil’s Haircut” wedged inside what later turned out to be the not-always-jammed “Gravity of Thought” was impressive, not just for matching the complexity of the Beck song, but putting a little twist on the song, dropping it down a tempo to create a signature sound. “My Shadow” had a dash of “I Want You (She’s So Heavy)” inside, an example of great band chemistry on stage – even when bassist John Loland bolted off the stage for the bathroom, the other three never missed a beat, and he was back on stage a half a minute later to fall right back into place. Impressive, but another show or two might convince me further. The Jauntee are certainly talented musicians and put on an impressive show; I’d expect their festival appearances this summer raise their bar even higher, for they are still young but the talent is already apparent to many, including myself.

    Setlist: I Wanna Love You > J.M.O., Mr. Murderin’ Man, Gravity of Thought -> Devil’s Haircut -> Gravity of Thought, My Shadow > Fractal Fuck -> Let the Drummer Take One

    Download or listen to the full show on Archive.org

    Groovestick, an Albany quasi-supergroup features Dan Gerken of Timbre Coup on guitar, Chris Carballeira of Funk Evolution on Hammond Organ and keys and The Chronicles’ Franz Celestin on drums and percussion. Opening up with 20 minutes of “Electric Shoes” was quite impressive, giving Gerken plenty of room to shred.  A salsa infusion on “Inkblot” changed the groove and ended up filling the dance floor with not-your-ordinary dancing fools: I hadn’t seen this at Red Square since perhaps Marco Benevento back in December. It was no coincidence that an organ was part of both performances.

    “GSauce” rocked some blues while “Mischief” had a nice bass groove from the multi-instrumentalist Gerken, which eventually led into “Get Down on It”. A cover happy end of the show featured a Stevie Wonder sandwich of an instrumental “I Wish” (aside from vocal “Doo Doo Doo’s”) seguing fluidly into “Superstition” and back into “I Wish”. The New Deal’s “Home” ended the set while the encore featured Prince’s “Controversy” and Charles Mingus’ “Jump Monk”, with each song of the final 30-40 minutes igniting the crowd more and more. Groovestick was impressive, and paired well with The Jauntee, two acts that are must-sees next time either play in your town.

    Setlist: Electric Shoes, No Time for That, Shark Bait, Inkblot, Big Foot, GSauce, Wormhole > Bakers Dozen, Mischief > Get Down on It, I Wish > Superstition > I Wish, Home
    Encore: Controversy, Jump Monk

  • dopapod Announces 2014 Spring Tour

    Prog-Rock superstars, dopapod recently announced their Spring 2014 Tour Dates. The band will be playing some Upstate, NY dates – 4/24 at Saratoga’s Putnam Den with Aqueous, 4/25 at The Westcott Theater in Syracuse, NY with Aqueous and then 4/26 at The Waiting Room in Buffalo, NY with a third night with Buffalo’s own Aqueous and favorites and Albany natives,  Mister F. For tickets and info please visit www.dopapod.com.
    dopapod_tour2014

  • Hearing Aide: Mikaela Davis ‘Fortune Teller’

    Pretty strings with an indie dig – that would be the formula followed by Mikaela Davis on her second album, Fortune Teller, released in January. The classically trained harpist carries along an impressive record of talent which she uses to craft the six track album. How impressive? Davis studied harp with the principal harpist for her hometown Rochester Philharmonic Orchestra, has performed with the Rochester Philharmonic Youth Orchestra and has won awards for her performances. She is now studying Harp Performance at the renowned Crane School of Music at SUNY Potsdam. Joining Mikaela on the album are Alex Coté on drums and percussion and Cian McCarthy on guitar, sitar, and keys.

    Mikaela Davis Fortune TellerThe performance on the album isn’t purely singer-songwriter or indie lo-fi. Davis starts with a simple one guitar, bass, and drum lo-fi core but refines it to a much cleaner soothing sound. Where one would typically hear a droney guitar line we hear the that graceful harp sound which complements the rival indie sound trying to make its way to the forefront. The album combines elements of classical, ambience, noise, and energy orchestrated into a well-rounded eclectic composition. Davis’ placid, melodic voice bundles this all up like a cozy knit scarf and presents it to you in Fortune Teller.

