Category: Features

  • Rain Bring Beatlemania to Saratoga Springs

    Despite at least five confirmed tornadoes and a microburst of nasty weather, the show went on as planned Wednesday night, July 17th at SPAC in Saratoga Springs. Making good on their name, Rain: A Tribute to the Beatles, not only weathered the storms, but delivered a surreal night of nostalgia and note-for-note precision that had fans both young and old twisting and shouting for more.

    Hitting the mark with spot on impersonations of the Fab Four – from the iconic haircuts and replica outfits, to the playful mannerisms and distinct personalities, the career retrospective performance encapsulated everything music fans know and love about The Beatles, arguably the most important and influential rock n’ roll band of all time.    

    Rain performing in Saratoga Springs on 7/17/24.

    Transporting fans back to the heyday of Beatlemania as Rain, the acclaimed tribute band took the Broadview Stage at SPAC by storm shortly after 7:30pm.  Dividing up the show into distinct eras of The Beatles, the throwback party kicked of with “Please Please Me” from the 1963 debut album of the same name.  After working their way through “ I Want To Hold Your Hand” and a pair of love songs that included “This Boy” and “P.S. I Love You,” Rain transitioned into the A Hard Day’s Night portion of the show.

    After an exciting rendition of “Can’t Buy Me Love,” fans were treated to some lesser-known cuts like the surf-rock inspired “Roll Over Beethoven,” “Tell Me Why” and “I Should Have Known Better.”  Briefly pausing to welcome the audience to the show and inviting them to sing along with the next song, a poignant version of “Yesterday” had the entire pavilion on the cusp of tears.

    Rain performing in Saratoga Springs on 7/17/24.

    After an entertaining video package chronicled The Beatles rise to international superstardom, the show then entered the iconic “Shea Stadium” era of Beetlemania. Featuring a distinctly harder edge than earlier in the night, songs like “I Feel Fine,” “Day Tripper,” and “Drive My Car” sounded just as good today as they did nearly sixty years ago. While I personally found it hard to sit during this part of the show, fans needed reassurance that it was “OK” to get up on their feet for the next number, “Twist and Shout.”  

    Rain would break character a bit after “Eleanor Rigby,” by introducing the mysterious “5th Beatle” lurking in the back of the stage, their version of legendary record producer George Martin, who played all the string and horn parts via keyboard.  Prominently featured on the potent “In My Life,” the first half of the show came to a close with “Got to Get You into My Life.”

    Rain performing in Saratoga Springs on 7/17/24.

    After a brief intermission, things were about to get a little weird in Saratoga.  Entering the experimental/psychedelic era of The Beatles, from the moment the opening chords of “Sgt. Pepper’s Lonely Hearts Club Band” filled the air, the audience was spellbound. Now dressed in vibrant Edwardian military officer outfits, Rain both looked the part and sounded it.  Flowing directly into “With a Little Help From My Friends,” the lysergic loving anthem “Lucy in the Sky With Diamonds,” and “Lovely Rita,” the transitions between the early mop-top era, the psychedelic phase, and the mature later years were seamless, showcasing the band’s versatility and deep understanding of the Beatles’ evolution.  

    Rain’s meticulous attention to detail was evident in every aspect of the show, from the authentic period costumes to the spot-on Liverpudlian accents. Each band member perfectly embodied their respective Beatle, not just in appearance but in musical prowess and stage presence.

    Rain performing in Saratoga Springs on 7/17/24.

    One of the standout moments was their performance of “A Day In The Life.” Featuring all the complicated bells and whistles of the original, Rain pulled it off flawlessly.  The chilled out “Flying” instrumental went largely unappreciated, but fans got back into it for the remainder of the Magical Mystery Tour portion of the show that included stellar renditions of “Penny Lane” and “Strawberry Fields Forever.” Complete with vibrant visuals throughout, the multimedia aspects of the show added an extra layer of immersion, with historical footage and colorful animations enhancing the live performances.

    While not necessarily a “pavilion only” show, the somewhat relaxed security allowed most fans inside, leaving only a handful of people to linger on the lawn. Perhaps that’s why I felt so seen when Rain played “Fool on the Hill” and “Come Together” as I made my way across the notorious slope. “Get Back” was the lone song played from the Let It Be album, while “Revolution” and “The End” closed out the second set to a bittersweet ovation of gratitude.

    The Fool on the Hill: Rain performing in Saratoga Springs on 7/17/24.

