Category: Features

  • Phish Return with New Album Evolve

    Legendary Vermont jam band Phish released their new album, Evolve, on July 12. This new album – the band’s 16th studio release – is the centerpiece of a busy year for Phish. It comes following a boundary-breaking four-night run at Las Vegas’ Sphere, a tour across the US, their first music festival since 2015, and appearances on The Tonight Show with Jimmy Fallon. The ambitious new album finds Phish bringing audiences tons of new material to experience. 

    Phish's Trey Anastasio

    In 2020, Phish announced a performance hiatus prompted by the COVID-19 pandemic. Following this announcement, fans waited four years for a studio follow up to 2020’s Sigma Oasis. That follow-up arrived on July 12, 2024, with Phish’s 16th studio album Evolve. The band, alongside producers Vance Powell and Bryce Goggin recorded the album throughout 2023 in their Vermont studio “the Barn.”

    Evolve is truly a testament to Phish’s staying power, showing that even 30 years into their career, the group still retains a mastery of genre-experimentation and fun jams. The album mostly consists of softer-rock tracks that still contain enough instrumental flourishes and lyrical complexities to keep listeners invested. Whether it is the lush strings of “Mercy” or the vocal harmonies of “Ether Edge” these tracks illustrate a musical prowess and maturity like few other bands. 

    Although much of the album is more subdued, Phish still knows how to turn up the volume. “Wave of Hope” kicks off with an overdriven guitar riff that sounds straight from Deep Purple before evolving into a rock jam. With energetic guitar solos and a bluesy piano part, the song takes staples of classic rock and imbues them with Phish’s loose playfulness. “Life Saving Gun” really illustrated Phish’s genre-bending prowess. It begins as a funk-rock number, but as the song progresses it morphs into a psychedelic passage, featuring affected guitars and space-age sound effects, with spacey instrumentation before returning to its groovy base. 

    One highlight of the album is the title track “Evolve.” The song builds off catchy instrumental lines with jangly funk-inspired guitars, upbeat percussion and melodic pianos. On top of all this is Trey Anastasio’s lyricism touching on finding peace with the growing complexity of the world around us. “Then came the people with their problems and hope that don’t mean a thing if they just knew the scope.” Like the lyrical themes suggest, this song was born out of the Covid-19 Pandemic, with Anastasio penning it in the early days of the Covid lockdown.

    This original version of the song was much more minimalistic than the final release, but still retained its beautiful ambience with whirling guitar lines and chimes. The album-version of “Evolve” is much more musically complex, evolving throughout its run. As the song progresses, it adds additional layers of strings, guitar lines, and energetic solos.

    An early version of “Evolve” recorded by Anastasio during the 2020 Covid Lockdown

    Overall, Evolve shows that Phish is still at the top of their game. The band takes their signature psychedelic jams, and imbues them with a toned-down maturity. Whereas for other groups, this could spell disaster, Phish pull it off especially well. As this album shows, “toned-down” is by no means boring, with each track containing complex instrumentation that keeps listeners going back to discover more. The album additionally retains Phish’s iconic genre-blending, knowing exactly when to splice in a harder track and add new flavor to its sonic palate. Evolve is a great testament to Phish’s experience and a sign of things to come in their future.

    Phish's Evolve

    To celebrate the release of this new album, Phish made a special guest appearance on The Tonight Show with Jimmy Fallon. On top of a performance of “Evolve,” the group took part in the show’s cold open. The skit features Phish, Fallon, and the Roots together in the Elevator of 30 Rock. The group then bursts into a parody of Aerosmith’s “Love In an Elevator,” comedically stopping whenever someone hops on the elevator. 

    This album release comes as part of a busy year for Phish. They have already sold out four-nights at the Sphere in Las Vegas back in April in the leadup to Evolve’s release. Following inaugural shows by U2, Phish made history as only the second band to play the state-of-the-art venue. The band played extended jams of songs both old and new, all while psychedelic imagery played on a 160,000 square foot screen above the stage. Among the songs performed was “Life Saving Gun” off of Evolve, brought to life by the venues immersive sound equipment.

