NYS Music 2023

Category: Features

  • A Tribeca Festival Music Guide: From Paul McCartney to Megan Thee Stallion

    The upcoming New York Film and Multi-Media Tribeca Festival running next week, June 7-18 includes a vast array of music performances, films, and talks.

    109 feature films from 127 filmmakers will be presented throughout the 10 venues spread across the city over the 12 days.

    If you unable to attend the festival in-person, you can still view the premieres at home through the At Home Festival Pass.

    Check out the music events at Tribeca Festival 2023 below:

    Wednesday, June 7

    Opening Night: “Kiss the Future” – Directed by Nenad Cicin-Sain

    OKX Theater at BMCC TPAC | 8:00 PM | 103 min

    A stirring testament to art’s enduring ability to cast light even in the darkest of circumstances, Kiss the Future follows an underground community that worked and created throughout the nearly four-year-long Siege of Sarajevo. Sensing that a larger voice is needed, an American aid worker makes a longshot pitch to U2 to help raise awareness about the Bosnian capital’s plight. The band immediately agrees and begins a series of live satellite interviews with local Sarajaevans during their 1993 ZOO TV Tour in an effort to highlight the direness of the situation on the ground. 

    Thursday, June 8

    Storytellers – John Mellencamp with David Letterman

    OKX Theater at BMCC TPAC | 6:00 PM | 60 min

    John Mellencamp is one of the most highly respected singer/songwriters of a generation. He will be joined in conversation by David Letterman who can currently be seen hosting My Next Guest Needs No Introduction, a four-time Emmy-nominated interview show streaming on Netflix.

    “Bad Like Brooklyn Dancehall“ – Directed by Ben DiGiacomo and Dutty Vannier

    The Indeed Theater at Spring Studios | 8:15 PM | 93 min

    This documentary explores the ‘80s and ‘90s emergence of dancehall as Jamaican immigrants brought the music, dancing, and vibes of their home to New York City. Nicknamed the 15th Parish of Jamaica, New York City became home to an influential movement that saw dancehall rise alongside hip-hop and eventually spread across the country.

    Tribeca Music Lounge – Tei Shi With Tony & Tony, Miette, DJ Set by Frost Children

    Baby’s All Right | 8:00 PM | 180 min

    Miette Hope is a Brooklyn based singer-songwriter and producer. Inspired by both the grit and glam of their home base of New York City, TONY OR TONY is a dynamic blend of The Prodigy, MGMT, and A.G. Cook, who are ready to grab your attention with their fast & active mix of punk, indie-pop, and electronica. Tei Shi (pronounced “tay-shee”) is the moniker of singer/songwriter and producer Valerie Teicher. Frost Children is the project of NYC- based siblings Lulu and Angel Prost.

    Friday, June 9

    “Maestra” – Directed by Maggie Contreras

    Village East by Angelika | 5:30 PM | 88 min

    Following the buzz of Tár, Maggie Contreras’ documentary Maestra follows several women from around the world as they compete in the only all-women competition for conductors. This ultra-competitive field is riddled with long-standing issues of sexism, and each participant is approaching the contest with fierce tenacity.

    “Cypher” – Directed by Chris Moukarbel

    SVA Theatre | 6:00 PM | 89 min

    Tierra Whack first gained recognition at the age of 15 when she stunned viewers with her slick poetry while rapping for a YouTube channel on a Philadelphia street. The video rapidly drew thousands of views and marked the first of Tierra’s many performances for the camera. Years later, director Chris Moukarbel begins documenting her astronomical rise, going behind the scenes of concerts and music videos as she navigates fame and receives exalted praise from stars like Erykah Badu and Billie Eilish.

    “Gloria Gaynor: I Will Survive” – Directed by Betsy Schechter

    The Indeed Theater at Spring Studios | 8:15 PM | 99 min

    This documentary recounts Gloria Gaynor’s life while also chronicling her comeback journey. It is both a moving story of an artist’s resilience and a scintillating peak at the machinations of the music industry. After the Premiere: A performance by the one and only Gloria Gaynor.

    Tribeca Music Lounge – David Duchovny with Blake and Caroline and Laundry Day

    Baby’s All Right | 8:30 PM | 240 min

    Broadway trained singer Caroline Iliff and songwriter Blake Harmon will be on opening duties for David Duchovny’s band in anticipation for his film premiere Bucky F*cking Dent.

    Saturday, June 10

    Tribeca Festival & Gov Ball Presents: Storytellers – Diplo

    The Indeed Theater at Spring Studios | 12:00 PM | 60 min

    Born in Mississippi and raised in Florida, Diplo’s 20-year career began with his now-legendary Philly club night Hollertronix. The three-time Grammy nominee is also a member of the iconic Major Lazer, one third of LSD (with Sia and Labrinth), and half of Silk City with Mark Ronson.

    “Flower” – Directed by Lauren Finerman

    Village East by Angelika | 12:30 PM | 28 min

    World-renowned ballerina Misty Copeland stars in her first independently produced short art film, an immersive experience in movement storytelling that highlights intergenerational equity in the community of Oakland, California, featuring new, original music from Grammy-winning recording artist Raphael Saadiq.

    “Letter to Rosie” – Directed by Ariel Danziger

    Village East by Angelika | 12:30 PM | 6 min

    Letter to Rosie captures an intimate portrait about survival, self worth, self love, and overcoming all of life’s obstacles. Matt’s tormented past finds its way into our short film.

    “Melody of Love” – Directed by Edmundo Bejarano

    AMC 19th St. East 6 | 2:45 PM | 85 min

    Clad in slim jeans and a leather jacket, with his electric guitar strapped to his back, jazz musician Michael (Elijah Reid) cuts an effortlessly cool figure as he moves through the streets of Addis Ababa. Playing the nightclubs of his beloved city and excited by the promise of an upcoming tour, Michael is every bit the working musician.

