Tag: Madison Square Garden

  • In Focus: Phish Return to Madison Square Garden

    Phish kicked off their annual New Years Run at Madison Square Garden, the band’s 16th overall at the ‘World’s Most Famous Venue’ and a feather in the cap of a band who have had a remarkable 2024. 

    With shows at Sphere in Las Vegas and a stellar summer tour culminating at Mondegreen festival in Delaware (plus 4-night Mexico and Dicks runs) the foursome from Vermont have much to live up to at MSG, where the most recent performance by the band last New Year’s Eve featured a two-set stage production of the band’s Gamehendge rock opera, the holiest of Phish grails. 

    So while the bar is set high – let’s face it, Phish fans eternally set the bar high for the band – and the band doesn’t always reach that bar. It would be impossible to do so, but they gave it the ol’ college try on Saturday, December 28. 

    The show opening “Simple” would end up being the longest jam of the night, clocking in at 13 minutes, and when that’s the case, there’s a lack of flow that follows. “Free” followed and had some meat to it, but gave way to a sedate “Farmhouse”. Throw in “Poor Heart” and “Tube” plus a rare “Driver,” and the crowd was content to fall into a well placed first set “Reba,” with a beauty of a bliss jam within. A late first set “Oblivion” thankfully did not jam out for a change, and instead gave way to “Antelope” to close, as it so often has at the Garden.

    Set two looked to get things started with “Back on the Train,” and while things were headed in the right direction, “Axilla (Part 2)” limped out of the gate, with Anastasio being a bit ahead of the band. The song struggled until the outro, which worked its way nicely into “A Wave of Hope,” a jam to enjoyably get lost in. “Round Room” – which let’s be honest, needed a little more practice – was performed for only the seventh time ever, and first since 2016, yet an apropos song for Madison Square Garden. 

    Just as the excitement over “Round Room” died down, “I Always Wanted it This Way” (aka, Page EDM) took over mid-set, and after that, the rest of the set played out with a standard “Twist,” a pleasant “Mango Song”, “Blaze On”, “Cavern” and to close things out, “David Bowie.” 

    For the encore, “Mountains in the Mist” to start meant a multiple song encore was in the works, but the bar was set high when you’ve seen “Mountains” at Sphere. “Fuck Your Face” followed and random, but possibly influenced by a recent tech CEO tweet. “46 Days” to close was on par with much of the show – fun and energetic, but nothing incredible to write home about. 

    Phish fans have three more nights left in 2024, including the 25th anniversary of Big Cypress to celebrate. What does Phish have in store to close out 2024? Stay tuned!

    Setlist via Phish.net

    Set 1: Simple, Free, Farmhouse, Poor Heart, Tube, Kill Devil Falls, Driver, Reba[1], Oblivion > Run Like an Antelope

    Set 2: Back on the Train, Axilla (Part II) > A Wave of Hope > Round Room, I Always Wanted It This Way > Twist > The Mango Song > Blaze On > Cavern > David Bowie

    Encore: Mountains in the Mist, Fuck Your Face > 46 Days

    [1] No whistling.

    Reba did not contain the whistling ending. 

    Round Room was played for the first time since June 22, 2016 (322 shows)

    Photos by Taylor Weinberg

  • Your Guide to Pre and Post-Shows during Phish’s MSG New Years Eve Shows

    From Dec. 28-31, the annual Phish at Madison Square Garden four-night run will return to ring in the new year.

    Phish After Shows

    With this, Creative Entertainment Group (CEG) has announced the initial lineup of pre and post-shows for each date with more announcements to come.

    CEG has also shared that $1 of each ticket will be donated to Phish’s WaterWheel Foundation.

    Phish After Party

    Dec. 28 – Steely Dead, Neighbor

    Steely Dead will be playing both a pre-party at 4 pm and an after-party at 11:55 pm at the Hill Country. The price is $25 per person and pre-party and after-party tickets are sold separately. The Steely Dan and Grateful Dead cover band began in Denver, Colorado and is now a national touring band. Learn more and purchase tickets here.

    Phish After Shows

    Neighbor will be playing a live after-party at the Cutting Room from 11:55 on through the night. The band has a diverse catalog of hundreds of songs that brings elements of Americana, Funk, Rock, Jazz, Soul, and more. Tickets are $25 per person and the event is 21+. Learn more and purchase tickets here.

