Philip Selway, Radiohead’s drummer, has announced an upcoming one-night only show. In celebration of his most recent album Strange Dance, Selway will be performing at Le Poisson Rouge in New York City on September 25.
Although perhaps best known as the drummer of iconic rock band Radiohead, Philip Selway is also a successful solo musician. Strange Dance is Selway’s third and latest studio album. His performance at Le Poisson Rogue will be his first time playing at the venue in eight years.
Founded by musicians in 2008, Le Poisson Rouge is located in the heart of Greenwich Village. The venue’s website names it an “underground live music sanctuary.” Audiences can expect to hear a wide variety of music when visiting, from indie rock to contemporary classic and everything in-between. Additionally, the venue includes a Gallery Bar that hosts art exhibitions, stand-up comedy, and drag queen bingo. Previous performances at Le Poisson Rogue include Charli XCX, Christina Aguilera, Florence & The Machine, and more.
Selway revealed the show in an Instagram post. Beginning the caption with his classic opening “Hiya,” Selway wrote that he was “delighted to announce” that he will be bringing his album to Le Poisson Rouge “for one night only.”
Doors open at 7:00 pm and the show begins at 8:00 pm. Tickets are available for purchase here.
After teasing their return at Pharell’s Louis Vuitton Fashion Show, legendary rap brothers Pusha T and No Malice — known as Clipse — will continue their resurgence with a headlining performance at Genius’ IQ/BBQ. Presented in partnership with Infiniti, Paco Rabanne, Patron El Alto, and Paramount+ with Showtime’s The Chi, the all-day event takes place on August 19 at Knockdown Center in Queens, N.Y., and will feature live performances from some of the hottest names in hip-hop, including the platinum-selling duo.
In addition to the show, IQ/BBQ will feature experiences like the So Fresh, So Clean Shop from Paco Rabanne 1M, an art installation from Infinity featuring the new QX60, a VIP “Genius Lounge” presented by Patrón El Alto, and a Rap Cafeteriafilled with lyric-inspired dishes from local NYC food vendors – presented by Showtime Original Series, The Chi.
Clipse Making a Comeback
With this performance, The Clipse continue their teased reunion. After previewing their first joint-record in 14 years the Virginia-bred brothers have garnered fans attention with the teased record. Their last collab was the outro to Pusha T’s most recent album It’s Almost Dry, titled “I Pray for You.”
Moreover, since their days as The Clipse, the duo have been part of some of hip hop’s most iconic records. Notably, records like “Grindin’,” “Mr. Me Too,” and “What Happened to That Boy.” Since their last album — 2009’s Til The Casket Drops — Pusha T has embarked on a successful solo career that has resulted in several Grammy nominations and recognition as one of the best rappers ever. Meanwhile, No Malice left the music industry to become a pastor making sporadic feature appearances since, including an album cut on Ye’s 2019 release Jesus Is King.
Tickets for the Genius IQ/BBQ are free and are now available at dice.fm, while the event maintains a 21+ age restriction.
The Brooklyn Conservatory of Music (BKCM) has announced the dates of events for its upcoming Midsummer Nights concert series, which will kick off with a special event featuring the recent recipients of the Jazz Leader Fellowship. The free events will take place in July and August, and will be outdoor in front of the BKCM building.
BKCM is dedicated to giving every New Yorker access to high-quality music instruction and music therapy, as well as to supporting the musical talents of traditionally underserved New York communities. The all-ages event has been curated by BKCM Jazz Leaders Fellow Jasmine Wilson. All events are held at 6:30 p.m..
Upcoming Shows
Courtney Wright and Jazz Leader Fellowship Recipients – July 20
Courtney Wright is a composer and baritone saxophonist based in Brooklyn, and she leads her own quintet and jazz orchestra that plays her original compositions. She will be joined by the winners of the third year of the BKCM Jazz Leaders Fellowship, Melanie Charles and Olithea Anglin (also known as Miss Olithea).