    The setlist was a well-curated journey through the Beatles’ illustrious career, featuring beloved hits and deep cuts alike. Rain’s musicianship was impeccable. The harmonies were tight, the instrumentation was faithful to the original recordings, and the energy was palpable.  When the band returned to the stage for the obligatory encore, the crowd couldn’t resist singing along to the ever appropriate “Give Peace a Chance” and finally the show closer “Hey Jude,” creating a communal experience that felt both nostalgic and celebratory. A vivid and heartfelt homage to the Beatles, it was a night of pure musical joy and a chance to relive the magic of one of the greatest bands in history.

    Rain performing in Saratoga Springs on 7/17/24.

    Rain (Beatles Tribute) | July 17,2024 | SPAC | Saratoga Springs, NY

    Set I: Please Please Me, I Want to Hold Your Hand, This Boy, P.S. I Love You, Roll Over Beethoven, A Hard Day’s Night, I Should Have Known Better, Can’t Buy Me Love, Tell Me Why, Yesterday, I Feel Fine, Day Tripper, Drive My Car, The Word, Eleanor Rigby, In My Life, Got to Get You Into My Life

    Set II: Sgt. Pepper’s Loney Hearts Club Band, With a Little Help From My Friends, Lucy in the Sky With Diamonds, Sgt. Pepper’s (Reprise), A Day in the Life, Flying, Magical Mystery Tour, Strawberry Fields Forever, Penny Lane, I Am the Walrus, The Fool on the Hill, Tomorrow Never Knows, Come Together, Get Back, Revolution, The End

    Encore: Give Peace a Chance, Hey Jude

  • Barbie Barker of Candy Ambulance Shares Debut Single “Unread”

    Barbie Barker of Troy’s Candy Ambulance, is embarking on a new solo project with debut single, “Unread” on July 19. The single comes ahead of an EP titled C. dropping July 26. As Barbie shifts her focus musically, she explores realms of vulnerability, emotions, and authenticity.

    "Unread" by Barbie Barker from "C."

    Barbie Barker stumbled upon this entirely new terrain when she started channeling immense genuity inspired by certain events in her life that deeply affected her. During the music-making process, it became apparent that the songs wouldn’t fit Candy Ambulance’s image. So instead, Barker, whose first name is Caitlin, choosing to take on the name Barbie after her grandmother, made the decision to undertake this era independently.

    Her debut single off of C., “Unread” tells the story of becoming so passionate about something to the point where it becomes all-consuming and affects more than yourself. It’s about remembering how things used to be, the transitions that took place, and the choices that need to be made. The lyrics are intimate, admitting the feelings that Barker had such a hard time bringing to light.

    Candy Ambulance is my first band and I put so much of my self worth into my role there. It was my salvation, the reason I go to therapy and work really hard to be a good person. I wrote about some really intense traumas I was working through and we toured the record where I bore my soul.

    Barbie Barker on “Unread”

    Against the backdrop of simple guitar and percussion, her voice guides the instruments along with the sentiment she’s expressing. The music starts slow and progressively picks up as more truths spill out. The words truly are the main attraction, combatting the feelings of pressure that Barker sings about, while the music submits to them. Put together by Barker and Tummy Rub Records, local musicians Joe Taurone (drums), Sam Walzyck (bass), and Dan Carr (guitar and production) understood and respected her vision.

    The song is the result of pushing forward while still needing to heal from deep traumas as well as the defense mechanisms put in place to cope with that life. Through the words, Barker comes to terms with the fact that are all doing life for the first time, and trying to navigate it and mend ourselves as we go.

    “Unread” is just one of five heartfelt indie-rock products of Barker’s writing journey. The upcoming EP C. is full of personal songs and anyone who listens can know they’re taking part in Barker’s healing. As a body of music, C. exemplifies the value of songwriting for artists and the solace that they can find. In Barker’s case, she uses it as an outlet that is less accessible when trying to appease everyone else.

    This EP is a short and (bitter)sweet account of my vulnerability in songwriting as I move through my life. The songs didn’t fit my band and it was scary to branch out and do a project of my own. I worked with the incredibly talented folks at Tummy Rub Records and the experience was effortless. We even used my scratch guitar tracks because the vibe was so comfortable. I am incredibly proud of what we accomplished together.

    Barbie Barker on C.

