Platinum-selling songwriter and artist Donna Lewis of New York is back with a touching song “The Imposter.” Inspired by Lewis’s personal battle with breast cancer, this powerful track explores the depths of the human experience, capturing a blend of light and dark, fear and bravery.
The song takes listeners through Lewis’s treatment center’s different rooms, vividly capturing the darkness, pain, and terror she experienced during chemotherapy. The chorus, however, shines through the darkness with love, light, and gratitude.
Sonically speaking, “The Imposter” shows the duality of Lewis’s struggle by combining upbeat downtempo trip-hop exploration with driving sonics and euphoric vocals.
Lewis, known for her classic love ballad “I Love You, Always Forever,” reunites with acclaimed producer Holmes Ives to create an album that is resilient and full of hope. Together, they transform Lewis’s cancer journey’s hardships into an artistic creation that knows no bounds. In addition to her musical pursuits, Lewis is to become an ambassador for Making Strides Against Breast Cancer.
The forthcoming album, Rooms With A View, details the highs and lows of Lewis’s year-long battle with breast cancer. Lewis provides not only an experience but also a ray of hope for anyone going through a difficult time through her stirring lyrics and expressive vocals.
“It is an offering of hope for anyone going through a dark tunnel. I am forever grateful to share it with you,” said Lewis.
Stay tuned for Rooms With A View, Donna Lewis and Holmes Ives‘ joint song that is bound to inspire and uplift listeners everywhere – give “The Imposter” a listen here or below.
Rochester psychedelic indie rock band Adequate Phil have released their latest track, “Limes” which is out on all streaming services now. The song marks their final single before the release of their debut album.
Adequate Phil, hailing from Troy, is an experimental psychedelic indie rock powerhouse with influences from Radiohead, Animal Collective, The Beatles, and The Shins. With the release of their debut album on the horizon and in spite of recent personal difficulties and lineup changes, Adequate Phil continues to captivate audiences with their magnetic stage presence and innovative sound. Since 2021, they’ve been an eclectic and relatively underground driving force in the local scene.
The track “Limes” is nothing short of unique. Its monumental psychedelic influence just oozes out of each pore of the track. You can hear the influence from classic psychedelic bands like The Beatles, Grateful Dead, Jimi Hendrix, and more. You can also hear influence from artists like King Gizzard and even Yoko Ono.
The vocals are haunting and obscure, the lead and rhythm guitar are hallucinogenic. Nothing about this song is conventional, but it has an eerie familiarity. The more you listen, the more you become entranced by the sounds the band emanates.
For more information on Adequate Phil and to lay ears on their latest single, “Limes,” click here.
Waterparks is a dynamic, genre bending trio hailing from Houston, Texas, consisting of charismatic frontman Awsten Knight, guitarist Geoff Wigington, and drummer Otto Wood. With their high-energy stage presence and genre-defying sound, Waterparks has become a force to be reckoned with in the alternative music scene.
Waterparks brought their electrifying energy and infectious enthusiasm to the MGM Music Hall at Fenway Park as part of “The Sneaking out of Heaven Tour,” with fans lined up around the venue as early as 3 AM, these fans left in awe with a high-octane performance and unforgettable moments.
From the moment they stepped onstage, frontman Awsten Knight and his bandmates captivated the crowd with their signature blend of pop-rock anthems and irresistible hooks. The atmosphere was electric as fans sang along to every word, their voices blending harmoniously with the band’s infectious melodies.
Throughout the night, Waterparks delivered one memorable moment after another, from Awsten’s impromptu phone call to a fan’s boss, quitting their job on their behalf, to the spirited chants of “fuck these kids” and “support the moms.” Awsten’s playful banter and charismatic stage presence kept the energy levels high, while guitarist Geoff whirlwind performance earned him the endearing nickname “Hurricane Geoff.”
