Apparently Peter Nash’s status as rap’s “Prime Minister Pete Nice” does not exempt him from paying New York state taxes.
The Albany Times Union reported that the Clifton Park resident and retired rapper pled guilty to misdemeanor criminal tax fraud in Albany County Court Tuesday, July 1.
Nash did not attempt to use his rap moniker to avoid taxes, but the Albany Count District Attorney’s Office said he must pay the Empire State $13,101 in back taxes, penalties and interest. He will also be on probation for three years, the district attorney’s office said. He will be sentenced on Aug. 26.
As Master of Ceremonies for the group 3rd Bass, Nash released three albums between 1989 and 1991, two of which went gold. “Pop Goes the Weasel!” a track directed towards Vanilla Ice’s unwelcome a popularity in rap circles, reached No. 1 on the U.S. Billboard rap charts.
Nash subsequently quit the music business and devoted his time to baseball history and memorabilia.
According to several published sources, Nash owned a memorabilia shop in Cooperstown, and authored a book titled Legends of Brooklyn’s Green-Wood Cemetery.
His baseball endeavors also include attempts to secure property for an official grave site of Negro League players.
Nash was involved in litigation in 2009 with an auction house relating to the authenticity of baseball memorabilia he consigned for sale which resulted in him signing a court order admitting to having committed fraud.
There is little question as to how quickly news travels today. With the advent of smart phones, computers and 24-hour news services – the impact of the event is as immediate as its occurrence. But, the collective experience is no longer as vivid, only because of the diversity by which we all receive the news; where one person may watch a transmission over television, another is viewing it from his iPhone. The shared memory isn’t quite shared at all.
In 1964, television was the leading means of entertainment, and NBC’s Ed Sullivan was the man to provide you that entertainment. Radio could no longer compete. And, the home computer would not be conceptualized for another 20 years. Sullivan practically invented “prime time” television with his 8 p.m. telecasts. But, on February 9th, he not only entertained viewers, he created news. And, in doing so, had a hand in creating a memory.
Dr. Gordon Thompson is the music department chair for Skidmore College in Saratoga Springs, NY. He remembers that broadcast of The Beatles, as, it seems, everyone from his generation. It’s a shared memory as vivid as that February night 50 years ago.
“In 1963-64, a generation of baby boomers sought to distinguish themselves, not only from their parents, but also from their older siblings,” said Dr. Thompson. “As usual, they did this en masse, just as they always do, whether hippies, punks, gangstas, etc. They buy the same clothes and adopt the same jargon, all as a way to separate themselves from the others.”
Dr. Thompson is a ethnomusicologist, or one who studies the relationship between music and culture. He is also respected as this area’s leading expert on all things Beatles.
And, come July 5th, he’ll have a seat at Albany’s Times Union Center to attend a Paul McCartney concert. Ironically, on account of the ticket prices (which, as of today, are going for as high as $766.50 on studhub.com), he initially thought of not going.
“Well, this morning I changed course and went for the tickets, so I’m going. I’ll be in section 103.”
When arena officials announced the event in April, news crackled across all mediums. The excitement seemed to overshadow the news of Ringo Starr performing at the smaller, more intimate, Palace Theatre. Nonetheless, “Macca”, the man behind many of the band’s lyrics, has never been here. And, though popular music has transformed since “The Fab Four” left the stage, their music is as timeless, and popular, as Bach.
“I’m not sure exactly that we could call Bach ‘popular,’ but his music was important,” said Dr. Thompson. “McCartney has said that they compared themselves to Bach because, just like him, they were chugging out music on a regular basis for a particular audience. His was the Lutheran church. Theirs was the baby-boom generation.”
NBC newscaster Edwin Newman reported the details on “Beatle Mania” the following November. Newman, a respected journalist known for his candid interviews of foreign head’s of state, was also a music aficionado. From 1965 to 1971, Newman was a Broadway drama critic. Later in life, he hosted summer Boston Symphony concerts from Tanglewood, in Massachusetts.
But, in 1964, it remained questionable whether or not he appreciated The Beatles.
“It’s anybody’s guess why The Beatles emerged from its cellar night clubs to national prominence, but emerged, they did,” reported Newman, who is held in reverence for his journalistic talents. However, he was also known for his sense of humor, as evident in his playful quips in the same report. “The sound they make is called the Mersey Sound, because Liverpool is on the Mersey River. [Pause.] The quality of Mersey is somewhat strained.
One reason for The Beatles’ popularity may be because it’s almost impossible to hear them [over the screaming of fans].”
Newman’s career as a journalist would span over four decades.
No one accused him of being a music critic.
