Nick Balzano of the LI Jam Scene has announced his new venture Watkins Jam, taking place July 28-30 at various places in the state, celebrating the 50th anniversary of the famous Watkins Glen Summer Jam.
Nick Balzano has performed in many bands over the years, with his love for music starting at a young age with drums and piano. For the past ten years, he has been the vocalist and performed multiple instruments in LI Jam Scene. He has also put on many events over the years with companies and venues like Liquid Shadows Entertainment, 89 North, and more, and has always strived to give artists the fair shake and audience they deserve. His newest project, Pine Barrens Jam, hopes to showcase Long Island’s creative talent for years to come.
Now, Balzano is celebrating the anniversary of the Watkins Glen Summer Jam, which featured The Band, Grateful Dead, and The Allman Brothers Band. On creating the tribute shows, he said “[they] have been some of my biggest inspirations and I’m sure the rest of the members of this project can say the same. The songs, drumming styles, and even the communities they’ve created have had a huge influence on the path I’ve chosen as a musician.” When putting together the lineup, he specifically chose bands and artists who were also inspired by the three legendary acts.
The tribute shows take place on July 28 at Deep Dive in Ithaca, July 29 at Courtyard in Rosecoe, and July 30 at LI Glass in Holtsville. The lineup is comprised of various supergroups taking on each band’s eclectic catalog. Whaley will be presenting a set of The Band with the help of Damien Pagan of Funkin A’/Albums We Love on Long Island. The Allman Brothers and Grateful Dead sets will feature John & Rob from Ernie & The Band, as well as Damien & other guests. The original drummer from Balzano’s time in A Band In Ship, Ryan McCloskey, will be joining for The Allman Brothers set for the Upstate dates and Jager Soss of Baked Shrimp will be holding down the second kit on Long Island.
The original Summer Jam.
For more information and to purchase tickets, visit here.
The book dives into the history of the Brothers and Sisters album, the Allman Brothers Band’s best-selling album with an influential cultural and musical legacy. Alan Paul notably includes never-before-heard interviews conducted by Kirk West, the Allman Brothers Band’s “Tour Mystic.” Stories within feature familiar faces like Jimmy Carter, Cher, Bob Dylan, Jerry Garcia, and Susan Sarandon.
Several chapters are dedicated to the Summer Jam at Watkins Glen in 1973. The event drew in 600,000 attendants near the small town of Watkins Glen in the Finger Lakes region. It has been remembered as a record-smasher in terms of size and legacy.
The Summer Jam at Watkins Glen in 1973.
Alan Paul himself also is a part of the tribute band Friends of the Brothers, in which the members were closely associated with the original band. They continue to bring the sounds of the Allman Brothers Band to new audiences and will play on July 29 at Lincoln Farms to celebrate the 50th anniversary of Watkins Glen as well as on July 30 to promote the book at the City Winery in New York City. More details after the interview.
New York State Music interviewed Paul before the release of the book. The following is a trimmed-down transcript of that interview which discusses Paul’s inspiration, his thoughts on the Brothers and Sisters album, details from his research, and more.
NYS Music: You’re involved in celebrating the Allman Brothers Band through the Friends of the Brothers, but what made you come back and write “Brothers and Sisters?” Did you feel like something missing from “One Way Out,” or was there just a different story you wanted to tell?
Paul: It’s not so much missing from “One Way Out” as… it came out of a conversation I had with Brad Tolinski, who was the long-time editor of Guitar World… it just came up and he was just egging me on. I said “I’ve said my Allman Brother piece,” and he said, “No man, there’s more to say.” He was egging me on and said “Look, the 50th anniversary of Brothers and Sisters is coming up and I feel like it’s just still so unexplored.” I started thinking about it and digging into it a bit, and I came to think he was right.
It really was the most popular era, and it holds up really well. It’s not like it’s being such an era piece that it’s an embarrassment now… and yet it was an era that was largely forgotten, even by the band’s biggest fans.
NYSM: Of course, Brothers and Sisters is a very influential album. For you, personally, what made you want to pursue writing about it specifically? What does it mean to you?