The band’s setlist was a perfect mix of old favorites and new hits, with standout moments including fans making Awsten wear a gifted shirt that said “I F*ck Fish”, followed up by their hit “Fuck About It” resulting in a hilarious exchange between Awsten and Otto. Awsten’s solo piano performance on the B stage showcased his versatility as a musician, while his humorous attempt to coax crew member Lucas into an Ed Sheeran cover provided a lighthearted moment of fun.
As the night came to a close, Waterparks left the crowd wanting more with an electrifying encore performance of “Turbulent” and “Real Super Dark” solidifying their status as one of the most exciting acts in modern alternative music. With their infectious energy and undeniable talent, Waterparks proved once again why they are a force to be reckoned with in the music industry.
Setlist: Watch What Happens Next, Blonde, Greatest Hits Medley (Fuzzy / Violet! / American Graffiti / The Secret Life of Me / Just Kidding / See You in the Future / Lowkey As Hell), Why Can’t I [Liz Phair cover], Stupid for You, You’d Be Paranoid Too (If Everyone Was Out to Get You), SOULSUCKER, SNEAKING OUT OF HEAVEN, Magnetic, RITUAL, SELF-SABOTAGE, BRAINWASHED, FUCK ABOUT IT, High Definition, Snow Globe, Crying Over It All, 21 Questions, I Miss Having Sex but at Least I Don’t Wanna Die Anymore, FUNERAL GREY
The Ghost Club’s concert at Elsewhere, as part of “The King Whatever Tour,” was a riveting display of indie rock energy and resilience. Led by the enigmatic frontman Domenic Dunegan, the five-piece band delivered a performance that was as emotionally charged as it was musically compelling.
Despite facing a momentary setback when Domenic accidentally hit his head while standing up on the bar, he soldiered on with unwavering determination, embodying the band’s ethos of perseverance against the odds.
From the moment they took the stage, The Ghost Club commanded attention with their incisive songwriting and sharp commentary on themes of masculinity, self-reflection, and resilience. Hits like “Creature of the Shadows” and “I Feel Fine” had the crowd entranced, while live debuts of “It’s Your Call” and “I’m Sold” showcased the band’s willingness to push boundaries and explore new sonic territories.
A defining moment of the evening came during their cover of Black Sabbath’s “War Pigs,” where Domenic’s electrifying stage presence and raw emotion electrified the audience. Despite his injury, he continued to deliver a mesmerizing performance, captivating the crowd with every lyric and melody.
As the night progressed, The Ghost Club treated fans to a string of live debuts, including the poignant “If I Fell (Don’t Wait Here for Me)” and the anthemic title track “King Whatever.” Closing out the set with the haunting ballad “Don’t Let Go,” Domenic and the band left an indelible mark on everyone in attendance, proving that they are a force to be reckoned with in the indie rock scene.
Overall, The Ghost Club’s performance at Elsewhere was a testament to their resilience, passion, and unwavering commitment to their craft. Despite facing challenges along the way, they delivered a show that was both powerful and unforgettable, leaving fans eagerly anticipating their next performance.
Stay tuned for their upcoming album “King Whatever” set to release ahead of this summer!
Setlist: Creature of the Shadows, All I Know, It’s Your Call (Live Debut), I’m Sold (Live Debut), I Feel Fine, War Pigs (Black Sabbath cover), Sucker, Two Steps Ahead, If I Fell (Don’t Wait Here for Me) (Live Debut), Hate Me Too, King Whatever(Live Debut), Same Graves, Don’t Let Go
Osiris Media is adding some more programming to its ever-growing array of musical podcasts. Today marks the debut of The Jam, a new show hosted by music industry and jamband veteran Jonathan Shank. The series will explore the evolution of music through personal conversations and sit-downs with artists, industry icons, and legendary bands.
Produced by critically acclaimed podcast network Osiris Media, The Jam debuts today with its first two episodes— one featuring legendary bassist and producer Randy Jackson and another with Relix editor-in-chief Dean Budnick.
