Beck’s deep decades-long catalog was on full display to a packed Koussevitzky Music Shed at Tanglewood on Tuesday, July 23.
With Edwin Outwater conducting another installment of Tanglewood’s Popular Artist Series, the Rock and Roll Hall of Famer performed songs from albums Sea Change and Morning Phase, two albums designed for performance with a full orchestra, having kicked off with shows in Washington state and California earlier in July.
The show featured not just songs from the two GRAMMY nominated albums – with Morning Phase winning Album of the Year in 2015 – but also deeper cuts from Mutations, Odelay, and more, with fan favorites mixed in, as Beck presented a well-rounded view of his three-decade spanning catalog.
Beginning at 7:21pm with Outwater walking out to join the Boston Pops, Beck followed behind as “Cycle” was played, moving into “Golden Age,” with Beck introducing his ‘new’ band to the crowd. Presenting his rock star cool – shades, an open-button white shirt with french cuffs, black blazer and pants, all despite having his luggage lost by an airline and even borrowing a pair of shoes – Beck strode about the stage, leading the show alongside Outwater’s conducting.
Beck recalled how he had visited Tanglewood once prior, just to see the place, and cited that he was jealous of the picknickers on the lawn. Cheers followed as he introduced “Wave,” off Morning Phase. Showing a versatility of songwriting influences, Beck shifted south to Brazil, playing “Tropicali,” suggesting that one day he might make a full album of Brazilian music.
With an upgraded sound thanks to the 80 or so members of the Boston Pops (making for quite the tour bus, Beck later quipped), a fresh orchestra intro to “New Pollution” stood out in the first radio-friendly song of the night, with Beck’s band taking the lead on guitar and bass for the first time this evening.
Giving a shout out to his mom who was in attendance this evening, the mellow vibe of the show (save “New Pollution”) was discussed as he moved into “Missing” off Guero, with strings arranged by his father, David Chapman. This Mortal Coil’s “Tarantula” was dedicated to the goths in attendance this evening, with Beck saying “I know you’re out there, beyond the trees.”
Beck noted that he sought to perform music that inspired him, including that of Frank Sinatra and Scott Walker, the latter of whom two songs were performed this evening – “It’s Raining Today” and “Montague Terrace (in Blue)” – songs that Beck himself wanted to hear played by an orchestra.
“We Live Again” was dedicated to French singer Françoise Hardy, who passed away earlier this summer. “Phase,” “Morning” and “Waking Light,” rounded out the orchestral performances this evening, with one more surprise in store – Beck’s 1996 hit “Where It’s At” – played with depth and panache from all musicians on stage.
Beck took time to thank the Boston Pops, specifically thanking each individual section of the orchestra – strings, woodwinds, brass and the rest – before they slowly departed the stage.
With a core band remaining, each of whom had been on the recording of Sea Change and Morning Phase – Justin Meldal-Johnsen (bass), Roger Joseph Manning Jr. (keys), Jason Faulkner (guitar), and Joey Waronker (drums) – Beck playfully asked ‘Where’s my orchestra?,’ before wandering the stage to get a perspective from the musicians view, sitting in the harpist’s seat, playing the vibraphone and gong, and finally breaking out a harmonica for a solo number, “One Foot in the Grave,” off Stereopathetic Soulmanure (as well as the title of another Beck album).
The feedback friendly “Devil’s Haircut” followed as energetic as ever, with breakout single “Loser” – a song Beck has now been playing for more than 30 years – closing the night.
While you could look at the setlist and see that some hits (including all of 2017’s Colors) were left unplayed, there were no complaints to be heard as Beck’s catalog runs deep. Given his excitement over the show and praise for Tanglewood and the Boston Pops, it feels we might see him back soon in the future.
Beck with the Boston Pops – Tanglewood, Lenox, MA – Tuesday, July 23, 2024
Setlist: Cycle, The Golden Age, Everybody’s Got to Learn Sometime, Lonesome Tears, It’s Raining Today, Wave, Tropicalia, Blue Moon, Lost Cause, The New Pollution, Missing, Tarantula, Round the Bend, Paper Tiger, We Live Again, Montague Terrace (in Blue), Phase, Morning, Waking Light, Where It’s At
Encore (Beck and his band): One Foot in the Grave, Devils Haircut, Mixed Bizness, Loser
Beck 2024 Tour Dates: 7/25 – Philadelphia, PA – Mann Center (w/ The Philadelphia Orchestra) 7/27 – Vienna, VA – Wolftrap (w/ The National Symphony Orchestra) 7/29-30 – New York, NY – Perelman Stage at Carnegie Hall (w/ The Orchestra Of St. Luke’s) 9/19-22 – Louisville, KY – Bourbon & Beyond 9/28 – St. Louis, MO – Evolution Festival 9/29 – Huntsville, AL – South Star Music Festival
The Crane Wives, a four-piece indie band hailing from Grand Rapids, Michigan, took the stage at Lark Hall in Albany, for a sold-out show that resonated with energy, uniqueness and charm.