    Phish After Shows

    Dec. 29 – Space Bacon, Near Dead Experience

    The Near Dead Experience is a Brooklyn-based Grateful Dead cover band, fronted by a group of musicians who connected on Reddit. They will play a Phish pre-party hosted at the Hill Country Live. Doors open at 3 pm, and the show starts at 4 pm. Tickets are $24.90 and the event is open to all ages. Learn more and purchase tickets here.

    Phish After Shows

    The Brooklyn-based future jam quartet Space Bacon will play live at the Hill Country from 11:55 pm through the night. Tickets are $20 for tier 1 which includes general admission and $25 for tier 2 which includes DOS. This event is 21+. Learn more and purchase tickets here.

    Dec. 29 & 30 – Medeski, Martin, Metzger & Cline

    For two nights the supergroup of Medeski, Martin, Metzger & Cline, will play the after-party at the Sony Hall starting at 11:59 pm. John Medeski and Billy Martin of Medeski Martin & Wood will be joined by Joe Russo’s Almost Dead guitarist Scott Metzger and Wilco’s guitarist Nels Cline. The group first performed together in 2019 on Dec. 28 then again in 2023 on Dec. 30 and now for the first time, they will play two nights.

    The price is $45 a ticket for standing room and $65 for VIP reserved seating. Purchase tickets for Dec. 29 here and Dec. 30 here.

    Dec. 31 – Funk Sauce Dance Party, Tad Cautious, Shakedown Citi

    Grateful Dead cover band, Shakedown Citi, channels the spirit and energy of the Dead without trying to copy them. They will perform a pre-show for the NYE Phish concert at Hill Country Live, beginning at 4 pm. Tickets are $24.90 and the event is open to all ages. Learn more and purchase tickets here.

    Host on Sirius XM’s Phish Radio, Tad Cautious, will be joined by friends Ari Fink, DJ Blender and DJ Cooley, to perform at the NYE post-party. Doors open at 11:30 and the show will go until 4 am on Dec. 31 at the Hill Country Live. Tickets start at $28 and the event is open to all ages. Purchase tickets here.

    Closing out the four nights of Phish after-parties is the Funk Sauce Dance Party hosted by dj AF (Ari Fink) & Tad Cautious with DJ Cooley and the mysterious DJ Blender. From 1 am to 4 am, the Senior Director of music programming at SiriusXM, and host of The Bunny on SiriusXM, will make you party into the new year. Learn more and purchase tickets here.

  • Unwrapping the Old Testament of Phish: New Year’s Eve 1995, Live from Madison Square Garden

    1995 was a year that defined the 1990s. Michael Jordan came out of retirement to return to the game of basketball. OJ Simpson’s verdict was “Not Guilty.” TLC encouraged listeners to stop chasing waterfalls. Pixar changed the future of animated films with the release of Toy Story. And if you were in the jamband music scene, you experienced a seismic shift in the atmosphere.  

    Just 49 days after Jerry Garcia passed on August 9, Phish kicked off a massive 1995 Fall Tour in the guitarist’s home state of California. The Vermont foursome played more than 50 shows through December, hitting over 30 states and making a pitstop in Canada. Fans will argue over the best shows (or even best month) during this transformative time period, but most are in agreement that The Who’s Quadrophenia Halloween show in Rosemont, Illinois was a career-defining moment for one of the year’s top-grossing acts just half-way through the megatour. 

    Phish New Year's Eve 1995 halloween
    Official poster for 10/31/95 by Jim Pollock

    As the rising stars ripped through the frigid Northeast in December, they were only getting hotter in their raunchy, rock-forward, improvisational playing and it all culminated on Sunday, December 31, 1995 at New York’s Madison Square Garden. The date marked the third time Phish would play “The World’s Most Famous Arena,” but the first time they would sell it out for New Year’s Eve. From the 12/29/95 Worchester show to the 12/30/95 opening night at the Garden, it was hard to imagine how the well-polished act would continue getting better night after night, but Phish is always poised to shock the brain. 

    There was and always will be a special energy when you see Phish’s name in big bright letters on the midtown Manhattan marquee. As Jon Fishman’s father so eloquently put it, he realized his son had “made it” after the band played their first performance to a capacity NYC crowd on 12/30/1994. As fans anxiously anticipated the first note of the last show of 1995, they were greeted by their hungry party hosts with the first-ever, one-two punch of “Punch You in the Eye” and “Sloth.” It was a high-energy attempt to sonically bottle the energy of the 1995 Fall Tour and to kick off a show considered by Rolling Stone as “one of the best live performances of the ’90s.” 

