NYS Music 2023

Category: Pop

  • Big Bliss Impress With New Album ‘Vital Return’

    Brooklyn band Big Bliss is set to drop their latest album Vital Return on August 18. Created by brothers Cory and Tim Race, and joined by Wallace May, Big Bliss has fostered an impressive and unique sound since 2015. Vital Return showcases the group’s ability to seamlessly incorporate elements of alt-rock, post-punk, indie-pop, and more into a cohesive body of work.

    Big Bliss by Kevin Condon

    The album is a profound and bold exploration into themes of sobriety, death, trauma, and recovery. Produced by Jonathan Schenke, Vital Return harnesses these difficult and unsettling ideas into a web of interconnected songs. While each track stands alone, there is an aura of anxiety and confusion that permeates each title on the project. Despite the intense nature of the topics, Big Bliss is still able to construct an enjoyable and hopeful album. 

    As a band, and also as individuals, were thrust into some massive changes starting around 2019… Many of which felt too heavy to surmount – the tumult of addiction/early sobriety and familial grief being at the top of the heap. We did make it though. Ultimately the record is about that: reemergence, about coming out the other side.

    Tim Race

    The Album 

    Marked by atmospheric layered sounds along with pounding drums, “A Seat at the Table” lays the foundation for what is to come in Vital Return. The opening track manages to be up-tempo and hypnotic, while also featuring tense and sincere lyrics. The song flows perfectly into the second track on the album “Sleep Paralysis.” Big Bliss expertly balances noisy instrumentation with melancholic and compelling vocals on the song. In “Sleep Paralysis,” the group details a decidedly confusing yet meaningful relationship. Poignant lyrics like “Am I falling or not? Hope I wake before landing” cut through the song’s catchy indie-rock soundscape. 

    While Big Bliss certainly doesn’t break down any walls with their vocal performances, the album is full of powerful and raw lyrics. Each song on Vital Return has a level of emotionality that can be heard with almost every breath. “Solace” is one of the band’s most moving songs and helps to show how versatile and varied the band can be. The track has an alt-rock sound but even features influences of contemporary folk-rock. “Solace” is laced with a frantic and inescapable feeling of being unable to escape from the past. The group is constantly searching for some reprieve from their trauma, singing “Nothing is just as it seems, some invisible violence arriving.” The song is haunting yet hopeful, a perfect representation of the album as a whole. 

    Big Bliss by Kevin Condon

    Big Bliss is at their post-punk best with “Tell Me When You’re Ready” and “Off Guard.” Both offerings include fast-paced driving instrumentation which injects a sense of positivity into the project. While the songs are by no means free of the distress and discomfort that is standard with Vital Return, they mark a steady shift in the album. Both tracks are keenly self-aware and acknowledge the issues that Big Bliss struggle with. Although  much of the album’s lyrics are abstract and symbolic, the writing starts to become more specific as the project progresses. “Tell Me When You’re Ready” is almost a call to action as the lyrics “I’ll figure out what I’m missing, I’ll draw it out of the ground, draw it out of my mouth” ring out as some of the first signs of recovery in the album. 

    As the ten-track project comes to a close, the group sonically and emotionally seem to turn a corner. “Vital Return,” the album’s title-track, caps off the project with a cathartic and dreamy sound. Big Bliss depart slightly from their often noisy production and opt for smoother, more stripped-back instrumentation. The writing on “Vital Return” indicates signs of stability and empowerment. The lyrics, “I have built a city and burned it down, now I know my grief is somewhere under the wreckage, for the first time I will dig it up” testify to how far Big Bliss has come. The song is not meant to represent complete closure but rather a sign that things are heading in the right direction. 