Paul: When I write these books… I dig in really really deep, so I throw myself into it for a year or two. I really have to like the music, first of all. It also has to be a great story because it is in writing, it is a book. It’s not just like “Oh, this album is great. Isn’t it great?” You can’t say that for hundreds of pages. There has to be a story and a plot. I just found this whole era very intriguing. And again, as I said, it was unusual because it was really popular, really vital, and yet it was sort of unexplored.
Then we had this type of lineup with one guitar and keyboards during this period. The rest of the time they were a two guitar band. I think that is also why fans overlook it, and it ended pretty ugly, which I document pretty thoroughly…. I feel like people ended up focused on the end and the ugliness of the era rather than the beginning of the era and how cool it was.
NYSM: Something that really caught my eye were the interviews, including the never-before-heard interviews by Kirk West. How did you get access to them or find out about their existence?
Paul: Kirk West has been a friend for 30 years… Kirk was the “tour mystic” for the Allman Brothers. The title came about because he was the tour manager, but he did so much more than the average tour manager that he needed a special name… he was their historian or archivist.
He told me that he had been working on a book. At that point it was the early ’90s… he said that he was writing a book on the band and he was doing all of these interviews. I started asking him to write a sample chapter for Guitar World. My thought at that point was that this would be a good story for Guitar World…. He eventually said “I love the idea, but I’m not really a writer and I don’t have time. But I can collaborate on it with someone.” That someone became me.
I called Kirk and asked what he thought about [“Brothers and Sisters”]. He was very enthusiastic, and we would talk about it. Very early in that process, after that, he offered me and said “Would you like to have my interview tapes?” Of course I said yes, and they were a gold mine… it was an honor and a privilege to have access to them.
NYSM: Among those interviews, was there anything that you found, maybe not necessarily surprising, but something that you were just very interested in? A new perspective or something like that?
Paul: I mean, there was so much of that really, that its hard to pinpoint, but there were a specific things that were quite amazing. I had a good relationship with Gregg [Allman] and I interviewed him many many times. There were certain things that you just sort of knew, either because you were told or just knew that they were off-limits… he went there with Kirk.
For instance, the relationship with Cher, I felt I was able to have a real depth to the way I wrote about it… Gregg talked about it so much in ways that he really never did again afterwards. That was one of the things you couldn’t really expect of Gregg. Another one of those things was the drug trial.
The other thing was interviews with a few people who are deceased, including Gregg, but I had a lot of great stuff from Gregg… so there would’ve been ways to get around that. Just for instance, Steve Massarsky… he was their manager, he was the lawyer who came in and helped them sort out the mess that the business had become and take on, ultimately, their manager Phil Walden… [Also] Bill Graham, the great promoter who was very very important to the Allman Brothers, and to the Grateful Dead, and to Watkins Glen.
Paul: Jimmy Carter himself has said many times that he would never have been president without the Allman Brothers… they were central to the whole thing… and that was for a variety of reasons. The most direct, most obvious reason is that they raised a lot of money for him…They really helped raise his profile at a time when he was completely unknown.
[Manager Phil Walden] was an early Carter supporter and he was the one who was crucial in getting these guys behind them. Once they were, they really were all in. It wasn’t just something they threw off, it wasn’t a matter of convenience, and it wasn’t a matter of just pleasing Phil Walden… it was because they really really genuinely like Jimmy Carter.
NYSM: For those that may be interested, in diving into the histories of these iconic bands, where would you advise them to go, and what would you advise them to read, beyond your wonderful biographies?
Paul: So obviously they have to start with my books, but it depends on what their interests are… It’s just like listening to music for me. A lot of people got into the blues because they liked the Allman Brothers… Writing is the same way. If you read my books and you like them, then take the part you like and dig deeper.
I try to write in a way so that you will have a better understanding of music… but also of the era and of other people… that’s my goal, I hope I pull it off. Keep reading, keep digging deeper, whatever the aspect is that is most intriguing to you, read more about it.
On July 29, Alan Paul and Friends of the Brothers will be playing at Summer Jam ’23 at Lincoln Hill Farms, NY to celebrate 50 years since Watkins Glen. It will also feature the Grateful Dead tribute band Terrapin Flyer and The Band tribute The THE BAND Band. Doors open at 3:00 p.m. with a 3:30 p.m. start and tickets are available here.