    Phish New Year's Eve 1995

    Flip to page 824 of the 2nd Edition of The Phish Companion, and you’ll find that five of the songs performed that night are considered some of the “best versions ever.” With a fiery first set “Reba,” the second set’s “Runaway Jim” and closer of “Mike’s Song” to introduce the Gamehendge Time Factor laboratory loop, and the unfinished and unhinged “Weekapaug Groove” from Set III with a “YEM” to top it all off, Phish had made a statement—not only in their community—but in the history of live music. They showed the world what fans had been trying to say for over a decade. They were not just a talented, pot-smoking cover band from Vermont, although they did have the chops to cover and expand upon some of the most highly regarded artists in the rock genre. Any band can cover a popular song to get a reaction from the crowd, but Phish reinvents the music they love, and one example of this is their nod to The Who in Set II’s “Drowned” > “Lizards” opener. Not only did the band double the length of the Quadrophenia studio version, but they interweaved the Grateful Dead’s “Fire on the Mountain” to pay tribute to a band that had sold out six shows at the Garden just 14 months prior. Look past the epic jams, the tribute to legendary rock bands, the New Year’s Eve shenanigans, and the three-set masterpiece performance, and you will find a band on stage that wants fans to get their money’s worth – Phish at their core. 

    The 1995 New Year’s Eve performance was a launchpad for great things to come. 1996 was the year Phish released one of their greatest studio albums in Billy Breathes; they created a blueprint for music festivals by welcoming 70,000 fans to North America’s largest concert event of the summer, The Clifford Ball; brought their unique sound across Europe; dressed up as The Talking Heads for Remain in Light on Halloween; and claimed the throne as the most popular jamband of the 1990s. And they were just getting started. 

    But the purpose of this piece was never to recap one of the greatest shows in Phishtory, that has been dozens of times before. I’m here to tell you why it sparked a new generation of Phish fans nearly 10 years later.

    This is the story of the New Year’s Eve 1995 – Live at Madison Square Garden, the official album release. 

    Phish New Year's Eve 1995

    If you were in high school during the early 2000s, you had limited ability to enjoy Phish like your cooler, older family members (or maybe even parents). With the first hiatus in 2002 followed by the official farewell in 2004, it felt like maybe you just weren’t cut out to go on a full summer tour with your future college buddies like you dreamed about sitting in Earth Science, doodling pictures of ugly pigs in your notebook. 

    The internet was starting to get better, but looked nothing like what it does today in 2020. We didn’t have smartphones for Spotify, LivePhish, 4K professionally shot footage, or a girthy YouTube catalog of Vermont’s greatest rock band. You could risk destroying your family’s Gateway or Dell PC by downloading Phish shows from Limewire or Napster, but a lot of them were low quality, poorly recorded, or not even actually Phish (see their “Gin & Juice” cover) and took days to transfer. Apple iPods were expensive, and the use of .mp3s was becoming more common for those somewhat technologically-advanced, but didn’t completely take over until later that decade. 

    We did have CDs. 

    Before 2005, the year I graduated high school, the only officially-released Phish shows you would find in retail record stores were Slip Stitch and Pass, A Live One, Hampton Comes Alive, and drips and drabs of the 20-set LivePhish series. If you were lucky enough to have an older friend or family member serve as a Phish mentor, you could scrounge up hand-me-down, fan-traded tapes and CDs by the dozen, but if you had no path to follow besides seeing the band at SPAC in 2004, you were shit out of luck trying to level up from “noob” status in Upstate NY. 

    This all changed during the holiday season of 2005, when the retired jam band released New Year’s Eve 1995: Live from Madison Square Garden. At the time, the global Phish community was still mourning the loss of their fallen heroes much like the Deadheads of December 1995. The band members were still touring, and I was lucky enough to catch Page McConnell sit in with Trey Ananastio Band at Roseland Ballroom as a college freshman in NYC. That was NOT the Phish experience I had been dreaming about throughout high school. 

    Phish New Year's Eve 1995
    Official shirt by Jim Pollock

    Santa was extra heady that Christmas and next to NBA2K6 and the iconic Tiger Woods PGA Tour 2005 for PlayStation 2, the best gift was undoubtedly the three-disc, week-old live release. From the opening “PYITE” on disc one, followed by “The Sloth,” I was hooked. I had never even heard “The Sloth” before Christmas morning 2005, likely because it was never officially released until that album. 

