Category: Albany

  • Best of Upstate 2014: Bands on the Rise

    So far this week, we’ve brought you the Best of Upstate 2014, featuring the best albums, festivals and venues. Today we focus on the up-and-coming acts in Upstate New York. Last year, Aqueous took top honors as the best Band on the Rise coming out of Upstate New York. Since last year, they have released a new album Cycles, off a successful Kickstarter campaign, played numerous festivals from Summercamp to Peach Fest and many in between, and should be announcing Spring tour dates very soon. Band on the Rise is a  title bestowed only one-time to bands from Upstate New York and Aqueous was clearly a solid choice in 2013.

    bands on the rise 2014The 2014 Band on the Rise is Mister F. Based out of Albany and featuring Andrew Chamberlaine (guitar) Scott Hannay (keys) Ben Pickering (bass) and Matt Pickering (drums) the progressive/electronic band have been touring throughout the Northeast, down the East coast, as far as Kansas, opening up for such acts as Twiddle, Snarky Puppy, Dopapod, Turkuaz, The Mantras and Tauk.  With their debut album, The F Stands Four, the band is set for a great 2015, which they will ring in with two separate NYE performances – one at Rock n Roll Resort in Kerhonksen, and then later that night at Parish Public House in Albany following moe.’s New Years show at The Palace Theatre. Check Mister F’s set at Disc Jam this summer and see what makes them ‘s 2014 Band on the Rise.

    Honorable Mentions

    Caustic Method

    Eastbound Jesus

  • Aqueous Announce Winter Tour 2014-15

    Aqueous Winter Tour 2015Buffalo’s Aqueous have played 100+ shows for two straight years now up and down the east coast and throughout the mid west. That trend will continue this winter as the band continues to reinforce their fan base throughout the mid and eastern US. Upstate denizens will get several chances to see the fast rising groove rock band. Besides the previously announced Dec 18 show at The Hollow in Albany and NYE at Buffalo Iron Work’s – AQ will hit Putnam Den in Saratoga Springs Feb 7 (w/ legendary jam band Max Creek)and Jamestown on Valentines day. More NY dates are rumored to be in the works.

    More info on all shows can be found on the band’s website. Check out the full list of 2014-15 tour dates below. Ticket’s for Aqueous’s NYE show are available here for 10$ pre-sale.

    Aqueous Winter Tour
    Dec 18 – The Hollow // Albany, NY
    Dec 19 – The Wheelhouse // Narragansett, NH#
    Dec 20 – Strange Brew Pub // Norwich, CT#
    Dec 31 – Iron Works // Buffalo, NY*
    Jan 22 – Cosmic Charlies // Lexington, KY
    Jan 23 – Cosmo’s // Covington, KY
    Jan 24 – Scarlet & Grey Cafe // Columbus, OH
    Jan 29 – The 8×10 // Baltimore, MD
    Jan 30 – Martins // Roanoke, VA
    Jan 31 – The Broadberry // Richmond, VA&
    Feb 3 – New Mountain Theatre // Asheville, NC
    Feb 4 – Blind Tiger // Greensboro, NC
    Feb 5 – Hot Spot // Waynesboro, VA
    Feb 6 – Ardmore Music Hall // Philadelphia, PA+
    Feb 7 –  Putnam Den – Saratoga Springs, NY%
    Feb 11 – Casa Nueva // Athens, OH
    Feb 12 – Grog Shop // Cleveland, OH
    Feb 13 – Jimmies Ladder 11 // Dayton, OH
    Feb 14 – Shawbucks // Jamestown, NY
    Feb 19 – TBD
    Feb 21 – 123 Pleasant Street // Morgantown, WV^
    Feb 25 – TBD
    Feb 26 – Spot Underground // Providence, RI^
    Feb 27 – The Stone Church // Newmarket, NH^
    Feb 28 – TBD
    Mar 6 – Tonic Room // Chicago, IL
    %w/ Max Creek  ^w/ Pigeons Playing Ping Pong +w/ Pink Talking Fish  #w/ Mister F &w/ People’s Blues of Richmond *w/ Funktional Flow
  • Finally Sold on the Northern Rock of Eastbound Jesus