Opening for The Crane wives was American performer, composer and guitarist, Yasmin Williams from northern Virginia who landed on the Billboard Heatseekers chart with her debut album, 2018’s Unwind and released her second album, Urban Driftwood, to widespread critical acclaim in 2021.
Yasmin Williams
Founded in 2010, The Crane Wives,composed of Emilee Petersmark (guitar/vocals), Kate Pillsbury (guitar/vocals), Dan Rickabus (drums/vocals), and Ben Zito (bass), has been weaving their unique sound through the fabric of the indie music scene, which makes their ever-growing popularity compelling to witness live.
From the moment the lights dimmed and the opening notes of “Queen of Nothing” filled the room, it was clear that the audience was in for a night to remember. The Crane Wives’ upbeat sound is infectious; they expertly blend folk influences with catchy melodies, creating an atmosphere that had even the most reserved attendees mesmerized and dancing to the rhythm. The use of three-part harmonies is particularly noteworthy, allowing them to create a textured sound that sets them apart from the myriad of other indie rock outfits. Songs like “Queen of Nothing” set the tone for the evening, transitioning seamlessly into the rest of their impressive 17-song setlist which was finished up with an encore of “Scars” and “The Hand That Feeds.”
The lyrics penned by the band are often deeply introspective, tackling themes that many of their dedicated listeners can relate to, yet they are always delivered with an upbeat musicality that defies the weight of the words. This juxtaposition between lyrical depth and energetic rhythm is what makes The Crane Wives so captivating; it’s a celebration of life, even in the face of hardships that connects their music to their ever growing fan base.
Throughout the concert, it was evident that The Crane Wives prioritize creating a sense of community within their fans. Their engagement with the audience was sincere and heartfelt. Between songs, the brief banter flowed effortlessly, allowing for moments of connection. This warm approach made the sold-out venue feel intimate and welcoming, as if you were sharing the experience with friends rather than watching a performance from a distance.
As the night unfolded, the crowd danced, sang along, and echoed the bandâs harmonies, creating an exhilarating sense of unity. With the anticipation of their upcoming album, Beyond Beyond Beyond, set to release on September 6.
The Crane Wives at Lark Hall was not just a concert; it was an immersive experience that combined exceptional musicianship with a passionate connection with their fans. If their performance is any indication, the band’s trajectory is set to rise even higher.
With their ability to captivate audiences and create a vibrant community around them, The Crane Wives are poised for an even brighter future, and one can only hope there will be more opportunities to enjoy their lively and poignant music in concert.
The Flaming Lips performed their blend of psychedelic musical theatrics at Artpark for their ‘Yoshimi Battles the Pink Robots 2024 Tour’ on a breezy Monday evening, July 22.
The mixture of long-time fans and new fans with different ages buzzed with excitement to share the moment with Flaming Lips, anticipating a jubilant celebration of their 2002 album: Yoshimi Battles the Pink Robots.
Before the show started, “Okie from Muskogee” was playing in the background, carrying the fans slowly driven into an energizing mood. The Flaming Lips opened the stage with “Fight Test,” while the band shared the stage with four Pink Robots growing and dancing before their eyes.
The first set was the album Yoshimi Battles the Pink Robots. The band took a break after the song “Approaching Pavonis Mons by Balloon,” leaving the audience eager for more.
The second set starts with their nonsensical hit “She Don’t Use Jelly” as fans of all ages sing along with the band. Wayne Coyne (lead singer) performed in his trademark giant plastic bubble, throwing balloons to the crowd, setting the tone, color, and phenomenal props for the extraordinary performance.
The whole night felt like a fun night at psychedelic karaoke as all the lyrics lit up the back of the stage so the audience could sing in unison for their two hour set. Although the audience really didn’t need too much help. The band finished their set with “Race for the Prize” and a oversized “Fuck Yeah Artpark” inflatable balloon and celebrated this beautiful moment with the crowd.
This moment of experiencing Flaming Lips performance would be remembered as one of the best and most colorful summer concerts at Artpark or even in Western New York. If you missed them or you hope to see them again, the Flaming Lips will be taking their Pink Robots tour to Toronto, September 8th.
