Category: Western NY

  • Sesame Street Live! Say Hello Tour Hits the Road in 2024 with 6 Stops Across New York

    In the world of family fun, Sesame Street has been a go-to for decades. Now, get ready for something extra special as Elmo, Abby Cadabby, Cookie Monster, and the whole Sesame Street gang hit the road in the brand-new live production, Sesame Street Live! Say Hello.

    This musical road trip is set to hit cities all across the U.S. and Canada, bringing the magic of Sesame Street to life starting in April 2024.

    Sesame Street Live! Say Hello promises more than just a show – it’s an interactive musical adventure. Join in the fun as your favorite characters come to life on stage. Expect surprises, laughter, and all the timeless magic of Sesame Street. This is an experience that goes beyond the screen, bringing the heartwarming spirit of Sesame Street to a live and tangible stage.

    This tour is no small affair, hitting major cities from Portland, ME, to Vancouver, and everywhere in between. The kickoff is at Merrill Auditorium in Portland on Tuesday, April 16, 2024, and the fun won’t stop until it’s made its way through more than 50 cities.

    SESAME STREET LIVE! SAY HELLO TOUR DATES:

    Tuesday, Apr. 16 – Merrill Auditorium – Portland, ME

    Wednesday, Apr. 17 – Lowell Memorial Auditorium – Lowell, MA

    Thursday, Apr. 18 – Palace Theatre – Albany, NY

    Friday, Apr. 19 & Saturday, Apr. 20 – Emerson Colonial Theatre – Boston, MA

    Sunday, Apr. 21 – Toyota Oakdale Theater – Wallingford, CT

    Wednesday, Apr. 23 – The Forum – Binghamton, NY

    Tuesday, Apr. 24 – KeyBank State Theatre – Cleveland, OH

    Thursday, Apr. 25 – Landmark Theatre – Syracuse, NY

    Friday, Apr. 26 & Saturday, Apr. 27 – Benedum Center for the Performing Arts – Pittsburgh, PA

