As the world eagerly awaits the grand opening of The Hip Hop Museum in the Bronx in 2025, a nationwide tour is offering fans and enthusiasts a tantalizing preview of what’s to come. In partnership with Mass Appeal and proudly sponsored by CÃROC Ultra-Premium Vodka, this tour is bringing hip hop history to life.
In celebration of hip hop’s 50th anniversary, The Hip Hop Museum Tour is traversing the United States to narrate the story of the pioneers who birthed a genre that would eventually sweep the world. This mobile exhibit offers visitors a chance to take a walk down memory lane, shedding light on the essential milestones that transformed hip hop from a Bronx block party pastime into a global phenomenon.
The Hip Hop Museum Tour offers a diverse collection of remarkable artifacts that provide fans with a glimpse of what’s to come in the forthcoming museum.
Among the standout items are:
Jam Master Jay’s Gold Chain: This iconic piece of music history belonged to the legendary DJ Jam Master Jay, a pivotal figure in elevating hip hop’s status and influencing future generations during his time with Run-DMC.
Kool Herc’s Record Trunk: DJ Kool Herc’s record trunk played a vital role in the early development of hip hop music, symbolizing the birth of turntablism and the influence of DJing in the genre’s early years.
Tupac’s Handwritten Letter: A personal letter from the late Tupac Shakur to Cosima provides an intimate insight into one of hip hop’s most influential and controversial figures.
Coolio’s Low Rider Bicycle: Coolio’s low rider bicycle from his initial tour represents the diverse and eclectic styles embraced by hip hop artists, highlighting how fashion has become an integral part of the culture.
Biz Markie’s Rhyme Book, BIZ Chain, and Gucci Sneakers: These possessions, once belonging to the “Clown Prince of Hip Hop,” Biz Markie, including his rhyme book, chain, and sneakers, offer a glimpse into his quirky and unforgettable persona.
The Hip Hop Museum Tour is making stops across the country, bringing these treasures to fans and enthusiasts in various cities. Upcoming tour dates include:
Atlanta on October 21st Houston on November 4th Los Angeles on November 11th Charlotte on November 18th Miami from December 5th to December 9th
Coming to Upstate soon is Saratoga’s biggest Halloween party of the year, Rock & Oddities Con. From Oct. 28-29 from 10 a.m.- 7 p.m., the event features local metal/rock musicians and a whole slew of enchanting activities.
The energy of metal/rock musicians from the East Coast collides with spine-tingling tales of Paranormal Experiences, including encounters with celebrities at meet-and-greets. Audiences can step into the enchanting realm of the Witches’ Den, and brace themselves for a journey through the Haunted Maze. Also featured at Rock & Oddities Con are premier Tattoo Artists, 100+ vendors, paranormal experiences with investigators with the Travel and Discovery Channels, and costume contests, with cash prizes.
You’re in a circle, running around and bumping into people with the beat of hardcore bass and percussion surrounding you, syncing with the beat of your heart. You feel a sense of violence, and yet safety. All your pent-up rage from yesterday begins to pour out; you feel yourself forget arguments you had with your coworkers, or the piles of homework on your desk. You let yourself enjoy the music for a couple of hours with strangers that somehow– in a few hours– became family.
Moshing, where people in the crowd of a concert run and slam into each other in beat with the music, has been around since the early 80s– but its origins can be traced back to Skanking in the late ’50s and ’60s. Originally called “mashing” in fanzines, it was still pronounced “moshing,” and ultimately stayed that way. There is no definitive origin to the term, or credit for its invention. These mosh pits started at high energy punk concerts. The anarchic nature surrounding the music made the fans need to release their energy somehow– thus, moshing came into the spotlight.
But, you can’t talk about moshing without mentioning the history of punk rock; moshing wouldn’t exist without it.
Punk rock is defined by its unique sound, fashion, and behavior. Typical punk rock is made up of fast tempos, nasal or shouted vocals, black clothing with shocking colorful and spiky hair, with an anti-establishment “stick-it-to-the-man” attitude.