The Flaming Lips – Artpark, Lewiston, NY – Monday, July 22, 2024
Set 1: Fight Test, One More Robot/Sympathy 300-21, Yoshimi Battles the Pink Robots, Pt. 1, Yoshimi Battles The Pink Robots, Pt. 2, In the Morning of the Magicians, Ego Tripping at the Gates of Hell, Are You a Hypnotist??, It’s Summertime, Do You Realize??, All We Have Is Now, Approaching Pavonis Mons by Balloon (Utopia Planitia)
Set 2: She Don’t Use Jelly, Flowers of Neptune 6, The Gold in the Mountain of Our Madness, What Is the Light?, The Observer, The Yeah Yeah Yeah Song, Suddenly Everything Has Changed, Pompeii Am Götterdämmerung, A Spoonful Weighs a Ton, Race for the Prize
Hailing from Ithaca, six-piece funk band NEO Project dazzles audiences with their energetic stage presence and hypnotic fusion music. Their unique, high-energy sound and performances have blown crowds away for the better part of a decade. With an interesting mix of genres and insatiable chemistry, NEO Project is sure to put on an unforgettable performance.
Since 2012, the band has been on a mission to make crowds dance with their stellar improvisation and musicianship. NEO Project is made up of Elly Holiday and Jimbo Scott as lead vocalists, John White on keyboards and backup vocals, Dwight Carroll on electric guitar and vocals, Franklin Henry on electric bass, and Mike McCoy on drums. As well-decorated veterans of the music industry, including past careers as music professors, soul practitioners, and even a former Motown sideman, they each hold a deep love and passion for funk, soul, jazz, and R&B music.
In their many years of touring and making music, NEO Project has worn many hats when it comes to performing. Originally, they began as a funk band, but soon after realized their true potential in becoming an all-out dance band that blends a multitude of genres. Bringing in inspiration from Afro-Caribbean music, as well as soul, jazz, and R&B, NEO Project combines the genres that were truly inspirational to them, with their own improvisational twist.
Eventually, through years of fine-tuning their sound, NEO Project became exemplary of the great diversity within the music industry, proving that genres can absolutely coexist and share the spotlight at the same time. Along with their own original music, NEO Project reinterprets some of the best soul, jazz, and funk music out there with their own unique twist, covering a wide range of artists from Deee-Lite to James Brown. Their unique sound has brought thousands from all over the state to bars, concert halls, and festivals to enjoy some new-age fusion in classic old-fashioned styles.
Throughout the last ten years, the NEO Project family has performed all over New York, bringing the energy to music festivals and concert series alike. On July 11, the band headlined a performance at the Ithaca Summer Concert Series; their most recent surmounting success right from their hometown. Their most recent gig at the Finger Lakes Cider House brought the house down with their incredibly dynamic and original performance.
NEO Project’s funky, charming tunes have brought them widespread critical acclaim, from magazines to newspapers and more. “There’s a new band based in Ithaca, NY that will have you tapping your toes and shakin’ your groove thing to its unique, fun style of Neo Soul, Funk, Jazz, Rock, and Afro-Caribbean world grooves,” says Roger Theies of What’s Hot? magazine. Harry Segal of The Dock calls them “the tightest funk fusion band in the land!”
After a rousing ten-year anniversary, NEO Project’s reign is far from over. Catch NEO Project at The Range, 119 E State St, Ithaca, for a surefire performance that will never make you want to throw away your dancing shoes. The end of a busy season awaits the band as August begins, with headlining performances at the Geneva Lakefront Summer Concert Series on Wednesday, August 14. On September 2, NEO Project will perform for a private member’s exclusive event at the Ithaca Yacht Club, followed by a headlining performance at the Corning Harvest Fest on Saturday, September 21.
For any information on the band, be sure to visit their official Facebook page, linked here.
The second day of the Great South Bay Music Festival on Friday, July 19, was a vibrant celebration of reggae music, transforming Shorefront Park into a haven of laid-back rhythms and positive vibes. The day featured an eclectic mix of reggae, ska, and rock, drawing fans from all over Long Island and beyond.
Main Stage Highlights
Pepper: Formed in 1997 in Hawaii, Pepper has been a staple in the reggae rock scene for over two decades, known for their infectious energy and dynamic sound. They kicked off their set with the energetic “Bring Me Along,” followed by “Rent,” keeping the energy high. Their set also included crowd favorites like “Stone Love” and “Brand New Day,” showcasing their unique blend of reggae and rock. They closed their performance with the powerful “Warning,” from their 2019 album Local Motion.
Streetlight Manifesto: Before Pepper took the stage, Streetlight Manifesto delivered a memorable performance, opening with “Watch It Crash.” They followed with “A Better Place, A Better Time,” captivating the audience with their energy. The band wrapped up their set with “Here’s to Life,” leaving a lasting impression with their blend of ska and punk.
Bandshell – Five Town College Stage
Badfish and Tropidelic: Both bands added to the day’s vibrant atmosphere. Badfish, known for their tribute to Sublime, and Tropidelic, with their funky, high-energy style, kept the crowd dancing and singing along throughout their sets.