Melanie Charles has made a name for herself through genre fusions with jazz, soul, rhythm and blues. She has lead a project called “Make Jazz Trill Again” since 2016, focused on taking jazz out of the museum and onto the streets.
Miss Olithea is a singer, songwriter, producer, and sound healing practitioner, as well as a proud member of the renowned Burnt Sugar Arkestra Chamber. In November 2020, she started her own private studio known as “The Vocal Journey.”
Akua Dixon is a cellist, composer, conductor, and educator. She has been at the forefront of improvising string since 1973, and was the first cellist to win the Downbeat Critics Poll. Dixon is also a multi-laureate of the National Endowment for the Arts in composition and performance.
Milena Casado is a composer, flugelhorn, and trumpet player hailing from Spain. Casado has played with prominent artists, such as Terri Lyne Carrington, Kris Davis, Aaron Parks, Jazzmeia Horn, Jorge Rossy, Francisco Mela, and Kenny Werner.
Milena Casado
Charisa the ViolinDiva – Aug. 10
Charisa the ViolinDiva is a souljazz violinist and vocalist who has challenged the preconceptions of what a violinist can do in contemporary music. Her talent has led her to perform alongside artists such as Lauryn Hill, Paul McCartney, Vivian Green, Kim Burrell, Cyndi Lauper, and Quincy Jones.
Charisa the ViolinDiva
No RSVP is needed to attend any of these free events. More information can be found on BKCM’s website.
The Huntington Arts Council (HAC) is bringing live music to Long Island during the entire month of July with the Huntington Summer Arts Festival. The festival is now in its 48th season and features performances from July 1- 30. Concerts will take place at the Chapin Rainbow Stage in Heckscher Park.
Free to attendees, the Huntington Summer Arts Festival aims to celebrate established acts while also highlighting up-and-coming artists. This year’s celebration features festival regulars Huntington Community Band, who perform each Wednesday of the month. Concertgoers still have the chance to see Huntington favorites North Shore Pops Concert Band.
Red Baraat
This summer’s roster of musicians come from a diverse set of musical backgrounds. Genres like swing jazz, latin, R&B/Soul, rock, and classical are all represented at the festival. In addition to music, the Huntington Summer Arts Festival also includes dance and theatrical performances. The group Sol Y Sombra Spanish Dance Company performed earlier this month. Attendees however will still have the opportunity to catch the L.I. Dance Consortium is set to take the stage on July 23.
Created in 1963, The Huntington Arts Council has been a pillar in the Long Island arts scene. The organization looks to celebrate and nourish the cultural diversity of Long Island through different avenues. HAC is involved with constructing and sponsoring a multitude of activities, programs, and events. The Council maintains that “the arts create a vibrant, energized, and culturally rich environment”.
Sol y Sombra Spanish Dance Co.
Along with the Huntington Summer Arts Festival, HAC has also collaborated with the Folk Music Society of Huntington to bring back the Huntington Folk Festival on July 22. Co-headliners Lucy Kaplansky and Cliff Eberhardt take the stage at 8, with the festival getting underway at 12:30.
Below is the upcoming schedule for the Summer Arts Festival. Sunday performances start at 7:00PM, all others performances start at 8:00PM, unless noted. Here for a full list of the lineup and more details about the festival.