On July 30, Alan Paul will be at a “Brothers and Sisters” book event at City Winery in NYC, which will feature a book signing, author Q&A, as well as a musical performance featuring Duane Betts, Lamar Williams Jr., Johnny Stachela, Vaylor Trucks, Friends of the Brothers, and more. Doors open at 6:00 p.m. with an 8:00 p.m. start. Information and tickets can be found here.
Tickets are now available for Les Claypool’s Fearless Flying Frog Brigade’s “Hunt For Green October” fall tour, with dates in Brooklyn and Albany. The rock band recently reformed after a 20-year hiatus, and has just completed their “Summer of Green” tour.
The band was originally formed by Les Claypool in 2000 during a break from his other band, Primus, with a debut appearance at the Mountain Aire Festival. They would go on to tour around the U.S., release two live albums, and release the studio album, Purple Onion.
Claypool himself has also been involved with Primus’s recent “A Tribute To Kings” tour, as well as Primus’s first new music in over five years. This 3-track EP, Conspiranoid, includes the 11-minute “Conspiranoia.”
Les Claypool’s Frog Brigade will have a new, two-set show for their fall tour, going more into their catalog. The “Hunt For Green October” tour will be the last opportunity to hear the Frog Brigade’s take on Pink Floyd‘s Animals. The song will be played at every show in its entirety.
Let’s put it this way… I think, with Primus and without, I’ve played every music festival in the last ten years, except Lilith Fair. You could say I’m the guy who doesn’t fit in anywhere, but a little bit everywhere.
Les Claypool
Upcoming Tour Dates
Oct. 11 – Fox Theater – Oakland, CA
Oct. 12 – Riverside Municipal Auditorium – Riverside, CA
Little Island, a New York City public park, announced that they received a prestigious award. The park is one of ten projects across North America selected this year. It will also now advance to compete for a global award against projects from the Europe and Asia Pacific regions.
Photo credit Michael Grimm
Located in Hudson River Park, Little Island features a gorgeous landscape with walking paths, performance spaces, and dazzling views. The Urban Land Institute selected the park for a 2023 Urban Land Institute Americas Award for Excellence in Urban Open Space.
After winning the regional Americas Award, Little Island will next compete for the Urban Land Institute Global Awards for Excellence. The Urban Land Institute’s mission is to “shape the future of the built environment for transformative impact in communities worldwide.” The finalists and winners of their awards are also chosen by a jury made up of “leaders who represent a broad geographic diversity and many areas of real estate and land use expertise, including finance, planning, development, public affairs, design, and professional services, among others.”
“I’m so glad that in addition to making so many people happy when they come to Little Island, we are getting an award for excellence by the Urban Land Institute. It is a very special honor,” Barry Diller, the founder of Little Island said.
Little Island History
Diller, as part of the Diller-von Furstenberg Family Foundation, envisioned building the park in the remnants of Pier 54 after Hurricane Sandy heavily damaged the area. In partnership with Hudson River Park Trust leadership, Diller reimagined an entirely new type of public space for New York. He additionally hoped to create an immersive experience with nature and art.
“Through our partnership, the Hudson River Park Trust achieved its goal of delivering new public open space at one of the piers long planned to be rebuilt, but in a way that no one could have conceived of when the Park was being planned,” President and CEO of the Hudson River Park Trust Noreen Doyle said. “Congratulations to Mr. Diller and The Diller-von Furstenberg Family Foundation, to every member of the engineering, design, planning and construction teams, and to the Little Island and Hudson River Park Trust staff members who pooled their talents for the public good. Thank you to the Urban Land Institute for recognizing their achievements.”
Little Island opened on May 21, 2021 as an oasis for New Yorkers. The park additionally boasts two acres of magnificent landscape, distinctive architecture, and an abundance of free education programs and performances. Since opening, Little Island has welcomed over 3.5 million visitors and hosted over 572 free performances and 245 arts workshops.