    Sunday, Apr. 28 – Palace Theatre – Stamford, CT

    Tuesday, Apr. 30 – Shea’s Performing Arts Center – Buffalo, NY

    Wednesday, May 1 – Kodak Center for the Performing Arts – Rochester, NY

    Thursday, May 2 – PPL Center – Allentown, PA

    Friday, May 3 & Saturday, May 4 – Kings Theatre – Brooklyn, NY

    Sunday, May 5 – State Theatre New Jersey – New Brunswick, NJ

    Tuesday, May 7 – Appalachian Wireless Arena – Pikeville, KY

    Wednesday, May 8 – Charleston Municipal Auditorium – Charleston, WV

    Thursday, May 9 – Stranahan Theater – Toledo, OH

    Friday, May 10 – Embassy Theatre – Fort Wayne, IN

    Saturday, May 11 – Taft Theatre – Cincinnati, OH

    Sunday, May 12 – Clowes Memorial Hall – Indianapolis, IN

    Tuesday, May 14 – Adler Theatre – Davenport, IA

    Wednesday, May 15 – Rialto Square Theater – Joliet, IL

    Thursday, May 16 – DECC Symphony Hall – Duluth, MN

    Friday, May 17 & Saturday, May 18 – State Theatre – Minneapolis, MN

    Sunday, May 19 – Scheels Arena – Fargo, ND

    Tuesday, May 21 – MetraPark Arena – Billings, MT

    Wednesday, May 22 – Adams Center – Missoula, MT

    Thursday, May 23 – First Interstate Center for the Arts – Spokane, WA

    Friday, May 24 – Queen Elizabeth Theatre – Vancouver, BC

    Saturday, May 25 – Angel of the Winds Arena – Everett, WA

    Sunday, May 26 – Keller Auditorium – Portland, OR

    Tuesday, May 28 – Toyota Center – Kennewick, WA

    Wednesday, May 29 – Ford Idaho Center – Nampa, ID

    Friday, May 31 – Eccles Theater – Delta Hall – Salt Lake City, UT

    Saturday, Jun. 1 – Orleans Arena – Las Vegas, NV

    Sunday, Jun. 2 – City National Civic – San Jose, CA

    Tuesday, Jun. 4 – Bob Hope Theatre – Stockton, CA

    Wednesday, Jun. 5 – SAFE Credit Union Performing Arts Center – Sacramento, CA

    Thursday, Jun. 6 – Reno Events Center – Reno, NV

    Friday, Jun. 7 & Saturday, Jun. 8 – The Curran Theatre – San Francisco, CA

    Sunday, Jun. 9 – Kavli Theatre (Bank of America Performing Arts Center) – Thousand Oaks, CA

    Wednesday, Jun. 12 – Mechanics Bank Theater – Bakersfield, CA

    Friday, Jun. 14 & Saturday, Jun. 15 – Terrace Theater – Long Beach, CA

    Sunday, Jun. 16 – Fox Performing Arts Center – Riverside, CA

    Tuesday, Jun. 18 – Saroyan Theatre – Fresno, CA

    Wednesday, Jun. 19 – San Diego Civic Theatre – San Diego, CA

    Thursday, Jun. 20 – Linda Ronstadt Music Hall – Tucson, AZ

    Friday, Jun. 21 – Findlay Toyota Center – Prescott Valley, AZ

    Saturday, Jun. 22 – Arizona Federal Theatre – Phoenix, AZ

    Sunday, Jun. 23 – Abraham Chavez Theatre – El Paso, TX

    Tuesday, Jun. 25 – Wagner Noel Performing Arts Center – Midland, TX

    Wednesday, Jun. 26 – Amarillo Civic Center Auditorium – Amarillo, TX

    Thursday, Jun. 27 – Rio Rancho Events Center – Rio Rancho, NM

    Friday, Jun. 28 – Pueblo Memorial Hall – Pueblo, CO

    Saturday, Jun. 29 – United Wireless Arena – Dodge City, KS

    Sunday, Jun. 30 – Budweiser Events Center – Loveland, CO

    Tickets for this musical journey go on sale Friday, November 17th, with early access starting Tuesday, November 14th. Don’t miss out – head to SesameStreetLive.com to snag your tickets. This event is for everyone, from the littlest fans to those young at heart.

    For the most up-to-date information visit SesameStreetLive.com

  • Drake Announces KeyBank Center and UBS Arena Shows On 2024 ‘It’s All A Blur Tour’ with J.Cole

    Four-time Grammy award-winning and multi-platinum-selling Canadian rapper Drake announced his 2024 US Tour “It’s All A Blur Tour – Big As The What” with American rapper and producer J.Cole featuring two stops at KeyBank Center in Buffalo on Tuesday, Feb. 27, and Wednesday, Feb. 28 and two in Belmont Park at UBS Arena on March 14 and 15.

    drake tour

    Drake is a Canadian born hip hop artist who first emerged in the music industry in 2009 when he debuted his EP So Far Gone, named the hottest mixtape of the year by MTV and selling over 650,000 copies. Since his emerging success Drake has focused on his development and creation of music, leading to some of his most praised work. Drake embraces the hip-hop culture while integrating R&B and pop to create a languid, grandiose sound. Some of his fan favorites include “Nice For What”, “God’s Plan”, “One Dance (with Wizkid and Kyla)”, “Controlla” and many other record breaking hits.

    The upcoming tour follows Drake’s successful return to the stage after his 2023 “It’s All A Blur” Tour, which saw Drake perform 50 sold out area shows across North America throughout the summer and fall. Most recently, Drake released his eighth studio album For All The Dogs featuring ten collaborations with top charting artists SZA, Bad Bunny, J.Cole and more.

    Pre-sale tickets will be available beginning on Wednesday, November 15, followed by general tickets on Friday, November 17. For more information please visit here.

