Category: Genres

  • Billy Strings Brings Christmas Spirit to Syracuse with Tour Finale

    To close out a tremendous year of touring, Billy Strings arrived in the Salt City of Syracuse on Saturday, December 16, for a performance at Upstate Medical Arena at The Oncenter War Memorial.

    Having just returned from a European tour in November, Billy Strings embarked on a brief, 10 day tour worked its way up the East Coast from Greensboro, NC, stopping in Maryland and Pennsylvania before arriving in Syracuse.

    billy strings syracuse
    photo by Allison Marie

    A usual preshow crowd was found throughout bars and restaurants in downtown Syracuse, with a small lot scene taking shape on this temperate late fall night in Syracuse. Only a trio of shows in New Orleans over New Years Eve remain, following a year touring that was began and ended with shows in minor-league hockey arenas.

    One of the best things about a Billy Strings show happens before the music even begins – the band gives you a heads up that the show will be starting soon, something more bands could and should do (especially if ticket time is all but ignored). Flashing on the three screens that frame the stage, the audience is forewarned with bright and brief flashes of “15 Minutes until Fuzzy Rainbows”, then 10 minutes, and 5 minutes, giving an extra level of anticipation for the patient, sold out crowd.

    billy strings syracuse

    Over the course of two sets, Billy Strings would play nearly 30 songs, more than half of them covers, mainly from relatively obscure bluegrass and early country artists, plus a choice Led Zepplin cover.

    The night began with original “Home,” followed by “West Dakota Rose” by Chris Henry. After “Down Yonder,” Billy greeted the crowd, noting it had been a long time since the band had last played there – but this was indeed the first show, while also having played Rochester a year prior.

    An excellent psychedelic trance formed in “Fire Line” and shifted into the traditional “Raleigh and Spencer,” full of vim and vigor with each repetition of “There ain’t no liquor in this town. No there ain’t no liquor in this town,” with Billy swirling his hair around as he broke the song down. Air Mail Special on the Fly, by Leon Rusk, was among the highlights of the numerous covers, all made unique and brought into a new generation of bluegrass lovers.

    “Be Your Man” gave a reference to the Big Apple with the line “When I got to New York City I was looking for another side of life”, followed by only the fifth version of the new “Escanaba,” named for a city in Billy Strings’ home state of Michigan. The set would close with “Away From the Mire,” a fan favorite, highlighted by bassist Royal Masat and a sparkly background, capped by Strings stepping out to the front of stage and playing to each side of the audience, closing the set on a highest of notes.

    Set 2 would open with “Know it All,” followed by another traditional song – one made popular by The Dillards, Doc Watson, Bill Monroe, Jerry Garcia and David Grisman, “Shady Grove.” Spotting Santa Claus in the audience, Billy Strings dedicated “Just Because” by Nelstone’s Hawaiians, referencing Santa a few times in this nearly 100 year old song.

    billy strings syracuse

    From there, “Blue Mule” again put Royal Masat’s bass prowess on display, giving a smooth jazz club vibe in appearance, presence and sound as the band broke down “Doin’ Things Right,” which included a jam on Led Zeppelin’s “Moby Dick,” then giving way to an outright cover of “Four Sticks” off Led Zeppelin IV, a jaw-dropping version.

    Two mellower songs would follow – “Libby Phillips Rag,” and Ralph Stanley’s “A Robin Built a Nest on Daddy’s Grave.” The soft respite was no match for the finale of the set, a pairing of “Psycho” (Eddie Noack) and “Thunder,” which got very spacey and nearly found a backdoor into “St. Stephen” before calling it a night, huge applause cascading from the audience to the stage.

    billy strings syracuse

    An appropriate encore of Bill Monroe’s “Christmas Time’s A-Coming” was a reminder of the season that awaited all in a week, and with Billy Strings getting ready to head back home to Nashville, Jimmy Martin’s “Tennessee” closed the night.

    billy strings syracuse

    Billy Strings – Upstate Medical Arena at The Oncenter War Memorial, Syracuse – December 16, 2023

    Set 1: Home, West Dakota Rose, Cabin Song > Down Yonder, Fire Line > Raleigh and Spencer, Ernest T. Grass > Air Mail Special on the Fly, Be Your Man, Escanaba, Away From the Mire
    Set 2: Know It All, Shady Grove, Along the Road, I’ll Be Gone a Long Time, Just Because, Long Forgotten Dream, Blue Mule, Doin’ Things Right, Four Sticks, Libby Phillips Rag, A Robin Built a Nest on Daddy’s Grave, Psycho > Thunder
    Encore: Christmas Time’s A-Coming, Tennessee

    Photos by Allison Marie

  • Night 3 of Bob Weir & Wolf Bros Capitol Theatre December 2023 Residency

    As the crescent moon descended over the Capitol Theatre in Port Chester, Bob Weir & Wolf Bros delivered a compelling evening of music, marking the third show of their extended December 2023 residency. 