    I can’t say that in the last two years of knowing and seeing Eastbound Jesus that I had been sold on them, let alone found in them what many others have. The ‘Northern Rock’ descriptor is unique but never defined them well enough for me. They have a couple catchy songs, but I couldn’t get into them despite being a huge bluegrass and jamgrass fan. While they without a doubt have a unique sound, I just didn’t fall into it in a way that would make me want to throwdown like their fans do on the dance floor.

    eastbound jesus northern rockThat changed when I got a listen of Ruff Stuff Nuff Said, a wonderful live album recorded earlier this year at the same venue they released the album at, Parish Public House (formerly Red Square). I had every intention of going to this show before I heard the live album and couldn’t wait after a single spin of the disk. It has a great flow and choice tracks throughout, as well as a few covers and surprises mixed in. I had found my motivation in this live album to finally get to an Eastbound Jesus show.

    Throughout the night the room had an electric vibe that stood out from other local shows – the fans bring this feeling with them and it permeates the audience, welcoming newcomers into an active atmosphere. You could have gone to the show looking forward to your favorite band or checking out something new and your night would be flipped on its axis, casting you out into the night amid a flurry of confusion as to what you just experienced. Eastbound Jesus has that wonderful effect on its audiences and gained at least one fan this past Saturday night.

    Highlights from the show included Lucid’s North Country brand of rock which opened the show, a new song unnamed song from EBJ that opened the night and felt inspired by The Band; a great start to the live album from “I Wouldn’t Know” which came out early in the set, “Whisky on Dirt”, “Beat the Baker” featuring Lowell from Lucid on mouthharp and an encore of “Don’t Use it Much” which had a solid “Turn on Your Lovelight” jam and of course, “Holy Smokes”. The group is taking some time off to record in the studio, but when they come back in the springtime, you’ll be sure to find me at their shows from now on fully supporting Northern Rock.

    Set 1: New song, Talking to John, Ghost Town, I Wouldn’t Know, Easy Now, Sittin by the River, Where the Winter Goes, KT Belle, Whisky on Dirt, Doors Open, Corn Whiskey, Tennessee, 54 Miler
    Set 2: Better Things, Pipe Dreams, Times Wasting, The Storm, Here’s to You, Eastbound and Down, Hawk, Hold on me now, Take a Ride, Wastin on the Sun, Beat the Bakes
    Encore: Don’t Use it Much, Ballad of Eastbound Jesus, Holy Smokes

  • Bob Seger Brings his Old Time Rock and Roll to Albany

    That old-time rock ‘n’ roll reigned supreme at the Times Union Center with Bob Seger and the Silver Bullet Band, Dec. 2 in Albany. I know of Seger the way most do – through classic rock radio stations, but I also recall way back in the early ’80s winning a small glass album of Bob Seger and the Silver Bullet Band at the Altamont Fair for hitting 3 balloons with darts. When he announced he was coming to the Times Union Center, nostalgia was triggered for a first time show.

    bob segerTruth be told, I missed most of  J. Geils Band opening the show. “Angel is a Centerfold” was played but beyond that it was a mix of some new songs and older tracks I was unfamiliar with. I am sure they’ll turn up on the State Fair circuit next summer.

    Seger and his band took the stage and opened with five songs I was wholly unfamiliar with but each of them had a ’70s rock quality that captivated me. For a band that has a handful of radio hits, I never recognized that there were some quality tracks lying around on those non-greatest hits albums; it was a pleasant surprise. “Old Time Rock & Roll” was played early and not shelved until the end – give the audience the song you are best known for and appease them early. “Like a Rock” inspired the audience to go out and buy a Chevy, while cellphones were used in place of lighters – the times, even for the old timers, have changed. “Travelin’ Man” was a good stand out tune, as well as “California Stars” the most modern song of the night despite being written by Woody Guthrie and Wilco. “Turn the Page” which got a second life when Metallica covered it back in the late ’90s, was the penultimate song of the night, with an inspiring “Detroit Made” closing the show.

