The Orchestra of the Southern Finger Lakes (OSFL) has announced the first show of the 2023-24 Musicians’ Choice Chamber Music Series, titled “Music Meets Art” on November 10. The show features the Chrystallum Quartet, alongside visual artist Suyen Lau, performing live alongside each other onstage.
Members of the Chrystallum Quartet (left to right): Anita Pawlak (oboe), Nolan DeSanto (piano), Martha Weber (bassoon), and Angela McBrearty (flute/piccolo).
Suyen Lau, a fine arts and design student at SUNY Corning Community College and alum of the OSFL’s Youth Orchestra, will create a new charcoal artwork onstage during the performance. The Chrystallum Quartet will play alongside her, featuring pieces by Telemann, as well as composers Alyssa Morris, and Nicole Chamberlain.
Suyen Lau (visual artist).
The visual representation of the aural perception of music has always intrigued me. Some people are wired with strong associations between music and visual art. Suyen is gifted this way.
Karen Dusek, Managing Director of the Orchestra of the Southern Finger Lakes
The Chrystallum Quartet will play a selection of pieces inspired by the visual arts. “Brush Strokes” by Alyssa Morris is a musical representation of visual arts, with each movement representing artists such as Monet, Seurat, and Van Gogh. In addition, Nicole Chamberlain’s piece will be set to the silent film LeCharmeur.
As common practice in the Musicians’ Choice Chamber Music Series, oral program notes will be presented by the artists throughout the program, as part of a relaxed, intimate setting for the performance. In addition, Lau’s artwork will be featured on display for audience members to view before and after the show.
“Music Meets Art” will be presented on November 10 at 7:30PM at North Presbyterian Church at 921 College Avenue in Elmira, NY. Doors open at 6:45 for audiences to see Suyen Lau’s artwork on display.
Tickets are $40 for adults, $20 for students with ID, and free for veterans and children under 18. Seating is general admission. Purchase tickets in advance at OSFL.org, call 607-936-2873, or in person at the Orchestra of the Southern Finger Lakes office, 49 Bridge Street, Corning. Ticket sales at the door will be available until sold out.
Grammy Award-winning trio, Nickel Creek—mandolinist Chris Thile, violinist Sara Watkins and guitarist Sean Watkins—will continue their extensive headline tour next year including newly confirmed shows in Rochester, Troy, and Buffalo.
After meeting as young children in California’s That Pizza Place, and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line.
Each member of Nickel Creek has also taken part in many outside projects over the years. Chris Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the American radio variety show “Live from Here” (formerly “A Prairie Home Companion”) from 2016 to 2020. He has also released collaborative albums with world-renowned musicians like Yo-Yo Ma, Edgar Meyer, Brad Mehldau and Stuart Duncan as well as six studio albums with his Grammy-winning band, Punch Brothers. Sean Watkins is a co-founder of Watkins Family Hour alongside Sara, who has released three albums and maintains a long-running collaborative show in Los Angeles. Sean has also released a string of solo albums, while Sara’s extracurricular projects include the aforementioned Watkins Family Hour, as well as the Grammy-winning roots trio, I’m With Her, which she co-founded alongside Aoife O’Donovan and Sarah Jarosz. Sara Jarosz has released four studio albums and has contributed fiddle to recordings for artists like Phoebe Bridgers, The Killers, and John Mayer.
Even stronger when together, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. In a 2020 retrospective entitled, “The Year Folk Broke: How Nickel Creek Made Americana The New Indie Rock,” NPR Music praised, “20 years ago this month, an album arrived that seemed to speak all these languages at once: unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. Behind it were three musicians just barely old enough to vote” and continued, “That makes Nickel Creek and its unofficial debut a critical point along a storied timeline, one whose innovations offer countless connections between the genre’s origins and its future. Once dubbed ‘progressive newgrassers,’ the three musicians now fit firmly within the ranks of Americana music—however nebulous, layered and diverse that realm may be. They have only themselves to thank.”
The upcoming shows add to a landmark year for the group, who released Celebrants—their fifth studio album and first release in nine years—this past spring via Thirty Tigers. Additionally, Nickel Creek recently received the Lifetime Achievement Trailblazer Award at the 2023 Americana Music Association Honors & Awards and performed on “Jimmy Kimmel Live!” and “CBS Saturday Morning” earlier this year.