    Tribeca Music Lounge Free Talk with BMI: How I made that soundtrack with Ali Dee

    Baby’s All Right | 3:00 PM | 60 min

    Ali Dee Theodore has over 3 decades of experience in the entertainment industry as a songwriter, producer, composer, artist and Executive Music Producer. In 1989, Dee signed a recording deal with Chysalis Records for his group The Next School, which was the first African American and white rap duo. Dee would go on to join the famed Hip Hop production juggernaut, The Bomb Squad, from 1990 to 1993.

    “Uncharted” – Directed by Beth Aala

    OKX Theater at BMCC TPAC | 8:00 PM | 95 min

    Filmmaker Beth Aala takes us behind the scenes of Alicia Keys‘ She Is The Music songwriting camp in this revealing look at the music business that focuses on the lack of access and opportunity granted to young black and brown women. The camp’s participants take center stage as they try to break through the industry with the next big hit song.  After the Premiere: A performance from She Is The Music artists, curated by Alicia Keys.

    “Songs About Fucking” – Directed by James Gallagher

    The Indeed Theater at Spring Studios | 8:00 PM | 99 min

    Marc Rebillet is a lot of things. He’s a musician, a comedian, an artist, and some even say an innovator. Known for his improvised shows and signature tight boxers, he’s certainly someone you can’t put into a neat label. However, as this documentary, Songs About Fucking, proves, he wouldn’t have it any other way. After the Premiere: A musical Q&A with Marc Rebillet.

    Tribeca Music Lounge – Jitwam, Eddie Chacon, dreamcastmoe, Willy Soul

    Baby’s All Right | 8:00 PM | 240 min

    A night of smooth indie and psychedelic music featuring Indian Psychedelic soul savant Jitwam (freshly nominated for best Album at Australian Grammys), Eddie Chacon who just released one of this year’s best album on the storied Stones Throw Records, and East Coast rising star in the Funk scene, dreamcastmoe. 

    “Milli Vanilli” – Directed by Luke Korem

    Village East by Angelika | 8:30 PM | 106 min

    This documentary dissects the duo’s trajectory from their humble origins through their collaboration with legendary music producer Frank Farian — a toxic partnership that cemented the band’s fate and concealed a shocking secret about their music and craft.

    Sunday, June 11

    “Cinnamon” – Directed by Bryian Keith Montgomery Jr.

    SVA Theatre | 2:00 PM | 91 min

    Aspiring singer Jodi Jackson (Tony nominee Hailey Kilgore) has a big voice and dreams to match but struggles to make ends meet as a gas station attendant whose boss (Damon Wayans) may not be on the up and up. Enter charming small-time crook Eddie (David Iacono). Reminiscent of ‘70s blaxploitation films, with an outstandingly menacing performance from the genre’s queen, Pam Grier, this directorial debut from Bryian Keith Montgomery Jr. is a superfly thriller filled with intrigue, music, and a whole lot of heart.

    “Boca Chica” – Directed by Gabriella Moses

    AMC 19th St. East 6 | 2:45 PM | 97 min

    Dominican twelve-year-old Desi has musical aspirations and performs with a local all-girls choir, but her ambitions are much bigger. Desi yearns to one day leave her beachside community of Boca Chica behind and achieve fame and recognition as a singer. She keeps this yearning a secret from her family, specifically the women in her life who have raised her.

    “Anthem” – Directed by Peter Nicks

    The Indeed Theater at Spring Studios | 5:00 PM | 98 min

    “The Star-Spangled Banner”, written in 1814 using the melody of an old British tune, is a song that evokes a range of emotions from patriotic pride to cynicism and terror. But what would the national anthem sound like if it was based on American music? This documentary follows composer and pianist Kris Bowers and producer Dahi as they journey across the country to find out.

    “Lost Soulz” – Directed by Katherine Propper

    Village East by Angelika | 5:15 PM | 95 min

    Sol (Sauve Sidle) is an aspiring young rapper living with his best friend Wesley (Siyanda Stillwell), whose family has embraced him as a brother. After a raucous night causes Wesley to overdose, Sol abandons him at a house party, and eventually chooses to leave home for good and join a touring group of hip-hop artists.

    “Special” (Lizzo Music Video) – Directed by Christian Breslauer

    AMC 19th St. East 6 | 5:30 PM | 3 min

    In Lizzo’s music video, visuals, empowering lyrics, and energetic performances celebrate self-love, body positivity, and individuality. Bold, colorful, and full of positive energy.

    “Ron Delsener Presents” – Directed by Jake Sumner

    The Indeed Theater at Spring Studios | 8:00 PM | 102 min

    Documentaries about figures of music history tend to focus on artists, but here, the subject is influential concert promoter Ron Delsener who worked with some of the biggest names in music over his decades-long career. Featuring a bevy of legends from Cher to Gene Simmons, Roger Daltrey, and Simon and Garfunkel, Ron Delsener Presents is a career retrospective stuffed with star power. 

    Tribeca Music Lounge: Iranian Live Music Showcase with LuNika, Sussan Deyhim, Habibi

    Baby’s All Right | 8:30 PM | 240 min

    Tribeca will be hosting a women-fronted lineup of Iranian musicians or musicians from the Iranian diaspora. All generations will be represented, from a teenage sister-brother LuNika duo whose latest protest single “Women Life Freedom” went viral on Instagram, to Brooklyn girl band HABIBI, to celebrated composer and musician Sussan Deyhim.