Inspired by other podcasts like Promoter 101 and Questlove Supreme, as well as JEMP Radio, Shank conceived the basis of the show as an outlet for artists and industry stalwarts to tell untold stories, lift up musical heroes, and find the connective tissue between the jam scene and the mainstream. Having worked with everyone from Mickey Hart to Mickey Mouse, he lends an incredibly unique perspective to these free-flowing, unscripted conversations.
Episode One lays the groundwork for the season, and sees best-selling author and Relix editor-in-chief Dean Budnick diving into the evolution of the jam scene. Each episode of The Jam also features exclusive music offerings and will be accompanied by a slice of “toast and jam” pairing. The B-52’s join Particle from the Jammy’s 2002 for an explosive 14-minute “Love Shack” as part of the first episode, which Shank co-produced with Budnick who noted, “I’m psyched. I can’t wait to hear this podcast and what comes next.”
Episode Two features Randy Jackson talking with Shank about his Louisiana roots, epic collaborations, and connection to pop culture – including his appreciation for Phish and guitarist Trey Anasatasio. Additional guests this season will include Robby Krieger (The Doors), Billy Cobham (Miles Davis), Bill Payne (Little Feat), Dave Mason (Traffic), George Porter Jr (The Meters), rock photographer Henry Diltz, Cymande, and The Disco Biscuits.
It’s such an honor and privilege to be joined by so many amazing artists, friends, and fellow travelers. The Jam is a place for people to listen, learn, laugh, and lift up. I’m blown away by the response to the podcast so far and can’t wait for the music lovers around the world to come on this journey with us.”
~ Jonathan Shank
Listen to The Jam here. It can also be found on Apple Podcasts, Spotify and wherever podcasts are available.
Beach-hop artist Cully has a new album out titled Sad Boy Nites. The seven-track album contains many new musical elements as well as his usual, unique sound.
Cully’s music can best be described as beachy, upbeat, bubblegum rap that lifts spirits and ensues relaxation.
Cully was inspired by music from a young age. In elementary school he was freestyling and beatboxing on the playground. Then in high school, he along with two friends formed rap-trio Tribe Style, where they would release song after song on YouTube.
It wasn’t until Cully’s college years at SUNY Oneonta where he’d really get the musical ball rolling. He met MC Righteous, joined Bright Dog Red and began releasing real-deal albums under Ropeadope Records. Shortly after graduation he began working in recording studios as a sound engineer, working for two years under record producer Sean Ono Lennon.Â
Cully’s music combines elements of pop, surf music, hip hop, and indie. Together, his music makes for an upbeat, chillaxed, and unique “beach hop” vibe. The artist loves to implement absurdist and dry humor into his lyrics with a flowing stream of melody behind it. He switches from catchy pop vocals, and a funky rhyme cadence frequently.
His new album, Sad Boy Nites has an overarching theme of a laid-back, uplifting summer. Many of the tunes on the album relate to being a young adult in the current age, trying to enjoy life amidst the daily chaos of the world. Each song has a unique and vibey melody. They also contain different themes of their own like love, relaxation, getting lifted without drugs, and enjoying oneself. This album is one to kick back, chill outdoors, and surround yourself with positivity to.
To lay your ears on some of Cully’s previous tunes, and to stay up on his upcoming releases, visit his YouTube channel or click here.
On the New York City night of February 23, Chelsea Cutler sold out her first ever Radio City Music Hall headline show. Nearly 6,000 New Yorkers wrapped around the Midtown blocks, adorned in Cutler-inspired sneakers, jerseys, and “vintage” Cutler merch. The energy circulating from city to city on “The Beauty Is Everywhere Tour” finally arrived in Manhattan, and it was well-received.
Photograph by Shauna Hilferty
The evening began with an opening performance from the New York City native group, Yoke Lore. Lead singer Adrian Galvin exclaimed how gracious he was to be on stage at “the most beautiful venue.” Galvin and drummer, Rafe Bouchard, warmed up the rapidly filling auditorium with their folk-pop discography. He sang crowd favorites like “Beige,” and “Shake,” and thrashed his limbs in a feral yet simultaneously elegant dance. Yoke Lore also performed one his favorite childhood songs, “Truly Madly Deeply,” which felt like an unveiled sentiment to playing at Radio City.
