Lower East Side legend and classic rock musician Robin Eaton is excited to announce the release of “Wishing Well.” The latest single from Eaton’s upcoming album, Memories of A Misspent Youth, due for release on May 1st.
The single “Wishing Well” combines cinematic Western music with classic rock instrumentals. Using sensibilities reminiscent of Eric Clapton, Robin Eaton evokes memories of days gone by with his haunting vocals.
On the single release, there are many layers of folk, Americana, and classic rock sounds infused with cosmic synths and reminiscent of the Lower East Side in the 1970s. Thus, where Eaton earned his stripes on the local music scene. The latest single, alongside “Drugs R 4 Kids” and “Tell Me Your Dream,” helps Robin Eaton continue to pave a sonic lane for himself.
As a prolific songwriter and producer, Robin Eaton is reintroducing himself as a performing artist in 2023. In addition to his background as a songwriter and artist, he was also in the original Broadway production of Hair.
In the 80s, Robin moved to Nashville and built the studios Alex The Great Recordings and Club Roar Recordings, where Memories of A Misspent Youth was recorded. Eaton is also a combination of a producer, recording engineer, and mixer with an instrumentalist able to fill in wherever there is a hole, be it a guitar gnat, bass bump, even a sitar squiggle.
There should be no shock in naming the latter instrument prior to mentioning Eaton’s status in Nashville, where he moved from his native Pennsylvania to follow the musical muse. The country & western capital, after all, is where the sitar was utilized on a whole series of hits at the height of pop music’s raga rage in the ’60s and ’70s.
Aside from his personal music, Robin Eaton is also a respected composer. Robin’s recent score credits include the film Mountain Rest and, written with collaborator Roger Moutenot, the Narcissa podcast (which was one of last year’s top dramatic podcasts). Both works were directed and written by Robin’s daughter, Alex O Eaton.
Listen to “Wishing Well” from Robin Eaton by clicking the link here.
Memories of A Misspent Youth is due for release on May 1st.
For more music by Robin Eaton, click the link here.
Brooklyn was the last stop on the band’s debut North American tour before it was shuttered in early 2020, only performing twice. Since then, they have played all across Europe and the UK, finally making their way back overseas this month, hot off the release of their self-released (on Human Season Records) second album, Gigi’s Recovery, this past January.
Much like the album, the show brought a fully realized, introspective post-punk set with dynamic energy that elevated the record for the 650-capacity venue.
The show started with For Everything, the brooding opener off their debut album, When I Have Fears, which released in 2019.
They continued on at a monstrous pace, invoking a few raucous mosh pits, making it to a newer track, Return My Head and onto More Is Less.
There were moments of Radiohead imbued with Bauhaus, sharing a great polyphonic relationship between both guitars and bass, with the drums driving the rhythm amidst every harsh snare hit, most notably in the 2-part song, Slowdance I+II. Frontman James McGovern’s poetic lyricism gracefully complemented every movement, switching between thunderous bellows and spoken pieces.
The North American Gigi’s Recovery Tour continues through April, where the band will make a surely momentous visit to California’s Coachella Valley Music and Arts Festival, followed by a few other international festival appearances throughout the rest of the Summer.
The Murder Capital | Music Hall of Williamsburg | Brooklyn, NY | March 28, 2023
Setlist: For Everything, Return My Head, More Is Less, The Stars Will Leave Their Stage, Green & Blue, Crying, A Thousand Lives, Gigi’s Recovery, Slowdance I, Slowdance II, We Had to Disappear, Feeling Fades, Only Good Things, Don’t Cling to Life, Ethel
Albany psychedelic rock band Ampevene has just put out their newest single “The Chemistress” on March 7th. The band recommends listening to the single with headphones as the mixing was planned to give the song an almost 3D feel to it.
Ampevene is an experimental fusion of original progressive rock, psychedelic, and other genres. Based out of Albany, the band has opened for nationally touring acts such as Moon Hooch, Consider The Source, Flux Capacitor, and Aqueous. “The Chemistress” was inspired by rock bands such as The Mars Volta, Black Midi, Tool, and Red Hot Chili Peppers.
Comprised of Gabe Stallman (guitar and vocals), Mack Hogan (bass), Ava Smith (keys and synth), and Brian McKinney Fahey (drums), Ampevene has played in some of the region’s best venues including Larkfest, The Hollow, and Putnam Den in the Capital Region, The Chance Theater in Poughkeepsie, Nectar’s in Burlington, Vermont, and Funk ‘n Waffles in Syracuse.