    Additionally, to celebrate the release of her new music, Barker and the folks at Tummy Rub are holding a release show on Friday, July 19 at The Hangar on the Hudson in Troy. She will be joined by her collaborators as well as special guests toriendofstory and Canella, who also contributed to the E.P. The two bands will open for Barker with their own original music on a night full of authenticity and creative expression.

    Pre-save and listen to “Unread” and C. on your preferred streaming platform. Purchase tickets for the release show here.

  • moe. shines at Outer Harbor Terminal B for Buffalo famoe.ly

    moe. has been performing in Buffalo for over 30 years and the fans are always ready for the group to come back to the band’s birthplace. So on a breezy summer evening, moe. put on a nostalgic homecoming show at Buffalo’s new Outer Harbor venue, Terminal B. It is offically summer now that moe. has paid Buffalo a visit.

    Terminal B, an intimate yet festival-like venue, welcomed Daniel Donato’s Cosmic Country to start the night, opening with “Broadside Ballad” and “Hangman’s Reel,” which brought the crowd of all ages into rhythmic heartbeats satisfying their musical expectations. An improvisational approach to country carried the whole crowd to groove into finale tune, “Two Hills.” If you missed Daniel Donato and Cosmic Country, they have just been announced for Borderland Music Festival in September.

    moe. launched their set with “Spaz Medicine” and followed by moe.’s homecoming song, “Skitchin’ Buffalo,” paying homage to local bass legend Rob Derhak’s memories of Buffalo, including references to lost venues like Broadway Joe’s. Fans were delighted to have heard “Not Coming Down,” “Wormwood” and live favorite “Kids.”

    As the sun went down over Terminal B at Outer Harbor, moe. played covers like “Fearless” by Pink Floyd and “In Stride” by Nate Wilson Group, transitioning into “Deep This Time” which included impressive solos and twisted interplay. The fans went ablaze for “Bear Song,” with moe. bringing out Daniel Donato to help finish the show in perfect summer fashion with Jerry Garcia’s “Deal,” leaving the crowd eager for more from moe.. 

    Daniel Donato’s Cosmic Country Setlist: Broadside Ballad, Hangman’s Reel, Translation, Got my Mojo Workin’, Gotta Get Southbound, Two Hills.

    moe. Setlist: Spaz Medicine, Skitchin’ Buffalo, Not Coming Down, Wormwood, Fearless(Pink Floyd cover), Deep This Time, In Stride (Nate Wilson Group cover), ZOZ (Zed Nought Z), Kids, Time Ed, Kids, Bearsong, ZOZ (Zed Nought Z)
    Encore: Deal (Jerry Garcia cover) with Daniel Donato

    Daniel Donato’s Cosmic Country

    moe outer harbor
    moe outer harbor

    moe.

    moe outer harbor
    moe outer harbor
    moe outer harbor
    moe outer harbor
    moe outer harbor
    moe outer harbor
    moe outer harbor
    moe outer harbor
  • Brooklyn-Based Gooseberry Release “Cherry Blossoms” Ahead of Full-Length LP

    Brooklyn-based alt-rock band Gooseberry released their brand new single, “Cherry Blossoms,” this Friday. “Cherry Blossom” is the third single from their upcoming full-length LP, All My Friends Are Cattle, which is set to release Sept. 6.

    Photo Credit: Alex SK Brown

    Gooseberry, formed in 2019, melds alternative rock, indie, and blues to craft their distinctive and signature sound. Comprising Asa Daniels (guitar, vocals), Evin Rossington (drums), and Will Hammond (bass), the band has racked up hundreds of thousands of streams and garnered praise from editorial stalwarts Under the Radar, Ones to Watch, and more.

    Now, bigger than ever and with the most to prove, Gooseberry is gearing up to release their debut full-length album, All My Friends Are Cattle. Announced back in April, the new project is, in the words of the band, “Gooseberry’s most ambitious project yet.” From the gritty alt-rock tune “Kikiyon” to the eerie and slow-building “Dying To Meet You,” the album’s singles released to date have indicated that listeners should expect the unexpected.

    The band’s new single, “Cherry Blossoms,” leans into a more stripped-down sonic direction compared to their usual wailing guitars but thematically covers familiar ground, with Daniels singing about lost love and his desires to catch up to them, no matter how much time it takes. “I saw you underneath the cherry blossoms. I forgot to call your name,” Daniels tenderly sings over the song’s hook, then ends said hook with, “And I’ve forgotten so many things—keys and dates and wedding rings—but I could never forget your face.”

