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  • Oktoberfest Hosts Local Gospel and Soul Bands at Buffalo Central Terminal

    The Buffalo Central Terminal will host its infamous Oktoberfest on Sunday, October 22, with live music from local bands featuring southern soul, blues, hip-hop, pop-rock, and gospel-inspired sets.

    Get ready for a day of autumnal fun with live music and delicious treats at this year’s Oktoberfest. This family-friendly fall festival blends contemporary elements with the traditional charms of Oktoberfest, promising an unforgettable experience with activities for all ages.

    Live music: Enjoy music with DJ P followed by live performances featuring southern soul, blues, hip-hop, pop rock, and gospel-inspired sets from fantastic local bands. Don’t miss a Free Music Party at 1:00 pm, as well as Miller and The Other Sinners at 3:00 pm.

    Bills Watch Party: Watch the Bills take on the Patriots at Oktoberfest’s Bills Watch Party. Cheer for your favorite team on several big screens. Wear your Bills gear, and don’t forget your lawn chairs and picnic blankets.

    Petting Farm: Bring the kids for a chance to pet, feed, and learn about some adorable animals such as goats, pigs, tortoises, rabbits, and more, at the petting farm.

    Hayrides: The hay wagon is back in the neighborhood. From 11:00 am to 2:00 pm, enjoy the crisp autumn air on a hayride around the historic Terminal. Pumpkin Decorating: Skip the mess and get creative at Oktoberfest’s no-carve pumpkin decorating station.

    Local Food and Drinks:  Indulge in your delicious fall favorites, from traditional Oktoberfest fare to plant-based foods, they have something for everyone. Oktoberfest vendors include sausages from Shish Kabob Heaven, plant-based treats from Avenue29 Foods, spice and flavor from KT Caribbean Cuisine, and artisan German cookies from Catering by Marjorie. Oktoberfest has your favorite local beer, wine, cider and MORE served up by Buffalo Brewing Company, Bully Hill Vineyards, Tree Hugger Hard Cider, Blue Groove Coffee, and Bubba’s Loganberry.

    The Buffalo Central Terminal has also partnered with their neighbors at Buffalo Brewing Company to present “Central Terminale,” a pre-prohibition style amber ale brewed in honor of Oktoberfest at the Terminal. A portion of the proceeds from the sale of “Central Terminale” will support the rehabilitation of the Buffalo Central Terminal. The release of this special brew will happen this week at Buffalo Brewing Company’s Myrtle Avenue tap room.

    “This partnership echoes our slogan ‘Good Neighbors, Great Beer.’ The Buffalo Central Terminal and our renovation of Schreiber Brewing run on parallel tracks. Even though each project is happening independent of one-another, they both will have a profound effect on Broadway-Fillmore and the East Side,” said John Domres, Jr., owner of Buffalo Brewing Company.

    These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.” said Lindsey Taylor, events consultant for the Buffalo Central Terminal.

    Lindsey Taylor, events consultant for the Buffalo Central Terminal

    Buffalo Central Terminal’s Oktoberfest is the perfect opportunity to embrace the autumn spirit and create lasting memories with friends and family. So, bring your picnic blankets and lawn chairs to celebrate at the Buffalo Central Terminal on Sunday, October 22 from 11 am to 4 pm at 495 Paderweski Drive Buffalo. Tickets are free for all October events at the Buffalo Central Terminal.

    For more information and event updates, visit the Buffalo Central Terminal website.

  • Bad Bunny Announces 3 Shows At Brooklyn’s Barclays Center On Most Wanted Tour

    Global sensation Bad Bunny announced a 47-date North American tour slated for this spring, titled the Most Wanted Tour. Kicking off on February 21 in Salt Lake City, the tour will make stops in Los Angeles, Detroit, Boston, Washington, DC, Houston, and Dallas, as well as three back-to-back shows at Brooklyn’s Barclays Center on April 11, 12, and 13.

    Bad Bunny Most Wanted Tour

    The Most Wanted Tour will be curated as an experience for day-one fans, featuring a rollercoaster of explicit lyrics paying homage to the Bad Bunny’s “trap” style roots. Parental discretion is advised.