    Monday, June 12

    “Honeycomb” – Directed by Sam Roden

    Village East by Angelika | 5:15 PM | 32 min

    After a has-been musician (Baron Vaughn) live-streams his suicide attempt, his band’s single goes viral. For the first time in their life, they have a chance at fame and fortune — as long as the world continues to believe he’s dead. (New York Indie Episodic Premiere)

    “Waitress, the Musical – Live on Broadway!” – Directed by Brett Sullivan

    OKX Theater at BMCC TPAC | 7:30 PM | 144 min

    Waitress, the Musical – Live on Broadway! is a heartwarming story that follows the life of Jenna Hunterson (Sara Bareilles), a pie-maker and waitress stuck in an unfulfilling marriage in a small town. Jenna finds solace in baking and dreams of winning a baking contest in a nearby city to escape her mundane life. When Jenna becomes pregnant, she decides to take control of her life with the help of her co-workers and a new town doctor. She confronts her past, faces her fears, and makes life-changing choices. After the Premiere: A special performance from Sara Bareilles.

    Tuesday, June 13

    Storytellers – Lin-Manuel Miranda with Rosie Perez

    OKX Theater at BMCC TPAC | 6:00 PM | 60 min

    Lin-Manuel Miranda is a Pulitzer Prize, Grammy, Emmy and Tony award-winning songwriter, actor, director and producer. He is the creator and original star of Broadway’s Tony-winning HAMILTON and In the Heights. Miranda is the recipient of the 2015 MacArthur Foundation Award, the 2018 Kennedy Center Honors and the 2019 Portrait of a Nation Prize. He will be joined in conversation by Academy Award-nominated actress Rosie Perez. 

    “Scream of My Blood: A Gogol Bordello Story” – Directed by Nate Pommer and Eric Weinrib

    The Indeed Theater at Spring Studios | 8:00 PM | 90 min

    Capturing the raucous atmosphere of their live performances, this frenetic globe-trotting history of the immigrant punk band Gogol Bordello is a firecracker of a documentary. Spanning the final days of the Soviet Union all the way to pre-9/11 New York, and ending with the Russian invasion of Ukraine, Scream of My Blood: A Gogol Bordello Story is as much about how the world shaped Gogol Bordello as how the band shaped the world. After the Premiere: A performance by Gogol Bordello.

    Wednesday, June 14

    “It’s Only Life After All? – Directed by Alexandria Bombach

    OKX Theater at BMCC TPAC | 5:00 PM | 123 min

    A revealing exploration and much-anticipated love letter to the massively beloved folk-rock duo Indigo Girls. From their serendipitous meeting at Emory University, where their innate musical styles collided, to their hardscrabble days as a popular bar band, to their explosion on the worldwide music scene with their eponymous album — this is the deep dive into their story that their intensely devoted fans have craved.

    Storytellers – Chance the Rapper

    The Indeed Theater at Spring Studios | 6:00 PM | 60 min

    Multi-Grammy award winner Chance the Rapper has built a multi-faceted career across music, film, television, and art. His new body of work, Star Line Gallery, has premiered at art institutions around the world including Art Basel and Los Angeles’ Museum Of Contemporary Art (MOCA).

    “Taylor Mac’s 24-Decade History of Popular Music” – Directed by Rob Epstein and Jeffrey Friedman

    The Indeed Theater at Spring Studios | 8:00 PM | 106 min

    New York’s hottest club is Taylor Mac’s 24-Decade History of Popular Music. This club has everything: countercultural history, off-the-wall interpretations of America’s most recognizable tunes, ping pong warfare, giant inflatable penises making love and war to David Bowie‘s “Heroes,” shameless gay melodrama, and of course, MacArthur Fellowship winner Taylor Mac.

    Let the Canary Sing – Directed by Alison Ellwood

    The Beacon Theatre | 8:00 PM | 96 min

    Cyndi Lauper anxiously rides in the backseat of a car stuck in New York City traffic. In her distinctively thick New York accent, she reflects on her career, saying “I didn’t want anyone to tell me what I could and couldn’t do.” On her longevity and unique ability to adapt to shifting social trends, she says “I never think of it as reinvention. I want to learn.”  After the Premiere: A performance by Cyndi Lauper at the Beacon Theatre.

    Thursday, June 15

    Storytellers – Billy Porter

    The Indeed Theater at Spring Studios | 6:00 PM | 60 min

    Billy Porter is an Emmy, Tony and Grammy award-winning actor, singer, director, producer, composer, and playwright, best known for FX’s Emmy- and Golden Globe-nominated drama “Pose” and Broadway’s Kinky Boots. 

    Storytellers – Paul McCartney with Conan O’Brien

    OKX Theater at BMCC TPAC | 6:00 PM | 60 min

    Paul McCartney will be joined in conversation by Conan O’Brien. The pair will discuss McCartney’s new book 1964: Eyes of the Storm, which is being published on June 13. The book showcases 275 of McCartney’s rediscovered photos from his archive from the end of 1963 and beginning of 1964 when Beatlemania erupted. The conversation will be recorded for a future episode of O’Brien’s podcast “Conan O’Brien Needs a Friend.”

    Storytellers: Megan Thee Stallion

    The Beacon Theatre | 8:00 PM | 60 min

    Megan Thee Stallion is a three-time GRAMMY-winning recording artist, actor, philanthropist, and entrepreneur. Megan has been recognized for her musical achievements, including nine BET Awards and back-to-back Billboard Music Awards for “Top Rap Female Artist.”

    Friday, June 16

    “Choir” – Directed by Rudy Valdez

    SVA Theatre | 5:30 PM | 93 min

    For the Detroit Youth Choir, everything changed when they entered the spotlight on America’s Got Talent. They’d come a long way from rehearsing in a church basement with a handful of kids, but now their past achievements are old news and the new kids need to step up. With new talent and auditions underway, can the DYC stay relevant both in their hometown and on the national stage? After the Screening: A conversation with Artistic Director of the Detroit Youth Choir Anthony White, director Rudy Valdez, executive producer Sara Bernstein, and members of the choir, plus a special performance by the Detroit Youth Choir.

    Storytellers – Hailee Steinfeld

    The Indeed Theater at Spring Studios | 6:00 PM | 60 min

    Academy Award-nominated actress, multi-platinum recording musician, and producer, Hailee Steinfeld remains a force to be reckoned with in the entertainment industry.

