Category: Blues/Jazz

  • 2024 NYC Winter JazzFest Reveals Full Schedule, Artists, Afternoon Talks Series

    NYC Winter JazzFest has announced the complete list of artists to be featured at the 20th annual event, held January 10-18, 2024.

    Founded by New York concert impresario Brice Rosenbloom, NYCWJF has become the definitive all-inclusive jazz event that offers a “state of the union” of jazz and its many stylistic camps from avant-garde to post-bop, jazz-funk, fusion, hypermodern through-composed music and jazz-inflected world music.

    From party bands to ambient electronic groups to the most advanced compositional approaches – audiences sample everything the jazz world has to offer. As a destination event, attendees regularly travel from other states and countries to attend the festival. Many in the industry see it as jazz’s answer to SXSW.

    It is our 20th season. We began in 2005 at the Knitting Factory on Leonard Street with the mission of highlighting music that deserved wider attention while the APAP conference was in town, and that mission remains. Over the years that mission has expanded to focus on artists with meaningful messages, in the desire to serve as a beacon for racial and gender justice, community building and wellness. Especially in these times of divisiveness,, we understand the importance of nurturing community through music.

    founder and producer Brice Rosenbloom.

    The NYCWJF has become a creative home for pathbreaking artists from the local NYC scene and globally, and a pivotal destination for arts leaders and cultural cognoscenti, hardcore fans and new listeners alike. The festival has grown at a rapid pace, from the original one-day single-location program to annual schedules putting as many as 150 groups (over 600 artists) on 20 stages throughout Manhattan and Brooklyn.

    A number artists who have gone on to wide industry acclaim including GRAMMYs, MacArthurs and or other major platforms for their work are among past performers: Jon Batiste, Kamasi Washington, Gregory Porter, Jason Moran, Vijay Iyer, esperanza spalding, Robert Glasper, Gretchen Parlato and more. These artists look back to their early WJF appearances as pivotal in terms of artistic growth and audience growth as well. Participants from our very earliest WJF days performing at this year’s festival include Marc Ribot and Burnt Sugar The Arkestra Chamber.

    Likewise, NYC Winter Jazz Fest will find unique ways to celebrate artists lost who will always be at the root of this music community: Max Roach, Alice Coltrane, Ryuichi Sakamoto, Curtis Fowlkes, Pharoah Sanders, Sun Ra, J Dilla, and Amp Fiddler.

    Artist-in-Residence Shabaka (f.k.a. Shabaka Hutchings)

    Our artist-in-residence this year, saxophonist and multi-reedist Shabaka, will perform in six different configurations over the course of the festival. Shabaka’s work transcends conventional notions of genre and draws from a vast palette of cultural influences. While he’s undeniably a pioneering voice in the renaissance of British jazz, his remit is much broader: he has also performed classical concertos with world-leading orchestras; led several hugely influential bands (Sons of Kemet, The Comet is Coming, Shabaka and the Ancestors) and has recently released a critically lauded solo album, Afrikan Culture, a work of exceptional beauty and urgency, focused around the shakuhachi, an east Asian instrument of which Shabaka is a major exponent.

    In addition to what is sure to be a revelatory (NOW SOLD OUT) January 11 duo set at Dizzy’s Club with the great Joe Lovano (preceded by an intimate chat at Jazz Congress on the “Universality of Jazz”), Shabaka will take part in both of our Marathon nights in ensembles including Jason Moran, Saul Williams, Miguel Atwood-Ferguson and more. He will perform at the January 14 tribute to Black cultural center, The East, (see below) and our Impulse! Records showcase at Le Poisson Rouge (LPR) on January 15 (NOW SOLD OUT).

    Schedule of NYC Winter Jazz Fest Events

    January 10 

    Take Two: Tyshawn Sorey x Max Roach — Members, Don’t Git Weary + Gilles Peterson (SOLD OUT)

    On what would have been the late Max Roach’s 100th birthday, Pique-nique and NYC Winter Jazzfest along with BMI, present composer and MacArthur Fellow Dr. Tyshawn Sorey, who continues the innovative “Take Two” deep listening series. An ongoing series in Brooklyn and elsewhere, Take Two debuted at last year’s festival with an event in memory of Pharoah Sanders. This year Sorey devotes his attention to Max Roach’s 1968 Atlantic Records classic Members, Don’t Git Weary, which featured a new generation of future heavyweights: Gary Bartz, Charles Tolliver, Stanley Cowell, Jymie Merritt and Andy Bey. Tolliver and Cowell would go on to form the seminal Strata-East label and in many ways this record embodies the template of that sound. 