    “I spent months during the pandemic scanning and cataloging photos of my family dating back to the 1800s. There’s something terrifying about how much of life slips through the cracks once lived, but also something beautiful about the staying power of the few moments that remain. My grandmother’s dementia has made that more tangible for me. So this song is essentially saying, ‘I’m gonna get it wrong a whole lot, and I won’t remember much of it in the end, but I’ll never forget the face of the ones I love.’”

    Daniels on “Cherry Blossoms”

    Gooseberry plans to release a fourth and final single, “Baby Do You?” in August.

    In addition to All My Friends Are Cattle arriving this September, Gooseberry has also announced an upcoming tour with stops all around the country, including four in New York State. For the last show of the tour, Gooseberry will be sharing the stage with Ringo Starr & His All Starr Band in New Lenox, IL.

    See below for the full list of Gooseberry tour dates, visit here for tickets and information, and stream “Cherry Blossoms” on all streaming platforms.

    Tour Dates

    8/1 – Boston, MA – Aeronaut Brewing

    8/2 – Portsmouth, NH – The Press Room

    8/3 – Burlington, VT – Red Square

    8/4 – Rochester, NY – Bug Jar

    8/6 – Cleveland, OH – The Happy Dog

    8/7 – Detroit, MI – Lager House

    8/8 – Chicago, IL – Reggie’s

    8/10 – Des Moines, IA – xBk

    8/11 – St. Paul, MN – Amsterdam Bar & Hall

    8/12 – Davenport, IA – Raccoon Motel

    8/13 – Omaha, NE – Reverb Lounge

    8/14 – Kansas City, MO – Knuckleheads Gospel Lounge

    8/15 – Milwaukee, WI – Anodyne

    8/17 – Madison, WI – The Bur Oak

    8/18 – St. Louis, MO – The Golden Record

    8/20 – Nashville, TN – The Basement

    8/21 – Decatur, GA – Eddie’s Attic

    8/22 – Knoxville, TN – Barley’s Taproom

    8/23 – Asheville, NC – New Belgium Brewing

    8/24 – Charlotte, NC – The Evening Muse

    8/30 – Cooperstown, NY – Brewery Ommegang

    9/1 – Rock Stream, NY – Seneca Lake Brewing Company

    9/7 – New York, NY – Bowery Ballroom – ALBUM RELEASE SHOW

    9/14 – New Lenox, IL – New Lenox Commons – Supporting Ringo Starr And His All Starr Band

  • In Focus: Ben Howard performs at ‘Perfect’ Bearsville Theater in Woodstock

    One of England’s most prolific songwriters made a rare stop in Upstate New York on Tuesday, July 16, as Ben Howard performed at the Bearsville Theater in Woodstock. 

    The historic theater provided a rare, intimate performance for Howard’s fans, who ofter have to seek out larger concert halls and amphitheaters to see the singer-songwriter perform.

    The evening kicked off with a 30 minute set by Irish musician John Francis Flynn.  Flynn took to the stage by himself, and performed a dramatic set of traditional Irish folk tunes. Performing solo, Flynn would create guitar and drum loops to back his vocals. He even took hand at the tin whistle, noting he had recently lost his previous instrument and was lucky to receive a new one in the mail earlier that day.

    At promptly 9pm, Howard and his bandmates took to the stage with a roar from the audience.  They would open with “Richmond Avenue”, a slow moving ballad off Howard’s 2023 release, Is It?  Initially illuminated by a solo spotlight, dramatic lighting would adorn the stage as the song took shape.

    Early in the evening Howard would praise the small town of Woodstock. “It seems quite perfect here”, Howard remarked, noting the band had visited a perfect shop, a perfect vegan restaurant, and the perfect concert venue before joking that he hoped to leave before discovering any dark secrets of the town. In truth, Howard is no stranger to the area, having recorded Is It? at Aaron Dessner’s nearby Long Pond Studio.

    https://www.youtube.com/watch?v=EAll4IK6Fig

    Through out the set, the theater would become engulfed in ethereal and atmospheric sounds, played to near perfection from Howard and his bandmates. While the band would perform early tracks such as “Promise”, “Small Things”, and “Diamonds”, Howard seemed the most proud of his recent work. Much of the night’s setlist featured tracks off of Howard’s two most recent releases and included songs such as “Follies Fixture”, “Far Out”, and “Days of Lantana”. The tracks were met with warm reception from the audience, and Ben Howard would often flash back a modest smile in return.