    “For Khadija” – Directed by Mandon Lovett

    The Beacon Theatre | 8:00 PM | 90 min

    French Montana is many things, including an entrepreneur and Grammy-nominated rapper. But what did it take for a hungry talent from Africa to reach those lofty heights? The Moroccan-born and New York-bred multi-platinum artist behind hits such as Pop That, Unforgettable, and No Stylist is giving us a deeper look through his lens. This globe-spanning showcase provides views of French we haven’t seen, including the unbreakable bond he shares with his single mother, Khadija. After the Premiere: A performance by French Montana, Triplets Ghetto Kids, and Very Special Guests.

    Sunday, June 17

    “All Up In The Biz” – Directed by Sacha Jenkins

    The Indeed Theater at Spring Studios | 8:00 PM | 100 min

    New York native Biz Markie remains a hip-hop icon despite his untimely death in 2021. Best known for his 1989 Top 40 hit “Just a Friend”, Markie was a rapper, beatboxer, songwriter, and producer who was fondly referred to as the clown prince of hip-hop. In All Up in the Biz, Director Sacha Jenkins weaves together a collage of dynamic celebrity interviews, rare archival footage, reenactments with puppets, and playful animation to share the personal and professional story of Biz Markie and the mark he left on hip-hop history and the music industry around the world.

    “Carlos” – Directed by Rudy Valdez

    The Beacon Theatre | 8:00 PM | 87 min

    The lively and intimately-crafted documentary Carlos immerses us in rock icon Carlos Santana’s life and musical trajectory. Filmmaker Rudy Valdez bolsters this personal narrative with pulsating, never-before-seen footage — guided by Santana himself, in his own words. After the Premiere: A performance by the legendary Santana.

  • In Focus: Prince Bowie & Escaper at Putnam Place

    The temps are heating up outside, and so is the music scene in the Capital District in New York, including two of the most exciting bands on the scene right now. On Saturday, May 20th, New York City-based band Escaper warmed everyone up for the main act, Prince Bowie.

    Escaper

    Escaper is possibly the most appropriate name for a band in the history of band names — after all, it is impossible to ascribe a specific genre to this act. Will Hanza (guitar, vocals), Phil Kadet (keys) Sam Crespo (drummer from Space Bacon), and Luke Bemand from (bassist from Lespecial) have truly escaped a label of any kind. They enjoy being known as “one who breaks free from confinement,” and this comes across in every note that they play. If you haven’t had a chance to check out this band yet, you are truly missing something special. If you want to get right on it, you can check out their music on SoundCloud.

    Prince Bowie

    Prince Bowie is one of the most unique acts I have ever seen, covering the songs of Prince and David Bowie like you’ve never heard before. Prince Bowie almost never has the same lineup twice. This has no effect whatsoever on their level of talent, however, it is impossible to tell that they rarely play together as they gel quickly on stage.

    Saturday Night’s Lineup

    Saturday’s lineup included some local favorites as well as some glorious out-of-town guests. Featuring Eric Gould (Bass, Pink Talking Fish), Cal Kehoe (Guitar, Pink Talking Fish), Alric “AC” Carter (Keys, TAUK), Rory Dolan (Drums, lespecial), Chris Brouwers (Trumpet, The Horn Section / Cool Cool Cool), Greg Sanderson (Tenor Saxophone, The Horn Section / Cool Cool Cool, Josh Schwartz (Baritone Saxophone, lead vocals, The Horn Section / Cool Cool Cool) and Matt Wayne (Alto Saxophone, Bobby Deitch Band), they were joined for a few songs – “Under Pressure” and “Kiss” among them – by local legend Shannon Lynch (Saxophone, vocals, Midnight Sun, Conehead Buddha).

    Prince/Bowie – Putnam Place, Saratoga Springs – May 20, 2023

    Set: Let’s Go Crazy, Let’s Dance, Delirious, Ziggy Stardust, 1999, Starman, KISS, Under Pressure, DMSR, Young Americans, I Wanna be Your Lover, Fame > Cream, Space Oddity, I Would Die For You, Controversy, Moonage Daydream
    Encore: Life on Mars, Purple Rain

  • Watch Dave Mustaine Pay Tribute to Nick Menza at Rock’N Derby 2016

    On Sunday, May 22, 2016, Dave Mustaine paused during Megadeth’s performance at Rock’N Derby, to pay tribute to former Megadeth drummer, Nick Menza.

    Mustaine asked the crowd for a moment of silence and what can be heard is a crowd quiet as can be, a solid 30 seconds of silence, before a drum solo begins that lead into “Trust,” off Cryptic Writings.

    Among other praise, Dave Mustaine said, “Nick went to heavy metal heaven last night.” When the band finished their final song and took their bows, Mustaine addressed the crowd, saying, “I usually say, ‘You’ve been great, we’ve been Megadeth.’ But Nick, you’ve been great. I love you, buddy.”

    Dave Mustaine Nick Menza rock n derby

    Megadeth was part of the incredible lineup at the 2016 festival Rock’N Derby, a multi-faceted entertainment festival held east of Troy, at the Schaghticoke Fairgrounds. The three-day event featured demolition derbies, wrestling, fair-style food, overnight camping and metal and rock bands including Five Fiver Death Punch, Lamb of God, Halestorm, A Day to Remember, Shinedown, Sevendust, Sixx A.M., Trivium, Coheed & Cambria, and of course, Megadeth.

    Roughly 7,000 to 9,000 people attended Rock’N Derby each of the three days, coming from all over the country to see a stellar lineup like this.

    Dave Mustaine Nick Menza rock n derby

    Three stages hosted the bands on the Upstate Concert Hall Arena Stage (set up in one of the fair’s agricultural barns), and two larger stages, the Rock’N Stage and the Derby Stage, both outdoors and on opposite ends of the grounds.