    Bob Weir & Wolf Pack, Capitol Theatre

    Emerging from the rear of center stage, Bob Weir opened the evening solo with his rendition of “Peggy O.”  A solitary figure with his guitar, Weir exuded a contemplative aura.  Every note plucked and every word sung captivated the audience, drawing them into the profound depths of his soul.

    Bob Weir

    The five-night series harmoniously coincided with the festive season, capturing the joyous spirit of the holidays.  With a twinkle in Weir’s eye and his beard all aglow, this musical Kris Kringle bestowed a plethora of gifts upon all the good boys and girls attending the sold-out show.

    Bob Weir & Wolf Pack, Capitol Theatre Night Three

    Enhancing the magical ambiance was a cadre of Santa’s musical helpers, featuring Don Was, Jay Lane, and Jeff Chimenti, as well as The Wolfpack (Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling, Sheldon Brown, Barry Sless), who graced the stage alongside Weir at different junctures throughout the evening, intensifying the magic.

    Bob Weir & Wolf Pack, Capitol Theatre

    The musical choices for the evening spanned a diverse range of origins, featuring both Weir’s original compositions and beloved Grateful Dead classics.  Each song’s energy seamlessly flowed into the next, creating a dynamic musical journey. 

    Bob Weir & Wolf Pack

    Both sets featured compelling covers, including Kris Kristofferson’s “Me and Bobby McGee” and Marvin Gaye’s “What’s Going On,” broadening the musical scope of the evening.  The band’s portrayal of Eddie Cooley’s “The Fever” transcended into a profound and soulful masterpiece.  Bringing the night to a memorable conclusion, the band encored with the timeless classic, “Going Down the Road Feeling Bad.”

    Bob Weir & Wolf Pack

    As the band bid farewell, the capacity crowd journeyed out into the darkness of the night. If anyone among them cast their gaze skyward, they might have captured the sound of a celestial symphony. Voices from above exalting ‘On Dead, on Ratdog, on Kingfish, on Company; Merry Christmas to all, and to all a Rock’n Night!’

    Bob Weir and Wolf Bros., – Capitol Theatre, Port Chester – December 15, 2023

    Set 1: Peggy-O, The Winners, Mississippi Half-Step Uptown Toodeloo, Tennessee Jed, Odessa, Ramble On Rose, I Need a Miracle, Fever, U.S. Blues

    Set 2: Me and Bobby McGee, Man Smart; Woman Smarter, Bertha, Cassidy, The Wheel, Eyes of the World, What’s Going On, Stella Blue, Not Fade Away

    Encore: Going Down the Road Feeling Bad

    Bob Weir & Wolf Bros

  • Pauly’s Hotel – Albany’s Oldest Bar – Closes, Up for Sale

    The oldest bar in Albany and a music venue for bands of all genres, Pauly’s Hotel, located at 337 Central Ave, has closed and is up for sale.

    pauly's hotel

    Established in 1862, Pauly’s Hotel has been a staple in Albany for multiple generations, located on the corner of Quail St. and Central Ave, where WAMC’s The Linda is located, and The Low Beat stood until 2020.

    Hate to see this. Pauly’s has always been a big supporter of us, and were the first spot in Albany to ever take a chance on us. It’s safe to say without them, we may not have been able to break into the Capital Region as quickly as we did. Hopefully someone takes over this space and keeps it as a haven for independent, original music in the 518! Thanks so much to Shane and everyone else who made Pauly’s a great place to have an indie show.

    Seize Atlantis

    According to the Times Union, owner Kip Finck noted that the 2020 shutdown was a major factor in closing the venue, as a lack of shows meant Pauly’s Hotel did not qualify for the federal Payroll Protection Program grants, which kept many venues afloat during this time.

    Despite extensive renovations after purchasing Pauly’s in 2019, which included a state-of-the-art sound system, the bar sat largely dark for most of the next year and a half because of the pandemic. Adding in a capacity maxing out at 120, booking bands and keeping tickets reasonably priced posed a challenge for Finck.