    Big Bliss by A.F. Cortés

    Conclusion

    Vital Return is a beautiful and authentic project that ultimately looks to tell the story of progress. Big Bliss don’t try to bite off more than they can chew and instead stick to the sounds, melodies, and lyrics that organically fit their performance range. While the instrumentation on certain songs can overpower the writing, each track still has a sense of emotion and purpose. The band’s varied musical influences spiral together to create a distinctive sound that resonates with each note. Vital Return is a truly cohesive and unified album that somehow manages to maintain the same earnest atmosphere throughout.

    Vital Return is out August 18th via Good Eye Records.

  • Bittersweet Daze Leaves a Mark in Central Park

    Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.

    With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.

    Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.

    Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.

    In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.

    Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.

    Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.

    Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine

    Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.

    His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.

    When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.

    Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.

    Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman

    mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.

    Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawn and dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.

    mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”

    With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.

    Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”

    Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.

    Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.

    mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa

    Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.

    Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.

    Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.

    With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.

    Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.

    Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.

    “frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.

    Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home

    Encore: Boys Will Be Bugs, Devil Town

    In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.

    You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.

    Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.

  • The Heavy Heavy Bring Sun-Soaked British Vibes To Intimate Albany Debut

    It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.” 

    They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.

    Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.

    3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.

    Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play. 

    Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.

    Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”

    The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.

    Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.

    No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.

    Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.

    After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”

    Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.

    After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.” 

    Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.

    Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention.  For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room. 

    Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.

  • Pop/R&B Artist Sohil Releases NYC Inspired Single ‘Movie Star’

    Sohil, a singer/songwriter, guitarist, and producer, released his new single, “Movie Star.” Accompanied by a music video shot in New York City, the song is a love letter to Manhattan and New York City as a whole. It blends futuristic sounds, horns, Sohil’s vocals, and self-aware lyrics to paint a true picture of the Big Apple.

    Sohil began releasing music to streaming platforms in 2018. Since then, he has released numerous singles and an EP consisting of acoustic versions of several of his songs.

    “My songs all give off a feeling of longing and hopefulness,” Sohil previously said in an interview. “I love lyrics that tell a story and paint a picture for the listener so they feel like they are sitting next to me on my couch while I tell them about a moment in my life.”

    Sohil’s music combines a blend of sounds all across the map, including hip-hop, electronic, and soul. “Movie Star” in particular combines UK drum & bass inspirations with pop belting and a little saxophone thrown in for good measure.

    The music video also acts as a companion art piece to the song. In the video, Sohil sings each line in a different part of the city and truly captures what it feels like to be in New York.

    Listen to “Movie Star” on Spotify, Apple Music, Deezer, and Soundcloud.

  • Jonas Brothers Add New Tour Dates in Albany and Buffalo

    The Jonas Brothers’ “The Tour” has expanded with new dates internationally, bringing the total number of shows to 90. “The Tour” kicks off with two sold-out shows in Yankee Stadium this August, with future performances in Buffalo this November and Albany this December.

    Visiting 20 countries, many of which for the first time, and 86 cities, “The Tour” is the largest tour the band has ever put together. Earlier this year, the Jonas Brothers released a new album, titled similarly to their tour as The Album. It was produced by Jon Bellion and released with Republic Records.

    The Jonas Brothers themselves are one of the most successful groups of this century, with over 20 million sold albums, two Grammy Award nominations, and three consecutive #1 debuts on the Billboard 200. Nick Jonas, Joe Jonas, and Kevin Jonas have not only had successful careers in music, but also in TV, film, and other business ventures. 2019 saw the band’s comeback with the Platinum-certified album Happiness Begins.

    For more information and for tickets, check out the Jonas Brothers’ website. For information on VIP packages, check out the link here.

