New York’s own Tony Bennett, one of the most awarded singers of his generation, has passed away at age 96. His death marks the end of a recent battle with Alzheimer’s Disease and a life filled with chart-topping hits and almost every musical accolade possible, including 20 Grammys, a Lifetime Achievement Award and two Primetime Emmys. His signature jazzy singing style and notable duets with contemporary superstars allowed Bennett to forge a career that lasted nearly 70 years in total.
(Photo by Kevin Mazur/WireImage)
Anthony Dominick Benedetto was born in Long Island City in Queens on August 3, 1926, the son of Italian immigrants. He and his older siblings grew up in poverty in New York, in the face of The Great Depression. Although his father passed away when Tony was only 10 years old, he helped him develop a love for arts and music like Al Jolson and Louis Armstrong. With the help of an uncle who worked in vaudeville. Tony Bennett was already performing live at 13 years old, singing at various Italian restaurants in Queens. He attended New York’s School of Industrial Art but dropped out at age 16 to help support his family. He never gave up on his dream of being a singer though, continuing to amass gigs as a singing waiter at restaurants as well as a a successful run at a Paramus, NJ night club.
In 1944, Bennett was drafted into the US Army during the latter stages of World War II and even spent time on the front lines at one point in Germany. Upon discharge, he studied at the American Theatre Wing on the GI Bill. Here, he was taught the bel canto singing discipline which would allow to sing him for as long as he did. It was at this time that he also first started to develop his atypical approach of imitating, as he sang, the style and phrasing of other musicians.
Pearl Bailey gave Tony his big break in 1949, asking him to open for her at a show in Greenwich Village. This led to a deal with Columbia Records where Bennett’s career first started out as a commercial pop singer. His first big hit was “Because Of You,” a ballad with a lush Percy Faith-led Orchestra. It reached #1 on the charts in 1951 and stayed there for ten weeks.
Bennett continued to score more number ones in the early part of the 50s with songs like his rendition of “Blue Velvet” and “Rags To Riches.” He even had a short-lived television variety show in 1956, The Tony Bennett Show, which served as a replacement to The Perry Como Show. As the age of rock and roll ushered in, Bennett adapted accordingly with more jazz-oriented long form recordings like Cloud 7 and the critically acclaimed The Beat Of My Heart which featured icons like Art Blakey and Candido Camero. He even became the first male pop vocalist to sing with the Count Basie Orchestra.
Bennett was also a notable advocate for civil rights. He participated at the 1965 Selma to Montgomery marches and performed at a rally the night before Martin Luther King’s “How Long, Not Long” speech. His career and popularity took a noticeable dip in the ’60s and ’70s where he tried, unsuccessfully, to record contemporary rock songs. He bounced around between different labels and even started his own record company called Improv which was out of business by 1977.
After a near fatal overdose and an ongoing battle with the IRS, Bennett hired his son as manager in an effort to turn his career around. He was able to get his expenses under control, moved him back to New York, and began booking him in colleges and small theaters to distance him from a “Vegas” image. By 1986, Tony Bennett was re-signed to Columbia Records, this time with creative control, and released his first album to reach the charts since 1972, The Art Of Excellence.
He continued to stay relevant throughout the ’80s and ’90s thanks to the guidance of his new management which regularly booked him on TV shows like Letterman and Late Night With Conan O’Brien. In 1993, Bennett played a string of benefit concerts organized by alternative radio stations around the country, introducing a whole new generation to composers like Cole Porter and Gershwin. He even made an appearance at the MTV Movie Video Awards alongside the Red Hot Chili Peppers, cementing the gap between his and the current generation. His 1994 appearance on MTV’s influential Unplugged is heralded as one of the better episodes and may have marked the peak of Bennett’s popularity.
Bennett continued to tour extensively throughout the 90s, including a memorable appearance at Glastonbury in 1998, with his financial worries long a thing of the past. He was given a star on the Hollywood Walk of Fame and inducted into the Big Band and Jazz Hall of Fame in 1997. Tony Bennett is also a member of the Long Island Music Hall of Fame.
The latter part of his career may have produced one of his more successful recordings of all time in Duets: An American Classic, which was released in 2006 as part of a celebration of Bennett’s 80th birthday, receiving two Grammy awards and resulting in a slew of corresponding concerts and TV specials. A sequel, Duets II, was released five years later featuring collaborations with artists like Aretha Franklin, Willie Nelson and Lady Gaga. His recording of “Body and Soul” for the album with Amy Winehouse is reportedly the last one she made before her death.
In 2021, Tony Bennett announced his retirement from concerts and released his final album Love For Sale, another collaboration with Lady Gaga. With this, he broke the record for longest span of top-10 albums on the Billboard 200 chart for any living artist. He also broke the Guiness World Record for the oldest person to release an album of new material, at the age of 95 years and 60 days. Fittingly, his last live performances were also with Lady Gaga in 2021 that was later aired as a television special. Bennett is survived by by his wife, Susan Benedetto; his two sons, Danny and Dae Bennett; his daughters, Joanna Bennett and Antonia Bennett; and nine grandchildren.
