Category: Beyond NYS

  • Pitbull brings the “Party After Dark” Tour to the Mohegan Sun Arena

    After multiple shows in New York during the summer/fall leg of the “Party After Dark” Tour, Pitbull brought the tour north to the Mohegan Sun Arena in Connecticut. The sold-out crowd had options to see Pitbull at five locations during the summer and fall legs before he looped back around ahead of a European leg. Unlike the summer, special guest T-Pain did not come for this show leaving Pitbull the lone performer for the evening.

    Before Pitbull graced the stage, one of his DJs hyped the crowd up by playing music and getting the fans in the right mood. With the DJ on stage, there was a rush of fans trying to get inside for “Mr. 305.” The entire audience contained people of all ages. Whether it was people in their 60s or little kids, Pitbull had a diverse audience spanning a generation or two.

    Once Pitbull hopped on stage and began “Don’t Stop the Party,” off of 2012’s Global Warming: Meltdown, the dance party inside the casino arena started. For an hour and a half, Pitbull delivered hit after hit leaving the audience wowed and out of breath. When Pitbull ran on stage in the dark, from the back of the arena you could see a sea of phones leading to the barricade. The last time he was in the general area was Sept. 13 in Hartford and Sept. 12 on Long Island. Even if it was three short months, the excitement was in the air.

    The Mohegan Sun Arena is home to the Connecticut Sun. So the lower bowl seats are pulled out on metal stands. Throughout the night, fans danced with each other or by themselves. They also jumped to the music, the stands swayed back and forth. Like the lower bowl, the upper deck was also having a party. They did not sit down for one second during the show.

    During each song, the screens off to the sides and behind Pitbull and his seven-piece backing band and six backup dancers showed the audience. Each concertgoer had the same surprised and happy look on their faces. They were singing along and dancing to each show and you could just see the raw and pure joy on their faces throughout the night.

    Throughout the show, Pitbull and his dancers would run off stage after certain songs to change into different stage clothes. This led to Pitbull’s on-stage DJ playing music to keep the good energy alive. Whether it was Aerosmith & Run DMC’s “Walk This Way,” or Bell Biv DeVoe’s “Poison,” the DJ did a great job at not letting the show come to a screeching halt.

    When Pitbull and the dancers returned, they all had corresponding colors. Pitbull looked as snazzy as ever in his black, white, and red suit jacks. He dawned a charming smile each time a new color was debuted. His amazingly gorgeous dancers also had matching colors as they strutted around the stage for the entire 90 minutes. Pitbull was able to cleverly play off the dancers and vice versa to create a cheeky yet mesmerizing show.

    It’s impressive that Pitbull has a backing band behind him. Sometimes popstars and rappers do not carry any other on-stage personnel with them. But the previously mentioned seven-piece band was spectacular. There was guitar, bass, saxophone, drums, keyboards and percussion that all created a beautiful live wall of sound behind Pitbull. Having a band play live enhanced the pop sound that Pitbull has polished off so well. It adds another complex but necessary layer to the live performance.

    It was great to see Pitbull give a nod to other artists. Covering others’ tunes was his way of acknowledging their impact on him. Pitbull rapped a beautiful and clever version of Elic Crespo’s “Suavemente” which had the fans dancing all over the arena. He also included a cover of “Gasolina” by Daddy Yankee in his set. Hearing the familiar intro had fans looking at each as to say “I know this one.” It was great to hear Pitbull’s rendition of people’s favorite tracks.

    In between each song, Pitbull would give some advice to the audience and give them a pep talk while also thanking them for coming out to the show. At one point, he talked about how his one teacher, Hope Martinez had changed his life. He then told the sold-out crowd that he had built 12 schools nationwide as part of the S.L.A.M! program. S.L.A.M stands for “Sports Leadership, Arts & Management.” Those schools are “non-profit educational organization supporting the expansion of K-12 tuition-free, public charter schools in underrepresented communities nationwide.”

    Upon hearing this, the crowd roared in approval. It’s hard to imagine what The Beatles at Shea Stadium sounded like back in the 60s. Or, if you’ve never been to a Taylor Swift “Eras” Tour show, you might not be able to imagine what a roaring audience sounds like. A close third is any Pitbull show. He had the audience in a frenzy at the start of each song and at the end of the night.

    At the tail end of the show, the setlist got swapped around slightly. Instead of ending on “ Give Me Everything” off of 2011’s Planet Pit, he ended on the smash hit “Fireball” off of 2014’s Globalization. The quick change in songs at the end of a great subtle switch flowed nicely into the end of the show. When fans left the area, they all had smiles around.

    Pitbull is an entertainer that can easily fill up any arena, theater, or amphitheater. His hard work, drive and dedication for a great show spills out into the audience. It leaves the crowd with a lasting impression. The entire show is perfectly choreographed and the musicianship just doesn’t stop at “Mr. Worldwide.” He also surrounds himself with the best dancers and band to make sure that the show is as best as humanly possible. Seeing Pitbull live is an experience that everyone must do once in their life. Do yourself a favor and see him as soon as possible, you’ll witness one of the best and most pure entertainers on the road.