    The two encores gave us four solid songs – “Against the Wind,” “Hollywood Nights” (Umphrey’s McGee covers this and help to reintroduce Seger to a younger audience), “Night Moves” and “Rock & Roll Never Forgets”. Seger knows how to draw the crowd in, and despite being seated for most of the night, the audience was rapt with attention towards the rock n roll legend.

    Setlist: Roll me Away, Trying to Live my Life Without you, The Fire down Below, The Devil’s Right Hand, Mainstreet, Old Time Rock & Roll, The Fireman’s Talkin’, Come to Poppa, Her Strut, Like a Rock, Travelin’ Man, Beautiful Loser, California Stars, Hey Gypsy, We’ve Got Tonight, Turn the Page, Detroit Made

    Encore: Against the Wind, Hollywood Nights

    Encore 2: Night Moves, Rock & Roll Never Forgets

  • Hearing Aide: Eastbound Jesus ‘Ruff Stuff Nuff Said’

    ruffstuff1On Saturday December 6, Parish Public House and Guthrie Bell Productions will host the North Country Rock band known as Eastbound Jesus for the release of their fourth album, Ruff Stuff Nuff Said.

    This is Eastbound Jesus’ first live album, recorded at Parish Public House back on January 31 and February 1, 2014, when it was still known as Red Square. They recorded over 40 songs from that weekend and picked the top 14 songs to create the fun loving, foot stomping Eastbound Jesus show experience.

    Ruff Stuff Nuff Said was worth the wait for the crisp professional sound alone. Knowing firsthand how smothering the sound can be in Parish Public House, especially with more than a few enthusiastic fans, the album has a great balance of vocals, instruments and cheers. With a “take it or leave it” attitude, much like the musicians themselves, Ruff Stuff gives fair warning to listeners of the stripped honesty and raw energy of their live shows. The album starts with “I Wouldn’t Know”, a slow building melody that erupts with continuous peaks of banjo and guitar plucking with a mighty chorus, the foundation for most of their songs and it works every time.

    Showcasing EBJ’s ability to convey their unique sound as well as a few crowd pleasing covers, one of the top tracks is the Grateful Dead’s “Turn on Your Lovelight” jam that grows out of “Don’t Use It Much” when joined by trombonist Bryan Brundige and keyboardist Tony Meier. You can actual feel the venue start to get dizzy with the ferocious melody. From soft country ballads to rebellious swamp rock, Ruff Stuff Nuff Said provides light to why it’s no wonder EBJ has such a dedicated, rowdy fanbase that can relate to their Upstate sound and everyday themed lyrics about the weather, drinking and authority.

    Key Tracks: 54 Miles, Don’t Use It Much, Where The Winter Goes

    Click here to read our review from the shows where Ruff Stuff Nuff Said was recorded.

    Doors for the show on Saturday open at 8 with backwoods rockers Lucid set to kick off the night around 9. Tickets will be available at the door for $12 but you can secure yours today online for $10. Eastbound Jesus shows have a reputation for being sold out events, making this coming one no different. Red Square recently underwent a full upgrade to become Parish Public House, the same music venue we love with the addition of a full Louisiana eatery and drinkery. Their menu makes it a smart decision to get there early with items like the various po boys, alligator bites, gumbo, burgers and more Cajun delights. Eastbound Jesus has recently announced that they will be taking some time off for some desired studio time. So be sure to pick up your copy of Ruff Stuff Nuff Said to help you survive the winter and come out to the show this Saturday!

  • Funsgiving Tradition Carries on Strong at New Location

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    In its seventh year, the B3nson Family Funsgiving was in a new space, but held true to the sounds and energy that have made it a familiar tradition in the Albany music scene. A year ago Funsgiving was held where it had always been, at the now defunct, and sorely missed Valentine’s, packing the rooms on both floors. This year, instead of walking a flight of stairs between stages, it was between the doors of Pauly’s Hotel and The Low Beat on Central Ave. Two rooms, seven bands, all for ten dollars, and it would prove to be a pretty excellent deal.