Punk rock has roots in garage rock way back in the ‘60s, preceding the hippie era, and as a movement to rebel against the change in rock n’ roll– how it became more “commercial” and “bloated.” It was the beginnings of other musical genres such as hardcore punk, pop punk, and even Christian punk. But they ALL started as punk rock.
Punk rock was picked up quickly by fans but also musicians because of the overall anarchical vibe: it disregarded musical and social rules, leaving a great deal of freedom for experimentation on numerous fronts.
While it’s hard to pinpoint exactly where punk rock began, there are bands that are absolutely monumental in the punk rock origins, such as The Stooges (or Iggie and the Stooges), MC5, The Velvet Underground, and The Sex Pistols.
The band that is best known as the creator of punk rock is The Stooges– where, in Detroit on Halloween night 1967, Iggy Pop performed what would become common punk behavior. In fact, some fans thought he was possessed– likely because he cut himself with glass, flashed the crowd, and even smeared his chest with hamburger meat and peanut butter. Iggy is also credited with integrating stage diving into hardcore concerts, which later spread to all types of music. But, while The Stooges are credited in the early beginnings of punk rock, they did not have all the requirements to be a punk rock band– sound, fashion, and behavior. Regardless, their actions on that Halloween night started a movement that influenced numerous bands, and also had parents thinking their children were devout Satan worshippers.
MC5 on ‘Kick Out The Jams’: “We weren’t on a meth power trip… just a power trip” – UNCUT
When people think of punk rock, if they don’t think of The Stooges, they think of MC5. They started playing together in Lincoln Park, and were automatically put into the “garage rock” category. However, due to their eclectic performances, they stood out to people as being something entirely different and new.
Shunned in the ’60s for their avant-garde, shocking rock, The Velvet Underground were more important to music’s future than the Fab Four, argues Greg Kot – BBC
The Velvet Underground then took up NYC with their bold and experimental sound in the early ‘70s– “experimental” because many people said their music bordered on noise.
Glam Rock also had immense influence over the punk rock genre, such as David Bowie and the New York Dolls. This genre contributed greatly to the aesthetic and lifestyle of artists in punk rock, such as dressing outrageously, living extravagantly, and producing loud, trashy rock.
The first concrete punk rock scene– where it was purposeful and not accidental– was in the mid ‘70s with The Ramones, Wayne Country, Johnny Thunders and the Heartbreakers, as well as Blondie and the Talking Heads, all playing at CBGB.
But punk is not all-american. There were big influences in the UK as well from The Strand, formed in 1972, later renamed to the Sex Pistols in 1975 with the arrival of John Lydon. The Sex Pistols are credited with kicking off the punk movement in the UK.
The Sex Pistols’ lone album reached number one in the UK charts, and was known as one of the most censored records in history, due to the song “God Save The Queen” – many calling it “treason.” While this would be devastating for most bands, it actually worked precisely the way they had hoped, as the negative press that they accumulated worked in their favor to sharpen their anti-establishment lyrics and attitude.
The Sex Pistols’ God Save the Queen storm: ‘We declared war on England without meaning to’ – The Telegraph
In the late ‘70s, punk rock emerged as a solid musical force, and split into many genres including horror punk, hardcore punk, pop punk, psychobilly punk, Christian punk, Celtic punk, cowpunk, death rock, emo, gypsy punk, hardcore, street punk, and many more.
Boston Concussion Victim Speaks Out Against City’s Moshing Ban – exclaim
Moshing typically emerges in a crowd during punk rock concerts, as well as metal and hardrock. With all the energy that builds up at concerts such as these, everyone needs an outlet to let out their energy in a (mostly) safe manner. Pits form where people slam into each other, on beat with the music, while also dancing and singing/screaming.
The first mosh pits formed in the early ‘80s hardcore punk rock scene, and more followed in hardrock and metal scenes. They later spread to grunge and rock concerts, and in recent years, they even started in hip hop and rap.
Moshing actually took a while to become what it is today. It can be traced back to skanking, created by the Rude Boys of Ska and Reggae music in the late ‘50s and ‘60s.
