NYC’s Sons of Venus have just released their latest LP Crisis to Crisis on June 8th, a fuse of classic psychedelic and jam band. Musically, the release is hypnotic and immersive, almost like meditation, but has roaring guitars and electronic-type sound design.
While previous albums have mostly been fully improvised in one way or another, this new release was written and recorded remotely with drums and bass recorded last, an approach which is different from what bands usually do. The album is a spiritual reflection on us as humans and forces us to ask the question why we constantly end up in one world crisis after another.
Sons of Venus is made up of guitarist John Sully, drummer Ruslan Baimurzin and bassist Igor Reznik. The three musicians share a chemistry that allow them to improvise instantaneously on almost all complete compositions. Drawing on many influences such as cinema, theater, psychology, and sociology, they found themselves spontaneously experimenting with musical styles like prog, punk, elektro, blues and funk.
“It’s the good sound, the mix of psych and funk”
-Audio Antihero Records
Crisis to Crisis is the third Sons of Venus album. As with their first and second albums, the recording followed specific parameters. For example, their first self-titled record was composed by editing improvised recordings, then learning the parts to be performed and recorded live in a state-of-the-art studio.
Their second record, Adventures in Caution, was fully improvised and recorded on a single portable stereo recorder. The album was recorded first by Sully, who tracked all the vocals, guitars and keyboards in his home, after which he sent the tracks to Baimurzin and Reznik for overdubbing.
Songs like “Living in Blood,” “World on Fire,” and “Dead Languages” are a precarious ride through a doom and gloom landscape. This album is not just simply music for the casual listener. It’s an all or nothing hero’s journey that draws you in like a hypnotist while leading you to the slaughter. Like Hunter S. Thompson said, “Buy the ticket, take the ride.”
To listen to Crisis to Crisis, click the link here.
For more music by Sons of Venus, click the link here.
On Friday, June 2, renowned rock band Styx graced the stage at Artpark in Lewiston, NY, delivering an unforgettable evening of music and nostalgia. The venue was packed to the brim, with an excited crowd eagerly awaiting the start of the show. Despite a brief ten-minute sprinkle of rain, the weather gods smiled upon us as the downpour held off, setting the stage for an extraordinary concert experience.
Jet Black Roses
The night began with an opening act called Jet Black Roses. They set the tone with their high-energy performance. Their melodic tunes and captivating stage presence effectively warmed up the audience, preparing them for the main event.
As the lights dimmed, a palpable sense of anticipation filled the air, and Styx burst onto the stage with a powerful rendition of “To Those”. Immediately capturing the hearts of the crowd. Styx wasted no time in launching into their arsenal of classic hits, delivering a charged and electric performance that showcased their exceptional musicianship and undeniable showmanship.
The setlist for the evening was a carefully curated mix of beloved favorites and hidden gems, each song met with roaring applause and enthusiastic sing-alongs from the captivated audience. Timeless classics like “Blue Collar Man (Long Nights)” and “The Grand Illusion” transported fans back to an era filled with memories, while still resonating with a fresh and contemporary edge. It was a testament to Styx’s enduring legacy and their ability to connect with fans of all ages.
Frontman Lawrence Gowan effortlessly commanded the stage throughout the night, his vocals soaring with power and emotion. Whether belting out the iconic chorus of “Come Sail Away” or delivering a soul-stirring rendition of “Lady,” Gowan’s performance was nothing short of mesmerizing. He even took a moment to showcase his own repertoire with a solo performance of “A Criminal Mind,” leaving the audience in awe and showering him with well-deserved praise.
The band’s energy remained unwavering during the two-and-a-half-hour spectacle. Guitarist Tommy Shaw unleashed blistering solos and infectious riffs that ignited the crowd, while the rock-solid rhythm section of bassist Ricky Phillips and drummer Todd Sucherman provided a sturdy foundation for Styx’s dynamic sound. The band’s impeccable harmonies and instrumental prowess were on full display during epic tracks like “Crystal Ball” and “Fooling Yourself (The Angry Young Man).”
As the concert reached its crescendo, a thunderous roar of applause filled the air as Styx delved into their final songs. The encore, comprising the iconic “Mr. Roboto” and the timeless anthem “Renegade,” left the audience exhilarated and yearning for more.