Remaining Schedule
Wednesday, July 19 – Huntington Community Band, “Una Celebracion de la Musica Latina”- 7:00PM Jazz Band start time, 8:00 PM Concert Band start time
Thursday, July 20 – North Shore Pops Concert Band– Northport Community Band- 8:30PM NPT Park
Friday, July 21 – Huntington Latin Night: Tito Rodriguez Jr. Orchestra- 7:00 PM
Saturday, July 22 – 16th Huntington Folk Festival, Cliff Eberhardt & Lucy Kaplansky- Festival at 12:30PM, headliners at 8:00PM
Sunday, July 23 – L.I. Dance Consortium, “Long Island Dances!- 7:00PM
Wednesday, July 26 – Huntington Community Band,”…and Home Again!”- 8:00PM
Thursday, July 27 – Swing Sessions with Dudley Music & Guests- 7:30PM
Thursday, July 27 – Northport Community Band- 8:30PM NPT Park
Saturday, July 29 – Jazz Loft Big Band, Tom Manuel Conductor, and Nicole Zuraitis- 8:00PM
Sunday, July 30 – Orchestra L.I., David Stewart Wiley, Conductor “In Concert With Nature”- 7:00PM
One of the founding father’s of hip-hop, Grandmaster Flash will be returning to the Bronx for the free “Birth of a Culture: The Four Elements Block Party” to celebrate 50 years of hip-hop. The event will be in Crotona Park on Aug. 4 and has been made possible by Capital One City Parks Foundation SummerStage.
Through his Quik Mix Theory, Grandmaster Flash was the first DJ to use the turntables as a musical instrument by placing his fingertips on the vinyl, extending the break of a song. This innovation would lead the way to further developments, such as cutting, scratching, and transforming. Grandmaster Flash has become the voice of his generation of ’70s hip-hop pioneers, and continues to be a cultural force.
Present at this celebration of the history and legacy of hip-hop will be Jazzy Jay, DJ Charlie Chase, Pete Rock, GrandWizzard Theodore, Tony Touch, and Stretch Armstrong. Additional performers include Funk Flex, DJ Mell Starr, Scram Jones, DJ NABs, and Chuck Chillout.
Crotona Park is one of the parks where it all started for me when hip-hop was an infant. Now, it’s all grown up and I’m going back home. This is my way of saying “thank you” to my fans and community for supporting me 50 years later. We’re doing things we did back in the ’70s, authentically showing how hip-hop started.
Grandmaster Flash
Capital One City Parks Foundation SummerStage is one of New York’s most accessible outdoor performing arts festivals, with nearly 80 free and benefit performances in Central Park and neighborhood parks throughout the boroughs. It has served New York’s communities for nearly 40 years, and over six million people from around the world have gotten to enjoy their shows.
The “Birth of a Culture” event will be livestreamed on Grandmaster Flash’s YouTube and Twitch. It will begin at 5:00 p.m., and updates can be found on Grandmaster Flash’s Instagram, Facebook, Twitter, YouTube, or Twitch.
Two of the biggest acts in Latin rap, Gera MX and Nanpa Básico, will stop at Palladium Times Square on November 3 as part of the Que Chimba La Raza Tour. The 11-city American tour gets underway on August 31 in Los Angeles.
Gera MX- Facebook
Born Gerardo Daniel Torres Montana, Gera MX has skyrocketed to global fame in large part because of his 2021 song “Botella Tras Botella”. The track made history, becoming the first regional Mexican song to ever debut on the Billboard Hot 100. With origins in Latin boom-bap, Gera MX has steadily added to his vivid, personal, and hard-hitting lyrics. His current sound is decidedly unique, infusing traditional latin rap songs with elements of ranchera and reggaeton. Once a mainstay in the Mexican rap scene, Gera MX has carved a lane for himself in the international Latin landscape.
Colombian artist Nanpa Básico started making music back in 2012. Since then, the Medellín native has racked up millions of fans from around the world. Básico’s music is intimate, vulnerable, and diverse in its sound. From melodic Latin love songs to hard hitting street raps, Básico is constantly looking to express different parts of his identity and life. His 2022 album HECHO M13RD4 made waves for its melancholic atmosphere and heartbreaking tracks. The album included features from Ryan Castro, Santa Fe Klan, and of course Gera MX.
Tickets will be available via an artist presale starting on Wednesday, July 12 at 10 AM. The general on-sale for the Que Chimba La Raza Tour will start on Friday, July 14 at 10 AM here.
