Category: Genres

  • Harp on Lark: Mikaela Davis and Southern Star Shine Bright in Albany 

    During a famous MTV Unplugged performance, Kurt Cobain once sarcastically asked, “What are they tuning, a harp?” His tone somewhat mocking of the instrument, as if it had no place in his rock n’ roll world. For a long while, I may have thought the same thing too, but then a funny thing happened to me on Thursday, December 7.

    That was the night I saw Mikaela Davis and Southern Star perform at Lark Hall in Albany for the first time. Armed with a six-foot-tall harp, a bold voice, and a certain element of mystique, the classically trained harp player-turned-folk rocker completely redefined everything I thought I knew about the instrument, simultaneously shattering whatever limitations my mind may have placed on it.  

    Mikaela Davis and Souther Star made their Lark Hall debut on December 7th, 2023.

    Captivating the audience with a dreamy blend of psychedelic pop, driving folk rock, and a healthy dose of sonic improvisation, Mikaela Davis and Southern Star simply dazzled in Albany. A long-time believer in the group, Greg Bell of Guthrie Bell Productions has often said this is one of his favorite acts and has been bringing them to the Capital Region for years now. Regularly making stops at venues like The Hollow and Putnum Place, this night would mark their graduation to the historic room of Lark Hall. Delivering a dynamic, genre-bending performance full of emotion, beauty, and star-making energy, it was easy to see what all the hype over the talented harp-playing singer and her incredible band was all about. 

    Originally formed in Rochester, Mikaela Davis and Southern Star have been playing together for over a decade. Notably sharing the stage with the likes of Bob Weir and Phil Lesh, Bon Iver, and Circles Around the Sun, the group released their first full-length album as a band, And Southern Star, in August of this year and it’s already showing up on many of the “year’s best” lists. Focusing much of the show on its material, the multi-layered improvisation that also came from it was nothing short of a breath of fresh air and a major reason why they’ve been so warmly embraced by the extended jam band community. 

    Home in the Country: Mikaela Davis and Souther Star made themselves at home in Albany on 12/7/23.

    Casually kicking things off with the melodic one-two punch of “Cinderella” and “In My Groove,” Mikaela Davis and Southern Star had Lark Hall’s undivided attention from the very start. Along with Davis, Southern Star also consists of the McCarthy brothers, Cian on guitar and sax and Shane on bass, Alex Cote on drums, and the talented Kurt Johnson on pedal and lap steel.

    Keeping things going, the infectious single called “Home in the Country” was an early set highlight, as was watching Johnson’s incredible dexterity as he employed a litany of effects and knob turning to his pedal steel rig to create all kinds of subtle textures to accent Davis’s delectate harp in the most sophisticated way.   

    Kurt Johnson of Southern Star had his hands full on pedal and lap steel on 12/7/23.

    After a bit of funky plucking on 2018’s “Get Gone”, “Far From You” would cross over into a more euphoric fairytale-type feel before landing on what would ultimately be the centerpiece of the show, an enchanting and transformative take on the Grateful Dead’s “Here Comes Sunshine.” Showcasing their propensity to improvise just as Garcia and company famously did, the stunning arrangement felt right at home at Lark Hall, a venue that recently expanded to include a Dead-inspired wine and coffee bar downstairs dubbed The Eleven. The lengthy rendition commanded your attention and was enough to win over any of the Heads in the audience who still weren’t sure of the greatness happening before our ears and eyes.   

    Here Comes Sunshine: Mikaela Davis and Southern Star wowed the Lark Hall crowd with their Grateful Dead cover on 12/7/23.

    What started as a chilled-out version of “Leave it Alone” soon boiled over into blues-rock territory before seamlessly finding the opening chords of “Promise,” the second single from And Southern Star. With the crowd fully engaged and swaying to the up-tempo vibe and colorful riffs, the band’s synergy and skill were on full display. As the momentum continued to build, perhaps the most “rockin’” song of the night came next with a jammed-out version of “Don’t Stop Now,” featuring one of multi-instrumentalist Cian McCarthy’s best solos of the night.