    Finck told the Times Union, “It was really hard financially, and I was handling everything to do with management and money myself.” Finck believes another, younger operator who is eager to reopen a storied music venue could make Pauly’s financially viable.

    pauly's hotel

    Finck also owned Northern Lights in Clifton Park for 18 years, and still owns the Village Tavern in Scotia, which itself is more than 80 years old.

    The property listing notes that Pauly’s features a fully equipped bar area, an updated sound system, spacious seating areas, and a stage for live performances. The entire building is not for sale – only the business – with an asking price of $75,0000 to own Albany’s oldest bar.

    “It would have to be the right person, the right fit,” Finck told the TU. “Once I find that, there would be a conversation about price.” He invites inquiries at kip.finck@gmail.com.

  • mxmtoon, Live in Brooklyn!

    On December 15th, the indie-pop luminary mxmtoon/Maia wrapped up her “plum blossom (revisited) tour” in style at the cozy Roulette venue in Brooklyn, her adopted home. Despite her Bay Area origins, the artist warmly acknowledged the show as a second hometown gig, solidifying the special bond she shares with the Brooklyn crowd. The night was a whirlwind of distinctive moments, from a fan capturing the event with a 3DS to the collective knuckle-cracking orchestrated by Maia, showcasing both the uniqueness of her fanbase and her penchant for the offbeat.

    In a touching moment, the emotional crescendo transpired during the performance of “Stuck.” Overwhelmed by a fan project featuring signs proclaiming “you are more than enough for us,” Maia paused and restarted the song, getting overwhelmed with emotion and tearing up a bit over the profound connection her music forms with her dedicated followers.

    The concert became an interactive experience when Maia encouraged the audience to join her in a spirited rendition of “Prom Dress,” a poignant moment of shared emotion. Adding layers of sentimentality, Mxmtoon revealed that “Hong Kong” held a special place in her heart, as it was her mom’s favorite among all her compositions. The setlist, a carefully curated blend of fan favorites and surprises, included an unreleased jewel titled “Sarah,” a clever and quippy exploration of the concept of hate-watching YouTube videos.

    The night unfolded as more than just a concert; it was a narrative journey with Maia providing glimpses into the stories behind her songs. The anecdote about “I Feel Like Chet,” a song where her youthful enunciation led to amusing misinterpretations (like “I feel like shit”), showcased her ability to infuse humor into her reflections. The concert concluded with an encore, featuring a cover of Vance Joy’s “Riptide,” cementing the evening as a nuanced exchange between artist and audience, leaving an indelible mark on all those present.

    Setlist: cliché, the idea of you, mona lisa, sad disco, fever dream, porcelain, i feel like chet, temporary nothing, sarah (unreleased), hong kong, stuck, feelings are fatal, prom dress

    Encore: Riptide (Vance Joy cover)

  • Bobby Weir & The Wolfpack Take Over The Capitol Theatre for A 5 Night Run

    Legendary guitarist Bobby Weir of the Grateful Dead has wrapped up holdng a 5-night run at The Capitol Theatre with the Wolf Bros, featuring The Wolfpack.

    The Wolfpack is made up of the Wolf Bros Don Was and Jay Lane, and Jeff Chimenti, who joined Wolf Bros in 2020 around the time of the forming of The Wolfpack, who are a string and brass quintet consisting of Adam Theis, Alex Kelly, Sheldon Brown, Brian Switzer, and Mads Tolling as well as Barry Sless on pedal steel.

    The second night of the run, Wednesday, December 13, saw the night start off with just Bobby on stage playing an acoustic “Easy to Slip,” and was then joined by Jay & Don, still on acoustic, for a cowboy favorite, “El Paso.” Bobby switched to electric to play “Queen Jane Approximately” before Chimenti came out for a full electric “Hell in a Bucket,” a crowd favorite. The room was getting hot and The Wolfpack came out to play “The Music Never Stopped”, but for Bob Weir, the music has truly never stopped. The rest of set was joined by Ron Carter on stand up bass and featured a dark and psychedelic “Dark Star” and a roaring “Scarlet Begonias.”

    Not bad at all for a Wednesday night! Spirits were high and the second set certainly delivered, starting off strong with “Throwing Stones.” Bobby’s vocals really shined on “Viola Lee Blues” and “Corrina.” This was followed by “Come Together,” an unexpected Beatles cover. Following were delightful symphonic renditions of “China Cat Sunflower > I Know You Rider,” featuring top notch horn solos accompanied with Bob’s iconic rhythm guitar playing.