    Bad Bunny rose to global fame in recent years, and became the top touring artist in 2022. After winning 3 Grammy Awards, the rapper took a break from large-scale tours, and will make his comeback this spring on the Most Wanted Tour

    Bad Bunny released his newest album, nadie sabe lo que va a a pasar mañana, to massive success, as it became the most-streamed album in a single day so far in 2023 on Spotify. The Spanish title translates to “nobody knows what will happen tomorrow.” The record’s lead track, “MONACO,” hit #1 in 16 countries on Spotify, making a mark with over 900 million streams so far.

    nadie sabe lo que va a pasar mañana by Bad Bunny

    Fans can register for the Most Wanted Tour resale here until October 22 at 11:59PM. Once registered, fans will be randomly selected to receive a code that grants them access to the on-sale on October 25.

    In addition, the tour will offer a variety of VIP packages and experiences, including premium tickets, access to the pre-show VIP Lounge Experience, exclusive gift items, and more. Visit vipnation.com for more information.

    BAD BUNNY 2024 MOST WANTED TOUR DATES

    Feb. 21 – Salt Lake City, UT – Delta Center

    Feb. 23-24 – Las Vegas, NV – T-Mobile Arena

    Feb. 27-28 – Phoenix, AZ – Footprint Center

    March 1-2 – San Francisco, CA – Chase Center

    March 5 – Sacramento, CA – Golden 1 Center

    March 7 Portland, OR – Moda Center

    March 9 – Seattle, WA – Climate Pledge Arena

    March 13-15 – Los Angeles, CA – Crypto.Com Arena

    March 20 – Denver, CO – Ball Arena

    March 23 – Minneapolis, MN – Target Center

    March 26 – Kansas City, MO – T-Mobile Center

    March 28-30 – Chicago, IL – United Center

    April 4 – Toronto, ON – Scotiabank Arena

    April 6 – Detroit, MI – Little Caesars Arena

    April 9 – Washington, DC – Capital One Arena

    April 11-13 – New York, NY – Barclays Center

    April 17 – Boston, MA – TD Garden

    April 19 – Philadelphia, PA – Wells Fargo Center

    April 20 – Hartford, CT – XL Center

    April 22 – Louisville, KY – KFC Yum! Center

    April 24 – Tulsa, OK – BOK Center

    April 26-27 – Austin, TX – Moody Center

    April 30-May 1 – Houston, TX – Toyota Center

    May 3-4 – Dallas, TX – American Airlines Center

    May 7 – New Orleans, LA – Smoothie King Center

    May 10 – Charlotte, NC – Spectrum Center

    May 11 – Nashville, TN – Bridgestone Arena

    May 14-15 – Atlanta, GA – State Farm Arena

    May 17-18 – Orlando, FL – Amway Center

    May 21 – Tampa, FL – Amalie Arena

    May 24-26 – Miami, FL – Kaseya Center

    https://www.youtube.com/watch?v=aHedgot-DRY
  • Syracuse Amphitheater gets a New Name

    Syracuse’s Amphitheater on Lake Onondaga will have a new name, starting today: Empower Federal Credit Union Amphitheater at Lakeview.

    syracuse amphitheater empower

    Naming rights have been held by St. Joseph’s Health since 2018, and before that, the venue was simply called Lakeview Amphitheater since opening in September 2015.

    Announced on Friday morning, the Syracuse-based Empower FCU said the following in a statement:

    Empower FCU was born and raised in the Salt City, and now is among the largest credit unions in New York, with over 250,000 members, over 600 employees and more than $3.2 billion in assets. The Empower Federal Credit Union Amphitheater at Lakeview reflects a commitment to our Central New York roots by creating unique experiences for our members and the local community we serve.

    Ryan McIntyre, Empower president and CEO

    St. Joseph’s Health said in a statement they were thankful for the partnership and will continue the “fast lane” program for nurses going to the venue: Music is a healing art, and as we stated when we took on this sponsorship in 2018, we firmly believe it is an important part of the culture of our diverse community and our healing ministry.”

    The 17,500-seat venue also announced this morning that country music star Lainey Wilson will bring her “Country’s Cool Again” tour to Empower FCU Amphitheater at Lakeview on June 24, 2024 with special guests Ian Munsick and Zach Top.

    Stay tuned for more announcements for Summer 2024 at Lakeview and amphitheaters across New York State.

  • Sam Gellaitry’s ‘Under the Illusion’ Unleashes Musical Magic at Elsewhere Brooklyn

    The night at Elsewhere Brooklyn with Sam Gellaitry showcasing his newest EP, Under the Illusion, was nothing short of a mesmerizing musical journey. On October 13th, the venue buzzed with anticipation as Gellaitry took the stage and immediately immersed the crowd in a soundscape that can only be described as pure auditory bliss.

    sam gellaitry under the illusion

    Under the Illusion is a testament to Gellaitry’s evolution as a musician. The EP seamlessly blends elements of electronic, hip-hop, and R&B, creating a tapestry of sound that is both innovative and emotionally resonant. Each track on the EP carries a unique flavor, yet they all maintain a consistent, ethereal quality that captivates the listener. From the dreamy “Alone” to the groove-laden “Think I Know,” the EP takes the audience on a sonic journey that transcends genres.