    Pausing to thank the audience for coming out and commenting on how nice it was to be playing Lark Hall for the first time, Mikaela then broke the news that she’s already looking forward to coming back in a few months with her pals (and fellow 2023 Lark Hall alumni), Circles Around the Sun.

    Talking from the heart about how special it is to play music live, she also mentioned the best way to directly support touring artists is by picking up some of their merch at the gigs. Davis and Southern Star would then bring the main portion of the show to a close with a beautiful rendition of “Pure Divine Love,” before returning for a luscious encore of “Other Lover” from Mikaela’s debut 2018 album, Delivery.  

    After wrapping up their final show of the year with a hometown throwdown in Rochester, Mikaela Davis and Southern Star already have their sights firmly set on 2024. The band has just announced a full slate of new tour dates alongside psychedelic, Dead-inspired prog jammers Circles Around Sun. The collaborative tour is set to feature several New York dates with stops at Brooklyn Bowl, Ithaca’s Deep Dive, and Buffalo Iron Works.   

    Mikaela Davis | December 7, 2023 | Lark Hall | Albany, NY 

    Setlist: Cinderella > In My Groove, Home in the Country, Get Gone, Far From You, Here Comes Sunshine, Leave it Alone > Promise, Don’t Stop Now, Pure Divine Love

    Encore: Other Lover

  • Irish Arts Center Announces $3M Naming Gift

    Irish Arts Center (IAC) has announced it will be renamed to JL Greene Theatre at Irish Arts Center, to be dedicated in April 2024, following a $3 million gift from the Jerome L Greene Foundation. 

    Irish Arts Center. Photo by Albert Vecerka/ESTO.

    IAC joins a roster of some of New York’s most prestigious cultural institutions supported by the Foundation, including BAM, The Public Theater, Lincoln Center Theatre, and The Whitney Museum. 

    The Jerome L Greene Foundation gift, which supports the larger scale of programming and operations in the new 11th Avenue facility, builds on recent support from the City of New York ($10 million) and the Irish government ($4.1 million), to support the Center’s future redevelopment of its historic 51st Street home. This donation will help lay the groundwork for the IAC’s upcoming Phase Two campaign to complete the vision for a new Irish Arts Center and secure the organization’s future for generations to come. 

    Irish Arts Center also revealed the Spring 2024 programming, filling its new facility at 726 11th Avenue that opened in December 2021. The opening of this new 21,700-square-foot building culminated a more than a decade-long transformation of IAC into one of New York’s most beloved multidisciplinary cultural institutions on an intimate scale. With a flexible performance space and acoustic design, it provides a new canvas for the presentation and development of performing arts in the city. 

    We are thrilled to join the outstanding portfolio of New York cultural institutions supported by the JL Greene Foundation and to announce this gift in conjunction with one of our most exciting seasons yet. We look forward to many moments of artistry and inspiration to come in the JL Greene Theatre. As we begin our third full year of operation in our new home, we also look ahead to the next phase of our important work: completing our 51st Street redevelopment, and building reserves and an endowment, to complete our vision of a new Irish Arts Center that will be successful and sustainable for future generations.

    Irish Arts Center Executive Director Aidan Connolly.

    “We are proud to play a role in the presentation of world-class Irish arts in New York City,” said Chris McInerney, President and CEO of the Jerome L. Greene Foundation. “Irish Arts Center has proven itself to be an important cultural destination, and the JL Greene Theatre will be host to an amazing array of performing arts for New York audiences.”  

    IAC’s Spring 2024 programming features a wide variety of voices and forms, including the timely new work of political theater Agreement, a beautiful new dance work from choreographer, director, and performer Jean Butler, a residency of internationally acclaimed singer-songwriter Lisa Hannigan, a large-scale exhibition of works by Irish women visual artists, and more. The new season expands on IAC’s mission to present the evolving arts and culture of Ireland and Irish America in an environment of warm Irish hospitality.

    Throughout Spring 2024, beloved recurring programs continue to bring accomplished artists into IAC traditions. Pulitzer Prize-winning poet Paul Muldoon’s variety show Muldoon’s Picnic continues on March 11, April 1, and June 3. In IAC’s Devlin Café, the Café Concert Series brings spirited music out into a social and intimate environment, with Big City Folk Song Club, curated by Niall Connolly returning February 9, March 8, April 4, and May 23, and Traditional Irish Sessions, curated by Tony DeMarco, February 2, March 15, April 5, and May 17. Book Day, for which the Irish Arts Center distributes thousands of free books in New York’s five boroughs in celebration of St. Patrick’s Day, returns for its 12th year on March 15.