    Pitbull setlist: Don’t Stop the Party, Hotel Room Service, International Love/Bounce Generation Sweet Child o’ Mine/Rain Over Me (Guns N’ Roses cover), Whoop! (There It Is) (Tag Team cover), I Feel Good, Suavemente (Elvis Crespo cover), The Anthem, Gasolina (Daddy Yankee cover), Culo, I Know You Want Me (Calle Ocho), On the Floor/I Like It/DJ Got Us Fallin’ in Love, Timber, Time of Our Lives, Give Me Everything, Fireball.

  • Hearing Aide: Ross Goldstein Releases Fifth Studio LP “Blunders” 

    Ross Goldstein released his brand new album, Blunders on November 15 on OddCat Records. The nine track, polished LP takes a deep dive into the world of psychedelia and features producer Eric Goulden (Wreckless Eric). This is Goldstein’s fifth full-length record, following his 2021 release Chutes and Ladders

    Ross Goldstein
    Artwork by Robert Beatty

    Recorded in Catskill, NY at Goulden’s home studio, Blunders was co-produced and engineered by Wreckless Eric. Both Goldstein and Goulden are credited with playing almost every instrument on the record. Despite a morose subject matter, there’s a noticeable warmth that encapsulates Blunders.

    Goldstein refers to the LP as “bummer psychedelia” and states that he was “aiming to achieve a cinematic mood and a feeling of being alone and lost on the road in America. Living on the road and feeling lonely and isolated are central themes of the record – attempting to pick up the pieces after relationships fall apart – both accepting and embracing failures.”

    Goldstein cites 60’s and 70’s pop, artists like Neil Young, The Beatles, and Grateful Dead as his primary influences as a songwriter. He also references Holland, the 1973 release by The Beach Boys as a major source of inspiration.

    Goldstein’s arrangements, eclectic songwriting and heavy use of imagery in his lyrics allow for each song to stand alone – yet they are pieced together in a way that not only establishes his goal of cinematic musicality, but creates a captivating piece of art from Blunders’ first note, to its last. From the country americana, tinged by psychedelia vibes of “My Slippers”, to the dreamy, albeit uneasy soundscapes on tracks like “The Village”, this record has a welcoming yet dark in nature attitude.

    His eccentric tones, emotional guitar solos, goosebump inducing textures and production techniques are reminiscent of bands like Pink Floyd and Ween. His use of spoken word on “Carrizozo” and “Ticker Tape”, the funk grooves of “Odd Man Out” and the seemingly not so lyrically serious “I Forgot To Comb My Hair” are just a few examples of how this genre-blending, borderline defying release synthesize under an umbrella of psychedelic folky goodness.

    Blunders is currently available on all streaming services – learn more and support Ross Goldstein here.

  • Black Bear Americana Music Fest Brings 3 Days of The Full Dimension Of Americana to Goshen, CT

    In its sixth year, Black Bear Americana Music Fest presented three full days of roots, contemporary and traditional folk, country, blues, bluegrass and mixed-genre solo artists and bands on its main stage, acoustic stage, gazebo stage and workshop stages to an audience that ranged from those of us who are of Woodstock era to kids chasing soap bubbles. 

    Black Bear ran from Friday, October 11, through Sunday, October 13 at the Goshen Fairgrounds, Goshen, CT.

    The Crowd – Victor Wainwright & The Train

    The festivals producers, Ian Campbell and Beth Murphy, did a fantastic job and managed to present a festival that brought acts from the unknown to those who needed no introduction.

    Although the festival’s first “official” day was Friday, many arrived on Thursday to set up their tent or RV sites.  On Thursday night the festival opened, “unofficially”, with the Big Orange Tarp Songwriter Circle, created by Alan Rowoth decades ago in connection with other festivals, and currently presented by Rowoth and singer songwriter Andrew Dunn of CT, who performed at the festival on Sunday.  

    Andrew Dunn, Hosting Big Orange Tarp

    What follows is a quick look at most of the performers at Black Bear.  The simultaneous multiplicity of performances on separate stages made full coverage impossible.

    Lucas Neil of Saratoga Springs, performing his Americana and indie-folk originals, Glori Wilder of western CT’s R&B and eclectic mix, and Red Smith of Wilmington, DE  highly energized originals flavored by influences of country, folk, rock, bluegrass, and soul with vocals that turned on a dime from sweet to gravel and grit, opened the festival on the Acoustic Stage, each with a set of their original songs, in the “Songwriter Showcase”.

    Lucas Neil
    Glori Wilder
    Red Smith

    The Midnight Anthem, a group based in CT fronted by three cousins, opened the Main Stage for the day with a set of their country-oriented Americana songs, followed by Burlington, VT’s Tall Travis, an indie folk band with bluegrass folk/punk influences, on the Acoustic State, with one of their two performances for the weekend.

    Tall Travis

    Over on the Gazebo Stage, Charlie Diamond performed a set of his pop/folk flavored Americana original story type songs with a Dylan-esque type voice that matched his songs perfectly.

    Charlie Diamond

    Back at the Acoustic Stage, highly regarded Canadian songwriter Scott Cook and Pamela Mae, currently on tour in the US and Canada, performed a set of well-crafted songs, primarily of hope and positive messages, mostly based upon Scott’s life experiences. 

    Scott Cook and Pamela Mae

    Long time folk- favorite New England singer songwriter Cheryl Wheeler, whose songs have been covered by artists as diverse and Garth Brooks and Bette Midler, took the Main Stage where she delivered some long time favorites, as well as some of her newer work. 