    It was like in the movie Neverending Story where Sebastian finds the book and runs off to immerse himself in the incredible journey. I had spun through Slip, Stitch and Pass and A Live One until the discs were scratched and raw, but I had never understood the importance of a full show experience until MSG 1995. It was part performance and part theatrics. The show is the blueprint for quintessential Phish. Gamehendge narration, fantastic themes about the creation of time, covers from the recently performed musical costume The Who’s Quadrophenia, and of course, driven improvisation. In the twelve years of Phish music up to that show, December 1995 is widely considered the best. An entire tour of above-average shows was summarized during that hallowed night in the world’s most sacred rock space. 

    The live release made a new generation of fans appreciate the show as much as those that were in attendance. It made us extremely jealous we were still in elementary school in December 1995, and if we had just known about Trey Anastasio, maybe he would have been even more important than Michael Jordan, Derek Jeter, or Hootie & the Blowfish. 

    Big egos can get in the way of sharing in the groove and surrendering to the flow. The most obsessed Phish fans like to think they know more, feel more, and enjoy more than their fellow fan. Although I wasn’t fortunate enough to see Phish 1.0 and barely caught the tail end of Phish 2.0, I was able to listen to the Old Testament of Phish and memorize one of their greatest shows from the front of “PYITE” to the back of the “Johnny Be Good” encore. New Year’s Eve 1995: Live at Madison Square Garden proves that everyone begins their journey in different ways. And if you want to learn how to swim, you’ve got to jump in the water. 

  • Avril Lavigne Extends Greatest Hits Tour, Four Shows in New York

    Pop punk icon Avril Lavigne has extended her Greatest Hits Tour into 2025, including four shows across New York State.

    Avril has extended the sold-out run well into 2025, including dates at the Broadview Stage at SPAC in Saratoga Springs, the Empower FCU Amphitheater in Syracuse, Madison Square Garden, and the Bethel Woods Center for the Arts.

    Canadian-born Avril Lavigne is the pop-punk singer-songwriter credited for paving the way for the female-driven pop punk music that became synonymous with the early 2000s. 

    Ushering in the era with her “Pop-Punk Queen” moniker and skater style with her debut studio album Let Go, Lavigne quickly rose to stardom with hits such as “Complicated” and “Sk8er Boi,” charting at the top of the Billboard 200 with her first ever release.

    Since then, Lavigne has released six albums, each to critical acclaim. In addition to her traditional successes, Countless artists from punk to indie rock to emo hip hop have named Lavigne as a major inspiration or influence, creating a legacy extending well beyond herself.

    Avril also earned a Guinness World Record for being the youngest female solo artist to top the UK chart and saw the success of her hit “Girlfriend” emerge as the first music video to reach 100 million views on YouTube just four years after the website’s creation.

    Originally announced at the beginning of the year, Lavigne has spent the majority of 2024 performing her Greatest Hits Tour across the globe.

    Supporting the tour will be special guests Fefe Dobson, Simple Plan, and We The Kings- the latter two of which will perform during all New York Dates.

    Avril Lavigne

    Avril Lavigne will grace the stages of four venues in New York, with shows in Saratoga Springs on May 27, Syracuse on May 28, Manhattan on May 30, and Bethel Woods on June 27. The full list of dates and venues is below.

    For more information on the Greatest Hits Tour and all things Avril Lavigne, be sure to visit her official website here.

    AVRIL LAVIGNE: THE GREATEST HITS 2025 TOUR DATES:

    Sun May 18 – Moncton, NB – Avenir Centre 

    Tue May 20 – Halifax, NS – Scotiabank Centre 

    Sun May 25 – Bangor, ME – Maine Savings Amphitheatre 

    Tue May 27 – Saratoga Springs, NY – Broadview Stage at SPAC 

    Wed May 28 – Syracuse, NY – Empower Federal Credit Union Amphitheater 

    Fri May 30 – New York, NY – Madison Square Garden 

    Tue Jun 03 – London, ON – Canada Life Place 

    Thu Jun 05 – Niagara Falls, ON – Fallsview Casino Resort 

    Sat Jun 07 – Hershey, PA – Hersheypark Stadium 

    Sun Jun 08 – Cincinnati, OH – Riverbend Music Center

    Tue Jun 10 – Noblesville, IN – Ruoff Music Center 

    Thu Jun 12 – St. Louis, MO – Hollywood Casino Amphitheatre – St. Louis 

    Tue Jun 17 – Raleigh, NC – Coastal Credit Union Music Park 

    Wed Jun 18 – Charleston, SC – Credit One Stadium 

    Fri Jun 20 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

    Sat Jun 21 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino 

    Mon Jun 23 – Jacksonville, FL – Daily’s Place 

    Thu Jun 26 – Burgettstown, PA – The Pavilion at Star Lake 

    Fri Jun 27 – Bethel, NY – Bethel Woods Center for the Arts 

    Sun Jun 29 – Burls Creek, ON – Burl’s Creek Event Grounds~ (visit AllYourFriendsFestival.com for ticket details)

    Sat Oct 18 – Las Vegas, NV – Las Vegas Festival Grounds~ (visit WhenWeWereYoungFestival.com for more info)

  • J. Cole Announces “2014 Forest Hills Drive” Anniversary Show At MSG

    GRAMMY-award winning rapper and producer J. Cole has announced a special one-night-only show on Monday, December 16 at Madison Square Garden to celebrate the 10th anniversary of his third studio album.

    J cole Madison Square Garen

    A rapper, singer, songwriter, record producer, basketball player, and self-taught pianist- J. Cole has it all. Having started as the first artist to sign on to Jay Z’s label Roc Nation, each of Cole’s releases has debuted at the top of the Billboard 200 in addition to earning him two Grammys and seventeen nominations, a Billboard Music Award, three Soul Train Music Awards, and eight BET Hip Hop Awards.

    In addition to his own work, Cole has produced for the likes of Kendrick Lamar, Janet Jackson, and Mac Miller. He’s also pursued other ventures like his own record label, taking shape in Dreamville Records.

    Despite his massive commercial success, Cole has avoided a more sanitized pop sound to pursue works that tackle complex and conscious sounds and themes. This passion for pressing matters spread to Cole’s touring habits, introducing his annual ticketed events in 2013 aptly titled “Dollar And A Dream” shows, where fans only have to pay $1 to attend.

    Having been active in the music industry for 15 years, Cole is celebrating the tenth anniversary of his third studio album, 2014 Forest Hills Drive with a one-night-only event at Madison Square Garden.

    In addition to standard tickets, on the day of the show an additional 2,014 tickets will become available for just $1, continuing Cole’s tradition of “Dollar And A Dream” into this once in a lifetime event. Details on the location and time for the special $1 tickets will be revealed day of, limited to an in-person only purchase of one ticket per fan.

    Standard tickets will be available on Wednesday, December 4 at 10:00 AM. For more information on this once-in-a-lifetime one-night-only event and how to attend, check out the event’s official page here.

  • David Gilmour Enthralls New York City with 5 Nights of ‘Luck and Strange’

    It was a great week for Pink Floyd fans when David Gilmour enthralled the crowds at Madison Square Garden for five nights. The five city, 20+ performance tour in support of his latest album, Luck and Strange concluded with these five magnificent nights at MSG.

    Gilmour’s previous visit to the Big Apple in 2016 was a three-night spectacle unto itself, befallen upon Radio City Music Hall and Madison Square Garden. With the imprint those shows left on the city it’s no surprise that three nights sold out in a flash with two additional nights added to satiate the ticket demand.

    “5 A.M.” served as the perfect opening for the evening, lending an ambience for Gilmour’s signature guitar sound to break through like a beam of light. Those first few notes seemed enough to already leave people lost for words on what they were in for the rest of the evening. The true spectacle of the shows were his iconic guitar solos – a roaring jam in “Fat Old Sun,” the melodic monologue of “Marooned,” a wailing lamentation concluding “In Any Tongue,” the helpless reminiscence of “High Hopes,”  and of course, the unforgettable denouement of “Comfortably Numb.” It is easy to converse with fellow Pink Floyd fans which is the “best” or most “profound,” but in the context of Gilmour’s live shows at The Garden there can be no debate as his guitar work was so masterfully presented in each of his solos.

    Luck and Strange was released only a few weeks before he began his tour in Rome, Italy, which gave a limited period for fans to listen to the new material before seeing the shows. It made sense that a few of the new songs had a less boisterous response compared to mainstays from the Pink Floyd catalogue. However, the entirety of Luck and Strange made it into the setlist unlike 2016’s Rattle That Lock which featured just a few songs from the album in that tour. It was very respectable to see the inclusion of the full album when so many fan favorites from Pink Floyd’s history could be selected.