    Now, the band has announced a cross-country tour for the remainder of 2024. Beginning at the Xfinity Center in Mansfield, MA, Phish will snake westward to Colorado. This tour includes many shows in and around New York, including two sold-out nights at Connecticut’s Mohegan Sun Arena. Additionally, Phish will play three shows at the Bethel Woods Center for the Arts, at the sight of the historic Woodstock Festival.

    Phish Live 2024/2025 Dates

    JULY

    19 – Mansfield, MA – Xfinity Center

    20 – Mansfield, MA – Xfinity Center

    21 – Mansfield, MA – Xfinity Center

    23 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)

    24 – Uncasville, CT – Mohegan Sun Arena (SOLD OUT)

    26 – East Troy, WI – Alpine Music Valley Music Theatre

    27 – East Troy, WI – Alpine Music Valley Music Theatre

    28 – East Troy, WI – Alpine Music Valley Music Theatre

    30 – St. Louis, MO – Chaifetz Arena

    31 – St. Louis, MO – Chaifetz Arena

    AUGUST

    2 – Noblesville, IN – Ruoff Music Center

    3 – Noblesville, IN – Ruoff Music Center

    4 – Noblesville, IN – Ruoff Music Center

    6 – Grand Rapids, MI – Van Andel Arena

    7 – Grand Rapids, MI – Van Andel Arena

    9 – Bethel, NY – Bethel Woods Center for the Arts

    10 – Bethel, NY – Bethel Woods Center for the Arts

    11 – Bethel, NY – Bethel Woods Center for the Arts

    15 – The Woodlands, Dover, DE – Mondegreen

    16 – The Woodlands, Dover, DE – Mondegreen

    17 – The Woodlands, Dover, DE – Mondegreen

    18 – The Woodlands, Dover, DE – Mondegreen

    29 – Commerce City, CO – Dick’s Sporting Goods Park

    30 – Commerce City, CO – Dick’s Sporting Goods Park

    31 – Commerce City, CO – Dick’s Sporting Goods Park

    SEPTEMBER

    1 – Commerce City, CO – Dick’s Sporting Goods Park

    2025

    29 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    30 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    31 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    1 – Quintana Roo, Mexico – Phish: Riviera Maya 2025

    For more information on Evolve and Phish’s upcoming tour, visit their website here

    https://www.youtube.com/watch?v=NyNpEcNbZM4
  • Punk Icons NOFX Deliver a Farewell to Remember at Brooklyn Paramount

    Brooklyn Paramount was electric on Saturday, July 13, as NOFX delivered a powerful performance on the second of their three-night stand, part of their much-anticipated final tour.

    These shows were the only US dates on their tour, making them a unique and intimate experience compared to the rest of the Punk in Drublic festival.

    The legendary punk rock band kicked off their worldwide farewell tour on April 22, 2023, in Austin, TX. The tour spans forty cities across the globe, including stops in Australia in January, Europe in May and June, and North America from April to October 2024.

    Each night, NOFX performs 40 songs, featuring full albums and rare tracks, ensuring no setlist is ever repeated. This meticulous planning guarantees a unique experience for every show, culminating in their final performance in Los Angeles on October 6, 2024.

    Frontman Fat Mike, alongside bandmates Eric Melvin, Erik Sandin, and El Hefe, poured their hearts into the Brooklyn Paramount show. The setlist on July 13 was a blend of tracks from at least 12 different albums, with a heavy focus on Wolves in Wolves’ Clothing and Pump Up the Valuum. The night began with the energetic “60%,” and included fan favorites like “Murder the Government,” “Bob,” “What’s the Matter with Parents Today,” “The Longest Line,” and “Drugs Are Good.” The encore was a high-energy conclusion featuring “Bottle to the Ground” and the iconic “Kill All the White Man.”

    Opening the night was Fat Mike’s new project, Codefendants, whose set included “Brutiful,” “Prison Camp,” “Fast Ones,” and “Sell Me Youth.” Following them was Murphy’s Law, a staple of the New York hardcore punk scene since 1982. Despite numerous lineup changes, vocalist Jimmy Drescher remains the heart of the band. Their energetic set included “Quest for Herb,” “Crucial Bar-B-Q,” “Cavity Creeps,” and “Someone’s Gonna Get Their Head Kicked in Tonight.”