The Bandshell – Five Town College Stage featured a diverse lineup of bands that kept the reggae vibes flowing all day long.
Samsara kicked off the performances, followed by the smooth sounds of Aqua Cherry. Nonstop to Cairo brought their high-energy mix of ska and hip-hop, keeping the crowd on their feet. Oogee Wawa closed out the stage with their unique blend of reggae, rock, and hip-hop, creating a perfect end to the dayâs performances.
Jambalaya Stage
The Jambalaya Stage was a hub of reggae and rock fusion, showcasing both local and up-and-coming talent.
IRIEspect started the day with their authentic reggae sound, followed by the Chris Ruben Band, who brought a mix of rock and reggae influences. Enrose and Roots Foundation continued the reggae vibes, with Roots Foundation delivering a standout performance. Formed in 2008 by bassist Corey Browd, this Long Island-based band pays homage to the roots style of reggae, drawing inspiration from legends like Bob Marley, Burning Spear, Steel Pulse, and Peter Tosh. The day on this stage concluded with the dynamic sounds of Half Breeds.
A Day of Unity and Celebration
The reggae-themed day at the Great South Bay Music Festival was a testament to the unifying power of music. With a lineup that honored the roots of reggae while embracing its modern evolutions, festival-goers experienced a day of peace, love, and rhythmic bliss. As the sun set over Shorefront Park, the sounds of reggae continued to echo, leaving everyone eagerly anticipating the next day of this incredible festival.
Pepper Setlist: Bring Me Along. Rent, Things That You Love, Nice Time, Stormtrooper, Your Face, B.O.O.T., Tradewinds, Too Much, Freeze, Drum Solo, Stone Love, Seven Weeks, Crazy Love, Green Hell, Brand New Day, No Control, Warning
Streetlight Manifesto Setlist: Watch it Crash, A Moment of Silence, A Moment of Violence, A Better Place, a Better Time, Intro: This Is a Call to Arms, Here’s to Life
Badfish Setlist: Smoke Two Joints, Caress Me Down, Garden Grove, We’re Only Gonna Die, Waiting for My Ruca, Feel Like That, Get Ready, Badfish, Doin’ Time, My Girl, Pawn Shop, Changes, Regulate, Santeria, The Final Countdown, Date Rape, What I Got
Round Lake Auditorium, located in the historic Round Lake village, has served as a cultural center for over a century. Beginning as a religious settlement, the Round Lake Auditorium has evolved into a unique piece of capital region history. Notable figures, including Ulysses S. Grant and Cornelius Vanderbilt have visited the village of Round Lake, enhancing its deep history.
Round Lake History
Founded in the post-Civil War Era, the Auditorium served as a religious gathering place since 1868. A group of Methodists from Troy made Round Lake their designated spot for “campmeeting”. Round Lake began as a covered open air speakerâs platform with the audience sitting on rough boards set on top of tree stumps.
By 1884, an 80 by 140 foot building was erected with furnished seating for 2,000 people. As Round Lake grew in popularity, it expanded its facility to accommodate for a greater audience. The popular religious revivals attracted as many as 20,000 worshippers each summer for rousing sermons.
From the late 1880s to early 1900s, the Auditorium hosted church services, lectures, conventions, concerts, movies, and ice skating in the winter. The Auditorium’s physical space evolved from a platform surrounded by benches to an enormous tent, then to an open-sided pavilion with canvas sides, and, in 1912, to the glass-enclosed building we see today.
Round Lake Gallery
Its literal and metaphorical center, the Auditorium is an integral part of Round Lake’s cultural community. The Auditorium fell into ruin and was nearly bulldozed in 1950, but the venue was revived. Today, the auditorium continues to serve as a cultural venue for concerts, performances of all kind, art shows, and community gatherings.
David Ferris Pipe Organ
It is impossible to discuss the Round Lake Auditorium without mentioning the David Ferris Pipe Organ. The David Ferris Pipe Organ, built in New York City in 1847, came to the Round Lake Auditorium in 1888. The organ is the oldest of its kind in the United States, and was designated as a landmark in 2016.
Round Lake Organ
The organ is a feat of American manufacturing and craftsmanship. The organ remains largely unaltered, and it has remained the remarkable instrument it was when it was built over 200 years ago
The organ’s “trackers”, thin wooden pieces that connect the keyboard to the pipes, allowing the organist more control of the sound. The non-wooden pipes in the organ contain Zinc, which adds strength to pipes that otherwise would have been made of lead. Lead pipes, with many of the organ’s contemporaries were constructed with, tended to fold in on themselves and collapse.
Playing the David Ferris Organ is a unique experience some organists compare to, “typing on a manual typewriter versus the light responsiveness of a computer keyboard”.