After Yoke Lore departed, Radio City’s iconic velvet curtains lowered to the stage floor. Behind them, stage crew shadows danced in a fit of productive motion, bringing Chelsea’s stage to life. It wasn’t long before the lights dimmed, hushing everyone’s conversations into a silence of excitement, and the curtains lifted to reveal the massive stage.
Photograph by Shauna Hilferty
White scalloped arches framed a platform with a miniature catwalk where a microphone waited at the end. A drum set, guitar setup, and Chelsea’s signature sound board accessorized the stage. Retro strobe lights at the base of the stage, casting long shadows over the audience while synth swallowed the space, and an intro-audio oding to the beauty in everything carried up to the mezzanine.
At the close of the audio, Chelsea appeared on stage. Her song “Something More” was the perfect opening song, and a great introduction to the yearn and desperation behind her record “Stellaria.”
Stellaria’s production grade is too large to be put in the confines of a single “type” of music. Chelsea really tapped into her personal writing style, and introduced her fans to the story-telling air of folk music. Instrumentally, the record is versatile – it relies on Cutler’s usual mastery of percussion and riffs, while also introducing more twang carrying sounds, and displays a phenomenal usage of synth. Radio City was the perfect venue to hold room for the performance of “Stellaria.”
After her first few songs “I Don’t Feel Alive” and one of her crowd-favorites, “Cold Showers,” Chelsea couldn’t contain her excitement. She stopped to acknowledge how “pretty fucking cool” it was to be playing Radio City. “It’s a Friday night in the city I call home! New York City, how are you doing?” The crowd erupted, charging Cutler’s amped energy.
Cutler spoke casually with the audience, like they were all just chilling together at a party she was hosting. “There are a few important things to talk about. One, I’m a bit of a sneakers girl, but tonight… I’m wearing loafers! Two, my mom just got a hip replacement and she is here tonight!” The crowd applauded Mama Cutler.
Photograph by Shauna Hilferty
On tour in celebration of “Stellaria,” Chelsea Cutler is fortifying her already established fanbase. Having been in the music industry since her college days, Chelsea is ever-evolving as a musician, bridging an experimental gap between genres. The community at the foot of her sound has only grown, as she’s planted her voice in the genres of folk-americana, pop, and continues to water her roots in electronic exploration. Her willingness to try something new grows her listener count album by album.
Cutler’s fanbase is composed of a large listener demographic. Fans of multiple genres, fans of all ages, and fans from the LGBTQ+ community. A Chelsea Cutler show has always been the friendliest and most welcoming environment, and it was heart-warming to see that energy occupying a notorious space like Radio City.
Photograph by Shauna Hilferty
The show rolled into some of Chelsea’s archives from albums “When I Close My Eyes” and “Sleeping With Roses II.” Songs like “Easy” and “AF1s” elicited a surefire singalong from the audience.
Sewn around two of her newer songs dealing with the weight of self-reflection “Hunting Season” and “Growing Up Is Hard,” were two of her older songs “NJ” and “Crazier Things,” two songs written with romantic grief. The parallel lines running beside each other added an intensity to the performance.
Halfway through the setlist, stage crew rolled out a rickety wooden piano and Cutler’s incredibly talented bandmates, drummer Michael Mason and keys player J.T. Becker stepped back to make room for an acoustic set that wrapped with her song “Hotel June.” Acoustic sets deeply favor Cutler’s flutey tonal ability, allowing her range to take up more sonic space.
The lights dimmed and the piano was pulled from the stage to make the transition into a different sector of her sound. When the lights flashed back into motion Cutler reappeared to sing two of her hits “Sad Tonight” and “The Reason.” “The Reason,” from “Sleeping With Roses” is a staple at a Chelsea Cutler concert, with one of the most electrifying instrumental choruses to ever drop.