TOUR DATES
Thu, Aug 31 — Los Angeles, CA — The Wiltern
Fri, Sep 01 — Anaheim, CA — House of Blues
Sat, Sep 02 — San Francisco, CA — The Fillmore
Thu, Sep 07 — Houston, TX — 713 Music Hall
Fri, Sep 08 — Dallas, TX — The Pavilion at Toyota Music Factory
Sun, Sep 10 — Phoenix, AZ — The Van Buren
Thu, Nov 02 — New York, NY — Palladium Times Square
The Brooklyn Public Library recently unveiled a tribute exhibition “The Book Of HOV,” in honor of legendary rapper Jay-Z. The exhibit, divided up between key elements of Jay’s career, is available for free to anyone with a library card. The display includes a recreation of Baseline Studios, a collection of records used as samples, artifacts, apparel, photos, and more.
Born Shawn Carter, Jay-Z grew up in the Marcy housing projects in Bedford-Stuyvesant, Brooklyn. Raised by his mother Carter grew an affinity for music, specifically hip-hop, at an early age. In 1995, Jay, along with two partners, originally established Roc-A-Fella records after multiple labels rejected them. It was under Roc-A-Fella that Carter would drop his now famous debut album Reasonable Doubt in ‘96. The project would catapult the artist to rap stardom and since then “HOV” hasn’t looked back.
In total the Brooklyn native has released 13 solo albums, 4 collaborative projects, and has amassed 24 Grammy Awards. The rapper’s pen game has long been praised as one of the best in hip-hop history. Equipped with an endless supply of lyrical flows, metaphors, stories, and rhyming patterns, Jay has become one of the most influential figures in music.
Carter’s artistic legacy could provide more than enough content for an exhibit by itself, however it’s the rapper’s business and cultural accomplishments that has solidified him as one of the most successful musicians of all time. The Book Of Hov aims to honor the influences and events that helped to shape Jay into the artist and person he is today.
Punctuated by an atmosphere of inclusivity and individuality, the exhibit looks to inspire guests from all walks of life to “always bet on yourself”. Designed by Bruce and Shelly Rogers, the display makes up two floors of the library. In collaboration with the event the library created 13 new custom cards to correspond with HOV’s albums. Organizers also encourage guests to bring their own phones and music to help add to the experience.
Roc Nation CEO Desiree Perez devised the entire event reportedly without Carter’s knowledge. The organizers strategically placed the exhibit in a public space to ensure maximum accessibility. Roc Nation reportedly covered the costs of the entire exhibit and are expected to donate money, books, and records to the library.
Here for more information and details about The Book Of Hov.
As the world is getting ready to celebrate the 50th Anniversary of Hip Hop, some of the genre’s biggest icons are stepping back into the limelight including the New York supergroup Boot Camp Clik. After a sixteen year long hiatus, the group now returns with an old school music video alongside their new single “Wotcha Call Strength.”
Boot Camp Clik is a Brooklyn, New York hip-hop supergroup started by Duck Down Records in the 90’s and comprised of the eight members; Buckshot (Black Moon), Tek and Steele (Smif N Wessun), Rock, the late great Sean Price (Heltah Skeltah), Starang Wondah, Top Dogg, and Louieville (O.G.C.). The collective has also recently added long-time affiliate Rustee Juxx to the group.
The Clik was one of the genre’s first true supergroups that changed how hip hop music was received as their influence in music and fashion was undeniable during the genre’s golden age. Individually, and collectively, the BCC has created numerous classics, albums, and singles including Black Moon’s Enta Da Stage, Smif N Wessun’s Dah Shinin’, Heltah Skeltah’s Nocturnal, Fab 5’s (Heltah Skeltah & O.G.C.) ‘Leflaur Leflah Eshkoshka” and Sean Price’s Monkey Barz.
Now, back for round two, the BCC’s new single “Wotcha Call Strength,” produced by The Arcitype and directed by David Janoff, reminds the world what true icons they really are. The video shows the group roaming around an empty Forest Hills Stadium in Queens. Starting off strong with a verse by Rustee Juxx, the song follows each member taking their turn speaking their truth straight to the camera, showing viewers what a comeback truly looks like.