    DRAKE ‘IT’S ALL A BLUR TOUR – BIG AS THE WHAT?’ 2024 TOUR DATES:

    Thu, Jan 18 – Denver, CO – Ball Arena +

    Fri, Jan 19 – Denver, CO – Ball Arena 

    Mon, Jan 22 – San Antonio, TX – Frost Bank Center

    Thu, Jan 25 – Oklahoma City, OK – Paycom Center 

    Mon, Jan 29 – New Orleans, LA – Smoothie King Center

    Tue, Jan 30 – New Orleans, LA – Smoothie King Center 

    Fri, Feb 02 – Tampa, FL – Amalie Arena 

    Wed, Feb 07 – Nashville, TN – Bridgestone Arena

    Thu, Feb 08 – Nashville, TN – Bridgestone Arena

    Mon, Feb 12 – St. Louis, MO – Enterprise Center

    Fri, Feb 16 – Pittsburgh, PA – PPG Paints Arena 

    Tue, Feb 20 – Columbus, OH – Schottenstein Center

    Wed, Feb 21 – Columbus, OH – Schottenstein Center 

    Sat, Feb 24 – Cleveland, OH – Rocket Mortgage FieldHouse 

    Tue, Feb 27 – Buffalo, NY – KeyBank Center 

    Wed, Feb 28 – Buffalo, NY – KeyBank Center

    Sat, Mar 02 – Kansas City, MO – T-Mobile Center 

    Tue, Mar 05 – Memphis, TN – FedExForum

    Sun, Mar 10 – Lexington, KY – Rupp Arena 

    Thu, Mar 14 – Belmont Park, NY – UBS Arena

    Fri, Mar 15 – Belmont Park, NY – UBS Arena

    Mon, Mar 18 – State College, PA – Bryce Jordan Center

    Sat, Mar 23 – Sunrise, FL – Amerant Bank Arena

    Wed, Mar 27 – Birmingham, AL – The Legacy Arena at BJCC

  • Dumbo Gets Mad Gets Rochester Dancing

    Getting people out to a show on a Monday night is a hard sell. Getting people out for a show on the first Monday after our clocks turn back and darkness falls before lunch has even been digested is even tougher. Getting people out to a show on a dark Monday night when Tool is also in town is near impossible. So the impossible was achieved on Monday, November 6, when the Bug Jar had Italian quartet Dumbo Gets Mad on the bill and drew a solid crowd to come check them out.

    That crowd was treated to an extremely fun and danceable set. And dance they did! The quartet, guitar, keys, bass and drums, put their own psychedelic spin on a wide swath of genres. Synth-pop, surf, reggae, late night grooves, and heavy rock all reared their heads through the evening in a set that spanned their 10-year catalog.

    “Congratulations” gave the Bug Jar’s mirror ball a bit of nostalgia with it’s disco beat, slinky bass and infectious groove. Slow and sexy “Indian Food” gave the dance floor a bit of a breather. “Self Esteem” ratcheted the energy way up through the upside-down roof, bombastic bass blasts met raucous guitar in an absolute rager. The band had an endless bag of catchy synth lines, and “Plumy Tale” ended the set with yet another one.

    Dumbo Gets Mad was having as good a time as the crowd, and exhibited their own set of dance moves from the stage. Urged back for “one more song,” the band launched into a guitar and drums workout that had lead Dumbo Luca Bergomi grooving with his guitar through the crowd, the dance party on and off the stage ultimately coalescing in the end.

  • Spiritualized Mesmerized Buffalo

    Souls filled the pews and chairs inside Asbury Hall, a cavernous old church in Buffalo, on Tuesday. Dim light from an overcast nighttime sky peaked through stories-tall stained glass windows. A group, called Spiritualized, was in town to bless the enlightened with sounds from the beyond. A three-woman choir, decked out in flowing white blouses, joined in with joyous singing. The attendees clapped, cheered, sang along and raised their arms in praise. But this was no religious gathering. Rather it was a rock concert, and a devilishly good one at that.