    Cheryl Wheeler

    The Rough & Tumble, multi-instrumentalists from New Hampshire, took the Acoustic stage to perform what they describe as their “Dumpster – Folk/Triftstore – Americana” originals for an appreciative crowd.

    The Rough and Tumble

    The Currys, from Charlottesville, VA , fronted by two brothers and a cousin, played a set of their original indie-folk rock songs with tight vocal harmonies  on the Main Stage.

    The Currys

    Meghan Cary, a Billboard Magazine’s Critic’s Choice Award Winner, performed a beautiful set of her originals from folk rock power ballads to touching songs of hope, backed up on keys by Peter Farrell.

    Meghan Cary

    Over on the Workshop Stage, Bryan Titus, Marc Apostolides and Shawn Taylor presented songs, stories and photos, from their collective thru-hikes and long-distance hikes on the Appalachian Trail, The Long Trail, The John Muir Trail and the Pacific Crest Trail. 

    Arm Chair Boogie, a jamgrass/newgrass act from Wisconsin did an excellent performance on the Main Stage which go the crowd to its feet.

    Arm Chair Boogie

    In addition to performers, there were a number of organizations at Black Bear.  “Meals for Music” was an especially compelling organization.  It is a non-profit which provides home cooked meals for musicians on the road not only to feed those low on cash, but also for making those on tour feel a bit “at home”…Currently serving the Connecticut area, they are an organization worth looking at.

    Meals for Music

    The Best Times band performed a set of their original indie rock songs on the Gazebo Stage. 

    The Best Times

    Back across the fields, The Decker Bandits of Collinsville, CT filled the Acoustic Stage with a mix of bluegrass, funk rock/dance originals delivered their own energy to the crowd. 

    The Decker Bandits

    The final act of Friday night was grammy nominated, award winning Victor Wainwright’s Victor Wainwright & The Train, whose piano, electric guitar, horns and rhythm section got the crowd up and moving with their original Americana, blues and wide ranging roots music, with sprinklings of boogie-woogie, honky-tonk, and New Orleans piano.

    Victor Wainwright & The Train

    Jason Ingriselli & The Miles North opened up Saturday’s performances on the Main Stage showcasing Ingriselli’s powerful voice and songs which he calls New England Country Music. 

    Jason Ingriselli and The Miles North

    Drank The Gold, an Upstate NY based duo brought their soaring vocal harmonies fiddle, guitar/banjo Irish and American old-time and contemporary traditionalist songs to the Acoustic Stage to round out the morning.

    Drank The Gold

    Kerri Powers bought her original blues and soulful earthy songs on acoustic and resophonic guitars to the Main Stage to an appreciative crowd.

    Kerri Powers

    Massachusett’s Sean Maqwire, who has fast become one of this writer’s favorite songwriters, brought a handful of his well-crafted songs to the Acoustic Stage. 

    Sean Magwire

    Goodnight Moonshine, a duo, delivered their original folk songs with beautiful vocal harmonies, and an improvisational style and feel more common to jazz than typical folk music.

    Goodnight Moonshine

    In addition to continuous performances each day on three separate stages, Black Bear presented thirteen different workshops over the three-day festival, including some in songwriting, music production, performance, improv and other music related subjects, all while Main, Acoustic and Gazebo Stage performances continued.  This writer took the time to venture over to the Workshop stage mid-afternoon on Saturday to catch workshops on Improv musicianship and songwriting, and then made it back to the Main and Acoustic Stage to see the rest of the performances.

    The Slambovian Circus of Dreams, a Central NY based group that has been together for about twenty years, delivered their songs of fantastic stories with a high energy, crowd engaging performance, in what has been called “Woodstock-tinged psychedelia..[with] a hint of southern rock, Celtic and British folk combined with solid songwriting..” that moved the audience and brought it to its feet.

    The Slambovian Circus of Dreams

    Tall Travis, an indie folk band from Burlington, VT, with its unique bluegrass folk/punk influences, filled the Acoustic stage for the second time over the weekend and lit up the stage with their own brand of musical energy. 

    Tall Travis

    Saturday night’s finale was delivered by Quebec’s Le Vent du Nord who delivered songs and performances  of both traditional and original compositions, with highly rhythmic and soulful music, rooted in the Celtic diaspora, enhanced with a broad range of global influences.   And when festival producers Ian Campbell and Beth Murphy took the stage before the encore the crowd yelled for the band to be brought back again next year.

    Le Vent du Nord

    After the stages shut down for the night, those in the know headed for the songwriter circles put on by Big Orange Tarp, Pirates Camp and the Jubilee Jam Tent. 

    Sunday morning started out with a Main Stage performance by folk legend Vance Gilbert who engaged the audience with a brilliant combination of original songs and banter.  Gilbert also offered an excellent performance critique for musicians at the festival at the Workshop stage in the afternoon. 

    Vance Gilbert

    Terra Coda, a band of five percussionists, delivered their unique music to an appreciative crowd, just before the rains came.

    Tera Coda

    Performers scheduled for later in the day included Ash & Eric, Josh Joplin Group, Two Crows for Comfort, Way Down Wanderers, Shanna In A Dress, Whiskey Talks and Adam Ezra Group. 