    The evening will consist of an uninterrupted playback of the 1968 album followed by Sorey and his ensemble making it their own, reacting to what they heard, feeding off audience energy and a shared listening experience. His ensemble includes highly acclaimed young musicians including trumpeter Adam O’Farrill, saxophonist Mark Shim, pianist Sullivan Fortner and bassist Matt Brewer, plus guest vocalist Fay Victor. The artists will connect the dots between record culture and live music culture. BBC Host and musical impresario Gilles Peterson will serve as master of ceremonies and also DJ a late-night set after the performance.

    January 11

    Winter Jazzfest x Jazz Congress

    Jazz at Lincoln Center produces Jazz Congress, an annual conference designed to bring together artists, media and industry leaders in the global jazz community to exchange ideas in order to nurture and grow the jazz community and the underlying business and organizations that promote, produce, present, market and support the music. The conference was co-produced in association with JazzTimes from 2018 to 2021. After a hiatus in 2022 and 2023, Jazz Congress returns as a one-day event on January 11, 2024. In 2024, Jazz Congress will collaborate with Winter Jazzfest in honor of its 20th anniversary. This will include a NYC Winter Jazzfest 20th Anniversary Panel titled “Universality of Jazz” featuring British multi-instrumentalist and 2024 WJF Artist-in-Residence Shabaka, bassist, composer and vocalist esperanza spalding, and South African pianist and composer Nduduzo Makhatini. The evening concert by Joe Lovano and Shabaka is now SOLD OUT.

    January 12 & 13

    Winter Jazzfest Manhattan & Brooklyn Marathons

    Our epic WJF Marathons will once again unfold across two nights (January 12 & 13), at eight Manhattan venues followed by eight more in Brooklyn the following night. Manhattan Marathon highlights include The Jazz Passengers Remember Curtis Fowlkes (Jan. 12), Marc Ribot’s 70th Birthday celebration (Jan. 12), and a Candid Records showcase (Jan. 12) that will include Terri Lyne Carrington + Social Science plus new label signings Zaccha’eus Paul, Morgan Guerin and Milena Casado, hosted by Carrington.

    January 12 & 13

    Winter Jazzfest Manhattan & Brooklyn Marathons

    Our epic WJF Marathons will once again unfold across two nights (January 12 & 13), at eight Manhattan venues followed by eight more in Brooklyn the following night. Manhattan Marathon highlights include The Jazz Passengers Remember Curtis Fowlkes (Jan. 12), Marc Ribot’s 70th Birthday celebration (Jan. 12), and a Candid Records showcase (Jan. 12) that will include Terri Lyne Carrington + Social Science plus new label signings Zaccha’eus Paul, Morgan Guerin and Milena Casado, hosted by Carrington.

    For the first time, NYC Winter Jazzfest will partner with Philadelphia-based presenter Ars Nova Workshop for a showcase of Philadelphia artists at Nublu (Jan. 12); TSFJAZZ/Paris Jazz Club host their annual French jazz artists showcase (Jan. 12), a sunset performance with Laraaji (Jan. 13), Next Jazz Legacy ensemble performs to open the night at City Winery (Jan. 12), keyboardist and producer Ray Angry hosts a stage curated by Future X Sounds (Jan. 13); Joshua Abrams and Tisziji Muñoz Curate “The Harvest Time Project,” a series of ever-evolving live iterations of Pharoah Sanders’ 1977 record Pharoah with a rotating cast of special guests each night (both marathon nights) with different guests including James Brandon Lewis, Chad Taylor, Surya Botofasina, Carlos Niño, Nate Mercereau, Irreversible Entanglements and special guests; a Jazz Passengers tribute to late trombone great Curtis Fowlkes; Ray Angry and J.Period host a 50th Birthday tribute to J. DIlla and remembering Amp Fiddler; three 70th birthday sets from Marc Ribot and much more.

    January 14 

    A Night at The East (Crown Hill Theatre)

    Curated by author and music journalist Marcus J. Moore and NYCWJF’s Brice Rosenbloom, an all-star lineup including Billy Hart and Gary Bartz alongside David Murray, Ahmed Abdullah, Charles Burnham, Nicole Mitchell, Moor Mother, Shabaka, Luke Stewart, Julius Rodriguez, Elucid and Kweku Sumbry will pay tribute to this all-but-forgotten Brooklyn landmark, where hundreds of shows self-produced by Black artists took place in Central Brooklyn from 1969-1975.