Theatre Within’s Annual John Lennon Tribute event has announced they will honor two-time Rock & Roll Hall of Famer Graham Nash with the 2023 John Lennon Real Love Award at the 43rd anniversary on Dec. 2 at Town Hall in NYC.
Graham Nash poses during a portrait session at the Cambridge Folk Festival 2019 at Cherry Hinton Hall on August 02, 2019 in Cambridge, England.Gareth Cattermole/Getty Images.
Theatre Within’s Annual John Lennon Tribute celebrates John Lennon’s life, music, and highest values of peace and love. “With its joyful Annual John Lennon Tribute and John Lennon Real Love Project, Theatre Within is furthering the vision that John and I shared for a better world,” said Yoko Ono. Graham Nash is the ninth recipient of the John Lennon Real Love Award. Previous recipients include Natalie Merchant, Patti Smith, Ani DiFranco, and Donovan.
This is a very special award. I thank Yoko [Ono] and the Theatre Within for thinking of me. Over many years, I watched John and Yoko ‘fight the good fight’ for many whose voices were not being heard, a fight that Yoko continues to this day. I’m proud to be associated with the many fine artists who were previously honored with the John Lennon Real Love Award.
Graham Nash.
Nash’s remarkable career spans from the British invasion with the Hollies to the legendary Laurel Canyon scene with Crosby, Stills, Nash & Young, for which he won a Grammy, to his still vibrant solo concerts and recordings. He is a two-time inductee into the Rock and Roll Hall of Fame, once for CSN in 1997 and once for The Hollies in 2010.
Nash will play some of his favorite Lennon/Beatles classics and will be joined by several acts. These include folk legend Judy Collins, who will make her first Tribute appearance in over a decade. Rosanne Cash will perform for the third time, the first since she was chosen as 2018’s John Lennon Real Love Award honoree, and Grammy award-winner Rita Coolidge will make a rare live appearance, her first ever at the long-running benefit concert. Finally, drummer/percussionist Rich Pagano, a founding member of the Fab Faux, will serve as Music Director for the 15th consecutive year.
Proceeds from the Tribute support Theatre Within’s ongoing free workshops in creative expression and mindfulness, including the John Lennon Real Love Project songwriting program. Theatre Within is also providing 200 free workshops for children and adults impacted by cancer through the Red Door Community (formerly Gilda’s Club NYC) and other regional cancer support communities.
Tickets for Theatre Within’s 43rd Annual John Lennon Tribute on Dec. 2 go on sale starting July 22.
The Pretenders have recently announced a US headline tour which is set to begin on August 16th at New York City’s Bowery Ballroom. Throughout the nine-date trek, the English-American rock band will perform in unique and intimate venues all across the country.
The American tour comes ahead of the Pretenders’ eagerly awaited studio album Relentless which will drop on September 15th. Produced by multiple Grammy Award-nominee David Wrench (Courtney Barnett, David Byrne), Relentless marks the second consecutive full-length songwriting collaboration by group founder Chrissie Hynde and Pretenders’ guitarist James Walbourne. The album includes the recently released singles “Let The Sun Come In“ and “I Think About You Daily.”
The live performances will give the Pretenders an incredible opportunity to introduce their new music directly to the fans. Throughout this run, the band will join Guns N’ Roses as a special guest on their own upcoming North American stadium tour for a total of seven performances making the Pretenders’ original nine-date tour stretch to seventeen. Tickets for their headline dates are available on July 21st!
The Pretenders 2023 Tour
August 11 – Hershey, PA – Hersheypark Stadium *
August 15 – East Rutherford, NJ – MetLife Stadium *
August 16 – New York, NY – Bowery Ballroom
August 18 – Pittsburgh, PA – PNC Park at North Shore *
August 21 – Boston, MA – Fenway Park *
August 24 – Chicago, IL – Wrigley Field *
August 26 – Nashville, TN – The Blue Room
August 29 – Asbury Park, NJ – The Stone Pony
August 31 – Washington, DC – The Atlantis
September 3 – Toronto, ON – Rogers Centre *
September 5 – Detroit, MI – Shelter
September 7 – Minneapolis, MN – 7th St Entry
September 9 – St. Louis, MO – Busch Stadium *
October 1 – Dana Point, CA – OHANA Festival †
October 2 – Los Angeles, CA – The Regent Theater
October 4 – Pioneertown, CA – Pappy + Harriet’s (Outdoor)
On July 20th, Atlanta Rapper Killer Mike brought his High & Holy Tour to the Apollo Theater in Harlem. He emphasized to the crowd that this wasn’t any standard rap show. The Church stage set and the five background singers set the tone as their vocals provided a soothing sound with Mike’s raps. The performance had many intimate moments, with the backtracks stopping to let the fans and Mike go a capella.
