Asbury Park, New Jersey’s Dogs In A Pile have announced a slate of tour dates for the Fall. The tour begins with two shows at Philadelphia’s Brooklyn Bowl on October 25 and 26 and will see the band touring extensively throughout the Midwest and Southeast as they continue their upwards ascent in the jamband music scene. A presale for tickets is currently underway with the general on sale date set for Friday, August 10 with VIP packages available for some shows.
(Art by: Joe Winograd)
This Fall Tour announcement comes on the heels of a busy summer for Dogs In A Pile that saw them headline multiple shows in Colorado, play several festivals, and jump on the road with Andy Frasco & The U.N. and Pigeons Playing Ping Pong. The band will now continue to surge forward with more Colorado shows scheduled before ending the tour in the Southeast in late November. They’re scheduled to play Asheville NC’s Salvage Station on November 19, Nashville TN’s Basement East on November 21, and the show at Atlanta GA’s Terminal West on November 22 is set to be the tour closer.
As a burgeoning musical act beginning to gain nationwide notoriety, Dogs In A Pile is making a conscious effort to develop their fan base and build a unique culture around the band by organizing pre-show meetups for their beloved fanbase, the Dog Pound. So far, significant gatherings have occurred in cities like their hometown of Asbury Park, Denver (CO), Vail (CO), Austin (TX), and Woodstock (NY). A running schedule of future meetups can be found at dogsinapileofficial.com/dogpound.
Dogs In A Pile at The Mishawaka in Bellvue, CO on June 19, 2024 (Photo: Joe Lugo)
In addition to adding to their busy 2024 tour schedule, the band has also made a concerted effort this year to significantly bolster their YouTube channel with video livestreams and archival full-show releases. Consistent soundboard releases have accompanied their video efforts and most often have appeared on trusted streaming platforms nugs.net and Bandcamp within 24-hours of a show ending.
See the full listing of Dogs In A Pile Fall Tour dates below and for tickets and to and learn more, visit dogs-tour.com.
DOGS IN A PILE FALL TOUR
10/25 – Philadelphia, PA – Brooklyn Bowl Philadelphia 10/26 – Philadelphia, PA – Brooklyn Bowl Philadelphia 10/29 – St. Louis, MO – Atomic Cowboy 10/31 – Oklahoma City, OK – Beer City Music Hall 11/1 – Dallas, TX – Deep Ellum Art Co. 11/2 – Dallas, TX – Deep Ellum Art Co. 11/6 – Buena Vista, CO – Surf Hotel 11/8 – Fort Collins, CO – Aggie Theatre 11/9 – Boulder, CO – Fox Theatre
11/12 – Omaha, NE – Slowdown 11/13 – Minneapolis, MN – Fine Line 11/15 – Milwaukee, WI – Vivarium 11/16 – Chicago, IL – Chop Shop 11/17 – Grand Rapids, MI – The Stache 11/19 – Asheville, NC – Salvage Station 11/21 – Nashville, TN – Basement East 11/22 – Atlanta, GA – Terminal West
New York City-based roots singer/songwriter Danielia Cotton has released “So Afraid of Losing You Again,” the third single off of her upcoming Charley Pride tribute album: Charley’s Pride: A Tribute to Black Country Music.
Cotton’s passion for the late Pride’s music largely came from early life inspirations, which will be fully shared with the world when the album releases on August 29.
Danielia Cotton began her musical journey in Hopewell, NJ, influenced by classic rock icons like AC/DC and Led Zeppelin. Her passion for music was ignited at age 12 when her mother gifted her a guitar. Cotton made history as the first in her family’s three generations to attend college, graduating from Bennington College before launching her career in New York City’s vibrant music scene. With experience opening for iconic artists such as Gregg Allman, Bon Jovi, Robert Randolph, and Aimee Mann, Cotton has shown time and time again that her artistry translates to success and respect from the industry.
Cotton is set to release her Charley Pride tribute EP, Charley’s Pride: A Tribute to Black Country Music, on August 29th. Known for her soul-stirring voice described as “soulful enough to fill a revival tent” by The New York Times, Cotton draws inspiration from Charley Pride’s timeless songs that resonate with everyday life. This project holds a profound personal connection, inspired by a conversation with her 103-year-old grandmother about her late grandfather’s secret admiration for Charley Pride during a time when it was uncommon for Black people to openly listen to country music. In fact, Cotton considers this album to be not only a tribute to Pride but also to her family, especially her grandparents.