“The Chemistress” is a pure listening and visceral experience, Ampevene blends a free form frenzy, jagged riffs, and hypnotic rhythms into a tight, psychedelic, sonic landscape, designed to trip up and trip out any listener. Ampevene draws their influence from renowned artists such as Omar Rodriguez Lopez, Miles Davis, Pink Floyd, Led Zeppelin, TOOL, Mastodon, King Crimson, John Frusciante, and more, yet somehow manages to create something completely unique for their listeners.
During a performance, Ampevene will take you through a transcendent experience of sounds ranging from soft floating grooves to heavy math based confusion, and even downright noise, yet somehow the complexity doesn’t obscure the pure emotion, and even comfort that the songs exude. They released their first full length album, Ephemagoria, in 2018.
To listen to “The Chemistress,” click the link here.
On the evening of Wednesday, March 15, New York City’s Carnegie Hall served as a gathering place to pay tribute to Sir Paul McCartney. Produced by Entrepreneur and Philanthropist Michael Dorf, The Music Of Paul McCartney was the 18th annual Music Of benefit concert to grace Carnegie Hall.
Photograph by Bobby Banks
In front of a sold-out house, Will Lee, Alexis Morrast, Peter Asher, Lyle Lovett, Patti Smith, Sammy Rae, Shovels & Rope, Christopher Cross, Danny Laine, Allison Russel, The Cactus Bottoms, Jennifer Nettles, Resistance Revival Chorus, Music Will Kids Group, Lake Street Drive, Bruce Hornsby, Graham Nash, Ingrid Michaelson, Glen Hasard, Jonathan Russel, Hamilton Leithauser, Betty Lavette, and Nancy Wilson sang their praises. Each artist performed one song from Paul McCartney’s vast catalog and celebrated his musical career.
The evening was marked by golden moments. Patti Smith, who was not originally on the line-up, surprised the crowd with a rendition of The Beatles, “She’s Leaving Home.” She added her own lyrical twists throughout the song, reaffirming her already widely known and beloved creative prose.
Patti Smith at Carnegie Hall on March 15, 2023 in New York City. Photo by Bobby Banks.
The New York City Chapter of The Resistance Revival Chorus then took the stage. The chorus is “a collective of more than 60 women, and non-binary singers, who join together to breathe song and joy into the resistance and to uplift and center women’s voices,” according to the Resistance Revival Chorus. The group performed The Beatles’ “Let It Be.” In doing so, they transformed the event into an interactive experience between the performer and the audience. They radically broke down all barriers between performer and viewer; between stage and seat.
They put their arms up to the sky, and audience members did the same. They danced, and the audience danced. The grand, wide-open room that is Carnegie Hall suddenly became one. They walked tall off the stage to a symphony of cheers, snaps, and the sudden shuffling of a standing ovation – The first of the night.
Photo by Bobby Banks
The stage also welcomed Music Will Kids Group to perform The Beatles’ “Get Back.” The group consisted of four students from a New York City-based high school. Before strumming a note or singing a tune, the lead singer shouted a thank-you into the microphone for their music teacher, Mr. Paris.
To close out the evening, all 23 performers joined on stage to perform their group finale, “Hey Jude.” Performers clapped, hugged, smiled, and filled the stage with joy. Fans stood, swayed, and joined in on the music. Carnegie Hall’s choir of 3,000+ voices reverberated through the city and solidified an already unshakable legacy of one of history’s greatest, Sir Paul McCartney.
The Music Of tribute series has donated collectively over $1.5M in proceeds to organizations that provide music education programs and opportunities to underserved youths. Paul McCartney’s tribute was preceded by tributes to other greats, such as Aretha Franklin, David Bowie, David Byrne, Bob Dylan, Joni Mitchell, and more.
Group encore performs “Hey Jude” for the final song of The Music Of Paul McCartney at Carnegie Hall on March 15, 2023, in New York City. (Photo by Bobby Bank/Getty Images)
Music Of Paul McCartney Setlist: “Ooh You” performed by Will Lee, “My Love” performed by Alexis Morrast, “A World Without Love” performed by Peter Asher & Lyle Lovett, “Things We Said Today” performed by Patti Smith, “Heart of the Country” performed by Sammy Rae, “Helter Skelter” performed by Shovels & Rope, “Mother Nature’s Son” performed by Christopher Cross, “Mull of Kintyre” performed by Denny Laine & Christopher Cross, “Blackbird” performed by Allison Russell, “And I Love Her” performed by The Cactus Blossoms, “Silly Love Song” performed by Jennifer Nettles, “Let it Be” performed by Resistance Revival Chorus, “Get Back” performed by Music Will Kids Group, “Let Me Roll It” performed by Lake Street Drive, “I’ve Just Seen a Face” performed by Bruce Hornsby, “For No One” performed by Graham Nash, “I Will” & “Calico Skies” performed by Ingrid Michaelson, “We Can Work It Out” performed by Glen Hansard, “Let Em In” performed by Jonathan Russell, “With a Little Help from My Friends” performed by Hamilton Leithauser, “Maybe I’m Amazed” performed by Betty LaVette, “Yesterday” performed by Lyle Lovett, “Band On the Run” performed by Nancy Wilson, “Hey Jude” performed by entire line-up.
