On July 10, Brooklyn-based art-pop duo Rubblebucket released their newest single, “Rattlesnake,” along with its corresponding music video. Filled with groovy basslines, punchy brass and saxophone riffs, and hard-hitting lyrics in a deceptively cool and catchy tone, “Rattlesnake” is the newest edition to a laundry list of funky tunes sure to make your hips move.
Based on lead singer Klamia Traver’s own struggles with mental health and anxiety, the lyrics to “Rattlesnake” present a situation that almost everyone can relate to. The band loosely adapted a poem Kalmia wrote called “Time For the Rattlesnake” from her poetry book Year of The Banana. The poem recalls an encounter Traver had with the animal, jokingly saying, “The beauty of it took my breath away. But I later ruminated about how even when I am faced with the most breathtaking of our planet’s offerings, it can still be very hard to be present, focused & relaxed because of the chronic anxiety from which I suffer.”
The song opens with, “I don’t want to analyze you / But it seems you’re stuck in a cage / Let the child inside drive you / You’ve got what it takes.” Rattlesnake, in this instance, acts as a metaphor for someone so coiled and wrapped up in their own worries, fears, and anxieties that they prevent themselves from chasing new opportunities and ideas, even if it is something their “inner child” so desperately craved. The bridge’s lyrics further implement this idea, this time bringing the perspectives of outsiders into it: “Sometimes you gotta kill your idols / Psychedelic cage / In the footsteps of our mothers / We make the same mistakes.”
With such an intense undertone, looking at the lyrics alone makes the tune sound morose and dark. But instead, nothing could be further from the truth. In fact, the song is almost deceptively catchy. The groovy bassline, provided by the band’s other half, Alex Toth, nearly makes you forget about the unsettling lyrics. Renata Zieguer’s strings certainly add another unique element to the instrumentation, bringing a classic ’70s-style disco charm. Kalmia Traver’s light, soothing vocals almost make you forget about the fears the song forces you to face. The band went full disco-funk with “Rattlesnake”, producing a track that sounds like Bee Gees and Michael Jackson meets Stereolab.
For Rubblebucket, therapy takes the form of a dance party. “Rattlesnake” is a refreshing, funky tune that certainly stands out with its creative sound, and even more creative music video, reminiscent of something we would’ve seen from Talking Heads. The message here is clear: uncoil yourself like a rattlesnake, but dance while you do it.
“Rattlesnake” is out now and available on all streaming platforms and be sure to catch Rubblebucket at their announced live shows for 2024, one in Washington and one in New Hampshire.
NYC based alt-pop artist Rachael Sage will perform alongside her band, The Sequins at the Towne Crier in Beacon, NY on Aug 11.
Anyone with a dinner reservation can hear Sage perform songs off her latest record Another Side. Aside from being a singer-songwriter she is also a visual artist. Her artwork will appear at the Bank Square as part of Beacon Open Studios from July 19 to 21.
Sage is a woman of many hats. Before her musical career she was a dancer with New York City Ballet. Two decades ago, she started her own independent record label MPress records and has toured with Grammy award winning artists Judy Collins and Shawn Colvin. Sage is also a philanthropist and has helped raise money for WHY Hunger, American Refugee Committee, Memorial Sloan-Kettering Hospital and National Network For Youth.
Another Side is the companion album to The Other Side. All the tracks are the acoustic counterparts. The album has a folk-pop sound and the instrumentation breaks down the individual elements to the songs. Her cover of Yazoo’s “Only You” reached #32 on the Mediabase Top 40 radio chart.
Sage and the Sequins will perform on the Salon Stage at the Town Crier. The venue and cafe hosts a number of local Hudson Valley artists and bands like Ryan Lee Crosby on Aug 16 and Boom Kat on Aug 9. To find more information on the show you can visit the Town Crier website here.
Two-time Grammy Award winner, Jason Mraz, hit the stage at CMAC on Wednesday, July 10. Bringing a night of positive and inspirational messages, Mraz rocked the Northeast shore of Canandaigua Lake, along with Ripe and The Molly Miller Trio in support of his 2023 release, Mystical Magical Rhythmical Radical Ride.
Jason Mraz
With the threat of tornados from Buffalo to Canandaigua throughout the day, Mraz and fans were keeping a close on the weather. As Mraz hit stage around 830, it was clear that many fans decided to stay home. Thanks to venue staff for doing the right thing, as many lawn patrons were offered seats under the cover of the shell.