    Formed in 1983 in Los Angeles, NOFX has been a cornerstone of the punk rock scene for over four decades. Their rebellious spirit and distinctive sound have influenced countless bands and garnered a dedicated global fanbase. Despite the ups and downs of the music industry, NOFX has maintained their independence, releasing music through their own label, Fat Wreck Chords.

    Fat Mike, the band’s charismatic and often controversial frontman, has been vocal about his reasons for ending NOFX. “Because I don’t enjoy it like I used to,” he told Louder in December 2022. “And if I don’t get loaded, I really don’t want to do it. I don’t need to be onstage hearing people applaud and dance. I don’t need that. Some people are addicted to that.”

    He added, “I’ve started doing stand-up comedy and I like that way better, in front of 30 people. And writing music. I’ve been writing [string] quartets, which I really enjoy, and writing for other people. I have another band called the Codefendants, which is really exciting to me.”

    As the final tour progresses, fans worldwide are cherishing these last moments with NOFX. The Brooklyn Paramount shows are a testament to the band’s enduring legacy and their unwavering connection with their audience. For those in attendance on July 13, it was a night of nostalgia, high energy, and a bittersweet farewell to one of punk rock’s most influential bands.

    Codefendants Setlist: Brutifal, Defcons, Abscessed, Suicide by Pigs, Disaster Scenes, Prison Camp, Fast Ones, Counting Back From 13, Sell Me Youth

    NOFX Setlist: 60%, Seeing Double at the Triple Rock, Murder the Government, Bob, Pharmacist’s Daughter, 72 Hookers, All Outta Angst, Louise, The Man I Killed, Leaving Jesusland, What’s the Matter With Parents Today, 100 Times Fuckeder, The Marxist Brothers, Fuck the Kids, Juice Head, Hobophobic, Monosyllabic Girls, I’m Telling Tim, Instant Crassic, Can’t Get the Stink Out, The Longest Line, What Now My Love, I Don’t Like Me Anymore, Drugs Are Good, Benny Got Blowed Up, Radio, Shut Up Already, Green Corn, All My Friends In New York, The Seperation of Church and Skate

    Encore: Riff Raff, Dinosaurs Will Die, Herojuana, Bottles to the Ground, Kill all the White Man

  • Sunshine Daydream: Peach at The Beach Rocks Atlantic City

    The Peach Music Festival just had their first “Peach at the Beach” at the Showboat Resort in Atlantic City. Although it was not at the usual Montage Mountain venue, this venue also had a waterpark, reminiscent of the festival people have grown to love, with familiar faces and favorite jams filling the air.

    The waterpark sets were mainly DJs including DJ Logic, aside from Dogs in a Pile, who played a funky set for all of the waterpark attendants. The Dogs are quickly solidifying their place within the jam band scene. This set included a masterful “Ship of Fools” and even a cover of Phish’s “Tube.”

    peach at the beach

    The main stage opened up with some reggae vibes from Mykal Rose of Black Uhuru. This featured a different, palette cleansing sound, which was quite different from the other music, yet lively and exciting.

    peach at the beach

    Next up for Peach at the Beach was Karina Rykman who played some tracks off her new album Joyride. The set was filled with high peaks, bass bombs, and lots of jams.

    Trouble No More played “Eat a Peach”, a great nod to the Allman Brothers roots of this festival. Highlights included “Blue Sky,” “Melissa,” and “Mountain Jam.” Taz’s guitar playing as a frontman just continuing toi get better with age.

    Dogs in a Pile took the stage with a memorable set, putting the crowd into party mode. The set included their hit “Trunk Run” which references Atlantic City within the song, encoring with a face melting “Fire.”

    After a longer break than expected, Joe Russo’s Almost Dead took the stage at 9:30 as opposed to 9 and played one long set as opposed to the advertised two. This proved to be rather disappointing but the band played an absolutely stellar set filled with genre-bending experimentation and mind-blowing peaks.

    JRAD opened up with “Scarlet Begonias,” a Deadhead favorite, but this group makes it clear that they are much more than a Grateful Dead cover band, pushing the music to new heights and making their unique sound prominent. The set also included a masterful “Estimated Prophet” and a jammed out “Playing in the Band”. They finished with “Uncle John’s Band.”