    Old Tour Dates

    Aug. 12 – Yankee Stadium – Bronx, NY

    Aug. 13 – Yankee Stadium – Bronx, NY

    Aug. 15 – TD Garden – Boston, MA

    Aug. 16 – TD Garden – Boston, MA

    Aug. 17 – Mohegan Sun Arena – Uncasville, CT

    Aug. 19 – Rogers Centre – Toronto, ON

    Aug. 22 – Gainbridge Fieldhouse – Indianapolis, IN

    Aug. 24 – Little Caesars Arena – Detroit, MI

    Aug. 25 – Wrigley Field – Chicago, IL

    Aug. 27 – Enterprise Center – St. Louis, MO

    Aug. 30 – Globe Life Field – Arlington, TX

    Sept. 1 – Minnesota State Fair – Saint Paul, MN

    Sept. 3 – Moody Center – Austin, TX

    Sept. 6 – Footprint Center – Phoenix, AZ

    Sept. 8 – MGM Grand Garden Arena – Las Vegas, NV

    Sept. 9 – Dodger Stadium – Los Angeles, CA

    Sept. 11 – Golden 1 Center – Sacramento, CA

    Sept. 14 – Ball Arena – Denver, CO

    Sept. 16 – CHI Health Center – Omaha, NE

    Sept. 18 – Rocket Mortgage FieldHouse – Cleveland, OH

    Sept. 21 – Wells Fargo Center – Philadelphia, PA

    Sept. 22 – CFG Bank Arena – Baltimore, MD

    Sept. 23 – Capital One Arena – Washington, DC

    Sept. 25 – PPG Paints Arena – Pittsburgh, PA

    Sept. 26 – Rupp Arena – Lexington, KY

    Sept. 28 – PNC Arena – Raleigh, NC

    Sept. 30 – Spectrum Arena – Charlotte, NC

    Oct. 1 – State Farm Arena – Atlanta, GA

    Oct. 3 – BOK Center – Tulsa, OK

    Oct. 5 – AT&T Center – San Antonio, TX

    Oct. 7 – Toyota Center – Houston, TX

    Oct. 9 – Bridgestone Arena – Nashville, TN

    Oct. 10 – Colonial Life Arena – Columbia, SC

    Oct. 12 – Amalie Arena – Tampa, FL

    Oct. 13 – Amway Center – Orlando, FL

    Oct. 14 – Kaseya Center – Miami, FL

    Oct. 16 – Amway Center – Orlando, FL

    New Tour Dates

    Oct. 18 – State Farm Arena – Atlanta, GA

    Oct. 20 – Bridgestone Arena – Nashville, TN

    Oct. 22 – Moody Center – Austin, TX

    Oct. 23 – Toyota Center – Houston, TX

    Oct. 27 – MGM Grand Garden Arena – Las Vegas, NV

    Oct. 28 – Viejas Arena – San Diego, CA

    Oct. 29 – Honda Center – Anaheim, CA

    Nov. 2 – Save Mart Center – Fresno, CA

    Nov. 4 – Maverik Center – Salt Lake City, UT

    Nov. 5 – Ford Idaho Center Arena – Nampa, ID

    Nov. 7 – Spokane Arena – Spokane, WA

    Nov. 9 – Moda Center – Portland, OR

    Nov. 10 – Climate Pledge Arena – Seattle, WA

    Nov. 11 – Rogers Arena – Vancouver, BC

    Nov. 14 – Rogers Place – Edmonton, AB

    Nov. 16 – Canada Life Centre – Winnipeg, MB

    Nov. 17 – Alerus Center – Grand Forks, ND

    Nov. 19 – Xcel Energy Center – St. Paul, MN

    Nov. 20 – Fiserv Forum – Milwaukee, MI

    Nov. 21 – Van Andel Arena – Grand Rapids, MI

    Nov. 27 – Keybank Center – Buffalo, NY

    Nov. 29 – Canadian Tire Centre – Ottawa, ON

    Dec. 1 – Ball Centre – Montreal, QC

    Dec. 2 – MVP Arena – Albany, NY

    Dec. 3 – Capital One Arena – Washington, DC

    Dec. 6 – Prudential Center – Newark, NJ

    Dec. 7- Prudential Center – Newark, NJ

    Dec. 9 – Barclays Center – Brooklyn, NY

    Feb. 27 – Spark Arena – Auckland, New Zealand

    March 1 – Qudos Bank Arena – Sydney, Australia

    March 2 – Qudos Bank Arena – Sydney, Australia

    March 5 – Brisbane Entertainment Centre – Brisbane, Australia

    March 8 – Rod Laver Arena – Melbourne, Australia

    March 9 – Rod Laver Arena – Melbourne, Australia

    May 18 – Spektrum – Oslo, Norway

    May 20 – Royal Arena – Copenhagen, Denmark

    May 21 – Barclays Arena – Hamburg, Germany

    May 22 – Lanxess Arena – Cologne, Germany