    Watch Mustaine pay tribute to Nick Menza below.

  • Danielle Ponder Releases New Spiritual Single “Roll the Credits”

    Rising soul and R&B artist, Danielle Ponder, released her new song “Roll the Credits” on May 5th. Her single is accompanied by a cinematic music video directed by Broadway choreographer and dancer Hettie Barnhill. Originally from Rochester, the singer has left her mark on New York’s music scene for more than a decade.

    “Roll the Credits” takes listeners into a passionate and pulsating world of spirituality. Filmed in the city of San Juan, Puerto Rico, the video allows listeners to connect the spiritual relationship that Ponder speaks of in her dynamic lyrics with culture, dance, music, and nature. Throughout the verses, the artist shows off her range and confidence in her weighty, graveling vocal style along with her clarity and evocation in her alternative gospel-like chorus.

    After playing the song in various live shows, it has clearly become a crowd and fan favorite throughout North America as well as Europe. The video itself has reached over 16,000 views in the past two weeks and continues to rise.

    Ponder’s new single is produced by Grammy nominated musician Gianluca Buccellati who has worked with artists ranging from Lana Del Ray to Paris Texas. The pair collaborated on Ponder’s debut album Some of Us Are Brave which was released last year.

    When speaking about her biggest influences Ponder comments, “We couldn’t listen to secular music so, I was listening to a lot of gospel early on, like Shirley Caesar, John P. Kee, the Blind Boys of Alabama — a mix of old and new school stuff. However, the blues is where I really developed a desire to sing. Listening to Big Mama Thornton and Koko Taylor, I wanted to know how to do that.“

    After taking the risk of leaving her career as a public defender behind in 2018, the artist has followed a path of expression and music all the way to the lime-light. She has unveiled her voice and passion with the world, landing her television appearances on “Late Night with Seth Meyers” and “Jimmy Kimmel Live!”

    In order to celebrate and share her new music, Ponder has set out on a twenty-four date tour. Her live show will be performed in select cities throughout North America and Europe.

    Danielle Ponder Live Shows

    May 12 – Miramar Beach, FL – Brandi Charlie’s Mothership Weekend

    May 13—New Orleans, LA—Toulouse Theatre

    May 16—Austin, TX—Antone’s Nightclub

    May 18—Dallas, TX—Eric Nadel Birthday Benefit

    May 19—Houston, TX—The Heights Theater

    May 21—Phoenix, AZ—Valley Bar

    May 22—San Diego, CA—Voodoo Room at House of Blues

    May 24—West Hollywood, CA—Troubadour

    May 26—San Francisco, CA—Cafe Du Nord

    May 27—Napa, CA—BottleRock Napa Valley

    June 2—Ogden, UT—Ogden Music Festival

    June 17—Manchester, TN—Bonnaroo Music & Arts Festival

    June 22—Rothbury, MI—Electric Forest Festival

    June 29—Montreal, Québec—Montreal International Jazz Festival

    July 1—Werchter, Belgium—Rock Werchter

    July 5—Aix-les-Bains, France—Festival Musilac

    July 7—Rotterdam, Netherlands—North Sea Jazz Festival

    July 29—Newport, RI—Newport Folk Festival

    August 5—Chicago, IL—Lollapalooza

    August 18—North Adams, MA—MASS MoCA

    August 29—Red Bank, NJ—Count Basie Center for the Arts

    August 30—Syracuse, NY—Chevy Court Stage

    September 14 – September 17—Louisville, KY—Bourbon & Beyond

    September 29 – October 1—Dana Point, CA—Ohana Fest

    Watch the official music video for Danielle Ponder “Roll the Credits” below.

  • Spafford Sizzles in Saratoga Springs Debut

    Making their Saratoga Springs debut, the force was strong with Spafford on Thursday, May 4th. Delivering an awe-inspiring, booty shaking performance full of type-II improvisation, buttery smooth segues, spacey textures and more dynamic soloing than even Han could handle, the highly talented quartet proved once again that when it comes to pure jams, Spafford is light years ahead of the pack.

    Putnam Place served as our cantina for the evening, and while you will surely find a more wretched hive elsewhere, on this evening there were no villains here, only friends with plenty of character. You see, despite it being Spafford’s first time in ‘Toga, the electro-funk jam band has been around for more than a decade now. Developing a strong following via old-fashioned word of mouth and fan interaction, frequently sharing high quality live streams and relentless touring, those that already know, know, and these so-called “Spaff-Nerds” will happily travel far and wide to see these jam band Jedis play. For many in attendance, it was a no-brainer making the trip to Putnum Place, a venue with an almost mythical status as being a “rite of passage” for improv acts.

    Originally formed in a place far, far away in Arizona, Spafford is comprised of Brian Moss (Guitar), Jordan Fairless (Bass), Corey Schechtman (Keys), and Nick Tkachyk (Drums), and have actually orbited around the Capital Region numerous times, previously playing venues like the defunct Lucky Strikes in 2017, the Palace Theatre (supporting Umphrey’s McGee) and headlining “Jam Night” at Albany’s Alive at 5 concert series last summer, thus making their long awaited Putnum debut all the more surprising and overdue. Making up for lost time and determined to leave a lasting impression, the evening with Spafford kicked off with a spunky version of “Left on the Runway” from their latest album, 2022’s Simple Mysteries.

    Acknowledging the familial vibe early and flowing straight into “All My Friends,” the collective buzz in the room immediately went up a notch. That’s because longtime Spafford fans know “All My Friends” is almost always paired up with “Bee Jam,” one of their most coveted improv vehicles. Sure enough, the Bee would take flight on this night, soaring through Saratoga with an absolutely stellar, 18 minute rendition that contained everything from head banging grooves, crunchy funk-drenched breakdowns, the first huge guitar solo from Brian Moss and sonic exploration that effortlessly dipped into a murky type-II atmosphere, only to emerge on the other end with “Mind’s Unchained.” Corey’s Schechtman’s tasteful piano textures really came through here, adding a layer of beauty that made you want to close your eyes and live in the moment for as long you could. Slowly building to the song’s blissful crescendo, the song would cap off an impressive 40 minutes of uninterrupted music to start the show. Little did anyone know the biggest jam of the first set was still yet to come.