Indie-pop singer/songwriter Luke Mock released his chill yet upbeat single “What You Deserve,” featuring irresistible vocal harmonies, catchy lyrics, and groovy instrumentals.
Luke Mock is an indie-pop artist hailing from Auburn. His music immerses you in a captivating whirlwind of emotions, driven by catchy hooks, and delivered with genuine charm. With honesty and diving into his personal side at the core of Mock’s music, he forges connections and resonates with others. Compared to the likes of Shawn Mendes, Charlie Puth, and Julia Michaels, his captivating vocals and infectious pop music elements captivate audiences.
“What You Deserve” is not your typical sad pop song, instead Luke Mock opts for an upbeat feel to the composition. Produced entirely by him with the help of a few friends, the song is professional and well thought out. The single is about Mock reflecting on a past relationship where he felt unable to provide his partner with what they deserved, primarily due to bad timing and his own journey of self-discovery, with elements of upbeat madness and sadness.
The song immediately brings you in with an upbeat guitar and percussion, inviting the listener into his melancholy world. Fading just as fast as it started, Mock brings in his acoustic guitar, hitting your ears with his soft yet powerful vocals. Singing, “It was the wrong time/For you to walk in my life/I just couldn’t suffice/Something ’bout it all didn’t feel right,” he reflects on how he couldn’t give his partner what they needed, and it was the wrong place and wrong time. Simple yet complex, the lyrics tear at your heartstrings and leave you tearful.
As he brings you through the first verse, the chorus suddenly pounds in your ears with infectious guitars and upbeat percussion, with overlaying harmonies. Keeping these instrumentals into the second verse, Mock sings, “It’s been a long time//Since I met someone with your heart/Oh baby right from the start/You reached your hand out but I was too far.” Although these lyrics are sad, he doesn’t let you feel that way with his energetic backing guitars and pop sensibilities. He could not give the person “what they deserve,” as the rest of the song keeps this steady rhythm, Mock tells the tragic story but adds a hopeful tone for his future.
Luke Mock’s new song “What You Deserve” is available on all streaming services. For more information about him and to see him live, visit here.
Rock The Bells, AfroFuture, AfroVerse and Sixthman festivals have announced the first-ever AfroCruise which will sail from Miami, Florida to Nassau, Bahamas. The cruise will depart on March 29, 2024 and will arrive on April 1. The multi-day event will feature performances from some of the biggest African artists and will also showcase African and diasporic culture through food and fashion.
Linking together travel, live music, and a cultural celebration, the AfroCruise is one of the first events of its kind. Hosted on the Norwegian Pearl, the celebration still possesses all of the amenities and elements normal to an extravagant cruise ship. Attendees will have access to the boat’s fully stocked bars, dining options, pools, casino, spa, fitness center, and more.
Amongst the hustle and bustle of a standard cruise, the event also boasts an impressive roster of performing artists. Headlined by Nigeria’s Adekunle Gold and Ayra Starr, AfroCruise gives guests the opportunity to experience some of the best music from all over the world. The aim is to fully immerse attendees into the sounds and sensibilities of Afrobeats and Amapiano music.
Ayra Starr
AfroCruise will also feature multiple different cultural events and workshops. In addition to traditional cruise ship tournaments and activities, there will also be an event focused on the African rice dish Jollof, a West African BBQ, and several different themed parties.
Rock The Bells was founded in 2018 by acclaimed rapper LL Cool J and Geoff Yang. The organization creates content and experiences within hip-hop culture. Together, with their partners Afrofuture, AfroVerse and Sixthman festivals, the collective looks to create an event that celebrates and encapsulates contemporary African and Disaporic culture. Click here for reservations and more details
From never ending winters to erratic springtime temperatures, New York weather can be brutal. For communities across the Empire State, summer is a time to work outside, enjoy wildlife, and of course catch some live music. Residing in the southeastern corner of NY, the picturesque Catskill Mountains provide the perfect setting for local performances and shows.
Catskill Mountains – Taste of Country Music Festival
Warm weather means it’s time for residents in the region to trade in snowboards and skis for folding chairs and picnic blankets. Teeming with countless unique small towns and villages, there’s plenty of live performances to catch in the area. Below, we’ve compiled a list of some of the best Catskill summer concert series and performances to see this year.
Greenville Summer Concert Series
The Greenville Summer Concert Series is a free, family-friendly concert series that happens Tuesdays from 6–7:30 PM at Veterans Park in Greenville, New York. The concerts are held at the intersection of Routes 32 and 81. Attendees are encouraged to bring a lawn chair, pack a picnic, or buy dinner from Church Street Caterers. The kickoff event features the Michael Benedict Quartet and ice cream from Stewart’s Shops of Greenville. Other acts include Lustre Kings, Moonshine Mule, Dusk Til Dawn, and more. The series is sponsored by the Greenville Rotary, among others.