    For the season, IAC’s latest exhibition will showcase women artists whose work reclaims traditional physical and cultural spaces using abstract art. Reclaiming a Space, featuring Diana Copperwhite, Erin Lawlor, Helen O’Leary, and Dannielle Tegeder, will be on view throughout the building from January 29 to June 23.

    For more information on the Irish Arts Center, and to see a detailed view of the Spring 2024 programming, visit here.

  • Damian and Stephen Marley Announce 2024 Tour Dates, Stop in Brooklyn

    In February and March 2024, the Grammy award-winning brothers Damian “Jr Gong” Marley and Stephen “Ragga” Marley will launch their exclusive Traffic Jam Tour across North America. This is the first time the brothers have jointly presented a curated set, offering a unique showcase to their fans. The tour includes a stop at Brooklyn Paramount.

    Multi-GRAMMY-winning talent, Damian “Jr. Gong” Marley is a highly acclaimed Jamaican singer, songwriter, and producer. He is the youngest son of the revered legend, Bob Marley. His musical style fuses reggae with elements of dancehall, hip-hop, R&B, and rock, crafting a fresh and modern sound that is uniquely his own.

    Damian was the first ever Reggae artist to win a GRAMMY AWARD outside of the Reggae category. The acclaimed 2005 breakthrough disc, Welcome To Jamrock, won a GRAMMY Award for Best Reggae Album, with the New York Times naming the track “the best reggae song of the decade.”

    Stephen “Ragga” Marley is a world-renowned singer, songwriter, and producer whose work has earned no fewer than eight GRAMMY Awards. Born into a musical family, Stephen is the child of reggae legends Bob Marley and Rita Marley. In 2008, he released his first solo album, Mind Control, which won the GRAMMY Award for Best Reggae Album. His subsequent solo albums include Mind Control Acoustic, Revelation Part I: The Root of Life, and Revelation Part II: The Fruit of Life. Stephen’s first new full-length album in more than seven years, Old Soul, was released on September 15 via Tuff Gong Collective/UMe/Ghetto Youths International.

    Stephen champions charitable endeavors centered in Jamaica as a co-founder of the Ghetto Youths Foundation, along with his brothers Damian and Julian Marley. In 2017, Stephen established Kaya Fest: an annual music festival that features special guests and rare family performances, all with the larger purpose of raising awareness around the benefits of cannabis, guided by the mantra “Education Before Recreation.” 

    The seamless shows in the Traffic Jam Tour will feature a special curated set list of both brothers’ catalogs and a medley of their father Bob Marley’s classics. Damian and Stephen Marley have written and performed a multitude of singles together over the last two decades, including the most recent collaboration, “Cast The First Stone” from Stephen Marley’s new LP Old Soul. The brothers wrote/produced/performed on the anthemic GRAMMY-winning reggae classic “Welcome To Jamrock,” in addition to timeless compositions like “Medication,” “Grown & Sexy,” “All Night,” “It Was Written,” and, of course, “Traffic Jam.”

    DAMIAN + STEPHEN MARLEY: TRAFFIC JAM TOUR DATES: 