In conclusion, Styx’s concert at Artpark was an extraordinary experience. The band’s timeless music, coupled with their exceptional stage presence, created an electric atmosphere that had the crowd on their feet throughout the entire performance. Despite a packed venue and a brief encounter with rain, the night proceeded flawlessly, leaving concertgoers with indelible memories. Styx once again demonstrated why they are revered as one of the greatest rock bands of all time, and their performance in Lewiston, NY, will undoubtedly be remembered as a pinnacle moment in their illustrious career.
Brooklyn’s alternative rock band Superbloom returns to the stage with their newest rock single “Head First.” Along with this release, the band is getting ready for their upcoming release Life’s A Blur, out on June 8th with an EP release show at Brooklyn Made on June 10th.
Feverish and raw, and with an instantly memorable punch, Brooklyn’s latest rock phenomenon is a group of four guys making the songs that they want to hear. That means searing, overdriven guitars and thrashing drums; heavy, hearty riffs full of fire and flavor; and impassioned, driving vocal melodies that get stuck in your head for weeks on end.
Behind the out-of-world sound is Dave Hoon (vocals/guitars), Tim Choate (guitars), Brian DiMeglio (bass) and Matteo Dix (drums). Having played in bands for their whole lives while pursuing full-time careers, they decided to form the infectious Superbloom in 2018.
With no room for bluffs or half-hearted attempts, Superbloom introduced themselves with 2020’s “Level Head,” followed the next year by their 12-track debut album Pollen. This release represents Superbloom’s early era of self-discovery.
Superbloom’s newest upcoming EP Life’s a Blur is music you can feel in your gut. A conscious progression from Pollen, its songs have a harder edge and an undeniable, ever-present weight.
They reach greater depths of sound through dynamic, varied songs and interludes that range from ethereal to manic, all while retaining those signature hooks, dreamy tones, and infectious bouncy rhythms that made their debut so irresistible. These new songs showcase an expansion into new sonic dimensions and dynamics as is evident on the new single “Head First.”
As a hard-hitting band with an unapologetic sound, Superbloom is a success story to never give up on your dreams, and they have a lot more in store as they step into a bold new era. “I’d be lying if I said we planned to throw away the playbook for the EP, but I’m glad we did, because everything cool and unfamiliar mushroomed from there — on and off stage,” Dave Hoon says. “Pollen is in the rearview and I’m hungry for what’s next.”
Tickets for the album release show are available here.
This summer, Brooklyn based rock band, The Hold Steady will be presenting an all-star music festival, Positive Jam. The inaugural event will be held on August 5th at Arrowood Farms, a local festival hot spot in the small town and agricultural hub of Accord, New York.
The Positive Jam festival will serve as another commemoration of the rock band’s 20 year anniversary which passed this January. On top of the band headlining the event themselves, they will be joined by a line up of close friends and idols including, Guided By Voices, The Tallest Man On Earth, Laura Stevenson, I Get Wild (plays Talking Heads), and Oceanator.
The event, presented in association with Impact Concerts and Ground Control Touring, will kick off at 5 PM on August 4th with THS Positive Jam Prelims Pool Party. The welcome gathering will be located at the INNESS Luxury Hotel and Resort and will feature DJ sets from The Hold Steady along with a collection of fun activities for festival goers to participate in.
On the 5th, the star-studded lineup will be accompanied by Arrowood Farms locally inspired craft beers and comfort food, along with diverse Hudson Valley-based food trucks, clothing, and arts vendors.
Positive Jam is just one event of a multitude of planned appearances by the rock band for the summer and autumn of 2023. The Hold Steady will play their live show at various locations across the country and will appear in their home-base of Brooklyn four times.
Their landmark 20th anniversary will further be commemorated by the upcoming publication of The Gospel of The Hold Steady: How a Resurrection Really Feels, a new oral history by Michael Hann and The Hold Steady, which will be available to the public on July 25.
“We’ve talked about our ideal festival for many years, and we’re excited to make it a reality to celebrate our 20th year as a band,” says The Hold Steady frontman Craig Finn. “We are thrilled to have some of our favorite artists joining us to make an incredible day of music and community in a beautiful location.”
Ticket pre-sales for Positive Jam are now open for purchase with the password: PROGRESS. General sales will be available Friday, June 2nd at 10 AM. You can find further details about the festival and ticket options here.