Voted “Best Place for Live Music” in the Best of Greene County Awards, enjoy Music in the Park every Thursday from 7-9 p.m. at Dutchman’s Landing Park on Main Street in Catskill. Concerts are free to the public. Bring your lawn chairs and enjoy great live music on the shores of the beautiful Hudson River. If rainy, concerts are moved to the Historic Catskill Point at 1 Main Street. Presented by the Heart of Catskill Association. Photo credit: Keith Collesides.
Here for more details and information | 518-943-0989
June 22 — Guilty Pleasure—pop rock
June 29 — Lustre Kings—rock and roll
July 6 — Back to the Garden—Woodstock tribute
July 13—Lex Grey and The Urban Pioneers—award-winning blues band
July 28—Lex Grey and The Urban Pioneers—blues/rock
Aug. 3—The Lost Cowboys—classic country
Aug.10—Soul Purpose—Motown soul
Aug. 17—In The Dust—country & Western
Aug. 24—Second Chance—local rock heroes
Aug. 31—Dead Beats—Grateful Dead tribute band
Sept. 7—Alexis P Suter—award-winning blues singer
WINDHAM MOUNTAIN RESORT, WINDHAM
Windham Mountain Facebook
Music on the Mountain Series
Music on the Mountain takes place Fridays from 6-8:30 p.m. at Windham Mountain. This free concert series features local artists, cover bands and some of New York City’s favorite performers. Additionally, there are raffles, a BBQ and scenic sky rides during the early portion of the event. No tickets or reservations needed. Outside food, beverages and pets are not allowed. Windham Mountain is located at 19 Resort Drive, Windham, NY.
Here for more details and information | 518-734-4300
July 7—10 Most Wanted —soul/funk/R&B/rock
July 14—Soul Purpose—soul/funk/R&B
July 21—Guilty Pleasure—pop rock
July 28—The Four 26—rock
Aug. 4—Serene Green—bluegrass
Aug. 11—Rollin’Rust—indie/folk
Aug. 18—Dial Up!—1990s songs
Aug. 25—Die Schlauberger—renditions of German favorites
Sept. 1—The Outcrops—blues-infused rock n’ roll
RIVERSIDE PARK, COXSACKIE
Coxsackie Music in the Park Series
Every Sunday from 6-8pm. Concerts are free to the public. Pack a chair or blanket and enjoy riverside entertainment at the spacious Coxsackie Riverside Park, Betke Boulevard, Coxsackie.
Here for more details and information | 518-731-2718
June 25—Lex Grey & the Urban Pioneers—fusion of old-school blues & classic rock
July 2—Donna Tritico Band—mix of blues, R&B and rock
July 9—Nite Train—award-winning rockin’ blues, funk & R&B
July 16—Samantha Jane Band—jazz standards quartet
July 23—Hammerhead Horns—old-timey blues, ragtime and honkytonk
July 30—Playing with Fire—classic rock & roots
Aug. 6—Night Moves—classic rock; country; 50’s thru 90’s
Aug. 13—Silver Chain Band—playing BB King, Muddy Waters & other greats
Aug. 20—Nite Train—award-winning rockin’ blues, funk & R&B
Aug. 27—Lustre Kings with Mark Gamsjager—rockabilly; real roots rock & roll
RIVERFRONT PARK, ATHENS
Athens Performing Arts Corporation 2023 Summer Concert Series
Athens Summer Concert Series takes place every Friday night from 7-9 p.m. at Riverfront Park, 1 Water Street, Athens. Spend a night under the stars and enjoy this free concert series on the banks of the Hudson River.
Here for more details and information | 518-522-9470
July 14—Les Dudek—rock music legend
July 21—Dark Desert Eagles—world premier Eagles tribute
July 28—Jon Cleary & The Absolute Monster Gentlemen—Grammy-winning New Orleans funk
Aug. 4—Double Vision-The Foreigner Experience—rock cover band
Aug.11—Sister Sparrow & The Dirty Birds—soul, rock, dirty funk
Aug. 18—Conehead Buddha—rock, ska, funk, Latin, reggae, jam, hop
This past Sunday evening, July 16, in the heart of New Haven’s downtown arts district, veteran singer-songwriter Jenny Lewis paid a visit to College Street Music Hall (CSMH), a historic concert hall constructed in the mid-1920s that was nearly sold-out to its holding capacity of 2,000 souls.
Jenny Lewis | Photo: Michael Dinger
Lewis is touring in support of her latest solo album Joy’All (Blue Note/Capitol) released last month, a good portion of which was written in early-2021 during a week-long virtual songwriting workshop hosted by Beck. For more than 90 minutes, the co-founder of the charting indie outfit Rilo Kiley in the late-1990s did not disappoint en route to a dazzling performance. But more on our treasured country-rock troubadour a bit later.