    What truly sets Gellaitry apart is his ability to connect with the crowd. Throughout the performance, he exuded an infectious energy and passion for his craft. His interactions with the audience were genuine and intimate, making everyone feel like they were part of a shared musical experience. His stage presence was magnetic, and it was evident that he was pouring his heart and soul into every beat and melody.

    sam gellaitry under the illusion

    Elsewhere Brooklyn provided the perfect backdrop for this musical odyssey. The venue’s industrial-chic aesthetic and state-of-the-art sound system were a perfect complement to Gellaitry’s avant-garde style. The crowd’s energy was electric, with fans of all ages and backgrounds coming together to celebrate the music. The atmosphere was both vibrant and laid-back, creating an environment where people could lose themselves in the music and dance the night away.

    sam gellaitry under the illusion

    Gellaitry’s performance of Under the Illusion was a testament to his artistic prowess and ability to connect with his audience on a profound level. The night at Elsewhere Brooklyn will undoubtedly be remembered as a magical evening where music transcended boundaries, and the crowd’s energy and vibes were a testament to the unifying power of sound. Under the Illusion by Sam Gellaitry was not just a collection of songs; it was an experience that left a lasting impression on everyone fortunate enough to be there.

    Images by @adrian_hernandezz

  • globalFEST 2024: A World of Music Unites at Lincoln Center for Its 21st Year

    New York’s globalFEST makes its highly anticipated return for its 21st year to Lincoln Center for the Performing Arts (LCPA) with a full day of music and performances on Sunday, January 14, 2024, as part of Lincoln Center Presents. Newly announced artists are set to perform across three stages inside David Geffen Hall, celebrating musical traditions, and encouraging discovery.

    globalFEST 2023- Son Rompe Pera

    After hosting its 20th anniversary at Lincoln Center’s newly-renovated David Geffen Hall, and with its biggest, sold-out crowd ever, globalFEST returns to Lincoln Center with a new lineup curated by festival co-directors Bill Bragin, Isabel Soffer, and Shanta Thake, also Ehrenkranz Chief Artistic Officer at Lincoln Center for the Performing Arts, plus guest curator Zion Jackson.

    The 2024 globalFEST lineup features artists from across the world, including the traditional South African Xhosa rhythms and funk of Thandiswa Mazwai; the electronic-infused Indo-classical sounds of Karsh Kale; Yasser Tejeda’s new spin on Afro Dominican Roots music; gripping singer-songwriter and Brazilian activist Bia Ferreira; Catalan electro-folk duo Tarta Relena; Lonnie Holley whose live shows contain new and spontaneously created sounds; psychedelic Moroccan-French Gnawa quartet Bab L’ Bluz; GRAMMY award-winning Villalobos Brothers, fusing Mexican folk with jazz and classical music; the captivating contemporary Puerto Rican Bomba band El Laberinto del Coco; and the Ukrainian-Canadian Balaklava Blues that fuses Ukrainian polyphony and folk traditions with electronica.

    “We are thrilled to once again bring artists from all over the world to Lincoln Center’s David Geffen Hall. The power of music to bring people together during trying times is more important than ever. globalFEST began following the dark days between 9/11 and the start of the Iraq War. Now in its 21st year, as the world faces new conflicts and the horrors of war are all around us, we remain devoted to encouraging cultural awareness through musical discovery.”

    Bragin, Soffer, and Thake

    Throughout globalFEST’s history, the festival has acted as a musical beacon, bridging cultural divides and bringing audiences together through the universal language of music. The beloved curation has proven influential to arts organizations and venues across the country and jump-started the US touring careers of incredible artists, including Antibalas, Amythyst Kiah, Angelique Kidjo, DakhaBrakha, Jupiter and Okwess, Martha Redbone, Rhiannon Giddens and more.

