NYS Music 2023

Category: Alternative/Indie

  • In Focus: Counting Crows Bring Banshee Season Tour to Canandaigua

    It was a night to celebrate 90s rock music on Sunday, as Counting Crows brought their Banshee Season Tour to CMAC on Sunday, July 2nd. The concert featured direct support from Dashboard Confessional.  

    It’s hard to believe it’s been 30 years since Counting Crows burst onto the music scene, releasing their multi-platinum debut album August and Everything After in 1993.  The California natives have gone on to release seven more studio albums, along with numerous live albums. 

    Fronted by Adam Duritz (vocals), the band also features David Bryson (guitar), Charlie Gillingham (keyboards), Dan Vickery (guitar, pedal steel), David Immergluck (guitars), Jim Bogios (drugs) and Millard Powers (bass guitar).   The band is touring in support of their latest release, Butter Miracle Suite One (2021).

    Heavy showers swept across the concert facility minutes before gates opened on Sunday evening.  This did not deter a passionate fan base from arriving early to take in opener Dashboard Confessional.  Originally the solo-acoustic project of Chris Carrabba, it would morph into a full band in 2002, as Carrabba was asked to perform on MTV Unplugged. The added bandmates allowed Carrabba’s songwriting to take on new depths and sounds. 

    Just after 7:30, Carrabba and his band mates took to the stage, and were met with a heavy cheer from the audience. The band launched into the upbeat “Don’t Wait”, which delivered a call and echo vocals, to with the audience enthusiastically obliged. From there the band would perform “The Sharp Hint of New Tears”, a song from Carrabba’s 2000 debut release (with lyrics that showcase the origin of the band’s name). Once known for writing acoustic emo rock, with themes centering around heartbeat and loss, Carrabba and his mates delivered a 60 minute set, spanning the band’s twenty year catalog and was filled with songs of hope and self-triumph. The band would close out their set with perhaps their biggest hit, the high energy “Hands Down”, which saw his band mates jumping and leaping around the stage.

    As the 9pm hour approached, a pedal steel guitar was wheeled to stage left. Moments later, the house lights would dim and Duritz and his bandmates took to the stage. A lone spotlight illuminated guitarist Dan Vickery as he began to pluck the hauntingly familiar guitar riff to “Round Here”, one of the band’s most well known songs. Additional lights would slowly illuminate the remaining members of the band as Duritz moved to the center of the stage to start delivering his poetic lyrics, at times acting out key moments in the song. As the song built on energy and emotion, the audience became engaged, belting out lyrics. The band continued to build on the energy and emotion, following up with the upbeat “Hard Candy” and then the familiar “Mr. Jones”.

    While the band’s set would lean heavily on music from their early years, Duritz didn’t hide his excitement when they would perform tracks of the band’s latest two releases. Tracks like “God of Ocean Tides” and “The Tall Grass” hit home with the audience as well as the band’s early hits. The later portion of the band’s set saw them perform their latest release Butter Miracle Suite One in entirety. They would conclude the main set with the familiar classic “Long December” which saw the grounds illuminate with cell phone lights and erupted into an audience sing along.

    Crowd pleas for an encore would be obliged by the band, as they would return to the stage and deliver a four song encore. Returning to the stage with “Time and Time Again,” a beautiful track of their debut release, Duritz’s voice proved to be strong as ever, as the chorus echoed through out the center. Chris Carrabba and his band would join the Counting Crows for the next piece of the encore, Dashboard Confessional’s 2006 hit “So Long, So Long” which saw Duritz provide a guest vocal appearance on the studio recording. Carrabba would return the vocal favor on the next song, trading lyrics with Duritz on the hit “Hangin’ Around”. Fans flocked to the aisles to sing and dance along, as Carrabba and Duritz bounced around the stage, singing and triumphantly trading high-fives with fans.

    Counting Crows ‘Banshee Season’ Tour – CMAC, Canandaigua, NY – July 2, 2023

    Setlist: Round Here, Hard Candy, Mr. Jones, Colorblind, Butterfly in Reverse, Omaha, Catapult, God of Ocean Tides, Friend of the Devil, Goodnight Elisabeth / Pale Blue Eyes, The Tall Grass, Elevator Boots, Angel of 14th Street, Bobby and the Rat-Kings, Rain King, A Long December

    Encore: Time & Time Again, So Long, so long, Hanginaround, Holiday in Spain

  • In Focus: Dave Matthews Band Amuses at Darien Lake

    On June 14th, Dave Matthews Band took the stage at Darien Lake, delivering an electrifying performance that left the crowd buzzing.