College Street Music Hall Marquee | Photo: Michael Dinger
The first of two opening acts was Hayden Pedigo, an eccentric 29-year old performance artist who also moonlights as a model and even a politician – he campaigned in 2018 to fill a City Council seat in his native Amarillo, TX. Pedigo mesmerized the growing audience on the general admission floor with four tranquil instrumental pieces featuring exquisite fingerpicking on an acoustic Yamaha 12-string and an electric Epiphone.
Hayden Pedigo | Photo: Michael Dinger
Following Pedigo was Cass McCombs who hails from Concord, CA, but calls NYC his home. Born in 1977, the alt-country musician who owns the reputation as one of the great songwriters of his generation was backed by a trio of touring musicians on bass, drums and keyboards. Like Pedigo, music is not McCombs’ only passion – in 2020, a book of his poetry was published titled Toy Fabels, with illustrations by none other than McCombs himself. For nearly 40 minutes, and without much pandering to the audience, the quartet presented a set filled with jaw-droppingly gorgeous, soulful rock delivered with a laid-back attitude, which was more than fine by me.
Cass McCombs | Photo: Michael Dinger
Smack in the middle of an 18-date tour that kicked off in early-June in Nashville, TN, including an appearance by Lewis at the Bonnaroo Music & Arts Festival, the Las Vegas native who first gained prominence in the 1980s as a child actress took to the CSMH stage at 9:15 pm. Bathed in a sea of red, purple and blue lights and accompanied by a foursome of all-female musicians, Lewis gracefully glided about the stage, frequenting an elevated circular platform adorned in red roses or taking a seat at her piano which was positioned front and center.
Lewis’ evocative lyricism was on full display from the jump with “Psychos,” the lead single from Joy’All and her first No. 1 song on a Billboard chart that she earned only two days prior to the CSMH show. Lewis would go on to gift her fans four more songs from Joy’All, but she was sure to spread the wealth around from her discography, including “Red Bull & Hennessy” (On the Line, 2019), “Head Underwater” (The Voyager, 2014) and the title track from 2008’s Acid Tongue.
Jenny Lewis | Photo: Michael Dinger
During the sugary-sweet “Cherry Baby” (Joy’All), red, white and silver balloons were released into the air, much to the delight of the audience, many of whom were in their late-teens and early-20s and sung along to the chorus on several songs. Several of the flailing balloons that were being batted around by the fans depicted the likeness of Bobby Rhubarb, Lewis’ beloved two-year old black Cockapoo who even has her own Instagram account with more than 5,600 followers! Two tunes later, during “Just One of the Guys” (The Voyager), one of the balloons mysteriously hovered between Lewis and her bassist at stage left. Static electricity? A demonic possession? Check out the video below and you decide what the strange occurrence may have been attributed to.
Speaking of Lewis’ dog, as the show turned for the home stretch, the rotary dial telephone sitting atop her piano suddenly rang. It was Bobby Rhubarb on the other end of the line, and she had a joke for all of us! Because most of us in attendance did not speak the “bark” language, Lewis translated, “Why is it so hot at the Grateful Dead show? Because their fans don’t work!” As part of the four song encore, Lewis offered up two wonderfully rendered covers – “Lust for Life” by Girls and the night’s finale, “With Arms Outstretched,” by none other than Rilo Kiley from 2002’s The Execution of All Things.
Following its New Haven stopover, The Joy’All Tour continues for three more weeks, including scheduled dates along the west coast in early-August. For the final three shows of the tour – Bend, OR (August 3), Concord, CA (August 5) and Inglewood, CA (August 7) – Lewis will be joined by the aforementioned Beck and Phoenix, who are embarking on a split bill of their own next month.
Jenny Lewis | Photo: Michael Dinger
No rest for the weary, Lewis and the indie pop supergroup The Postal Service, a trio that she has been a part of since 2002 with Ben Gibbard and Jimmy Tamborello, will be hitting the road on a co-headlining, 30-date U.S. tour (performing Give Up in its entirety to celebrate the album’s 20th Anniversary) with Death Cab for Cutie this fall. So, in case you missed Lewis this time around, or you just cannot get enough of the “redheaded indie wet dream,” as the rock critic Robert Christgau fittingly referred to her in a 2004 piece for The Village Voice piece, she’ll be back soon!
Jenny Lewis Setlist: Psychos > Do Si Do > She’s Not Me > Late Bloomer > Joy’all > Red Bull & Hennessy > Heads Gonna Roll > Head Underwater > Giddy Up > Cherry Baby > Little White Dove > Just One of the Guys > Puppy and a Truck > Acid Tongue > Encore: The Next Messiah > Lust for Life (Girls cover) > With Arms Outstretched (Rilo Kiley song)
The Huntington Arts Council (HAC) is bringing live music to Long Island during the entire month of July with the Huntington Summer Arts Festival. The festival is now in its 48th season and features performances from July 1- 30. Concerts will take place at the Chapin Rainbow Stage in Heckscher Park.