“Trying to second-guess history is a tricky business,” said Dr. Thompson. “Everything looks so inevitable to us, but was much less definite to contemporary players. If not for Felix Mendelssohn, we might not be paying attention to Bach. I’m not saying that Bach’s music doesn’t have much to commend it; but aesthetics are a social construct and social constructs by definition are constantly changing.
One of the reasons the Beatles remain so important is because of the cultural role they played at a critical point in history. In the wake of the Second World War, the rise of the baby boomers, the exponential growth of globalism – aided by both the beginnings of satellite telecommunications and the initiation of commercial transatlantic jet travel – and the emergence of acoustic-magnetic recording and a convergence of audio playback technologies, the Beatles were the most successful performers out of the gate. Their recordings, indeed their career, helped to define the popular-music industry in such a way that they shaped the very artistic vehicles used by artists today.
Yes, Lady Gaga is building on Lady Madonna in a way.”
So explains the appeal McCartney has upon today’s youth. The fingerprints left behind by The Beatles of yesterday are still visable, if not through music than by avant garde choices in fashion. Though it can be safely assumed that part of McCartney’s popularity is fueled behind older generations that age along with him, but the simplicity of and the diversity within the group’s catalogue of music has an appeal for everyone.
Today, “Beatlemania” is no longer an event, but a shared phenomenon enhanced by the many means in which fans use to listen to music. The same tools used to disseminate details of current events, draws generations together in a shared memory.
“They were modernists in an era when parents wanted things to return to an imagined happier pre-Cold War era, “said Dr. Thompson. “In an era of presidential assassinations, brutally repressed civil-rights marches, and an increasingly angry and dangerous world that seemed right on our doorstep, the Beatles irreverently espoused innocence. Rather than duck and cover in fear of an atomic bomb, the Beatles told us to live and be funny doing so.”
Tickets are still available for Paul McCartney by visiting the Times Union Center box office, or through Ticketmaster.
Phish tour looms, but in the meantime, get warmed up with The Lawn Boys, a Phish tribute band out of New York City, on Saturday, June 28th at 9pm at Red Square in Albany. This show marks The Lawn Boys their first ever show in Albany, days before Phish’s summer tour kicks off. With tickets just $10 at the door, you’ll get two sets of Phish from some of their biggest fans.
On the fence? Check out video below and get ready to Phish!
The Washington Avenue Armory announced this morning legendary heavy metal group Slayer, will headline a show on November 25th that will include Suicidal Tendencies and Exodus.
“We are way f—ing excited about hitting the road again with Suicidal and Exodus,” said Slayer frontman Tom Araya. “F—ing intense. See you in the fall.”
Each of the three bands has had a hand in establishing the popularity of heavy metal music from the start of the 1980s. Slayer went as far as winning two Grammy Awards for Best Metal Performance in 2007 (“Eyes of the Insane”) and 2008 (“Final Six”). This tour comes a year after the loss of original member, guitarist Jeff Hanneman.
In 2010, Hanneman contracted necrotizing fasciitis and his only performance after that was two songs during an encore at one of Slayer’s Big 4 performances in April 2011.
A few weeks ago Rob Dukes parted ways with Exodus, former vocalist Steve ‘Zetro’ Souza plans to return to fill the role.
The US tour launches November 12th from Oakland, CA.
Tickets for Slayer, Suicidal Tendencies and Exodus can be purchased through all Ticketmaster locations, through the Armory’s box office, or charge-by-phone at 800-745-3000.
The Park Playhouse recently announced 2013 Tony Award nominee, Hands on a Hardbody will be featured at the Lakehouse in Albany’s Washington Park this July.
The news is of particular interest to Phish fans, as the musical score was written by none other than Trey Anastasio. Anastaio’s score received the 2013 Dramatist Guild Frederick Loewe award for Dramatic Composition, as well as a Tony Award nomination that same year.
Anastasio is a guitarist, composer, and vocalist for the famous Vermont-based jamband, Phish; but he is no stranger to the classical arts, having his orchestral “Evenings with Trey Anastasio” performed with the New York Philharmonic, the Los Angeles Philharmonic, the Atlanta Symphony Orchestra, the Baltimore Symphony, the Pittsburgh Symphony, and the Colorado Symphony.
Hands on a Hardbody, based on the book written by Pulitzer Prize-winning playwright, Doug Wright, focuses on the events and drama that ensues after ten people prepare to win an automobile by being the last one to keep his hand on the car.
Shows run Tuesday through Sunday, From July 1st to July 26th, starting at 8 p.m. Seating is free in the amphitheater section, and blankets and low-backed chairs are permitted. Reserved Seats and Premium Bleacher Seats can be purchased on the Playhouse website, or by calling the box office phone at 518-434-0776.