    It was quite the perfect experience for the perfect town.

  • Troy Ramey Releases “Pick Up Truck” After Debuting in NYC

    Fresh off the streets of New York City, newcomer Troy Ramey released his latest single, “Pick Up Truck,” on June 28.

    troy ramey

    Known for his soulful voice and emotionally driven songs, Troy Ramey celebrates life’s simple pleasures; summer drives, and the joy of music.

    Originally hailing from Vermont, Ramey grew up in a household of musicians, turning to music as a way to heal after the tragic loss of his father. Since then, his music has reflected his intense passion, producing authentic, emotionally driven songs and connecting deeply with his audience.

    In 2017, Ramey competed on season 12 of NBC’s The Voice, garnering immense praise from audiences and celebrity judges Alicia Keys and Celine Dion alike. After his appearance, he moved to New York City and began to write and produce his own music, including his newest single, “Pick Up Truck.” At first, the song concept was a running joke between Troy and his longtime friend and co-writer Johnny Gates, mostly about the recurring themes within the country music genre. But after his landmark performance on The Voice, Troy continued to work with the concept, developing it into one of his favorite songs he’s recorded thus far.

    “But as I messed around on the guitar, the lyrics ‘when you hear my song, turn it up, sounds better in a pickup truck’ came to mind,” Ramey says about the track. “The song immediately was no longer a joke. It really became a song about one of my favorite things to do.”

    After the release of his first singles from his debut LP,  All I Had, the excitement for the full album only began to grow. With the full album set to release in the fall of 2024, the anticipation only grows stronger with each day. The release of “Pick Up Truck” will certainly have to do in the meantime. If the artistry and creativity behind this one single is only a preview of the full album, there is certainly a bright future ahead of Troy Ramey.

    Fans can listen to “Pick Up Truck” here, and in anticipation of Troy Ramey’s newest release, Ramey is set to play a few shows in the Northeast, starting with a stop in Patchogue, Long Island, at the 89 North.

    July 19, Friday – 89 North – Patchogue, NY.

    July 25, Thursday – The Maso Studio at The Huntington Theatre – Boston, MA.

    July 26, Friday – Next Stage Arts – Putney, VTets.

    July 27, Saturday – Newport Playhouse – Newport, RI.

  • Monobloc Get Existential on New Single, “Where is My Garden?”

    Monobloc, a band emerging from New York City’s DIY scene, has released a new single, “Where is My Garden?”.

    Led by vocalist Tommy Waldron and bassist Michael Silverglade, Monobloc effortlessly merges post-punk instrumentation and attitude with pop sensibilities. With Zack Pockrose on drums, and guitarists Ben Scofield and Nina Lüders, Monobloc creates a nostalgic sound reminiscent of Television and The Strokes.

    Monobloc Where is my garden
    Julia Tarantino

    Chronicling the internal battle between materialism and gratitude, Monobloc describes conflict with vivid imagery and refreshing honesty.

    Unpublished praised the single for its honesty and timelessness: “with intricate, overlapping rhythms balanced with the straightforward ‘tell it how it is’ type lyrics, Monobloc … [creates] a timeless track that will be accessible through generations.”

    The black and white music video, self-directed by the band, compliments the wiry, insistent guitar work and rousing chorus. Tommy Waldron said of the instrumentation, “Attached to the main riff of the song was this chorus I really wanted to use but could never find a place where it made sense. … It was a great wide theme – a bit Springsteen and better yet, the closest I could legally get to saying “Where are your friends tonight?”

    Monobloc shared their first single, “I’m Just Trying to Love You” in early 2024. As Monobloc continues to hone in on their electric live shows, DIY attitude and artistic capabilities, more music is to come. 

    A full list of Monobloc’s tour dates is available below, along with the official “Where is My Garden?” music video. Tickets are available here.