The Hold Steady – LIVE 2023
June 3 – Austin, TX – Stubb’s Waller Creek Amphitheater
June 28 – Louisville, KY – WFPK Waterfront Wednesday (FREE SHOW)
June 30 – Chicago, IL – The Salt Shed (SOLD OUT)
July 1 – Chicago, IL – The Salt Shed (SOLD OUT)
July 2 – Chicago, IL – Empty Bottle (SOLD OUT)
July 29 – Newport, RI – Newport Folk Festival
August 4 – Accord, NY – Positive Jam Prelims Pool Party @ INNESS Luxury Hotel and Resort
August 5 – Accord, NY – The Hold Steady Presents Positive Jam
September 2 – St. Paul, MN – Minnesota State Fair
September 22 – Jersey City, NJ – White Eagle Hall
September 23 – Philadelphia, PA – XPoNential Music Festival
October 7 – Las Vegas, NV – Brooklyn Bowl Las Vegas
October 8 – Las Vegas, NV – Bowling/Football Watch Party @ Brooklyn Bowl Las Vegas
Waterparks, pop punk/modern rock icons, brought the house down at Philadelphia’s legendary Theatre of Living Arts (TLA). It was the 6th show of their East Coast leg on the Intellectual Property Tour, and boy, did they deliver an unforgettable performance.
With HUNNY and Elliot Lee warming up the crowd, the energy was off the charts. TLA was packed with their devoted fanbase, affectionately known as “parxies,” who created an electric atmosphere. Waterparks’ signature style and intense electric sound had the audience mesmerized and electrified throughout the night. It was an absolute blast, and a testament to their status as one of the leading bands in the pop punk scene.
A New York native, Elliot Lee is a visionary musician who has been rewriting the rules of pop music since bursting onto the scene. With her unmistakable blend of haunting melodies, poetic lyricism, and a voice that resonates with raw emotion, Elliot Lee has captivated audiences worldwide. The atmosphere crackled with anticipation as Elliot’s ethereal vocals filled the venue, intertwining seamlessly with the hypnotic melodies. The crowd was transported to a realm where emotions ran deep, where vulnerability and strength coexisted. It was a transcendent experience, as Elliot bared their soul through their music.
Standout moments included the hauntingly beautiful performance of “Easy To Be You,” where Elliot’s voice soared effortlessly, carrying a weight of raw emotion that left the audience breathless. The pulsating beats and shimmering synths of “Fun” had everyone moving to the rhythm, surrendering to the cathartic release of the music.
Elliot Lee Setlist: Upside Down, Sicko, Drama Queen, Pill for Happiness, Solo, Happy Face, Fun, 54321, Easy to Be You, Pink (Freak)
HUNNY is a dynamic indie rock band that emerged from the vibrant music scene of Southern California. Formed in 2014, this five-piece ensemble quickly garnered attention for their infectious energy and heartfelt lyrics. The band’s during the show consisted of lead vocalist and guitarist Jason Yarger and bassist Kevin Grimmett. With their unique blend of dreamy melodies, gritty guitars, and introspective storytelling, HUNNY swiftly captivated the audience. As the frontman, Yarger’s charismatic persona commanded attention, effortlessly navigating between vulnerable introspection and explosive bursts of passion.
The band’s seamless chemistry created an irresistible atmosphere, driving the crowd into a frenzy. The setlist was a carefully curated journey through their discography, combining fan favorites like “Vowels (And the Importance of Being Me)” and “Televised” with newer gems from their latest album. Each song resonated deeply, with the band’s infectious hooks and infectious melodies washing over the audience.
HUNNY Setlist: Natalie, Saturday Night, Vowels (And the Importance of Being Me), Halloween, JFK, Shy, Loser, Good Will Hunting Song, action –> reaction, Lula, I’m Not Mad, Televised, Sports With Strangers
Waterparks (not to be confused with an aquatic amusement park) is a pop punk band from Houston, Texas. Made up of frontman Awsten Knight, drummer Otto Wood, and guitarist Geoff Wigington, the trio quickly gained a reputation for their captivating live performances and clever songwriting since they formed in 2011. Blending elements of pop, rock, punk, and electronic music, they have carved a unique niche for themselves in the music industry. With their infectious melodies, high-energy performances, and fearless attitude, Waterparks has become a defining voice in modern pop-rock, inspiring a new generation of music lovers and proving that they are just getting started.
During the opening chords of ST*RFUCKER and Awsten’s debut in a giant red parka, the audience became a living, breathing entity, swaying and jumping in unison. The surge of adrenaline in the room was palpable, as fans eagerly embraced the band’s electrifying sound.