    Since its beginning, globalFEST has showcased more than 200 artists and groups from 70 different countries, and always to sold-out audiences. Founded in response to the aftermath of 9/11, the run-up to the Iraq war, the closing of borders, and rising xenophobia, the festival was a music-filled light in a dark time. The festival has grown from a concert into a catalytic non-profit organization that serves an intersectional array of global artists and the larger performing arts field. Recognizing that artists are often advocates and ambassadors, globalFEST has also become a platform for those whose homes were under duress, from Gulf artists post-Katrina to Haitian artists after the 2010 earthquake to Muslim artists amidst Trump’s “Muslim Ban.” Additionally, the festival has centered gender equity as a goal and made LGBTQ+ voices a programming priority.

    globalFEST 2023 Recap

    globalFEST 2024 takes place on Sunday, January 14, 2024 at Lincoln Center, inside David Geffen Hall. Tickets for the general public go on sale Thursday, October 26 at 12 p.m. ET. For the latest news on globalFEST, visit LincolnCenter.org/globalFEST.

  • Watch Steve Conte’s Video For New Single “Girl With No Name”

    NYC-based singer-songwriter Steve Conte released a new official music video for his latest single, “Girl With No Name.” The video was filmed on the streets of New York, and shows iconic locations such as Times Square and the famous Flatiron Building.

    Steve Conte, Girl With No Name

    Conte wrote “Girl With No Name” based on ideas of missed opportunity and attraction. He began writing it in 1984 and finished the track for his upcoming album. He cited influences such as The Beatles, XTC, and Diana Ross and the Supremes.

    This is a song of regret…about missed opportunity and lack of skills in meeting someone you’re attracted to. When putting my new album together, I was looking for songs that would fit nicely alongside the songs that Andy Partridge and I had written for it and I kept thinking of this one. I wrote it back in 1984 and never forgot it – which was a good sign.

    Steve Conte
    Steve Conte, Photo Credit: Anja Van Ast, 2020
    Photo Credit: Anja Van Ast, 2020

    Steve Conte is known as a longtime member of the rock group New York Dolls, as well as working alongside Paul Simon, Billy Squier, and Peter Wolf. Conte expanded internationally in recent years, working alongside Japanese composer Yoko Kanno to write soundtracks for anime series’.

  • Hearing Aide: Gates/Dunn/Fox “Deliriant Modifier”

    Deliriant Modifier, a new collaborative album by Sally Gates (Titan to Tachyons), Trevor Dunn (Mr. Bungle) and Greg Fox releases on October 20. The record is inspired by a neuroscience thesis by Anil Seth, and explores ideas of limitation, perception, and improvisation in the musical realm.

    Deliriant Modifier

    Sally Gates references neuroscientist Anil Seth’s thesis, saying: “Perception = controlled hallucinations. Hallucinations = uncontrolled perception”. The group took this as inspiration, using controlled perception as a grounding idea in the creation of their record. Deliriant Modifier is entirely improvised, with the exception certain parameters, cues, and duration times set in place for each track.

    Improvising is the result of a natural outpouring of everything you absorb. Whatever you’ve been listening to, practicing, or even reading, watching.

    Sally Gates

    The first track, “Macro/Micro,” is an eclectic exploration of percussion, strings, and guitar, forming a captivating opening to the record. The improvisation begins sporadically, and as the track continues, the musicians find clarity and cohesion.

    The sixth track on the record, “Limits Of A Circle,” begins with a striking, wavering percussive introduction. A strong, gritty guitar interrupts it with thrilling riffs and solos, but the track truly shows the group’s skill in creative percussion.

    “Excise Spurious Time,” the closing song, introduces a clear, nervous piano, responding to itself with higher and lower harmonies. The piano exudes nimbleness, as the musicians form what could be soundtracked against a harrowing film.

    Using limitations as a framework for improvisation is one way to set goals, think about form, and harness the freedom. Anarchy is ok some of the time, but it’s also nice, for the listener and the performer as well, to keep things from going off the rails all the time.

    Trevor Dunn

    The three New York-based musicians began the composition of Deliriant Modifier by asking the question, “Do limitations aid or hinder the functionality in composition?” Answered by the unique composure and creative responses to the improvisational prompts, it aids their originality and bold appeal.

    Sally Gates, Trevor Dunn, and Greg Fox

    Deliriant Modifier released on October 20 on Riverworm Records. The artists are Sally Gates, Trevor Dunn and Greg Fox.

  • Westside Gunn Drops Star-Studded LP ‘And Then You Pray For Me’

    Critically-acclaimed Buffalo native, Westside Gunn, continues to push the envelope on his “underground” status with the release of his latest LP, And Then You Pray For Me. Released this past Friday, the star-studded project features a host of hip hop heavy hitters along with a mesh of styles and sub-genres. All in all, showcasing the Griselda head honcho’s status within the game.