Rochester’s 7-piece Reggae-Rock Band Personal Blend released their newest EP “Inhale & Release” on February 17th. With their pop driven melodies and ear catching hooks, the band is excited for this release along with some anticipated upcoming shows.
Having just recently celebrated their 10-year anniversary, Personal Blend has just dropped its 4th release titled “Inhale & Release.” With new blood added to the band, Personal Blend is breaking boundaries and bringing the party to the masses.
Personal Blend is a Rochester-based 7-piece reggae-rock band. PB’s first full-length album, Skin Deep, was released in 2016, following that, the EP Ride, and in 2019 released Heavy Currents. Each song is a unique blend of melodies that each member contributes to. Songs like “Hello Hello” and “Watch Your Step” highlight the characteristics the band has to offer through this album.
The Rochester Lilac Festival is the largest free festival of its kind in North America welcoming spring in Upstate NY. Likewise, the Estival Festival is a family-friendly music and arts festival held twice a year at Sugar Mountain. Thus, being a magical place full of great people, great music, and great times. Personal Blend will be headlining and performing at both festivals this year, you wont want to miss it.
The band has been making waves throughout Upstate NY playing both festivals and venues alike and continuing to push forward. They bring a feel-good, party-vibe that’s including of all people and age groups and the band always leaves you wanting more.
Evanescence, the iconic rock band fronted by lead vocalist and pianist Amy Lee, lead guitarist Troy McLawhorn, bassist Emma Anzai, drummer Will Hunt, and rhythm guitarist Tim McCord, brought their “The Bitter Truth” tour to the Scotiabank Arena in Toronto on March 9th, and it was a night that will not be soon forgotten.
With a setlist that included a mix of old favorites and new hits, the band showcased their incredible musical talent and emotional depth, delivering a powerful and unforgettable performance.
Will Hunt
From the moment the band took the stage, it was clear that they were there to give their all. Opening with “Broken Pieces Shine,” a haunting and emotional ballad that set the tone for the night. Evanescence launched into a setlist that showcased their versatility and their passion for music.
Emma Anzai
Throughout the night, Amy Lee’s voice was as powerful and evocative as ever. Her voice soared above the instrumentation to create a sense of drama and intensity that was felt by everyone in the arena. Her piano playing was equally impressive, adding depth and texture to the band’s sound.
Troy McLawhorn
But the rest of the band was equally impressive. Troy McLawhorn’s blistering guitar solos and Tim McCord’s rhythm guitar and backing vocals adding a layer of complexity and energy to the music. Emma Anzai’s bass and Will Hunt’s drumming provided a solid foundation for the band’s sound, driving the music forward and keeping the audience on their feet.
Amy Lee
The setlist was a mix of old favorites and new hits, with songs like “Going Under,” “Call Me When You’re Sober,” and “My Immortal” drawing huge cheers from the crowd. But it was the newer songs that really stood out, with “Better Without You” and “Blind Belief” proving that Evanescence is a band that is constantly evolving and growing.
Tim McCord
One of the highlights of the night was “Lithium,” a haunting and emotional ballad that showcased Amy Lee’s incredible vocal range and emotional depth. As she poured her heart out on stage, the audience was transfixed, hanging on every note and every word.
Overall, Evanescence’s “The Bitter Truth” tour is a testament to the band’s incredible talent and enduring popularity. With each member bringing their own unique skills and energy to the stage, it’s clear that Evanescence is a band that is at the top of their game. If you have the chance to see them live, don’t miss out – it’s an experience you’ll never forget.
Their next show will be in New York City at Madison Square Garden on March 17.
Equal parts British and American, The Backfires returned from a show across the pond to play at Brooklyn’s very own Baby’s All Right on Februrary 22. With support from indie rock band Secondhand Sound, The Backfires fully entranced the fans at the sold-out show.