Recorded at Nashville’s RCA Studio A, the album was produced by longtime collaborator Eric Valentine (Queens of the Stone Age, Grace Potter, Weezer) and features Mike Elizondo on bass. Reflecting on the project, the band shares, “This is a record about embracing the friction inherent in real human connection. We begin the record yearning for and pursuing harmonious connection. We end the record having realized that truly harmonious connection can only be achieved through the dissonance that we’ve spent our entire adult lives trying to avoid.”
NICKEL CREEK CONFIRMED TOUR DATES
February 6, 2024—Iowa City, IA—Hancher Auditorium
February 7, 2024—Madison, WI—Overture Hall
February 9, 2024—Des Moines, IA—Hoyt Sherman Place
February 10, 2024—Indianapolis, IN—Murat Theatre at Old National Centre
February 12, 2024—Peoria, IL—Peoria Civic Center Theater
February 13, 2024—Kalamazoo, MI—Kalamazoo State Theatre
February 15, 2024—Columbus, OH—Mershon Auditorium
February 16, 2024—Fort Wayne, IN—The Clyde Theatre
February 17, 2024—Louisville, KY—The Louisville Palace
February 19, 2024—Durham, NC—Durham Performing Arts Center
February 20, 2024—Augusta, GA—Miller Theater
February 21, 2024—Jacksonville, FL—Florida Theatre
February 23, 2024—Fort Lauderdale, FL—Broward Center for the Performing Arts
February 24, 2024—Clearwater, FL—Ruth Eckerd Hall
March 12, 2024—Canton, OH—Canton Palace Theatre
March 14, 2024—Bethesda, MD—Music Center at Strathmore
March 15, 2024—Newark, NJ—NJPAC
March 16, 2024—Rochester, NY—Kodak Center
March 17, 2024—Burlington, VT—Flynn Center for the Performing Arts
March 19, 2024—Groton, MA—Groton Hill Music Center Concert Hall
March 21, 2024—Storrs, CT—Jorgensen Center for the Performing Arts
March 22, 2024— Troy, NY—Troy Savings Bank Music Hall
March 23, 2024—Buffalo, NY—University at Buffalo Center for the Arts
March 24, 2024— Lancaster, PA—American Music Theatre
April 26, 2024—Knoxville, TN—Tennessee Theatre
April 27, 2024—Savannah, GA—Johnny Mercer Theatre
April 30, 2024—Huntsville, AL—VBC Mark Smith Concert Hall
May 2, 2024—Little Rock, AR—The Hall
Tickets for the 2024 shows are available for pre-sale starting today, October 25, at 10:00am local time with general on-sale following this Friday, October 27 at 10:00am local time. Full details can be found at www.nickelcreek.com/tour.
Honest Folk brought Canadian singer/songwriter Cat Clyde to Rochester’s Skylark Lounge on Saturday night. By the end of the show, or rather not even halfway through, it was a mutual love fest. The crowd, some familiar some not, were eating up every word and every note, while Clyde, recognizing this, was visibly and verbally blown away by the response. It was her first time to town and the cozy bar was essentially sold out, many singing along and most all exuberantly encouraging her between songs.
She, along with her band including guitar, bass and drums, were touring behind her excellent new release Down Rounder. In a little over an hour, they would play nearly every track from that record, while also sprinkling earlier and even newer material, one played for the first time live even, throughout.
Musically songs patched together sounds from grooving rock, surf, honky tonk, 50’s ballads, indie rock, slow blues, outlaw country, 60’s European psychedelia and even a little Middle Eastern influence.
Thematically the songs were grounded in the natural world. Rain, rivers, trees and other elements found around us were referenced liberally. But it as those actually ungrounded in nature that popped up most frequently: the birds, the moon, the sun and the stars.
“Hawk in the Tree” was about her urge to be a bird. An urge that doesn’t seem all that recent, because in “Not Like You” from her earlier release Hunters Trance she sang, “I may be a bird in a cage, but at least I have my wings.” In “The River” there were “birds moving like a school of fish in the sky.” “The Gloom” expressed her love for the moon, and in “All the Black” she “told the moonlight I was scared.” Even her one cover of the night was of Bonnie Guitar’s country croon “Dark Moon.” And in “Papa Took My Totems” she brought them both together, singing “the moon was a loon.”