    As bassist Jordan Fairless slapped away at the intro of “Dog House,” his voice was in top form and so was his playing. Picking up the pace as the song shifted into “Part II,” we’d get another tasty organ solo from Corey, before the song would showcase some of the bands more jamtronic and improg influences with “the human metronome” Nick Tkachyk navigating the ship. Taking you along for a colorful, sonic journey into the musical unknown, the song would ultimately clock in at the 19 minute mark and bring the scorching first set to a close.

    After a smoke-filled intermission, Spafford would stay on target and turn the heat up even higher for set two. Once again choosing a song from their latest studio album to kick things off, the band came out of the gates swinging for the fences with a 21 minute “Diesel Driver” that was, simply put, a home run. Despite being a relatively recent song, Spafford played the ever-loving snot out of it, showing a maturity and patience well beyond their peers. Then working their way through the Braveheart-esq sounding “Pursuit of Madness,” for me, it was all about the “Broken Wing” that would follow. An absolute showcase of what this band is capable of, if you were able to stand still during this song, sorry not sorry, but you might want to check your pulse.

    Going with dank grooves for days and yielding an all-out dance party that reminded you of what the Putnum Place was like before the pandemic, the energy here was through the roof. Yet another 20 plus minute jam, it was around this time I realized, “holy smokes, they haven’t stopped playing this entire set!” Maybe that was their plan all along? Almost on que, as if they could hear my thoughts, “Broken Wing” then melted into “Plans” in the most buttery-smooth way. Giving guitarist Brian Moss and his custom Raven one last chance to shred, every time I get a chance to watch this man play is awe-inspiring. The entire second set alligatored together as one frame of music, I’ve been saying it for years, but if that didn’t make you a believer in this band, then I give up trying to convince you.

    Thanking the audience for packing out the place despite it being their first time there, Moss would speak from the heart and address the crowd by saying, “What a blast we had this evening. What a beautiful town, great food, great people. Should we come back?” After a resounding cheer, minus the one guy who jokingly gave a thumbs down, Spafford would cure us all and send everyone home happy with a 13-minute encore of “The Remedy.” While it may have taken them several years to find their way to Saratoga Springs, east coast jam fans won’t need to wait nearly as long to see the guys again. With the promise of planning something spectacular and unique, up next the band is preparing for an intimate three-night run of shows at NYC’s famous Blue Note Jazz Club beginning May 29th. Later in June, you can catch Spafford performing at the picturesque Lincoln Hill Farms in Canandaigua, NY.

    Spafford | May 4, 2023 | Putnum Place | Saratoga Springs
    Set 1: Left on the Runway, All My Friends > Bee Jam > Mind’s Unchained, Doghouse > Part II
    Set 2: Diesel Driver > Pursuit of Madness > Broken Wing > Plans
    Encore: The Remedy

  • Julica Dann, Prom Sex, And Brian Kaplan Featured on This Week’s EQXposure

    Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Julica Dann, Prom Sex, and Brian Kaplan.

    Julica Dann, Prom Sex, and Brian Kaplan.

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Julica Dann – “Side Grit”

    Julica Dann is Erica Ann’s indie/electro music-making Gemini Twin. She has been making music and involved with bands for years but wanted to branch out to do completely solo music. She started with an old drum machine making beats along with her bass playing skills and has grown to include computer samples as well. Her song “Side Grit” off of her record On Hold, released in 2019, will be played on EQXposure.

    Prom Sex – “The Thinker”

    Prom Sex is a DIY noise rock project from Upstate New York. Originally starting as an experimental noise project fronted by Alex Furnia, it has since developed into an electric, rock-oriented group, enlisting the songwriting talent of Alex’s twin brother Nick on later EPs and their most recent album, DEATH OF THE BODY.

    Brian Kaplan – ”Harder to Stay”

    Award-winning singer-songwriter, multi-instrumentalist, and recording artist Brian Kaplan has fronted his genre-bending original projects since 2001. His original music has made its way onto the playlists of some of the most prominent regional radio stations in the Northeast. His various projects have opened for or shared the stage with such monster acts as BB King, blink-182, moe., Widespread Panic, Jerry Garcia Band, and more.

  • Josh Lumsden Releases Energetic Debut EP “SCION i”

    Independent DIY pop artist and acclaimed NYC-based producer Josh Lumsden has just released his debut EP SCION i just in time for Pride Month. The album features many dramatic hit songs accompanied by a handful of LGBTQIA icons. 

    Josh Lumsden Releases Energetic Debut EP “SCION i" May 19th

    For instance, the album starts off strong by introducing Rupaul’s Drag Race Winner Yvie Oddly on first single, “Energy,” multi-dimensional trans icon Cottontail makes their mark on second single, “Holiday,”  and Australian pop-sensation Brendan Maclean croons on “Drowning.” 

    Josh Lumsden Releases Energetic Debut EP “SCION i" May 19th

    The remaining tracks of the EP mark a close to its collaborative first half, and a start of its visual-album experience. “Right Here,” an industrial house track that takes you right into a Brooklyn warehouse rave was accompanied by a music video that centered around high-fashion by up & coming designers SIKK Designs & SKNDLSS.  

    Josh Lumsden Releases Energetic Debut EP “SCION i" May 19th

    The song “Wanna Have Fun” is a Pop/R&B turned Techno earworm features a futuristic AI-infused music video making a statement on the emergence of AI generated art. The final single, “Waiting,” is a downcast pop dream that turns violent, featuring melodic vocals and infectious harmonies. The music video for “Waiting” is currently in production and will be released in the coming weeks.  