  • Chris Stapleton and Marcus King Pack Darien Lake

    Playing to a sold-out crowd, Chris Stapleton brought his country rock show to Darien Lake Amphitheater on July 11. With support from Marcus King and Nikki Lane, the crowd of nearly 21,000 was treated to a night of amazing music and perfect weather to compliment.

    Not really new to music, Marcus King is taking country music scene by storm in recent years. With heavy mix of southern rock and classic country licks, King delivers a stellar performance as he precedes the headliner on stage.

    King’s touring band includes, Jack Ryan on drums, Stephen Campbell on bass, Drew Smithers on guitar, Mike Runyon on keys, and Chris Spies on sax.

    Heavily influenced by acts like the Allman Brothers and Waylon Jennings, King produces the perfect sounds for a hot summer day.

    Chatting up conversation with fans lined up at the photo pit barricade, I came across young and old fans like. There was a young lady dressed as Stapleton, who was attending her first concert. There were best friends who splurged to get up close, and there were families front and center ready to tap their boots to some “Tennessee Whiskey.” Parenting done right, it will always bring a smile to my face to see children at the front the shows. Music is awesome, but live music like that is on a whole other level.

    Running about 15 minutes late, Stapleton hit the stage to a loud and boisterous round of cheers and applause as he immediately rolled into “White Horse”, “Nobody to Blame”, and “Second One to Know.” For some it was the first time seeing the country star, for others it was another notch in the belt. Either way, Stapleton had the fans on their toes for the next 90 minutes.

    Not one for much chatter during the set, Stapleton rolled through the 23-song set with his wife, Morgane, within arm’s reach. Providing background vocals as well as duets with her husband on most songs, she makes them quite a dynamic duo.

    21,000 fans packed into lawn and shell seats for a night of amazing music and 21,000 fans were treated to an unbelievable show by a country mega star and a mega star in the making. This was a night to remember for so many, especially for that young lady in front who got see Chris Stapleton from the very front row.

    Leaving the show a little early avoid the notoriously horrific Darien Lake parking lot traffic, you could still hear Stapleton belting out “Fire Away”, “Tennessee Whiskey”, and “Broken Halos”. As I made my way to my car, the crowd was perfectly in sync, just as they were from the first note of the night.

    Stapleton continues his tour with Lane and King this summer, as well as stops to perform with George Strait along the way.

    Chris Stapleton setlist: White Horse, Nobody to Blame, Second One to Know, Millionaire (K. Welch cover), Crosswind, Trying to Untangle My Mind, South Dakota, Might as Well Get Stoned, What Am I Gonna Do, Think I’m In Love With You, Whiskey and You, Arkansas, Starting Over, Joy of My Life (J. Fogerty cover), Parachute, Mountains of My Mind, You Should Probably Leave, Cold, Free Bird/The Devil Named Music, Traveller, Fire Away, Tennessee Whiskey, Broken Halos

  • Woodstock Duo Spillway Release Debut Single, “Are You Having Fun Yet?”

    Spillway, a brother duo from Woodstock, made their musical debut on July 9, with their first release, “Are You Having Fun Yet?”

    Are You Having Fun Yet? by Spillway

    Twin brothers, Aaron and Wyatt Mones have been making music for years as singer-songwriters and multi-instrumentalists. However, this time around, they’re making music under their new project, Spillway. Named after the street they grew up on in Woodstock, the project emphasizes the sentiment of their musical upbringing and collaborations as brothers, even when they live on opposite coasts.

    Their new single “Are You Having Fun Yet?”, gives listeners a folky tune mixed with a more universal pop sound and hints of country western. Inspired by the music of artists like Blake Mills, Frank Ocean, and Sufjan Stevens, the song represents the artistic direction of each brother respectively, coming from different perspectives and environments. The song is successful in evoking nostalgia and reflection and truly has appealing features for vast tastes in music.

    The new song is Spillway’s first release on Indiana-based independent label, Wally Opus Records. The brothers self-produced the record themselves, having to either work remotely from each other or commute across the country to do so. So far, the song is gaining traction quickly on streaming services for having been out just less than a week. If “Are You Having Fun Yet?” is any indication of what Spillway will produce in the future, fans of folk and indie are going to want to keep them on their radar.

    Listen to “Are You Having Fun Yet?” on your preferred streaming platform here.