    Fri, Feb 16: Long Beach, CA – Cali Vibes Fest*

    Sat, Feb 17: Stateline, NV – Lake Tahoe Reggae Festival* 

    Sun, Feb 18: Las Vegas, NV – House of Blues Las Vegas 

    Wed, Feb 21: San Francisco, CA – The Masonic 

    Thu, Feb 22: Wheatland, CA – Hard Rock Live Sacramento 

    Sat, Feb 24: Boise, ID – Revolution Concert House & Event Center 

    Sun, Feb 25: Seattle, WA – Paramount Theatre 

    Mon, Feb 26: Portland, OR – Roseland Theater 

    Tue, Feb 27: Vancouver, BC – Queen Elizabeth Theatre 

    Sun, Mar 17: St Petersburg, FL – Reggae Rise Up Florida*

    Tue, Mar 19: Philadelphia, PA – The Fillmore Philadelphia 

    Wed, Mar 20: Washington D.C. – The Fillmore Silver Spring 

    Sat, Mar 23: Boston, MA – Citizens House of Blues Boston 

    Mon, Mar 25: Toronto, ON – HISTORY 

    Tue, Mar 26: Montreal, QC – MTELUS 

    Wed, Mar 27: Brooklyn, NY – Brooklyn Paramount 

    Fri, Mar 29: Detroit, MI – The Fillmore Detroit 

    Sat, Mar 30: Chicago, IL – Byline Bank Aragon Ballroom

    *Festival Performance

    For more information on the tour, visit this website, or follow Stephen Marley on Instagram, Facebook, Twitter, and YouTube.

  • Eddies Music Awards Hall of Fame Announces Sixth Class

    The sixth class of inductees for the Capital Region Thomas Edison (Eddies) Music Hall of Fame has been announced. Inductees include artists from a variety of genres like classical, folk, jazz, and electronic music, a pioneering hip-hop songwriter, and two individuals who chronicled the local music scene as journalists.

    The late Jackie Alper, the late Nick Brignola, George Guarino, David Alan Miller, the late Pauline Oliveros, Margie Rosenkranz, Billy Waring, and Don Wilcock will be inducted into the Eddies Music Hall of Fame on Monday, March 25, 2024 at Universal Preservation Hall.

    The Eddies ceremony is open to the public and includes musical performances, a social hour, videos on the musical career of each inductee, and acceptance speeches. This class brings the total number of inductees to 40 since 2019. An aluminum engraved plaque honoring each recipient is permanently hung at UPH. The 2024 slate was chosen by an advisory council made up of professionals in the local music field.

    The induction ceremony precedes the annual Eddies Music Awards, which will be held on Sunday, April 21 at Proctors in Schenectady.

    About the Eddies Inductees

    Jackie Alper sang with the Almanac Singers, which included Woody Guthrie, Pete Seeger, and Burl Ives. After, she helped found the Weavers, introducing a 16-year-old Ronnie Gilbert to Pete, Lee, and Freddie Hellerman, taking part in the “Great Folk Music Scare of the 1950s and 60s.” Alper hosted WRPI’s “Mostly Folk for Mostly Folks” radio show for at least 25 years starting in 1971. She also turned her husband Joe Alper’s 30,000 music photographs into one of the folk revival’s most meticulously documented archives. Together, they played a key role in supporting Caffè Lena in its early years, often housing musicians including Bob Dylan at their Schenectady home. She passed away in 2007. 

    Troy native Nick Brignola was a well-respected baritone sax player in jazz, as well as a band leader. During his career, he shared the stage with jazz greats including Phil Woods, Woody Herman, Chet Baker, and Pepper Adams, and recorded 20 albums of his own. His 1981 album L.A. Bound was nominated for a GRAMMY, and has topped many annual DownBeat and JazzTimes critic and reader polls as “Best Baritone Saxophonist.” He taught jazz theory and history at several local colleges and helped start a jazz education program at the College of Saint Rose. He passed away in 2002.

    George Guarino created Albany’s music television show Real George’s Backroom (1981-91) and Buzz magazine (1985-95). He was passionate about spotlighting original music bands of that era while introducing the dance floor to 80’s new wave, punk, industrial, and indie music as a featured DJ at Albany’s infamous 288 Lark (1981-87) and QE2 (1987-90) clubs. He was also a DJ at WRPI. Guarino has developed a reputation since 2005 as one of the area’s prominent clinical hypnosis practitioners.  

    Seven-time GRAMMY nominee David Alan Miller has been music director and conductor of the Albany Symphony Orchestra since 1992. During his tenure, the ASO has released more than 30 albums, with two winning GRAMMYs. In 1994, he founded Dogs of Desire, an 18-member ensemble that has commissioned over 150 new works from emerging American composers. He has guest conducted with most major U.S orchestras, as well as many in Europe, Australia, and the Far East, and serves as artistic advisor to the Little Orchestra Society (NYC) and the Sarasota Orchestra (Fl.).