    Gilmour structured his two sets with a perfect blend of his new songs and later Pink Floyd era songs, along with a few quintessential songs from Dark Side of the Moon, Wish You Were Here, and The Wall. Weaving of the new songs with familiar territory created an exciting and refreshing concert experience for hearing the entirety of a brand new album.

    Gilmour’s touring band was nothing short of a compliment of talent to each other and to Gilmour himself. His long-time collaborator, Guy Pratt (on bass), has worked with Pink Floyd since the A Momentary Lapse of Reason tour and also toured with Nick Mason’s A Saucerful of Secrets band showcasing the early years of Pink Floyd. Gilmour’s daughter, Romany Gilmour, took lead vocals on “Between Two Points” (a Montgolfier Brothers song) and sang beautifully on an acoustic, stripped-down version of “The Great Gig in the Sky,” demonstrating the forging of a musical legacy on stage within the Gilmour family. Completing the lineup are Greg Phillinganes and Rob Gentry on keyboards, Adam Betts on drums, Ben Worsley on guitar, Louise Marshall on piano/vocals, and the Webb Sisters; Hattie Webb on harp/vocals, and Charley Webb on guitar/ukulele/vocals.

    Just as he did at the conclusion of his three 2016 shows in NYC, Gilmour bid the crowd goodnight after thunderous applause, remarking “…we hope to see you again soon.” That statement came true eight years later in 2024, so the door may be open for a few more shows down the road. Until then, let’s remember those nights as priceless musical treasures.

    Set 1: 5 A.M., Black Cat, Luck and Strange, Speak to Me, Breathe (In the Air), Time, Breathe (Reprise), Fat Old Sun, Marooned, A Single Spark, Wish You Were Here, Vita Brevis, Between Two Points, High Hopes

    Set 2: Sorrow, The Piper’s Call, A Great Day For Freedom, In Any Tongue, The Great Gig in the Sky, A Boat Lies Waiting, Coming Back to Life, Dark and Velvet Nights, Sings, Scattered

    Encore: Comfortably Numb

    Photos by Rob Tellerman

  • SOULSHINE Hurricane Relief Benefit Concert at MSG Announced

    Dayglo Presents has announced the SOULSHINE concert benefiting relief and recovery efforts from hurricanes Helene and Milton at Madison Square Garden later next month, featuring household names like Dave Matthews Band, Warren Haynes Band, and more.

    soulshine concert

    In the wake of unimaginable tragedy and loss, the music community has come together. Music holds the intangible power to bring folks of all walks of life together, forging new communities and strengthening old. Once more, musicians and fans alike will come together in the name of good for the SOULSHINE benefit concert on November 24 at Madison Square Garden for an evening of captivating live performances that make a real difference. 

    With a collective four million individuals without power, a death toll of just under 250, and entire communities destroyed, the paths Helene and Milton cut across the southeast United States was nothing short of devastating. In times of unimaginable loss like these, there is nothing more powerful than a community coming together- which is exactly what the folks at Dayglo Presents with Live Nation seek to accomplish with their SOULSHINE Concert Fund.

    For one night only, acts like the Dave Matthews Band, Nathaniel Rateliff & the Night Sweats, the Warren Haynes Band, Goose, and more will come together under the roof of MSG to raise money for both hurricanes’ relief funds. Special guests for the evening include Trey Anastasio, Mavis Staples, Robert Randolph, Joe Russo, Trombone Shorty, Susan Tedeschi, and Derek Trucks.

    Many of these acts are familiar with advocacy through their art- the Dave Matthews Band being designated the United Nations’ Environmental Goodwill Ambassadors in addition to raising over $65 million for a variety of hometown and global causes through various events and benefit concerts, and Warren Haynes being a beloved North Carolina figure and Asheville local for his annual Christmas Jam that has raised nearly $3 million for the Asheville Area Habitat for Humanity among various other accomplishments through his partnership with BeLoved Asheville. Haynes’ hometown of Asheville in particular was one of many communities hit by Helene’s unforgiving path- making the SOULSHINE concert all the more from the soul.

    “Every year, it is my honor to host the Christmas Jam and give back to the community there, but this year, we need to do things a bit differently. I’m thrilled to partner with my good friends in Dave Matthews Band and so many other musician friends to bring ‘SOULSHINE’ to the iconic Madison Square Garden and help raise money for all those affected by both hurricanes throughout North Carolina and Florida. My heart is with you all and we look forward to creating a really special night!”