Getting the night started was Ripe. Fronted by Robbie Wulfsohn, Ripe is a highly energetic pop-funk band from the Boston area. Formed while studying at Berklee College of Music and working through the pandemic, Ripe has developed a mini cult-like following of music fans of all ages that keeps on growing. Pairing with the powerful voice of Wulfsohn were Christian Yogi Saint-Louis on guitar, Sampson Hellerman on drums, Jon Becker on Bass, Calvin Barthel on Trombone.
Opening for an act like Jason Mraz might be intimidating for some, but for these guys, not even the weather was intimidating as they dominated their set. Both Wulfsohn and Becker were all over the stage, never skipping a beat.
Ripe Setlist: Flipside, Stanky, Passerby, Say It To Me, Sussudio (P Collins cover), First Time Feeling, Noise in The Forest, Downward, Settling, (Goon Squad)
As Mraz took the stage donning a retro looking fit, the crowd is energized and ready to dance the night away, a common theme at Jason’s shows. Joining him on the stage that was backlit by large display screen was his Superband, a collection of nine other artists who were all ready for a workout, including Molly Miller, Billy Galewood, and other members of Bushwalla.
“Getting Started” and “Feel Good Too” was the ideal pair of songs to get the set started. Both songs carry poppy, trippy, and happy vibes which set the tone for the next 90 minutes.
Before song three began, insight was offered up on the meaning of “The Remedy.” He went on to talk about a conversation with a high school friend who had a deep conversation with him around age 20 and told Mraz of his recent cancer diagnosis. Definitely, not something anyone wishes to deal with but sadly becomes part of life. In an ode to his friend and the most positive outlook one could have in his situation, “The Remedy” was born. Mraz continued on saying that this friend is alive and well today, and recently celebrated his birthday.
Admittedly, I could not name more than one song from Jason Mraz before the show. As the night progressed, I recognized several, not realizing who the artist was. Not realizing the level of talent I was listening to. Guitarist, lyricist, dancer, and story teller, Jason Mraz offers it all and delivery is second to none.
As he continues his set, he adds in wit and banter related to each song, or the weather as he cracked a couple tornado jokes. He even ‘Rick Rolled’ the Canandaigua crowd. Introducing a song, he began to talk about a special guest who join in him on stage, as he called out Colbie Caillat, an artist who he has collaborated with previously. After a brief pause, he added “…Could not make it tonight” and immediately went into Rick Astley’s “Never Gonna Give You Up.”
Keeping the jokes going, he offered alternate lyrics to “Pancakes & Butter,” his song about waiting for someone special because they pair well together. Trying to keep straight face, Mraz started singing about Rochester and garbage plates instead of “Pancakes & Butter.” Apparently, the former didn’t flow, and he had to scrap the idea.
As the night concluded with “I Feel Like Dancing,” Mraz was joined on stage with Ripe and they danced the night away. Artists pairing up with each other and creating an amazing scene on stage as the entire crowd is up screaming for more. A very fitting conclusion to a very uplifting show.
Jason Mraz setlist: Getting Started, Feel Good Too, The Remedy (I Won’t Worry), 3 Things, Living in the Moment, Good Old Daze, Be Where Your Feet Are, Look For The Good, Make it Mine, Butterfly, Pancakes & Butter, Disco Sun, 93 Million Miles, I Won’t Give Up, Have It All, You Might Like It, I’m Yours, I Feel Like Dancing
Jon and Alonzo – RipeCalvin & Yogi -RipeCalvin Barthel – RipeAlonzi Demetrius – RipeSampson Hellerman – RipeJon Becker, Robbie Wulfsohn – RipeRobbie Wulfsohn – RipeJon Becker – RipeJason MrazJason MrazJason MrazMolly Miller Jason MrazJason MrazJason MrazJason MrazJason Mraz
British pop icons Duran Duran joins the macabre for an all-night Halloween party at Madison Square Garden. On October 31, the band returns to New York City for the Danse Macabre Halloween Party and encourage fans to dress up and go all out for a night of electrifying, spooky fun.
Madison Square Garden’s Danse Macabre Party originally began during their 2022 tour on Halloween night as a once-fabled Duran Duran show come to life. The party featured new music, concept art, and themes for the band, now compiled in a full new album, Danse Macabre. In the two years since the first concert, it has become a highly anticipated annual tradition. Lifelong fans and newcomers alike head to MSG for fresh, spooky music Billboard calls “delightfully devilish.”