    Westside Gunn "And Then You Pray For Me" album cover
    ‘And Then Your Pray For Me” album cover

    The Making of “And Then You Pray For Me”

    Furthermore, the self proclaimed “FlyGod” took a unique approach to the creation of And Then You Pray For Me, recording most of the album overseas. Immersing himself in inspiring locals, he laid down tracks in Paris, Athens, London, and Denmark. Subsequently, as Westside Gunn cements his place in hiphop folklore, he has begun to experiment with different sounds. After years of maintaining an air of creativity and cultural fluidity with his keen fashion sense, expressive styles and interest in art, this has begun to manifest itself in his music — which has long fed the streets with a combination of boom bap and luxury drug raps. While the new experimental sounds have been well received, it has led to questions on whether Westside Gunn’s loyalty to the boom bap sound that gained him relevance has begun to waiver.

    After all, the 21-track project boasts contributions from legendary figures such as RZA, Rick Ross, Jeezy and DJ Drama. While contemporary stars the Iikes of Ty Dolla $ign, J.I.D., EST Gee and producer Tay Keith make appearances with the addition of British rapper, Giggs, for a bit of European flair. Meanwhile, And Then You Pray For Me maintains its gritty feel with appearances from Griselda cohorts and fellow underground stars. Particularly, Benny The Butcher, Conway The Machine, Stove God Cooks, Rome Street and longtime producers Conductor Williams and Derringer grace the project. Ultimately culminating in an electric blend of trap, boom bap with remnants of R&B & soul samples.

    Virgil Abloh Tribute

    I have Virgil Abloh doing my artwork and who left on earth can say that. I cannot disrespect his legacy, he’s immortal and I feel this is his way of blessing me; even though he’s not here in the physical. 

    – Westside Gunn

    In a heartfelt tribute to the late Virgil Abloh, a close friend of Westside Gunn, the renowned Off-White creative designed the artwork for And Then You Pray For Me.  Abloh, known for his innovative and boundary-pushing designs, also created the iconic cover for Westside Gunn’s 2020 album, Pray For Paris. This latest collaboration between Abloh and Westside Gunn is a testament to their enduring friendship and creative synergy. 

  • NYStalgia: Revisit the last time Phish Played Buffalo, October 19, 1996

    In April of 1994 Phish appeared at the Alumni Arena on SUNY Buffalo’s campus. Trey fell through a hole in the stage during soundcheck which would hobble him for the remainder of that spring tour. It’s possible the band held that incident against the entire city of Buffalo. They didn’t return until two and half years later, and that show, on October 19, 1996, would be their last ever visit to the Western NY metropolis. That was 27 years ago.

    Fall 96 Postcard via PhanArt.net
    Fall 96 Postcard via PhanArt.net

    It was a show I had the pleasure of attending. A junior at Syracuse, I had netted just one show that summer, and was determined to take advantage of the Mid-Atlantic start to the tour that would wind them down the coast to Atlanta for the famous “Remain in Light” Halloween show. Tucked between Wednesday night shows in Lake Placid and Hartford, CT, which in retrospect I am not sure how I pulled off either, let alone both, was an easy rust-belt Friday-Saturday run from Pittsburgh up to Buffalo. So out we headed.

    phish buffalo

    The band was a bit uneven at this point, early in the tour, and in 1996 in general. Lake Placid was nothing special, Pittsburgh was solid and this Buffalo show, was generally forgettable. And forgettable is a pretty apt word from my personal standpoint, I really don’t have a lot of strong memories from that night, couldn’t even tell you a single song they played offhand. And popping the show in for another listen, I can’t really recommend anyone put this in their queue. The playing is fine, the song selection is fine, but there’s just nothing really notable here to be worth anyone’s time.

    I have but one strong memory from this show.

    In those days, I was stubbornly determined to be in the front row. I literally had nothing better to do with my time. If it meant sitting out in the baking sun all day and then sprinting like my life depended on it, I did it. If it meant waiting out in the bitter cold singing “Tweezer” with some newfound friends, I did it. If it meant weaseling my way down to the floor and sneaking my way past multiple levels of security, I did it. The latter worked like a charm the previous night in Pittsburgh, a far superior show which I enjoyed front and center.