    Dave Matthews Band darien

    From the energetic opener “When the World Ends” to the soulful encore of “You Never Know” and “Shake Me Like a Monkey,” the band captivated the audience with their musical prowess and heartfelt lyrics. One of the highlights of the night was a fantastic version of “Don’t Drink the Water.” The song featured a weird and exploratory intro, which sounded similar to something you’d hear at a Phish show. As the venue is close a Native American reservation, the song about the slaughter and colonization of the Native Americans was extremely poignant.

    Dave Matthews Band darien

    As it often is, “Lie In Our Graves” was the standout of the night. Probably the longest song of the night, they stretched out the classic and the Darien Lake crowd loved it. The night was heavy with new songs from their recently released album, 2023’s Walk on the Moon, but it was also sprinkled with some deeper cuts to keep everyone happy.

    From the infectious energy of their opening song to the soul-stirring encore, the band showcased their exceptional musicianship and their ability to create an unforgettable live experience.

    Dave Matthews Band – Darien Lake, Darien Center, NY – June 14th 2023

    Setlist: When the World Ends, Stay or Leave,Funny the Way It Is, All You Wanted Was Tomorrow, Madman’s Eyes, So Damn Lucky, Busted Stuff, Grey Street, Looking for a Vein, Don’t Drink the Water, The Space Between, Lie in Our Graves, Walk Around the Moon, Louisiana Bayou, Break Free, You Might Die Trying, Jimi Thing, Brick House (Commodores cover)

    Encore: You Never Know, Shake Me Like a Monkey

    Dave Matthews Band darien
    Dave Matthews Band darien

  • Wallice Returns to Rock Bowery Ballroom

    Wallice, the rising indie-pop sensation, graced the stage at Bowery Ballroom in Manhattan on June 27th, captivating the crowd with her infectious melodies and magnetic presence. This performance marked her triumphant return to NYC (and Bowery Ballroom) after her opening act with JAWNY last March.

    With her irresistible charm and undeniable talent, Wallice delivered a performance that was nothing short of electric. Sharing the spotlight was the indie rock boy band Nitefire, whose infectious energy and captivating melodies set the perfect tone for the evening.

    As the lights dimmed and the first chords resonated through the venue, it was evident that this would be a night to remember. The atmosphere was charged with anticipation as fans eagerly embraced the fusion of Wallice’s honest lyrics, vulnerability, and witty storytelling. With each song, she effortlessly transported the audience into her world, exploring themes of love, self-discovery, and the rollercoaster of emotions that come with growing up. The synergy between Wallice and Nitefire created a dynamic and unforgettable concert experience, leaving the crowd craving for more.

    Nitefire,the dynamic musical project of Nico Geyer and Luke White, boldly defines themselves as the “budget Wallows.” Blending the pop sensibilities of turn-of-the-century indie rock with the vibrant sonics and youthful spirit of Brit-pop, Nitefire fearlessly carves out a lane that is uniquely their own, leaving nostalgia behind. With their roots embedded in the thriving Los Angeles music scene, the band has gained recognition for their DIY approach, hosting their own events and shows that embrace an “if you build it, they will come” mentality, diverging from the digital-dominated landscape of today. Nitefire’s sound and attitude are entirely their own as they carve out a distinct lane. With their debut single “Up 2 U” released, the band has already amassed an impressive following and garnered over 40K monthly listeners on Spotify. Nitefire’s journey has only just begun, and their upcoming releases and live performances promise an exciting and vibrant future for the band.

    Nitefire’s opening performance was an electrifying display of energy and connection. Despite a minor setback earlier in the day, with Luke breaking his pinky, the band turned it into a playful guessing game during their set. Nico, the charismatic frontman, challenged the crowd to speculate on the cause of Luke’s injury, teasing them with the statement, “You’ll literally never guess.” Hilarious suggestions of door-related incidents were quickly debunked, fueling the curiosity of the fans. To their surprise, it was revealed that the pinky was actually broken in a Frisbee accident, leaving many scratching their heads and engaging in animated discussions.

    Nico’s crowd interaction was a highlight, as he jumped into the crowd multiple times with guitar and mic in hand, creating a central pit of excitement. One fan attempted to converse with Nico in French, only to be misheard, prompting Nico to ask if she was speaking Spanish instead. The lighthearted exchange drew laughter and further showcased the band’s down-to-earth and approachable nature. The finale saw Nico leaning back into the crowd, crowd surfing during the last song, “Saturday.” Nitefire’s performance was a thrilling and engaging experience, leaving fans captivated by their boundless energy and genuine connection.

    Nitefire Setlist: Daisies, Here We Go, La La, LA’s Got Gorgeous, Love Gets Ug, Uptight, Lovekiss, Life Gets Funny, Worth It, Saturday

    Wallice, the rising indie-pop sensation hailing from Los Angeles, is making waves with her captivating blend of honesty, vulnerability, and wit. With a musical upbringing that exposed her to a diverse range of influences, from classic rock to 90s R&B, Wallice has developed a unique sound that sets her apart in the industry. Her breakout hits, including “23” and “Off The Rails,” have garnered attention for their raw and authentic approach to songwriting, tackling themes of love, loss, and self-discovery with remarkable vulnerability. Her newest EP, “Mr Big Shot,” released June 23rd, further showcases her exceptional songwriting prowess, offering a masterclass in Gen Z’s hopes, dreams, and failures. 