The newest single from the EP, “So Afraid of Losing You Again,” perfectly encapsulates the magic of Pride’s 1969 original while also showing off Cotton’s powerhouse vocal range. It’s difficult not to get goosebumps when hearing Cotton belt out “I’d love to wake up in your arms tomorrow” in the song’s main chorus. In the verses, she wonderfully emulates Pride’s smooth and flowing melodies with her own personal touches. Overall, Cotton perfectly toes a fine line between simply redoing Pride’s original and altering it too much to where it comes off as a remix, which will hopefully translate into her upcoming full-length later this month.
Stream “So Afraid of Losing You Again” on all streaming platforms. For more information on Cotton and her upcoming shows and music, visit her website here.
Alice Cooper launched his “Too Close for Comfort” North American headlining tour at the OLG Stage in Niagara Falls, Canada on Tuesday July 30.
It was an unforgettable night that left fans buzzing with excitement. Despite a slight delay in the show’s start, the rock legend wasted no time in proving why he remains a vital force in the world of rock and roll. This was the first time Cooper played this venue in Niagara Falls. The last time he played the area was the fall of 2022 at Sheas in Buffalo.
The moment the lights dimmed, a wave of anticipation swept through the crowd. As the clock ticked past the scheduled start time, murmurs of impatience began to ripple through the audience. However, all was forgiven the instant Alice Cooper stormed the stage and launched into the electrifying opener, “Lock Me Up.” The high-energy performance immediately set the tone for the evening. Cooper’s signature raspy vocals and theatrical stage presence, captivated the audience.
Following the explosive opener, Cooper seamlessly transitioned into “Welcome to the Show,” a fitting anthem for a night that promised rock spectacle at its finest. The band’s tight musicianship and Cooper’s commanding presence turned the venue into a carnival of rock, complete with his trademark macabre flair. The song’s lyrics seemed to invite the audience into Cooper’s world, a blend of horror and rock ‘n’ roll that fans have cherished for decades.
The true highlight of the evening came with the third song, “No More Mr. Nice Guy.” The classic hit had the entire audience singing along, a testament to Cooper’s enduring appeal and the timelessness of his music. As he belted out the chorus, it was clear that Cooper’s voice has lost none of its edge over the years. The performance was infused with a raw energy that transported the audience back to the 1970s, when the song first made its mark on the rock scene.
Throughout the concert, Cooper’s band provided a rock-solid foundation, with blistering guitar solos, pounding drums, and thundering bass lines that kept the energy levels high. The stage production was equally impressive, featuring the elaborate props and dark, theatrical elements that have become synonymous with an Alice Cooper show. The setlist, a mix of classic hits and newer material, was carefully curated to keep fans of all ages engaged and entertained.
The setlist was a thrilling journey through Cooper’s extensive catalog, featuring fan favorites and deep cuts alike. “I’m Eighteen” and “Under My Wheels” kept the momentum going, while “Bed of Nails” and “Billion Dollar Babies” showcased the bandâs prowess. “Hey Stoopid” and “Be My Lover” were delivered with infectious enthusiasm. “Snakebite” and “Feed My Frankenstein” brought a touch of theatrical horror that fans loved.
“Lost in America” and “He’s Back (The Man Behind the Mask)” added to the night’s nostalgia, and the crowd roared during “Poison,” which was followed by a powerful drum solo. “Welcome to My Nightmare” and “Cold Ethyl” maintained the eerie atmosphere, while “The Black Widow” and “Ballad of Dwight Fry” were masterfully performed.
Alice Cooper demonstrated why he remains an iconic figure in the music world. Fans left the OLG Stage in Niagara Falls not just satisfied, but exhilarated, having witnessed a true legend in action. If this show is any indication, the rest of the tour promises to be a wild, unforgettable ride.
Once this headline tour ends later this month, Alice Cooper with join up with Rob Zombie for more shows this summer for the ‘Freaks on Parade’ tour. Alice Cooper’s band consists of Chuck Garric on bass, backing vocals, Ryan Roxie an Nita Strauss on guitars, Tommy Henriksen on guitars, backing vocals, and Glen Sobel on drums. Alice Cooper will be back in New York on September4 in Syracuse.