After skanking came the Pogo, invented by punks in the ‘70s in the UK. This dance is where fans jump up and down, and lightly bump into each other. It likely started at a Sex Pistols concert, where no one could see the band, so they started jumping up and down to see the Sex Pistols– then everyone started doing it, and the short-lived Pogo was born.
After all of this, moshing finally came to life. Originally “mashing,” it’s when people start getting “mashed together” as they jump and move all over in a pit.
There are two types of moshing, starting with the well-known circle pit, where people run along the edge, leaving the middle open. In fact, this is seen as a tame version, as the other type of moshing is called The Wall of Death– where two groups line up and slam into each other. More brutal than the circle pit, The Wall of Death dates back to the ‘80s pun scene, emerging as a variant of the circle pit, said to be invented by the American hardcore punk band Sick of it All– but like punk rock itself, the origin is debated.
When you see moshing, whether on a video or in-person– though it’s SURREAL to see in real life– you may think “that looks really scary and dangerous.” And if moshing is done wrong, yes, it can be. The ideal mosh pit is safe and welcoming, with people helping each other up when they fall, and being aware of who is in the ring and who isn’t.
This writer’s experience with moshing thus far has been a good one. At The Interrupter’s Concert at the Stone Pony in Jersey, I stayed on the outskirts and kept people in, or helped them when they wanted to get out. If anyone had accidentally hit me, they apologized immediately. Memorably, a big, burly dude dressed in black from head-to-toe stepped in front of me to make sure no one knocked me down. Everyone dressed like they could kill, but everyone made me feel welcomed and safe.
Astroworld tragedy renews debate on the safety of mosh pits – The Tribune
More recently, there was a devastating Travis Scott Astroland festival, where 10 fans died with hundreds injured in 2021– and Travis Scott didn’t stop the concert. Victims were pinned against barriers, and unconscious fans were crowd-surfed out of the mosh pit and dumped into the sea of bodies waiting for the rapper to start performing, ultimately resulting in numerous deaths and injuries. The official cause of death for some of these fans was compression asphyxia, which an expert likened “to being crushed by a car.”
While this writer still enjoys moshing, it must be done safely in order to continue to be fun. At any given show, there may be people who don’t trust the crowd enough to join in– which should be respected. That being said, for those who do engage in mosh pits, there are some guidelines that emerged because of the potential dangers from moshing that everyone must follow in order to have a safe environment, and keep moshing from being banned completely.
No karate in the pit.
Never try to hurt anyone intentionally.
Offer help if necessary.
Be aware of everyone else. Pick people up when they fall. Tell everyone to stop if it gets messy, and similarly, if told to stop, listen.
Don’t wear accessories that could hurt anyone.
Those spiky bracelets are cool, but if they can hurt you, they can hurt others. Leave them behind if they’re too spiky.
Don’t bring loose items into the pit.
Don’t bring anything with you that can fall down and be stomped on. If you find anything on the ground, let everyone know.
Respect the borders.
If they’re not in the pit, they are not involved. Leave them alone and respect the pit’s boundaries and their boundaries.
29 Wholesome Pics and Memes Filled With the Feels – eBaum’s World
Punk rock started a new era of music, birthing numerous subgenres that wouldn’t exist without punk. While punk rock scared parents, it gave teens and young adults an outlet to release their rage in a mosh pit. But don’t let the aesthetic confuse you: the goal of punk rock and moshing is never to hurt anybody, but to allow yourself to let go of your everyday worries, and enjoy the trashy music and outrageous clothing.
The Village of Saranac Lake Board of Trustees have turned down a requested zoning change that would have turned a field adjacent to a decommissioned landfill into a multi-use music venue, event space and athletic field.
The property, located on Moose Way and seen on the map below at right, is owned by Bob Farmer, who envisioned taking his property, as well as the former landfill – for which the village has a $435,000 grant to convert into athletic fields – and turn the field into Mountain View Performing Arts Field. These plans are now on hold as Farmer weighs his options.