After a few more tracks, the show closed with one of Chelsea’s most received single releases, “The Lifeboat’s Empty.” The seated structure of Radio City couldn’t contain the fans, as they jumped and pushed into the aisles. It was the perfect send off song, before Chelsea ran backstage.
Overhead, the lights turned on but Chelsea Cutler fans knew better than to assume the show’s over. It wasn’t long before reappeared on stage for an encore. She acoustically performed her most recent song of transcendence, “Your Bones.” The audience took matters into their own hands, singing the chorus as Chelsea sat back in awe.
Photograph by Shauna Hilferty
The evening closed with another track from “Brent,” “This Is How You Fall In Love.” The lyrics felt like an ode to her fans, her tour, and the earned chance to perform at Radio City. As the slow and melodic sound came to an abrupt close, Chelsea’s outro song “Paper Planes” took over the speaker and she exited the stage with the widest smile. The audience collectively sang along as they filed out of the auditorium.
Photograph by Shauna Hilferty
“The Beauty is Everywhere Tour” has been a true display of enjoyment, passionate songwriting, vocal maturity, and Cutler’s self-acceptance as a human being. This record has done great things for listeners and for Chelsea herself, and a sold out Radio City Music Hall is a symbol of that achievement.
The project behind this tour is a display of the cleanse that comes with the discomfort of acceptance. Acceptance of one’s self, acceptance of the mundane, acceptance of the past/present/and future. Acceptance sometimes feels otherworldly, like a transformance. This is what “The Beauty is Everywhere Tour” has been for Cutler – an artistic exploration of the space between one’s existence and their sound.
Worldwide music phenom Donny Osmond is set to play at the Palace Theatre in Albany this summer. Donny will perform his timeless hits along with latest album Start Again. Along with the Palace Theatre July 3, Donny plays in NYC July 12 and Niagara Falls July 13.
The Palace Theatre in Albany has announced Donny Osmond’s return to their main stage this July. Osmond will stop in Albany as a part of his upcoming summer tour. The tour sees two other dates in New York, including NYC and Niagara Falls.
Osmond will showcase his talent and perform tracks from his latest album Start Again. This album marks the artist’s 65th album, a massive career milestone. Along with the latest album, Osmond will perform all-time hits from his catalogue like “Soldier of Love,” “Sacred Emotion” and more.
Donny Osmond headlines his award-winning solo residency at Harrah’s Las Vegas which was voted Best New Show, Best Performer, Best Resident Headliner and Best Production by The Las Vegas Review Journal.
Donny Osmond has notably entertained a vast array of audiences with his varied career choices. He has starred on Broadway as Gaston in Disney’s Beauty and the Beast and hosted multiple Emmy nominated television shows. The critically acclaimed song Captain Li Shang’s “I’ll Make a Man Out of You” from the Disney film Mulan was sung by Donny.
Tickets go on sale Friday, March 8 at 10AM. To purchase tickets to see Donny Osmond at the Palace Theatre, click here.
Music icons Daryl Hall and Elvis Costello & The Imposters have announced that they will be co-headlining a North American summer tour. The tour will make stops at legendary locations including Radio City Music Hall and Bethel Woods Center for the Arts.
Daryl Hall
Daryl Hall is a modern-day Renaissance man who continues to add achievements to his forty-year career. Beyond the stage, with a varied range of artists, “Live from Daryl’s House” sets the caliber for artist-initiated projects. This TV show, along with accomplishments like the Rock and Roll Hall of Fame induction showcases Hall’s lasting influence.
From London to Liverpool, Elvis Costello is a seasoned performer with more than 45 years in the business. His partnerships with musicians like Burt Bacharach and other artists show his wide-ranging musical impact. Taking on stage adaptations and memoirs, Costello definitely leaves a lasting impression on the industry.
Elvis Costello
The fun kicks off on June 2 and stops at Radio City Music Hall in the heart of Manhattan on July 16, and Bethel Woods Center for the Arts on July 20. The tour stops in 22 cities as it travels from the West Coast to the East Coast. Hall said, “It’s fantastic to be able to rekindle a musical relationship.” Costello agrees, making sure every performance has a spectacular start and finish.