    AUGUST

    2 – Pete’s Candy Store – Brooklyn NY

    21 – Sebright Arms – London, UK (debut UK performance)

    23 – All Points East Festival – London, UK (w/ LCD Soundsystem)

    25 – Rock En Seine Festival – Paris, FR (debut EU performance)

    29 – Kalorama Festival – Lisbon, PT

    31 – Kalorama Festival – Madrid, ES

    NOVEMBER

    8 – Iceland Airwaves – Reykjavík, IS

    17 – Corona Capital Festival – Mexico City, MX

  • Brooklyn Duo Rubblebucket Release Funky New Single “Rattlesnake”

    On July 10, Brooklyn-based art-pop duo Rubblebucket released their newest single, “Rattlesnake,” along with its corresponding music video. Filled with groovy basslines, punchy brass and saxophone riffs, and hard-hitting lyrics in a deceptively cool and catchy tone, “Rattlesnake” is the newest edition to a laundry list of funky tunes sure to make your hips move.

    rubblebucket

    Based on lead singer Klamia Traver’s own struggles with mental health and anxiety, the lyrics to “Rattlesnake” present a situation that almost everyone can relate to. The band loosely adapted a poem Kalmia wrote called “Time For the Rattlesnake” from her poetry book Year of The Banana. The poem recalls an encounter Traver had with the animal, jokingly saying, “The beauty of it took my breath away. But I later ruminated about how even when I am faced with the most breathtaking of our planet’s offerings, it can still be very hard to be present, focused & relaxed because of the chronic anxiety from which I suffer.”

    The song opens with, “I don’t want to analyze you / But it seems you’re stuck in a cage / Let the child inside drive you / You’ve got what it takes.” Rattlesnake, in this instance, acts as a metaphor for someone so coiled and wrapped up in their own worries, fears, and anxieties that they prevent themselves from chasing new opportunities and ideas, even if it is something their “inner child” so desperately craved. The bridge’s lyrics further implement this idea, this time bringing the perspectives of outsiders into it: “Sometimes you gotta kill your idols / Psychedelic cage / In the footsteps of our mothers / We make the same mistakes.”  

    rattlesnake rubblebucket

    With such an intense undertone, looking at the lyrics alone makes the tune sound morose and dark. But instead, nothing could be further from the truth. In fact, the song is almost deceptively catchy. The groovy bassline, provided by the band’s other half, Alex Toth, nearly makes you forget about the unsettling lyrics. Renata Zieguer’s strings certainly add another unique element to the instrumentation, bringing a classic ’70s-style disco charm. Kalmia Traver’s light, soothing vocals almost make you forget about the fears the song forces you to face. The band went full disco-funk with “Rattlesnake”, producing a track that sounds like Bee Gees and Michael Jackson meets Stereolab.

    For Rubblebucket, therapy takes the form of a dance party. “Rattlesnake” is a refreshing, funky tune that certainly stands out with its creative sound, and even more creative music video, reminiscent of something we would’ve seen from Talking Heads. The message here is clear: uncoil yourself like a rattlesnake, but dance while you do it.

    “Rattlesnake” is out now and available on all streaming platforms and be sure to catch Rubblebucket at their announced live shows for 2024, one in Washington and one in New Hampshire.

    Find tickets and more info HERE.

    Rubblebucket Live

    July 13 – Seattle, WA – Ballard Seafood Festival
    October 19 – Concord, NH – Concord Sound & Color Festival

  • Artpark: 50 Years of Live Music and Arts

    For 50 years, Lewiston’s Artpark has been one of the premier concert venues for Western New York. Juxtaposing local and internationally renowned artists with the scenic landscapes of the Niagara River, the venue seamlessly mixes nature and art. On this Silver Jubilee, let’s look back to the founding of Artpark and trace how it became a hub for visual and performing arts. 

    Artpark's MainStage theater
    An aerial view of the Artpark Theater

    25 miles north of Buffalo in the heart of Niagara County lies Lewiston. While the town of 16,000 was founded in 1818, it holds a much deeper natural and precolonial history. The town overlooks one of New York’s natural wonders: The Niagara Gorge. The rapid Niagara River cuts a large canyon dividing Lewiston from Ontario, Canada on the other side. Surrounding this striking canyon are pristine woods, home to over 450 species of plants and animals. The area’s forests, containing stunning rock formations, are a reminder of Western New York’s prehistoric glacial history. 

    Long before Artpark – or even Lewiston’s – founding, this area has been home to countless cultures. On Artpark’s current site, excavations have uncovered over 2,000 years of indigenous history. The most striking monument to this is an 1,800 year old burial mound within the park. Recognizing this important indigenous history, Artpark frequently collaborates with indigenous artists. In addition to displaying works by indigenous artists, Artpark hosts the annual Strawberry Moon Festival. The Festival highlights the arts and culture of local indigenous groups, while highlighting the interconnectedness of humanity.