    Following was a dark and somber “Wharf Rat” with the absolutely iconic Bobby song, “Sugar Magnolia” following. Weir absolutely wails at one point in that song, delivered beautifully but being careful not to blow his voice out before the next three nights at the legendary Capitol Theatre.

    The encore was a rather rare “Liberty,” masterfully delivered. The band took a bow and received a small banner stating “Warning: Genius at Work.” A true spectacle of a night, seeing the legendary Grateful Dead guitarist produce a unique soundscape with familiar material, brining the music to new places and keeping it fresh.

    Bob Weir and Wolf Bros., – Capitol Theatre, Port Chester – December 13, 2023

    Set 1: Easy to Slip, El Paso, Queen Jane Approximately, Hell in a Bucket, The Music Never Stopped, Easy Answers, Dark Star, Scarlet Begonias

    Set 2: Throwing Stones, Viola Lee Blues, Corrina, Come Together, China Cat Sunflower > I Know You Rider, Wharf Rat > Sugar Magnolia

    Encore: Liberty

  • Runaway New York Celebrates Five Years with Balu Brigada and Carlo Redl

    Lifestyle and fashion brand Runaway New York celebrated their five year anniversary at Public Records on December 11 with Balu Brigada and Carlo Redl.

    Runaway New York is a fashion and lifestyle brand owned by Jagger Walk, an American entrepreneur and designer. December 11 was a one of a kind celebration, marking the fifth anniversary and there was no better place to revel in the significant milestone. The evening was filled with remarkable live performances, drinks, and the opportunity to purchase exclusive merchandise. This exclusive night included music, style and a community that converged to create seamless enduring memories.

    Opening artist Carlo Redl is a singer and songwriter based in Miami and Tokyo and regarded as the new “John Mayer” with a pop/R&B twist. Redl incorporates electric guitar and is influenced by 70s rock and classic jazz and heard within his riffs. As a songwriter, one of his many successes was the debut song “Gifted” which charted number one on Billboard Hot Trending.

    Closing artist Balu Brigada is an alternative pop duo from New Zealand compromised of two brothers Henry and Pierre Beasley signed with Atlantic Records in 2022. They are now on their first homecoming tour which supports upcoming EP Find A Way with hit single “Designer” reaching over a million streams. Sibling duo began making music at an early age and officially formed Balu Brigada at the ripe age of 18. The multi-talented brothers have since gained huge recognition and honed their craft with inspired experimentation.

    Carlo Redl and Balu Brigada interacted with the crowd to highlight the celebrated milestone for Jagger Walk and the Runaway New York fashion brand. Putting on quite the show for both fans of fashion, music, art and clearly a night to remember.

  • Celebrate NYE at The Waterhole Music Lounge with The Mallett Brothers Band

    To close out 2023 and ring in 2024 in Saranac Lake, the annual New Year’s Eve Bash at the Waterhole Music Lounge will feature not one but two bands – both with sets of brothers who have a history of rowdy and raucous performances in the North Country music scene. This year, The Mallett Brothers Band will bring along special guests DiTrani Brothers, who will start the night off at The Waterhole on Sunday, December 31.

    mallett brothers band waterhole

    With a sound that comes from deep in Maine, The Mallett Brothers Band have a style that ranges from alt-country to Americana, country, jam and roots rock, a musical melting pot influenced equally by singer/songwriter tradition as harder rock, classic country and psychedelic sounds.  

    A busy tour schedule has helped Mallett Brothers Band build a dedicated fan base across the US – including The Waterhole – and beyond while still calling the state of Maine their home.

    mallett brothers band waterhole

    Formed in 2009 in Portland, Maine, The Mallet Brothers Band is an independent, nationally touring country rock and roll band consisting of brothers Luke and Will Mallet (vocals, acoustic and electric guitar), Nick Leen (bass), Andrew Martelle (fiddle, mandolin, guitar), and Brian Higgins (drums).  

    Kicking off the New Year’s Bash will be The DiTrani Brothers. Hailing from Brattleboro, Vermont they are no strangers to the North Country music scene. Most recently they performed at the 2023 Northern Current Community Music Festival, Party on the Patio, and the 2022 Bloody Mary Sunday Party at the Waterhole.  