This fall S2O, one of Asia’s most highly anticipated music events, is making its United States debut. Running from August 31 to September 1, the immersive water music festival, is proud to bring electronic music’s biggest names to the Brooklyn Mirage during Labor Day weekend.
Known as “the world’s wettest festival,” S2O has celebrated the Thai New Year with a killer festival since 2015. The festival is known for upholding numerous New Year traditions in Thailand, including the Songkran tradition of spraying one another with water for good luck, for which it is most famous. In the almost decade since its creation, S2O has gained recognition for its innovative blend of electronic dance music and spectacular water effects. The unique festival concept aims to harness the power of water as an elemental force of joy and unity, bringing together fans from all backgrounds to celebrate the Thai New Year.
Since the festival’s creation, S2O has entertained thousands with the biggest names in electronic music, garnering fans and visitors from all over the world. Its resounding support has made S2O the largest Thai New Year celebration in the world. The high anticipation of the festival has made it continental, bringing it to other neighboring countries in Asia. Now, the United States joins the list, standing alongside spectacular past shows in Vietnam, Japan, Taiwan, South Korea, and Hong Kong.
This year, S2O brings some of electronica’s biggest acts to Brooklyn in celebration. Headlining the festival are Marshmello and Subtronics, with an exciting lineup of supporting artists like Alan Walker, B2B, and more.
S2O Full Lineup
Saturday, August 31, 4 pm – 12 am
Headliner: Marshmello
Accompanied by: Alan Walker, timmy, Borgeous, Dzeko
Additional support: Sensei, Jokah
Sunday, September 1, 4 pm – 12 am
Headliner: Subtronics
Accompanied by: Said the Sky, B2B, William Black, ARMNHMR, Kaivon, Level Up
Additional support: Zion, Jomu, Cyberpunk, PSYXTOI
Attendees will immerse themselves in a water music festival experience with experiential elements. The Brooklyn Mirage’s 200-foot LED wall and indoor lounge guarantee the ultimate Songkran (Thai New Year) celebration. Regardless of culture or individual traditions, S2O promises a celebration fans will never forget. Tickets are now available on S2O’s website. However, two-day passes are now sold-out, with limited Sunday tickets still available.
The third annual Secret Dreams Music and Arts Festival brought together many of the top acts in the EDM and jam scene, including Tipper, the Disco Biscuits, Daily Bread, Detox Unit, Papadosio, Lotus and many more.
Secret Dreams went down in Legend Valley in Thornville, OH from July 18-20 and while the acts on the three main stages drew most of the attention there were workshops and art installations to delight the crowd as they explored to expansive grounds.
Bloomington, Indiana’s own Dizgo put out their third official studio LP, Melt on February 2nd. This follows the studio release of 2019’s Deeper, and their 2021 release of The Quarantine Compilation, an official live album.
Since its release, the on-the-rise electro-jam-funk band has been extensively touring in support of the new album, playing 40+ shows so far this year alone across the entire US. Dizgo has also made a name for themselves on the festival circuit, with appearances at major festivals like Peach, Summer Camp and Resonance. They’ve also supported acts such as Goose and Parliament-Funkadelic.
The quartet is made up of Andrew Pickel on guitar and vocals; Kevin Hinnefeld on bass, keys and vocals; Justin Clark on drums; and Jake Evatt on keys and vocals.
Photo Courtesy of dizgoband.com
One of the band’s strong suits and allures is their live improvisation; their ability to spontaneously communicate with each other in the moment is up there with the greats of the genre. With a melting pot of musical styles at their disposal, you never know what direction they’ll take their songs. Dizgo is effortlessly able to weave between musical styles at the drop of a hat. According to their biography, “Dizgo redefines the live experience by blending jamtronica with funk, deep-groove soul, and psychedelic rock, taking the audience on a musical journey that includes intricate compositions and extended improvisation. The result is something both danceable and introspective: soulful vocals, interweaving analog synths and shredding guitar all of which join forces under the banner of Dizgo.”
Melt does a great job at capturing elements of everyone’s favorite jamband and turning that unique blending of genres into a style and sound completely of their own. These influence’s shine throughout the record. When speaking on the album, the band shares, “When everything goes right, we all ‘melt’ into one collective unit, experiencing time & space together. The special moment where music connects and creates community – melting together a bond between the music, musician, and listener.”