Killer Mike performing at the Apollo Theater in Harlem, NY. Photo by: Lucas Kurzweil.
Killer Mike spent most of the show playing tracks from his new solo album MICHAEL, but he also brought out a few special guests for the New York crowd. The first surprise artist to join Killer Mike on the stage was Harlem’s own Cam’ron. Although brief, Cam’ron was able to pump up the crowd with his song “Touch It or Not.” Toward the show’s end, Mike brought out his Run The Jewels partner El-P to perform “DON’T LET THE DEVIL.” Killer Mike brought everyone to church with his performance, leaving them with an everlasting memory of what greatness looks like on the stage of the iconic Apollo Theater.
Killer Mike performing at the Apollo Theater in Harlem, NY. Photo by: Lucas Kurzweil.
Tickets for the rest of the High & Holy tour are available HERE, and the dates are below:
Killer Mike and Cam’ron at the Apollo Theater in Harlem, NY. Photo by: Lucas Kurzweil.
JUL 21, 2023 – Underground Arts – Philadelphia, PA
JUL 23, 2023 – Pitchfork Music Festival – Chicago, IL
JUL 24, 2023 – First Avenue – Minneapolis, MN
JUL 27, 2023 – The Showbox – Seattle, WA
JUL 28, 2023 – McMenamins Crystal Ballroom – Portland, OR
JUL 29, 2023 – The Fillmore – San Francisco, CA
JUL 31, 2023 – The Theatre at Ace Hotel – Los Angeles, CA
AUG 1, 2023 – The Van Buren – Phoenix, AZ
AUG 3, 2023 – House of Blues Houston – Houston, TX
AUG 4, 2023 – House of Blues Dallas – Dallas, TX
AUG 5, 2023 – The Joy Theater – New Orleans, LA
Killer Mike and El-P at the Apollo Theater in Harlem, NY. Photo by: Lucas Kurzweil.
After 80 years of hard work, the Blind Boys of Alabama continue to wow audiences and touch souls with the recent release of their praiseworthy single “Work Until My Days Are Done.” The doo-wop, gospel ditty is the second release from the group’s upcoming album Echoes Of The South, which will officially be released to the public on September 8th through Single Rock Records.
The Blind Boys of Alabama have faced more struggles and success in the music industry than most musicians will in their lifetimes. Their eight decades of experience and pure talent has led them from street performances in the Jim Crow South all the way to being the soundtrack of the Civil Rights Movement, giving them the chance to perform for three different United States Presidents and landing them as legends in the Gospel Music Hall of Fame.
This dedication and persistence to one another and to their love of music is epitomized in their newest single, as they will not only “work” but “sing” until their days are done. There is no stopping the powerhouse group as they rely on one another and the shared agreement that “as long as everybody gives all that they have to give and we sing songs that touch the heart, we’ll live on forever.”
Now, after losing their brothers in arms Paul Beasley and Benjamin Moore, the remaining members carry on, releasing their new album Echoes Of The South in their name and memory. Echoes Of The South not only marks the first album that the Blind Boys of Alabama have released in six years but also marks their first ever fully made in their home state, giving the tracks a deeper significance than can be imagined for the music vets.
The tracklist is similarly rooted in coming home, drawing from the music that’s most inspired them over their careers: long-lost gospel classics, traditional spirituals and timeless R&B/soul cuts made famous by artists like Pops Staples and Curtis Mayfield. These incredible personal touches establish Echoes Of The South as a “homecoming” in countless senses of the word.