BCC’s co-founder Dru Ha claims, “In honor and celebration of Hip Hop 50, we felt that the BCC’s catalog of work, contributions and legacy needed to be recognized properly. It’s too easy to sit back and say the Hip Hop community should verify you and painstaking to go out and have to remind people with words, so we felt there was no better way to make a statement than to drop a new record with all the original members (RIP to Sean Price).”
The Boot Camp Clik will also be taking to the stage in the upcoming Rock The Bells Festival at the Forest Hills Stadium which will take place on August 5th. Until then, fans will be able to stream and enjoy their single everywhere.
New York City’s soundscape was on full display at the second annual Bronx Summer Jam this past Saturday, July 15. Local Bronx artists encapsulated the Bronx’s vast musical environment, performing everything from rock and hip hop to reggae and soul.
Bronx Summer Jam participants and audience members ’23. Photo courtesy of Michael Nickerson.
This wide array of genres not only reflects the Bronx’s sound but the individuals that create it. Take Emelia Vero for example, who performed on the Kings Stage from 1:30-2:30 pm under her stage name Bombii. In between her silky-smooth songs, she explained why her lyrics switched from English to Spanish. She said by singing in both languages, her music was able to fully represent herself. As such, she loves when people call her by her stage name. If they know her music, they know her. The notes bind audience and singer together, creating a family.
Audience member Francesca echoes Bombii’s sentiments. “I remember being a teenager, and a lot of people from different high schools would all go to these concerts. These would be people whose real names I didn’t even know. But when we were there, we were best friends. We were family.”
For some, it truly is family. From 4:30-5:00 pm, DJ F1rst Class performed. His wife Alina and daughter were front and center to watch him. Alina said the reason they are together is because of their passion for music.
Alina was glad she was able to bring her daughter to relish in the music as well. Most of the time, it isn’t easy to bring children to concerts. But the Bronx Summer Jam was outside at a local park, making it easily accessible for everyone.
“Usually they have it at places where there’s alcohol or it’s indoors. I couldn’t always bring my daughter,” Alina said. “But the Bronx Summer Jam is for all ages.”
Wastewood performing for the crowd at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.
Bronx Summer Jam was produced by Sirens & Kings, a co-production company made of two Bronx music collectives, Sounds & Sirens and The Fox & King. They hoped that by locating the festival at a park, it would allow everyone to be able to participate. It was a hope that was achieved.
“I live right across the street, and I came out for just a few minutes to sit on the park bench. Then I started hearing the music and walked right over here,” said Ivecte Lopez.
Despite the scorching heat, the crowd grew throughout the day. Those walking through the park stopped by to enjoy the music. Some set up hammocks or chairs under the trees’ shade and within hearing distance of the festival. Others took on the sun’s beating rays, standing within feet from the stage.
With a bigger crowd, the musicians began to engage with the crowd. Bombii did a call-and-answer. Everytime she said “Para,” the audience sang back “Siempre.” Later in the day, artists Ray Pearson, Ki Storii, WIN, Kony Brooks, and July Quinn left the confines of the stage. They moved across the park’s lawn to the beats of their rap and hip-hop songs.
Their performances were contrasted with the full rock sounds of Wastewood and Balcony Talk. The bands’ sounds were then further contrasted by the acoustic sounds of Drew Torres.
Drew Torres performs at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.
During his set, Torres sang an original upbeat song titled “Minus 4,” named for his glasses prescription. He later ended his set with tapping, a technique that involves tapping one’s hands on the guitar’s body.
“This is not just a hobby for me,” Torres said. “This is my therapy. This is the way I personally express myself. I just want to inspire others.”