  • Jason Mraz takes Canandaigua on special ride

    Two-time Grammy Award winner, Jason Mraz, hit the stage at CMAC on Wednesday, July 10. Bringing a night of positive and inspirational messages, Mraz rocked the Northeast shore of Canandaigua Lake, along with Ripe and The Molly Miller Trio in support of his 2023 release, Mystical Magical Rhythmical Radical Ride.

    Jason Mraz

    With the threat of tornados from Buffalo to Canandaigua throughout the day, Mraz and fans were keeping a close on the weather. As Mraz hit stage around 830, it was clear that many fans decided to stay home. Thanks to venue staff for doing the right thing, as many lawn patrons were offered seats under the cover of the shell.

    Getting the night started was Ripe. Fronted by Robbie Wulfsohn, Ripe is a highly energetic pop-funk band from the Boston area. Formed while studying at Berklee College of Music and working through the pandemic, Ripe has developed a mini cult-like following of music fans of all ages that keeps on growing. Pairing with the powerful voice of Wulfsohn were Christian Yogi Saint-Louis on guitar, Sampson Hellerman on drums, Jon Becker on Bass, Calvin Barthel on Trombone.

    Opening for an act like Jason Mraz might be intimidating for some, but for these guys, not even the weather was intimidating as they dominated their set. Both Wulfsohn and Becker were all over the stage, never skipping a beat.

    Ripe Setlist: Flipside, Stanky, Passerby, Say It To Me, Sussudio (P Collins cover), First Time Feeling, Noise in The Forest, Downward, Settling, (Goon Squad)

    As Mraz took the stage donning a retro looking fit, the crowd is energized and ready to dance the night away, a common theme at Jason’s shows. Joining him on the stage that was backlit by large display screen was his Superband, a collection of nine other artists who were all ready for a workout, including Molly Miller, Billy Galewood, and other members of Bushwalla.

    “Getting Started” and “Feel Good Too” was the ideal pair of songs to get the set started. Both songs carry poppy, trippy, and happy vibes which set the tone for the next 90 minutes.

    Before song three began, insight was offered up on the meaning of “The Remedy.” He went on to talk about a conversation with a high school friend who had a deep conversation with him around age 20 and told Mraz of his recent cancer diagnosis. Definitely, not something anyone wishes to deal with but sadly becomes part of life. In an ode to his friend and the most positive outlook one could have in his situation, “The Remedy” was born. Mraz continued on saying that this friend is alive and well today, and recently celebrated his birthday.

    Admittedly, I could not name more than one song from Jason Mraz before the show. As the night progressed, I recognized several, not realizing who the artist was. Not realizing the level of talent I was listening to. Guitarist, lyricist, dancer, and story teller, Jason Mraz offers it all and delivery is second to none.

    As he continues his set, he adds in wit and banter related to each song, or the weather as he cracked a couple tornado jokes. He even ‘Rick Rolled’ the Canandaigua crowd. Introducing a song, he began to talk about a special guest who join in him on stage, as he called out Colbie Caillat, an artist who he has collaborated with previously. After a brief pause, he added “…Could not make it tonight” and immediately went into Rick Astley’s “Never Gonna Give You Up.”

    Keeping the jokes going, he offered alternate lyrics to “Pancakes & Butter,” his song about waiting for someone special because they pair well together. Trying to keep straight face, Mraz started singing about Rochester and garbage plates instead of “Pancakes & Butter.” Apparently, the former didn’t flow, and he had to scrap the idea.

    As the night concluded with “I Feel Like Dancing,” Mraz was joined on stage with Ripe and they danced the night away. Artists pairing up with each other and creating an amazing scene on stage as the entire crowd is up screaming for more. A very fitting conclusion to a very uplifting show.

    Jason Mraz setlist: Getting Started, Feel Good Too, The Remedy (I Won’t Worry), 3 Things, Living in the Moment, Good Old Daze, Be Where Your Feet Are, Look For The Good, Make it Mine, Butterfly, Pancakes & Butter, Disco Sun, 93 Million Miles, I Won’t Give Up, Have It All, You Might Like It, I’m Yours, I Feel Like Dancing

  • Jim Jones, Brady Watt Join Forces At ‘Godspeed’

    Jim Jones’ rapping and delivery have aged like wine. Thus it comes as no surprise that as Brady Watt sifted through beats at — Dipset affiliates — Heatmakers’ studio, he could not help but think of Capo. “With Dipset already on my mind, we reached out to Jim Jones, and he miraculously came to the studio a few days later,” Watt recalls. 