    A view of the Niagara River Gorge from Lewiston

    While the beauty of Lewiston has drawn visitors for countless decades, Artpark dates its history back to 1974. In that year, the New York State Parks Commission and nonprofit Artpark & Company collaborated to found the park. In that year, the Earl W. Brydges Artpark State Park was established, encompassing 150 acres of arts, music, and nature spaces. The park’s current facilities consist of land reclaimed following the construction of hydroelectric power plants along the river. 

    Since its beginning, artpark’s mission has been to “produce and present excellence in the performing and visual arts, and create a unique cultural experience in a casual, natural setting.” Tracing its artistic history, Artpark has succeeded in this mission. 

    Dispatch Artpark
    Dispatch at Artpark, photo by Patrick Htoo

    Artpark began as a hub for avant-garde visual artists. Inspired by its natural surroundings, many of the park’s early exhibitions dealt with the impermanence of art. Due to this, many of the pieces were destroyed, removed, or left to decay. Bolstered by robust state-funding, the site attracted hundreds of artists throughout its first decade in operations. 

    Among these early works was Adam Sonfist’s Pool of Virgin Earth. The piece – consisting of a 25 ft diameter – basin was meant to catch seeds falling from the area’s trees. By making art from the natural surroundings, Sondfists’ works highlighted the ethos behind Artpark’s early years.

    "Pool of Virgin Earth" at Artpark
    Adam Sonfist’s “Pool of Virgin Earth”

    These experimentations continued, attracting 200 artists through the 1980s. In 1974, artist Gordon Matta-Clark erected “Bingo,” a criticism of urban decay and government handling of the Love Canal Crisis. Art took all forms at the park, with artists even burying an “oldsmobile time-capsule” under the soil as part of artistic experiments. 

    The 1990s marked a shift in Artpark programming. With a funding cut to visual arts, the park began to highlight outdoor concerts more and more. 

    While music was highlighted more starting in the 1990s, it played an important role in Artpark’s operations from the start. The park’s opening included the construction of its MainStage theater. The theater hosts an 82” by 96” stage and indoor seating for 2,400 people. Additionally when the theater’s rear gate was opened, an additional 2,000 could watch from the outdoor lawn. With these immense facilities, Artpark’s mainstage was one of the largest theaters in the state. 

    The venue opened to the world on July 25, 1974 with a performance from the Buffalo Philharmonic Orchestra. Opening with “O Canada” and the “Star-Spangled Banner,” the orchestra performed nine pieces ranging from Tchaikovsky to Chopin

    A paper program for the Buffalo Philharmonic Orchestra’s opening performance at Artpark

    The venue’s first year of performances is a who’s who of the greatest names in music history. Miles Davis, John Prine, Don McLean, Blue Öyster Cult, and more all played at Artpark, bringing audiences everything from jazz to hard rock. Included within these legends was a young Bonnie Raitt, selling tickets for only $3. 

    In addition to concerts, Artpark’s theater was a haven for stage performance. 1975 was the first full year of stage performances, including five performances of Man of La Mancha. These performances drew over 10,000 visitors to the park. Since then, Artpark has produced 104 productions, attracting 2.5 million to the venue. Performances have included Shakespeare’s Hamlet and Todd Almond & Lear Debessonet’s The Odyssey. These performances have highlighted local talent, broadway stars, and even international legends like ballet dancer Mikhail Baryshnikov.

    As part of Artpark’s shift towards live performances, a second concert venue was constructed. Built on top of the aforementioned “oldsmobile time capsule,” the outdoor amphitheater more than doubled Artpark’s capacity. Sitting directly over the Niagara Gorge, the amphitheater can host up to 10,000 concert-goers in its outdoor facilities. Since its construction, the amphitheater has become a haven for Artpark’s concerts. It has hosted musical legends like Ringo Starr, Bob Dylan, and Aretha Franklin. Additionally, newer artists including Arctic Monkeys and Lizzo have performed at the venue. 

    Artpark's Amphitheater
    An aerial view of the Artpark Amphitheater, Lewiston, NY

    On top of concerts, Artpark remains dedicated to its avant-garde roots. Artpark regularly features experimental musicians, including Null Point, Alarm Will Sound, and Laurie Anderson. Anderson’s “Stereo Decoy” is of note, featuring a piano and violin duet played on opposite sides of the US/Canada Border. The performance used broadcasting technology in tandem with the Niagara Gorge’s natural acoustics, keeping the tradition of environmentally inspired art at the site alive. 