At a village meeting on Monday, October 9, and as reported by Adirondack Daily Enterprise, locals and neighbors of Farmer’s property showed up to voice concerns that this change in zoning would lead to increased traffic, noise, and littering in the small Adirondack town.
This was not the first time Farmer has been turned down by a local board for use of the land for concerts, music and events. The town of North Elba rejected the proposal as it may set precedent for commercial use within a residential area.
With Farmer’s property located in North Elba, and not Saranac Lake, the village board rejected the proposal on this technicality, saying it would need to be annexed before consideration, but based upon concerns of locals, it seems the two best avenues for Farmer have dried up. Resident of Saranac Lake Jacquelyn Dubee said “I feel that it is unfair for the community members to be forced to take a say on what we’re going to be using that land for when we don’t want it to be used for anything,”
The Village of Saranac Lake
One resident, Shannon Madden, started a petition opposing the plan, which she said has 200 signatures so far. With the potential crowd capacity likely to be 3,000, Madden considered this potential venue leading to a “full town invasion.” For those unfamiliar – route 73 that brings most traffic in from I-87 and points east, is a two lane road, with no room for development to expand. The traffic heading into Saranac Lake is already intentionally slowed down as you approach the village center, making the potential for another 500-1000 cars enough to bring the village to a stand still, with no other roads in the area making this feasible.
Christine Collins, a Saranac Lake native and resident of Potsdam has been attached to be venue manager at the Mountain View Performing Arts Field. She pointed to playing it safe as the factor that is holding the town back. “This is about this village and its desperate need for change, culture, diversity and enrichment. While I respect the past, we must let go of antiquated thinking and begin to move forward.
While Farmer and Collins may have exhausted their options, the pair will press ahead and explore alternatives to bringing this site to fruition.
Parker McCollum, ACM Award Winning, and Multi-Platinum selling singer/songwriter, is set to embark on a 41-date U.S. Burn It Down Tour 2024, with one stop in Saratoga Springs in May.
Singer/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music’s undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen’s One Night at a Time World Tour. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” MusicRow listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021.
A dedicated road warrior, Parker McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold-out shows nationwide in 2021) including record-breaking crowds in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+), Jackson, MS (5000+), Kearney, NE (3000+), Nashville’s Ryman Auditorium, and three nights at Fort Worth’s iconic Billy Bob’s Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023.
He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards, and scored his first-ever nomination in the New Artist of the Year category at the 56th CMA Awards.
Produced by Emporium Presents, Parker McCollum’s tour will kick off on January 18 at Spokane Arena in Spokane, WA making stops in Dayton, New Orleans, Indianapolis, and more before wrapping up in Corpus Christi, TX at American Bank Center Arena on August 31. In addition, joining McCollum on select dates throughout the tour will be special guests Corey Kent, Larry Fleet, George Birge, and Catie Offerman.
2024 is going to be the biggest and best show we have ever put together. I can’t wait for all the fans to come see what we are working up. The Burn It Down Tour is going to be absolutely epic.
Parker McCollum
The tour announcement comes on the heels of McCollum’s latest release, the critically acclaimed album Never Enough (released on May 12 via MCA Nashville) which includes his RIAA-certified Platinum hit, “Handle On You,” and his explosive current radio single, “Burn It Down.” Most recently, he was notably nominated for New Artist of the Year at the 57th Annual CMA Awards.
Tickets will be available starting with presales (details below) beginning October 17. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, October 20 at 10 a.m. local time and vary by city*; check local listings at EmporiumPresents.com for more information.