    Following a successful run of North American shows with JAWNY and Australian dates with The 1975, Wallice is now embarking on her own headline tour across the US, captivating audiences with her infectious energy and tongue-in-cheek, self-effacing anthems. With each release, Wallice reaffirms her status as an artist to watch, captivating listeners with her authentic storytelling and undeniable talent.

    Wallice’s performance at the iconic Bowery Ballroom was an extraordinary display of her artistry, accompanied by heartwarming moments and genuine interactions with the audience. The show kicked off with a sweet gesture as she gave her guitarist a peck, setting a playful and affectionate tone for the evening. A fan’s gift of a black gemstone studded cowboy hat became a striking accessory as Wallice embraced it during her soulful rendition of “John Wayne,” captivating the crowd with her magnetic presence. After the song, she graciously returned the hat from whence it came.

    Throughout the set, Wallice’s affection for New York was evident as she expressed her love for the city, instantly establishing a connection with the enthusiastic crowd. The audience reciprocated with adoration, elevating the energy in the venue. A touching moment occurred when a fan handed her a crochet bandana and a heartfelt letter accompanied by personal photos. Wallice graciously accepted the gift and wore the crochet bandana while performing the introspective and introspective song “Quarterlife,” adding an intimate touch to the performance.

    In a playful exchange, Wallice humorously reprimanded her bassist for removing his goggles after the spirited performance of “Why Do You Love Me?“. This lighthearted banter showcased the camaraderie and dynamic chemistry within the band, further enhancing the overall experience for the audience. Following the energetic performance of “Prepaid Wireless,” Wallice took a moment to introduce her talented band members by name, highlighting their contributions to the music.

    Although faced with a technical glitch during “Japan,” Wallice’s professionalism shone through as she gracefully restarted the song, seamlessly carrying the audience along with her. Her ability to handle unexpected situations with poise and maintain a strong connection with the crowd was a testament to her artistry and stage presence.

    Wallice’s set at Bowery Ballroom was a memorable and captivating experience, filled with genuine moments of connection. Her ability to embrace fan gifts, engage in playful interactions, and overcome technical challenges showcased her authenticity as an artist. With each song, Wallice’s honesty and vulnerability resonated deeply, leaving the audience with a lasting impression of her talent and charisma.

    Wallice Setlist: Disappear, Little League, Loser At Best, Punching Bag, 90s American Superstar, Wisdom Tooth, Rich Wallice, John Wayne, Headache, Quarterlife, Dramamine, Hey Michael, Why Do You Love Me?, Prepaid Wireless, Off The Rails, Japan, 23, Best Friend, Funeral

    In terms of upcoming shows, Wallice and Nitefire will be on the road with plenty of chances to catch them on tour until they wrap up on July 20th in San Francisco.

    Updates for any future Wallice shows can be found on her socials, and her linktree. The same goes for Nitefire, and you can find their socials and linktree here.

  • New York Based Singer KAZIMI Shares Heartfelt Single “Fever Dream”

    NYC’s indie-pop and folk-rock artist KAZIMI shares the single “Fever Dream,” the second track from her debut album River Run out later this year. The layered percussion is the heartbeat of this single, with drums that are both slinky and sexy, a groove comes across your hips effortlessly.

    The singer-songwriter wrote, “’This is a song about pleasure and craving. About wanting something (someone) so bad that the desire seeps into your every moment, coloring everything you see. That obsession, that need, that want. Bodies seeking bodies.” 

    “I never sat down to make a record. I don’t think I would’ve started if I had.” 

    -KAZIMI

    For most of her life, KAZIMI played music alone and in secret. She crafted songs as a way to work through life’s peaks and valleys but they were never meant to be shared. When the world stopped, something in her changed and that change led to the writing and recording of her debut album, River Run. 

    The New York-based singer-songwriter offers up her personal brand of indie-folk with tracks that explore the trials of being a living, breathing human: betrayal and heartbreak, pleasure and resilience, the death of loved ones, and the rebirth of self. With a soundscape that drifts effortlessly between dreamy, seductive, cinematic, and folky, River Run is as evocative in its style as it is in its storytelling. 

    The indie-folk (although very different it’s also somewhat reminiscent of John Grant, don’t you think?) artist deals with the myriad layers of the human condition as a way of wrestling with difficulties. 