    January 15

    Impulse! Records Showcase at LPR (SOLD OUT)

    Impulse! Records is proud to present today’s most groundbreaking jazz stars with an evening headlined by Shabaka, debuting material from his upcoming solo album with guests esperanza spalding and more. Trailblazing jazz harpist Brandee Younger will honor the music of Alice Coltrane. Liberation-oriented free jazz collective Irreversible Entanglements will perform; plus instrumental power-trio The Messthetics (former Fugazi members Joe Lally and Brendan Canty with unclassifiable guitar wonder Anthony Pirog) with keeper of the avant flame James Brandon Lewis and harpist Brandee Younger.

    January 16

    My Words Are Music: A Celebration of Sun Ra’s Poetry (Nublu)

    Sun Ra is better known to most as a musician than a poet, but he identified equally as both. This evening provides direct access to the sentiments of a poet who never called Earth home. Featuring recitations of Sun Ra’s poems and original works by the participating artists, this spoken word event will immerse the listener in the rhythms of celestial verses, hosted by poet, activist and educator Mahogany L. Browne with music by poet and educator Jive Poetic. Special guests include Carl Hancock Rux, Moor Mother and Abiodun Oyewole.

    January 17

    Celebrating Ryuichi Sakamoto (Roulette)

    Join us in celebration of Ryuichi Sakamoto’s musical legacy as New York’s finest musicians come together for a tribute concert on January 17, marking what would have been his 72nd birthday. From the revolutionary Thousand Knives to the iconic sounds of the Yellow Magic Orchestra and the Oscar-winning film scores, the Sakamoto Tribute Ensemble (led by violinist Meg Okura and cellist Rubin Kodheli) will interpret his enduring compositions with the utmost reverence. The special guests, Sakamoto’s friends and collaborators including DJ Spooky, Yuka C. Honda and others will share their words and music in a heartfelt tribute.

    January 18

    MONONEON & Friends (Brooklyn Steel)

    Closing out NYCWJF 2024 will be Mononeon and Friends at Brooklyn Steel. The outrageously clad master of the electric bass will have on hand Knower, Georgia Anne Muldrow, Hannibal Buress, Tivon Pennicott, David Fiuczynski and more for a night to remember. This event is supported by Memphis Tourism.

    Danish musician Mikkel Hess brings his roving global collective Hess Is More to National Sawdust, in the groundbreaking experiential program Apollonian Blackout.

    JAZZ TALKS AFTERNOON SERIES

    As in past years, NYCWJF 2024 will program a series of Jazz Talks. These panel discussions spark intellectual reflection and provide the public with a wider context for understanding all that goes on in the artistic lives of our performers.

    Thursday, January 11, 2:30 PM 

    The Universality of Jazz 

    With panelists Shabaka, Nduduzo Makhathini, esperanza spalding and moderator Mike Bindraban 

    After over 100 years, the music we call jazz is still thriving, expanding, and influencing music and culture globally. In a dynamic conversation with three artists from around the world and across the diaspora of Black American Music—Shabaka who hails from Barbados and London, esperanza spalding from the United States, Nduduzo Makhathini from South Africa, along with moderator Mike Bindraban from The Netherlands—we will explore the universality of this music, examining past perspectives and imagining broader paths forward.

    Jazz At Lincoln Center, The Appel Room 

    This conversation is included as part of Jazz Congress, registration required 

    Saturday, January 13, 2:00 PM

    Power to the Artists! Reimagining the Music Industry with Blockchain Tech

    With panelists Mark de Clive-Lowe, Pozibelle and Gavin Wong, and moderator Simon Rentner

    The music industry is broken and needs immediate resuscitation, and this is especially true for independent artists. Web3—the next, decentralized iteration of the Internet—has the potential to ease these pains by creating low-effort revenue streams for artists. Pianist and live electronics wizard Mark de Clive-Lowe (Everwave.xyz), DJ and Producer Pozibelle, and content creator and entrepreneur Gavin Wong (Sidechainme.com) will share case examples of Web3 working for the artists, such as perpetual royalties and revenue sharing. They’ll also share some of the pitfalls of Web3 and answer your questions. This is a conversation geared toward fans, consumers, and industry-folk alike who all dream of a better world for artists, especially the ones navigating niche cultures like jazz. As Bird might say, “Now’s The Time” for the artist to control their own brands and take action.

    Moxy Williamsburg, The Garden Room

    Saturday, January 13, 4:00 PM

    Live At The East: The Meaningful Music of a Brooklyn Community

    With panelists Basir Mchawi, Ahmed Abdullah and Fela Barclift

    Beginning in the late 1960s, The East served as a Pan-African cultural organization founded by teenagers and young adults in Bedford-Stuyvesant, Brooklyn. The East taught lessons to Black children that they wouldn’t get in public schools: a full and robust education that centered Africa and the Caribbean. The East was also a hotbed of a thriving Brooklyn jazz scene that hosted the likes of Pharoah Sanders, Max Roach, Betty Carter, Sonny Rollins, Juju, Gil Scott-Heron and many more. Fortunately, some of those sessions are captured on Juju’s 1973 album Live at the East, which has come to mean something special. It means the work on said album is vigorous, a rightful celebration of Black Classical Music. In a special panel discussion, held in conjunction with a one-time-only performance of the music of The East the following night, we delve into the venue’s musical impact on Bed-Stuy and Brooklyn as a whole.