Burn It Down Tour 2024:
Thu Jan 18 | Spokane, WA | Spokane Arena
Fri Jan 19 | Everett, WA | Angel Of The Winds Arena
Sat Jan 20 | Eugene, OR | Matthew Knight Arena
Thu Jan 25 | West Valley City, UT | Maverik Center
Fri Jan 26 | Idaho Falls, ID | Hero Arena Inside The Mountain America Center
Sat Jan 27 | Billings, MT | First Interstate Arena at MetraPark
Thu Feb 01 | Peoria, IL | Peoria Civic Center
Fri Feb 02 | Huntington, WV | Mountain Health Arena
Sat Feb 03 | West Lafayette, IN | Elliott Hall of Music
Thu Feb 08 | Kalamazoo, MI | Wings Event Center
Fri Feb 09 | Dayton, OH | Nutter Center
Sat Feb 10 | St. Louis, MO | Chaifetz Arena
Fri Mar 01 | Columbia, SC | Colonial Life Arena
Sat Mar 02 | Savannah, GA | Enmarket Arena
Thu Apr 04 | Abilene, TX | Taylor County Expo Center
Fri Apr 05 | Edinburg, TX | Bert Ogden Arena
Tue Apr 11 | New Orleans, LA | Smoothie King Center
Sat Apr 12 | Lake Charles, LA | Lake Charles Civic Center
Sat Apr 13 | Waco, TX | Touchdown Alley at McClane Stadium
Tue Apr 18 | Roanoke, VA | Berglund Center
Fri Apr 19 | Greensboro, NC | White Oak Amphitheatre
Thu May 02 | Salina, KS | Tony’s Pizza Events Center
Fri May 03 | Rogers, AR | Walmart AMP
Sat May 04 | Columbia, MO | Mizzou Arena
Fri May 24 | Saratoga Springs, NY | Broadview Stage at SPAC
Sat May 25 | Gilford, NH | Bank of NH Pavilion
Sun May 26 | Bangor, ME | Maine Savings Amp
Sat Jun 01 | Jacksonville, FL | Daily’s Place
Sat Jun 08 | Detroit, MI | Michigan Lottery Amphitheatre at Freedom Hill
Thu Jun 27 | Des Moines, IA | Wells Fargo Arena
Fri Jun 28 | Indianapolis, IN | TCU Amphitheater at White River State Park
Sat Jun 29 | Kansas City, MO | Starlight Theatre
Tue Jul 18 | Brandon, MS | Brandon Amphitheater
Fri Jul 19 | Orange Beach, AL | The Wharf Amphitheater
Thu Aug 15 | Nampa, ID | Ford Idaho Center Amphitheater
Fri Aug 16 | Bend, OR | Hayden Homes Amphitheater
Sat Aug 17 | Ridgefield, WA | RV Inn Style Resorts Amphitheater
Fri Aug 23 | Rio Rancho, NM | Rio Rancho Events Center
Sun Aug 25 | Morrison, CO | Red Rocks Amphitheatre
Fri Aug 30 | College Station, TX | Reed Arena
Sat Aug 31 | Corpus Christi, TX | American Bank Center Arena
Albany by way of Altamont prog-rockers Timbre Coup released a new single, “Firestorm,” on September 21, coming two years after the release of Sudden Urge.
Timbre Coup – Andrew Chamberlaine (guitar), Ben Pickering (bass), Dan Gerken (guitar/vocals), Matt Pickering (drums) – grew from the Capital District music scene in 2007, moving on to play hundred of shows alongside bands including The New Deal, Dopapod, Papadosio, Pigeons Playing Ping Pong, and Consider the Source, in additional performing at Camp Bisco, Catskill Chill, moe.down, The Big Up, Mountain Jam, Wormtown and Strangecreek, among others.
Following a hiatus from 2014-18, which saw the band perforing in projects including Mister F and Lord Electro, Timbre Coup began playing and preparing for live shows again, making their triumphant return to a near sold out crowd on March 2, 2019 at The Hollow. Check out the live album from their return show on Bandcamp.
In 2020 the band would go on to record and later release in 2021 their fourth original album, Sudden Urge, a collection of previously unrecorded songs, both old and new.
Timbre Coup performing at Lark Hall – photo by Zak Radick
Singer and lyricist Dan Gerken shares this on the new track:
Firestorm was written in summer/fall of 2022 and consists of a guitar harmony driven theme throughout. The harmonies range from beautiful mixolydian keys to a more minor approach as the song wears on, telling a weaving story of heartache many people can relate to. The lyrics are meant to uplift. The song is a reminder to not be so dependent on a lover or a partner, but each has to stand alone in greatness to magnify the results of the partnership.