    Jim Jones and Brady Watt in the studio
    Brady Watt adds his touch to The Heatmakers’ beat, creating “Godspeed.”

    Hence, the end result –“Godspeed”– is classic Heatmakers beat. Backed by a high pitch and soul sample, the record sees Jim Jones introspectively shares his life and times and Brady Watt delivers a passionate chorus. Yet during the recording process, Watt was mourning the loss of a close friend’s father. Thus channeling his emotions into the song, turning his sadness into a passionate message about gratitude, alignment with destiny and God’s timing.

    “Jim did the verse on the spot and brought everything to the next level. Thankfully, my cameraman was there to document everything,” Watt reveals. Indeed, the music video for “Godspeed” consists of the intimate studio session, showcasing Watt’s diversity as he provides vocals, production and instrumentation on the record.

    “I’m a lifelong Dipset fan,” Watt shares. “Over the years, I’ve developed a friendship with Jim and Heatmakerz. I’m always making beats, but I wanted to see what would happen if I used someone else’s production while still adding my instrumentation and bass.”

    More From Brady Watt

    Ultimately, “Godspeed” is the latest feather in the cap of the the multi-instrumentalist/producer. After all Watt has been a hip hop mainstay thanks to his musical chops. Aside from being a well-renowned live musician and session bass player, he continues to push musical boundaries with his groundbreaking “Bass & Bars” series, which has now garnered over 100 million views. 

  • 30 Years Later: Phish at Big Birch Concert Pavilion, July 13, 1994

    On July 13, 1994, while the Grateful Dead drew a reported 60,000 fans to northern Vermont, Phish performed five hours south at Big Birch Ski Area in Patterson, NY to a much smaller crowd who were treated to the musical risk-taking and on stage antics that Phish was slowly becoming known for, barely into their second decade of existence.

    Big Birch Ski Area – now known as Thunder Ridge Ski Area – is located in the rural town of Patterson, NY, close to Connecticut border in the northern reaches of Putnam County. Big Birch would host concerts each summer at the base of the mountain hill, with parking at the top of the unimposing slope. Tickets would be purchased at the Lift Ticket window, only $18.50 for tickets at this time.

    Phish Big Birch

    With a capacity of 6,000 and chill biker security, Phish had played Big Birch previously in 1992, opening up for Santana, but this day would be a vibe check on the growth of Phish in the greater Northeast, especially when the Grateful Dead are playing 45 minutes north of the band’s home.

    Phish had started summer tour out west, similar to the Dead that year. Stretching from Utah to Virginia over the course of June, July was an all-Northeast affair, with shows in Philadelphia, New Jersey, Maine, a pair of shows in Ottawa and Montréal, Great Woods, SPAC, FLPAC in Canandaigua, Jones Beach and finally, Sugarbush in North Fayston, VT.

    Phish Big Birch

    With such a big show and crowd expected at Highgate, some looked at the show in Patterson as the better option with fewer in attendance and the band rewarding those who made this decision. This small out of the way hill could have easily been overlooked in 1994 for the glitz and glory of all that Dead tour had in store, let alone in such a remote part of Vermont in the middle of the summer. While one band’s star was setting, the other’s was rising, but you might not know this looking subjectively at attendance (despite a capacity of 6,000, there are unconfirmed reports of only 1,000 at this show.) And for Phish, when you snooze on a mid-week show, history shows, you lose.

    But for those who attended, they knew to never miss a Wednesday show. A venue that had no permanent seating under the tent did have folding chairs lined up in the front of the venue, zip-tied together. What happened next – well there are two takes on this. First, from Phish.com:

    “Fans in the front dissembled the rows of zip-tied folding chairs and stacked them to maximize dancing space.”

    or you can take the first hand account of user SoundBoy1 on Phish.net:

    “Inside the venue had set up probably 1000 or so folding chairs in the front of the stage. They may have been ziptied together but in no way permanent. As soon as the show started the chairs went flying in every direction including the stage. There were piles of chairs in random spots through out the crowd. They were also being thrown on stage and the band was dodging them. I remember Brad Sands standing a bit offstage and corralling what he could… It took awhile for all that to settle down. During It’s Ice you can hear some feedback and Page sounds like he’s fidgeting around a bit. I think that was due to chair chucking. So first set was totally solid but no real hint of what was to go down.”