Melt begins with the extremely funky “It’s Alright” right out of the gate. A catchy melody, synthesizer funk, grooving bass and the positive message that “it’s gonna be alright” lead into a tremendous guitar solo that brings the song to its peak.
Melt continues with this trend of up-beat danceable synthesizer funk. “Rainbow Lightning” keeps the energy high, and contains an extremely tight composed middle section. Dizgo composed harmonies in regard to the vocals and instrumentation are well executed and with intention. Even their prog influenced tracks, such as “Liquefaction” keep things spontaneous and danceable, despite its heavy nature at times.
Throughout the multiple genre-bending piece, the band is able to immediately bring us into a world of heavy metal and then at the snap of a finger transition into a buttery funk groove. Eventually this leads into a tranquil bliss that grows into a blistering guitar solo to end the tune. Their songwriting also has pop influences, notably on their tracks “Honey” and “Help Is On the Way”. Both of these songs were released as official singles. The album ends with one final bang, “Whiteout” a slow-building spacey introduction leads us into an ear-worm hook that you don’t want to end.
Dizgo’s studio LP Melt is currently available on all streaming services here.
On July 15, Lotus released their newest studio album, How to Dream in Color, embarking on a nationwide tour starting this past week, ending on New Year’s Eve in Philadelphia. This energetic, unique, and funky album is another hit for their discography, combining easy-listening funk with hip-hop and pop that gives it a perfect retro feel.
With a musical style as unique as Lotus, it can be hard to grab the attention of listeners and keep them interested. The opening track, “How Do I Come Down,” immediately captures the listener with a hypnotic drum beat and steady guitar riffs but quickly differentiates itself with funky, distorted vocals scattered throughout. It truly sets the tone for the rest of the album and may not be something that you’re used to, but it’s just as groovy nonetheless.
Throughout the album, Lotus manages to keep the listener on their toes. The album acts as a tribute to longtime percussionist Chuck Morris, following his and his son’s passing in 2023. During this transitional period, Lotus embraced a new approach to recording, including the use of layered drum sounds and a collage-based style that shows how far they’ve come their first few albums like Nomad (2005) or even their 2011 self-titled album.
With each track’s style, there is still a signature electronic spin one would expect from Lotus. How to Dream in Color puts the spotlight on the instrumentalists and gives them a chance to truly shine and show off their talents and experimentation through multiple genres. Most of the album is dedicated to the music itself, giving their musicianship a chance to shine. Songs with vocals like “Can You Hear the Sound” and the opening track “How Do I Come Down” are great introductions to the album, and elegantly juxtaposed against the full-instrumental tracks that surround it.
Lotus Album Release Show at Johnny Brenda’s. 7/11/2024. Photo: Jordan August
How to Live in Color is available on all streaming platforms. Lotus kicked off their tour in Lake George on Saturday, July 13, but the fun doesn’t stop there. The full tour is listed below. For more information and to purchase tickets, visit lotusvibes.com.
Lotus How to Dream in Color Tour
July 18 – Secret Dreams – Thornville, OH
August 15 – The Big E – Springfield, MA
August 30 – September 1 – Summerdance – Garrettsville, OH
October 2 – Paradise Rock Club – Boston, MA
October 3 – Toad’s Place – New Haven, CT
October 4 – State Theatre – Portland, ME
October 5- Higher Ground – Burlington, VT
October 9 – Jefferson Theater – Charlottesville, VA
Legendary Vermont jam band Phish released their new album, Evolve, on July 12. This new album – the band’s 16th studio release – is the centerpiece of a busy year for Phish. It comes following a boundary-breaking four-night run at Las Vegas’ Sphere, a tour across the US, their first music festival since 2015, and appearances on The Tonight Show with Jimmy Fallon. The ambitious new album finds Phish bringing audiences tons of new material to experience.
In 2020, Phish announced a performance hiatus prompted by the COVID-19 pandemic. Following this announcement, fans waited four years for a studio follow up to 2020’sSigma Oasis. That follow-up arrived on July 12, 2024, with Phish’s 16th studio album Evolve. The band, alongside producers Vance Powell and Bryce Goggin recorded the album throughout 2023 in their Vermont studio “the Barn.”
Evolve is truly a testament to Phish’s staying power, showing that even 30 years into their career, the group still retains a mastery of genre-experimentation and fun jams. The album mostly consists of softer-rock tracks that still contain enough instrumental flourishes and lyrical complexities to keep listeners invested. Whether it is the lush strings of “Mercy” or the vocal harmonies of “Ether Edge” these tracks illustrate a musical prowess and maturity like few other bands.