    Moxy Williamsburg, The Garden Room

    In addition, on January 4, prior to the official start of NYC Winter Jazzfest, we are proud to present a screening of The Sun Rises in the East at Nitehawk Cinema Williamsburg — the first feature-length documentary to explore the inspiring story of The East and the people behind it. The screening will be followed by a panel discussion.

    Saturday, January 13, 6:00 PM

    The Art Of Being A Multi-Hyphenate

    With panelists Jashima Wadehra, Shelly Hartman, Trishes and Queen Esther 

    Presented with Keychange U.S

    Confirmed performers:

    Abiodun Oyewole (The Last Poets)

    Alex Zhang Hungtai, Che Chen, Leo Chang

    Alexis Lombre

    Alissia

    Allysha Joy

    Angelika Niescier, Tomeka Reid, Savannah Harris

    Anna Webber “Shimmer Wince”

    Anthony Tidd’s Sanity with Ursula Rucker

    Bark Culture

    Billy Hart

    Black Buttafly

    Brandee Younger Trio

    Burnt Sugar The Arkestra Chamber

    Carl Hancock Rux

    Carlos Niño

    Caroline Davis’ Alula

    Charles Burnham

    Christie Dashiell

    Cisco Swank

    Cyro Baptista

    Elsa Nilssen

    Elucid

    esperanza spalding

    Gary Bartz

    Genevieve Artadi Trio ft. Louis, Cole, Pedro Martins, Isis Geraldo

    Georgia Anne Muldrow

    Ghost-Note

    Gilles Peterson

    Guy Mintus

    Hannibal Buress

    Hess Is More

    Immanuel Wilkins

    Irreversible Entanglements

    Jason Lindner

    Jason Moran

    Joe Lovano

    Joel Ross

    José James Presents 1978

    Joshua Abrams

    Julius Rodriguez

    Kalia Vandever

    Karl Denson Project

    Knower

    Kweku Sumbry

    Laraaji

    Little Big w/ Aaron Parks, Greg Tuohey, DJ Ginyard & JK Kim

    Luke Stewart

    Mahogany L. Browne & Jive Poetic

    Marc Ribot Celebration (3 groups)

    Marshall Allen’s Ghost Horizons

    Mary Halvorson & Thomas Fujiwara

    Matana Roberts

    Melanie Charles Trio w/ Endea Owens and Savannah Harris

    Micah Thomas Trio

    Miguel Atwood Ferguson

    Milena Casado

    MonoNeon

    Moor Mother

    Morgan Guerin

    Natalie Greffel

    Natural Information Society

    Nduduzo Makhathini

    Next Jazz Legacy

    Nicole Mitchell

    Oran Etkin

    Queen Esther

    Rafiq Bhatia with Chris Pattishall

    Ray Angry

    Rich Medina

    Rogê

    Roy Nathanson’s “82 Days”

    Samora Pinderhughes

    Saul Williams

    Shabaka (Artist-in-Residence)

    Simon Moullier

    Terri Lyne Carrington + Social Science

    The Harvest Time Project: A Tribute to Pharoah Sanders
    w/ Tisziji Muñoz, Joshua Abrams

    The Jazz Passengers

    The Messthetics with James Brandon Lewis

    Tineke Postma Aria Group

    Tisziji Muñoz

    Tobias Meinhart

    Tyshawn Sorey

    Zacchae’us Paul

    Zoh Amba, Shahzad Ismaily, Jim White, Steve Gunn

  • San Juan Heal: The Evolution of Lincoln Center and Its Troubled History

    Lincoln Center for the Performing Arts occupies a three-block area of the Upper West Side of Manhattan, bordered by Amsterdam and Columbus Avenues to its sides, and 62nd and 65th Streets at its top and bottom. 80 years ago, this area had a different name: San Juan Hill.

    San Juan Hill
    Phipps Houses, 235-247 West 63rd Street. Wurts Bros, 1944 – Museum of the City of New York

    San Juan Hill was a vibrant, predominantly Black community in Manhattan, inhabited by over 7,000 families and 800 business who were later displaced by “urban renewal” efforts. These efforts, led by the infamous Robert Moses, targeted San Juan Hill as a slum to be cleared, citing loosely hidden racial prejudices angled to improve the city’s appeal to middle-class white Americans.