Along with a night in New York City, Duran Duran has announced an official North American tour starting in October. The tour will take their new album across the American Northeast, with an earlier stop in Verona, NY. The final show will take place on November 2 in Manchester, New Hampshire.
For those who want to get a head start on the haunting vibes, Danse Macabre is out now and is available on all streaming platforms. Below is the complete list of tour dates. Public on-sale begins Friday, July 12 at 10 am local. Along with every ticket purchased, fans will receive a digital copy of Duran Duranâs 16th studio album, Danse Macabre, repackaged with unreleased extras. For more information, visit the band’s official website here. Get started on those costumes if you haven’t already!
NORTH AMERICAN TOUR DATES
10/21 – PPL Center – Allentown, PA
10/23 – The Event Center at Turning Stone Resort Casino – Verona, NY
10/25 – Mohegan Sun Arena – Uncasville, CT
10/26 – Borgata Event Center – Atlantic City, NJ
10/28 – CFG Bank Arena – Baltimore, MD
10/31 – Madison Square Garden – New York, NY **HALLOWEEEN DANSE MACABRE PARTY**
Western New York’s summer got a little brighter as Norah Jones’ latest tour with Mavis Staples blew through CMAC in Canandaigua and ArtPark in Lewiston on July 5th and 6th, despite the rains pouring down Friday night in Canandaigua.
Gospel legend, civil rights icon and sole surviving and torch-bearing Staples Singer, Mavis Staples and her band of bass, drums, guitar and backup singers, took the stage first. She needed assistance walking to the front of the stage, and took some breaks with a seat and some sips of tea in between songs, but when the mic was in front of her, she was a ball of fire. The stage, and the entire venue, was in her control.
Her voice, gravelly and soulful, belted out affirmations of love, for oneself, others, and of course God. Like a preacher from the pulpit, in case you missed the message, she repeated it a couple more times in her banter.
The set mixed Staples classics like “I’m Just a Soldier,” and “Heavy Makes Too Happy,” with Gospel standards like “I Belong to the Band, Hallelujah!” and more contemporary rock hits like Funkadelic’s “Can You Get to That” and the Talking Heads’ “Slippery People.” Mavis molded these latter tunes to her will, secular messages becoming spiritual. “What’s the matter with him? He’s alright. How do you know? The Lord won’t mind.” hits a little different coming from mouth of Mavis Staples than it does from David Byrne.
As Mavis was helped back off stage after her 45 minutes, she and her band received a rare and well-deserved opening-set standing ovation. One performance from a legendary lady in the books, one more to come.
After a short break, Norah Jones took the stage with Brian Blade behind the drums and Josh Lattanzi on bass, opening their set with “What Am I To You” off Jones’ second album Feels Like Home. Then just minutes in, Mavis Staples came back out to perform “I’ll Be Gone” which she recorded with Jones in 2019. Certainly an early-set show highlight to be blessed with both iconic voices playing off each other. Pete Remm, who wrote the song, was also on board on organ for that and off and on for the remainder of the show.
With that out of the way, Jones’ invited the rest of her band out, Sasha Dobson on guitar and vocals and Sami Stevens on keys and vocals. They kicked into some material from her stellar new release, Visions, with “Paradise” and “Running” before dropping back to early hit “Sunrise.”
The set continued to span her entire catalog, each song it’s own gift. Perfect little moments of musical joy popped out here and there, each tied off in a colorful bow, like from the streamers hanging as a backdrop. A singular smile-inducing note to close “Running,” beautifully bowed bass in “Sunrise,” Blade’s infectious groove in “Staring at the Wall,” the three-part vocal round on “I’m Awake.” Attentive ears were rewarded with these plentiful gifts throughout the night.
As Staples could bend a songs meaning to her will, Jones could likewise bend entire genres to her will. On the hushed and haunting “Little Broken Hearts,” she took on an indie-rock persona, strapping on a guitar. Then on “Queen of the Sea” she was belting out a country ballad. Her classic “Come Away With Me” was stripped back to the trio, with spare upright bass notes and subtle drums, it was Jones at her jazziest, taking control with her piano and voice. But she isn’t a rocker, singer/songwriter, country crooner, jazz musician or pop star. She’s Norah Jones and there’s no one else sounding quite like her.
She waited until the encore for the lone cover of the night, Tom Waits’ “Long Way Home,” before closing out the night properly with her classic hit “Don’t Know Why,”
Note: Review from CMAC, all photos from ArtPark by Patrick Sone Lin Htoo.