    Spiritualized, a 30-plus year-old band out of England, was on the second night of a short week-long stint in the US. There was no opener, no stage banter, almost no dead air at all, just over two hours of glorious music. Bandleader Jason Pierce situated himself on the right side of the stage, seated sideways facing his bandmates. And they were fully engaged from the start.

    A spacey noise drifted gently into weightlessness, building repetitively to a crescendo and fizzling back down again in a near ten-minute “Hey Jane” that set the scene for the rest of the evening. Against a starfield backdrop, and with a mirrorball continually sending dots of light orbiting across the stone walls, we were set to explore, not the heavens, but the cosmos. And what more appropriate guide then Pierce, who is also known as J. Spaceman.

    “She Kissed Me (It Felt Like a Hit)” blasted into high gear with frantic drumming, manic bass and wailing guitars. That slammed head first into the gorgeous slide guitar and organ swells of “Shine a Light,” which built up to an exultant chorus from the backup singers. Praise be! “I’m Coming Home Again” immediately followed, peeling back layers of rock exposing a quiet and gorgeous interplay of guitar, piano and bass.

    With little to no pause between songs, the journey continued on through the night. The band would push, pull and stretch the tempo, between songs and within, creating time vortexes. Strobing lights hitting the mirrorball appeared to slow down time altogether as a hyper synth drone sizzled to silence to close out an intense wall of noise in “The A Song.” “Let It Bleed” was another highlight, as it traveled a slow build to ultimate exaltation, choir and all.

    The journey, which made stops along their full catalog, closed out as it began, “Sail On Through” slowly drifting off into space. Spiritualized slowly disengaged from their stations, faced the audience for the first time, and clapped and cheered for us as we for them. Maybe it was a religious experience after all.

    Setlist: Hey Jane, She Kissed Me (It Felt Like a Hit), Shine a Light, I’m Coming Home Again, A Perfect Miracle, Always Together With You, I’m Your Man, The Morning After, Here It Comes (The Road) Let’s Go, Best Thing You Never Had (The D Song), Let It Bleed (For Iggy), The A Song (Laid In Your Arms), Damaged, Soul On Fire, Sail On Through E: So Long You Pretty Thing, Come Together

  • Luke Mock Releases Heartwarming and Infectious Single “Love Of My Life”

    Auburn-based singer/songwriter Luke Mock has released his newest single “Love Of My Life,” a haunting look at the end of a happy relationship.

    Luke Mock

    In 2017, Luke Mock initially wrote “Love of My Life,” inspired by his then-girlfriend celebrating their love. Originally with a different title and a duet, the pandemic brought unexpected changes, like the end of said relationship. While dealing with the hardships of quarantine, Mock realized he was feeling intense emotions he couldn’t ignore, entirely transforming the sound of the track, infused with the powerful emotions affecting him.

    Luke Mock is an indie-pop artist hailing from Auburn. His music immerses you in a captivating whirlwind of emotions, driven by catchy hooks, and delivered with genuine charm. He’s captivated many audiences, sharing stages with artists like The Driver Era, Kesha, AJR, Ryan Quinn (The Voice), and Neyla Pekarek (The Lumineers), among others. With honesty and diving into his personal side at the core of Mock’s music, he forges connections and resonates with others. Compared to Shawn Mendes, Charlie Puth, and Julia Michaels, his captivating vocals and infectious pop music elements captivate audiences.

    Luke Mock

    “Love Of My Life” is a hauntingly beautiful track, encompassing the harsh emotions Mock felt when writing it. With a daring and melodic acoustic guitar flowing in the background, picking up with added percussion and beautiful strings, Mock paints a picture of a couple in love. Singing, “I want you to kiss me and make time go still/Yeah you are the one that makes my heart laugh/And you make me happy even when I’m sad,” he expertly describes the sometimes hard-to-put words to the feeling of being in love.

    The added strings and piano add more of a melancholic and nostalgic touch to the track, and make you fall deeper into the words. Mock’s vocals bring you in and hold you there, with his perfectly crafted overdubbing harmonies. “Love Of My Life” is yet another strong addition to Luke Mock’s discography, showcasing his evolving and diverse range.