    – Americana UK

    For KAZIMI, the project was an opportunity to dethrone the internal demons that lurked in the shadows of her mind. “Part of making music is letting go so there can be space for magic to enter the room, but giving up control is not something that comes easily to me. I had to constantly recenter the importance of making something true over the temptation to chase perfection.”

    The title track was written in an empty hotel lobby in Nashville at the height of quarantine in 2020, “I was driving from Texas to New York. Passing through Memphis, I crossed the Wolf River and something about the name stuck in my mind. That evening I went downstairs and sat at the keys. I hadn’t had a piano to play in 4 months. Over the course of the time I wrote the song, I never saw another person. No other guests, no staff. Just me alone in a hotel, singing to the walls,” she says.

    Swimming in the depths and then soaring through the clouds, the record traces the journey of a path unknown. The very act of making it, says KAZIMI, is a victory. “I am following what makes me feel most alive, even though I don’t know where it will lead. I found an ember and I held it close. I blew on it until a fire burst forth.” 

    For more music by KAZIMI, click here. 

  • In Focus: Ruel brings the “4th Wall World Tour” to Terminal 5

    Ruel, the prodigious Australian singer-songwriter, took the stage by storm at New York City’s renowned Terminal 5, captivating the crowd with his soulful melodies and undeniable talent. This highly anticipated show marked a milestone in Ruel’s career as he embarked on the East Coast leg of the tour. From the moment the lights dimmed and the first notes filled the air, it was clear that this night would be one for the books. The energy in the venue was palpable as fans eagerly awaited Ruel’s remarkable performance, ready to be swept away by his mesmerizing voice and magnetic stage presence.

    Sam MacPherson, the incredibly talented singer-songwriter, mesmerized the crowd with his captivating opening performance at Terminal 5 in Manhattan. As he stood in the center of the stage belting out soulful vocals and heartfelt lyrics, he effortlessly commanded the stage, leaving a lasting impression on the audience. MacPherson’s infectious energy and authentic musicality created an intimate and introspective atmosphere, solidifying the connection between performer and listener. Blending elements of folk, pop, and soul, he showcased his versatility as an artist, setting the perfect tone for the night ahead and leaving the crowd hungry for more incredible music. It was a true testament to his talent and a memorable start to an unforgettable evening of live music.

    Ruel, the prodigious 20-year-old singer-songwriter hailing from Australia, has taken the music industry by storm with his undeniable talent and soulful artistry. At a remarkably young age, Ruel’s journey embarked on a meteoric rise when he captured the world’s attention with his debut single “Golden Years” in 2017. This captivating release not only showcased his remarkable vocal prowess but also showcased his ability to connect with listeners on a profound level. 

    As he continued to ascend, Ruel’s magnetic presence and introspective songwriting captivated audiences around the globe. With each subsequent release, including his EP Ready in 2018, Ruel solidified his position as a musical prodigy, effortlessly blending genres and delivering poignant lyrics that resonate deeply with fans. 

    Drawing inspiration from his own experiences, Ruel fearlessly explores themes of love, growth, and self-discovery, forging a deeply personal and relatable connection with his audience. With a maturity beyond his years and an unwavering commitment to his craft, Ruel stands poised to leave an indelible mark on the music world, captivating hearts, and minds with his extraordinary talent and unwavering authenticity.

    Ruel’s “4th Wall Tour” reached its pinnacle at Terminal 5 in New York City, delivering an awe-inspiring performance that left the audience in a state of pure musical euphoria. As the anticipation built, the crowd erupted with excitement, ready to embark on a sonic journey led by the prodigious Australian singer-songwriter.

    From the moment Ruel took the stage, the energy was palpable. Opening with the powerful anthem “GROWING UP IS ____,” he immediately captured everyone’s attention with his soulful vocals and magnetic stage presence. The audience was fully immersed in his world as he flawlessly transitioned into the introspective “YOU AGAINST YOURSELF,” where his heartfelt lyrics resonated deeply with fans.

    Throughout the night, Ruel showcased his versatility and artistry, effortlessly weaving between his own captivating tracks and surprising covers. The crowd erupted with joy as he delved into unexpected renditions of the Black Eyed Peas’ “I Gotta Feeling” and One Direction’s “Night Changes,” infusing them with his own unique style and charm.

    As the show progressed, Ruel’s connection with his fans became undeniable. The venue transformed into a collective sea of voices singing along to every word, creating a powerful sense of unity and shared experience. The atmosphere reached its peak during the poignant performance of “Younger,” a heartfelt song that resonates with audiences of all ages.

    The highlight of the evening came with the spine-tingling rendition of “Painkiller,” where Ruel’s soulful voice soared effortlessly, eliciting a wave of emotions from the crowd. The synergy between Ruel and his band was evident, as they flawlessly executed each song, transporting the audience into a world of musical bliss.