Instrumentally the music was carried on Clyde’s incredible voice. Her backing band was excellent at fleshing out her tunes but remained a backing band throughout, there to service and highlight the talents of their front woman. Except when she played a couple on her own mid-set. She could drift from husky and deep to soft and soaring from verse to chorus, or jump octaves instantly and effortlessly from one word to the next. At times she would just be singing syllables in a folk-like scat, using her voice solely as an instrument, and an incredible instrument it was. When “Real Love” opened with her singing a capella, it became apparent she could carry an entire song, maybe the whole set, with just her voice.
Clearly Cat Clyde is a star, or bird or moon, on the rise.
Opener Libby DeCamp had played Rochester before, seven years ago, but her memories were fuzzy. She used her honey sweet voice and resonator guitar to present a set of mostly new songs like “Tigers of Wrath,” inspired by a transcendentalism phase she went through, and “Torch.” Her material was sparse and spacious, each note and each word carrying extra weight. Hopefully this memory sticks a little better for her, Rochester would love a quicker return.
But until then, Rochester has another Honest Folk show to look forward to as the great Marty O’Reilly returns to play an intimate gig at the brand new venue, Essex, on November 11.
Cat Clyde Setlist: So Heavy, Mystic Light, Everywhere I Go, Hawk in the Tree, The Gloom, Real Love, Mama Said, Dark Moon (Bonnie Guitar), New Song, Not Like You, The Man I Loved Blues, Where is My Love, Bird Bone, Papa Took My Totems, Eternity, So Cold, All the Black Encore: The River, I Feel It
On October 19, Buffalo Iron Works celebrated ten years with a performance by Melvin Seals & JGB. As the evening began with a line of anxious fans awaiting to be let into the building, you could feel the energy in the air. The building filled in quickly for what had to be a capacity show.
As the house lights went down, the crowd grew eager waiting to catch the first glimpse of the band. One by one each band members – Melvin Seals, John Kadlecik, Ron Holloway, John-Pual McLean, Peter Lavezzoli – made their way up the side stage stairs and onto the stage under thunderous applause and cheers. When the first note hit the air, the crowd moved in delight with a smile on nearly every face. Each song during the night was masterfully done. Each jam taken to a new level. And every member of the band was right where they needed to be all night long.
The night could not have been any better with the two stellar sets of music brought curtesy of Melvin Seals & JGB. This was not their first time playing Buffalo Iron Works, and definitely should not be their last. As many in attendance would agree.
Melvin Seals and JGB – Buffalo Iron Works – Thursday, October 19, 2023
Setlist: How Sweet It Is (To Be Loved by You), Love in the Afternoon, Forever Young, Loose Lucy, Franklin’s Tower, Cassidy, Rubin and Cherise, Can’t Find My Way Home
Dopapod’s winter/spring tour for 2024 kicks off in the Southeast this coming January, but by March the group will be hitting New York for a trio of shows in Buffalo, Syracuse and Saratoga Springs.
After a dozen shows in the Southeast, including five consecutive nights in Florida, Dopapod will have another 10 shows at yet to be announced venues and locales. By mid-March, the four-piece – keyboardist/vocalist Eli Winderman, guitarist/vocalist Rob Compa, bassist Chuck Jones and drummer Neal “Fro” Evans – will be back in the Northeast, ready to hit some familiar haunts.
photo by Filip Zalewski
On Tuesday, March 19, the palindromic band performs at Buffalo Iron Works, then after a day off Dopapod will be at the Westcott Theater in Syracuse. Friday, March 22 finds the quartet back at Putnam Place in Saratoga Springs, where the group has performed to packed rooms, most notably on October 20, 2021 when they spent the entire first set performing Pink Floyd’s “Echoes” in its entirety. Check out our recap, photos and videos from the show here.
Modern rock-folk band ‘The Left-Handed 2nd Baseman’ have announced the release of their latest album, The Dogs Race to the Door.
The Left-Handed 2nd Baseman (LH2B) is based in Rochester and became the creation of singer/songwriter/producer Fran Broderick. They fuse diverse musical influences ranging from alt-folk to synth-pop, the result by stirring anthems is anchored by Broderick’s captivating lyrics.