    Pauline Oliveros was an American composer, accordionist and central figure in the development of post-World War II experimental and electronic music. A Houston native, she relocated to Upstate NY in 1981 after many years teaching and performing in California. She developed a ground-breaking music theory called “Sonic Meditations” and founded the term Deep Listening, a practice of profound sonic awareness that came from her childhood fascination with sounds. Known for her works in composition, improvisation, and electro-acoustics, she was a Distinguished Professor of Music at Rensselaer Polytechnic Institute, where she founded the Center for Deep Listening. She passed away in 2016.

    Margie Rosenkranz has been the executive artistic director of the Eighth Step Coffee House since 1987. Founded in 1967 in the basement of the historic First Presbyterian Church in Albany, the organization is renowned nationally for its presentation of top contemporary singer-songwriters, as well as social justice work, now seen at Proctors. The Schenectady native, born into a musical family, is an accomplished vocalist and has also served as artistic director of the Great Hudson River Revival, a long-standing music and environmental summer festival.  

    An unsung hero of hip-hop, Harlem native William “Billy Bill” Waring began his musical career as a b-boy with longtime friends Kurtis Walker and producer Danny Harris. He got his first taste of hip-hop music at DJ Kool Herc parties and from 1980-84 he penned the classic songs “Hard Times,” “Basketball,” “You Gotta Believe” and “Games People Play,” and co-wrote much of the Fat Boys’ first album. His music has been used in films and television shows such as Krush Groove, Empire, Black Monday, Hip Hop Uncovered, and more. 

    Finally, Don Wilcock has spent a career elevating the New York Capital Region arts scene into international recognition. Founder and president of the Northeast Blues Society, he helped boost the careers of local artists Albert Cummings and Tas Cru to worldwide touring success and produced the Fleet Blues Festival, a three-stage event featuring the world’s hottest blues stars. He founded “Kite,” the area’s first arts weekly, in 1970. His biography of Buddy Guy, Damn Right I’ve Got The Blues, helped propel Guy from a club act to the biggest living star in the genre.

    Tickets for the Eddies Music Awards are on sale now through the Box Office at Proctors in-person, via phone at (518) 346-6204 Monday-Saturday 10 a.m.-6 p.m., or online.

  • Stephen Sanchez Triumphant Return to NYC

    Returning to the vibrant heart of New York City, Stephen Sanchez brought his magnetic presence back to the city that never sleeps, echoing his last unforgettable performance at Irving Plaza in February. The anticipation hung in the air as fans, eagerly awaiting this reunion, gathered at Terminal 5.

    Sanchez’s return was not just a concert; it was a homecoming, a testament to the enduring connection between the artist and the city that has played witness to his musical evolution. As the first notes reverberated through the venue, it was evident that this wasn’t merely a performance; it was a celebration of the artist’s journey, marked by growth, passion, and a profound connection with the diverse tapestry of New York’s music-loving community.

    Stephen sanchez

    Stephen Sanchez’s concert at Terminal 5 unfolded as a captivating saga, weaving together the artist’s soulful melodies and a profound connection with his dedicated fanbase. Earlier in the day, Sanchez set the tone with a fan meetup and popup in Brooklyn, creating an intimate space for admirers to engage with the artist whose music had become the soundtrack to their lives.

    As the night descended, Terminal 5 pulsed with anticipation. The setlist, featuring gems like “Something About Her” and “I Need You Most of All,” became a tapestry of emotions, each note echoing the artist’s journey. Sanchez’s stage presence was magnetic, drawing the audience into his world, especially the adoring fangirls who swooned with every nuanced movement. The unexpected covers of “Oh, Pretty Woman” and “Unchained Melody” showcased Sanchez’s ability to infuse timeless classics with his unique, soul-stirring style.

    The concert reached its zenith during the spirited performance of “Shake,” where the venue echoed with the energy of both the artist and his ardent fans. The soulful ballad “Death of the Troubadour” revealed the depth of Sanchez’s songwriting, creating a poignant contrast in the midst of energetic numbers. The night concluded on an emotional crescendo with “Until I Found You,” leaving an indelible mark on the hearts of those who witnessed Sanchez’s musical brilliance. This wasn’t just a concert; it was an immersive experience, a testament to the profound connection between an artist and the community that cherishes his every note.