    As the final notes reverberated through the venue, Ruel took a moment to acknowledge the incredible team behind the “4th Wall Tour.” With a list of credits displayed on the screens, from the tour crew to the guitar and PR companies involved, it was a testament to the collaborative effort and dedication that made the tour possible.

    Ruel’s show at Terminal 5 was a tour de force, a testament to his undeniable talent, and a testament to the unwavering support of his fans. It was an unforgettable night filled with electrifying performances, heartfelt moments, and an undeniable connection between the artist and the audience. As the lights dimmed and the crowd dispersed, the echoes of Ruel’s unforgettable performance lingered in the hearts and minds of everyone fortunate enough to be part of this musical journey.

    Ruel Setlist: GROWING UP IS ____, YOU AGAINST YOURSELF, SOMEONE ELSE’S PROBLEM, IF AND/OR WHEN, MUST BE NICE, I Gotta Feeling (Black Eyed Peas cover), Night Changes (One Direction cover), WISH I HAD YOU, golden hour – Ruel Remix (JVKE cover), Flames (SG Lewis cover), SET YOURSELF ON FIRE, SITTING IN TRAFFIC, Dazed & Confused, Younger, Painkiller, I DON’T WANNA BE LIKE YOU

    In terms of upcoming shows, “The 4th Wall World Tour” will be finishing up the North America portion in Los Angeles on July 7th, but the rest of the tour picks back up in August down in Santiago, Chile.

    Updates for any future Ruel shows can be found on socials and his website. The same goes for Sam MacPherson, and you can find his socials and website linked here.

  • In Focus: The Flaming Lips Bring Yoshimi to Cleveland

    The Flaming Lips delivered an unforgettable performance at the Agora Theatre in Cleveland on June 11. With two mesmerizing sets, they took the audience on a journey filled with nostalgia, energy, and musical brilliance. Wayne Coyne serves as the bands psychedelic ringmaster, constantly pulling things out of his bag of tricks or egging the crowd on to be as silly and to have as much fun as possible. The Flaming Lips treat every concert like it’s the last one on Earth, because you never know, it could be.

    In their first set of the night, The Flaming Lips paid homage to their iconic album Yoshimi Battles the Pink Robots by performing it in its entirety. The crowd was immersed in a sonic adventure, as the band flawlessly captured the essence of the album’s whimsical melodies and thought-provoking lyrics. Accompanied by mesmerizing visuals, their performance breathed new life into the beloved tracks, evoking a wave of both nostalgia and renewed appreciation.

    As the night drew to a close, The Flaming Lips left the stage, but their impact lingered in the hearts and minds of everyone present. Their two-set performance was a testament to their artistic vision, their ability to captivate and transcend boundaries, and their unwavering commitment to creating a transformative live experience. The Flaming Lips once again solidified their status as masters of their craft, leaving the audience with an insatiable craving for more of their musical magic.

    Set 1: Fight Test, One More Robot/Sympathy 3000-21, Yoshimi Battles the Pink Robots, Pt. 1, Yoshimi Battles the Pink Robots, Pt. 2, In the Morning of the Magicians, Ego Tripping at the Gates of Hell, Are You a Hypnotist??, It’s Summertime, Do You Realize??, All We Have Is Now, Approaching Pavonis Mons by Balloon (Utopia Planitia)

    Set 2: Sagittarius Silver Announcement, She Don’t Use Jelly, Mother I’ve Taken LSD, How??, Always There, In Our Hearts, Feeling Yourself Disintegrate, Assassins of Youth, Will You Return / When You Come Down, Borderline(Madonna), Pompeii Am Götterdämmerung

    Encore: My Cosmic Autumn Rebellion, A Spoonful Weighs a Ton, Race for the Prize

  • Woodsist Festival Announces 2023 Lineup

    Woodsist Festival has announced its 2023 lineup, returning to Arrowood Farms in Accord on Saturday, Sept. 23, and Sunday, Sept. 24.

    Woodsist Festival

    Woodsist is an independent record label founded in 2006 by Jeremy Earl of the band Woods. Originally born in Brooklyn, the label is now based in Stone Ridge, New York. Earl, like other years, curated the festival’s eclectic lineup. Woods are one of the most dependable outfits in the kaleidoscopic low-key underground, transcending their glow into the Woodsist Festival which continually folds in a wide range of diverse sounds, creating a living community.

    The inaugural Woodsist Festival took place in Brooklyn in 2009 with Thee Oh Sees headlining alongside a number of acts including Beach Fossils, Real Estate, and Kurt Vile. Since then, the festival has been presented in various locations including Big Sur, Point Reyes National Seashore, and Pioneertown, CA. The festival found its home at Arrowood Farms in 2019 and returned again in 2021 and 2022, and now for the 2023 edition of the festival. Hosting the acts on two alternating stages, the venue will also feature food from local Hudson Valley-based vendors and craft beer brewed directly on-site. 