CMAC Setlist: What I Am To You, I’ll Be Gone (with Mavis Staples), Running, Sunrise, Begin Again, Tragedy, I’m Awake, I Just Wanna Dance, Out on the Road, Little Broken Hearts, Queen of the Sea, Staring at the Wall, Come Away With Me, All This Time, Happy Pills, Carry On E:ncore Long Way Home (Tom Waits), Don’t Know Why
On Thursday, June 27, Vanessa Carlton performed at Albany’s Alive at 5, located at Jennings Landing, on the waterfront of Albany.
Vanessa Carlton, originally from Milford, Pennsylvania and quickly moved to fame after her first single “A Thousand Miles” moved into the Billboards Top Ten. She was recently on tour with Stevie Nicks and is now making a few stops for summer concerts.
Carlton brought a large crowd to Jennings Landing on Thursday night to share songs from her first to her most recent album. Along with her songs “White Houses” and “Ordinary Day” she sang a few covers such as “Dreams” by Stevie Nicks. Carlton’s music had the whole crowd old and young dancing and singing along. The Alive at 5 stage created a beautiful back drop of the Hudson River and the golden hour light lit up the stage.
Carlton’s performance left us all signing ” A Thousand Miles” on the way to our cars. Be sure to see the perfect summer concert series at Jennings Landing before the series ends.
Remaining Alive at 5 2024 Concert Schedule
July 11 KRS-ONE July 18 Third World July 25 The Record Company August 1 Galactic (presented by WEQX and NYS Music)
Hugely popular country-rock band, Hootie & The Blowfish touched down in Bethel on Thursday, June 27 during their “Summer Camp With Trucks” tour.
Bethel Woods Center For The Arts is a stone’s throw from the original site of the Woodstock music festival, and joining Hootie & The Blowfish is Collective Soul and Edwin McCain. Collective Soul is celebrating their 30th anniversary and did so by releasing their newest record, Here To Eternity.
As fans were still finding their seats, buying merchandise and beverages, McCain graced the stage. Joining McCain was Larry Chaney on lead guitar with Craig Shields on saxophone and keyboards. The trio had a short set yet prepped the crowd for the rock and roll later in the show. Throughout McCain’s set, he shared stories about his family and laughed with the audience in between songs. Some of his most popular songs like “I’ll Be” and “I Could Not Ask For More,” were received well by the fans. The trio’s chemistry on stage was extremely noticeable while they were on stage.
All the bands were on a tight schedule so Collective Soul hopped quickly on stage. The band blasted into their first song, “Mother’s Love” off their brand new record. The crowd rose to their feet at the start of the set and did not sit until the end of the last song, “Run.” Collective Soul’s style of rock is different than Hootie & The Blowfish’s yet at the same time, complimented each other. It was great to see so many people have equal interest in Collective Soul and Hootie & The Blowfish. The band’s nine-song set was packed with some of their biggest hits. The crowd sang along to every one of the group’s songs.
Collective Soul is fronted by Ed Roland on lead vocals and acoustic guitar. Joining Ed is his brother Dean Roland and Jesse Triplett on guitars. Will Turpin was on bass and Johnny Rabb on drums.
Collective Soul has always been a great band and their stage presence is unmatched. All of their songs are catchy and their legion of fans brought their singing voice with them. As the band started a cover of AC/DC’s Dirty Deeds Done Dirt Cheap, McCain ran on stage to help sing. This brought a loud cheer from the audience. “December,” off the band’s self-titled record was the second to last song played but was the fan favorite. The fans that sat down immediately stood up and took out their phones to record the tune.
With the sun now dipping behind the general admission lawn, the stage quickly was turned over. Hootie & The Blowfish’s road crew did a swift and efficient job at getting the gear all set and ready to go. Before anyone could get a new beer, 001: A SpaceOdyssey’s theme song was blasted into the set and the house lights dimmed.
Hootie & The Blowfish jumped into a cover of 54-40’s “I Go Blind” as the first song. Like Collective Soul, fans in the lower section remained on their feet for the entire 23-song set. The energy from the crowd was soaked up by the band as they had smiles on their face from the first note till the last.
The band is led by singer and guitarist Darius Rucker. Joining Rucker is Mark Bryan on lead guitar, Dean Felber on bass and Jim Sonefeld on drums. In addition to the quartet are touring musicians Gary Greene, Garry Murray and Lee Turner.