    “Love Of My Life” is available to stream on all platforms you listen to music. For more information about Luke Mock, visit here.

  • Photo City Music Hall and RootsCollider to present Rave Against the Machine 5 post-Thanksgiving

    RootsCollider, the ever-popular EDM dance-rock group from Rochester, have announced their 5th annual Rave Against The Machine, this year sporting the Glitch Hop Edition.

    The event will take place on November 24 at Rochester’s Photo City Music Hall with rotating music performances from 7PM until late into the night.

    Rave Against The Machine 5

    The event hosts six performing groups: Sophistafunk, RootsCollider, Subsoil, Éclat Vibes, Junkyard Theory, and Ampbition, in addition to numerous special guests. Appearances will be made by Giant Panda Guerilla Dub Squad, Gunpoets, Mosaic Foundation, Personal Blend, The Buddhahood, Helium Bubble and more throughout the night.

    The six performing groups will rotate on two stages throughout the night, playing multiple sets each. Headlined by Sophistafunk and RootsCollider, the night will feature all flavors of EDM, hip-hop, fusion rock, and more.

    RootsCollider
    RootsCollider

    The Rave night is themed and inspired by the recent Barbie movie, so attendees are encouraged to wear all pink, or dress up at their favorite characters from the hit movie. 

    Rave Against The Machine is an 18+ event. Tickets are general admission and are available here. The event will take place at Photo City Music Hall in Rochester, NY on November 24 at 7PM.

  • Hearing Aide: Ian McCuen “What It Means To Be Young, Sad, and Alone”

    Ian McCuen’s sixth album and the longest by far, What It Means To Be Young, Sad, and Alone is a melancholy, transcendent record. It opens with the repeated line, “Funny how it feels like an art, the way things always fall apart. But eventually, so it goes, we all die alone.” With this air of self-aware critique, McCuen crafts a soothing, yet gut-wrenching depiction of truly what it means to be young, sad, and alone.

    What It Means To Be Young, Sad, and Alone

    Based in Buffalo, Ian McCuen’s first album came in 2017, with three volumes of Songs of Fleeting Permanence over the next few years. They operate relatively solo, writing, composing, and arranging all their own tracks across a wide range of instruments. What It Means To Be Young, Sad, and Alone includes over nine unique instruments, including a harmonica, saxophone, mandolin, banjo, and the ever-present electric guitar.

    Ian McCuen

    The full record, boasting an impressive 20 tracks and amassing 80 minutes, follows a distinct style both musically and lyrically. McCuen creates an ethereal soundscape, with delicate vocals that are whispering and soothing. 

    The first track on the record, “A Reprise For The Lonely,” acts as an introductory point, both sonically and lyrically, for the rest of the record. However, it creates a strong introduction. The organ-like keyboard commands attention, and the backing vocals and whisper-like spoken word are sad, yet hypnotising. 

    Another song to pay attention to, “Checkerboard Purgatory,” comes as the 11th track on the record. Halfway through the massive tracklist, it easily gets lost among the masses, but it distinguishes itself with a catchy guitar track. 

    The 19th track on the record, “Vicissitude (So It Goes),” is an impressive 8 and a half minutes. Its vocals are subtle, whispering, and generally mellow, but the melody takes a minor shift halfway through. 

    Overall, What It Means To Be Young, Sad, and Alone is truly overwhelmingly sad. However, as a self-described “purveyor of sorrow,” this is exactly what McCuen aims to produce. For those that can indulge in the intense emotional experience of their monumental album, it’s a soothing display of poetry and ambient musicianship.