    Up until its destruction, San Juan Hill was a thriving Black neighborhood with great pride. The neighborhood is cited as the birthplace of Bebop music and The Charleston. Notable residents included pianists Thelonius Monk and James P. Johnson, as well as Arctic explorer Barbara Hillary, the first Black woman to reach the North and South Poles. 

    Robert Moses spearheaded numerous programs similar to slum clearance. He served as the Secretary of State of New York from 1927-1929, and despite never being elected to an office, he is regarded as one of the most influential figures in the history of New York City. When FDR’s New Deal freed up millions of dollars for infrastructure projects, Moses planned out systems of parks, swimming pools, expressways, and bridges across New York City, many of which still stand today.

    In addition to these efforts to expand New York’s community spaces, Moses began the slum clearance projects, based on the idea of eradicating what he viewed as “blight.” He served as Chairman of the Committee on Slum Clearance in New York City, and used the precedent of eminent domain to seize San Juan Hill and declare it an unlivable slum. The neighborhood was flattened, and the City of New York broke ground on May 14, 1959 to begin the construction of Lincoln Center for the Performing Arts.

    San Juan Hill
    President Eisenhower Breaking Ground at Lincoln Center
    Bob Serating, 05-14-1959

    When Lincoln Center was built, the poignant Opera House that faces Columbus Avenue was built with its back to the Amsterdam Houses, a public housing development on a neighboring block to its west. Musician Etienne Charles, in conversation with NPR, pointed this out. “You can make huge statements with architecture. It’s body language with bricks.”

    As it stands today, Lincoln Center hosts the country’s highest caliber of performing arts, including the New York Ballet, New York Philharmonic, and the Metropolitan Opera. Nevertheless, as it continues to celebrate that excellence, the development stands as a reminder of the thriving neighborhood that once existed on those blocks. 

    Today, on West 65th Street, a 150-foot mural spans the side of David Geffen Hall, commemorating San Juan Hill, the artistry that was born there, and the people who were ultimately displaced by the construction of Lincoln Center. Created by Nina Chanel Abney, the mural was commissioned by Lincoln Center alongside The Studio Museum in Harlem and Public Art Fund. 

    San Juan Hill lincoln center
    Photo Credit: Nicholas Knight

    The abstract, colorful work centers words such as “homage,” “honor,” and “culture,” a commemoration of San Juan Hill that reminds passersby of the rich history that stood on the ground now occupied by Lincoln Center. The title of the work – San Juan Heal

    In addition to installations like San Juan Heal, Lincoln Center is taking initiative to create an inclusive and relaxed atmosphere for the community. Henry Timms was appointed as President and CEO of Lincoln Center in 2019. Under his leadership, the organization began summer programs like Summer For The City, and expanded the repertoire and diversity of music and art performed at the Lincoln Center venues.

    Timms began the Summer For The City festival in 2022, aiming to help “loosen up” the performing arts center. For much of the summer during the inaugural celebration, its regal campus was covered in turf carpeting, eclectic seating options, and in 2023, a sea of pink plastic flamingos.

    After years of exclusivity, it is safe to say that Lincoln Center is beginning to loosen up and turn away from the stuffy elitism that infused the highest-brow of American performing arts. 

    lincoln center
    Photo Credit: Chris Lee

    The original Lincoln Center festival was discontinued before Timms arrived on scene, citing quality over quantity of programming. This also came with the scrapping of a diverse selection of performances coming from all around the world, showcased each summer at Lincoln Center. 

    In the years after, the team decided to focus on the Mostly Mozart Festival, an annual summer selection of performances by orchestras from across the country. In 2023, the festival was led by Jonathon Heyward, the first Black music director of the Baltimore Symphony Orchestra and the youngest music director of any major orchestra in the United States.

    Lincoln Center began in direct opposition to the Black communities it flattened in order to be built. For years, it stood for the elite, the exclusive, and predominantly, the white. To casual passersby, the mural remembering San Juan Hill by the organization that facilitating the neighborhood’s demise gives due pause to the integrity of the installation. However, as the organization begins to reflect on this troubled history and implement changes and programming to address it, reconciliations are slowly making way. 

    Journeying back to San Juan Hill evokes a rich history somewhat forgotten by the upscale neighborhood of Lincoln Square. Looking back once again, the native Lenape people of the region also have claim to the area. In realizing a community once neglected, another is regrettably pushed to the side, but as Lincoln Center begins to grapple with the colonizing history it stands for, the native people of Manahatta still await.