    Brooklyn four piece Leaks/Mirrors made the trek to Albany to kick off the night at Pauly’s. It was apparent people had paid attention to the warning that music would be starting early, the crowd was pretty sizable by the time the music bounced over next door for the first set of the night at the Low Beat from Secret Release. Guitarist Mike Campana and keyboardist Dan LaFave trade off vocal duties with a sound that is easy to listen to, easy to like and easy to move to. Don’t take “easy” as a negative, it simply means they’ve crafted their songs so nicely that it’s tough to hear them and not want to move closer and see what this band, relatively new in its current form, has to offer.

    After a nice set from Neighboorhood of Make Believe over on the Pauly’s stage, Bear Grass’ set inside The Low Beat felt like some sort of mid-winter barn show. The wooden interior, the crowd bundled up in hats, scarfs and sweaters on what was the coldest day of the season so far, huddled around the stage with drinks in hand. Standing in the back of the room, the band’s often soft demeanor led them to being sometimes easily overlooked. However, stepping closer into the crowd, their warm sound was absolutely captivating. Bear Grass’ sound felt bigger than usual, with layers of vocals and guitars, and Katie Hammon’s lead vocals seeming to gain even more power and confidence over the past year.

    Back over at Pauly’s people were filling in the room for Hammer Hawk, the trio that creates rock in all the right ways.  Hammer Hawk makes music that feels good to yell along with. It’s rock with alternative roots that feel almost comforting, and familiar. Familiar in its most kind interpretation can sum up Funsgiving. If you’ve been to one before, the faces are familiar.  While some of the bands were seasoned Funsgiving veterans, the ones that weren’t, had mostly been there before, just in different forms. B3nson is a music collective of musicians and friends with bands that are constantly evolving, where one project ends, someone is inspired to take a sound in a new direction and a new one begins.

    The crowd was at its peak during The Parlor’s set, who was celebrating the release of their new EP, Ghost House. Where Bear Grass’ set felt in need of a fireplace, the only thing missing from The Parlor’s set could’ve been a disco ball. Covering the Eurythmics “Sweet Dreams”, with the dual vocals of Jen O’Conner and Donna Baird, along with the contagious, wild energy of frontman Eric Krans, The Parlor ensured there was a smile on the face of everyone in the room. Funsgiving favorites, they knew exactly how to get the crowd all warmed up and moving throughout their set, playing old crowd favorites and great new tracks.

    Closing out the night was the band that has quickly become a party-time favorite in Albany – Rival Galaxies. For people in it for the long haul, there was no better band to close out a great night of music. They’re the type of band that even if you had no clue who they were, and you walked into one of their shows, they’d have your attention, and have you moving in an instant. Think LCD Soundsystem with a hint of punk energy. Drummer Todd Richards is so precise he at times seems more machine than man, and bassist Nick Wallas finds a groove that fits perfectly and lays it down solid, making for an ideal rhythm section for a live dance band. The energy from Matt Ferguson on synths never ends, and neither does the unique range of sounds he creates. Even if guitarist/vocalist Mike Fuccilli didn’t nail all the words to their cover of Semisonic’s “Closing Time” to end the show, it didn’t matter. When you put out a sound and energy like they do for a full set, and a room is filled with that many good friends, perfection can be thrown out the window in exchange for an honest, good, yet slightly cheesy in all the right ways, drunken singalong. Let’s be honest, sometimes, nothing feels better.

    B3nson has created a musical collective that from the outside, seems completely organic. Over the years they’ve provided truly quality sounds, and great texture to the musical landscape of Albany.  It’s friends and musicians that would be throwing this annual party each year whether anyone else showed up or not. But, we’ll keep showing up, because their constant output of music is something Albany would sound far less vibrant without.