Frontman Alex Gomez (Photographed by Chinaza Ajuonuma)
Rock group The Backfires hails from both sides of the Atlantic. When Alex Gomez, the frontman, went to London to study abroad in 2018, he met Harry Ruprecht (lead guitarist) and Max Wanduragala (drums). Right before the production of their debut EP “Consider the Backfires” in 2019, bassist Matt Walter joined the group. The band completed recording the EP in London in January 2020. In 2021, the band released the EP and later that year, remotely recorded and published “Song 55.” The British members of the Backfires have secured their visas for 2023, ready for many more live shows in the upcoming year.
Secondhand Sound (Photographed by Chinaza Ajuonuma)
Nashville-based alt-rock quartet Secondhand Sound was originally formed in Urbana, Maryland after Sawyer John Estok (lead vocalist/guitarist) and Collin Plank (drummer) began writing songs in their parent’s basements. Eventually, Estok and Plank headed to Nashville, making friends with Teagan Proctor (bassist) and Cam Schmidt (guitarist/keyboard player). Through anthemic hooks, fuzzy garage-rock riffs, and irresistible youthful energy, Secondhand Sound craft songs that have granted them vast success, with more to come as the band self-proclaims that they “Will Be The Biggest Band In The World”.
Bassist Matt Walter (Photographed by Chinaza Ajuonuma)
During the show, Estok’s voice carried a windful southern howl that carries a weight of melancholy with a feisty rock n’ roll punch throughout the performance, while the band danced around and moshed in the pit. After playing stand-out songs “Dominoes” and “Pocket Change”, Estok left the stage to join the crowd in moshing. The remainder of the show kept the vibe energetic and fun. As their set closed out, the impression of their performance introduced an array of new followers to their rich Nashville sound.
Secondhand Sound Setlist: Heavy Metal Parking Lot Kind Of Cool, Darby, Stone’s Throw, Rorschach, Dominoes, Colm’s, Veritas, Pocket Change
Guitarist Harry Ruprecht (Photographed by Chinaza Ajuonuma)
When The Backfires finally started playing, the crowd immediately went wild as Gomez launched straight into singing “Matador”. Throughout the show, their enthusiasm and stage presence shone through as they played such hits as “Song 55” and “City Queen”. Before the end of the show, after much anticipation, The Backfires played their new single “Joyride” live for the first time. The atmosphere in the room was absolutely unmatched as they rocked the house down. As their first show back in the US in 2023, The Backfires showed that they’re up to incredibly exciting things and new sounds.
The Backfires Setlist: Matador, Preoccupied, Never Seen You Before, Figure It Out, Anything, R U Mine, City Queen, Turn off The Lights, Reflection On My TV, I am the Walrus, Brighter Lights, Song 55, Joyride, Blindsided
Bassist Teagan Proctor (Photographed by Chinaza Ajuonuma)
In terms of upcoming shows, Secondhand Sound doesn’t have any performances set up but be sure to check their Instagram for any updates. The Backfires also don’t currently have any upcoming tours, but any announcements can be monitored on their website or their social media accounts.
Photographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza Ajuonuma
NYC based FRANK have just released their newest instrumental recording Moment, on Thursday, Feb 23rd. The album captures the more jammier side of the band, which is what the band is known for sounding during their live performances.
The band recorded this piece a few months ago in one live take at the end of the night. They stated, “We had no plan, nothing said at all, we just started playing. As always, we listened to each other, explored together, and when we stopped, something that didn’t exist before was in the world. We decided to release it as an instrumental FRANK record we are calling Moment.
Originally NYC based, FRANK has been playing live and creating music since 2001, with seven studio albums and another on the way. One night in December in between album sessions, they created Moment, an impromptu instrumental improvised and recorded in one take.
FRANK has been working on a new LP to follow up their 2021 release Dreams and Fears of the Outside. They stayed, “We’re very proud of Moment as it represents the jammier side of our band. We are always exploring new sounds, rhythms, spaces, and ideas, which our audience doesn’t always get to hear as part of our recorded works.”
FRANK’s new album features many songs like “The Sparkling Realization,” a song that features the bands core collaboration. Other songs like “Sucker for a Pharoah” and “Broken Kaleidoscope” give fans what they love most, rock. All of these songs are classic studio jams that sound as if you were at one of FRANK’s sessions personally.
In a previous article by NYS Music, the album Dreams and Fears of the Outside was described as “…It has everything you want from a Rolling Stones influenced vibe. It still maintains the characteristic heavy drums and renegade guitar that FRANK has been putting on display throughout the record.” For more of this article, click the link here to read.