With the two released singles from the album, “Friendship” along with “Work Until My Days Are Done,” it is evident that the Blind Boy’s newest music is some of their best. Their harmonies and messages touch hearts, while their bridges and power take listeners by surprise and never fail to get people on their feet with rafter-raising moments. This is something special that anyone with ears will not want to miss. Until September 8th, the Blind Boys of Alabama’s current members; McKinnie, Jimmy Carter, the Rev. Julius Love, Sterling Glass, and Joey Williams, will be touring the country from this July well into 2024.
Blind Boys of Alabama Tour
July 19 – Mendocino Music Festival 2023 – Mendocino, CA
August 19 – CHOMP – Redmond, CA
August 27 – Vancouver Wine & Jazz Festival – Vancouver, WA
September 9 – Paramount Center for the Arts – Saint Cloud, MN
September 10 – Reif Performing Arts Center – Grand Rapids, MN
September 11 – Pablo Center at the Confluence – Eau Claire, WI
September 15 – City Winery Philadelphia – Philadelphia, PA
September 16 – City Winery Boston – Boston, MA
September 17 – City Winery New York – New York, NY
November 19 – Edwin J. Thomas Performing Arts Hall – Akron, OH
November 26 – Lone Tree Arts Center – Lone Tree, CO
January 13-20 – Sandy Beaches Cruise 2024 – Fort Lauderdale, FL
February 8 – Fred Kavli Theatre (with Bobby Rush) – Thousand Oaks, CA
Nas continues his prolific run with his 16th studio album, Magic 2. Since the release of Nasir in 2018 — his first under his Mass Appeal label — the legendary rapper has been on a resurgent run. That’s to say nothing of Nas’ status within hip hop. However, the last few years have seen the fabled rapper get the mainstream acknowledgment his career deserves, winning his first grammy-award in 2021 for King’s Disease.
Magic 2 is Nas’ 5th collaborative project with Hit-Boy in the last 3 years
Magic 2: Nas and Hit-Boy Continue to Create
In like manner, Magic 2 sees Nas’ continue his career victory lap. The 11-track album is another collaborative effort with now-frequent cohort Hit-Boy. This latest release is the duo’s fifth combined effort in the last 3 years, beginning with King’s Disease. Short and succinct, the album’s only two features — 50 Cent and 21 Savage — showcase Nas’ range in the current hip hop landscape.
Notably, burying the hatchet with a former rival and fellow Queens native in 50 Cent on “Office Hours.” The two rap legends last worked together in 2002, with Nas featuring on two songs on 50 Cent’s mixtape Guess Who’s Back? In like manner, Nas exchanges bars with one of contemporary rap’s hottest stars in 21 Savage on the album outro “One Mic, One Gun.” In effect demonstrating the versatility in cadences and flows during this latest Hit-Boy run.
All in all, the grammy-winning producer has been instrumental in Nas fortifying his legacy. Despite his icon status and classic albums, the Queensbridge native has maintained a reputation for not picking the best beats. Together with Hit-Boy Nas has gone a long way towards shedding the skin of being another older rapper. With a healthy mix of contemporary sounds and boom bap records Magic 2 sees Nas and Hit-Boy continue to create more well… Magic.
The critically acclaimed Dutch rock band Iguana Death Cult shared their highly anticipated LP Echo Palaceearlier this year. Introduced with four stellar singles, “I Just Want A House,” “Oh No,” “Pushermen,” and “Sensory Overload,” the record received praise from outlets such as DIY, Under the Radar, American Songwriter, Paste, and more.
To celebrate their new album, the band has recently announced a string of North American tour dates, with a handful of East Coast shows with Frankie and the Witch Fingers. The tour will make stops in New York State cities including New York City and Rochester.
This new tour follows Iguana Death Cult’s last 2023 US appearance at this year’s SXSW (Austin, TX), where they played a total of nine showcases. Following the festival, Paste Magazine noted that the band was one of the “20 Best Acts” they saw at the festival.
“I knew I had to see Iguana Death Cult as soon as I heard the band’s name. And they didn’t disappoint. From the word ‘go,’ the whole crowd was dancing and pushing to their garage and psych-rock extravaganza.”