    Aside from Funsgiving, The B3nson Recording Company is responsible for the annual Restoration Festival, along with countless great shows and releases throughout the year. To keep up to date on what they have going on, find them on Facebook.

  • Slayer, Suicidal Tendencies, Exodus Level Albany’s Washington Avenue Armory

    As major touring season is coming to a close and a memorable year of concerts approaching to an end, The Washington Avenue Armory was graced by metal’s best bands: Exodus, Suicidal Tendencies, and main headliner Slayer, to a three thousand plus crowd on November 25. Before, during, and after the show, there lots of people screaming “Slayerrrrrrrrrrrrrrrrrrrrrrr!”

    I was late arriving to the show after being stuck in traffic and the line to show was still massive when I arrived, so I wound up missing most of Exodus set, but managed to catch their last two songs “The Toxic Waltz” and “Strike Of The Beast.” Judging by the crowd, they definitely made an impact, they sounded loud, clean, and vital as ever. The recent arrival of vocalist Steve “Zetro” Souza couldn’t have come at a better time for the band.

    When Suicidal Tendencies hit the stage, they whipped the crowd clean across the floor. I have never seen any band perform they way they do. It was like they had five frontmen in the band because all five of them were all over the place. Vocalist Mike Muir at age 51 is going absolutely bananas on stage and performs better than any twenty-something person from what I can tell. They opened with my favorite song, “You Can’t Bring Me Down.” Although Mike Muir is the only original member left in S.T., this currently lineup has something special going on and S.T. is here to stay for a long time.

    Suicidal Tendencies also did a great job doing a set list that contained songs that were more “thrashier” to really please the crowd. The second song they played was “Freedumb” before getting the crowd to participate in the classic “War Inside My Head.” After they played “Subliminal” the band took a break and Mike Muir addressed the crowd about the bands history and their love for skateboarding and played one of their trademark songs, “Possessed To Skate.” Then what was probably the highlight of their set, they played “I Saw Your Mommy” before ending their set with “Cyco Vision” and “Pledge Your Allegiance.” I was kind of surprised they didn’t pay tribute to Tim Williams who sadly passed away recently, but did have t-shirts of him over at the merch table. They didn’t play “Institutionalized” but they didn’t need to with such a good performance.

    Finally, Slayer arrived on the stage to make everyone’s ears bleed. This time through, Slayer’s production was massive with four giant upside down crosses hanging above the stage and multiple backdrops throughout their set. They played for almost two hours, ripping through their set, going song after song taking very minimal breaks. Guitarist Gary Hoyt who is pulling a double duty on this tour with Exodus and Slayer, was on stage replacing the late Jeff Hanneman, and did a respectable job in playing Hanneman’s parts. Paul Bostaph was behind the kit, also doing a hell of a job. If you were blind, you would not even know it’s not the original lineup. Tom Araya sounds furious as he ever did, and Kerry King is still boss on guitar.

    Now for me, I did see the original lineup five years ago and it was sad not to see Hannaman there, but it’s a damn shame things didn’t work out with Dave Lombardo, but if it was your first time seeing Slayer, you wouldn’t care because their performance was clutch and top notch. They opened with “World Painted Blood” and other highlights included “Chemical Warfare,” “War Ensemble,” “Hell Awaits,” and “Jesus Saves.” But the best part of the show was when they played “Seasons In The Abyss” because just about all of their set was heavy, up tempo songs, but when they switched it up and played “Seasons In The Abyss,” hearing a slower song seemed to stand out more, and the stage lights went from what was primarily red through the whole show to yellow. At the end of their set, they wrapped things up with their trademark “Raining Blood, Psychopathy Red” before finishing up with “South Of Heaven” (which sounded really fantastic before paying tribute to Hanneman for “Angel Of Death” with a backdrop dedicated to him on display. Even though Slayer at this point of their career it’s more about their business and keeping it going, it doesn’t stop them from giving a performance for their insane fans.

