Category: Blues/Jazz

  • Alice Coltrane’s Spirited 1971 Performance at Carnegie Hall to Be Released

    In 1971, harpist/pianist Alice Coltrane performed at Carnegie Hall for a special gala benefiting the Integral Yoga Institute. Backed by an all-star group of musicians, Coltrane delivered a captivating set which will now be available in its entirety for the very first time.

    Alice Coltrane Carnegie Hall

    On March 22, Alice Coltrane – The Carnegie Hall Concert (Impulse!), will finally bring the complete document of Coltrane’s Carnegie Hall performance to fans worldwide.

    Held four years after John Coltrane’s untimely passing and recorded by Impulse!, this deeply spiritual performance marked Alice’s first as a leader at Carnegie Hall.  The concert arrived at a pivotal moment in both Coltrane’s musical career and her spiritual journey. She had just released her fourth solo album, the universally acclaimed Journey in Satchidananda, and had deepened her spiritual quest over a five-week trip to India. Her band that night added two members from her teacher/guru Satchidananda’s circle — Kumar Kramer and Tulsi Reynolds, playing harmonium and tamboura, respectively. They provided a distinctly Eastern flavor to a large jazz ensemble largely comprised of collaborators with her late great husband, sax giant John Coltrane. The group included legendary saxophonists Pharoah Sanders and Archie Shepp, bassists Jimmy Garrison and Cecil McBee and drummers Ed Blackwell and Clifford Jarvis

    Coltrane’s set began with two transcendental tunes from the recently-released Journey in Satchidananda, the title track and “Shiva-Loka.”

    The live version of the title tune is the perfect scene setter. It begins with a hypnotic riff by the bass duo of Garrison and McBee, followed by celestial waves of harmonic washes from Coltrane’s harp.  Sanders follows with a wonderful flute solo, with hummed and vocalized harmony, before Shepp brings it home with a bluesy, chromatic excursion on his piercing soprano sax. “Shiva-Loka” is another one chord modal romp which gets deeper with each passing minute.. It is underpinned by a repetitive riff which seems a tribute/lift to/from John Coltrane’s “Equinox.”  Alice’s harp casts a heavenly backdrop for a skronking sax solo by Sanders and then a thunderous drum duet. 

    The remaining two tracks, “Africa” and “Leo,” are covers of latter-day classics by her husband John.  For these long journeys, Alice is at the piano providing chordal colors and the occasional solos. “Africa” stretches out to 27+ minutes, with another explosive drum duet, bass solos and plenty of frenzied soloing by Sanders and Shepp in the Trane tradition– a sound that closely captures what John and his crew were conjuring on latter-day recordings like “Live in Japan.”

    This year Impulse! and Verve Label Group have partnered with The John & Alice Coltrane Home to launch the “Year of Alice,” a year-long celebration of Alice Coltrane’s profound work.  At the center of the celebration are Coltrane’s groundbreaking recordings for Impulse!, and the label will be working in tandem with The John & Alice Coltrane Home for varied activations throughout the year. To kick off the year-long celebration, there will be special night of performers and speakers that include Ravi ColtraneMichelle ColtraneBrandee Younger and more at the legendary Birdland on February 22.

    To learn more, visit ververecords.com

    Pre-order the album HERE.

  • Marcus King Announces Tour, 6 Stops in NYS, New Studio Album, “Mood Swings”

    Blues musician Marcus King has announced the release of his new album titled, Mood Swings releasing April 5. Along with the album, Marcus King plans to tour throughout North America and Europe starting March 7. The tour will kick off at Love Rocks NYC and feature 6 dates in New York State.

    New album Mood Swings will feature 11 tracks and will be showcased during the upcoming tour. The album was produced by legendary producer Rick Rubin who says the singing and guitar playing on the album are “from another planet.”

    Marcus King is known for his electro drum stomp, his richly soul vocals, and his bluesy, jazzy guitar playing. His new album, however, takes his audience down a new path of sound. King combines elements as diverse as modern pop, R&B, aughts hip hop, piano driven classic rock and the warm production and symphonic instrumentation of classic era soul, R&B and jazz.

    The tour will feature six dates in NY including, Manhattan for the Love Rocks NYC benefit, Port Chester, Syracuse, Darien Lake, Albany, and Brooklyn.