    May 25 – Palau Sant Jordi – Barcelona, Spain

    May 27 – LDLC Arena – Lyon, France

    May 28 – Mediolanum Forum – Milan, Italy

    May 30 – TAURON Arena – Krakow, Poland

    June 1 – Stadthalle – Vienna, Austria

    June 2 – O2 Arena – Prague, Czechia

    June 3 – Olympiahalle – Munich, Germany

    June 4 – Hallenstadion – Zurich, Switzerland

    June 7 – Accor Arena – Paris, France

    June 8 – Sportpaleis – Antwerp, Belgium

    June 10 – Ziggo Dome – Amsterdam, Netherlands

    June 12 – The O2 – London, UK

    June 15 – Utilita Arena – Birmingham, UK

    June 16 – OVO Hydro – Glasgow, UK

    June 17 – Co-op Live Arena – Manchester, UK

    June 19 – 3Arena – Dublin, Ireland

    June 20 – SSE Arena – Belfast, Northern Ireland

  • Carly Rae Jepsen NYC Takeover – Thunderstorm Cuts First Night Short, Surprise Shows Added

    Carly Rae Jepsen sold out two nights (August 7 and 8) at the Rooftop at Pier 17 in New York City, but the first show on Monday was cut short due to sudden thunderstorms. Before abruptly ending the show and thanking her fans, she told them, “No one is getting electrocuted tonight!” Carly added a last minute intimate show that same night at Rockwood Music Hall, delighting 500 fans with the unexpected addition. She also added a matinee show at Pier 17 for fans who missed the first night, honoring all ticket purchases and offering refunds to those who couldn’t make the matinee.

    Carly Rae Jepsen plays last minute intimate show at Rockwood Music Hall. Photo by Alex Perkins

    Poolside opened for Carly with a DJ set. Check out our gallery of images from the first night below.

    Poolside opening for Carly Rae Jepsen
    Photography by David Reichmann (@davidpresspass)

  • Hearing Aide: Micky James ‘Loner of the Year’ EP

    On July 21, 2023, NYC by way of Philadelphia artist Micky James released his new EP, Loner of the Year. The album features Micky’s signature sound – a mix of glam and grit, paired with glittery guitars and themes of nostalgia throughout. As indicated by the title, Micky dedicates his five-track EP to the loners.

    “I want people to know that it’s important to embrace all of the things that make each and everyone of us unique,” states Micky in a recent interview with PEOPLE. “It can be frightening sometimes to free our most authentic selves, only by carving our own path can we feel truly liberated.”

    The album opens with “New York Minute,” an upbeat, nostalgic tune, reminiscent of 2000s pop-rock. The catchy, somewhat gritty melody establishes a summertime feel to the album. The song serves as a celebration of misfits and their individuality, all while reminding listeners that life moves fast, so enjoy the dysfunction that comes with being young.

    The album’s title track, “Loner of the Year,” further captures the complicated emotions that come with accepting our authentic selves. Despite the melody’s upbeat feel, the lyrics tell a story of a hopeless sort of loneliness, a narration of difficulties experienced by many. The song’s message, paired with its pop tune, is reminiscent of a coming-of-age movie soundtrack, with an optimistic twist at the end, reminding all of us that life goes on, and such loneliness can pass.

    “James Brown,” the third track on the album, has an edgy, raw feel, but still brings out the nostalgic sound of 2010s pop-rock. In contrast to “Loner of the Year,” “James Brown” shows an embrace of uniqueness rather than disdain.