With the temperature dropping below the 60s, the cooler weather didn’t deter the band or fans. The rock-infused country style made fans feel right at home at the site of “peace and love.” Throughout the band’s set, they sprinkled in a ton of covers including “For What It’s Worth” by Buffalo Springfield, “Hey, Hey What Can I Do” by Led Zeppelin and “Solitude” by McCain. The latter even saw McCain, yet again, grace the stage to perform the song. The cheers for McCain were louder than the other two times. The band did a great job at adding their own twists to some of those classic covers and made some of the songs the memorable tunes of the evening.
The team that was mixing the band’s sound was at the top of their game. The band overall sounded great. No member was louder than the other, they were just perfect. Behind the band was a spectacular video screen with top-notch graphics of live video and different animations. It was amazing to see different animations of campfires and big trees displaying different color lights to the audience.
It’s difficult to not play the famous tune “Wagon Wheel” for Rucker and fans got their money’s worth when that song was played towards the back half of the set. Fans screamed at the top of their lungs and embraced their friends and partners. This tune has become a favorite among music lovers and it was a great song to hear live, it sent chills down the spines of fans across the amphitheater.
With the band in full command of the stage – and one shoeless Bryan – the band weaved in and out of covers and original material before the end of the set. The final song before the set was over was “Hold My Hand,” off of 1994’s Cracked Rear View and, like “Wagon Wheel,” people embraced each other as the band waved goodbye.
It wasn’t until the three-song encore started that more thunderous cheers were heard. “Go and Tell Him (Soup Song)” was the first song up to bat before a cover of Stone Temple Pilots’ “Interstate Love Song” was played. The STP song was one of the best songs and covers played that evening. Rucker’s vocals were on course with original singer, Scott Weiland and the rest of the band followed his lead.
Of course, “Only Wanna Be With You” was the very last song of the evening and while fans were slowly filing out of the crowd and into the cold night, there was not one negative word said. The crowd loved the entire show and it was all they could talk about as they left the amphitheater.
Hootie & The Blowfish’s “Summer Camp With Trucks” tour has two more dates left. On September 5, they will be in Long Island and on September 6 they will be in Syracuse. This is truly a show you do not want to miss, it’s spectacular in every sense of the word.
Edwin McCain setlist: Darwin’s Children, I Could Not Ask For More, Promise of You, I’ll Be
Collective Soul setlist: Mother’s Love, Bluer Than So Blue, Heavy, Shine, The World I Know, Dirty Deeds Done Dirt Cheap (AC/DC cover), Where the River Flows, December, Run
Hootie & The Blowfish setlist: I Go Blind (54-40 cover), Wishing, I Will Wait, Time, Running From an Angel, For What It’s Worth (Buffalo Springfield cover), Hannah Jane, Not Even the Trees, Will the Circle Be Unbroken? (William MacEwan cover), Desert Mountian Showdown, I Hope I Don’t Fall in Love With You (Tom Waits cover), Wagon Wheel (Old Crow Medicine Shop cover), Miss California, Hey, Hey What Can I Do (Led Zeppelin cover,) Solitude (Edwin McCain cover), Old Man & Me / Mo Money Mo Problems / Big Poppa, Let Her Cry, Losing My Religion (R.E.M cover), Alright, Hold My Hand, Go and Tell Him (Soup Song), Interstate Love Song (Stone Temple Pilots cover), Only Wanna Be With You
On Sunday, June 30 at 3:52am, flames consumed the Lake George Village Bandstand in Shepard Park. The bandstand – located at the heart of the village hosts numerous summer concerts. Due to the fire, the future of Lake George’s summer concerts is now uncertain.
For years, Shepard Park has been a Summer staple in Lake George. Located in the heart of the village, the park offers beach access to the lake. On top of aquatic fun, the park has attracted countless visitors with its picnicking, and playground spaces.
At the center of the park stood the Lake George Village Bandstand. The bandstand takes the form of a stone amphitheater facing a newly renovated wooden concert stage. The amphitheater provided Lake George residents with a premier outdoor concert venue with great views of the lake.
Since its 2017 renovation, the bandstand has hosted Lake George’s free summer concerts. Starting in June 2024, a host of weekly performances were slated for the Summer. The venue planned to host performances from local bands as part of its Concert Series Wednesdays, Tribute Tuesdays, and Fridays at the Lake. In addition to this, the bandstand planned to host multiple rock, jazz, and pop music festivals.