  • Alexandra Kay Brings a Night of Country Magic to The L in Horseheads

    On Sunday, November 5 at The L in Horseheads, social media sensation and country singer Alexandra Kay took the stage and just like her song ‘She Stayed,’ she left a lasting impression. The atmosphere was energetic as fans from New York, Pennsylvania and surrounding areas gathered to witness a rising star in the world of country music.

    alexandra kay the L

    Hailing from Illinois, Alexandra’s journey to stardom is nothing short of inspiring. Her passion for music was evident when she auditioned for American Idol back in 2011, showcasing her remarkable talent and captivating voice to a nationwide audience. Since then, she has continued to chase her dreams, captivating audiences with her heartfelt songwriting.

    alexandra kay the L

    Alexandra Kay’s soulful vocals and compelling stage presence took the audience on a journey through the heart of country. Her songs and collabs have been streamed millions of times on social media. From heartfelt ballads that tugged at heartstrings to lively, boot-stomping anthems, her versatility as an artist was on full display. Each note held raw emotion, and her storytelling ability was nothing short of remarkable.

    alexandra kay the L

    Kay’s new album, All I’ve Ever Known was just released in October while she is in the middle of her massive headlining tour across the states. All I’ve Ever Known debuted at #1 on both ITunes Country Album and All Genre Charts.

    alexandra kay the L

    The L provided the perfect backdrop for this memorable evening, with its intimate setting and top-notch sound quality. As the music filled the venue, it was impossible not to get lost in the magic of the moment. Kay shared personal stories, interacted with the crowd, and made everyone feel like they were apart of something bigger while witnessing her performance.

    alexandra kay the L

    For those who were fortunate enough to be in the crowd, it was a night they won’t soon forget, and for those who missed it, Alexandra Kay’s star is one to watch in the world of country music.

    Alexandra Kay – The L, Horseheads, NY – Sunday, November 5, 2023

    Setlist: Painted Him Perfect, Backroad Therapy, Tall Boiz, All I’ve Ever Known, She Stayed, I Hate Airplanes, Happy Once, I Kinda Don’t, More Than You, Everleave, How Do We Go, I Can Do Anything
    Encore: Best Worst Ex, That’s What Love Is, Skip This Part

    For More on Alexandra Kay, click here.

     horseheads
    alexandra kay the L horseheads
    alexandra kay the L horseheads
    alexandra kay the L
    alexandra kay the L horseheads
    horseheads
  • Tool in Rochester: Sonic Mastery and Visual Spectacle

    In a mind-blowing spectacle that filled the hallowed Blue Cross Arena in Rochester with an eager crowd of 10,400 fans, the mighty progressive rock maestros Tool proved once again that they can pack any venue in the heart of Western New York. Their popularity in this region is nothing short of legendary, with sold-out shows being the norm.

    The Tool faithful are a zealous bunch who ardently believe in the gospel of Maynard James Keenan, Adam Jones, Danny Carey, and Justin Chancellor. They’ll gladly regale you with countless reasons why Tool reigns supreme and why your existence remains incomplete until you’ve bathed in the band’s unparalleled glory. Opening the night was Steel Beans from Everett, WA.

    While Tool devotees can be a tad vexing at times, it’s hard to fault their passion. They speak the truth when they beseech others to witness this sonic juggernaut live in all its grandeur. The band’s musical prowess alone warrants pages upon pages of discussion, but if you’re a neophyte to the world of Tool, or simply curious about the enigmatic quartet, here’s a taste of what transpired at their mesmerizing Monday November 6 performance.

    The atmosphere within the arena was nothing short of transcendental, much like a religious congregation, albeit one with a penchant for intricate time signatures and cryptic lyrics. Despite Tool’s audience not being a sea of saccharine girls in pink dresses and glitter, the sense of unity was palpable. “Lotta dudes here” a friend texted during intermission, and indeed, the crowd comprised primarily of prog-rock Gen Xers, all donning knowing smiles and exchanging high-fives. However, in stark contrast to other male-dominated events, there was a conspicuous absence of lewd remarks or reckless antics. Beer flowed without incident, and by the end of the evening, the floor was mercifully unmarred by spilled brews.