    Artpark additionally remains dedicated to exhibiting visual artists. Walking around the park today, visitors will encounter a number of art pieces – both new and old. Among the new additions is a sculpture titled Murmuration, which mimics the appearance of a flock of birds. Beyond sculpture, The Solo Roths Waltz Across the Red Colossus Lot and Unity In Diversity highlight colorful calligraphy and paintings on pavement. 

    Among the works on display today are two from 1979. Gene Davis’ Niagara 1979 consists of 364-foot multicolored lines next to the mainstage theater. At 43,000 square feet, it was the largest painting at the time of its completion. Due to the importance of this piece, hundreds banded together in 2017 to restore it to its original beauty.

    Gene Davis’ Niagara 1979

    Even the park facilities are works of art. Most notable is Scott Burton’s Picnic Table and Four Benches also from 1979. The piece consists of a minimalist picnic setting, inspired by European avant-garde movements. This work is just another testament to Artpark’s famed blending of art, nature, and leisure.

    Throughout its shows and exhibitions, Artpark places a special emphasis on community involvement. This takes the form of the “Artpark Bridges” program. The program’s goal is simple: Connect, Empower, Create. In order to do this, Artpark connects people from the diverse population of Western New York, empowers them to display their talents, and create art for the public. This involvement has taken many forms, including both the aformeneitoned stage production The Odyssey and visual art piece The Solo Roths Waltz Across the Red Hot Colossus Lot.

    Norah Jones performing at Artpark in 2024

    2024 marks an important year for Artpark. Beginning in late May, Artpark has held its annual Summer Concert Series. So far, artists like Sarah McLachlan, Bonnie Raitt, and Norah Jones have all performed. There are still two months of concerts left, offering visitors the chance to see country, psychedelic, opera, and more. In addition to upcoming Summer concerts, Artpark has special programming to celebrate its 50th birthday. July 24th will feature a special Birthday Bash event. The exclusive fundraiser event will feature food, drinks, and festivities throughout the day. At the center of this event is a performance by Pat Benatar and Neil Giraldo, followed by a special fireworks show.

    Fore more information on Artpark, its history, and upcoming events, visit its website here.

  • Hearing Aide: “Better(er) Days” Brings Out The Best of Bad Mary

    On July 16, Long Island-based punk band Bad Mary released their newest EP, Better(er) Days. Their EP celebrates the 10-year anniversary of the release of their first album, Better Days.

    Complete with remixes and re-recorded versions of their first album’s hits, Better(er) Days is a refreshing, hard-hitting collection that brings out the best of Bad Mary.

    better(er) days

    In the ten years since the release of Better Days, Bad Mary released four killer EPs – Killing Dinosaurs (2016), We Could Have Saved the World (2016), Glitter Bomb (2017), and Trash And Glamour (2023), and punk-rock opera The Return of Space Girl in 2019. But despite their ever-growing discography, the band kept their first album quite near and dear to them. Ten years later, the tracks on Better Days are still part of their touring setlist.

    That being said, to be loved, at its core, is to be changed. Better(er) Days not only shows how Bad Mary has grown over time, but how much they truly loved the original songs on the original album. Bad Mary manages to keep the original integrity of each track, but the differences are still incredibly noticeable. It’s not just another way to re-release songs that fans have already heard hundreds of times, but a respectable homage to their debut. The re-release of these classic tracks shows how the band has grown over time, and how far they’ve come in the last decade. The tracks on Better(er) Days are tailored not only to each individual musician’s talent, but to their audience, giving their fans the songs they’ve loved in the past in the styles they love today.

    Harder and louder than the original album, Better(er) Days makes a point of highlighting the band’s influences: classic punk artists like The Ramones, Sex Pistols, and Misfits. Unlike the original album, the instrumentation of songs on Better(er) Days is much clearer, and the fast drums and rolling guitars juxtapose perfectly against lead singer Amanda Mac’s punchy vocals.

    Most noticeably different from their original tracks are “Ninja” and “Forget About It,” removing and replacing entire verses and backing track. For Bad Mary, Better(er) Days pays a fantastic tribute to their debut, reviving their classics in a unique way while still keeping them new, fresh, and modern. The EP perfectly reflects the roots of punk music yet updates it to the styles fans love today.

    Better(er) Days is out now and available on all streaming platforms. Listen to it here. For more information, visit Bad Mary’s website, here.