“Firestorm” is the latest from Timbre Coup and is part of a new recording and writing goal for the band as they embark on their fifth studio album this coming winter and spring. The band records at Gerken’s studio just outside of Albany, giving the group a great deal of freedom and flexibility in the recording and writing process. With raw ideas aplenty, the band looks to the structure and writing styles for each song as they press ahead.
We have another completed song we are going to finish and release hopefully by the end of the year, and then we get to really start grinding on some new and old ideas in the practice space and the studio to get the desired amount of material for a release.
Dan Gerken, guitar/vocals, Timbre Coup
Timbre Coup brings a little something for everyone in the live setting as well, giving the group room to improvise upon their dynamic compositions, sing both melodic and haunting vocals, all with slick chops from all members, entertaining any crowd with fervor.
There was a place where the water didn’t flow There was a place All that matters is what you hold In spite of it all it’s a hopeless mess for some there was a place I’d like to run
I saw that she left me for dead and I was freaking out I knew I should’ve left her instead But now I’m bleeding out
Description for some Definition for all I don’t want to see you dropping the ball So carry that weight a burden reaffirmed and begin to use all that you’ve learned
“Firestorm” from Timbre Coup was released on all platforms in Septmeber 2023.
FilmColumbia will return for its 23rd year to the Crandell Theatre in Chatham, NY for a selection of this year’s top features, documentaries, and short films. The event will feature many Columbia County-based filmmakers, live Q+As, and the annual FilmColumbia Kick-Off Party.
The festival will feature widely anticipated films such as Hayao Miyazaki and Studio Ghibli’s animated masterpiece, The Boy and the Heron, as well as director Andrew Haigh’s All of Us Strangers, a ghost story starring Claire Foy, Andrew Scott, and Paul Mescal.
New York native Scott Cohen (Gilmore Girls, Billions) will star in the breakout comedy The Feeling That The Time For Doing Something Has Passed. The debut feature from writer, director, and star Joanna Arnow will be screened alongside a Q+A from Arnow and Cohen on Friday, October 27.
We tried to show as much good local talent this year as possible. We recognize their strength in our community and celebrate the abundance of talent in our region—proving how essential it is to keep our historic single-screen cinema open and refreshed so they may continue to show their works in a place that is welcoming, and well, ideal.
Co-Artistic Director Laurence Kardish
Staten Island’s own Joan Baez will be the subject of I Am A Noise, a documentary showing a glimpse of Baez’s life and psyche during the 60s. Co-directed by Miri Navasky, Maeve O’Boyle, and Karen O’Connor, the film will screen at FilmColumbia on October 25, followed by a Q&A with fellow New Yorkers Navasky and O’Connor.
During FilmColumbia’s opening weekend, producers and founders of Killer Films, Christine Vachon and Pam Koffler, will be honored for their vast and pioneering bodies of work. As frequent collaborators with director Todd Haynes (May December, Carol), they have constituted a leading force in independent cinema for over 30 years. The festival will screen three Killer Films productions on October 21: Camp (2003) at 11 am, I Shot Andy Warhol (1996) at 1 pm, and May December, the latest from Haynes, at 3 pm. In addition, a Q+A with the producers will directly follow the last screening.
Christine Vachon, Killer Films
The FilmColumbia Kick-Off Party will take place on October 21 from 6-8pm, hosted at the Spencertown, NY home of Jack Shear, a Crandell Theatre benefactor. Vachon and Koffler will also be recognized and celebrated at the Kick-Off.
The Tea Party, a Canadian rock band formed in 1996 in Windsor, Ontario, Canada started their fall 2023 tour in Buffalo on Oct 13, to a sold-out crowd at the famous Town Ballroom.
The evening began with an intimate VIP acoustic set from the band to a crowd of steadfast fans on the Oxford Pennant stage of the Town Ballroom. This smaller stage worked well for this intimate VIP crowd of around seventy people. A handful of stories from the road along with the songs played made the moment quite special.