Free to attendees, the Huntington Summer Arts Festival aims to celebrate established acts while also highlighting up-and-coming artists. This year’s celebration features festival regulars Huntington Community Band, who perform each Wednesday of the month. Concertgoers still have the chance to see Huntington favorites North Shore Pops Concert Band.
Red Baraat
This summer’s roster of musicians come from a diverse set of musical backgrounds. Genres like swing jazz, latin, R&B/Soul, rock, and classical are all represented at the festival. In addition to music, the Huntington Summer Arts Festival also includes dance and theatrical performances. The group Sol Y Sombra Spanish Dance Company performed earlier this month. Attendees however will still have the opportunity to catch the L.I. Dance Consortium is set to take the stage on July 23.
Created in 1963, The Huntington Arts Council has been a pillar in the Long Island arts scene. The organization looks to celebrate and nourish the cultural diversity of Long Island through different avenues. HAC is involved with constructing and sponsoring a multitude of activities, programs, and events. The Council maintains that “the arts create a vibrant, energized, and culturally rich environment”.
Sol y Sombra Spanish Dance Co.
Along with the Huntington Summer Arts Festival, HAC has also collaborated with the Folk Music Society of Huntington to bring back the Huntington Folk Festival on July 22. Co-headliners Lucy Kaplansky and Cliff Eberhardt take the stage at 8, with the festival getting underway at 12:30.
Below is the upcoming schedule for the Summer Arts Festival. Sunday performances start at 7:00PM, all others performances start at 8:00PM, unless noted. Here for a full list of the lineup and more details about the festival.
Remaining Schedule
Wednesday, July 19 – Huntington Community Band, “Una Celebracion de la Musica Latina”- 7:00PM Jazz Band start time, 8:00 PM Concert Band start time
Thursday, July 20 – North Shore Pops Concert Band– Northport Community Band- 8:30PM NPT Park
Friday, July 21 – Huntington Latin Night: Tito Rodriguez Jr. Orchestra- 7:00 PM
Saturday, July 22 – 16th Huntington Folk Festival, Cliff Eberhardt & Lucy Kaplansky- Festival at 12:30PM, headliners at 8:00PM
Sunday, July 23 – L.I. Dance Consortium, “Long Island Dances!- 7:00PM
Wednesday, July 26 – Huntington Community Band,”…and Home Again!”- 8:00PM
Thursday, July 27 – Swing Sessions with Dudley Music & Guests- 7:30PM
Thursday, July 27 – Northport Community Band- 8:30PM NPT Park
Saturday, July 29 – Jazz Loft Big Band, Tom Manuel Conductor, and Nicole Zuraitis- 8:00PM
Sunday, July 30 – Orchestra L.I., David Stewart Wiley, Conductor “In Concert With Nature”- 7:00PM
The Grammy Award winning band Baha Men will perform on the waterfront at Caroga Lake Music Festival on Saturday, July 22.
In honor of their triple platinum track “Who Let the Dogs Out”, Caroga Arts will be directing $1 of every ticket sold to the Fulton County Regional SPCA to help animals in need.
Baha Men will be joined this evening by Balla Kouyaté and Mike Block Band.
Caroga Lake Music Festival began in 2012, when Kyle Price invited friends to his grandmother’s house on Caroga Lake, where they presented a week of free concerts, ambitiously calling themselves the Caroga Lake Music Festival (CLMF). During the first five seasons, CLMF grew from one to five weeks, presenting concerts at a variety of local venues. In 2016, to accommodate the growth, the organization gained 501(c)(3) not-for-profit status as Caroga Arts Collective.
Today, Caroga Arts presents over 50 performances and community events annually bringing world-class artists from various genres of music, visual art, poetry, and film to the Southern Adirondacks.
Premium Seats are $35 with General Admission $25, and free general admission for students. Caroga Arts offers free admission to concert goers age 17 and under for all Caroga Arts presented concerts at Sherman’s. Get Tickets here
Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.
Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.
Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.
For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.
The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.
While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.
Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.
Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”
“St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.
As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.
Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.
Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.
Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.
Delaney Silvernell is known best in New York State for ascending from a Queensbury local to a sensational contestant on NBC’s The Voice. Delaney has made notable strides in her musical career since her debut at age 21.
Playing shows in Los Angeles and New York, Delaney has put her singer-songwriter skills on display, amassing over 350k streams on Spotify alone through her signature blend of pop and R&B. Five years – and many captivating singles – since the voice, Delaney is planning a Northeast Tour at the end of the summer, which will feature her newest EP, Blue Dream.
While Delaney Silvernell is currently an independent artist based in Los Angeles, her journey began many miles away. Originally from the Adirondack region of Queensbury, Delaney knew from a young age that music was her passion.
I’ve been a musician for as long as I can remember, and it doesn’t really feel like a conscious decision I made to become one. Music was really the only thing that fueled me and helped me make sense of the world around me. So, it seemed like my natural path.