Awsten effortlessly commanded the stage with his charismatic presence. He engaged the crowd with his patented fan interaction strategies which included affectionately bullying the crowd and airdropping a photo from their photographer’s (Jawn Rocha) phone to random fans. The connection between the Waterparks and parxies was undeniable, as cheers and chants filled the venue.
As the energy reached its peak, the crowd erupted into a frenzy of excitement, with people crowd surfing their way towards the stage. Waterparks’ music created a sense of unity and exhilaration, as fans supported each other, riding the wave of excitement and joy.
Amidst the chaos, Waterparks skillfully navigated through their setlist, flawlessly transitioning from one hit to the next. Tracks like “Numb,” “Stupid for You,” and “Group Chat ” ignited the crowd. Parxies went absolutely wild when the band played “Crave”, the one song that called for Geoff to sing a verse.
As the set reached its crescendo, Waterparks returned for an encore that left the crowd in awe. “REAL SUPER DARK,” “Turbulent,” and “Funeral Grey” ignited a final surge of energy. The audience erupted, jumping and singing along with unbridled enthusiasm. The band poured their hearts into every note, reciprocating the crowd’s unwavering energy.
Their ability to connect with the audience through their music created an electric atmosphere, leaving everyone craving for more. The sight of people crowdsurfing and the collective euphoria of the concert will forever be etched in the memories of those lucky enough to experience the magic of Waterparks live in Philadelphia.
Waterparks Setlist: ST*RFUCKER, Numb, Rare, Stupid for You, Crave, Brainwashed, 2 Best Friends, Fuck About It, War Crimes, [Reboot], Royal, Telephone, Ritual, High Definition (Acoustic snippet), I Miss Having Sex but at Least I Don’t Wanna Die Anymore, Group Chat, Closer, A Night Out on Earth
Waterparks Encore: REAL SUPER DARK, Turbulent, Funeral Grey
The North America portion of the Intellectual PropertyTour will keep going all the way until June 14th when they finish in Los Angeles. If you find yourself abroad, you can catch Waterparks in Europe (with support from Stand Atlantic) and in Australia later on in the year. Stay tuned to their website and socials for more information on those dates.
HUNNY will be following Waterparks till the end of the line so be sure to follow Kevin and Jason’s adventures on tour (and for future endeavors).
Elliot Lee will be departing after the show in Georgia. Be sure to follow them on socials and check their website for any performances that they play when they get back home to NY.
LI rock band Interstate Island have just released their newest single “Grey Wolf” on May 18th. The single explores the dichotomies of choosing between freedom and companionship.
The track “Grey Wolf” navigates these feelings through the lens of a “lone wolf,” one searching for clarity. Throughout the song, both ideas are celebrated as the singer tries to decipher what he needs the most. Sonically, the track has a similar vibe to singers/band like Elton John, Styx, and REO Speedwagon.
Interstate Island was initially formed by Eddie Andrews, who was born and raised with a firm appreciation for classic rock music. More Inspiration for the project came after seeking to reimagine Electric Light Orchestra’s classic albums of the 1970’s. The first visions of Interstate Island emerged in 2019 when Andrews met with accomplished producer Matt Wallace (O.A.R., Maroon 5, Andy Grammer).
Matt Wallace had listened to a few of Andrews’ demos and expressed an interest in working together on a project. They initially recorded an early version of “Love Song” with a group of rock musicians who have regularly toured and recorded with some of the world’s most successful artists.
While the results were inspiring, Andrews believed there was an opportunity to expand on the concept by incorporating leading (as opposed to background) string arrangements – and perhaps using a live orchestra to perform those arrangements.
After a brief hiatus caused mainly by the Covid-19 pandemic, Wallace and Andrews were finally able to record Brave New World in 2021. Simultaneously, Interstate Island began to scope out the best fit for a leading string arranger.
Since a centerpiece of ELO’s work was the way in which they glistened string arrangements over pop-rock tracks, Andrews felt this was imperative to incorporate. This led Andrews to collaborate with Steve Turner, a well renowned arranger who previously toured with Electric Light Orchestra.
Listen to “Grey Wolf” by clicking the link here.
For more on Interstate Island, click the link here.
For more information on the band, click the link here.
On Sunday, May 14th, The Academic stopped at the Bowery Ballroom. On their “Sitting Pretty Tour,” the young four-man band from Ireland brought their alternative Irish flair to New York City. An intimate crowd dotted the Bowery floor to swallow up any standing space. The venue selection ensured the audience was in for a treat, for the ballroom sound system holds the power of electric guitars and bass incredibly. This deemed important, because The Academic are proven rock revivalists.