Present and Future
The Auditorium’s rich history adds to the intimate ambiance of the venue. The Auditorium is capable of accommodating 300 guests, along with orchestras, and stage productions. The Auditorium also holds community events and contributes to local creative arts. An open mic will be held on July 19, offering a perfect opportunity for artists to showcase their gift and build connections with the community.
Round Lake hosts a market event every summer, with food trucks, vendors, and concerts. The free event offers an opportunity to engage with the community while enjoying live music.
Today, the Round Lake Auditorium continues to bring the arts to the capital region. Organ recitals will be presented on August 25 by Craig Williams, September 8 by Tom Dressler, and September 15 by Gail Archer. A lecture series, open mic events, community events, tours, chamber music and master classes will all be part of the summer series. Their full event schedule is available here, and a previous organ performance is available below.
On a sunny Friday, July 19, the fields of Walsh Farm in Oak Hill, NY, came alive with the strums of banjos and mandolins as the Grey Fox Bluegrass Festival kicked off day two of this year’s annual celebration. This festival isn’t just a series of concerts; it’s a community where every chord and lyric weaves deeper into the tapestry of bluegrass tradition.
Grey Fox isn’t just a stop; it’s a destination steeped in the heritage of bluegrass. Celebrating its 40th anniversary this year, the festival draws enthusiasts and families annually, promising not just a top-tier lineup but a vibrant, living celebration of music. With educational tents like the Bluegrass Academy for kids and Jam Central, Grey Fox ensures that the legacy of bluegrass vibrates through every attendee and echoes beyond New York’s borders.
As dawn breaks, Grey Fox awakens to serene yoga and meditation, setting a peaceful tone. This tranquility transitions into lively jam sessions at Jam Central and the Bluegrass Academy for kids, as well as impromptu jams throughout the camping areas. As the day progresses, the smaller stages like Creekside and Gig Rig come alive with intimate performances.
Throughout, attendees navigate a bustling schedule, often catching artists multiple times on different stages, sometimes with special guests. By late afternoon, the energy crescendos with larger crowds gathering at the main stages, where the tents strain to contain enthusiastic fans.
Artist-in-Residence Della Mae‘s set featured surprise guests Casey Driessen and Darol Anger
As the night wound down, nobody was in a rush to leave. Instead, they lingered, guitars in hand around campsites, recounting the day’s performances and what they are looking forward to from the rest of the festival. It’s clear why Grey Fox is more than just a festival; it’s a cornerstone of bluegrass culture. With plans already buzzing for next year, it’s evident that for many, Grey Fox is an annual pilgrimage, essential for anyone who cherishes bluegrass and vibrant community gatherings.
Blue Grass Academy for KidsTwisted Pine on the High Meadow day stageWoodstock’s The MammalsCharlie ParrDel McCoury Band opened the main stage for day 2I Draw Slow on the High Meadow main stageMolly Tuttle & Golden HighwayMolly Tuttle & Golden Highway2023 IBMA grant recipients Country Gongbang
On Saturday, July 20, hundreds of passionate music fans gathered at Arrowood Farms in Accord, NY, for Larry & Teresa’s July Jam, a one-day celebration of classic Americana, hosted by industry legends Larry Campbell and Teresa Williams.
Photo Credit: Anthony Mulcahy
July Jam, the brainchild of Larry Campbell and Teresa Williams, is a brand-new festival with a mission to celebrate some of the best performers in Americana music in a picture-perfect Hudson Valley setting. This year’s lineup consisted of Connor Kennedy and Onestar, The Secret Sisters, Jackie Greene, Hot Tuna, and the headliners, Larry & Teresa. July Jam came hot on the heels of Campbell and Williams’ most recent album, All This Time, which was released on April 5.
Walking into the festival in its early hours, the energy was off the charts. A steady line of guests holding blankets and lawn chairs patiently filed into the picturesque Arrowood Farms and began densely packing the designated chair area, quickly turning the zone into a colorful wall of people. Another area for only those willing to stand was positioned in front of the chair section. All eyes pointed toward the centerpiece of the festival, the main stage.
Photo Credit: Anthony Mulcahy
The performance stage, a wooden platform decked out with all the lights and speakers that one would expect, was the perfect setting for the stacked lineup of talented Americana artists. A thick forest behind the stage provided the perfect atmospheric backdrop. To the left of the stage was a spacious chicken coop, with the roosters occasionally capping off the ends of songs with a “cock-a-doodle-doo,” which guests always appreciated.
Multiple artisanal stands dotted the back line of the music area. A merch table, a stand with clothing and mini dolls and a face-painting booth had a constant swarm of people eyeing up their goods and services. Off to the side of the main stage was a section for food vendors, which had a diverse variety of offerings for guests, from ice cream to lobster rolls to kebabs. A grid of wide picnic tables ensured that no guest went without a seat to eat.