The aftermath of the pandemic can best be described as a time of unease, the people of the world suddenly grew wary and suspicious of one another. During this time, Iguana Death Cult, one of Europe’s most exciting rock exports, became more than just a band to its members – it became therapy.
“I think for the first ten times we went to jam,” says guitarist/vocalist Tobias Opschoor, speaking about the process of making the new album Echo Palace, “we just drank wine and I talked about it, and just kept on talking for hours – and then were like, ‘OK, I have to go because I have to go to work tomorrow.”
Taking place at frontman Jeroen Reek’s apartment in the Dutch city of Rotterdam, these gatherings slowly shifted from talking about this surreal chapter of their lives — the days of quiet streets and cramped buildings — to making music about it. “I was living in a really crappy, leaky, ready-for-demolition apartment,” explains Reek, “with just one heat source—like a really old-school, gas stove kind of thing.” Working on cold nights, they had to gather around that heater together— a cozy approach that ultimately got their creative flow going, fast.
Armed with the talents of Justin Boer on bass and Arjen van Opstal on drums, and tapping the keys work Jimmy de Kok for the first time on album, the band took their trademark melodic garage-rock style and expanded it out to make it vibier and looser, with each member contributing ideas to develop the sound palette in full. “We all get into this sort of blender and then everybody gives a little bit of a flavor to it,” says Opschoor.
The sounds they started to make tapped into the band’s acerbic bite established on their first two LPs, 2017’s The First Stirrings of Hideous Insect Life and 2019’s Nude Casino — albums that sometimes felt like Parquet Courts colliding with Super Furry Animals.
Their explosive performances of these records turned them into a cult live act among psych fans, who have followed the band everywhere from Amsterdam to Austin. But working on this new album, huddled together as the world split apart, everything began to flutter like Remain in Light.
Echo Palace
Echo Palace may be the Iguana Death Cult music that’s most overtly about the strange cause and effect of groupthink, but the theme has been lurking there since the very beginning, when the band was first formed by childhood friends Reek and Opschoor over ten years ago.
The name of Iguana Death Cult is a partial nod to Reek’s fascination with cults in general — and the “Iguana” part is a nod to Iggy Pop, whose first band was the Iguanas. Watching the pandemic paranoia and conspiracy theories steeping across their country, Reek wrote lyrics reflecting the scene in front of him: “Purple, veiny soccer mommies,” he sings in a deep, foreboding voice on the song “Echo Palace,” “Sharpening their guillotines.” It’s a cut so infectious that it betrays the density of its lyrics, which were adapted from a poem Reek wrote about the repercussions of “shutting yourself off from everyone outside of your own ideology.”
When it came time to record the full set, the band headed to PAF Studio in Rotterdam, and then had the self-produced album subsequently mixed by Joo-Joo Ashworth at Studio 22 in Los Angeles and mastered by Dave Cooley. As the instruments swirl and trade solos on “I Just a Want House,” a funky millennial nihilist anthem, you can practically hear the growth of a group that’s been pushing itself further and further with every tour and every Belgian-stove fueled jam session.
The album is a big swing, stretching Iguana Death Cult beyond its garage rock origins and taking them to a new realm. It’s the type of project that warranted having legendary Dutch saxophonist Benjamin Herman stop by to add to the squall on tracks like “Oh No” and “Sensory Overload,” heady thrashers that morph into calculated freakouts; that warranted Reek and Opschoor knowing when screaming their guts out on tracks like “Pushermen,” and Boer and van Opstal knowing when to bring the rhythm section to a jazzy simmer on tracks like “Paper Straws.”
The end result of Echo Palace is an appropriately worldly album from a group breaking past the confines of its home country. That’s not to say that Iguana Death Cult aren’t proudly Dutch; the group takes from the trademark hard work ethic of their Rotterdam base and applies it to their approach with music. But it’s 2022, and we’re less defined by our borders than ever before. “When we play in other countries, for me that gives the same amount of pleasure — or even more — than when we play in the Netherlands,” says Opschoor.
Tour Dates
*With Frankie and the Witch Fingers. Tickets to each city are included in the links below.