    The absence of cell phones was instrumental in preserving this immersive experience. In a world where every fleeting moment demands digital documentation, Tool remains steadfast in its commitment to a strict no-cell phone policy. After all, who needs grainy concert footage on their phone that will likely languish unwatched in the depths of their gallery? Tool’s discerning guardians diligently enforced the rule, ejecting over three dozen misguided souls during the show. A few lucky souls escaped with warnings after proving their contrition by deleting their videos or images. But for the stubborn second-time offenders, there were no second chances. After the notes of “Invincible” reverberated, Maynard James Keenan, in a rare act of benevolence, granted the audience permission to whip out their phones to capture the ephemeral moment.

    Tool may shun technology like cell phones, but they fully embrace cutting-edge light effects. The band’s unwavering commitment to privacy and mystique extends to the live experience as well; they avoid interviews and public appearances to ensure that all eyes remain on the music. Mark “Junior” Jacobson, Tool’s lighting virtuoso, orchestrates a symphony of lights, lasers, and screen images that synchronize seamlessly with every note change. This visual spectacle draws the audience even deeper into Tool’s sonic realm, amplifying the emotional resonance of the music and its profound messages.

    The imagery displayed on the screens is nothing short of mind-bending. Volcanoes spew molten lava before transforming into the all-seeing Eye of Sauron, which seamlessly transitions into new, surreal landscapes. Fractal heads pour forth from other heads, while an eyeball twitches its iris over the captivated audience. Tongues spill forth from gaping mouths in an intoxicating loop, and alien-like forms twist and turn in eerie dance. It’s as though the most spine-tingling horror movie has met the soundtrack of your wildest dreams.

    Crafting a subpar setlist is an impossibility for Tool, given their extensive catalog of exceptional, heavy songs accompanied by ethereal vocals. The journey began with the iconic “Fear Inoculum,” setting the stage for a mesmerizing odyssey. Favorites like “Jambi,” “Stinkfist,” and “The Pot” enraptured the crowd, intermingling with tracks from newer albums, such as “Culling Voices” and “Pneuma.” But the pièce de résistance came early on when Maynard declared that the band would resurrect a long-dormant song. The ensuing performance of “Rosetta Stoned” was a jaw-dropping revelation – a song not performed with live vocals since 2009, and it sent shockwaves through the enraptured crowd.

    In the end, Tool’s concert is more than just a musical performance; it’s a transformative experience. With their strict rules, awe-inspiring visuals, and an undeniably majestic setlist, Tool is not just a band; they’re an otherworldly force of nature that sweeps you into a realm of unparalleled sonic and visual artistry. Tool fans may be a vocal bunch, but when it comes to experiencing their live show, words alone can’t do justice to the transcendental journey they offer.

    Tool – Blue Cross Arena, Rochester, NY – Monday, November 6, 2023

    Setlist: Third Eye Intro, Fear Inoculum, Jambi, The Pot, Rosetta Stoned, Pneuma, Descending, The Grudge, Intermission, Chocolate Chip Trip, Culling Voices, Invincible, (Ions excerpt)
    Encore: Stinkfist

    Upcoming tour dates:

    November 10 – Uncasville, CT – Mohegan Sun Arena
    November 13 – Manchester, NH – SNHU Arena
    November 15 – Boston, MA – TD Garden
    November 16 – Philadelphia, PA – Wells Fargo Center
    November 19 – Montreal, QC – Bell Center
    November 20 – Toronto, ON – Scotiabank Arena
    November 21 – Toronto, ON – Scotiabank Arena

  • moe. Announce 2-night New Year’s Eve Run at Kodak Center in Rochester, Winter Tour Dates

    moe. has announced that they will ring in the New Year with a special 2-night run at the renowned Kodak Center in Rochester.

    moe kodak center

    With deep roots in nearby Buffalo and an enduring connection to Rochester, these special performances are not just another set of gigs, instead they are a testament to the band’s resilience, in light of guitarist Chuck Garvey’s recent health challenges, triumphant return to the road, and addition of Nate Wilson (keys) to the moe. lineup.