    The 2023 Woodsist Festival lineup showcases the largest number of artists to perform at the festival to date while ticket prices remain the same as in past years with fees capped as much as possible. This year’s festival features Kevin Morby, Kurt Vile and the Violators, Avery Tare, Woods, Cass McCombs, Bombino, Natural Information Society, Scientist, MJ Lenderman, Water from Your Eyes, Alabaster DePlume, Taper’s Choice, Daniel Higgs, Tyvek, Anna St Louis, Aquarium Drunkard DJs, and Tubby’s DJs. 

    Tickets go on sale at 10 a.m. EST on Thursday, June 29 here.

  • Blanket Approval “Happy Alone Tour” this Summer to Visit Albany, Pleasantville, NYC

    Blanket Approval, an indie pop rock band out of NYC, is stopping in three NY destinations, Albany, Pleasantville, and NYC for its “Happy Alone Tour” this summer. A fourth destination in NY may be possible, but it has yet to be determined. This coincides with the release of their new single “Happy Alone, Pt. II.”

    “Born out of the ashes of the pandemic,” Blanket Approval began to form when singer/guitarist Jack Matteucci moved to Brooklyn in 2021 and met drummer Joey Hadden. From there, they met bassist Max Mena and guitarist/keyboardist Rahul Chakraborty. Blanket Approval began rehearsing and recording in January 2022.

    They had their live debut at Union Pool in Brooklyn in Spring 2022, going on to 200,000 streams on Spotify in less than 8 months, and featuring in Spotify’s Fresh Finds Indie. In 2023, they plan to release a summer EP.

    Blanket Approval’s new single “Happy Alone Part II” builds from a calm, chill opening to powerful harmonies with many of the band’s members and swelling music. Chakraborty’s keyboards, which open the song and carry on throughout the piece give the song a nice echoing beat throughout.

    A personal favorite part of the song are the little crescendos, which often occur after the many vocal solos of the “Happy Alone Part II,” a feature fitting given the name. The pause in the instrumentals before these provides a brief return to the more cool opening of the song before returning with the explosive clamor of the instrumentals.

    Upcoming Happy Alone Tour Dates

    Albany, NY – June 30

    Greenfield, MA – July 1

    Pleasantville, NY – July 2

    Boston, MA – July 3

    Burlington, VT – July 5

    TBD Upstate NY, VT, NH – July 6

    Randolph, VT – July 7

    Southbridge, MA – July 8

    NYC, NY – July 22

    For more information on Blanket Approval, on tickets, and on future releases check out their website.

  • Wednesday I’m In Love: Night 2 Of The Cure’s MSG Residency

    The definitive band of the gothic rock genre – The Cure – swept through Midtown Manhattan this past week for a three-date residency at Madison Square Garden (MSG).

    Selling out arena after arena on the North American leg of their Songs of a Lost World Tour, a 34-date affair that the band embarked on in New Orleans, Louisiana back on May 10, The Cure have long since secured their legacy due to being one of the first alternative bands to break into the mainstream well over four decades ago. And as luck would have it, I found myself fortunate to provide coverage of The Cure’s second show in The Big Apple this past Wednesday evening, June 21.

    Robert Smith of The Cure | Photo: Michael Dinger

    The only constant member throughout the band’s storied history that began in West Sussex, England in 1978, frontman Robert Smith has been teasing since March of last year that new material, the first since their 13th studio album (4:13 Dream) was released nearly fifteen years ago, is on its way. Although fans of The Cure are still waiting for a 14th release from their beloved post-punkers, they are certainly satisfied with the progress Smith has been forging on a different front. Outspoken against Ticketmaster and their dynamic pricing model that has ticket prices fluctuating based on demand, and often to exorbitant levels, Smith fought back and guaranteed that for The Cure’s tour, tickets were only allowed to be resold at face value. And in an unprecedented response to the good fight that Smith fought for his fans, Ticketmaster issued partial refunds in mid-March to ticket holders for shows by The Cure to lessen the burden of add-on fees. Even The Cure’s tour merch was affordable, with t-shirts selling for only $25!

    Madison Square Garden | Photo: Michael Dinger

    Accompanying The Cure on all their US and Canadian dates are The Twilight Sad, a post-punk/indie rock quintet formed just outside of Glasgow, Scotland by vocalist James Graham and guitarist Andy MacFarlane as high school friends in 2003. The Twilight Sad and The Cure are no strangers to one another, as Smith handpicked the Scottish outfit to support The Cure back in 2016, which also included three shows at Madison Square Garden. The Twilight Sad are rounded out by Johnny Docherty (bass), Grant Hutchison (drums) and Brendan Smith (keyboards).