    Overall a fantastic show, personally I thought Suicidal Tendencies owned the show, but obviously the crowd was there for their lords and saviors Slayer. I would imagine all three bands will be back in Albany sooner or later.

  • The Touré-Raichel Collective at The Egg

    As part of The Egg‘s Rhythm International concert series, musicians from around the world take the stage in the Swyer Theater and shower the audience in the sounds of corners of the world unheard by many. The most recent installment of this series brought The Touré-Raichel Collective, featuring Malian guitarist Vieuz Farka Touré and Israeli jazz pianist Idan Raichel along with Malian drummer Souleymane Kane and Israeli bassist Yogev Glusman, and between them collaborated across cultures and centuries of musical history to create a fusion of traditional musics.

    Touré-Raichel CollectiveThe song names were presented in their original language, the songs themselves unique and offering a different influence, perhaps more Malian than Israeli, more traditional than classical, or combining Afrobeat with Mid-Eastern influences. One composition was at times pleading and reaching, then growing and fading slowly, a journey through the instruments, a blend of classical piano with light guitar, smooth bass and the beating of a calabash by Kane; he makes it look so easy with such a great beat in every facet of the instrument. Raichel, like Chick Corea, plays the inside of the piano, adding to the collective sound.

    Raichel spoke in between a few songs, at length, bringing up the topic of ‘music that changed the world’, such as The Beatles and Pink Floyd. Considering that this music has been around for only 50 years at the most, and classical music that has lasted hundreds of years, above all, traditional music, the DNA of nations is the music from cultures that will last forever. Music from Mali has roots dating back thousands of years, and while the music of Israel is far younger, Jewish heritage stretches millenia. Weighing this, Raichel argued that  some songs will last forever. Perhaps, some 700 years in the future, in a church in Costa Rica, people will sing ‘Let it Be’, yet have forgotten who John Lennon was. With that, Raichel introduced “Thank the Lord for his Grace”, adding that he hopes it has the potential to be a song played 700 years from now in a synogouge in Costa Rica.

    Touré-Raichel Collective

    A song full of Malian funk stood out, adding a flamenco/salsa vibe that went on for over 10 minutes. A few songs elicited applause from the start, a pleasent surprise to see fans of musicians who are far from home. Before the finale and encore, Raichel mentioned that world music artists have the honor of playing the soundtrack of where they are from. An encore, seen below, was described as ‘the soundtrack of Mali’, and with its beautiful rhythm it led the audience out into a warm and windy night on the Empire State Plaza.

    Photos by Andrzej “Andre” Pilarczyk

  • Dark Star Orchestra Bring a 1987 MSG show to the Palace in Albany

    Dark Star Orchestra performed a classic energizing 1987 show on Saturday Nov. 15 to a nearly sold out crowd, at The Palace in Albany.

    The event was hosted by Guthrie Bell Productions. Dark Star Orchestra has made a name for themselves by performing Grateful Dead shows in their entirety with sincere conviction. This night was no different as fans of all ages gathered to hear the familiar songs that prove to still mean so much to so many. The night started off with a funky, light-hearted key work, from Rob Barraco on “Hey Pocky Way” (The Meters) that got everyone jumping.  Jeff Mattson has vocals that will nearly break your heart if you’re not careful and if that doesn’t do it; his passionate guitar riffs ignite the Dead like atmosphere. For a split second, it almost looks like Rob Eaton is Bob Weir with his facial similarities, rustic vocals and fresh rhythm guitar strumming.

    Bryan Lasky - Dark Star Orchestra 3

    Set two brought a continuous flow of music that surged throughout the venue. The crowd sang out the worn lyrics of “Eyes Of The World” with gusto. The night took a turn into dark territory as “Drums>Space” was a terribly stretched vortex of noise from Dino English and Rob Koritz before finally picking up with “Gimmie Some Lovin” by The Spencer Davis Group. The set came to an end with a cheerfully sweet fan favorite of “Sugar Magnolia” with an appropriate encore of “It’s All Over Now”. As the performance wound down, the musicians revealed the specific show that they had recreated effortlessly that night as September 15, 1987 at Madison Square Garden in NYC. Dark Star Orchestra beautifully crafts the art that is Dead music with more than just playing the notes, it’s something you feel. You can witness the Grateful Dead/Dark Star Orchestra experience at the Best Buy Theater in NYC on the Nov. 28 and 29 and The Westcott in Syracuse on Dec 1.