    Setlist: Something About Her, Evangeline, I Need You Most of All, Only Girl, No One Knows, Doesn’t Do Me Any Good, Be More, [Oh, Pretty Woman (Roy Orbison cover)], High, Shake, Death of the Troubadour, Send My Heart With a Kiss, Howlin’ At Wolves, Unchained Melody (Hy Zaret & Alex North cover), The Pool, Until I Found You

  • ‘The Heart of Rock and Roll’ Coming to Broadway in Spring 2024

    The Heart of Rock and Roll, a jukebox musical featuring songs from the GRAMMY Award-winning band Huey Lewis and the News, is coming to Broadway this spring.

    The Heart of Rock and Roll, featuring music by Huey Lewis.
    Matt Doyle and members of the Old Globe company of “The Heart of Rock and Roll,” 2018. Credit: Jim Cox.

    The show will begin performances on March 29, 2024, ahead of an opening night on April 22 at the James Earl Jones Theatre. The musical premiered at San Diego’s Old Globe Theatre in 2018, featuring a cast led by Tony winner Matt Doyle and Katie Rose Clarke. A summer 2023 workshop was led by Jonah Platt with Clarke.

    The Heart of Rock and Roll tells the story of two 30-somethings each with certain plans, changing when they meet each other, set to a score of songs made famous by Huey Lewis and the News.

    The Heart of Rock and Roll features a book by Jonathan A. Abrams, based on a story created by Tyler Mitchell and Abrams. Brian Usifer does the music supervision, arrangements, and orchestrations, with Gordon Greenberg directing and choreography by Lorin Latarro. The musical is also being produced by Hunter Arnold, Mitchell, and Kayla Greenspan.

    Working on our show has been so gratifying. I’ve always been a storyteller, and it’s a thrill to see my songs woven together in service of a fantastic, new story. That it will all take place on the world’s most prestigious stage — Broadway — just makes the ride that much sweeter.

    Huey Lewis

    Lewis’s tune “The Power of Love” was featured in Back to the Future on Broadway earlier this year, and in the original movie as well. “The Power of Love,” as well as “Workin’ for a Livin’,” “Stuck with You,” “If This Is It” and the musical’s title tune are among the Huey Lewis and the News songs that will be featured in The Heart of Rock and Roll.

    Casting for the Broadway production, as well as additional creative team members, will be announced soon. To purchase tickets and find more information, visit here.

  • Legendary Mexican Bands Caifanes and Cafe Tacvba Announce Joint Tour, Coming to SummerStage

    In an unprecedented collaboration, two legendary Mexican bands, Caifanes and Cafe Tacvba, have announced they are embarking on their first-ever joint tour in the United States, coming to SummerStage on June 26, 2024.

    The two groups are coming together to celebrate their legacies and showcase the power of Mexican rock on an international stage. Both bands originated in the late 80s in Mexico City. Despite their distinct musical styles, this tour is a testament to the enduring power of music, showcasing how these bands have evolved and continue to resonate with audiences across time.

    Caifanes have lived their path intensely and passionately since 1986, evolving and changing throughout their career. One thing remains constant: the music shared by several generations, remains a powerful connection then and now. For young people, their music is new; for the older generation, those songs are already part of the soundtrack of their lives. Caifanes has always been the band that opens the doors to every band coming up behind them. The last two years and 108 concerts have seen the band getting better and bigger than ever, on stage, no one rivals their power and strength. Their commitment to social causes has been an essential part of who they are from the start of the band.

    Caifanes.

    Together since 1989 with the same founding members (Quique, Meme, Joselo, and Ruben) GRAMMY winners and Mexico City indie rockers Cafe Tacvba are credited as the preeminent band to emerge from the “Rock en Español” movement of the early ‘90s. The Mexican quartet has remained one of the biggest acts on the Latin music scene since, inspiring generations of rockers. Their music is broadly appealing not only because of its groundbreaking nature but also because of its fun, madcap, and ever-changing qualities.