    James Graham of The Twilight Sad | Photo: Michael Dinger

    The 40-minute set kicked-off sharply at 8:00 pm with intensely thumping bass, before giving way to driving guitar, and eventually Hutchison’s pounding drums that introduced “Kill It in the Morning,” taken from their third studio album (No One Can Ever Know, 2012). At the song’s conclusion, Graham genuinely thanked the audience for being there and explained how it was such an honor for a “small band from a small town in Scotland” to be playing The Garden in New York City.

    With flashing strobes offering short glimpses of each band member in otherwise green, red and blue lighting, I was immediately taken aback by the intensity of their performance, particularly that of Graham. As the band delivered “Let’s Get Lost” and “VTr,” two tracks from their most recent studio album It Won’t Be Like This All the Time released in 2019, and fifth overall, I was transfixed by his stage persona. Particularly fascinated by Graham’s sharp gesticulating and bizarre mannerisms, as if he were possessed at times, I knew then what it must have been like to have witnessed Ian Curtis (Joy Division) perform live in the late-1970s.

    Andy MacFarlane of The Twilight Sad | Photo: Michael Dinger

    The Twilight Sad’s emblematic depth and darkness, incorporating goth despair and 90s industrial with catchy synth and grinding guitar, was prevalent for the duration of their 8-song set. Although I was unfamiliar with The Twilight Sad before tonight, it was not very difficult to get swept up by the emotional highs and melancholic lows that songs like “That Summer, at Home I Had Become the Invisible Boy” – the band’s very first single from 2007 and a nod to the film Stand by Me – and 2014’s “There’s a Girl in the Corner” could transport a listener to. As their newest fan, I cannot wait to see what these Scottish lads have in store for us during the remainder of 2023, and beyond.

    While only a recent fan of The Twilight Sad, I have been listening to The Cure since I was 14-year old boy growing up in coastal Connecticut. I do not remember exactly who introduced me to this band at the forefront of the new wave movement in 1986, but I still have a copy of one of the first compact discs that I ever bought, Staring at the Sea, a greatest hits compilation of singles that marked a decade since the band was founded, and a magnificent sampling of ‘The Cure sound’ that I continue to love 37 years later.

    Robert Smith of The Cure | Photo: Michael Dinger

    At approximately 9:15 pm, with the sound of rain and thunder playing over the house PA suddenly ceasing, the moment had arrived! One by one, the members of The Cure entered from stage left. The first was Jason Cooper who took to his stool behind the kit on an elevated riser at center stage. He was quickly followed by Reeves Gabrels (guitar), Roger O’Donnell (keyboards) and Perry Bamonte (guitar, keyboards) who assumed their respective positions as fans were going wild with excitement. Simon Gallup, a member of the band for all but three years of their history, strapped on his custom Schecter Ultra Spitfire bass as the entire arena held its collective breath until finally, Smith appeared from the dark shadows at the side of the stage.

    Simon Gallup of The Cure | Photo: Michael Dinger
    Reeves Gabrels of The Cure | Photo: Michael Dinger

    Clad in all black and donning a t-shirt depicting the famous Marilyn Monroe scene from the 1955 Billy Wilder film The Seven Year Itch, Smith wore his signature smeared red lipstick and black eyeliner as he internalized the grand spectacle that lie in front of him. For several moments, as his bandmates commenced the instrumental introduction to “Alone,” a new song that will be included on their yet to be released Songs Of The Lost World, Smith slowly walked from one end of the stage to the other, and back again. With clasped hands, he frequently paused at the edge of the stage apron as he gazed longingly into the upper levels of The Garden, a grateful expression across his face for the outpouring of support raining down on him.

    Jason Cooper of The Cure | Photo: Michael Dinger
    Roger O’Donnell of The Cure | Photo: Michael Dinger
    Perry Bamonte of The Cure | Photo: Michael Dinger

    With everyone in the house standing, classic tune after classic tune would be the overriding theme of the evening. 1989’s Disintegration made a particularly strong showing with prodigious renderings of “Pictures of You,” “Lovesong” and “Fascination Street.” The live staple “Burn,” a contribution by The Cure to The Crow’s 1994 motion picture soundtrack, featured Smith playing the penny whistle during the song’s intro. The main set was bookended with another newly recorded song from Songs Of The Lost World titled “Endsong.”

    Beginning at 10:45 pm, the first of two glorious encores comprised of five songs ensued. Masters of the melodic and atmospheric, especially during their extended, trademark instrumental intros, “A Forest” closed the first encore, procured from their second studio album Seventeen Seconds released in 1980. Renowned for a catalog of introspective alternative hits that always make it into The Cure’s live agenda, the whopping nine song second encore did not disappoint, to say the least! As midnight approached on the first day of summer in Gotham, the 29-song marathon gig came to an end with a triple threat of the choicest songs – “In Between Days” (The Head on the Door, 1985), “Just Like Heaven” (Kiss Me, Kiss Me, Kiss Me, 1987) and “Boys Don’t Cry,” the title track from their first compilation released in 1980.