    Marcus King Mood Swings Tour Dates

    March 7, 2024 – Love Rocks NYC – New York, NY

    March 9, 2024 – The Capitol Theatre – Port Chester, NY

    April 6, 2024 – U.S. Bank Stadium – Minneapolis, MN w/ Chris Stapleton

    April 13, 2024 – 10 Annual Major Rager – Augusta, GA

    April 19, 2024 – Moon Crush “Pink Moon” Festival – Miramar Beach, FL

    May 06, 2024 – The Moore Theater – Seattle, WA

    May 07, 2024 – Crystal Ballroom – Portland, OR

    May 08, 2024 – Crystal Ballroom – Portland, OR

    May 10, 2024 – The Masonic – San Francisco, CA

    May 11, 2024 – Grand Sierra Ballroom – Reno, NV

    May 14, 2024 – The Wiltern – Los Angeles, CA

    May 15, 2024 – The Van Buren – Phoenix, AZ

    May 17, 2024 – The Complex – Salt Lake City, UT

    May 18, 2024 – Fillmore Auditorium – Denver, CO

    May 22, 2024 – The Monument – Rapid City, SD w/ Chris Stapleton

    May 24, 2024 – Denny Sanford PREMIER Center – Sioux Falls, SD w/ Chris Stapleton

    May 25, 2024 – Harrah’s Stir Cove – Council Bluffs, IA

    May 26, 2024 – EPIC Event Center – Green Bay, WI*

    May 29, 2024 – The Pageant – St Louis, MO

    May 30, 2024 – GLC Live at 20 Monroe – Grand Rapids, MI

    May 31, 2024 – Blossom Music Center – Cleveland OH w/ Chris Stapleton

    June 01, 2024 – Railbird Festival – Lexington, KY

    June 02, 2024 – Salt Shed – Chicago, IL

    June 04, 2024 – College Street Music Hall – New Haven, CT*

    June 06, 2024 – Freedom Mortgage Pavilion – Philadelphia, PA w/ Chris Stapleton

    June 07, 2024 – Jiffy Lube Live – Bristow, VA w/ Chris Stapleton

    June 08, 2024 – Landmark Theatre – Syracuse, NY

    June 10, 2024 – Ruby Amphitheater – Morgantown, WV*

    June 12, 2024 – T-Mobile Center – Kansas City, MO w/ Chris Stapleton

    June 13, 2024 – Thunder Ridge Nature Arena – Ridgefield, MO w/ Chris Stapleton

    June 14, 2024 – The Criterion – Oklahoma City, OK

    June 15, 2024 – Globe Life Field – Arlington, TX w/ Chris Stapleton

    July 11, 2024 – Darien Lake Amphitheater – Darien Center, NY w/ Chris Stapleton

    July 12, 2024 – The Pavilion at Star Lake – Pittsburgh, PA w/ Chris Stapleton

    July 13, 2024 – Palace Theatre – Albany, NY

    July 16, 2024 – Egyptian Room – Indianapolis, IN

    July 18, 2024 – Huntington Center – Toledo, OH w/ Chris Stapleton

    July 19, 2024 – Schottenstein Center – Columbus, OH w/ Chris Stapleton

    July 20, 2024 – The Fillmore Detroit – Detroit, MI

    September 04, 2024 – Orpheum – Vancouver, BC

    September 06, 2024 – Grey Eagle Event Center – Calgary, AB

    September 07, 2024 – Midway Music Hall – Edmonton, AB

    September 09, 2024 – Burton Cummings Theatre – Winnipeg, MB

    September 13, 2024 – Massey Hall – Toronto, ON

    September 14, 2024 – London Music Hall – London, ON

    September 17, 2024 – Kemba Live! – Columbus, OH

    September 19, 2024 – Warner Theatre – Washington, D.C.

    September 20, 2024 – Warner Theatre – Washington, D.C.