    A truly special component of Black Bear are the songwriter-in-the-round events that feature both featured acts at the festival and other songwriters picked by the various event’s creators or organizers, where a small group of songwriters alternate delivering their songs, solo, for a few rounds, and then the next group comes in, repeating the rounds until the wee hours of the morning. “In the round” events were held each day and night at “The Big Orange Tarp (aka the BOT)”, “Pirate Camp”, the Jubilee Jam Tent.  For many, these songwriter circles are a significant part of what makes a festival like Black Bear such a highly respected musical event.

    One of these, the “Big Orange Tarp”, or BOT as it’s known by its fans, featured solo performances in the round each night of the festival and into the wee hours of the morning by a number of those who performed at the festival, as well as by other songwriters, including this writer, all handpicked by Rowoth or Dunn.  For many, the BOT, and the other in the round songwriter circles, represent one of the most cherished events at this and many other festivals (Kerrville, Falcon Ridge, and more) and represent what many feel is the best way to hear songs, unadorned by stage sound support, performed “in the raw” by the people who wrote them. 

    Big Orange Tarp, Songwriter Circle

    In addition to the fantastic and well curated music and music related workshops for musicians and music lovers, the Black Bear Americana Music Fest provided a varied array of food vendors; workshops in glass making, painting, gel plate printing, pumpkin carving and jewelry making; chili tasting and interactive cocktail making classes; and cannabis related classes from making edibles at home, to growing and harvesting; and the Festival provided AA meetings each morning.

    All in all Black Bear was an excellent music festival and one which many will surely attend again next year.

    Thank you Ian Campbell and Beth Murphy for a fantastic 2024 Black Bear. See you next year!

    Ian Campbell and Beth Murphy
  • The Felice Brothers To Rock from Brooklyn to Kingston to Close Out the Year

    After a hugely successful European tour, 2024 will be culminating with five highly anticipated shows for The Felice Brothers.

    The band’s end of the year run of shows kicks off Friday, December 27 in Williamsburg at Brooklyn Bowl, followed by a show at Brooklyn Bowl in Philadelphia. December 29 finds the group in Rockville Centre at Centre Station, and round the year out with two hometown shows for this incredible Americana band at brand new venue Assembly Kingston.

    The felice brothers kingston

    The Felice Brothers call the Catskill Mountains home, yet much of their success to their early days busking and playing in around New York City. Playing unplugged wherever they could the band found their distinct sound and style, penning such songs as “Frankie’s Gun” from their self titled album and covering “This Land Is your Land” like Woody Guthrie and Bob Dylan, whom Ian Felice’s songwriting has been compared with.

    With three new brilliant records the past three years and an entire catalogue from the past 20 years, The Felice Brothers have been leaving audiences in awe with their foot stomping sing alongs, to tender ballads and everything in between.

    The felice brothers kingston

    Through 18 official releases and gosh knows how many secret recordings (check out their black limo recording), The Felice Brothers have stuck to their roots, while experimenting (“Celebration, Florida”), finding new form and maturing as musicians all while capturing the heart of American life, strife, beauty, grit, struggle and the knowledge that each soul has their own unique story. From the rowdiness of their live record Tonight at the Arizona (which was also re-issued ten years later as part of a special record store day recording) to the more produced Yonder is the Clock during their first decade as a band is amazing to go back through as a listener.

    This writer was lucky enough to attend the 2019 and 2023 NYE concerts at Colony Woodstock and the band brought in many special guests, playing on songs old and new, amazing covers and so ,many special moments that left all smiling from ear to ear right into the New Year. The Felice Brothers are sure to bring out many more such more moments in celebration of their 20 year Anniversary as America’s top Americana band and the critically acclaimed songwriting that stands the test of time as well as the appreciation of their peers.

    The band shared their thoughts on the upcoming shows: “Friends and loved ones, we are doing it again! Holiday shows! Some old favorites and a NEW never before rocked venue in Kingston. Now you know what you’re doing to close out 2024.”

    The Felice Brothers have had a few lineup shakeups as their brother Simone moved along very nicely with a solo career, and the band found a new stride in 2014 with the release of Favorite Waitress. The new lineup also but out an incredible record Undress in 2019 and in the past few years has put out From Dreams To Dust (2021), Asylum On The Hill (2023), and Valley of Abandoned Songs (2024) which they have just finished a European tour supporting. Each record is a set of new treasures, and both Ian and James Felice have truly found their voices and are complemented so well by the backline and backing vocals of Jesske Humme (bass), Will Lawrence (drums).

    Located in Kingston’s vibrant Uptown/Stockade District, Assembly Kingston is poised to become avcornerstone of the region’s burgeoning arts and culture scene. These New Year’s Eve performances will be a special homecoming for the band, who will take the stage to ring in 2025 with their signature blend of folk, rock, and heartfelt storytelling.

    The Felice Brothers’ return home this December will surely lead to an unforgettable New Year’s Eve celebration. The beloved Americana band will perform two back-to-back shows on December
    30 and 31, marking the highly anticipated inaugural event at the brand-new venue, Assembly Kingston.

    Tickets are available now for the entire tour, and are selling quickly. There is a low ticket alert for both Assembly Kingston shows. You can find them here.