    Mikaela Davis Fortune Teller“I Wouldn’t,” a song with love as its theme, leads the album in with a simple singer-songwriter feel while building anticipation for the more eclectic sounds throughout the rest of the album. In “Lady Lavender” we hear the highlight of how Davis’ harp compliments McCarthy’s guitar along with a bridge introducing a synth line that goes beyond lo-fi to blend musically into the song. “Interlude In The Sky” seems to build of the solo harp outro of the previous “Lady Lavender.” This one is a beautiful instrumental track incorporating woodwind sounds which would serve well as the soundtrack to stargazing on a warm spring night or walking down a trail on a crisp, colorful fall afternoon. “When The White Horse Takes Me Away” takes us away on an atmospheric journey with an ambient harp and vocal mix before picking up in energy in the later part of the song. “Feels Like Forever” features more of the vocals carrying the melody with a stringer prominence of the classical-indie rivalry. Lastly, the title track “Fortune Teller” rounds out the album with a similar style heard in “I Wouldn’t,” though the sounds of Davis’ harp are more at the front of this track.

    Mikaela Davis will be performing tonight, March 27th at Red Square in Albany and again in her hometown of Rochester at Bug Jar on March 29th.

    Key Tracks: Interlude In The Sky, When The White Horse Takes Me Away, Fortune Teller

    Fortune Teller is available for purchase as a CD or download at Mikaela Davis’ Bandcamp page.

  • Lucid 10th Anniversary Celebration at Olive Ridley’s Friday March 28th

    20140327-135056.jpgLucid will take the stage at Plattsburgh’s Olive Ridley’s Friday, March 28th to celebrate their 10th anniversary.

    The show kicks off at 9 pm, and is for those 21 and over only. Admission is $5 and will feature special guest Chromatropic.

    A full decade of progress and development has established Lucid as one of the most dynamic, hard working, finely tuned bands in the North Country. Lucid is also featured among the surviving Top 16 bands in this year’s March Madness tournament.

    Recently, Chris “Hollywood” English left his hometown of Rochester, NY to join his long-time friends and colleagues in Adirondack-rock, blues-fusion outfit, Lucid. Hollywood is a welcomed addition to this hard working and veracious group of dynamic, respected musicians. The addition of Chris only solidifies the growth and forward momentum of Lucid.

  • Flashback: Summer Slaughter 2013 Gets A Mixed Review

    If you take a few minutes to do the math in your head, Summer Slaughter is kind of a strange concept. The daylong event on August 10th, 2013, which circused down the road across major metal loving cities – big and small – is the self proclaimed “Most Extreme Tour of the Year.” It’s an indoor event — think lots of sweaty people crowded — so really, there is quite a bit of room, just like any hyped concert, for problems. Here’s the weird deal: among certain dissatisfaction of goers, bands, and other events, the term “extreme” should be taken in both positive and negative lights.

    In each city, viewers were pleasured to the sound and visual power of one or two local or “lesser known,” bands. Most of the time, these slots were determined by contest winning. As for Upstate Concert Hall, these bands came in the forms of Hollow is thy Heart and A Ruthless Scene

    summer slaughter

    Hollow is thy Heart’s name is as electrifying as their performance: strange, raw, and mysterious. Their sound was characterized by a mix of thrash, death, and metalcore. Although they were given the short end of the stick as far as sound issues and slot, the four-piece took to the stage like it was their last day on Earth and certainly cared about their job. We can’t say the same for the next crew.

    A Ruthless Scene is from New Jersey (insert a bunch of New Jersey jokes here) who specialize in one thing: The Breakdown. For all those who listen to real music, and would not know otherwise, a breakdown is a slang term given when a guitarist plays one note over and over again to a specific, simple pattern. During the set, the band generally displayed a lack of energy and desire to sound like every other Sumerian-core band out there.  To quote one person, “I wish I brought earplugs because A Ruthless Scene was ruthlessly annoying.” The next band, Thy Art is Murder, was more of the same.