    September 21, 2024 – The Ritz – Raleigh, NC

    September 24, 2024 – Avondale Brewing – Birmingham, AL

    September 26, 2024 – Riverside Theater – Milwaukee, WI

    September 28, 2024 – The Sylvee, Madison, WI

    September 29, 2024 – Vibrant Music Hall – Des Moines, IA

    October 07, 2024 – Roxian Theatre – McKees Rock, PA

    October 09, 2024 – State Theatre – Portland, ME

    October 11, 2024 – House of Blues Boston – Boston, MA

    October 12, 2024 – The Fillmore – Philadelphia, PA

    October 13, 2024 – Brooklyn Paramount – Brooklyn, NY

    October 17, 2024 – La Riviera – Madrid, Spain

    October 18, 2024 – Sala Apolo – Barcelona, Spain

    October 20, 2024 – Fabrique Milano – Milan, Italy

    October 21, 2024 – Komplex 457 – Zurich, Switzerland

    October 23, 2024 – Le Transbordeur – Lyon, France

    October 25, 2024 – Essigfabrik – Cologne, Germany

    October 27, 2024 – Markthalle – Hamburg, Germany

    October 28, 2024 – De Roma – Antwerp, Belgium

    October 29, 2024 – AFAS Live – Amsterdam, Netherlands

    October 31, 2024 – Metropol – Berlin, Germany

    November 01, 2024 – The Grey Hall – Copenhagen, Denmark

    November 03, 2024 – Bataclan – Paris, France

    November 05, 2024 – Eventim Apollo – London, UK

    November 06, 2024 – Albert Hall – Manchester, UK

    November 07, 2024 – Barrowland Ballroom – Glasgow, UK

    November 09, 2024 – O2 Institute – Birmingham, UK

    November 10, 2024 – The Great Hall – Cardiff, UK

    November 12, 2024 – Olympia – Dublin, Ireland

    Tickets for Marcus King’s North America dates will be available starting with Citi presale beginning on Monday, February 12. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, February 16 at 10 am at LiveNation.com. 

    For More information on Marcus King or his upcoming tour, click here.

  • How New York City Shaped “Rhapsody in Blue,” 100 years later

    Even if they can’t name the tune, most people will recognize the iconic clarinet intro of the famed composition, “Rhapsody in Blue,” by George Gershwin. That song, now a timeless masterpiece, made its debut 100 years ago on February 14, 1924. The origins of the song are as wild a ride as the composition itself; and almost all of it traces back to the influence of New York City.

    Rhapsody in Blue George Gershwin 100
    Composer George Gershwin (1925) – Photo from Encyclopedia Britannica

    It was in Brooklyn, New York, that George Gershwin was born in the late 1800s, as Jacob Gershwin, a son of Russian Jewish Immigrants. From an early age he exhibited fantastic musical abilities on the piano and was tutored by the notable Charles Hambitzer, who saw greatness in Gershwin.

    At age 15, Gershwin dropped out of school and began playing piano in various nightclubs around New York City. It was in Tin Pan Alley that Gershwin worked as a song-plugger and honed his craft. And it was on Broadway that Gershwin worked as pianist for rehearsals and performances of theater productions. Both experiences stirred Gershwin’s penchant for jazz and popular music. In 1916, he released his first published song “When You Want ’Em You Can’t Get ’Em (When You’ve Got ’Em You Don’t Want ’Em)”

    In the following years, Gershwin’s work was commissioned by broadway composers and performed by popular singers and entertainers. His song “Swanee” (1919) was performed Al Jolson in the musical Sinbad and went on to sell more than two million recordings and a million copies of sheet music.

    The start of Rhapsody in Blue began in the years 1920-1924. Gershwin, composed for an annual production put on by musician Paul White. In 1922, Gershwin pushed to have a one-act opera titled “Blue Monday.” The reception was lackluster in a time period where Jazz was not accepted by the mainstream. Still, the bandleader Paul Whiteman, (who like Gershwin, wanted to see jazz gain respectability) later decided to commission Gershwin to write a jazz piece for a concert in 1923. 

    As the story goes, Gershwin completely forgot about the show until he read about it in the paper, only a few weeks before the concert date. It was in this mad scramble that he created the faed, “Rhapsody in Blue.” Once again, the soundscape of New York would have its hands in this composition.

    Gershwin later recalled that it was on a train from New York to Boston that he was hit with the inspiration for the song.

    “It was on a train…that I suddenly heard–and even saw on paper–the complete construction of the Rhapsody in Blue, from beginning to end. I heard it as a sort of musical kaleidoscope of America–of our vast melting pot, of our unduplicated national pep, of our metropolitan madness. By the time I reached Boston, I had a definite plot of the piece, as distinguished from its actual substance.” 

    When the piece made its debut it was slightly different from what would appear in the published recording which came after the fact . While the band’s parts were ready in time for the show, Gershwin reportedly improvised much of the piano solo which existed only in his mind. The show was performed at the Aeolian Hall in New York City on February 14th, 1924. Composer Ferde Grofé completed a score for piano and full symphony orchestra in 1926.