  • Khruangbin, Bleachers, and CAKE Slated to Headline The Capitol Groove in Hartford, Connecticut this Summer

    Khruangbin, Bleachers, and CAKE are slated to headline the second edition of The Capitol Groove, downtown Hartford’s premier festival, returning to Bushnell Park June 28-29.

    Presented by GoodWorks Entertainment, the festival will feature 14 artists over two days with performances from Thundercat, Sammy Rae & The Friends, Thee Sacred Souls, St. Paul & The Broken Bones, Fantastic Negrito, Steel Pulse, Ripe, Improvement Movement, Ghost Funk Orchestra, The Greeting Committee, and Spectre Jones. These titillating acts are ones you’ll certainly want to see live.

    Beyond the music, The Capitol Groove will also boast a lineup of local craft vendors and food trucks to be announced closer to the festival. Situated in the heart of downtown Hartford, Bushnell Park’s ample green space and natural beauty provides festivalgoers the perfect backdrop for two days of live music, all within easy reach of Hartford’s rich history and vibrant arts scene.

    This upcoming festival is the second ever in the fest’s history. The Capitol Groove saw much success last summer and hopes to reach new heights with an even more exciting lineup. Acts like Khruangbin, Thundercat, Bleachers, and CAKE are must sees. These artists are known to bring the absolute groove to new levels wherever they go.

    For more information and to purchase tickets to The Capitol Groove festival, click here.

  • Daughtry Brings Holiday Hard Rock Bliss to Toyota Oakdale Theatre

    Hard rock band Daughtry brought their “Adrenaline Gone Ballistic” holiday tour to the Toyota Oakdale Theatre in Wallingford, Connecticut. Sleep Theory and Devour the Day joined Daughtry throughout the 13-date tour.

    The night was every hard rock fan’s dream. They got a great mix of metal, hard rock and pop-metal while witnessing great live stage performances. Daughtry made a triumphant return to the area after touring Breaking Benjamin and Staind in September and October. 

    As fans pilled in from the harsh winter cold, the Memphis, Tennessee-native band Devour the Day hopped on stage. Led by Blake Allison on lead vocals, the band blasted into their first tune of the night, “Respect,” off of their Time & Pressure record. The band’s hungriness was apparent from the start. Devour the Day made sure the crowd felt their impact for the seven songs they played. The quartet was the loudest group of the night. They infused post-grunge, nu metal and hard rock influences all into one band that put together a great performance.

    Joining Allison who is also the drummer for Pop Evil, is Joey “Chicago” Walser on bass guitar, Justin Kier on drums and Stephen Freeman on guitar. The foursome did an excellent job at getting the – at the time small – crowd ready for the next two acts.

    In between Devour the Day and Sleep Theory, there was a brief intermission. But, it wasn’t too long until the houselights dimmed for Sleep Theory. It was fitting that Mariah Carey’s “All I Want For Christmas” was blasted through the speakers sparking holiday cheer. Sleep Theory, also from Memphis, Tennessee, jumped right into the first song of the evening “Fallout,” off of 2023’s Paper Hearts – EP. Sleep Theory’s style of music was very similar to Devour the Day’s. So, the hard rock and metal theme blossomed during their set.

    Lead singer Cullen Moore’s vocals were amazing. Throughout the band’s set, he would walk back and forth on stage and interact with the audience while he belted out the lyrics. There have been few singers who could yell in key. Rob Halford from Judas Priest and Bruce Dickinson are some of the masters. But, Moore was able to be in perfect key while screaming which brought goosebumps to some of the fans.

    Unfortunately, Sleep Theory was extremely backlit and at times it was hard to see them on stage. This forced fans to listen rather than gain the whole experience of the show. Nonetheless, just by listening, you could tell that the band was extremely tight and together as one on stage. Because they were excellent musicians, fans were a lot more receptive to them and cheered loudly after every song. Sometimes middle bands don’t receive such generosity so it was great that they did.

    In addition to Moore, Sleep Theory consists of Daniel Pruitt on guitar, Paolo Vergara on bass, and Ben Pruitt on drums. The quartet put the fans in the right mood for Daughtry and was an excellent middle band.

    By this point, the crowd was in a frenzy for Daughtry and very quickly the band jumped on stage and went straight into “The Reckoning.” For the band’s entire performance, the entire theatre was on their feet and did not sit down for one single minute. There was a buzz in the building for their headline set since the next time the group would be in the area would be on the Creed summer tour in 2025.

    Rounding out Daughtry was Chris Daughtry on lead vocals and guitar, Brian Craddock on guitar, Elvio Fernandes on keys, Marty O’Brien on bass and Jeremy Schaffer on drums

    Like Moore in Sleep Theory, Daughtry’s vocals were amazing and were the best out of the three. For the time that the band was on stage, you could feel his power and strength. Even though he was as serious as can be while singing, in between songs he charmed the crowd. At one point before “Home” he told the audience to “light up anything that lights up… phones… lightsabers are also welcomed.”

    The band kept their stage simple so the audience could focus more on the music. Only a few screens were lit up behind the group with lights draped on the drum riser. It was nice that the band kept their stage simple and did not overwhelm the crowd. Twice during their set, they paid homage to the mighty Led Zeppelin and Journey. During their rendition of “Crashed” there was a snippet of “Kashmir” before they fully jumped into a cover of “Separate Ways (Worlds Apart).”