The upcoming release for The Dogs Race to the Door arrived on October 21 and marks the first full album with the LH2B band and the first album since 2018’s Trench Digging During Peacetime. Including 10 new songs while 2 are reworked tunes from 2015’s Eudaimonia. The band includes vocalist/guitarist Fran Broderick, drummer Zak Mendoza, bassist Dan Carter, Shane Kelsen on piano, organ & synth, rhythm guitarist Ben Rossi plus backing vocals and co-producer Brendan Simms.
The Dogs Race to the Door uses a collection of combined acoustic sounds while implementing synthesized elements to create an upbeat soulful mix of alternative folk songs. Their vocals are gruff yet heartfelt and exhibit themes of overcoming hardship, their experience with manhood while articulating these themes through storytelling. This album is sure to get your body grooving, head bobbing and feet moving
Key Tracks: I-90, Branch Collar, A Man Under the Influence
The Buffalo Central Terminal will host its infamous Oktoberfest on Sunday, October 22, with live music from local bands featuring southern soul, blues, hip-hop, pop-rock, and gospel-inspired sets.
Get ready for a day of autumnal fun with live music and delicious treats at this year’s Oktoberfest. This family-friendly fall festival blends contemporary elements with the traditional charms of Oktoberfest, promising an unforgettable experience with activities for all ages.
Live music: Enjoy music with DJ P followed by live performances featuring southern soul, blues, hip-hop, pop rock, and gospel-inspired sets from fantastic local bands. Don’t miss a Free Music Party at 1:00 pm, as well as Miller and The Other Sinners at 3:00 pm.
Bills Watch Party: Watch the Bills take on the Patriots at Oktoberfest’s Bills Watch Party. Cheer for your favorite team on several big screens. Wear your Bills gear, and don’t forget your lawn chairs and picnic blankets.
Petting Farm: Bring the kids for a chance to pet, feed, and learn about some adorable animals such as goats, pigs, tortoises, rabbits, and more, at the petting farm.
Hayrides: The hay wagon is back in the neighborhood. From 11:00 am to 2:00 pm, enjoy the crisp autumn air on a hayride around the historic Terminal. Pumpkin Decorating: Skip the mess and get creative at Oktoberfest’s no-carve pumpkin decorating station.
Local Food and Drinks: Indulge in your delicious fall favorites, from traditional Oktoberfest fare to plant-based foods, they have something for everyone. Oktoberfest vendors include sausages from Shish Kabob Heaven, plant-based treats from Avenue29 Foods, spice and flavor from KT Caribbean Cuisine, and artisan German cookies from Catering by Marjorie. Oktoberfest has your favorite local beer, wine, cider and MORE served up by Buffalo Brewing Company, Bully Hill Vineyards, Tree Hugger Hard Cider, Blue Groove Coffee, and Bubba’s Loganberry.
The Buffalo Central Terminal has also partnered with their neighbors at Buffalo Brewing Company to present “Central Terminale,” a pre-prohibition style amber ale brewed in honor of Oktoberfest at the Terminal. A portion of the proceeds from the sale of “Central Terminale” will support the rehabilitation of the Buffalo Central Terminal. The release of this special brew will happen this week at Buffalo Brewing Company’s Myrtle Avenue tap room.
“This partnership echoes our slogan ‘Good Neighbors, Great Beer.’ The Buffalo Central Terminal and our renovation of Schreiber Brewing run on parallel tracks. Even though each project is happening independent of one-another, they both will have a profound effect on Broadway-Fillmore and the East Side,” said John Domres, Jr., owner of Buffalo Brewing Company.
These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.” said Lindsey Taylor, events consultant for the Buffalo Central Terminal.
Lindsey Taylor, events consultant for the Buffalo Central Terminal
Buffalo Central Terminal’s Oktoberfest is the perfect opportunity to embrace the autumn spirit and create lasting memories with friends and family. So, bring your picnic blankets and lawn chairs to celebrate at the Buffalo Central Terminal on Sunday, October 22 from 11 am to 4 pm at 495 Paderweski Drive Buffalo. Tickets are free for all October events at the Buffalo Central Terminal.
For more information and event updates, visit the Buffalo Central Terminal website.
Critically-acclaimed Buffalo native, Westside Gunn, continues to push the envelope on his “underground” status with the release of his latest LP, And Then You Pray For Me. Released this past Friday, the star-studded project features a host of hip hop heavy hitters along with a mesh of styles and sub-genres. All in all, showcasing the Griselda head honcho’s status within the game.