    The band bends melodies and driving rhythms, playing perilous tunes for the hopeful. Drawing influences from Western and Eastern-European folk music, Roa Swing, early American Jazz, Ragtime and Balkan music. The band delivers both wistful and raucous performances that allude to past traditions with a contemporary sentiment. 

    Doors for this performance will open at 7:30, music will begin at 8:30 pm.  Tickets are $15 flat rate and can be purchased at the downstairs bar in person in Saranac Lake, or by visiting the Waterhole website.

  • Dave’s Picks Volume 50 features Spring 1977 Grateful Dead

    For the 50th edition of Dave’s Picks, a special show has been chosen from one of the best Grateful Dead tours, with Palladium NYC from May 3, 1977 taking the honors.

    Spring Tour 1977 had many incredible shows, not including this Palladium show, but also later that week in New Haven, CT, the historic Barton Hall show, and the arguably stronger night that followed in Buffalo.

    5/3/77 was the penultimate show of a five-night run at the Palladium, just a few nights before the Cornell show, and features a seemingly endless run of the Grateful Dead at their best, including monumental renditions of “Eyes Of The World,” “Wharf Rat,” “Not Fade Away,” and “Uncle John’s Band.”

    dave's picks grateful dead

    Additionally, there are some tracks from the final night of the Palladium run, 5/4/77, with tracks including “Scarlet>Fire,” “Terrapin Station,” “Playing In The Band,” and what has come to be widely considered one of the best versions of “Comes A Time” the Grateful Dead ever played.

    This show is only available with a subscription to the Dave’s Picks series.

    Grateful Dead – Palladium, Manhattan – May 3, 1977

    Set 1: Promised Land, Bertha, Me and My Uncle, Peggy-O, Jack Straw, Row Jimmy, Lazy Lightnin’, Supplication, Deal, Good Lovin’, Ship of Fools, Music Never Stopped

    Set 2: Might As Well, Estimated Prophet, Sugaree, Samson and Delilah, Friend of the Devil, Eyes of the World, Wharf Rat, Not Fade Away, Around and Around

    Encore: Uncle John’s Band

  • Billie Eilish and Kate McKinnon Bring Holiday Cheer to SNL

    After having a successful year in the movie Barbie as the “weird Barbie,” former SNL cast member Kate McKinnon hosts this year’s holiday episode, with pop icon Billie Eilish as the musical guest.

    Kate McKinnon Billie Eilish SNL

    In true SNL fashion, the cold open focused on an award show called the Christmas Awards, just in time for the holiday season. No stranger to the cold open, Bowen Yang and Heidi Gardner take the role of the award hosts for the evening. The sketch brought the cast together poking fun at Christmas stereotypes, with the bad gift giver that is grandma, and the one relative who brings COVID to the party.

    https://youtu.be/mjHV7uAq5fU

    Kate McKinnon’s monologue saw her joking about being back at her “old job” at SNL, taking the seat as host tonight, and how uncomfortable she is being herself instead of the weird girl standing next to the hot person. She brought out the piano for a cheery tune, creating a parody of “I’ll Be Home For Christmas,” stating she was forced to sing. Iconic actors Maya Rudolph and Kristen Wiig made an appearance, singing the monologue away.

    https://youtu.be/xZmFyCTNrPs?si=WFHCksdjqCieZKUS

    The next sketch took place at the North Pole, with elves as news anchors, set on the scene of a killer whale attack. Featuring Kate McKinnon as a scared Scot, it showcases how people always take to social media to write thoughts and prayers during a crisis in a silly yet real manner. Making fun of the fact that kids always want dogs for Christmas, SNL created a satirical infomercial with Pongo!, the perfect pet that doesn’t do anything or dies.

    No one will ever forget about the iconic group ABBA, and returning to the screen are Maya Rudolph and Kristen Wiig, with Kate McKinnon and Bowen Yang performing as the group, not missing a chance to do their best Swedish accent impression. Taking their greatest hits, the ABBA parody group remixed their hits, adding Christmas themes. The sketch was full of the cast breaking character, making it even more funny.

    Kate McKinnon brings back her singing with Maya Rudolph and Kristen Wiig again, creating a country tune about Tampon Farm, a fictional place where women grow and harvest tampons. No one could have seen that twist coming, with the audience erupting into a fit of laughter.

    Billie Eilish needs no introduction, the pop icon had a successful year with just one song officially announced, “What Was I Made For?” on the Barbie soundtrack. With several GRAMMY nominations at this year’s award ceremony, and even a Golden Globe nomination for her small role in SWARM, Eilish is just getting started. Just the other night on The Tonight Show, she teased she is working on her next album, with more TBA soon.