    Of all the tracks on Loner of the Year, “Girl Talk” best showcases Micky James’ strong vocals. The flirtatious pop anthem compels attention from the listener through a range of James’ well-rounded, broad, captivating vocals. The song’s catchy melody conveys a sense of confidence through lyrics like “keep my name on your lips now honey,” in comparison to the anxiety in “Loner of the Year,” unveiling an emotional journey throughout the album.

    “Losing You” concludes the album with an engaging summer breakup anthem, capturing the complicated emotions associated with it. James conveys the struggle between understanding a relationship must come to an end, all while reminiscing on the good times and memories, making it “never a good time to say goodbye.”

    The album maintains its nostalgic ambiance and consistently upbeat 2000s/2010s pop-rock vibe from start to finish. Whether seeking a track to unpack intricate emotions, or a catchy melody just for summer ambiance, Loner of the Year offers a brief yet enjoyable musical experience.

    About Micky James

    Born and raised in the shadows of Philadelphia and NYC, Micky James developed a passion for music and the theatrical at a young age and aspired to become a performer. His music and personal style embody a sound and aesthetic that is nostalgic for a bygone era in rock-n-roll music, all while conveying a contemporary pop ambition.

    His vocals are reminiscent of notable voices like David Bowie and Julian Casablancas, referencing the uniquely dark, enigmatic, and romantic attributes associated with those artists. While James’ flamboyant fashions are reminiscent of the glamour and swagger of past rock icons, his work is both equal parts style and substance.

    Inspired by the energy of iconic ’60s and ’70s rock bands, he creates a modern, fresh approach to a timeless genre. “I wanted to take pieces of nostalgia and give it a contemporary twist,” he explains, successfully taking his vision and turning it into reality. In July 2020, Micky James released “Kings,” which garnered critical acclaim, with one critic calling it “a defiant uprising of the generationally damned and distinguished, as well as the most authentic rock n roll you’ve heard in years.”

    Listen to Loner of the Year here.

  • Boy George and Culture Club bring the new wave vibe to Darien Lake

    When Culture Club burst onto the scene in the early 80s, new wave music was the new big thing. Synthesizers, flashy attire, neon lights, and new sounds were all the rage in music and Boy George knew how to play the game well. Always known as a flashy dresser, Boy George and Culture Club became icons in the new wave genre. Now, 40 years later, the music style is making a new splash and of course one of the originals is right there again, as they bring The Letting It Go Show to Darien Lake on July 29. Riding the waves on the tour are Howard Jones and Berlin.

    With rain showers going on for the early part of the day, and more in the forecast, Darien Lake Amphitheater is slow to fill as Howard Jones takes the stage for a 40-minute set. A flashy dresser in his own right, Jones comes out in classic 80s attire consisting of a black suit with a t-shirt underneath, Don Johnson would be proud. Jones belts out hits such as “No One is to Blame,” “Everlasting Love,” and “Like to Get To Know You Well” as diehard fans from yesteryear sing along with him.

    Following up Jones was Berlin, who had some success with a song from some movie with Maverick and Goose. Additionally, Terri Nunn and her bandmates have put out nine studio albums since 1979, when Nunn joined the band for the first time as lead singer. While they never tore up the charts, Berlin did have their biggest, and ultimately last, big hit in 1986’s Top Gun, “Take My Breath Away.”

    Like Howard Jones and Culture Club, Berlin’s sound was in the new wave genre and influenced by sounds coming over from Germany and much of Western Europe at the time. Tweak some keyboard notes, add a little more synth-pop to it, and presto, you have your own style.

    Finishing up the night was the iconic and poignant Boy George with Culture Club. With iconic sound, looks, and creativity, Boy George is welcomed to the stage standing atop a small staircase flanked by two drum kits, casually outfitted with stereotypical baggy and bright clothing.