Although much of the album is more subdued, Phish still knows how to turn up the volume. “Wave of Hope” kicks off with an overdriven guitar riff that sounds straight from Deep Purple before evolving into a rock jam. With energetic guitar solos and a bluesy piano part, the song takes staples of classic rock and imbues them with Phish’s loose playfulness. “Life Saving Gun” really illustrated Phish’s genre-bending prowess. It begins as a funk-rock number, but as the song progresses it morphs into a psychedelic passage, featuring affected guitars and space-age sound effects, with spacey instrumentation before returning to its groovy base.
One highlight of the album is the title track “Evolve.” The song builds off catchy instrumental lines with jangly funk-inspired guitars, upbeat percussion and melodic pianos. On top of all this is Trey Anastasio’s lyricism touching on finding peace with the growing complexity of the world around us. “Then came the people with their problems and hope that don’t mean a thing if they just knew the scope.” Like the lyrical themes suggest, this song was born out of the Covid-19 Pandemic, with Anastasio penning it in the early days of the Covid lockdown.
This original version of the song was much more minimalistic than the final release, but still retained its beautiful ambience with whirling guitar lines and chimes. The album-version of “Evolve” is much more musically complex, evolving throughout its run. As the song progresses, it adds additional layers of strings, guitar lines, and energetic solos.
An early version of “Evolve” recorded by Anastasio during the 2020 Covid Lockdown
Overall, Evolve shows that Phish is still at the top of their game. The band takes their signature psychedelic jams, and imbues them with a toned-down maturity. Whereas for other groups, this could spell disaster, Phish pull it off especially well. As this album shows, “toned-down” is by no means boring, with each track containing complex instrumentation that keeps listeners going back to discover more. The album additionally retains Phish’s iconic genre-blending, knowing exactly when to splice in a harder track and add new flavor to its sonic palate. Evolve is a great testament to Phish’s experience and a sign of things to come in their future.
To celebrate the release of this new album, Phish made a special guest appearance on The Tonight Show with Jimmy Fallon. On top of a performance of “Evolve,” the group took part in the show’s cold open. The skit features Phish, Fallon, and the Roots together in the Elevator of 30 Rock. The group then bursts into a parody of Aerosmith’s “Love In an Elevator,” comedically stopping whenever someone hops on the elevator.
This album release comes as part of a busy year for Phish. They have already sold out four-nights at the Sphere in Las Vegas back in April in the leadup to Evolve’s release. Following inaugural shows by U2, Phish made history as only the second band to play the state-of-the-art venue. The band played extended jams of songs both old and new, all while psychedelic imagery played on a 160,000 square foot screen above the stage. Among the songs performed was “Life Saving Gun” off of Evolve, brought to life by the venues immersive sound equipment.
Now, the band has announced a cross-country tour for the remainder of 2024. Beginning at the Xfinity Center in Mansfield, MA, Phish will snake westward to Colorado. This tour includes many shows in and around New York, including two sold-out nights at Connecticut’s Mohegan Sun Arena. Additionally, Phish will play three shows at the Bethel Woods Center for the Arts, at the sight of the historic Woodstock Festival.
Phish Live 2024/2025 Dates
JULY
19 – Mansfield, MA – Xfinity Center
20 – Mansfield, MA – Xfinity Center
21 – Mansfield, MA – Xfinity Center
23 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)
24 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)
26 – East Troy, WI – Alpine Music Valley Music Theatre
27 – East Troy, WI – Alpine Music Valley Music Theatre
28 – East Troy, WI – Alpine Music Valley Music Theatre
30 – St. Louis, MO – Chaifetz Arena
31 – St. Louis, MO – Chaifetz Arena
AUGUST
2 – Noblesville, IN – Ruoff Music Center
3 – Noblesville, IN – Ruoff Music Center
4 – Noblesville, IN – Ruoff Music Center
6 – Grand Rapids, MI – Van Andel Arena
7 – Grand Rapids, MI – Van Andel Arena
9 – Bethel, NY – Bethel Woods Center for the Arts
10 – Bethel, NY – Bethel Woods Center for the Arts
11 – Bethel, NY – Bethel Woods Center for the Arts
15 – The Woodlands, Dover, DE – Mondegreen
16 – The Woodlands, Dover, DE – Mondegreen
17 – The Woodlands, Dover, DE – Mondegreen
18 – The Woodlands, Dover, DE – Mondegreen
29 – Commerce City, CO – Dick’s Sporting Goods Park
30 – Commerce City, CO – Dick’s Sporting Goods Park
31 – Commerce City, CO – Dick’s Sporting Goods Park
SEPTEMBER
1 – Commerce City, CO – Dick’s Sporting Goods Park
Rock singer-songwriter Nicole Atkins announced an East Coast Tour starting in September with a show at Daryl’s House in Pawling, NY. Justin & the Cosmics will serve as support for the entire run.