    Born and raised in Austin, Texas, the classically trained musician and self-taught producer Josh reins as NYC’s “Independent DIY pop artist” (Kaltblut Magazine). Thus, for being the sole producer of their entire discography, director and editor of their music videos, and graphic designer of album and singles artwork.

    “The ability to produce my own music came from not knowing anyone who made beats, along with my innate apprehensiveness to bother anyone,” recalls Josh. “Being able to create things on my own and not rely on anyone is not only practical, but liberating.” Josh cites their biggest musical influences, as fellow self-producing artists like Grimes and Rosalia, for giving him the drive to continue doing things his own way and on his own terms.  

    To listen to SCION i, click the link here. 

    For more by Josh Lumsden, click the link here. 

  • Good Company: Kendall Street Co. Cheeses It Up In Albany

    Making their maiden voyage through Albany, Kendall Street Company had fans jumping for joy on Friday, April 28th when they brought their barefoot brand of high energy, jam-infused beach rock, along with their signature sense of humor, to Lark Hall for the first time.  As enlightening as it was entertaining, it was the kind of show that sent you home thinking you’d just danced with the stars of tomorrow, today. The type of band that makes sure everyone is having fun, and If you didn’t this night, why were you even there in the first place?

    Jumping for Joy: Kendall Street Company brought the fun to Albany for their Lark Hall debut on 4/28/23.

    Based out of Charlottesville, VA, the band originally formed in 2013 and has been riding a steady wave of momentum since the end of the pandemic.  Thanks in large part to constant touring, dedicated songwriting and finding a balance between humor, business and being the best of buds, Kendall Street Company consists of frontman Louis Smith on rhythm guitar and vocals, the dress wearing Brian Roy on Bass, Ryan Wood on drums, Ben Lederberg on electric guitar, and saxophonist/keyboard player Jake Vanaman. Their sound is often hard to categorize, a melting pot of various styles and influences ranging from soul-searching blues, to jazz inspired bluegrass, to psychedelic yacht rock, to straight up feel-good pop rock. Along with an equally diverse and impressive list of covers in their bag, Kendall Street Company showcased it all on this Friday night in Albany.

    Kendall Street Company opened the show on 4/28/23 with their brand new single, “Becca’s Dad.”

    Opening the performance with their latest single “Becca’s Dad,” followed by “Wineglass Television,” we got our first cover song of the night in the form of the Grateful Dead‘s “Bertha,” which the Lark Hall faithful happily ate up.  Having reviewed several Lark Hall shows in the past, it never once occurred to me what the bird actually sounds like. Thanks to one of the most memorable and educational moments of the night, however, it’s now a chirp I don’t think I’ll ever forget. In deadpan poker face, KSC frontman Louis Smith would take us to school by calling up a Lark sound effect and piping it through the PA system long enough to where it was funny, then unfunny, then hypnotic and then funny again. Amusing themselves and the audience alike, make no mistake, these guys are serious musicians.  

    Barefoot Boogie: Kendall Street Company rocked Albany’s socks off on 4/28/23.

    Continuing on with “Porridge,” “Unwind (Boiler Jam),” and a surprise cover of “Ode to Viceroy” by Mac DeMarco, the band would play another unreleased new song called “Trapeze”.  The highlight of the night came next when fans in the crowd approached the stage and gifted the band a few containers of Aged White Cheddar potato chips, clearly a request for the guys to play their song of the same name. After taking a moment for a mid-set snack, as if the knock-off Pringles were communion wafers, not only would the band grant the request, they would jam it out using the chip containers as percussion shakers! While everyone in the audience was legitimately laughing out loud, the guys made note how the chips were a little dry and made them thirsty. Whether it was a planned bit, or spontaneous like I hope it was, it was effective and endeared the guys to the Albany crowd even more.

     Shake It Up: Give an artist a can of chips and they’ll get you something out of it. 4/28/23

    After “Sweet and Clean,” we got our third cover song of the night with “Doctor Worm” by They Might Be Giants. Speaking from the heart and getting a little sentimental, Kendall Street Company would then play the first song they ever wrote together, the irresistible “Cars.” Showing promise from the very beginning, on this night, KSC took a hard left during the song, detouring to the 5 boroughs and mashing it up with the Beastie Boys classic anthem “No Sleep Till Brooklyn.” “Laura, I’m Sorry About the Cobbler” would bring the main portion of the show to a close and leave the audience hungry for more. Happy to entertain the intimate crowd, Kendall Street Company would get a little sexy on the humorous encore of “Stanley Birddogmouth,” resulting in full audience participation similar to what you might see during a “YMCA” sing-along. As ridiculous as it was fun, it was hard not to get caught up in the charming antics Kendall Street Company provided to the unassuming Albany audience. This unteachable charisma and their innate ability to connect will surely help them go as far as they want to.

    Kendall Street Company “cheesed” it up in Albany, Aged White Cheddar style on 4/28/23.

    After taking a little time off to celebrate drummer Ryan Wood’s wedding, the band is set to make several east cost appearances later this summer.  With upcoming stops in Pembroke, MA, Asbury Park, NJ and a late night Phish after party at The Cutting Room in NYC, Kendall Street Company will also take part in some major festivals like Strangecreek Campout and The Peach Music Festival in Scranton, PA.  A band on the rise and one you definitely need to see live, if you’re looking for some good tunes, a good time and good company, Kendall Street has plenty to offer.

    Kendall Street Company | 4/28/2023| Lark Hall | Albany, NY

    Setlist: Becca’s Dad, Wineglass Television, Betha  [1] , Porridge, Unwind (Boiler Jam), Ode To Viceroy  [2] , Trapeze, Aged White Cheddar, Sweet & Clean, Doctor Worm  [3] , Cars > No Sleep Till Brooklyn (Albany),> Cars, Laura, I’m Sorry About the Cobbler

    Encore: Stanley Birddogmouth (Sensual version)

     [1]  The Grateful Dead cover

     [2]  Mac Demarco cover

     [3]  They Might Be Giants cover

     [4]  Beastie Boys cover

  • Interstate Island Release Rock Single “Grey Wolf”

    LI rock band Interstate Island have just released their newest single “Grey Wolf” on May 18th. The single explores the dichotomies of choosing between freedom and companionship.  