    In later years, Gershwin would go on to compose hits such as “Embraceable You” and the Broadway adaptation of Porgy and Bess. Gershwin died in 1937 while undergoing surgery to remove a brain tumor. While he was only 38, Gershwin made an indelible impact on jazz compositions and music as a whole.

    In a final nod to the big apple, “Rhapsody in Blue” reached new heights when Woody Allen introduced the composition to a new generation in his 1979 film titled Manhattan – 42 years after Gershwin’s death.

  • Five Can’t Miss Jazz Shows in Rochester This February

    Rochester is a jazz lover’s dream come late June during the Rochester International Jazz Fest. But in the last few years the options over the remainder of the year have been getting better and better. This February there is a solid slate of great jazz coming to Rochester, so much so that even narrowing it down to just five was a difficult task. So get out there and support some world-class improvised music this month.

    February 1: Joshua Redman Group @ Hochstein Performing Arts

    Live! is bringing reedman Joshua Redman and his group, featuring vocalist Gabrielle Cavassa, to beautiful auditorium at the Hochstein School of Music. They’ll be supporting their latest excellent release, where are we. On this night they’ll be in Rochester of course, but the material travels all over the country: Chicago, New Orleans, Baltimore, Manhattan, Alabama… So come get phonically geographical, no better way to start off the month.

    Tickets range from $41.46 to $69.85 and the music gets started at 8pm. There will also be a cocktail hour in the chapel from 630-730pm.

    February 12: Ethnic Heritage Ensemble @ Lovin Cup

    This isn’t the first time this space has recommended Kahil El’ Zabar and his Ethnic Heritage Ensemble and it probably won’t’ be the last. Rochester is lucky that this group makes frequent visits to our town, and you should be taking full advantage. They come celebrating their 50th anniversary and in advance of their new album, Open Me, A Higher Consciousness of Sound and Spirit, out in March. Take a spiritual journey and be deeply moved by music like few artists can provide.

    Tickets are $25/$30dos and the show starts at 730pm.

    February 23: Mostly Other People Do the Killing @ Bop Shop Records

    Another returner to Bop Shop Records, Mostly Other People Do the Killing are another group you can’t pass up anytime they are back. Now a trio, this NYC-based band led by bassist Moppa Elliott are a creative animal of their own making, playing by their own rules. Electronics are infused into a mostly acoustic affair, providing surprises around most turns.

    Tickets are $20 and the show starts at 8pm.

    February 28: Brass Machine @ Lovin Cup

    The Brass Machine, from nearby Buffalo, brings the New Orleans party vibes for a little early Mardi Gras celebration. But this isn’t going to be your ordinary brass band show, this is a special “Busted on Bourbon Street”, two-set all Grateful Dead tribute show. The Dead has been covered every which way, so why not brassed up?

    Tickets are $10 and music gets going at 7pm.

    February 29: Harold Danko @ Kilbourn Hall

    It’s a leap year so we get an extra day in February, might as well fill it up with some more live music. Jazz pianist, composer, and professor emeritus of jazz studies and contemporary media at the Eastman School of Music Harold Danko plays a special leap year show every February 29th, so this is your only chance to see this show for another four years! This is a tradition that has been going for 44 years, but there’s no better time to get involved then now. A great opportunity to witness the world-class talent we have right here in our own backyard.

    This show is free and will start at 7:30pm.

  • CNY Jazz to Celebrate Black History Month with Endea Owens in Syracuse

    CNY Jazz will bring the 2024 Black History Month Cabaret to Syracuse on February 25, featuring Endea Owens.

    The celebration will include performances from emerging jazz artist Endea Owens who will perform with The Cookout, her six-piece band.

    As a philanthropist and Juilliard graduate, Endea Owens founded the Community Cookout, a non-profit that provides meals and music to underserved neighborhoods in New York City. She has composed for the Jazz at Lincoln Center Orchestra and the Cincinnati Orchestra. Apart from her performing every weeknight as a member of Stephen Colbert’s Late Show Band, she is also a  “Jazz is Now!” fellow of the National Jazz Museum in Harlem as a presenter, curator, and performer. The singer has a true passion for and teaching, her work has appeared on Jon Batiste’s GRAMMY-winning album We Are and the Oscar-nominated film Judas and the Black Messiah, and H.E.R’s widely acclaimed Super Bowl LV performance.