    Cafe Tacvba 

    Tickets will be available starting with a Citi presale beginning on Tuesday, December 12. Additional pre-sales will run throughout the week ahead of the general on-sale beginning on Friday, December 15 at 10 a.m.

    TOUR DATES: 

    Wed May 29      Kennewick, WA             Toyota Center

    Thu May 30       Seattle, WA                   WAMU Theater @ Lumen Field

    Sat Jun 1          Reno, NV                      Reno Events Center

    Wed Jun 5         Los Angeles, CA                Hollywood Bowl

    Thu Jun 6         Las Vegas, NV               Bakkt Theater at Planet Hollywood

    Fri Jun 7           Palm Desert, CA            Acrisure Arena

    Sat Jun 8          Chula Vista, CA              North Island Credit Union Amphitheatre

    Tue Jun 11        Phoenix, AZ                  Talking Stick Resort Amphitheatre

    Thu Jun 13        Salt Lake City, UT          Maverick Center

    Fri Jun 14          Denver, CO                   Levitt Pavilion

    Sat Jun 15         Albuquerque, NM          Isleta Amphitheater

    Sun Jun 16        El Paso, TX                   El Paso County Coliseum

    Tue Jun 18        Laredo, TX                    Sames Auto Arena

    Wed Jun 19       Edinburg, TX                Bert Ogden Arena

    Fri Jun 21          Houston, TX                  The Cynthia Woods Mitchell Pavilion presented by Huntsman

    Sat Jun 22         Dallas, TX                     Dos Equis Pavilion

    Wed Jun 26       New York, NY               SummerStage in Central Park

    Fri Jun 28          Toronto, ON                  Budweiser Stage

    Sat Jun 29         Chicago, IL                   Huntington Bank Pavilion at Northerly Island

    Sun Jun 30        Indianapolis, IN            Everwise Amphitheater at White River State Park

  • Chris Garneau Releases New EP ‘Out Of Love’

    New York artist Chris Garneau has released his new EP Out Of Love on December 8, preceding a pair of new singles titled “Millions” and “First Man”.

    Chris Garneau Out Of Love
    Photo by Michael George

    Chris Garneau is an American alternative indie singer and songwriter who entered the music scene in 2006 after releasing debut album Music for Tourists. Garneau explores themes of excitement, heartbreak, surprise with the sound of electric guitar, upright bass and drums to round out powerful narrative anthems.

    “’First Man’ isn’t just about a first crush but more importantly an initial recognition of a person’s queerness. My boyfriend wrote the lyrics, basing it on his memories of falling in love with the macho action movie characters from his youth. The concept led to a laid back, folk rock country vibe, and that informed the other songs on the EP. I wanted the production to be mostly acoustic, back porch summer nights with a smoky saloon atmosphere. And thanks to JOFF art direction and styling, and photographer Michael George, the shots look like movie stills. Throughout the shoot, it felt like I was acting and inhabiting these characters’ spaces — that was the point of this whole EP, that’s exactly what we set out to do.”

    – Chris Garneau

    The EP is made up of four songs that are character driven and capture the feeling of being transformed by the way of love. This is Garneau’s first collaboration with his boyfriend Marc Briz, a lyricist and fiction writer. Garneau and Briz acknowledge their first recognition of being queer and veer towards the Americana; the lovesick cowboy, the celebrity actor who pines for the spiritual, the addict who leaves this earth with love for the life he lived.

    The EP sparks a lush and soulful ballad which emerges emotive songwriting and displays a layered sonic landscape, speaking truth towards owning your identity and casting off shame. The songs are powerful, poignant, and mesmerize the intensity of the story despite its dark subject matter. Chris continues to pursue a diverse array of sound that influence an otherworldly and sensible talent.

    Listen to “Out of Love” by Chris Garneau below.

  • In Focus: Mikaela Davis and Southern Star at Funk ‘n Waffles in Syracuse

    The sounds of Mikaela Davis’ harp once again danced through Armory Square in Syracuse, as Davis and her band, Southern Star returned to Funk ’n Waffles for a performance on Friday, December 8.  The band last played Syracuse in May, with a stunning three-show residency.  Rochester natives Maybird opened the show. 