Delaney Silvernell
Following her natural trajectory, Delaney moved away from her hometown at 17 to pursue her musical education, studying Songwriting at Berklee College of Music. After graduating in 2017, Delaney was immediately cast as a contestant on season 15 of NBC’s The Voice. Her audition immediately caught the attention of coach Kelly Clarkson. Primarily coached by Kelly Clarkson, Delaney was further coached on screen by music industry greats such as Mariah Carey, Adam Levine, and Thomas Rhett.
After Delaney’s debut at age 21, Delaney has spent the past few years crafting her own space in music. She has played shows in Los Angeles and New York, while independently releasing original music which has been widely successful – amassing over 350k streams on Spotify alone.
Delaney’s music explores her emotions in a real, raw way that captivate audiences with a combination of vulnerable lyrics and powerful vocals. She rides rebelliously on the borders of genres such as R&B/Soul, Pop, Alternative, Blues, and more as she doesn’t believe her artistry can be confined by the boarders of one category. Delaney tries to create music that gives people space to feel deeply and unapologetically, and find peace in those emotions. Such music is often created alongside those who support her musical growth.
I draw inspiration from my life experiences, as well as that of those around me. I find inspiration in sorting out complicated emotions, and truly hope my songs help others do the same. My creative process varies, but my creative team is a pretty consistent group of my friends, which makes it that much more fun.
Blue Dream
Delaney’s most recent EP, Blue Dream, features 4 songs ranging from folk-pop to soulful genres. The project has already been premiered at one of LA’s most famous venues, The Troubadour, and will be performed in multiple cities throughout New York State through Delaney’s upcoming Northeast Tour.
While each song featured in Blue Dream is a work of art in its own right, when asked about her favorite piece, Delaney described her favorite song as one that has truly come full circle.
It’s impossible to pick a favorite, because they all have a special place in my heart. I do love “Wildflower,” though, because it was such a unique process to create it. “Wildflower” originated as a poem I wrote during a sleepless night back in college. A few years later, I stumbled upon the lyrics with a whole new perspective on life, and was able to put them to music and grow the song into what it is today.
Upcoming Projects
Blue Dream is only the first of many ambitious projects Delany’s future holds. Delaney has already begun writing her first full length album, and plans to return to the studio to finish recording it following her tour at the end of the summer. In the meantime, she will be releasing a live album from her recent performance at one of Los Angeles’ most famous venues, The Troubadour.
Delaney’s successful singles and EPs hold promise for equally engaging full length albums. In her continuous journey of exploring complicated emotions, Delaney detailed one of her unreleased songs as one of the most difficult to write in her career.
My most difficult song to write is actually still unreleased. It’s called “Dark Side of the Moon,” and I co-wrote it with my friend and producer, Alisse Laymac. “Dark Side of the Moon,” details my healing process from self-sabotaging the good things in my life. Being honest about that and putting that feeling into words was difficult, but so healing and cathartic.
Tour Dates
Currently, Delaney Silvernell is building a tour around the following dates in New York State:
Additionally, Delaney is securing a date at Rockwood Music Hall in NYC in late August or early September, the date to be announced. She plans to visit other New England-area venues as well. Once all tour dates have been secured, an official press release will be announced.
Delaney’s authentic approach to music, alongside her captivating, soulful lyrics and sound truly make her one of a kind. Be sure to listen to her music on Spotify, and check out her website for more tour updates.
The West Side Tennis Club welcomed Weezer to Forest Hills in Queens with open arms this past Thursday night (July 13) for the SoCal quartet’s 22nd stop on a 30-date “Indie Rock Road Trip” summer tour that launched in Huntsville, Alabama on June 4. Dubbed the Indie Rock Road Trip, Weezer’s tour is divided into three legs, the first of which saw them link up with indie rockers Modest Mouse and Momma. Future Islands and Joyce Manor took over support duties for Rivers Cuomo and Co. at the Columbia, Maryland gig back on June 23, and tonight’s show marked the magical end to the tour’s second leg.
Rivers Cuomo of Weezer | Photo: Michael Dinger
One of NYC’s best concert venues – indoors or out – Forest Hills Stadium has a rich, storied history that is celebrating 100 years this season. Originally designed in the 1920s as the home of the U.S. Open tennis tournament, the Romanesque stadium and its grounds hosted 60 editions of the major tournament before it moved to its current home in Flushing Meadows in 1978. In the 1960s, the tennis club began booking concerts and attracted some of the most culturally significant artists of our generation – The Beatles, Jimi Hendrix, Frank Sinatra, Barbra Streisand, The Rolling Stones and Bob Dylan, to name just a few.