A prominent figure in rock music for over two decades, Nicole Atkins has been actively touring and producing music since 2002. Mostly inspired by 1960s and 70s psychedelic rock artists like The Doors and The Sundays, she started writing what she termed “a mix of Americana, 60s, and indie rock.” In 2003, Atkins released her first EP, Bleeding Diamonds.
Along with her tour, Atkins is currently working on her sixth studio album. “Now, with a bunch of new songs and a great band and some time before the studio, I can’t wait to figure out what these new songs want to be at the shows!” Atkins says about her upcoming album. “I’ve always wanted to do it that way like I did it before my first record, but now it actually feels like time is on my side and I have some to make it happen.” Her previous album, Italian Ice (2020), was her best-reviewed album to date, drawing rave reviews internationally.
For the last two decades of her career, Nicole Atkins has performed in several festivals and concerts. Halfway into 2024, Atkins has already had an incredible year, opening for both Stevie Nicks and also her friends, The Mavericks, whose new album she is featured on. Now, after remarkable stretches with rock icons and showstoppers, she reemerges with her own headlining tour.
Starting on September 5, Atkins heads to Pawling, NY, for a night in Daryl’s House. Catch her at Woodstock and Ridgewood, Queens, on September 7 and 21, respectively. Atkins’ new album, which is yet to be named, is set to release in 2025.
The full tour dates are listed below. Tickets are available now on Nicole Atkins’ website, linked here.
SEPTEMBER
5 – Pawling, NY – Daryl’s House
6 – Montclair, NJ – Outpost In The Burbs
7 – Woodstock, NY – Levon Helm Studios
9 – Boston, MA – City Winery – Boston
11 – Philadelphia, PA – 118 North
12 – Asbury Park, NJ – Wonder Bar
15 – Manchester Center, VT – Billsville House Concerts
The Peach Music Festival just had their first “Peach at the Beach” at the Showboat Resort in Atlantic City. Although it was not at the usual Montage Mountain venue, this venue also had a waterpark, reminiscent of the festival people have grown to love, with familiar faces and favorite jams filling the air.
The waterpark sets were mainly DJs including DJ Logic, aside from Dogs in a Pile, who played a funky set for all of the waterpark attendants. The Dogs are quickly solidifying their place within the jam band scene. This set included a masterful “Ship of Fools” and even a cover of Phish’s “Tube.”
The main stage opened up with some reggae vibes from Mykal Rose of Black Uhuru. This featured a different, palette cleansing sound, which was quite different from the other music, yet lively and exciting.
Next up for Peach at the Beach was Karina Rykman who played some tracks off her new album Joyride. The set was filled with high peaks, bass bombs, and lots of jams.
Trouble No More played “Eat a Peach”, a great nod to the Allman Brothers roots of this festival. Highlights included “Blue Sky,” “Melissa,” and “Mountain Jam.” Taz’s guitar playing as a frontman just continuing toi get better with age.
Dogs in a Pile took the stage with a memorable set, putting the crowd into party mode. The set included their hit “Trunk Run” which references Atlantic City within the song, encoring with a face melting “Fire.”
After a longer break than expected, Joe Russo’s Almost Dead took the stage at 9:30 as opposed to 9 and played one long set as opposed to the advertised two. This proved to be rather disappointing but the band played an absolutely stellar set filled with genre-bending experimentation and mind-blowing peaks.
JRAD opened up with “Scarlet Begonias,” a Deadhead favorite, but this group makes it clear that they are much more than a Grateful Dead cover band, pushing the music to new heights and making their unique sound prominent. The set also included a masterful “Estimated Prophet” and a jammed out “Playing in the Band”. They finished with “Uncle John’s Band.”