    This event/celebration will also include an honoring of the Pioneer Public Service Award to the New York State Senate President and Majority Leader Andrea Stewart-Cousins. The concert performances will be held at 4 p.m. at the Finger Lakes Ballroom of the Marriot in Downtown Syracuse.

    Established in 1988, the CNY Jazz Central provides different scholastic and public jazz programs throughout Upstate New York. Their annual performances are more than 150 in total and their growing list of programs and concerts includes the Jazz Cabaret Series, the Northeast Jazz & Wine Festival, the Jazz in the City Public Health Concert Series, the Jazz Vespers Series, the SummerJazz Workshop, the Jazz at the Fair, the Black History Month Cabaret, and more year-round activities in the Jazz Central theater, art-in-education concerts in schools across the region, and more.

    The concert will be held at the Finger Lakes Ballroom in Marriott Syracuse Downtown on February 25. Tickets are available here.  

  • JazzBuffalo Unveils Winners of 9th Annual Readers Poll

    JazzBuffalo has revealed the results of its 9th Annual Readers Poll. More than 1700 ballots were submitted across 36 categories, giving Western New York’s jazz enthusiasts, audiences, and readers a chance to show support for their favorite jazz artists, groups and performances.

    JazzBuffalo Readers Poll jazz

    My Cousin Toné earned Jazz Large Ensemble of the Year, known for hosting the immensely popular JazzMonday at Tappo Rooftop Patio, as well as an appearance at the Northwest Jazz Festival in Lewiston. The group’s standout performance featured Carolyn Lansom and claimed the top spot for the 2023 Most Memorable Jazz Performance of the Year, surpassing last year’s winner, The Ed Croft Trio: A Charlie Brown Christmas.

    Lázara Martinez was recognized as the Jazz Crusader of the Year, for their dedication to championing jazz at Pausa Art House, and for invaluable contributions to the vibrant jazz community in Buffalo.

    jazzbuffalo readers poll jazz
    Carolyn Lansom with My Cousin Toné at Northwest Jazz Festival in Lewiston, NY. Photo by JazzBuffalo Contributor Jack Zuff.

    The JazzBuffalo Poll gives audiences, jazz fans, and the community a real voice in recognizing their favorites each year. The engaging participation in the poll is indicative of how jazz has evolved into a vibrant community that truly enriches Buffalo’s arts and culture.

    Tony Zambito, the founder and Executive Director of JazzBuffalo

    Check out the winners and runner-ups in the 36 categories of the 9th Annual JazzBuffalo Readers Poll.

    The 9th Annual JazzBuffalo Readers Poll Winners

    Jazz Tenor Saxophone – Dave Schiavone

    Runner-up: Nelson Rivera

    Jazz Alto Saxophone – Elliot Scozzaro

    Runner up: Dave Schiavone

    Jazz Baritone Saxophone – Laura Anderson

    Runner-up: Harry Fackelman

    Jazz Trumpet – Tim Clarke

    Runner up: Griffith “Kaz” Kazmierczak

    Jazz Trombone – Brendan Lanighan

    Runner up: John Hasselback, Jr.

    Jazz Guitar – Stu Weissman

    Runner up: Jared Tinkham

    Jazz Piano –  Lisa Hasselback

    Runner up: George Caldwell

    Jazz Organ – Doug “Trigger” Gaston

    Runner up: Joe Baudo

    Jazz Accompaniment – Elliot Scozzaro – Flute

    Runner up: E.J. Koeppel – Violin

    Jazz Upright Bass – Ed Croft

    Runner up: Nathan Kalnitz

    Jazz Electric Bass – Nathan Kalnitz

    Runner up: Ed Croft

    Jazz Vibes – Alec Dube

    Runner up: Jamie Sunshine

    Jazz Drums – John Bacon, Jr.