    Either way, Phish fans weren’t going to be seated for this show or have dance space impeded by meager folding chairs. The first set was playful, with a “Buried Alive” right out of the gate and a burst of energy from the “Poor Heart” that followed. Hoist, having been just released in April that year, found “Sample in a Jar” early in the set, followed by two live show staples, “Foam” and “The Mango Song.”

    A light jam emerged from the still new “Down with Disease,” Trey sang on megaphone during “Fee” and a pair of Rift songs – “It’s Ice” and “Fast Enough For You” – added to the consistent flow of the show. “I Didn’t Know” would feature Jon Fishman (Greasy Fizeek) on trombone for a change, shifting smoothly into a “Split Open and Melt” that ended the set.

    This first set is truly smooth flowing with a big cap ending in the “Melt,” but Set 2 was the treat the fans who followed the lines going south, instead of north. Opening with an unrefined “Possum,” the jam gets weird and stays that way, as the loose jam almost falls apart but is salvaged nicely. “Cavern” started with the typical drum intro, but when the lyrics arose, “Wilson” was sung instead by Trey, leaving the fan (and band?) confused for a moment. A rare mashup for Phish, they weave in and out organically of the two songs, never perfectly but just enough to make this mashup a must listen.

    The still new “NICU” bridged the gap to a “Tweezer” that seemed to open up with that part of a “Tweezer” jam right after the lyrics, but moved into the natural progression of the song after that, dialing in after following what could be considered a clumsy entry. Jazzy noodling at the end led into into a slow jam that found its way into an unsuspecting “Julius.” The “Tweezer” jam just seems to keep going if you aren’t watching the time tick from track to track. This isn’t a Bomb Factory “Tweezer” but the slow return would feature a few teases, including “I Know a Little” (Lynyrd Skynyrd) and make way for a country/western version of “Big Black Furry Creature From Mars” that took its time finding the ending of “Tweezer,” eventually.

    An ample “Mound” seemed to fit the venue nicely, with “Slave to the Traffic Light” starting very airy with a patient build towards the peak, the “Suzy Greenberg” that followed featuring “Slave” teases from Anastasio. The encore of “My Sweet One” and “Tweezer Reprise” capped the night, maintaining the energy of the first set and the cacophony of the second, a treat for the fans who made the call to see this show in southern New York.

    The band would pack up and head west for Finger Lakes Performing Arts Center in Canadaigua (now CMAC), then Jones Beach the night after. Traversing the state for these shows, plus the finale at Sugarbush was prime 1994 Phish, was a treat if you were able to see it in person.

    Listen to the show on PhishTracks or download from Etree.

    Phish Big Birch
    shirt via Brendan McKenna/PhanArt.net

    Setlist via Phish.net

    Phish – Big Birch Concert Pavilion, Patterson, NY – July 13, 1994

    Set 1: Buried Alive > Poor Heart > Sample in a Jar, Foam, The Mango Song, Down with Disease > Fee[1] -> It’s Ice > Fast Enough for You, I Didn’t Know[2], Split Open and Melt

    Set 2: Possum, Cavern -> Wilson[3] -> Cavern > NICU -> Tweezer -> Julius -> Tweezer -> Big Black Furry Creature from Mars[4] -> Tweezer -> Mound > Slave to the Traffic Light > Suzy Greenberg

    Encore: My Sweet One > Tweezer Reprise

    [1] Trey sang verses through megaphone.
    [2] Fish on trombone.
    [3] Played to the tune of Cavern.
    [4] Unfinished; Played bluegrass style to the tune of Scent of a Mule.

  • Hip Hop Royalty: KRS-One at Albany’s Alive at 5

    On Thursday, July 11, Hip Hop legend KRS-One electrified the crowd at Jennings Landing in Albany, part of the Alive at Five summer concert series. The show, packed with classic hits and vibrant energy, showcased KRS-One’s enduring influence in the Hip Hop world, creating an unforgettable experience for fans.