The opening act, Human Kebab, a Canadian DJ from Stouffville, Ontario, Canada began the night in the main ballroom in support of The Tea Party by spinning and mixing many genres of high-energy music, including, but not limited to Hip-Hop, Rock, Alternative, Electronic and more.
For the main event, fans of The Tea Party lined up early for night one of this two-night run at the Ballroom as to make sure to get a great spot as close to the stage as possible for what would be an evening they would not soon forget.
As the house lights went down and the walk-on music started, the sold-out crowd erupted with cheers and applause. The energy was high from the beginning all the way to the end of the show with everyone in attendance hanging on to every word sung, and every note played throughout the night.
Setlist: The River, the Bazaar, Psychopomp, Fire in the Head, The Messenger, Black River, Heaven, Save Me, Release, Temptation Encore: Sister Awake
On Oct. 22, from 11 a.m. to 2 p.m., Caffé Lena announced the return of its free healthcare clinic for creatives, including artists, musicians, designers, photographers, filmmakers, writers, and all others who work in a creative capacity.
According to Caffé Lena, 43% of professional musicians in the U.S. have no health insurance; among full-time musicians, the numbers are even higher. This service aims to enable individuals in the creative community who are uninsured or underinsured to access healthcare in a trusted environment so they can enjoy the best possible quality of life.
The Caffé Lena Healthcare clinic is brought to the community through a collaboration of Jill Burnham RN-BCEN of “Mark and Jill Sing the Blues,” Saratoga Hospital, Sight & Sound Vision Care for the Music Industry, Hudson Headwaters, 1of1 Custom earplugs, and Caffè Lena.
Services include Vision Care Clinic Including Exams and Eyewear, Custom Molded Earplugs, Blood Pressure Screening, Dietician Consultation, HEPC/HIV Screening, Insurance Navigation, and Cancer Screening Services.
Disco Biscuits have a long history of music festivals in New York State, their own Camp Bisco, as well as numerous performances at festivals of all sizes around the state. For the first time since 2013, a new, intentionally more intimate festival, BISCOLand, was conceived and held in Lafayette at Wonderland Forest over October 6-7.
photo by Tara Gracer
Joining Disco Biscuits were a pair of bands that appeared on earlier Camp Bisco lineups – Lotus and Emancipator, and newcomers to the Bisco fold – Opiou, The Floozies, Eggy and Space Bacon. With classic Camp Bisco lineups featuring up and coming artists as well as staples of the EDM/jamtronica community, the vibe of a stripped down but still well dressed music festival, perfect for an autumn weekend in Central New York.
As for the Disco Biscuits, the jamtronica pioneers took the opportunity to break new ground with some unique musical pairings over the weekend. Biscuits fan Shimmy noted this was the first time the band segued “Confrontation” into “Orch Theme” and followed that up with “And The Ladies Were the Rest of the Night,” the other being December 29, 2014.
Even more notably, the band took the encore on Saturday, October 7 to perform the first ever inverted “Kitchen Mitts,” playing the ending of song first, then the first part. Add to that this inverted “Mitts” appeared inside of a fitting encore appearance of “Home Again” made for an apt coda on the weekend.
Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 6, 2023
Set 1: Wet, Munchkin Invasion > The Wormhole > Space Train > Cyclone > Nughuffer1 Set 2: Nughuffer 1 > Shocked > To Be Continued > Reactor 2 > M1 > To Be Continued
1 dyslexic 2 inverted
Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 7, 2023
Set 1: Jam 1 > Bombs > The Deal > Voices Insane 2 > I-Man Set 2: Mindless Dribble 3 > Confrontation 4 > Orch Theme 5 > And the Ladies Were the Rest of the Night 4 > Spacebirdmatingcall Encore: Home Again > Kitchen Mitts 6 7 4 > Home Again
1 w/ ‘Could U Be Loved’ (Bob Marley) teases 2 unfinished 3 w/ Wormhole quotes 4 inverted 5 w/ Crickets tease 6 LTP 2/4/2023 (53 shows) 7 first time inverted