    Madison Square Garden | Photo: Michael Dinger

    Over the course of the following week, the 2019 Rock & Roll Hall Of Fame inductees’ trek across North America will continue through Pennsylvania, Maryland, Georgia and Florida, with the tour finale slated for July 1 at the Kaseya Center in Miami, Florida. After a much needed respite for the duration of the summer, the English rockers will be back on the road beginning this fall, with a headlining appearance at Riot Fest in Chicago, Illinois (September 17), followed by another headlining gig at Festival Corona Capital in Mexico City (November 19). Their calendar remains full with six additional shows slated for late-November and early-December that will take The Cure to Peru, Argentina, Uruguay, Chile, Brazil, Paraguay and Columbia. And hopefully, not before too long, fans of The Cure will be treated to their first new music since 2008 with the arrival of Songs Of The Lost World in the coming months.

    The Twilight Sad Setlist: Kill It in the Morning > Let/s Get Lost > VTr > That Summer, at Home I Had Become the Invisible Boy > There’s a Girl in the Corner > I/m Not Here [missing face] > The Wrong Car > [10 Good Reasons for Modern Drugs]

    The Cure Setlist: Alone > Pictures of You > A Fragile Thing > A Night Like This > Lovesong > And Nothing Is Forever > Like Cockatoos > Burn > If Only Tonight We Could Sleep > Charlotte Sometimes > Push > 39 > Fascination Street > From the Edge of the Deep Green Sea > Endsong > Encore 1: I Can Never Say Goodbye > Want > Shake Dog Shake > One Hundred Years > A Forest > Encore 2: Lullaby > The Walk > Friday I’m in Love > Doing the Unstuck > Close to Me > Why Can’t I Be You? > In Between Days > Just Like Heaven > Boys Don’t Cry

    THE TWILIGHT SAD

    THE CURE

  • Toad The Wet Sprocket has Good Intentions for Canandaigua

    Back in the day when Drakkar was the go-to scent for young men and the smell of clove cigarettes was the norm, Toad the Wet Sprocket was becoming a household name. On June 22, they brought their sounds to Lincoln Hill Farms, a small rustic backwoods venue just outside of Canandaigua.

    Opening up for TTWS was Marcy Playground. Back in 1996, Marcy Playground was riding the merry-go-round waiting for a big break. They were awarded that break when they were invited to tour with Toad. 27 years later, here they are on tour together again.

    Marcy Playground is fronted by John Wozniak, Shlomi Lavie on drums, and Dylan Keefe on bass. On this night, Keefe could not make the trip so Scot Alexander of Dishwalla filled in and crushed it as if he were in the band for years. Of course the fans knew every word to every song and came close to overpowering Wozniak’s voice on Sex And Candy.

    Setlist for Marcy Playground: Poppies, Pigeon Farm, Rock and Roll Heroes, Special, Saint Joe on the School Bus, Rebel Sodville, A Cloak of Elvenkind, Punk Rock Superstar, Wave Motion Gun, Sherry Fraser, Deadly Handsome Man, Sex and Candy, Star Baby

    Formed in the late 80s, Toad the Wet Sprocket is named after a Monty Python skit when the band needed a name so they could enter a talent contest. Although the band called it temporary and a joke, the name has stuck.

    Lead singer Glen Phillips smooth voice can transition into any style flawlessly, so it makes sense to see his style described as folky and alt-pop. Songs like “Good Intentions” and “All I Want” are great examples of both pop and alternative sounds, while a song like “I Will Not Take These Things for Granted” yields a more folk sound.

    Another folk style song from Phillips was “Transient Whales,” which he performed acoustically using a 50s style microphone to enhance the sound. Trucking along flawlessly, he forgot some lyrics but thanks to fan in the front row, he was able to get back on track and finish it out.

    Minus the aforementioned scents and a parking lot of full of Ford Tempos and Chevy Cavaliers, Toad took fans back to the 90s with hits such as “Walk on The Ocean,” “All I Want,” and “Good Intentions.” The respectable crowd of near middle-aged parents danced around like they were still in high school partying at the Saturday night bonfires.

    While they have not been producing new music on regular basis, the band released Starting Now in August of 2021 the title track and “Old Habits Die Hard” released in September and October of same year. Keep up to date with Toad the Wet Sprocket here.

    Setlist: Windmills, Come Down, California Wasted, Crowning, Hold On, Nanci, Whatever I Fear, All I Want, Transient Whales, Good Intentions, Closer to Fine (Indigo Girls), The Moment, Dam Would Break, Fly From Heavan, Pray Your Gods, Nightingale Song, Crazy Life, Something’s Always Wrong, Walk On The Ocean, Fall Down, I Will Not Take These Things For Granted