    Joining him on stage were the two drummers, two dancers/backup vocalists, a saxophonist, two bassists, and a keyboardist. Just like the glory days, Boy George puts on an eclectic show, with everyone on stage taking part in the production. The two dancers provide backing vocals throughout the set, as well as both strut their stuff at the front of the stage later in the set. Equally amazing job by both, and the crowd made them aware.

    Going through the set, it was noticeably more mellow than the classic sounds of Culture Club, which provided a little more upbeat mix. During “Do You Really Want to Hurt Me?” the song almost seemed dragged out as Boy George took his time and made it more of a story. It was very reminiscent of “The Crying Game” from the early 90s which was a solid rendition.

    Regardless of the sounds you hear today or what it may have sounded like 40 years ago, this tour with Boy George & Culture Club, Howard Jones, and Berlin is the perfect blend of original new wave artists as a new generation is getting cultured in ‘old people music.’

  • Declan McKenna’s Big Return to NYC

    Declan McKenna, the enigmatic and thought-provoking indie-pop sensation, set the stage ablaze with two back-to-back shows in New York City as part of his “The Big Return” tour. On June 20, he graced the iconic Brooklyn Steel venue with his infectious energy and magnetic presence, captivating the audience with his genre-defying sound and heartfelt lyrics. The anticipation was palpable as fans eagerly awaited Declan’s performance, knowing they were in for an unforgettable night of music and connection.

    The following evening, June 21, found Declan at Webster Hall in Manhattan, where he continued to weave his magic, leaving the crowd mesmerized by his electrifying performance. With each song, Declan’s authenticity and vulnerability shone through, forging an unbreakable bond between him and his adoring fans. These two shows were a testament to his undeniable talent and his ability to create an intimate and unforgettable experience for his audience.

    Declan McKenna, the rising indie-pop sensation hailing from the UK, is making waves with his captivating blend of thought-provoking lyrics, infectious melodies, and undeniable charisma. With a musical journey that started at a young age, Declan’s eclectic upbringing exposed him to a wide range of influences, from classic rock to punk and indie music. This diverse palette has shaped his unique sound and sets him apart in the industry.

    Declan burst onto the scene with his breakout single “Brazil” in 2015, which earned him widespread acclaim and attention for his sharp social commentary and clever songwriting. His debut album, What Do You Think About The Car? released in 2017, further solidified his position as a talented singer-songwriter with a distinctive voice.

    Known for his insightful and introspective lyrics, Declan fearlessly addresses topics ranging from politics and societal issues to personal reflections on love and self-discovery. His ability to combine catchy pop hooks with meaningful storytelling has won the hearts of fans worldwide.

    With each subsequent release, including the singles “British Bombs” and “Beautiful Faces,” Declan continues to captivate audiences and expand his musical horizons. His sophomore album, Zeros, released in 2020, showcased a more experimental and ambitious sound, further cementing his status as a genre-defying artist.

    In addition to his musical prowess, Declan’s magnetic stage presence and engaging live performances have earned him a dedicated and enthusiastic fanbase. As Declan McKenna continues to evolve as an artist with recent hits such as “Sympathy”, he reaffirms his status as an exciting force in the music scene, capturing hearts with his authenticity, vulnerability, and undeniable talent.

    With his finger on the pulse of the issues that resonate with today’s youth, Declan’s music speaks to a generation, making him a relevant and essential voice in the modern music landscape.

    Declan McKenna’s electrifying performances at Brooklyn Steel and Webster Hall in New York City were nothing short of exhilarating. At Brooklyn Steel, a fan brought a stuffed Kermit the Frog plushie dressed as Declan, adding a whimsical touch to the show. During “Why Do You Feel So Down,” Declan took Kermit from the fan and playfully placed it on the speaker behind him. Later, during “Rapture,” he playfully threw Kermit into the air during a guitar breakdown, seamlessly blending fun and artistry.