    The crowd let out a thunderous cheer to some of their favorites. “Home” and “It’s Not Over” received the loudest approval with fans taking out their phones to record the song or their favorite moment. It was great that they even played a handful of tunes from their newest record, Dearly Beloved. Their new material was even received positively by the crowd as if it were already setlist staples

    When the band walked off stage before the encore, you could hear a low roar for them to come back on stage. It originated at the back of the theatre in the rafters before thrusting its way towards the front. Fans got what they wished for. Daughtry played “The Dam,” “Heavy Is the Crown and “Artificial” as the three encore songs before calling it a night.

    When the audience left the building, the buzz was still thriving throughout the crowd. They witnessed a special holiday performance. There aren’t many groups that can put together a short and small holiday tour and knock it out of the park. But, for Daughtry, they delivered one of the best holiday shows in recent memory.

    Devour the Day setlist: Respect, Nobody Owns Me, Good Man, Worse Than Death, Outsider, The Bottom, Empty

    Sleep Theory setlist: Fallout, Enough, Paralyzed, Static, Hourglass, Gone or Staying, Stuck in My Head, Numb, It’s Over, Another Way

    Daughtry setlist: The Reckoning, Changes Are Coming, World on Fire, Crashed, Separate Ways (Worlds Apart), Home, Waiting for Superman, Shock to the System, It’s Not Over, Nervous, Pieces, Over You, The Dam, Heavy Is the Crown, Artificial

  • Coachella 2025 Lineup to Feature 11 artists from New York; Lady Gaga and Post Malone to headline

    At the 2025 Coachella Music and Arts Festival, 11 recording artists from New York State are set to perform. This includes headliners Lady Gaga and Post Malone, of Manhattan and Syracuse respectively. The festival is scheduled for Friday-Sunday, April 11-13, and April 18-20, and will feature the same acts across both weekends. Last year, five artists from New York performed at Coachella, including headliner Lana Del Rey. Significantly, Coachella 2025 will feature recording artists from New York across all three festival days.

    Coachella 2025 Headliners

    Manhattan-born Lady Gaga will headline Coachella 2025 on the first night of the festival, on Friday, April 11 and 18. Gaga first rose to prominence in 2008, with the release of her debut album The Fame. The album spawned several of Gaga’s hit singles including “Just Dance”, “Poker Face” and “Paparazzi.” Significantly, the 2025 festival will mark the second time Gaga has performed at Coachella and her second time headlining. Gaga first appeared at the 2017 festival, replacing Beyonce as a headliner.

    Lady Gaga performs at the 2017 Coachella Valley Music and Arts Festival. Credit: Getty Images.

    Rock Band Green Day of California will headline Coachella 2025 on Saturday, April 12 and 19. It will be the band’s first time headlining as well as their first performing at Coachella. Green Day has released over 14 studio albums, most recently Saviors (2024.)

    Green Day lead singer Billy Joe Armstrong. Credit: Rock & Roll Hall of Fame.

    Singer Post Malone of Syracuse will headline Coachella 2025 on Sunday, April 13 and 20. Malone released his debut album, Stoney, in 2016, which spawned his hit, diamond-certified single “Congratulations.” He has since released a total of six albums, most recently F-1 Trillion (2024) which sees him expanding his music to the country genre. Malone has performed at the festival twice: in 2018, he was on the official lineup and closed out the Sahara tent, bringing out Ty Dolla $ign and 21 Savage, and in 2023, he made a surprise appearance during Bad Bunny’s Set. The 2025 festival will be Malone’s first appearance at Coachella as a headliner.

    Syracuse native Post Malone performs at the 2018 Coachella Valley Music and Arts Festival. Credit: Billboard.

    Coachella 2025: Friday, April 11 and 18

    Guyanese-American rapper and singer Saint Jhn of Brooklyn will perform at Coachella 2025 for the opening nights of both weekends on Friday, April 11 and 18, which will be his first appearance at the festival. Throughout his childhood, Saint Jhn split his time living in Guyana and the East New York Neighborhood of Brooklyn. He released his debut album, Collection One (2018), and has since released a total of three albums, most recently 2020’s While the World Was Burning.

    Guyanese-American rapper and singer Saint Jhn. Credit: IMDB.

    American DJ, producer, and songwriter Austin Millz of Harlem will perform on the first night of Coachella 2025 for both weekends on Friday, April 11 and 18. The 2025 festival will be his first performance at Coachella. Career highlights of Millz include DJ-ing Beyonce’s Homecoming Coachella performance in 2018, and he made his debut for Boiler Room NYC in 2023.

    American DJ, producer, and songwriter Austin Millz. Credit: Insomniac.

    Brooklyn-born DJ and producer Moon Boots is set to perform at Coachella 2025 on Friday, April 11 and 13. Born in Prospect Heights and raised in the suburbs of Connecticut, he attended Princeton University where originally studied electrical engineering before switching to music. After graduating, he moved to Chicago, and his since released several independent albums.

    DJ and producer Moon Boots. Credit: Insomniac.

    Coachella 2025: Saturday, April 12 and 19

    Alternative rock band Blonde Redhead is scheduled to perform at the 2025 Coachella Valley Music and Arts Festival on Saturday, April 12 and 19. The band is composed of Kazu Makino (vocals, keyboards, rhythm guitar) and identical twin brothers Simone (drums, keyboards) and Amedeo Pace (lead guitar, bass, keyboards, vocals) and was formed in 1993 in New York City. The 2025 festival will be Blonde Redhead’s second performance at Coachella, after 2007.