To listen to FRANK, click the link here. To listen to Moment, click the link here. For more about FRANK, click the link here.
Adore Delano, of RuPaul’s Drag Race fame, brought her tour “Party Your World” to Buffalo Iron Works on February 19th and her performance was just that, a non-stop party.
Adore Delano putting on a show-stopping performance at Buffalo Iron Works. Photo by Samantha Rychlicki
Namely, Buffalo Iron Works is located next to the KeyBank Center in Buffalo, an intimate venue that puts on a variety of shows, making it an ideal spot for Adore’s tour when it came to town.
Delano, 33, is a force when it comes to putting on a show. From belting out her rendition of “Toxic” by Britney Spears to screaming out her “Negative Nancy” her range is untouchable. The energy that she brought to the stage was so forceful, you couldn’t help but feel blown out of your seat (or spot that you were standing), she is the definition of a rockstar. In addition to her talents, her band included Dylan Ewing on the bass, Meghan Herring on the drums and producer Nathan Morrow on the lead guitar. On the whole, they were the perfect match for the singer and brought together a night of fun.
The show was a blast. The audience’s energy felt a notch lower than expected however that may have been because it was a Sunday night. Or, they didn’t know what they were in for and were completely blown away. Either way, it did not impact Delano’s performance because she is a show-stopping performer. Her presence and talent were intoxicating. You could not leave the venue without feeling good afterwards.
Setlist: Butterfly, Dirty Laundry, I Can’t Love You, Toxic (Britney Spears Cover), Negative Nancy, Pretty Boys Cry, I Put A Spell on You (Screamin’ Jay Hawkins Cover), 27 Club, Creep (Radiohead Cover), DTF, I Adore U Encore: My Address Is Hollywood
The late Gord Downie & Canadian producer Bob Rock have just released their latest single “The Moment Is A Wild Place.” The epic rock duo has also just announced their upcoming album Lustre Parfait, the ninth album to bear Downie’s name outside of The Tragically Hip, and the first to bear Rock’s.
The single is a long-fabled collaboration between Gord Downie, late front man of legendary Canadian rock band The Tragically Hip, and GRAMMY® Award-winning producer/musician Bob Rock. Their partnership began in 2006 when Rock produced The Tragically Hip’s acclaimed 10th studio album, World Container, followed in 2009 by the chart-topping We Are The Same.
Robert Jens Rock, record producer, engineer, guitarist, and songwriter has produced and engineer top-selling albums by such timeless artists as Metallica, Bon Jovi, The Tragically Hip, The Cult, Mötley Crüe, Aerosmith, Cher, Loverboy, Bryan Adams, Simple Plan, Michael Bublé and many others. He is known for his robust, radio-friendly production touch and the intuition to play to an artist’s character and strengths, Rock is perhaps best known for his long-standing role as producer for Metallica.
“I’ve always been a fan of long pieces of music,” says Bob Rock. “Setting a mood and going someplace, just taking you somewhere. The music was based on that journey, this rising tide of chords, crescendos in the chorus. Somehow, I stumbled on this magic chord, a simple minor to a major progression, and it moved me. And Gord reacted to it. It’s absolute perfection in terms of songwriting and in terms of what he did. It’s special because of what he talks about. The lyric was written before he was diagnosed with the sickness that he had. They say you gotta live in the moment. It causes you to look back, and I get choked up every time I hear it, still. I think most people will be moved by it. It’s one of his finest moments.”
More than a decade in the making, Lustre Parfait sees Downie’s peerless lyricism and incendiary heart given newfangled energy by his longtime friend and collaborator, famed producer/musician Bob Rock.
Gord Downie is the late lead singer and songwriter of The Tragically Hip, who, over more than 30 years and across fourteen studio albums, built an enduring legacy as perhaps the essential Canadian rock band. With seven solo albums to his name, Downie’s own music refutes definition, renowned for its adventurous poetry, collaboration, elastic composition, and singular vocal wail.
Unfortunately, Downie passed away on October 17th, 2017. Since his passing, The New York Times stated that Downie has “no parallel in the United States. Imagine Bruce Springsteen, Bob Dylan, and Michael Stipe combined into one sensitive, oblique, poet-philosopher, and you’re getting close.”
“First and foremost Gord was my friend,” continues Rock, “and having the opportunity to work with him on these songs was one of the biggest highlights of my professional life. I am grateful that I got to witness his genius in such close proximity.”
To listen to “The Moment Is A Wild Place,” click the link here.
To preorder the upcoming album Lustre Parfait, click the link here.