    Runner up: Damone A-Miracale Jackson’

    Jazz Percussion – Wendell Rivera

    Runner up: Jamie Sunshine

    Jazz Female Vocalist – Alex McArthur

    Runner up: Molly Colton

    Jazz Male Vocalist – Jack Civiletto

    Runner up: Dalton Sharp

    Jazz Classic Standard Group – The Jay Sharp-tet

    Runner up: John Bacon Quintet

    Jazz World – Hot Club of Buffalo

    Runner up: Buffalo Tango Orchestra

    Jazz Trad/NOLA/Swing – Brass Machine

    Runner up: Morgan Street Stompers

    Jazz Fusion – Damone Jackson Outcome

    Runner up: Ellen Pieroni’s Encyclopedia of Soul

    Latin Jazz – Wendell Rivera Latin Jazz Ensemble

    Runner up: Sol Y Sambra

    Jazz Big Band – Easy Street Big Band

    Runner up: Ladies First Jazz Big Band

    Jazz Large Ensemble – My Cousin Toné

    Runner up: Ladies First Jazz Combo

    Jazz Soul/Funk – Tie: The Dave Hill Group and Organ Fairchild

    Runner up: Carina & The Six String Preacher

    Jazz Pop and Retro – Buffalo Dolls

    Runner up: Miller and The Other Sinners

    Jazz Venue – Pausa Art House

    Runner up: Sportsmen Tavern

    Jazz Major Performing Arts Center – Kleinhans Music Hall

    Runner up: Buffalo AKG Art Museum Auditorium

    Most Memorable Jazz Performance  – My Cousin Toné w/Carolyn Lansom – Northwest Jazz Festival in Lewiston, NY

    Runner up: Ed Croft Trio “A Charlie Brown Christmas” – Seneca One Auditorium

    Most Memorable International Jazz Performance – Pat Metheny Solo – UB Center for Performing Arts

    Runner up: Both Sides of Joni – A Jazz Tribute to Joni Mitchell – Seneca One

    Jazz CD/EP Release – Brendan Lanighan Octet – “A Little Optimism”

    Runner up: John Bacon Quintet – “Revolution Blues”

    Middle School/High School Educator – Phil Aguglia

    Runner up: John Hasselback, Jr.

    College/University Educator – John Bacon, Jr.

    Runner up: George Caldwell

    Jazz Rising Star – Elliot Scozzaro

    Runner up: Alex McArthur

    Jazz Ex-Pat – Stephen Parisi

    Runner up: Don Menza

    Jazz Crusader – Lázara Martinez  – Pausa Art House

    Runner up: Jack Zuff – Photographer / JazzBuffalo Contributor

    John Hunt Jazz Artist of the Year – Elliot Scozzaro

    Runner up: George Caldwell

    Elliot Scozzaro – John Hunt Jazz Artist of the Year

    Elliot has been very active in promoting and teaching jazz in the WNY area. He not only teaches at both SUNY Buffalo State and SUNY Fredonia, he also tours with Al Stewart &The Empty Pockets, and Louis Prima Jr. He composes, arranges, and then performs on sax and flute all over WNY.

  • In Focus: 2024 NYC Winter Jazz Fest, Manhattan Marathon & Brooklyn Marathon

    Over the weekend of January 12-13, 2024, NYC Winter Jazz Fest marked its 20th annual celebration. Talented artists captivated the audience with electrifying stage performances and incredible music across lower Manhattan and near downtown Brooklyn.

    LPR Venue – 1.12.24

    In 2005, Brice Rosenbloom initiated the NYC Winter Jazz Fest with the aim of providing exposure to underserved jazz artists. As the festival has grown over the past 16 years, The New York Times calls Winter Jazzfest “the city’s most renowned jazz festival.” 

    Rafiq Bhatia at Music Hall of Williamsburg – 1.13.24

    The Manhattan Marathon took place at diverse venues, including City Winery, Zinc Bar, LPR, Zurcher Gallery, RACKET Future Sounds, Radio Nublu, and Nublu. Whether it was a smaller or larger venue, each location was filled with enthusiastic crowds eager to enjoy fantastic music.

    Mamas Gun at Brooklyn Bowl – 1.13.24

    Union Pool, Loove Labs, Music Hall of Williamsburg, Super Ingredients, Brooklyn Bowl, Jolene Sound room, Baby’s All Right, and several other venues played host to the Brooklyn Marathon. Despite the chilly weather, the excitement of fans remained undeterred as they eagerly gathered to listen to their favorite and new music. Every artist displayed exceptional talent, showcasing their dedication through singing or instrumental prowess. If you happened to miss this year’s Winter Jazz Fest, you definitely wouldn’t want to miss the next one.