It’s not every day that a member of one of the most influential music groups in history visits Upstate New York. The Capital District got a dose of Beatlemania on Tuesday the 10th when Beatles drummer, Ringo Starr and his Allstar Band came to town. The historic Palace Theater was flooded with fans in various Beatles and Ringo apparel of all ages, eager to experience the 73 year old living legend.
The stage was a-glitter and as the lights dimmed, the crowd screamed just like they would have back in the ’60s when Ringo Starr came running onto the stage. The night opened up with two easy going songs “Don’t Come Easy” and “Wings” with Ringo singing front and center, donning his classic sunglasses and waving peace signs to the audience.
After the first few songs, Ringo took his spot on the elevated ruby drum set and his Allstar Band took the reins. Organist Gregg Rolie, one of the founding members for Santana, paid tribute to those classic soul charging songs like “Evil Ways”, “Oye Como Va” and “Black Magic Woman”, with his familiar, dark and striking Hammond key chords. Todd Rundgren, original guitarist for Utopia and singer songwriter couldn’t be slowed down as he ran about the stage with blazing riffs and a became a true maniac on the drum pads for “Bang The Drum All Day”. Bassist Richard Page, had deep vocals just as thunderous as his bass notes for Mr. Mister’s “Broken Wings” and a new song “You are Mine” which was a country twang change up with beautiful harmonies. Guitarist Steve Lukather, is best known for his work with Toto and treated the audience to “Africa” and “Roseanna” with a strong saxophone solo from Warren Ham. Gregg Bissonette rocked out next to Ringo on drums, providing a more intense rhythm for the show.
Throughout the night, Ringo would step in with a few personal songs of his, adding quiet jokes that got big laughs. The band performed the first song Ringo ever wrote “Don’t Pass Me By”, a charming, upbeat song that back in the day, gave Ringo the confidence to shine as he said, “Wow, this is good. I thought watch out Mr. McCartney… I was young when I thought that.” The crowd chanted Ringo’s name and almost lost it when they struck up “Yellow Submarine” for an overwhelming sing-along as Ringo credited Albany for being the best singers. “Boys”, a personal favorite of Ringo’s, had lyrics belted out with a crisp and youthful sound. The night ended with “With a Little Help from My Friends”, as fans danced and hugged one another, it was clear that Ringo had succeeded in spreading peace and love throughout the theater. Despite their age, Ringo Starr and the Allstar Band showed no signs of slowing down with their impressive jams and stage presence. The two-hour show was a blast from the past, proving that the “Summer of Love” never ended, not as long as there is music, peace and love to fill the air.
The mighty Skrillex crash-landed his Mothership Tour at The Washington Armory in Albany last night with the help of DJ friends, Milo & Otis, What So Not, and DJ Snake. The Mothership Tour almost needs a dozen tracker trailers to carry all the lights and sound equipment, plus a massive generator to power up the unforgettable show. The vibrations you will hear and feel from the speakers on the Mothership Tour are similar to a pleasurable earthquake. Skrillex and the EDM genre as a whole attracts a special kind of crowd, mostly in their late teens and 20s, clothed with eye-catching neon, lots of glitter and brightly colored beads. The Capital District hasn’t been too fond of the raves hosted at The Armory for the past few months, but luckily this show went off stress-free.
The Milo & Otis duo was a great start to the night with fast paced dance beats and techno tunes that helped the ravers loosen up for the long night ahead of them. What So Not mixed heavy bass notes with soaring vocals that released an animal-like dark side into the crowd who ate it up. As the night progressed, the audience grew, and DJ Snake took the stage for a set of blaring techno and extreme lasers. DJ Snake got the biggest response out of the crowd when we started up his latest collaboration with Lil Jon, “Turn Down for What”. The rebellious chant got the masses screaming with their hands up in delightful angst.
After much cheering and being egged on by DJ Snake, Skrillex leapt on stage to do what he does best, melt faces and blow minds with his hard hitting electronic music. It was hard to tell who was having the better time, the ravers or Skrillex. His hands were all over his mixing tables, even standing atop of them as he amped up the crowd and leapt off just as the music would drop. The consistent climaxes kept everyone moving and the smoke machine blasts were also a crowd pleaser. The massive back drop was a rainbow of lights or showcased images of iconic pop culture; either way it went was a thrill to watch, especially to watch a slow motion of Family Matter’s Urkel and Full House’s Uncle Jesse break it down. Skrillex mixed fresh beats with popular songs that sent the crowd into a frenzy such as Damien Marley’s “Welcome to JamRock” and even the opening theme from The Lion King with a rising sun backdrop. He slams his entire body on that stage, supplies everyone with a powerful energy of music and compliments Albany on being the “hottest” stop on his tour, as it’s apparent that everyone is soaked in sweat. A Skrillex show has everything that young American’s are all about: loud music, robots, lasers and a carefree party attitude.