    The three members of Blonde Redhead, from left to right: Kazu Makino (vocals, keyboards, rhythm guitar), and identical twin brothers Simone (drums, keyboards) and Amedeo Pace (lead guitar, bass, keyboards, vocals.) Credit: Office Magazine.

    Indo Warehouse is a New York City-based record label and event series formed in 2022 by Kahani and Kunal Merchant. The 2025 festival will be the record label’s first appearance at Coachella on Saturday, April 12 and 19. Indo Warehouse was formed to bring South Asian culture and influences to the forefront of dance music, and the 2023 short documentary Renaissance in the Realm: Indo Warehouse explores the label’s origins and future.

    Founders of Indo Warehouse Kunal and Kahani Merchant. Credit: Insomniac.

    New York City musician Layton Giordani will mark his debut performance at Coachella on Saturday, April 12 and 19. Giordani is a mostly dance/electronic artist who debuted on the music scene in 2017 with his debut LP on Drumcode, Where it Begins. His hard work and dedication have gotten Giordani a performance at Coachella, which may be a turning point in his career.

    Musician Layton Giordani. Credit: Insomniac.

    Sunday, April 13 and 20

    American-Ghanaian singer and songwriter Amaarae of The Bronx will mark her Coachella debut on Sunday, April 13 and 20. Known for her fusion of pop, R&B, afro beats, and alté, Amaarae released her debut EP, Passionfruit Summers, in 2017, and her debut album, The Angel You Don’t Know to critical acclaim in 2020. Her second and most recent album, Fountain Baby, was released in 2023.

    American-Ghanaian singer and songwriter Amaarae. Credit: Lauren Dunn.

    NYC-based electronic band Fckers will make their debut Coachella appearance on Sunday, April 13 and 20. The band was originally formed in 2022 by musicians Shannon Wise (vocals) Jayson Walker Lewis (bass, keyboards, production), and Ben Scharf (drums.) Lewis and Scharf were originally in the band Spud Cannon for five years, and Wise was a frontwoman for the band The Shacks, before leaving their respective groups to form Fckers together, and ultimately released their debut EP, Baggy$$, in September.

    The members of Fckers, from top to bottom: Ben Scharf, Shannon Wise, and Jason Walker Lewis. Credit: Georgia Mitropoulos.

    West African-born DJ AMÉMÉ will perform at Coachella 2025 on Sunday, April 13 and 20. The DJ, who splits his time between Brooklyn and Berlin, made his first Coachella appearance in 2022, opening the Sunday festival both weekends inside the Yuma Tent. AMÉMÉ moved to NYC to fulfill his dream of becoming a DJ, and eventually connected New York’s highly influential House Of Yes, and now runs One Tribe, a multifaceted platform that includes an events wing and a fashion label, in addition to his career as a DJ.

    West African-born DJ AMÉMÉ. Credit: Insomniac.

    Tickets for Coachella 2025 are selling quickly. Separate tickets must be purchased for both weekends. The festival is open to all ages and kids aged five and under are granted free admission.

  • Lawrence To Hit 4 NY Venues In “Family Buisness Tour”

    Eight-piece soul-pop band, Lawrence, has announced the U.S. leg of their world tour.

    The band will play four dates in NY at such venues as: the Empire Live in Albany, on Mar. 7, Buffalo RiverWorks in Buffalo on Mar. 9, The Capitol Theatre in Port Chester, on Mar. 28, and The Paramount in Huntington on Mar. 29.

    Lawrence

    Fronted by siblings Gracie and Clyde, Lawrence will embark on a 16-city tour of the U.S. to support their fourth studio album, Family Business. This will be their biggest solo headlining tour to date after the massive 65-date stadium run with the Jonas Brothers in 2023. 

    Released on June 21, 2024, Lawrence’s fourth album, Family Business, has brought the band to new heights. The album’s opening track, “Whatcha Want,” broke into the Top 40 on the US Pop Chart, while Lawrence has performed the song on The Tonight Show Starring Jimmy FallonThe Kelly Clarkson ShowToday with Hoda & Jenna, and CBS Saturday Morning. The album is accompanied by their biggest headline tour yet which not only brought them to Australia for the first time but will bring them back to Europe and the UK, in addition to their US tour which has new dates to be added.

    Clyde and Gracie Lawrence created Lawrence, an eight-piece soul-pop band comprised of musician friends from childhood and college. The band has gained a following for its high-energy, keyboard-driven sound, which features tight, energetic horns and explosive lead vocals.

    Tickets are available now. Learn more and purchase tickets here.