    KRS-One hails from The Bronx and co-founded the iconic group Boogie Down Productions in the mid-1980s, solidifying his place in Hip Hop history. Regularly performing in New York, KRS-One’s connection to the state is undeniable, his current tour a celebration of his legacy and the ongoing influence in Hip Hop.

    Opening for KRS was fellow Bronx native DJ Show, who got the crowd hyped by spinning some Hip Hop classics and getting the crowd dancing. He made it clear that if a track was made after 2010, he wasn’t playing it tonight.

    Albany-based artist Ohzhe took the stage next. The 2024 Eddies Award nominee continued to excite the audience with his charismatic and energetic stage presence.

    Ohzhe’s set ended with him hollering backstage to KRS-One, who was talking with fans behind the stage, asking if he wanted him to keep performing. This prompted KRS to join him on stage for an impromptu freestyle collaboration, illustrating why The Source called KRS “the greatest live emcee ever.”

    The crowd roared as KRS-One delivered powerful performances of his classics, interspersed with insightful commentary, reinforcing his status as “Hip Hop’s first Master Teacher.”  Near the end of the show, KRS and his crew brought out autographed tennis balls to throw into the audience. Giving some lucky fans a memento that will solidify this performance as unforgettable.

    KRS-One’s show ended on a high note, with the crowd buzzing about the evening’s performances and some admiring their tennis balls as they left Jennings Landing. His tour continues, promising more incredible shows and affirming why he is regarded as Hip Hop royalty. Keep an eye out for his next New York stops for another chance to witness greatness.

    Remaining Alive at 5 2024 Concert Schedule

    July 18 – Third World

    July 25 – The Record Company

    August 1 – Galactic (presented by WEQX and NYS Music)

  • Red Hot Chili Peppers Sell Out Darien Lake

    On a perfect summer night for a rock concert, the Red Hot Chili Peppers delivered a sensational sold-out show at Darien Lake Performing Arts Center on Friday, July 12, marking a standout stop on their 2022-2024 Global Stadium Tour.

    The concert kicked off with bassist Flea handstand walking over to his bass and immediately jumping into an electrifying and psychedelic jam with guitarist John Frusciante and drummer Chad Smith. This set an upbeat tone that seamlessly transitioned into “Around the World” as vocalist Anthony Kiedis took the stage to a massive roar.

    red hot chili peppers

    From the very start, the band’s energy was at full blast, capturing the crowd’s enthusiasm. Fan-favorite “Dani California” followed, turning the amphitheater into a sea of singing and dancing.

    The setlist showcased the Chili Peppers’ versatility, balancing timeless hits with fresh material. “The Zephyr Song” offered mellow vibes, while “Aquatic Mouth Dance” introduced a new, experimental flavor. The crowd was treated to a heartfelt cover of “I Remember You” by The Ramones, a nod to the band’s punk influences.

    red hot chili peppers

    The performance continued to build momentum with “Hey” and the band followed up with another Ramones cover, “Havana Affair,” keeping the energy high. The raw power of “Suck My Kiss” and the emotive “Soul to Squeeze” provided a mix of intensity and introspection. The anthem-like “Carry Me Home” led into fan favorite “Californication,” which had the entire amphitheater singing along.

    The night’s encore began with a stirring rendition of “Under the Bridge” and concluding on a high note with “Give It Away”, capping off a night of high-energy rock and funk.

    The Red Hot Chili Peppers’ performance at Darien Lake was a testament to their long career and legacy. Their setlist combined classic hits with newer tracks, ensuring a memorable experience for fans. The band’s dynamic stage presence and ability to create an engaging atmosphere reinforced their status as one of rock’s most enduring and exciting acts.

    Red Hot Chili Peppers – Darien Lake Performing Arts Center, Darien Center, NY – Friday, July 12, 2024

    Setlist: Intro Jam, Around the World, Dani California, The Zephyr Song, Aquatic Mouth Dance, Universally Speaking, I Remember You (Ramones cover), Eddie, Hey, Right on Time, Havana Affair (Ramones cover), Suck My Kiss, Soul to Squeeze, Carry Me Home, Californication, Black Summer, By the Way
    Encore: Under the Bridge, Give It Away