Throughout the day, periods of intense rain came and went, but the guests stood their ground, unwilling to let a little water ruin the historic day of Americana. During the periods of clear skies, a gentle breeze blew the tantalizing smells of freshly cooked foods throughout the whole grounds.
With the perfect setting of Arrowood Farms for an evening of great music, the performers did not disappoint. From the opening set of Connor Kennedy and Onestar to the night’s finale of Larry & Teresa and Friends, every performance had the crowd going. By the time that the day turned to the evening, the standing area had fully filled up, and the energy rose to new peaks.
Photo Credit: Anthony Mulcahy
After a wonderful set from Hot Tuna, Larry and Teresa capped off the night and were joined by many of the day’s previous artists, perfectly ending July Jam with a full-circle moment. All the billed artists have had a close relationship with Larry and Teresa for years, which made the final moments of the night even more special. Right around 9:30, the last set ended, and the guests left. Based on the inaugural July Jam’s overwhelming success, a second festival next year should be a no-brainer for Campbell and Williams.
Visit here for information on other upcoming events at Arrowood Farms.
Photo Credit: Anthony MulcahyPhoto Credit: Anthony MulcahyPhoto Credit: Anthony MulcahyPhoto Credit: Anthony Mulcahy
Country-folk power couple Chaparelle gave an exciting performance on July 20 for the Woodstock community at Levon Helm Studios.
Chaparelle, fronted by singer and songwriters Zella Day and Jesse Woods, are currently on their first tour together. The two started writing music together a year and a half ago and invited producer Beau Bedford to their early sessions and announced nine tour dates on April 26. They released their first Chaparelle single, “Bleeding Hearts” on June 28.
The song reflects the classic country, slow, cowpoke sound of their homebase, Austin, Texas. The whole band is made up of Texans aside from Day who was born in Arizona, but spent most of her solo career in Los Angeles.
Levon Helm Studios was the perfect intimate venue for Chaparelle’s musical introduction to the Hudson Valley. Day and Woods are used to playing in Texas dance halls so the venue allowed them to have a closer connection with audience members. With only one single out, they performed almost all unreleased songs. “I can’t think of a more magical way to share this music,” Day remarked. The couple had eclectic chemistry on stage and their two voices melted together with impeccable harmony.
Chaparelle gave a sultry Woodstock performance of an unreleased song “Sex and Rage” and even added choreography with an iconic Austin dance move, the cuddle dip. Day sang her song “Girls” from her Sunday in Heaven album. With her iconic tambourine and entrancing vocals, Day has a captivating performance style that sucked her audience in.
One cover that had people singing along was their slowed, folky version of Whitney Houston’s “I Wanna Dance With Somebody.” Chaparelle ended their set with another cover during the encore. “Video Games” by Lana Del Rey was a song that inspired their own writing. Day has previously worked with Del Rey, opening for her a number of times and being featured on her Joni Mitchell cover, “For Free.”
Chaparelle has confirmed they will release an album in the future with the release date to be determined. With 19 dates still left on their U.S. tour, you don’t want to miss this classic country revival duo.
Remaining Chaparelle Tour Dates
JUL 27, 2024: NEWPORT FOLK FESTIVAL NEWPORT, RI
SEP 7, 2024: EVANSTON FOLK FESTIVAL EVANSTON, IL
SEP 26, 2024: BLUE CANOE TUPELO, MS
SEP 28, 2024: EVOLUTION FESTIVAL ST. LOUIS, MO
SEP 29, 2024: RECORDBAR KANSAS CITY, MO
OCT 1, 2024: MERCURY LOUNGE TULSA, OK
OCT 2, 2024: HOUSE OF BLUES DALLAS – CAMBRIDGE ROOM DALLAS, TX
OCT 4, 2024 – OCT 6, 2024: AUSTIN CITY LIMITS MUSIC FESTIVAL AUSTIN, TX
OCT 9, 2024: HOLLYWOOD THEATRE VANCOUVER, BC
OCT 11, 2024: TRACTOR TAVERN SEATTLE, WA
OCT 12, 2024: THE SHOWDOWN PORTLAND, OR
OCT 13, 2024: DOMINO ROOM BEND, OR
OCT 24, 2024: MIDDLE EAST UPSTAIRS BOSTON, MA
OCT 25, 2024: THE SULTAN ROOM BROOKLYN, NY
OCT 26, 2024: SONGBYRD WASHINGTON, DC
OCT 27, 2024: CAT’S CRADLE BACK ROOM CARRBORO, NC
OCT 29, 2024: THE EARL ATLANTA, GA
OCT 30, 2024: BLUE ROOM AT THIRD MAN RECORDS NASHVILLE, TN
Armed with an acoustic guitar, a natural gift for telling stories, and a charismatic way of connecting with people, Langhorne Slim’s sold-out performance at Levon Helm Studios on July 18th, 2024 was nothing short of superb. Drenched in emotion and musical authenticity, it was the type of show that’s both intimidating to write about and impossible to forget.