    Cisco Swank at Baby’s All Right – 1.13.24
    Cisco Swank at Baby’s All Right – 1.13.24
    Alexis Lombre at Zinc Bar – 1.12.24
    Mark Guiliana at Super Ingredient – 1.13.24
    Chiquita Magic at RACKET Future Sounds – 1.12.24
    Mamas Gun at Brooklyn Bowl – 1.13.24
    Brandee Younger playing the harp with blue smoke and golden light illuminating her.
    Brandee Younger at LPR – 1.12.24
    LPR – 1.12.24
    Ambrose playing the trumpet with his eyes closed in a dark room.
    Ambrose Akinmusine at ROCKET Future Sounds – 1.12.24
  • JazzBuffalo Announces “Art Meets Jazz” Series

    JazzBuffalo has announced the brand new “Art Meets Jazz,” series, a four-part event taking place at Beebe’s at the Gallery and the C. Stuart and Jane H. Hunt Gallery with the first installment on Jan. 24 from 6-8:30 p.m.

    JazzBuffalo is the d.b.a. and brand name for the Greater Buffalo Jazz Society, Inc., a non-profit organization dedicated to building jazz awareness and jazz appreciation in the WNY area. The organization promotes jazz and builds audience appreciation for jazz through jazz news, live performances, concerts, festivals, jazz series, event calendaring, ticketing, hosting internationally recognized jazz musicians, and jazz education.

    Experience the harmonious blending of ‘Art Meets Jazz’ at Beebe’s at the Gallery and the C. Stuart and Jane H. Hunt Gallery — an exceptional and one-of-a-kind event. With a uniquely captivating art gallery encounter and entertaining sounds of live jazz music, it is a perfect place to relax and enjoy some quality art. This event is set to provide a unique New York City-style gallery experience, brought to audiences through the collaborative efforts of Tony Zambito, producer of the renowned Art of Jazz Series, and Peter Hunt, esteemed sponsor of the Art of Jazz Series.

    “This unique collaboration represents a fusion of art and jazz, a joint effort between Peter Hunt and myself,” said Tony Zambito, founder and Executive Director of JazzBuffalo, for Buffalo Rising. “Our goal is to expand the artistic synergy between art and jazz, continuing our mission to enrich Buffalo’s cultural landscape, akin to our successful Art of Jazz Series at the Buffalo AKG Art Museum.”

    Beebe’s at the Gallery.

    Beebe’s at the Gallery is billed as “An art-forward events venue,” featuring a dining room that seats up to 50 people. The new venue is named after the architect of the Brisbane Building, Milton E. Beebe. For the first installment, artist Andy Russell will open exhibit 111 Alignment with artist XIII at the Hunt Gallery. 

    For the splendid jazz performance, JazzBuffalo brings DeeAnn DiMeo, affectionately known as DeeAnn, who has been entertaining Western New Yorkers for over 20 years. She has graced small clubs to large venues with everything from solo to big bands. Her versatility reaches jazz fans, pop fans, blues, and country audiences, and even church worship services. She’ll be joined by some of Buffalo’s best next-generation rising stars in the jazz scene with Harry Graser on Keyboard, Ed Croft on bass, and John Troy on saxophone/flute.

    A $30 ticket provides you admission to the gallery, live music, and a delightful selection of light hors d’oeuvres. A cash bar offering beer and wine will be available throughout the event. To ensure a comfortable atmosphere for listening to music, socializing, and viewing the art, attendance will be limited to 70 guests.

  • Watch Charley O’s Host Marty Grosz, John Bucher and John Beal

    The team at Jazz Lives recently shared a throwback that caught our eye – Jazz at Charley O’s? The legendary Penn Station libation station for in between trains or before games at The Garden?

    Well, close – this is the Charley O’s that was once located at 713 8th Avenue, and was not only a sports bar and grill but also a Jazz Bar and Comedy Club in the evening, as well as a popular spot to go before a night out on the town.

    charley o's

    Jazz Lives shares the following recollection of one night at Charley O’s.
    Once upon a time, I lived in Great Neck, New York, a suburb forty minutes from midtown Manhattan. When in 2005 I found out that my hero Marty Grosz was appearing in the city, probably for a Saturday afternoon session, I checked the Long Island Railroad schedule, packed my cassette recorder, and went there. ”There” was not a jazz club but a hamburger / steak restaurant catering to tourists, where, wonderfully and atypically, hot jazz was on the menu. That place was Charley O’s.

    charley o's

    MARTY GROSZ, guitar, vocal; JOHN BUCHER, cornet; JOHN BEAL, double bass, were the band, for the cavernous room. I had met Marty in September 2004 Jazz at Chautauqua, so I may have said a brief hello. I would come to know John Bucher from his appearances at the Cajun. I knew Beal only from recordings, but he was gracious. I asked for a table near the music but none were offered for a single mortal, so I went to the balcony, where I could see the band as well as hear them, admittedly from above and from a distance. (Now, I would know better and would have told the waiter that my three friends were arriving soon, thus earning a table closer to the music. I hope to be forgiven my falsehoods.)