    Declan’s boundless energy was infectious throughout the shows. He shed his suit jacket, fully immersing himself in the music, and asked the crowd if they wanted to dance before launching into “Isombard.” The response was overwhelming, with fans flailing and dancing passionately in the back of the crowd and pressing against the barricade up front, trying to get as close to Declan as possible.

    During “Sympathy,” the opener Eli Smart and his band joined Declan, playing tambourines and creating a church gospel choir vibe that had the crowd singing along with fervor. Declan’s skills on the keyboard were reminiscent of a piano virtuoso, adding another layer of talent to his already impressive performance.

    The encores were equally electrifying, with Declan taking off his shirt while keeping on his tie, exuding feral rockstar vibes. His cover of “All Things Must Pass” by George Harrison showcased his guitar prowess, and during the guitar solo, he ventured off the stage, held up by the crowd in a moment of sheer rock ‘n’ roll energy.

    The Webster Hall show was equally exhilarating, with Declan impressively leaping from piano to tambourine and back during “Isombard.” The crowd turned into a choir during the chorus of “Make Me Your Queen,” elevating the song’s emotional impact. Instead of the planned cover, Declan surprised the audience with “I’m the Man, That Will Find You,” by Connan Mockasin showcasing his versatility as an artist.

    As the second encore began with “British Bombs,” Declan took the energy to a whole new level, executing one-legged spin jumps and rolling on the ground while passionately belting out the last chorus. The show ended with Declan being handed bouquets from the adoring crowd, which he graciously accepted and posed triumphantly.

    Declan McKenna’s performances were nothing short of extraordinary, leaving the audience in awe of his talent, charisma, and sheer passion for his craft. With each song, he demonstrated his prowess as a musician and captivated the crowd with his authentic and unforgettable performances

    Declan McKenna Setlist: The Kids Don’t Wanna Come Home, Beautiful Faces, You Better Believe!!!, Be An Astronaut, My House, Why Do You Feel So Down, Humongous, Isombard, Daniel; You’re Still a Child, Rapture, Make Me Your Queen, Paracetamol, Twice Your Size, The Key to Life on Earth, Brazil, Sympathy

    Brooklyn Steel Encore: All Things Must Pass (George Harrison cover), British Bombs

    Webster Hall Encore: I’m the Man, That Will Find You (Connan Mockasin cover), British Bombs

    Stay up to date with Declan on socials and any updates from the tour here. 

  • Specialists and Space Carnival Set To Stop At Brooklyn Bowl on August 9

    Specialists and Space Carnival, two New York-based bands, will perform at Brooklyn Bowl on August 9. The show will also feature funk fusion group ShwizZ. Since 2017, the venue has not hosted Space Carnival, while Specialists are scheduled to make their Brooklyn Bowl debut.

    Specialists

    Spanning 23,000 sq. ft. Brooklyn Bowl is one of the most unique and dynamic event spaces in New York. Boasting a bowling alley, music venue, conference space, and much more, the Williamsburg location offers something for everyone. 

     I saw my first show at the Bowl in 2014, when I was just 16… My 16 year old self cannot believe this.

    Specialists’ guitarist Billy

    Specialists are a Brooklyn outfit that expertly blend together elements of rock, dance, and funk to create a fun and playful sound. The group puts together high energy performances that showcase the band’s extraordinary songwriting and musicianship. Specialists have performed all over NYC, including shows at Brooklyn Made and Wonder Bar. The band’s style and groove is the perfect sonic addition to any summer day. 

    Space Carnival

    Space Carnival is made up of Jeremy Kraus on guitar, Cameron Fitch on keys and vocals, Chris Meier on bass, and Josh West joining on drums. Originally created in 2013, the Oneonta band has amassed a following for its one-of-a-kind mixture of progressive rock, alternative rock, disco, and funk. 2023 has signaled the return of Space Carnival, as the group has plans to stop at festivals across the country as well as release new music. 

    Click here for tickets and information about the August 9 performances.