These plans were thrown into disarray on Sunday morning when the Village Bandstand went up in flames. At 3:42am the Lake George fire department received a call regarding the fire and quickly responded with aid from North Queensbury Fire. Authorities say there were no injuries in the fire, but the bandstand structure suffered severe damage. The Post Star newspaper was among the first to report on the fire, posting this video of the aftermath to their website.
Reportedly, the fire began in a locked utility room adjacent to the stage, with an electrical cause confirmed by multiple inspectors and agencies involved. “All indication says that’s where it started. Nobody could have gotten in there because a padlock was still on the charred remains of the locked door,” said Ray Perry, Mayor of the Lake George Village, to the Post Star.
The fire has led to an outpouring of support from performing artists. Glens Falls band Seize Atlantis wrote on Instagram “Our hearts go out to everyone impacted by this from the music community to the entire 518 community at large.” Guitarist James Mullen spoke to NYS Music regarding a benefit concert for the lost venue, “Hopefully we can put together something special and help heal and rebuild for the LG community. We can’t just let this space go.”
A photo of the bandstand remnants from Seize Atlantis’ instagram post
Since the fire, the future of Lake George’s Summer concerts has been unclear. Mayor Ray Perry remains dedicated to keeping the venue’s concert plans on track, telling the Chronicle “ I’m just trying to save the summer.” Deputy Mayor Joseph Mastrodomenico Jr added “we will do what we can as soon as we can To somehow make our summer activities continue.”
Jim Anderson, Fridays at the Lake promoter, told NYS Music “We have an immediate plan that will let us play this Friday (July 5) and we are working on the longer term solution which will allow us to play all shows on the schedule.”
Dispatch performed on a cloudy summer evening at Artpark on Friday, June 28. Thousands gathered at the outdoor venue, located on the edge of the Niagara Gorge to see Dispatch, a band that performs a mixture of indie, reggae, rock and folk. Stolen Gin opened the show.
Stolen Gin has been around for 5 years and they are known for indie, pop, funk and rock, said the drummer, Josh. This is their first show touring with Dispatch in 2024. Stolen Gin gave the crowd a unique taste of their music throughout the show and set the stage for the Dispatch.
As the sun went down, Dispatch took the stage as the gentle breeze carried into the crowd. They seamlessly transitioned between genres, and the band members swapped instruments throughout their set. The memorable moment was when Brad Corrigan wrote a song about the moon on the stage after he saw the street light and thought that it was a full moon. The lyrics went “I see three moons, maybe four. There are more coming for more, we eat berries in the woods”. He said I will keep working on that song until we all sing together. Fans were singing along and dancing along as they played their iconic songs “The General”, “Bang Bang”, “Only The Wild Ones” and “Bond By Love”. Dispatch ended the show with a Birthday song for the band member Matt Embree who play guitar and bass.
Dispatch will continue their US tour throughout 2024. They will come back to the gorgeous vanue Artpark to singalong with their audience in near future.
Lake George’s summer concert series “Fridays at the Lake” returns this year with an exciting lineup. From July 5 to August 30, Shepard Park Amphitheater will host a concert every Friday. Concerts are free, and will feature a beer and wine garden.
Amanda Metzger
On July 5, The Ultimates will open for the New York Players, who will be returning to Fridays at the Lake this year. The New York Players are known for being dance party experts, with over 1,000 events under their belt. On July 12, Yellow Dog will open for Soul Session.
Dirt Cheap will open for E.B Jeb with classic blues and rock on July 19. E.B Jeb has been bringing authentic Southern Rock to upstate New York since 1980.
July 26, Saratoga-based pop group The Schmooze will open for Vivid. The Hartford based band is known for playing upbeat and danceable pop rock covers.
Albany band Sirsy will bring pop rock with folk intimacy to Fridays at the Lake on August 9. They will open for the TS Ensemble, a high energy, eight piece band from
Sirsy by Chet Seidel
The US Navy band will open for The Accents on August 23; The Accents will be returning for another performance this year; Lake George regulars, the Accents have performed at Fridays at the Lake and thousands of other events.
On August 30, Troy rock trio Super 400 will open for Ten Most Wanted. The Ten Most Wanted is a ten piece band known for their powerful vocals and sizzling horn section.
All events are family & dog friendly, and bouncy houses will be available. Openers will take the stage at 6:00, and headliners will start performing at 7:30. A recap of last years’ Fridays at the Lake is available at the following link, and a video of a performance from a previous year is available below.