    I ordered food — something banal — then set up my recorder to capture the sounds, which were wonderful. I saved the cassette. (A year later, I would have purchased a video camera and a digital recorder, but in 2005 I was still living in a technological past. However,, it DID work.) 

    You’ll hear I DON’T WANT TO SET THE WORLD ON FIRE / WRAP YOUR TROUBLES IN DREAMS / THREE LITTLE WORDS / A HUNDRED YEARS FROM TODAY / Marty half-heartedly hawking CDs / SUNDAY (incomplete) //

    I’ve left in the long intervals between songs because you can hear Marty providing the chordal roadmap for his two colleagues. Impatient listeners can scroll forward; imaginative listeners imagine themselves on the scene.

    The room got much more noisy; perhaps my waiter, seeing my empty plate, hovered and said, “Will there be anything else?” and I took the check. On the way out, I thanked the trio and lamented the noise level.

    There ends my saga of Charley O’s, sometime in 2005. But the music! Better than the hamburger deluxe and much fresher, even eighteen or so years later. 

    Marty Grosz
    Photograph by Lynn Redmile

    Charley O’s closed some time ago. John Bucher, that gentle man, has left us. Messrs. Beal and Grosz are still laying it down, although slightly less frequently.

  • Matt Steckler Janus Quartet Coming to Alias Coffee in Troy

    The Matt Steckler Quartet featuring John Esposito, Otto Gardner, and Joe Barna has announced it is coming to Alias Coffee in Troy on January 14, from 6-7:30 p.m.

    Saxophonist Matt Steckler is teaming with John Esposito (piano), Otto Gardner (bass), and Joe Barna (drums), for an evening of fresh takes on original works for jazz quartet. The Roman God Janus represents “beginnings, transitions, looking back and forward,” the impetus behind this adventurous and versatile lineup.

    Matthew Steckler, aka Matty Stecks, performs primarily on woodwinds and composes in several musical settings internationally. As an artist, he has appeared at The Blue Note and Lincoln Center, the Kennedy Center, Winnipeg Art Gallery, Operetta Teatrul (Bucharest), House of Blues & Jazz (Shanghai), and more. He has received commissions from Chamber Music America, Meet the Composer, and American Composers Forum, has recordings on Ropeadope, Cuneiform, and Innova labels, and has made Best CD lists in Downbeat and Jazz Times.

    John Esposito is an American pianist/composer/drummer/producer who works on a wide array of creative music projects, extending across the stylistic boundaries of the Stride Piano, Swing, Bebop, Modal, and Free Music movements. He has performed and recorded with artists including Nick Brignola, Dave Douglas, Dave Holland, Carter Jefferson, and more.

    Joe Barna is a drummer/composer/bandleader originally from Troy whose passion and dedication to music have taken him around the world. He studied at SUNY Purchase with Jon Faddis, Hal Galper, Adam Nussbaum, John Riley and Todd Coolman, and has had the honor of playing with GRAMMY recipients Gary Smulyan and Ralph Lalama. He has taken his passion and talent abroad to Canada, Australia, Russia, France, Italy, Spain, Mexico, New Zealand, Dubai UAE, Turkey, Egypt, and many other destinations, and recorded on over ten albums as a sideman and has six albums as a bandleader. 

    Otto Gardner is an American bass player and teacher, playing music for 40 years throughout the Northeast, California, and Canada. he is a founding member of Schenectady’s Empire Jazz Orchestra, in which he has played for more than 22 years, along with such Jazz Master guests as Jimmy Heath, Lou Soloff, Curtis Fuller, Rufus Reid, and Benny Golson. In addition to performance and recording, Otto’s teaching experience spans three decades, and since 2010, he has been a member of the Bard College community as an adjunct professor in the Jazz Department. 

    The Matt Steckler Quartet is playing at Alias Coffee on Jan. 14 from 6-7:30 p.m. Attendees must pay a $20 minimum donation at the door. For more information, visit here.