Whether you love or hate the EDM scene, Skrillex is a must see act. It’s empowering to watch any artist do what they love, but with Skrillex, you can appreciate his audience control and interaction. His stage presence is almost as big as the bass bombs he drops. Here’s hoping the Capital District will continue to host these EDM events for respectable ravers seeking a bizarrely fun journey into the livetronica world.
Less than 24 hours before their scheduled concert at Monirae’s in Pennellville, NY – while en route to Upstate New York – Saving Abel announced that they won’t be there.
Members of the band reportedly broke away from their recording sessions and were in the midst of traveling to Upstate New York once plans unraveled.
Saturday’s show in Albany, The Take Back Tour, is advertised as an educational movement to inform concert goers on building a sustainable community. It also included information on recent federal legislation that tour promoters say allows the military to detain citizens without due process.
A Washington Armory representative said the show is scheduled to proceed without Saving Abel.
Saving Abel was reportedly dropped by the show promoter, Robert Rodrigo. Attempts to contact the promoters for comment were unanswered.
The band posted an announcement late last night on Facebook, but when approached The Washington Armory about the news this afternoon, the staff was initially unaware of the details.
The venue representative explained they are not responsible for planning the event. As managers of the facility, they only rent out the building to show organizers. Shows like Tuesday’s Skrillex show that was a huge success.
Saving Abel still plans to play the Monirae’s show, but in September.
Dedicated Central New York fans, like Tim S. were upset. The father responded to the band’s Facebook post to say he bought VIP tickets specifically for his daughter’s birthday.
The band responded to clarify they would honor tickets from the show that was supposed to happen tonight.
The band is dedicated to all their fans but they said a trip to New York didn’t make fiscal sense if they were only playing one show.
Singer/songwriter Ingrid Michaelson was taken by surprise by the fully packed and excitable crowd at Upstate Concert Hall on Tuesday May 27th. “You hear Clifton Park, you think small quiet town but damn!”, she said with a sly smile in her dark framed glasses. Ingrid Michaelson has been touring in support of her sixth album Lights Out, with fellow musicians and friends from Storyman and Sugar and the Hi Lows. The Storyman was a charming celtic duo that serenaded the crowd with their acoustic harmonies and defined their band name with their intricate story telling.
The first few tunes from Ingrid were upbeat and energetic with a complete band to which she had to compliment the audience on being the only crowd to sing the instrumental parts. The night swayed into a mellow mood with the charming melody of “Unbreakable” followed by a song in which for a few awkward moments Michaelson forgot how it started. Luckily for everyone, one of her front row fans handed her their smart phone with a copy of the song on it. The night progressed with beautiful covers of her infamous solo piano work of “Can’t Help Falling in Love” and Bon Iver’s “Skinny Love”, performed in a trio of feminine grace.
The band came back out to perform some of her more popular hits such as the roundabout chorus from “The Chain” and “Be Ok”. Michaelson notes the next song was a fan favorite but with not wanting to hate the song and never playing it, the musicians put a genre twist on it to keep it fresh and enjoyable for everyone. They began the romantic pop tune of “You & I” but to a polka styling which still received cheers and applause. The show ended with Michaelson’s newest breakup anthem hit, “Girls Chase Boys”. The night felt like a wooden rollercoaster ride of up tempo, catchy pop highs seguing to geeky stories and indie slow ballads. Michaelson will return to the NY area at the end of July to The Stephen Talkhouse in Amagansett and Summer Stage in Central Park NYC.
Michaelson dances to her own drum with creative compositions that reflects her emotions that anyone can relate to. Ingrid Michaelson continues to share her songwriting in a quirky manner and wants fans to remember that “Different is always a good thing.”
King Crimson is one of the most legendary bands in the prog-rock scene to ever take the stage and, they will have a reunion for a full tour for the first time since 2009.
Albany, New York’s own The Egg has the privilege to be the first stop on the tour on September 9th and 10th. The tour will roll south to New York City’s Best Buy Theater on September 18th, 19th and 20th for a special three-night run.
This has been a highly sought after show ever since Robert Fripp, the founding and only consistent member of the band, announced last September that the band would be getting back together. The line up is expected to include Fripp, Gavin Harrison, Bill Rieflin, Tony Levin, Pat Mastelotto, Mel Collins and Jakko Jakszy.
http://www.youtube.com/watch?v=aAAqAnCBNKQ
The shows in Albany go on sale on June 6th at 11AM, and at noon for each New York City show.