One that made you feel like you were having a brief brush with greatness and that you were witnessing one of the best performers of our time. Interactive and spontaneous, vulnerable yet hilarious and thought-provoking, anyone who was there will tell you this was about as good as a night of live folk music gets. Complete with a surprise sit-in from Sawyer Fredericks, an impromptu fan-led duet and a veritable reunion with the extended Siegal family, you could simply feel the love inside the cozy confines of Levon’s barn – and it was pure magic.
Langhorne Slim had them hanging from the rafters at Levon Helm Studios on 7/18/24.
Before things officially got started, the house announcer took a moment to reflect on the recent passing of Woodstock folk icon Happy Traum. Noting his longtime connection with the area, both as a frequent participant in the venue’s legendary Midnight Ramble series, as well as collaborations with his famous friends Bob Dylan and Pete Seeger, the entire evening was dedicated to him.
From there we were treated to a short-but-lovely set by the husband-and-wife folk duo of Zach Schmidt and Jackie Berkley, collectively known as Golden Everything. Built on the interplay between Jackie’s uplifting voice and Zach’s seasoned pipes, songs like “No One But You,” and “Remedy” captivated the crowd. Making the most of their allotted time, the couple was also happy to announce they are soon-to-be-parents, while also making a point of thanking their friend, Langhorne Slim, for including them on this run of shows.
Golden Everything opened the show for Langhorne Slim in Woodstock, NY 7/18/24.
Posting on social media prior to kicking off his ‘Politics of Love Summertime Shows,” Langhorne Slim would boldly declare “Take a stand, f*ck the man, explode yer television and go see yer favorite bands.” With his intentions clear, Levon Helm Studios was sold out weeks in advance. Taking the carpeted portion of the floor to a rousing ovation, Langhorne Slim would take a second to adjust to his surroundings. Somehow appearing to make eye contact with just about everyone in the barn before playing a single note, you were drawn to him almost instantly.
Noticing a couple empty seats in the front row, he would joke with the crowd and ask “if we should wait for them?” before starting off with his song “Better Now.” Born Sean Scolnick in Langhorne, Pennsylvania in 1980, he adopted the stage name of Langhorne Slim to keep close to his roots, despite now living in Nashville. Now with seven full-length albums under his belt, Slim would take a moment between songs to talk about his writing process. Mentioning how he typically tries not to use foul language on the records for various reasons, it was a little funny that the last two songs he’s written are laced with “F” bombs. One that particularly struck a chord was called “WTF Is Going On.”
Tell me someone what the fuck is going on, because were living in some fucked up times. We all know we’ve been had and I mean really bad and we all keep coming back for more. Everyone seems sure, but I ain’t sure and I don’t know what the hell is going on anymore. Tell me someone what the fuck is going on, because were living in some fucked up times.
-Langhorne Slim
While it was likely the first time hearing this song for many in the sold-out crowd, nearly everyone knew the next one, “Changes.” Settled in and feeling relaxed, Langhorne Slim would continue peeling back the layers of his life, sharing personal anecdotes and reflections, creating a space that felt less like a concert and more like a gathering of friends. This level of engagement transformed the performance into a shared experience, making every person in the room feel seen and heard.
Speaking off-the-cuff and recounting tales of life on the road and a series of paranormal occurrences at one particular Airbnb, Slim would have the crowd in stiches just by being himself and talking about his journey to get to this moment. After “House of My Soul (You Light the Rooms), Slim would invite his old friend Sawyer Fredericks to the stage for help on the next song, “On the Attack.” A familiar face for many, Fredericks first made a name for himself on the popular NBC hit show The Voice by covering this same song. Coming full circle and performing it together in this Woodstock atmosphere felt special, while Slim would exude after that “the boy still has it!”
Surprise Sit-In: Langhorne Slim (left) was joined by Sawyer Fredericks (right) at Levon Helm Studios on 7/18.
Throughout the set, Langhorne Slim laid bare his soul. In a performance full of tender moments, a pair of tunes that stuck out as particularly moving were “Song For Silver,” a new one describing how the clichés of becoming a Dad are actually real and “Song for Sid,” about his own beloved father. Noting that “I will play this one any chance I get,” the room felt particularly gripped as Slim’s gravelly and heartfelt voice reverberated through the storied barn with gusto and passion. The perfect acoustics even allowing him to step away from the microphone and still be heard while dancing about the stage.