Photograph by Tharynn Olson
Alternative/indie band, Summerdrive, opened for The Academic. Their set was short but effective, for their performance livened up the waiting crowd. With intriguing synths and intentional drumming, Summerdrive gave a tasteful while all the same riveting show. They heavily created a similar listening experience that the Bleachers or COIN would.
Not long after Summerdrive left the stage and the instruments were swapped, The Academic made their way onto the stage. Hoots and hollers elevated the band’s excitement as they gazed upon the crowd. Bassist, Matthew Murtagh, and guitarist, Stephen Murtagh sauntered onto stage followed by drummer, Dean Gavin. Lead vocalist, Craig Fitzgerald amped the energy when he approached the mic with an electric guitar slung over his shoulders. “How are you doing New York? It’s been a while!”
Photograph by Tharynn Olson
The setlist rolled by too easily, sewn together by impressive guitar solos and conversation with the audience. They emanated a wildly unique sound that seemed to be in conversation with different decades of alternative music. Accents from melodies of The Talking Heads, guitar riffs from Led Zeppelin, and more modern personal lyricism like that of Cage The Elephant or The Neighbourhood were present in their performance.
Classic-rock married to indie, The Academic has mastered the art of the guitar. Their Irish origin gifted them with the ever presence of rock and roll, and since the U.K. never parted ways with the music genre like America did for a while, they had continuous exposure to the evolution of rock. I look like a million when I play my rock n’ roll.
Photograph by Tharynn Olson
At the end of a drum-heavy song, the guitarists and singer circled around the drumset. They surrendered their instruments’ sound to Gavin while he masterfully annihilated his drum solo and bowed down to him on his throne. The Bowery lights synced up with his percussion, creating a strobed visual. Gavin’s solo was absorbed by the audience as were the multiple guitar solos throughout the evening.
After playing some songs from their new album, “Sitting Pretty,” released February 10th, Fitzgerald took a moment to give thanks to the crowd. He asked if anyone in the audience attended their show last year at Mercury Lounge in the city, and pockets of shouts volleyed amongst the crowd. In this interlude of crowd engagement, he complimented the high energy and inquired, “Any Irish in the crowd tonight?” A strong majority of the hands shot up. He grinned.
Photograph by Tharynn Olson
The Academic hosted a very engaging show. With dramatic dancing and conversational interactions with fans, the atmosphere was endearing. Towards the end of their set, lead vocalist Fitzgerald got onto the floor to be level with the crowd. While he sang, the crowd enveloped him. Phones shot up above heads to capture the moment, and fans sang excitedly around him.
He returned to the stage to finish out the rest of their set. The vivacity was contagious. Small groups of friends merged with strangers. By the end of the show, there were no strangers in the room, only people with a mutual affinity for rock and four Irish musicians. Fitzgerald and his bandmates showered thanks to everyone for attending, and even more gratitude to the staff at Bowery Ballroom. “Give it up for everyone working in this beautiful venue tonight!”
Photograph by Tharynn Olson
The Academic put on a grand show in a small but iconic venue. Their musical future brightened on Sunday, for they collected many new fans. The “Sitting Pretty Tour” is only the beginning for this refreshingly genuine rock-band.
The Ellicottville Chamber of Commerce has announced the lineup for this year’s Summer Musical Festival at Holiday Valley in Ellicottville, New York.
“The Players” including former members of the stellar bands Chicago and Earth, Wind & Fire will take the stage on July 1st as the headlining performers. Barracuda, America’s Heart Tribute, will also perfrom, taking fans back in time with 70s, 80s, and 90s hits.
The Summer Music Festival is a three-day event and is a tradition to those who spend the July 4th holiday in Ellicottville, NY. The weekend will be filled with live music, fun, and a spectacle firework show right above your head. Guests can bring chairs, blankets, and picnic baskets to echoey the show. The festival is a one-of-a-kind event for the whole family
Acclaimed rock band Chicago is among the most popular American recording artists of all time. The band was formerly known as the Chicago Transit Authority before they shortened the name to the city it was founded in. With over one hundred million sales in records, Chicago distinguished itself from other rock bands of the late 1960s. Earth, Wind & Fire is a pop, soul and jazz fused band that became one of the top-selling and most influential groups of the 1970s. The band is renowned for their remarkable versatility. Throughout the years the group has given their fans soulful ballads, spiritual anthems, Afro-Caribbean jazz, driving funk and rock, and upbeat disco dance hits.