Fans are in awe of their skill and legacy as shown by the tour lineup. The artists are ready to take on the summer journey.
For those eager to participate, the general on-sale starts at 10am local time on March 15. Tickets are available at ElvisCostello.com and DarylHall.com.
Daryl Hall And Elvis Costello & The Imposters With Charlie Sexton Tour Dates
Sun Jun 02 – Troutdale, OR – McMenamins Edgefield
Tue Jun 04 – Airway Heights, WA – BECU Live at Northern Quest
Thu Jun 06 – Seattle, WA – Remlinger Farms
Sat Jun 08 – Bend, OR – Hayden Homes Amphitheater
Mon Jun 10 – Saratoga, CA – Mountain Winery
Wed Jun 12 – Lincoln, CA – Thunder Valley Casino
Fri Jun 14 – Santa Barbara, CA – Santa Barbara Bowl
Sun Jun 16 – San Diego, CA – Cal Coast Credit Union Open Air Theatre at SDSU
Tue Jun 18 – Los Angeles, CA – The Greek Theatre
Fri Jun 21 – Rancho Mirage, CA – Agua Caliente Casino
Sun Jun 23 – Las Vegas, NV – Fontainebleau Las Vegas
Thu Jul 04 – Toronto, ON – Budweiser Stage
Sat Jul 06 – Highland Park, IL – Ravinia Festival
Mon Jul 08 – Detroit, MI – Masonic Temple Theatre
Wed Jul 10 – Philadelphia, PA – TD Pavilion at the Mann
Fri Jul 12 – Uncasville, CT – Mohegan Sun Arena
Sun Jul 14 – Boston, MA – MGM Music Hall at Fenway
Tue Jul 16 – New York, NY – Radio City Music Hall
Thu Jul 18 – Holmdel, NJ – PNC Bank Arts Center
Sat Jul 20 – Bethel, NY – Bethel Woods Center for the Arts
Introducing Hipsy Gap, a lively five-piece alternative rock group from the busy streets of Brooklyn. The group today, March 1, releases “Shellshocked”, their new single, taking listeners on a rollercoaster of emotions.
As we enter a new season, Hipsy Gap invites listeners to jump into an adventure that captures the excitement of turning a new leaf. With edgy guitars, ambitious vocals, and a mid-song switch-up leading to dreamy shoegaze bliss.
Besides, “Shellshocked” has just released in the perfect moment. With this single, listeners can feel ready to let go of the weight of winter blues. Fans might want to start a new chapter as we say goodbye to the coldest, least appealing months each year. Further, the song is a metaphor for letting go of the past and welcoming something new and inspiring. It makes sense that the band would end their live performances with this five-minute epic, and leaves the audience wanting more. “Shellshocked” should be felt as much as it should be heard.
The vivid imagery of escaping from a burning building and discovering an unknown ocean gave the song a very powerful narrative. With an unexpected melody change, the song takes you through an uplifting-adrenaline rush type of feeling. Additionally, the melody change complements the emotional shift. The song takes you on a rollercoaster of emotions, moving from urgency to reflection to an empowering ending.
Hipsy Gap’s sound is a combination of pop catchiness and raw energy similar to DIY 90s rock. “Fantasize” and “Uno,” two of their most recent songs make you feel like you might have heard them before, but you can’t quite put your finger on where (or when). Drawn from artists such as Paramore, Slowdive, and The Cranberries, their philosophy of fusing genres is shown by the group’s diversity.
“[Hipsy Gap] captures a lush melancholic spirit full of passionate vocals and a blend of shoegazey production and instrumentals, with a whip-smart chorus that has fragments of 90s power pop songwriting, with a magic feeling of its own”
-Will Oliver, We All Want Someone to Shout For
Hipsy Gap is definitely on the verge of big things with “Shellshocked”. Keep an eye on them as they continue on this path, leaving audiences hungry for more.