Audience member and devoted member of the Bronx music scene, Mocha said it was concerts like the Bronx Summer Jam that inspired him to play music. “I was inspired to pick up an instrument at a local show back in 2004. I saw bands and immediately was like, ‘This is what I’m going to do.’ I was sixteen then. Without that concert, I don’t have any clue who I would have been now.”
Perhaps this festival inspired someone in the audience to learn an instrument or to start singing. The festival’s music definitely reached a number of people ranging from those who knew about the festival to those in the park who happened upon it.
To see more of what Sirens & Kings will produce, click here and here.
The West Side Tennis Club welcomed Weezer to Forest Hills in Queens with open arms this past Thursday night (July 13) for the SoCal quartet’s 22nd stop on a 30-date “Indie Rock Road Trip” summer tour that launched in Huntsville, Alabama on June 4. Dubbed the Indie Rock Road Trip, Weezer’s tour is divided into three legs, the first of which saw them link up with indie rockers Modest Mouse and Momma. Future Islands and Joyce Manor took over support duties for Rivers Cuomo and Co. at the Columbia, Maryland gig back on June 23, and tonight’s show marked the magical end to the tour’s second leg.
Rivers Cuomo of Weezer | Photo: Michael Dinger
One of NYC’s best concert venues – indoors or out – Forest Hills Stadium has a rich, storied history that is celebrating 100 years this season. Originally designed in the 1920s as the home of the U.S. Open tennis tournament, the Romanesque stadium and its grounds hosted 60 editions of the major tournament before it moved to its current home in Flushing Meadows in 1978. In the 1960s, the tennis club began booking concerts and attracted some of the most culturally significant artists of our generation – The Beatles, Jimi Hendrix, Frank Sinatra, Barbra Streisand, The Rolling Stones and Bob Dylan, to name just a few.
However, by 2011, the 14,000-capacity facility had fallen into a “crumbling ruin.” After narrowly escaping demolition, the stadium re-opened on August 28, 2013 with Mumford & Sons performing the inaugural concert (my wife and I were there!). Although the music that night was fantastic, the overall experience, not so much. But over the next four years, Forest Hills Stadium underwent multi-million dollar state-of-the-art renovations including optimized acoustics, patching up concrete exterior walls, old seats were removed and replaced, a permanent stage was installed, the concourse was redesigned and expanded to twice its original size, the General Admission central tennis courts were replaced and easier access to concessions and restrooms was provided, finally!
Scoreboard Marquee | Photo: Michael Dinger
Arriving early to guarantee a painless parking experience (parking is limited in the surrounding area), I also wanted to explore the stadium and its grounds ahead of the first opening act. After securing my media credential at the box office, I proceeded through the main entrance where I was greeted with a plethora of things to do, along with welcoming staff at every turn. Although the craft beer huts and local food eateries were tempting, I opted to walk the periphery of the cherished coliseum to discover for myself what had changed since my last visit nearly a decade ago. The answer, a lot!
A history buff, I was pleasantly surprised to see banners, plaques and artwork depicting the images of past rock iconswho played here. As I made my way to the bands’ merch table, I came upon a WFUV kiosk – a non-commercial radio station owned by Fordham University and an affiliate of National Public Radio (NPR) who presents Forest Hills Stadium’s live broadcasts – offering patrons free goodies such as stickers and beverage Koozies. An avid fan of all sports, it was also thrilling to witness the hanging banners of by gone tennis legends including Stan Smith, Althea Gibson, René Lacoste, Billie Jean King, Rod Laver and Arthur Ashe.
An hour after doors, Joyce Manor took the stage promptly at 6:00 pm. Despite the sweltering, 90-degree heat, the band formed in 2008 and hailing from Torrance, California did not seem to mind very much, if at all. Named after an apartment building that co-founder Barry Johnson would often pass by on his walks, as Joyce Manor’s pop-punk sound has evolved, their feverish fanbase has grown right alongside them.