    Introducing her were McKinnon and in a surprising twist, Greta Gerwig, the director of Barbie. Billie Eilish sang her hit “What Was I Made For,” with her signature breathy vocals, singing on a stool with her brother Finneas playing piano. With a beautifully added string section and accompanying videos of “girlhood” in the background, the song could bring a tear to anybody’s eye and certainly did mine.

    https://youtu.be/mkqTsLVHwuQ

    The Weekend Update tradition of Michael Che and Colin Jost reading each other’s jokes did not disappoint this year. Each joke was raunchier than the last, leaving most with their jaws hanging wide open.

    Billie Eilish ended her SNL appearance with a haunting cover of “Have Yourself a Merry Little Christmas,” showcasing her soulful and powerful vocals. During the last sketch, she joined McKinnon cosplaying as crazy cat ladies, showing off several cats.

    Just announced on Jan. 20 is Euphoria and Priscilla actor Jacob Elordi hosting, with musical guest Reneé Rapp.

  • “One Hallelujah” 2024 Tour Featuring Gospel Music’s Greatest Voices, Stop In Brooklyn

    The infamous Gospel voices of Tasha Cobbs Leonard, Jonathan McReynolds, Erica Campbell, Israel Houghton, and Jekalyn Carr, have announced their 2024 One Hallelujah tour, with a stop at Kings Theatre in Brooklyn.

    Hailed as the Top Gospel Artist of the Decade by Billboard, Tasha Cobbs Leonard has built her career on larger-than-life performances and powerhouse vocals that will get everyone dancing on their feet.

    Jonathan McReynolds has maintained an incredible voice and a beautifully honest approach to songwriting. He made his way from dorm room performances to Christian music’s biggest stages.

    Erica Campbell is an American Gospel singer, songwriter, talk show host, and First Lady. Specializing in the urban contemporary gospel, Christian R&B, and contemporary R&B genres, she started her music career in 1998 with her younger sister, Tina Campbell, as part of the group Mary Mary.

    Israel Houghton is a GRAMMY award-winning American Christian music recording artist, songwriter, producer, composer, worship leader, and multi-instrumentalist who formed Israel & New Breed, a music group and ministry organization that has produced gold-selling albums.

    Tickets are available now. Artist presales began on Wednesday, December 13, and additional presales have run throughout the week ahead of the general on-sale on Friday, December 15 at Ticketmaster.com

    ONE HALLELUJAH TOUR 2024 DATES: 

    Wed Mar 06 — Boston, MA — MGM Music Hall at Fenway

    Thu Mar 07 — Philadelphia, PA — The Met

    Fri Mar 08 — Brooklyn, NY — Kings Theatre

    Sat Mar 09 — Washington, D.C. — The Theater at MGM National Harbor

    Tue Mar 12 — Charlotte, NC — Ovens Auditorium

    Wed Mar 13 — Raleigh, NC — Martin Marietta Center for the Performing Arts 

    Fri Mar 15 — Miami, FL — James L. Knight Center

    Sun Mar 17 — Jacksonville, FL — Moran Theater

    Thu Mar 21 — Indianapolis, IN — Murat Theatre at Old National Center

    Fri Mar 22 — St. Louis, MO — Stifel Theatre

    Sat Mar 23 — Memphis, TN — Orpheum Theatre

    Sun Mar 24 — Cincinnati, OH — The Andrew J Brady Music Center

    Thu Mar 28 — Evans, GA — Columbia County Performing Arts Center

    Fri Mar 29 — Atlanta, GA — Coca-Cola Roxy

    Sat Mar 30 — Birmingham, AL — BJCC Concert Hall

    Thu Apr 04 — Chicago, IL — Chicago Auditorium Theatre

    Fri Apr 05 — Detroit, MI — Fisher Theatre

    Sat Apr 06 — Columbus, OH — Mershon Auditorium

    Sun Apr 07 — Nashville, TN — Opry House

    Tue Apr 09 — New Orleans, LA — Saenger Theatre

    Wed Apr 10 — Houston, TX — Smart Financial Centre at Sugar Land

    Thu Apr 11 — Dallas, TX — The Pavilion at Toyota Music Factory

    Fri Apr 19 — Phoenix, AZ — Arizona Financial Theatre

    Sat Apr 20 — Los Angeles, CA — YouTube Theater

    Sun Apr 21 — San Francisco, CA — The Masonic