    Alongside the announcement of moe.’s NYE run, the band along with several other musical acts and venues, are lending strong support to The American Cancer Society (ACS) through its inaugural “Rock The Pink” campaign. This initiative aims to harness the influence of the music community to combat breast cancer.

    To date, the band has already raised more than $4,500, and efforts are ongoing. Having collaborated with the ACS’s breast cancer initiatives for the past two years, this year moe. has combined efforts with Umphrey’s McGee, Goose, the Disco Biscuits, Andy Frasco & the U.N., Pigeons Playing Ping Pong, Kitchen Dwellers, and Doom Flamingo, as well as venues like The Capitol Theatre & Garcia’s.

    moe kodak center

    Each participant is contributing in their own unique way, from selling limited-edition merchandise to flaunting pink instruments on stage and wearing pink-themed outfits, all to generate funds and awareness. 100% of the proceeds go directly to ACS, the nation’s premier nonprofit for cancer research funding. For more information and various donation options, fans and supporters can visit moe.org.

    A special artist pre-sale kicks off on Wednesday, October 4th @ 10am ET [PW: GOUDA], and the general public begins on Friday, October 6th @ 10am ET. For more information visit moe.org

    moe. 2023 Fall Tour Dates
    Wednesday, October 4th – The Pageant – St. Louis, MO
    Thursday, October 5th – Bourbon Theatre – Lincoln, NE
    Friday, October 6th – Hillberry Fest – Eureka Springs, AR
    Saturday, October 7th – Liberty Hall – Lawrence, KS
    Friday, October 20th – Ogden Theatre – Denver, CO
    Saturday, October 21st – Ogden Theatre – Denver, CO
    Friday, December 8th – Capitol Theatre – Port Chester, NY
    Saturday, December 9th – Capitol Theatre – Port Chester, NY
    Saturday, December 30th – Kodak Center – Rochester, NY
    Sunday, December 31st – Kodak Center – Rochester, NY

    BlueStar Radiation and Al & Rob moe.stly acoustic dates

    Wednesday, November 15th – The Homestead – Morristown, NJ*
    Thursday, November 16th – Putnam Place – Saratoga Springs, NY*
    Friday, November 17th – Metronome – Burlington, VT*
    Saturday, November 18th – The Met – Pawtucket, RI*
    Sunday, November 19th – Soundcheck Studios – Pembroke, MA*
    Thursday, November 30th – Pour House – Charleston, SC^
    Friday, December 1st – The Society Garden – Macon, GA^
    Saturday, December 2nd – Variety Playhouse – Atlanta, GA^~
    Sunday, December 3rd – Visulite Theatre – Charlotte, NC^

    moe. 2024 Winter Tour Dates

    Thursday, January 18th – The Observatory North Park – San Diego, CA
    Friday, January 19th – Teragram Ballroom – Los Angeles, CA
    Saturday, January 20th – Sunday, January 21st – The Fillmore – San Francisco, CA
    Tuesday, January 23rd – Crystal Bay Club Casino – Crystal Bay, NV
    Thursday, January 25th – Midtown Ballroom – Bend, OR
    Friday, January 26th – Crystal Ballroom – Portland, OR
    Saturday, January 27th – Neptune Theater – Seattle, WA
    Friday, March 6th-Tuesday, March 10th – Egyptian Theatre – Park City, UT
    Thursday, March 12th – Mesa Theater – Grand Junction, CO
    Saturday, March 14th-Sunday, March 15th – Sheridan Opera House – Telluride, CO
    Monday, March 16th – Vilar PAC – Beaver Creek, CO
    Tuesday, March 17th – Strings Music Pavilion – Steamboat Springs, CO
    Thursday, March 19th – Belly Up – Aspen, CO
    Saturday, March 21st-Sunday, March 22nd – 10 Mile Music Hall – Frisco, CO
    Monday, March 23rd-Tuesday, March 24th – Washington’s FOCO – Ft. Collins, CO