However, by 2011, the 14,000-capacity facility had fallen into a “crumbling ruin.” After narrowly escaping demolition, the stadium re-opened on August 28, 2013 with Mumford & Sons performing the inaugural concert (my wife and I were there!). Although the music that night was fantastic, the overall experience, not so much. But over the next four years, Forest Hills Stadium underwent multi-million dollar state-of-the-art renovations including optimized acoustics, patching up concrete exterior walls, old seats were removed and replaced, a permanent stage was installed, the concourse was redesigned and expanded to twice its original size, the General Admission central tennis courts were replaced and easier access to concessions and restrooms was provided, finally!
Scoreboard Marquee | Photo: Michael Dinger
Arriving early to guarantee a painless parking experience (parking is limited in the surrounding area), I also wanted to explore the stadium and its grounds ahead of the first opening act. After securing my media credential at the box office, I proceeded through the main entrance where I was greeted with a plethora of things to do, along with welcoming staff at every turn. Although the craft beer huts and local food eateries were tempting, I opted to walk the periphery of the cherished coliseum to discover for myself what had changed since my last visit nearly a decade ago. The answer, a lot!
A history buff, I was pleasantly surprised to see banners, plaques and artwork depicting the images of past rock iconswho played here. As I made my way to the bands’ merch table, I came upon a WFUV kiosk – a non-commercial radio station owned by Fordham University and an affiliate of National Public Radio (NPR) who presents Forest Hills Stadium’s live broadcasts – offering patrons free goodies such as stickers and beverage Koozies. An avid fan of all sports, it was also thrilling to witness the hanging banners of by gone tennis legends including Stan Smith, Althea Gibson, René Lacoste, Billie Jean King, Rod Laver and Arthur Ashe.
An hour after doors, Joyce Manor took the stage promptly at 6:00 pm. Despite the sweltering, 90-degree heat, the band formed in 2008 and hailing from Torrance, California did not seem to mind very much, if at all. Named after an apartment building that co-founder Barry Johnson would often pass by on his walks, as Joyce Manor’s pop-punk sound has evolved, their feverish fanbase has grown right alongside them.
Barry Johnson of Joyce Manor | Photo: Michael Dinger
Over the course of 30 minutes, the trio of Johnson (singer-songwriter, guitar), co-founder Chase Knobbe (guitar) and Matt Ebert (bass), who were also joined by touring musicians Neil Bertheir (acoustic guitar, synthesizer) and Neil Hennessy (drums), performed songs with inspiration drawn from emo acts like Weezer themselves. The band of thirtysomethings offered up tracks spanning four of their six studio albums, with the heaviest dose coming from 2014’s Never Hungover Again.
The showstopper, however, which incited a mosh pit (albeit short-lived) near stage left half-way through their pummeling set, was ripped from their sixth and most recent album 40 Oz. to Fresno (Epitaph Records) released in June of last year. Titled “NBTSA,” short for Never Be The Same Again, the number perfectly exemplified Joyce Manor’s signature blend of melodic guitar leads, rock-solid bass and driving drums in a no-filler, concise package.
In keeping with the strict, mandated curfew of 10:00 pm due to the stadium’s location within a residential neighborhood, the party kept rolling along in a timely fashion. At 6:55 pm, next up were Future Islands, a synth-driven pop band based in Baltimore, Maryland. Formed in 2006 and fronted by Samuel T. Herring, the quartet is rounded out by Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars) and Michael Lowry (drums).
Future Islands | Photo: Michael Dinger
Ahead of tonight, I knew very little about Future Islands, other than their live performance of “Seasons (Waiting on You)” on the Late Show with David Letterman, the lead single from their fourth studio album (Singles, 2014), became the television show’s most-viewed video on their YouTube page. But after tonight, which included witnessing firsthand a live performance of the same song, I knew much, much more.
Backed by a supremely talented band, I was most blown away by Herring and his stage persona. Despite the heat, he was dressed head-to-toe in black, and it did not take long for him to become drenched in his own sweat. Once Future Island’s first song of the night kicked in, “For Sure” from 2020’s As Long as You Are, Herring feverishly jumped, kicked, spun and fist pumped his way from one end of the stage to the other, repeatedly, and for all 13 songs in the emotionally thrilling set. When Herring finally stopped to catch his breath, he engaged directly with the audience members, staring intently while continuing to gesture with his arms and hands in continual flowing motions. I would later learn that Future Islands was originally meant to be a performance art piece, which completely makes sense to me now.
Herring’s vocal delivery is also something of a marvel. Despite being diagnosed with Reinke’s edema (vocal cord swelling) nearly 10 years ago, his delivery is striking and distinct. Along with an extensive background in hip-hop and rapping that began as a teenager, a solo act that he engages in via the moniker Hemlock Ernst, it is also not uncommon for a loud, stadium-shaking growl to be thrown into his vocal recipe.