‘And Then Your Pray For Me” album cover
The Making of “And Then You Pray For Me”
Furthermore, the self proclaimed “FlyGod” took a unique approach to the creation of And Then You Pray For Me, recording most of the album overseas. Immersing himself in inspiring locals, he laid down tracks in Paris, Athens, London, and Denmark. Subsequently, as Westside Gunn cements his place in hiphop folklore, he has begun to experiment with different sounds. After years of maintaining an air of creativity and cultural fluidity with his keen fashion sense, expressive styles and interest in art, this has begun to manifest itself in his music — which has long fed the streets with a combination of boom bap and luxury drug raps. While the new experimental sounds have been well received, it has led to questions on whether Westside Gunn’s loyalty to the boom bap sound that gained him relevance has begun to waiver.
After all, the 21-track project boasts contributions from legendary figures such as RZA, Rick Ross, Jeezy and DJ Drama. While contemporary stars the Iikes of Ty Dolla $ign, J.I.D., EST Gee and producer Tay Keith make appearances with the addition of British rapper, Giggs, for a bit of European flair. Meanwhile, And Then You Pray For Me maintains its gritty feel with appearances from Griselda cohorts and fellow underground stars. Particularly, Benny The Butcher, Conway The Machine, Stove God Cooks, Rome Street and longtime producers Conductor Williams and Derringer grace the project. Ultimately culminating in an electric blend of trap, boom bap with remnants of R&B & soul samples.
Everybody keep asking me based on the the clips they heard wondering is “AND THEN YOU PRAY FOR ME” Boom Bap or Trap bc the “Disgusting” record ft Giggs sound trap & the “ Dunhill”ft Unknown clip sounded trap but the @JIDsv record sounded like Boom bap
I have Virgil Abloh doing my artwork and who left on earth can say that. I cannot disrespect his legacy, he’s immortal and I feel this is his way of blessing me; even though he’s not here in the physical.
– Westside Gunn
In a heartfelt tribute to the late Virgil Abloh, a close friend of Westside Gunn, the renowned Off-White creative designed the artwork for And Then You Pray For Me. Abloh, known for his innovative and boundary-pushing designs, also created the iconic cover for Westside Gunn’s 2020 album, Pray For Paris. This latest collaboration between Abloh and Westside Gunn is a testament to their enduring friendship and creative synergy.
In April of 1994 Phish appeared at the Alumni Arena on SUNY Buffalo’s campus. Trey fell through a hole in the stage during soundcheck which would hobble him for the remainder of that spring tour. It’s possible the band held that incident against the entire city of Buffalo. They didn’t return until two and half years later, and that show, on October 19, 1996, would be their last ever visit to the Western NY metropolis. That was 27 years ago.
Fall 96 Postcard via PhanArt.net
Fall 96 Postcard via PhanArt.net
It was a show I had the pleasure of attending. A junior at Syracuse, I had netted just one show that summer, and was determined to take advantage of the Mid-Atlantic start to the tour that would wind them down the coast to Atlanta for the famous “Remain in Light” Halloween show. Tucked between Wednesday night shows in Lake Placid and Hartford, CT, which in retrospect I am not sure how I pulled off either, let alone both, was an easy rust-belt Friday-Saturday run from Pittsburgh up to Buffalo. So out we headed.
The band was a bit uneven at this point, early in the tour, and in 1996 in general. Lake Placid was nothing special, Pittsburgh was solid and this Buffalo show, was generally forgettable. And forgettable is a pretty apt word from my personal standpoint, I really don’t have a lot of strong memories from that night, couldn’t even tell you a single song they played offhand. And popping the show in for another listen, I can’t really recommend anyone put this in their queue. The playing is fine, the song selection is fine, but there’s just nothing really notable here to be worth anyone’s time.
I have but one strong memory from this show.
In those days, I was stubbornly determined to be in the front row. I literally had nothing better to do with my time. If it meant sitting out in the baking sun all day and then sprinting like my life depended on it, I did it. If it meant waiting out in the bitter cold singing “Tweezer” with some newfound friends, I did it. If it meant weaseling my way down to the floor and sneaking my way past multiple levels of security, I did it. The latter worked like a charm the previous night in Pittsburgh, a far superior show which I enjoyed front and center.