    – Warren Haynes

    Net proceeds from the evening’s performance will benefit the SOULSHINE Concert Fund at the Charlottesville Area Community Foundation, which will support Habitat for Humanity’s 2024 Hurricane Recovery fund in addition to a variety of nonprofits in North Carolina and Florida that are currently making crucial efforts on the ground. 

    In addition to all sales and donations made by folks attending, leading mortgage and lender and servicer Newrez has pledged $500,000 in support of SOULSHINE’s efforts to help the communities it serves recover and rebuild.

    Tickets for the SOULSHINE Benefit Concert will go live on Friday, November 1 at 10:00 AM EST. For more information, donation opportunities, and ticket purchasing, please visit the SOULSHINE website here.

  • Stevie Wonder at MSG: A Night of Music and Hope

    On October 10, Madison Square Garden hosted an unforgettable evening with the legendary Stevie Wonder, as part of his “Sing Your Song! As We Fix Our Nation’s Broken Heart” tour. The concert not only celebrated Wonder’s timeless music but also delivered a powerful message of hope and unity, ahead of the upcoming presidential election.

    The tour takes its name from Wonder’s latest single, “Can We Fix Our Nation’s Broken Heart,” released shortly after his performance at the Democratic National Convention in August. Speaking to the audience, Wonder explained the inspiration behind the song. “I wrote the song because in the air I could feel the hearts being broken by negativity, by hatred, by racism, by bulls—t,” he said. Before diving into the music, he reminded the audience of the importance of leadership, saying, “To have been given the gift of being a leader means that the Most High has given you the responsibility of living in the light of truth.”

    After this heartfelt message, Wonder quickly added with a smile, “But I’m not here to preach,” before sitting at his piano to perform “Can We Fix Our Nation’s Broken Heart,” captivating the audience with both his message and his music.

    From there, Stevie Wonder took fans on a journey through his five-decade-long career, filled with a dazzling mix of hits and deep cuts. Accompanied by a string section, brass section, background vocalists, dancers, and various other musicians, he performed songs that ranged from the smooth grooves of “As If You Read My Mind” and “Master Blaster (Jammin’)” from his Hotter Than July album, to the urgent funk of “Higher Ground,” a track that feels as relevant today as it did 51 years ago.

    Throughout the evening, Wonder kept the crowd energized with a mix of his most beloved classics. Highlights included “My Cherie Amour,” “Signed, Sealed, Delivered (I’m Yours),” “For Once in My Life,” and the soulful ballad “Overjoyed.”

    Halfway through the show, Stevie Wonder introduced rising star Sheléa, who took center stage for a breathtaking performance of Aretha Franklin’s “Until You Come Back to Me” and “Something’s Coming.” The collaboration continued when Wonder returned to the stage, and together they performed feel-good hits like “It’s All Right” and “Don’t You Worry ’Bout a Thing,” their voices blending seamlessly.

    Wonder then treated the audience to more timeless hits, including “Living for the City,” the upbeat and joyous “Sir Duke,” and the celebratory “Isn’t She Lovely.”

    Fittingly, he ended the night with the final two tracks from his iconic Songs in the Key of Life album: “As” and “Another Star.” The entire arena sang along, closing the show on a high note of unity and optimism.

    Setlist: Can We Fix Our Nation’s Broken Heart, As If You Read My Mind, Master Blaster (Jammin’), Higher Ground, You Are the Sunshine of My Life, For Once in My Life, Signed, Sealed, Delivered I’m Yours, My Cherie Amour, Chapel of Love, Overjoyed, Until You Come Back to Me, Somethings Coming, Contusion, It’s All Right, Don’t You Worry ’bout a Thing, All I Do, Village Ghetto Land, Living for the City, Sir Duke, I Wish, Isn’t She Lovely, Just the Way You Are, Send One Your Love, Do I Do, I Just Called to Say I Love You, Superstition, As, Another Star

  • Disturbed The Sickness 25 Anniversary Tour with Two Shows in NY

    Multi-platinum rock band Disturbed has announced “The Sickness 25 anniversary tour” that will hit Madison Square Garden on Mar. 21 and KeyBank Center in Buffalo on Apr. 4.