    Fall 96 shirt via PhanArt.net
    Fall 96 Phish via PhanArt.net

    At Buffalo, I again snuck onto the floor and was biding my time chatting it up with some friends who were right on the wall of the 100 level. We were talking about the Pittsburgh show and I mentioned where I sat. They asked where I was sitting that night, and I coyly mentioned I would be in the front row again. They didn’t think I could do it, so now I definitely had to come through. Shortly before the lights went down I walked down the aisle right to the front row and there was an empty seat just waiting there for me, right in front of Trey. Easy peasy!

    phish buffalo fall 96
    Fall 96 shirt via PhanArt.net

    Some blurry footage of most of the entire show on YouTube can be found below. I watched it all. Like I said, I can’t recommend it for the music. Even for a nostalgic look back at the band and how the lights were back in “the day” is ruined by excessive zoom and blurrier than blurry footage. As I sat through the whole thing trying to figure out what I could possibly say about this show, it took until the end of the very last song for it to dawn on me. The video finally panned out to show the full stage, lights and crowd during the peak of “Run Like an Antelope.”

    There is a blurry visage of a young guy in the front row bouncing up and down and throwing his fists wildly into the air as the band goes into manic climax mode. That would be me. Two plus hours of feeling somewhat down on the memory of a ho-hum concert was erased instantaneously. There’s just something about seeing a 27-year younger version of yourself, no matter how blurry, finding ultimate bliss for a few minutes. Guess the show wasn’t all that bad, that guy seemed to be enjoying it.

    Setlist via Phish.net

    Phish – Marine Midland Arena, Buffalo, NY – Saturday, October 19, 1996

    Soundcheck: Funky Bitch, Reggae Jam, Life On Mars?, Billy Breathes

    Set 1: My Friend, My Friend, Rift, Free, Esther > Llama, Gumbo, Down with Disease > Prince Caspian > Frankenstein

    Set 2: AC/DC Bag, Sparkle > Slave to the Traffic Light, Bouncing Around the Room, Split Open and Melt, Fluffhead, Swept Away > Steep > Run Like an Antelope, Hello My Baby

    Encore: Fee[1], Rocky Top

    [1] Trey sang verses through megaphone.
    The second set started with a Wish You Were Here tease.

    Stream an audience recording of the show here.

  • An Enchanting Evening with Andy Summers at the Patchogue Theatre

    On Saturday night, October 14, the Patchogue Theatre in New York came alive with the spellbinding music and visual artistry of the legendary guitarist, Andy Summers. The crowd gathered in anticipation of a performance that promised to be much more than just a concert. As part of his tour entitled “The Cracked Lens + A Missing String,” Andy Summers combined his exceptional guitar skills with a unique multimedia presentation.

    The show kicked off with the hauntingly beautiful “Tru Nature,” setting the tone for what was to come. With his distinctive guitar style and unparalleled skill, Summers effortlessly transported the audience into a world of musical wonder. The setlist was an eclectic mix of his solo works and iconic songs from his time with The Police, making it an experience that catered to fans both old and new.

    What truly set this evening apart were the interludes between songs, during which Summers shared captivating anecdotes. These stories offered a glimpse into the inspirations and experiences that shaped his music and life. One unforgettable tale involved an accidental overdose of Ambien, which left him with no memory of how he made it from the plane to his hotel. This candid storytelling offered a humorous yet humanizing perspective on the legendary artist.

    The evening continued with songs like “The Last Dance of Mr. X” and “Tea in the Sahara,” which not only showcased Summers’ musical virtuosity but also his storytelling ability. Each song became more than just a composition; it transformed into a vivid narrative that resonated deeply with the audience.

    Another remarkable story recounted Summers’ adventures with the late John Belushi, where they embarked on a journey involving magic mushroom omelets. The audience was transported into this wild and unexpected adventure through Summers’ vivid storytelling, making them feel like they were right there with him.

    The visual component of the show was equally mesmerizing. Behind Summers, a large screen displayed a collage of photographs he had taken throughout his storied career. These visuals served as a stunning backdrop, creating a visual narrative that harmonized with the music. The result was an immersive experience that combined sound and sight, forging a profound connection between the artist and the audience.

    The show culminated with the iconic “Message in a Bottle,” leaving the audience with a lasting memory of an extraordinary evening that transcended the boundaries of a typical concert.

    Setlist: True Nature, Metal Dog, The Bones of Twang Zu, The Last Dance of Mr X, Tea in the Sahara, Round Midnight, Spain, Roxanne, Manha de carnaval, A Felicidade, Triboluminescence, Spirits in the Material World, Bring on the Night, Message in a Bottle