Barry Johnson of Joyce Manor | Photo: Michael Dinger
Over the course of 30 minutes, the trio of Johnson (singer-songwriter, guitar), co-founder Chase Knobbe (guitar) and Matt Ebert (bass), who were also joined by touring musicians Neil Bertheir (acoustic guitar, synthesizer) and Neil Hennessy (drums), performed songs with inspiration drawn from emo acts like Weezer themselves. The band of thirtysomethings offered up tracks spanning four of their six studio albums, with the heaviest dose coming from 2014’s Never Hungover Again.
The showstopper, however, which incited a mosh pit (albeit short-lived) near stage left half-way through their pummeling set, was ripped from their sixth and most recent album 40 Oz. to Fresno (Epitaph Records) released in June of last year. Titled “NBTSA,” short for Never Be The Same Again, the number perfectly exemplified Joyce Manor’s signature blend of melodic guitar leads, rock-solid bass and driving drums in a no-filler, concise package.
In keeping with the strict, mandated curfew of 10:00 pm due to the stadium’s location within a residential neighborhood, the party kept rolling along in a timely fashion. At 6:55 pm, next up were Future Islands, a synth-driven pop band based in Baltimore, Maryland. Formed in 2006 and fronted by Samuel T. Herring, the quartet is rounded out by Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars) and Michael Lowry (drums).
Future Islands | Photo: Michael Dinger
Ahead of tonight, I knew very little about Future Islands, other than their live performance of “Seasons (Waiting on You)” on the Late Show with David Letterman, the lead single from their fourth studio album (Singles, 2014), became the television show’s most-viewed video on their YouTube page. But after tonight, which included witnessing firsthand a live performance of the same song, I knew much, much more.
Backed by a supremely talented band, I was most blown away by Herring and his stage persona. Despite the heat, he was dressed head-to-toe in black, and it did not take long for him to become drenched in his own sweat. Once Future Island’s first song of the night kicked in, “For Sure” from 2020’s As Long as You Are, Herring feverishly jumped, kicked, spun and fist pumped his way from one end of the stage to the other, repeatedly, and for all 13 songs in the emotionally thrilling set. When Herring finally stopped to catch his breath, he engaged directly with the audience members, staring intently while continuing to gesture with his arms and hands in continual flowing motions. I would later learn that Future Islands was originally meant to be a performance art piece, which completely makes sense to me now.
Herring’s vocal delivery is also something of a marvel. Despite being diagnosed with Reinke’s edema (vocal cord swelling) nearly 10 years ago, his delivery is striking and distinct. Along with an extensive background in hip-hop and rapping that began as a teenager, a solo act that he engages in via the moniker Hemlock Ernst, it is also not uncommon for a loud, stadium-shaking growl to be thrown into his vocal recipe.
Weezer Fans | Photo: Michael Dinger
With the time approaching 8:30 pm, the stage roadies were putting the final touches on the stage, most of which was being performed behind the gigantic opaque curtain swallowing the stage ahead of the big reveal. Making my way back into the pit with my fellow photographers for the third time, Toto’s “Africa” came across the stadium’s PA system. If you are not an avid fan of Weezer, you might ask “Where’s the connection?” Long story short, back in 2018, the two bands released reciprocal covers of each other’s hits, with Weezer covering the perennial 1982 classic and Toto covering “Hash Pipe” from 2001’s The Green Album. Then suddenly, the curtain dropped and it was time to hit the road!
Brian Bell of Weezer | Photo: Michael Dinger
One by one, our lovable, geeky power-pop kingpins entered stage left. Brian Bell (rhythm guitar, keyboards) led the charge, followed closely by Cuomo who was sporting his staple Buddy Holly-esque retro specs. Bringing up the rear were Scott Shriner (bass) and Patrick Wilson (drums), the latter taking to his stool atop an elevated riser. The Los Angeles foursome played in front of an impressive and clever set design built to resemble a stage-sized car dashboard, complete with a steering wheel emblazoned with a Weezer logo, a radio with a tuner and a volume knob. And if that wasn’t cool enough on its own, video graphics were displayed across the massive windshield and a rearview mirror.