    Interstate Island Release Rock Single "Grey Wolf" Out May 18th 

    The track “Grey Wolf” navigates these feelings through the lens of a “lone wolf,” one searching for clarity. Throughout the song, both ideas are celebrated as the singer tries to decipher what he needs the most. Sonically, the track has a similar vibe to singers/band like Elton John, Styx, and REO Speedwagon. 

    Interstate Island was initially formed by Eddie Andrews, who was born and raised with a firm appreciation for classic rock music. More Inspiration for the project came after seeking to reimagine Electric Light Orchestra’s classic albums of the 1970’s. The first visions of Interstate Island emerged in 2019 when Andrews met with accomplished producer Matt Wallace (O.A.R., Maroon 5, Andy Grammer). 

    Matt Wallace had listened to a few of Andrews’ demos and expressed an interest in working together on a project.  They initially recorded an early version of “Love Song” with a group of rock musicians who have regularly toured and recorded with some of the world’s most successful artists.   

    While the results were inspiring, Andrews believed there was an opportunity to expand on the concept by incorporating leading (as opposed to background) string arrangements – and perhaps using a live orchestra to perform those arrangements. 

    After a brief hiatus caused mainly by the Covid-19 pandemic, Wallace and Andrews were finally able to record Brave New World in 2021. Simultaneously, Interstate Island began to scope out the best fit for a leading string arranger.  

    Since a centerpiece of ELO’s work was the way in which they glistened string arrangements over pop-rock tracks, Andrews felt this was imperative to incorporate. This led Andrews to collaborate with Steve Turner, a well renowned arranger who previously toured with Electric Light Orchestra. 

    Listen to “Grey Wolf” by clicking the link here. 

    For more on Interstate Island, click the link here. 

    For more information on the band, click the link here.

  • The Academic “Sitting Pretty Tour” Stops at The Bowery Ballroom

    On Sunday, May 14th, The Academic stopped at the Bowery Ballroom. On their “Sitting Pretty Tour,” the young four-man band from Ireland brought their alternative Irish flair to New York City. An intimate crowd dotted the Bowery floor to swallow up any standing space. The venue selection ensured the audience was in for a treat, for the ballroom sound system holds the power of electric guitars and bass incredibly. This deemed important, because The Academic are proven rock revivalists.

    Photograph by Tharynn Olson

    Alternative/indie band, Summerdrive, opened for The Academic. Their set was short but effective, for their performance livened up the waiting crowd. With intriguing synths and intentional drumming, Summerdrive gave a tasteful while all the same riveting show. They heavily created a similar listening experience that the Bleachers or COIN would.

    Not long after Summerdrive left the stage and the instruments were swapped, The Academic made their way onto the stage. Hoots and hollers elevated the band’s excitement as they gazed upon the crowd. Bassist, Matthew Murtagh, and guitarist, Stephen Murtagh sauntered onto stage followed by drummer, Dean Gavin. Lead vocalist, Craig Fitzgerald amped the energy when he approached the mic with an electric guitar slung over his shoulders. “How are you doing New York? It’s been a while!”

    Photograph by Tharynn Olson

    The setlist rolled by too easily, sewn together by impressive guitar solos and conversation with the audience. They emanated a wildly unique sound that seemed to be in conversation with different decades of alternative music. Accents from melodies of The Talking Heads, guitar riffs from Led Zeppelin, and more modern personal lyricism like that of Cage The Elephant or The Neighbourhood were present in their performance. 

    Classic-rock married to indie, The Academic has mastered the art of the guitar. Their Irish origin gifted them with the ever presence of rock and roll, and since the U.K. never parted ways with the music genre like America did for a while, they had continuous exposure to the evolution of rock. I look like a million when I play my rock n’ roll.

    Photograph by Tharynn Olson

    At the end of a drum-heavy song, the guitarists and singer circled around the drumset. They surrendered their instruments’ sound to Gavin while he masterfully annihilated his drum solo and bowed down to him on his throne. The Bowery lights synced up with his percussion, creating a strobed visual. Gavin’s solo was absorbed by the audience as were the multiple guitar solos throughout the evening.

    After playing some songs from their new album, “Sitting Pretty,” released February 10th, Fitzgerald took a moment to give thanks to the crowd. He asked if anyone in the audience attended their show last year at Mercury Lounge in the city, and pockets of shouts volleyed amongst the crowd. In this interlude of crowd engagement, he complimented the high energy and inquired, “Any Irish in the crowd tonight?” A strong majority of the hands shot up. He grinned.

    Photograph by Tharynn Olson

    The Academic hosted a very engaging show. With dramatic dancing and conversational interactions with fans, the atmosphere was endearing. Towards the end of their set, lead vocalist Fitzgerald got onto the floor to be level with the crowd. While he sang, the crowd enveloped him. Phones shot up above heads to capture the moment, and fans sang excitedly around him.

    He returned to the stage to finish out the rest of their set. The vivacity was contagious. Small groups of friends merged with strangers. By the end of the show, there were no strangers in the room, only people with a mutual affinity for rock and four Irish musicians. Fitzgerald and his bandmates showered thanks to everyone for attending, and even more gratitude to the staff at Bowery Ballroom. “Give it up for everyone working in this beautiful venue tonight!”

    Photograph by Tharynn Olson

    The Academic put on a grand show in a small but iconic venue. Their musical future brightened on Sunday, for they collected many new fans. The “Sitting Pretty Tour” is only the beginning for this refreshingly genuine rock-band.