    Lawrence: The Family Business Tour Part 2 Tour Dates: 

    Thu Mar. 06 – Providence, RI – The Strand Ballroom

    Fri Mar. 07 – Albany, NY – Empire Live 

    Sat Mar. 08 – Cleveland, OH – House of Blues Cleveland 

    Sun Mar. 09 – Buffalo, NY – Buffalo RiverWorks 

    Tue Mar. 11 – McKees Rocks, PA – Roxian Theatre

    Thu Mar. 13 – Knoxville, TN – The Mill & Mine 

    Fri Mar. 14 – Raleigh, NC – The Ritz

    Sat Mar. 15 – Jacksonville, FL – FIVE

    Sat Mar. 16 – Orlando, FL –Universal Studios – Mardi Gras

    Thu Mar. 20 – Richmond, VA – The National

    Tue Mar. 18 – Charleston, SC – Charleston Music Hall 

    Fri Mar. 21 – Baltimore, MD – Baltimore Soundstage 

    Sun Mar. 23 – Cincinnati, OH – Bogart’s 

    Tue Mar. 25 – Grand Rapids, MI – GLC Live at 20 Monroe

    Thu Mar. 27 – Montclair, NJ – The Wellmont Theater

    Fri Mar. 28 – Port Chester, NY – The Capitol Theatre

    Sat Mar. 29 – Huntington, NY – The Paramount 

  • System Of A Down Announce MetLife Stadium Shows with Korn, Aug. 27 & 28, 2025

    Prog Metal legends System Of A Down have announced three stadium events for Summer 2025.

    system of a down

    The first will take place at MetLife Stadium in East Rutherford, NJ, on August 27 and 28 with Korn; the second show to be held at Soldier Field in Chicago, IL, on August 31 with Avenged Sevenfold, and the final show at Rogers Stadium in Toronto, ON, on September 3 with Deftones. Special guests Polyphia and Wisp will open for all three shows.

    As the most inspired, impactful, and inimitable rock band of the 21st century, System of a Down has sold over 40 million records worldwide, earned a GRAMMY® Award, and headlined arenas, festivals, and stadiums on multiple continents, worldwide. Formed in Los Angeles, the group have soundtracked personal, political, sonic, and spiritual revolution since the 1998 release of their multi-platinum self-titled debut. The quartet have consistently sold out shows worldwide and regularly register over 23.4 million monthly listeners on Spotify, making them one of the most-listened to rock/alternative bands in the world. System of a Down is Daron Malakian [guitars, vocals], Serj Tankian [vocals, keys], Shavo Odadjian [bass], and John Dolmayan [drums].

    Korn changed the world with the release of their self-titled debut album. It was a record that would pioneer a genre, while the band’s enduring success points to a larger timeless, cultural moment. Since forming, Korn has sold more than 40 million albums worldwide, collected two GRAMMY®s, toured the world countless times, and set many records in the process that will likely never be surpassed. Korn has continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for legions of fans and generations of artists around the globe.

    Korn – Albany, March 2022 – photo by Zak Radick

    Avenged Sevenfold have sold millions of albums worldwide, earned two consecutive No. 1 albums on Billboard’s Top 200 Albums chart (2010’s Nightmare and 2013’s Hail To The King), have over a billion video views and a billion-plus Spotify streams, as well as multiple No. 1 singles on rock radio. The band (comprising M. Shadows, Synyster Gates, Zacky Vengeance, Johnny Christ and Brooks Wackerman) is equally known for their spectacular live shows, selling out arenas and headlining the world’s most prestigious rock festivals as well as always being at the forefront of rapidly changing technology, cultural mile markers, and new ways for communities to engage. 

    Formed in Sacramento, CA in 1988, Deftones are one of the most influential alternative bands in the world. The band, comprised of Chino Moreno, Frank Delgado, Stephen Carpenter, and Abe Cunningham, has released nine studio albums, with the most recent release being GRAMMY®-nominated Ohms. Deftones’ culture is revered as one of the most fervent that exists.

    Tickets will be available starting with an artist presale beginning on Wednesday, December 11. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, December 13 at 12 pm at LiveNation.com

  • Billy Joel and Stevie Nicks Announce Joint MetLife Stadium Show

    Music legends Billy Joel and Stevie Nicks have announced a single tri-state appearance in a joint show at MetLife Stadium in August.

    billy joel stevie nicks

    Rock and Roll icons in their own rights, Billy Joel and Stevie Nicks’ careers are genuinely unparalleled. 

    The Piano Man himself, Joel is a New York native and is considered one of the most beloved recording artists in history, being the sixth best selling recording artists and the fourth best selling solo artist with a grand total of 160 million records sold worldwide. 

    Joel is one of the most engaging and best-selling live acts of all time with a monumental 150 shows performed at Madison Square Garden alone in what is regarded as one of the greatest arena runs in history.

    photo by Myrna Suarez

    Beloved for both her membership and vocal contributions to Fleetwood Mac and her whimsical solo singer-songwriter works, Stevie Nicks is a walking legend. Having been the first woman inducted into the Rock & Roll Hall of Fame twice, Nicks has captivated audiences for decades now with her deft storytelling and sharp songwriting skills.

    With a collective 220 million albums sold under her belt, Nicks is a continuous inspiration for those in the industry and beyond, mentoring younger performers to this day.

    The two iconic musicians will be bringing the best of their musical careers to the MetLife Stadium stage on Friday, August 8. Their first and only tri-state appearance together, the show promises to be an unforgettable once-in-a-lifetime event.

    In addition to the evening being the first of its kind for the duo, August 8 will mark Joel’s first time in East Rutherford since he performed at Continental Airlines Arena in 2002, and Nicks’ return to North Jersey for the first time as a solo act since June of 2012.

    Tickets for the Billy Joel and Stevie Nicks one-time-only show at MetLife Stadium will go live on Friday, December 13 at 10:00 AM.