Rivers Cuomo of Weezer | Photo: Michael Dinger
The nostalgia shifted into high gear with the adrenaline inducing “My Name is Jonas” from 1994’s The Blue Album. A smooth segue transported the stadium to “Beverly Hills” (Make Believe, 2005), with Cuomo substituting the song’s closing lyrics with an homage to the neighborhood of “Forest Hills.” There was also a special guest appearance for two songs from 1996’s Pinkerton – “El Scorcho” and “I Just Threw Out the Love of My Dreams” – as the indie rock solo project of singer-songwriter Lindsey Jordan (better known as Snail Mail) joined Cuomo atop the dashboard.
Scott Shriner of Weezer | Photo: Michael Dinger
For a show that could have lasted hours longer with all the career-spanning material that Weezer has to offer – a three decade discography comprising 15 studio albums, and as per Cuomo during his introduction to “Falling for You,” 672 songs! – they did a wonderful job of gifting their fans the classics (“Undone – The Sweater Song,” “Island in the Sun,” “Say It Ain’t So,” “Hash Pipe” and “Surf Wax America”), deeper cuts outside of their studio catalog (“Susanne” and “Blast Off!”) and newer material (“All My Favorite Songs”), including a couple of tracks from two of their four seasonal inspired EPs released in 2022, “Thank You and Good Night” from SZNZ: Summer and “Run, Raven, Run” from SZNZ: Autumn.
Patrick Wilson of Weezer | Photo: Michael Dinger
The festive evening closed with a three-song encore capped by fan favorite “Buddy Holly.” With Cuomo perched at the edge of the stage apron, he soaked in the applause raining down on him from the sold-out house engulfing him on all sides. After several moments, before the band took their final bow, he ripped off his shirt and hurled it into the front rows before throwing down the signature “W” hand sign. And with that, we had all been officially Weezer’d, and better for it. Now it was time to take it easy brah.
Up next for Weezer is a trek to Naeba, Japan for Fuji Rock on July 30, followed by shows in Osaka and Tokyo on August 1 and 2, respectively. Then, it’s on to West Vancouver, Canada for the Ambleside Music Festival on August 19. The next night, August 20, the third leg of the Indie Rock Road Trip resumes in Auburn, Washington where the boys will be accompanied by Spoon and White Reaper as opening support.
Forest Hills Stadium | Photo: Michael Dinger
The 2023 summer tour culminates at PETCO Park in San Diego, California on September 3, at which time the band will take a much needed rest to refill their collective gas tank. And in case you missed the Forest Hills Stadium show, or just cannot get enough of these darling alt-rockers, Weezer will be traveling back to the tri-state area for an appearance at the Sea.Hear.Now Festival in Asbury Park, New Jersey on September 17.
Joyce Manor Setlist: Heart Tattoo > Beach Community > Gotta Let It Go > Ashtray Petting Zoo > Don’t Try > Schley > Falling in Love Again > NBTSA > Big Lie > Victoria > Constant Headache > Christmas Card > Catalina Fight Song
Future Islands Setlist: For Sure > Hit the Coast > Plastic Beach > Peach > Walking Through That Door > Light House > A Dream of You and Me > Before the Bridge > Long Flight > King of Sweden > Seasons (Waiting on You) > Vireo’s Eye > Little Dreamer
Weezer Setlist: My Name Is Jonas > Beverly Hills > Return to Ithaka > The Good Life > Pork and Beans > Pink Triangle > El Scorcho > I Just Threw Out the Love of My Dreams > Blast Off! > Undone – The Sweater Song > Falling for You > Susanne > Only in Dreams > The Greatest Man That Ever Lived (Variations on a Shaker Hymn) > Island in the Sun > Perfect Situation > All My Favorite Songs > Say It Ain’t So > Run, Raven, Run > Hash Pipe > Thank You and Good Night > Encore: The Waste Land > Surf Wax America > Buddy Holly