I called a healthcare professional Wanna speak to someone confidentially Don’t know just how I’m feelin’ But I’m feelin’ feelings exponentially
Calm voice started asking questions Said, “Ma’am I was hoping for advice I’m feelin’ lots of feelings Not a single one of ’em feels nice”
She said, “Do you ever think about dying” Said, “No but sometimes I lie”
-Lyrics from ‘Panic Attack’
Another moment that stuck out was Slim’s introduction to the song “Panic Attack.” Written during a bleak time when he found himself alone at age 40 with only his cat, Mr. Beautiful, by his side, Slim talked openly about seeking professional counseling, getting sober, relapsing and the gift of getting sober for a second time. Captured brilliantly on his 2021 album Strawberry Mansion, Slim would also play the albums opening track, “Mighty Soul” before telling a story about meeting a lovely couple in the parking lot earlier that day who claimed they were about to walk the aisle to one of his songs, “Sea of Love.”
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
So touched by this, and knowing how expensive weddings can be these days, Slim suggested we use this occasion to be the ‘real’ celebration. Then inviting Becca, the bride to be, up to the stage, the two would duet on a beautiful rendition of “Sea of Love.” The shock and smile on her face saying it all, it was surely a moment the young lady will never forget. Slim would joke, “When you invite a stranger up to the stage, you never know if they can actually sing.” Luckily for us, Becca nailed it. Afterwards another couple would speak up and say “Sea of Love” was also their wedding song.
Sea of Love: Langhorne Slim invited super-fan Becca up to sing her ‘soon-to-be’ wedding song with him on 7/18/24.
It was around this time Langhorne Slim took the pulse of the room once again and asked if there was anything people were hoping to hear that he hadn’t played yet. With seven records of material to choose from, there was still plenty on the table and the requests instantly started raining down from the balcony in waves. A bit overwhelmed by the response, Slim would do his best to please everyone. Working his way through staples like “Wolves,” “Never Break,” and “Past Lives,” Slim would teach the audience the call and response chorus to “Cinderella,” from 2009’s Be Set Free album which had the whole barn howling with delight to the lyrics of “Do you feel good (I feel alight) / That makes me feel good (outta sight).
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
After commenting on how silly it would be to walk off stage just to come right back for an obligatory encore, Slim had one more surprise up his sleeve. Inviting some very special guests up to join him instead, Slim welcomed local Grammy nominated record producer and multi-instrumentalist Kenny Siegal, along with his extended family, to the stage.
The history here running deep, as Langhorne Slim’s breakthrough album, 2012’s The Way We Move was recorded just down the road at Siegal’s Old Soul Studio in Catskill, a 100-year-old Greek Revival house retooled for recording. Co-produced by Siegal, an astonishing 26 songs were completed in just four days. With the album now considered by many to be a modern masterpiece, it was another magical, full-circle moment when the Siegal’s joined Slim for the cathartic show closer and title track from that album, “The Way We Move.”
All in the Family: The family of producer Kenny Siegal joins Langhorne Slim on stage for “The Way We Move” in Woodstock, NY 7/18/24.
So caught up in the moment, Slim would unplug his guitar and dance around with the youngest member of the Siegal family before wandering all the way up into the balcony to sing along with the ‘standing room only’ crowd. Going out of his way to make sure everyone had a special moment of connection with him, there wasn’t a person there who didn’t walk away from the concert smiling about their brush with greatness.
Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.
The evening at Levon Helm Studios was more than just a musical performance; it was an intimate exchange of stories and emotions. Delivering both classic hits and new tracks with a fervor that revealed his deep commitment to his craft along with the personal struggles and triumphs that fuel it, when he told the crowd that “he didn’t come all this way to lie to them,” you believed it. Slim’s ability to connect so deeply with people, coupled with his passionate delivery, powerful and distinct voice and thought-provoking lyrics created the perfect recipe for an unforgettable night of music and soul-searching.
Made even more special by the surprise sit-ins and the venue’s rich history, it’s easy to see why Langhorne Slim considers Woodstock one of his favorite places to play. Standing at the door on the way out, I wasn’t quite sure what to say to the man. After shaking hands and sheepishly thanking him for all the great music over the years, I think he knew where I was coming from and he went in for a big ‘ol bear hug. Trading compliments and sweat on a hot summer night at Levon’s barn; the perfect ending to a night I won’t soon forget.
Langhorne Slim | July 18, 2024 | Levon Helm Studios | Woodstock, NY
Setlist: (partial) Better Now, WTF Is Going On, Stealin’ Time, Changes, House of My Soul (You Light the Rooms), On The Attack , Sugar Plum, Song for Silver, Wolves, Panic Attack, Song for Sidney, Long Live Time, Never Break, Mighty Soul, Sea of Love, Get My Kicks, Cinderella, Past Lives.
Encore: The Way We Move (featuring the Siegal Family).