    Disturbed

    Disturbed’s debut album, which launched the band into public consciousness, has reached its 25 anniversary and with it, the band has announced an anniversary tour that will hit 34 cities across the US from Feb. 25 until May 17.

    Each night will feature two sets of music, opening with Disturbed playing the five times platinum The Sickness in full, followed by a full set of greatest hits. The first half of the tour will feature support from special guests Three Days Grace, featuring the return of original singer Adam Gontier, and opener Sevendust, and the second half will feature special guests Daughtry with opener Nothing More.

    On Tuesday, Oct. 15 at 10 am, tickets and VIP will be available in the artist pre-sale. Fans can pre-register for pre-sale tickets and dates in the UK and Europe will be announced soon.

    Since The Sickness was released in 2000, the album was certified five times platinum by the RIAA, spent a total of 106 weeks on the US Billboard 200 chart, and Revolver named it one of “Top 25 Debut Hard Rock Albums.” Billboard said of the title track upon release: “‘Down With The Sickness’ is, of course, the quintessential Disturbed song, harnessing all the band’s seethe and its now-famous tribal beat and guitar chug into three and a half minutes of alt-metal mayhem. It’s menacing, it’s rhythmic, it’s rebellious.”

    Full Tour Dates:

    Feb 25             Nampa, ID                               Ford Idaho Center Arena*

    Feb 27             Denver, CO                              Ball Arena*

    Mar 02            Saint Louis, MO                       Enterprise Center*

    Mar 04            Milwaukee, WI                        Fiserv Forum*

    Mar 06            Minneapolis, MN                    Target Center*

    Mar 08            Chicago, IL                               United Center*

    Mar 10            Detroit, MI                              Little Caesars Arena*

    Mar 12            Louisville, KY                           KFC Yum! Center*

    Mar 14            Boston, MA                             TD Garden*

    Mar 17            Washington, DC                      Capital One Arena*

    Mar 19            Montreal, QC                          Centre Bell*

    Mar 21            New York, NY                          Madison Square Garden*

    Mar 29            Cincinnati, OH                         Heritage Bank Center^

    Mar 31            Cleveland, OH                         Rocket Mortgage FieldHouse^

    Apr 02             Philadelphia, PA                      Wells Fargo Center^

    Apr 04             Buffalo, NY                              KeyBank Center^

    Apr 05             Pittsburgh, PA                         PPG Paints Arena^

    Apr 07             Toronto, ON                            Scotiabank Arena^

    Apr 09             Indianapolis, IN                       Gainbridge Fieldhouse^

    Apr 12             Charlotte, NC                          Spectrum Center^

    Apr 14             Raleigh, NC                             Lenovo Center^

    Apr 16             Birmingham, AL                      Legacy Arena at The BJCC^

    Apr 18             Sunrise, FL                               Amerant Bank Arena^

    Apr 23             Duluth, GA                              Gas South Arena^

    Apr 25             San Antonio, TX                      AT&T Center^

    Apr 26             Fort Worth, TX                        Dickies Arena^

    Apr 28             Oklahoma City, OK                  Paycom Center^

    May 05            Seattle, WA                             Climate Pledge Arena^

    May 07            Portland, OR                           Moda Center^

    May 09            Sacramento, CA                      Golden 1 Center^

    May 10            San Francisco, CA                    Chase Center^

    May 13            Inglewood, CA                         Kia Forum^

    May 15            Phoenix, AZ                             Foot Print Center^

    May 17            Las Vegas, NV                          MGM Grand Garden Arena^

    *with special guests Three Days Grace and opener Sevendust

    ^with special guests Daughtry and opener Nothing More

    Learn more here.

  • Phish To Return To Madison Square Garden For Annual New Year’s Celebration

    Phish is, once again, going back to the Garden for their annual New Year’s Eve run. The band will play at MSG from Saturday, December 28th to Tuesday, December 31st. This will bring the running total of Phish shows at the Garden to 87 in all. Tickets go on sale to the general public beginning Friday, October 11th at Noon ET.

    A ticket request period is currently underway at https://tickets.phish.com (ending Monday, October 7th at Noon ET). A limited number of travel packages (hotel + tickets) will go on sale tomorrow, Wednesday, October 2nd, at Noon ET at https://phishnye.100xhospitality.com. For complete ticketing information, visit https://phish.com/tours.

    Phish also has four more upcoming New York State gigs as well, with a three-day benefit run that will take place at Albany’s MVP Arena in late October.