    2023 has been quite kind for Davis, the classically trained harpist from Rochester. Davis and her band released their first full length album as a unit, And Southern Star in June. They have played multiple show residencies in various cities through out New York State, which have often seen the shows sell out well in advance. The band recently wrapped up a west-coast tour which saw them opening for indie favorites, The Mountain Goats. They have come together for one final run through Upstate New York before the year closes.

    Friday night opened with a set by Rochester natives Maybird. The psychedelic rockers delighted early arrivers to the club, with a forty minute set filled with spacey guitar riffs.  Fans packed their way to the front and were quickly engrossed in the band’s psychedelic sounds.  

    After a brief stage change over, which saw Davis herself drag and tune her harp at center stage, Southern Star joined and the set was under way.  Fans were immediately met with the hypnotic harp intro of “Cinderella”, the opening track on the band’s recent release. Slowly the remainder of the band would add their sounds to the mix. The band would follow with the appropriately named “In My Groove”, which had fans dancing and swaying in front of the stage.

    While Mikaela Davis and her harp talents may be the primary draw for listeners, Southern Star proved to be anything but a backing band.  Through out the set each band member would lay their musical finger prints on the tracks, transforming them from their studio form to live masterpieces.  The band would regularly go on extended musical jam sessions during songs, paying homage to their musical inspirations such as Grateful Dead.  Tracks like “Leave It” took on new life when paired with Kurt Johnson’s pedal steel, Cian McCarthy’s saxophone, while Shane McCarthy (bass guitar) and Alex Cote (percussion) kept pace.  The song, after an extended jam would then flow seamlessly into the rocking “Promise”. It was just one of many moments during the set that showcased the band’s refreshing musical talents.  

    After a ninety minute set and a brief encore, the band would return to the stage with opener Maybird for an energetic rendition of “Other Lover”. The song would see band members taking turns on various pieces of percussion, including a colander.  It was a fun way to wrap up the evening, but still showcase the many musical talents that graced the stage on this evening.  

  • Mersiv Breaks Outside Conventional Boundaries in Buffalo 

    Dubstep DJ Mersiv stopped in Buffalo on Dec. 9 for the final stretch on his latest tour. The Town Ballroom was ready for their reunion with Mersiv since his last appearance there one year ago, and he did not disappoint. 

    Mersiv
    Photo Credit: Maddie McCafferty

    The openers were stacked with heavy bass and passion. Local artist Daggz kicked off the night with his experimental bass and was followed up by Heyz. Australian artist SIPPY had the crowd wooed with her heavy-hitting beats.  

    Mersiv
    Photo Credit: Maddie McCafferty

    Mersiv finally took over the stage with a prompt that read, “Outside the Prescribed or Conventional Boundaries or Limits. Enjoy Your Journey Fellow Travelers.” And just like that the young producer took his audience on a journey through finding presence in sound, so much so that even the bass blew out the speakers for five minutes. 

    Mersiv
    Photo Credit: Maddie McCafferty

    He performed many tracks off of his 2023 album Out of Bounds including “I Like It When You Move” and “Top Floor.” He brings a meditative force through his live show. His use of fun visuals and insane energy make the positive atmosphere super contagious. 

    Photo Credit: Maddie McCafferty

    The Mersiv Sound Project is the brainchild of Anderson Benoit Gallegos who has sought to spread healing energy through his sound, and fans would argue he does just that. His dark and loud sound pays homage to the duality of life. Both the highs and lows of what makes every human…human. It’s through these struggles that Gallegos shares we can rise from but never as ways to define us. 

    Photo Credit: Maddie McCafferty

    The growing artist brings a particular energy into EDM through mysterious psychedelia. Mersiv played fun mixes throughout his set and performed his popular song with Wreckno, “Bounce.” Nothing quite brought the heat though until he played “Beautiful & Filthy.” The fans were seen head-banging throughout Buffalo’s Town Ballroom. 

    Photo Credit: Maddie McCafferty

    If you missed out on this rad EDM night don’t worry we have a lot more in store to finish off the end of the year. DMVU and Toadface perform at Ironworks on December 16., and a special 360 show from Rusko is on December 31 that you do not want to miss! Get your tickets here