    Then, the story took an interesting twist. Quick-rise-to-fame “Aliencore” band, Rings of Saturn, demolished the room. Their signature speed picking was ever present, and their energy was no less sincere. “Kneel before my minions as they kneel before me,” the crowd screamed along with Ian Bearer, vocalist. After being accused of recording at half speed in the studio, then speeding everything up, Upstate Metal can confirm that everything done in the studio was done live. The only thing missing was abruptly departed bass player Sean Martinez, who took off just weeks ago. Still, this geared the crowd up for the next round.

    Revocation and Aeon both are examples of unrelenting passion. If you have not been through a viewing of a documentary Why You Do This, it comes on high recommendation. The movie, which features the words of Gojira and Last Chance to Reason, outlines the many hardships an “up and coming” metal band goes through. Specifically, the movie points to how bands go through financial trouble on the road. With Revocation’s newest album just out, tour support is a must, and although life on the road can be hard, they still had fire in their performance. Equally, Aeon’s vocalist, Tommy Dahlstrom, was not present. Still, they persevered, leaving the crowd in awed respect.

    One major source of controversy for this tour happened in the aftermath of Lamb of God vocalist Randy Blythe’s manslaughter charge (he was acquitted) were the rules of stage diving in many clubs. This required bands and fans alike to be aware that stage diving was forbidden. The Ocean, who are known for delivering a high energy, almost angry performance, took to Facebook when they remarked on the irony of calling “the most extreme tour of the year,” but stage diving was not allowed. Their performance was as loud and blatant: clear and to the point. Impressive, too, is their wide genre variety. Interestingly, their post warranted the attention of Summer Slaughter’s creator, Ash Avildsen. Although he was displeased with their remarks, the crowd was left quite impressed with their dynamic performance.

    Impressive, though, hardly encapsulates the performance of Cattle Decapitation, who are musical veterans, but seem to have just began to gain more popularity, with their latest release, Monolith of Inhumanity. Decap’s music videos are controversial enough, but their performance was fast, angry, and honest. It would have been even better if Upstate Concert Hall had provided vocalist Travis Ryan with a microphone that worked for more than half the set.

    What can be said about Norma Jean? The band was an underdog from the beginning. When the line up was first announced, the most extreme tour of the year was criticized for putting a band on the bill that played anything less than blast beats.

    The rest of the show, of course, is history. Think of the stomping of feet as the entire crowd jumped to “Icarus Lives” by Periphery. There is some kind of force that comes over the crowd when certain bands play. It causes the crowd to sway and sing along, and Periphery has this angle. Or, how everyone’s mouth was wide open at the site of Animals’ as Leaders technical ability, or how the crowd asked “how could it all be?” To Dillenger’s onstage antics.

    So, Upstate Metal talked about what would happen if we set up Summer Slaughter. Here’s what it looks like:

    Here’s what would have happened if we set up Summer Slaughter:

    1. Hollow is thy Heart

    2. Revocation

    3. Rings of Saturn

    4. Animals as Leaders

    5. Between the Buried and Me

    6. Cattle Decapitation

    7. Dillinger Escape Plan

    8. Periphery

    9. Decrepit Birth

    10. Brutal Truth

    11. Behemoth

  • JD McPherson Rocks Rochester at Abilene

    Roots rocker JD McPherson treated Rochester to two nights of foot stomping tunes.  Playing the second of two sold out shows at Abilene Bar & Lounge, McPherson takes things back to the roots of rock and roll.  Backed by a band brimming with raw talent, McPherson wooed the enthusiastic crowd with songs like, “Fire Bug”, “Dimes For Nickels” and “North Side Gal”.

    Kelli_Marsh_JD_McPherson-1026

    Abilene was busting at the seams with adoring Rockabilly fans holding records to be signed and singing along to every song. Special guest Sean Rowe joined the band singing and playing guitar and bringing the already thrilled crowd even more excitement. JD McPherson’s fierce blend of rock and roll and blues had the crowd bouncing from start to finish. McPherson closed both nights with “Wolf Teeth” to the crowds delight.