Bill Champlin, the two-time Grammy winner, and former member of Chicago will be joined by the former Chicago members Jeff Coffey and Keith Howland. Gorden Campbell, the former drummer of Earth, Wind & Fire will also accompany the Chicago members. Fans can expect to dance the night away with hits like “If You Leave Me Now,” “You’re the Inspiration” and “Hard To Say I’m Sorry” from Chicago and “Shining Star”, “Boogie Wonderland” and “September” from Earth, Wind & Fire.
“We are ecstatic to have a soulful, jazz group come together with an iconic rock and roll group for one special night that families of all ages can enjoy!”
-Brian McFadden, Ellicottville Chamber of Commerce Executive Director
Barracuda-America’s Heart Tribute has earned the reputation for one of the best tribute bands by recreating the rock band, Heart’s greatest hits with mind-blowing accuracy. Each member has traveled the world with an impressive number of years of experience and skill. Barracuda-America’s Heart Tribute is recognized for their masterful vocals, brilliant musicianship and unceasing over-the-top performances which has created a solid foundation for this extraordinary tribute.
Don’t wait to spread the word and make plans to kick off your fourth of July weekend with Ellicottville’s Summer Music Festival. More information about the Summer Musical Festival and tickets can be found here.
Brooklyn based rock band Dive Brake have just released their debut EP full of unapologetic progressive rock songs. Along with this, the band has a gig lined up for May 6th at Rockwood Music Hall Stage 2 in Manhattan. Joining them will be Nick Balzano’s band Whaley (fka Logan Whaley Band), and Dysfunktone.
Dive Brake is a progressive grunge jamband trio from Brooklyn. They recorded 9 tracks with Pinch Records, a very small startup label out of Long Island City, and just got their first 3 songs released as an EP titled The Approach.
The tracks are supposed to play well in order. “Static” being the leadoff, coming across funky and heavy. Next, “4 Banger” is an alt-prog banger with 2 different refrains and a jammed out multi part bridge section. Lastly, “Stay on Target” is an 11:34 long epic. The Approach EP is available everywhere.
There will be a follow up LP that contains the rest of the tracks from those sessions where The Approach was recorded. Keep your eyes peeled for more info on that in the coming months.
From casual jams between Nick Pascarella and Steve Remp, following the breakup of Gone Quite Mad, thus, Dive Brake was born. But after grabbing the attention of a longtime friend and collaborator, Dexter Larsen, a once innocuous trio launched into full blown ascent.
With using their distortion laden verses and enveloping choruses, the occasional Latin groove driven bridge, never ending tumults of guitar led melody. Their sound isn’t music you listen to casually, it’s for when you want to be assaulted by sound.
NYC based band Sorry Mom has just liberated the punk-rock single “Shaving My Legs” in preparation for the release of their debut album babyface on May 12th. Following the album release, Sorry Mom will be hitting the road for a short northeast run that concludes with a set at Boston Calling Music Festival.
Sorry Mom is an NYC-based femme punk band whose music chronicles queer experiences and suburban despair through a nostalgic punk sound. Their music boasts the lyrical playfulness of Green Day and blink-182, but sonically has a more hardcore edge.
What began as a group of college friends playing music together quickly evolved into something bigger upon the release of Sorry Mom’s debut EP “Juno Goes to the Big House” in April 2021. As of July 2022, the band has garnered 10M+ streams across platforms and 50k+ followers across socials. In Fall 2021 and Spring 2022, Sorry Mom embarked on tours of the Northeast, playing 30 unique venues across the region.
The first single “Hiccup” shows the side of Sorry Mom that is incredibly hardcore punk. By using their artform to their advantage, they show how unique they are with powerful lyrics and punk melodies. Overall, “Hiccup” makes you want to jump straight into a mosh pit.
The second single “Shaving My Legs,” released on April 14th, provides a fast-paced intro to the overall album. While tackling feelings of being trapped, promising again and again to start making changes tomorrow, the band shows us that tomorrow never comes.
Sorry Mom is also going on tour for the release of babyface, stopping in Brooklyn’s Saint Vitus Bar. For more information and to purchase tickets, click the link here.
To listen to “Shaving My Legs,” click the link here.