Weezer Fans | Photo: Michael Dinger
With the time approaching 8:30 pm, the stage roadies were putting the final touches on the stage, most of which was being performed behind the gigantic opaque curtain swallowing the stage ahead of the big reveal. Making my way back into the pit with my fellow photographers for the third time, Toto’s “Africa” came across the stadium’s PA system. If you are not an avid fan of Weezer, you might ask “Where’s the connection?” Long story short, back in 2018, the two bands released reciprocal covers of each other’s hits, with Weezer covering the perennial 1982 classic and Toto covering “Hash Pipe” from 2001’s The Green Album. Then suddenly, the curtain dropped and it was time to hit the road!
Brian Bell of Weezer | Photo: Michael Dinger
One by one, our lovable, geeky power-pop kingpins entered stage left. Brian Bell (rhythm guitar, keyboards) led the charge, followed closely by Cuomo who was sporting his staple Buddy Holly-esque retro specs. Bringing up the rear were Scott Shriner (bass) and Patrick Wilson (drums), the latter taking to his stool atop an elevated riser. The Los Angeles foursome played in front of an impressive and clever set design built to resemble a stage-sized car dashboard, complete with a steering wheel emblazoned with a Weezer logo, a radio with a tuner and a volume knob. And if that wasn’t cool enough on its own, video graphics were displayed across the massive windshield and a rearview mirror.
Rivers Cuomo of Weezer | Photo: Michael Dinger
The nostalgia shifted into high gear with the adrenaline inducing “My Name is Jonas” from 1994’s The Blue Album. A smooth segue transported the stadium to “Beverly Hills” (Make Believe, 2005), with Cuomo substituting the song’s closing lyrics with an homage to the neighborhood of “Forest Hills.” There was also a special guest appearance for two songs from 1996’s Pinkerton – “El Scorcho” and “I Just Threw Out the Love of My Dreams” – as the indie rock solo project of singer-songwriter Lindsey Jordan (better known as Snail Mail) joined Cuomo atop the dashboard.
Scott Shriner of Weezer | Photo: Michael Dinger
For a show that could have lasted hours longer with all the career-spanning material that Weezer has to offer – a three decade discography comprising 15 studio albums, and as per Cuomo during his introduction to “Falling for You,” 672 songs! – they did a wonderful job of gifting their fans the classics (“Undone – The Sweater Song,” “Island in the Sun,” “Say It Ain’t So,” “Hash Pipe” and “Surf Wax America”), deeper cuts outside of their studio catalog (“Susanne” and “Blast Off!”) and newer material (“All My Favorite Songs”), including a couple of tracks from two of their four seasonal inspired EPs released in 2022, “Thank You and Good Night” from SZNZ: Summer and “Run, Raven, Run” from SZNZ: Autumn.
Patrick Wilson of Weezer | Photo: Michael Dinger
The festive evening closed with a three-song encore capped by fan favorite “Buddy Holly.” With Cuomo perched at the edge of the stage apron, he soaked in the applause raining down on him from the sold-out house engulfing him on all sides. After several moments, before the band took their final bow, he ripped off his shirt and hurled it into the front rows before throwing down the signature “W” hand sign. And with that, we had all been officially Weezer’d, and better for it. Now it was time to take it easy brah.
Up next for Weezer is a trek to Naeba, Japan for Fuji Rock on July 30, followed by shows in Osaka and Tokyo on August 1 and 2, respectively. Then, it’s on to West Vancouver, Canada for the Ambleside Music Festival on August 19. The next night, August 20, the third leg of the Indie Rock Road Trip resumes in Auburn, Washington where the boys will be accompanied by Spoon and White Reaper as opening support.
Forest Hills Stadium | Photo: Michael Dinger
The 2023 summer tour culminates at PETCO Park in San Diego, California on September 3, at which time the band will take a much needed rest to refill their collective gas tank. And in case you missed the Forest Hills Stadium show, or just cannot get enough of these darling alt-rockers, Weezer will be traveling back to the tri-state area for an appearance at the Sea.Hear.Now Festival in Asbury Park, New Jersey on September 17.
Joyce Manor Setlist: Heart Tattoo > Beach Community > Gotta Let It Go > Ashtray Petting Zoo > Don’t Try > Schley > Falling in Love Again > NBTSA > Big Lie > Victoria > Constant Headache > Christmas Card > Catalina Fight Song
Future Islands Setlist: For Sure > Hit the Coast > Plastic Beach > Peach > Walking Through That Door > Light House > A Dream of You and Me > Before the Bridge > Long Flight > King of Sweden > Seasons (Waiting on You) > Vireo’s Eye > Little Dreamer
Weezer Setlist: My Name Is Jonas > Beverly Hills > Return to Ithaka > The Good Life > Pork and Beans > Pink Triangle > El Scorcho > I Just Threw Out the Love of My Dreams > Blast Off! > Undone – The Sweater Song > Falling for You > Susanne > Only in Dreams > The Greatest Man That Ever Lived (Variations on a Shaker Hymn) > Island in the Sun > Perfect Situation > All My Favorite Songs > Say It Ain’t So > Run, Raven, Run > Hash Pipe > Thank You and Good Night > Encore: The Waste Land > Surf Wax America > Buddy Holly