    Set One: Hey Pocky Way, New Minglewood Blues, When Push Comes To Shove, Beer Barrel Polka; Me And My Uncle > Mexicali Blues, Row Jimmy, Queen Jane Approximately, Tennessee Jed, The Music Never Stopped

    Set Two: China Cat Sunflower > I Know You Rider, Estimated Prophet > Eyes Of The World > Drums > Space > The Wheel > Gimme Some Lovin’ > All Along The Watchtower Tease > Black Peter > Sugar Magnolia

    Encore: It’s All Over Now, Baby Blue

  • Heavy Pets Release EP ‘Stolen Smile’ and Winter Tour

    The Heavy Pets have released Stolen Smile, the third in a series of self-produced EPs the band has been working on amidst their rigorous tour schedule, which recently surpassed 1,000 performances after their show at Hulaween in Live Oak, Florida. Following the success of the first two in the series, Two Horses and Rags and Aces, the Pets stuck to the same formula of tracking and mixing close to home at South Florida’s Power Station Recording Studios. The release again showcases the work of multiple contributors.

    heavy pets stolen smileThe two-track recording features another fresh tune penned by Mike Garulli in the down-tempo atmospheric “Giant Birds,” first heard live in the Fall of 2013. “Sigismondi” is a dynamic Jim Wuest dance number that has matured over a longer road life but developed into the unique sonic journey captured in a fresh light for this release. Stolen Smile is available as a Limited Edition 7” vinyl record (pre-order), CD and through all digital download and streaming sites as of November 18, 2014.

    The Heavy Pets have also announced their Third Annual Florida Holiday Run which makes stops at the Crowbar in Tampa on Thursday 12/18, 1904 Music Hall in Jacksonville on Friday 12/19 and Culture Room in Ft. Lauderdale on Saturday 12/20. Each night will feature the one-and-only Roosevelt Collier (The Lee Boys) on pedal steel guitar and top regional acts Greenhouse Lounge, Squeedlepuss and The Funky Nuggets as well as a local charity raising money and collecting toys for the holidays.

    Winter tour dates:

    11/19: Buffalo, NY @ Iron Works w/ Skypilot ***POSTPONED DUE TO WEATHER***
    11/20: Syracuse, NY Wescott Theater w/ EOTO, Conspirator
    11/21: Brooklyn, NY @ Brooklyn Bowl w/ The Motet
    11/22: Alston, MA @ Brighton Music Hall w/ The Motet
    11/25: Fairfield, CT @ FTC StageOne w/ The Nth Power
    11/26: Philadelphia, PA @ Ardmore Music Hall w/ Pigeons Playing Ping Pong, Montoj
    11/28: Albany, NY @ The Hollow w/ Formula 5, Gowanus
    11/29: Providence, RI @ Spot Underground w/ Spogga, Sgt Baker & The Clones, Daybreakers
    11/30: Richmond, VA @ The Broadberry w/ Silo Effect
    12/18: Tampa, FL @ Crowbar w/ Roosevelt Collier, Greenhouse Lounge
    12/19: Jacksonville, FL @ 1904 Music Hall w/ Roosevelt Collier, Squeedlepuss
    12/20: Ft. Lauderdale, FL @ Culture Room w/ Roosevelt Collier, Greenhouse Lounge, The Funky Nuggets
    12/31: Miami, FL @ Will Call (Post Phish > Sunrise)
    01/03: Atlanta, GA @ Cotton Club in The Tabernacle (Post Umphrey’s McGee)
    3/6-8: Live Oak, FL for AURA Music & Arts Festival @ Spirit of the Suwannee Music Park