Fall 96 shirt via PhanArt.net
Fall 96 Phish via PhanArt.net
At Buffalo, I again snuck onto the floor and was biding my time chatting it up with some friends who were right on the wall of the 100 level. We were talking about the Pittsburgh show and I mentioned where I sat. They asked where I was sitting that night, and I coyly mentioned I would be in the front row again. They didn’t think I could do it, so now I definitely had to come through. Shortly before the lights went down I walked down the aisle right to the front row and there was an empty seat just waiting there for me, right in front of Trey. Easy peasy!
Fall 96 shirt via PhanArt.net
Some blurry footage of most of the entire show on YouTube can be found below. I watched it all. Like I said, I can’t recommend it for the music. Even for a nostalgic look back at the band and how the lights were back in “the day” is ruined by excessive zoom and blurrier than blurry footage. As I sat through the whole thing trying to figure out what I could possibly say about this show, it took until the end of the very last song for it to dawn on me. The video finally panned out to show the full stage, lights and crowd during the peak of “Run Like an Antelope.”
There is a blurry visage of a young guy in the front row bouncing up and down and throwing his fists wildly into the air as the band goes into manic climax mode. That would be me. Two plus hours of feeling somewhat down on the memory of a ho-hum concert was erased instantaneously. There’s just something about seeing a 27-year younger version of yourself, no matter how blurry, finding ultimate bliss for a few minutes. Guess the show wasn’t all that bad, that guy seemed to be enjoying it.
Phish – Marine Midland Arena, Buffalo, NY – Saturday, October 19, 1996
Soundcheck: Funky Bitch, Reggae Jam, Life On Mars?, Billy Breathes
Set 1: My Friend, My Friend, Rift, Free, Esther > Llama, Gumbo, Down with Disease > Prince Caspian > Frankenstein
Set 2: AC/DC Bag, Sparkle > Slave to the Traffic Light, Bouncing Around the Room, Split Open and Melt, Fluffhead, Swept Away > Steep > Run Like an Antelope, Hello My Baby
Encore: Fee[1], Rocky Top
[1] Trey sang verses through megaphone. The second set started with a Wish You Were Here tease.
Multi-Grammy award winner Thundercat came to Buffalo Riverworks on October 14, showcasing his talent as both a bassist and singer. After immediately selling out tickets to the Town Ballroom, promoters quickly upgraded the venue size. Hundreds of more fans got to pack in for a night of the In Yo Girls’s City Tour.
Photo Credit: Maddie McCafferty
Openers Coco and Breezy started off the night in Buffalo with their upbeat energy. These musical twins have grown up with a deep passion for dance music that stems back to their time as tour dancers for Prince. They’ve taken their many influences to build a sound that fuses house, R&B, and Afro-Latino roots. These skilled producers brought their fun-filled tunes to a crowd ready to groove.
Shortly after, Thundercat – also known as Stephen Bruner – took to the stage with a Mac Miller intro song. He quickly got to shredding on the bass and filling the venue with vibey tunes. His bandmates Dennis Hamm (keys) and Justin Brown (drums) took this collective playing experience to the next level. Awe-inspiring to watch, the three got lost in the music. They play off one another while intrinsically layering one cohesive piece into another.
Photo Credit: Maddie McCafferty
Thundercat performed a wide array from his musical catalog, including songs off of his 2017 album Drunk including “Uh Uh” and “A Fan’s Mail (Iron Song Suite II).” Most of his performance encapsulated his latest album, It Is What It Is.
Closing out the night, Thundercat played his most recent release with Tame Impala, “No More Lies,” finishing off the night with everything harmonically sound and soulfully upbeat. A profound musician that without a doubt is inspiring other young musicians to delve into their passions head first. He even signed a young kids bass at the show.
Photo Credit: Maddie McCafferty
In case you missed a night of sweet tunes, don’t worry there is plenty more coming to Buffalo this fall season. Up next at Riverworks is San Holo coming October 21 and Dropkick Murphys performing October 24. Get your tickets here.
Setlist: Lost in Space / Great Scott / 22-26, Interstellar Love, How Sway, Uh Uh, Overseas, Dragonball Drug, Lava Lamp, A Message for Austin / Praise the Lord / Enter the Void, Oh Sheit It’s X, Black Qualls, A Fan’s Mail (Tron Song Suite II), Jameel’s Space Ride, King of the Hill, Tokyo, Lone Wolf and Cub, Funny Thing, Them Changes
