City Winery New York hosted a special night to remember Sinéad O’Connor on October 29th. What started as an idea by Amanda Palmer took shape over the last few months and came together with a star-studded lineup.
Amanda Palmer
The lineup included Stephin Merritt (Magnetic Fields), Amanda Palmer, John Cameron Mitchell, Kevin Devine, Suzanne Vega, Kat Edmonson, Julia Cumming (Sunflower Bean), Catherine Russell, Martha Wainwright, Resistance Revival Chorus, Bilal, Dida Pelled, Toby Lightman, Susan McKeown, and Joy Askew.
Setlist: Dida Pelled: Jealous/Toby Lightman: You Made Me The Thief of Your Heart/Lahna Deering: Dense Water, Deeper Down/Susan McKeown: I Am Stretched on Your Grave/Joy Askew: Mandika/Kevin Devine: This Is To Mother You/Bilal: Just Like You Said It Would Be/Julia Cumming: Success Has Made a Failure of Our Home/Stephin Merrit: The Last Day of Our Acquaintance/Amanda Palmer: Black Boys on Mopeds/Kat Edmonson: In This Heart/Martha Wainwright: Nothing Compares to You/Resistance Revival Chorus: Thank You For Hearing Me/John Cameron Mitchell: The Emperor’s New Clothes/Suzanne Vega: All Apologies/ Catherine Russell: No Man’s Woman
John Cameron MitchellMartha WainwrightDida PelledJoy AskewJulia Cumming (Sunflower Beam)Kat EdmonsonKevin DevineLahna DeeringResistance Revival ChorusSusan McKeownToby LightmanThe House Band
On Thursday, October 26, in a mesmerizing fusion of musical prowess and theatrical artistry, Brooklyn’s own Walrus brought a Brooklyn Bowl audience on a transcendent journey through a musical reimagination of Lewis Carroll’s timeless Alice’s Adventures in Wonderland. The original production, “Walrus in Wonderland,” presented by Loop Toupe, delivered an immersive experience that blended the iconic sounds of the 60s psychedelic era with mesmerizing live dancers, enchanting costumes, and light show projections.
Since forming in 2021 WALRUS has been on a mission to celebrate the psychedelic music of the Beatles and their contemporaries. From a weekly residency at Manhattan’s The Delancey, to becoming a regular presence at Brooklyn Bowl, Walrus has solidified their status as a cultural staple among New York area concert-goers.
Led by the musical ingenuity of brothers Chris and Tom Mackin and collaborator Josh Santiago, the original soundtrack of “Walrus in Wonderland” enveloped listeners in a psychedelic symphony that evoked the sonic oeuvre of the 1960s across the show’s 13 songs. The night’s standout performance was the debut of the Walrus original “Cheshire Cat” with groovy baselines and ripping solos that left the audience grinning from ear to ear.
During the show, Walrus band members Chris Mackin (Guitar/Vocals), Josh Santiago (Guitar/Vocals), Satoko Mori (Keyboard/Vocals), Dan Shein (Drums) and Sarah Elaz (Bass/Vocals) were joined by a roster of talented guest musicians including Will Corona, Michael Conklin, and Coco Solazzo who took attendees on a musical adventure down the rabbit hole.
The debut performance was elevated by the visual spectacle projection-mapped by Ghost of Provence and seamlessly matched with dance choreography by the talented Megan Roe. Together, the ensemble delivered an experience that defied convention and brought attendees through the looking glass for an evening of unrivaled artistic immersion. “Walrus in Wonderland” was put on by the New York production company Loop Troupe, a group of artists presenting new and experimental material.
Reflecting on opening night, Chris Mackin the show’s lead guitarist said, “It is incredible to see this cacophonous experience brought to life. Tom and I have talked for a long time about wanting to create a concert experience that went beyond the music and played to all of your senses. It is thrilling to watch audiences go on this multi-sensory adventure.”
Walrus in Wonderland – Brooklyn Bowl –October 26
Set One: Mr. W Rabbit > Down, Down, Down > Bottle Says Drink Me, Pig Baby, Garden Of Live Flowers [1], Cheshire Cat, Looking Glass House, Mad Tea Party [2]
Set Two: Nonsense If You Like [3], Vorpal Sword, The Mouse > Caterpillar Hookah, Curious Dream [3] > Down, Down, Down Reprise
Encore: I Am the Walrus [1] [4]
[1] Featuring Will Corona on vocals [2] Featuring Michael Conklin on saxophone [3] Featuring Coco Solazzo on vocals [4] Beatles Cover
The reach of Griselda Records remains immeasurable. From murals translated across continents to ritualistic celebrations in concert, people appreciate those who stamp their legacy in a way that could never be replicated.
The Liz by Armani Caesar
Griselda grew organically and through a brilliant scheme devised by Westside Gunn. Armani Caesar, first lady of Griselda, serves as a cornerstone to their rise and continual ascension.
Buffalo: the Queen City
Armani Caesar often embodies the lavish aesthetic. Her mixtapes consistently revolve around street couture. Mixtapes named after Liz Claiborne, Miss Elizabeth [WWE] and Elizabeth Taylor showcase the lane and luxurious vibes she provides. She dropped out of college the minute she learned how to sell Iceberg and other apparel items discussed in Marketing class at North Carolina Central University. “Hip-Hop in Context 1973-1997” taught by Kid N Play and 9th Wonder at this HBCU changed Armani’s perspective immensely.
Armani Caesar poses beneath spiral stairs while donning a ‘Buffalo Kids’ necklace
This artist expresses herself in an uninhibited and nonchalant manner. Treating hip-hop as competition runs in the veins of any Griselda artist. Yet, Armani makes it seem like she only conquers hip-hop to generate an additional stream of income. That type of disposition adds to the overall appeal of the artist. Additionally, her fashion expertise continues to create many satisfied customers at Armani’s Closet.
Producer Over Consumer
With an entrepreneurial mindset – Armani remains steadfast in all of her endeavors. In 2020, she signed to Griselda and began to cement her legacy as the first lady on the roster. She joined GxFR during quite the pinnacle of musical production for her and her Griselda teammates. Upon rapping over a legendary DJ Premier beat, her abilities began to sharpen quickly.
Liz 2 by Armani Caesar
The way that Westside Gunn reignites and branches individuals together proves why Griselda’s reach will stand the test of time for generations to come. The amount of individually talented people comprise quite the collective of ambitious people who push the genre forward. Armani Caesar could quite possibly be the flyest emcee of the bunch and will continue to elevate her skillset down the line.
AC could tour in 2024 so make sure you stay tuned to see where she might perform.
To cap off a wildly successful 2023 touring schedule that spanned every corner of the country, The Disco Biscuits celebrated with two powerhouse shows in the friendly confines of the legendary Capitol Theatre in Port Chester.
The band is still riding high atop a new wave of creativity and cohesion that’s fostered some of their best performances to date. Friday and Saturday night in Port Chester were no exceptions with the Biscuits doling out some pre-Halloween goodies.
Friday night initiated with “Hope” in the opener spot, aka a good old fashioned “Hopener” that saw the band fly through this older number with ease. The first of tonight’s two cover song selections came next as the Biscuits took the Men Without Hats hit “Safety Dance” out for a spin. A brief outro jam soon morphed into the beginning of “Caterpillar” that took its time with a nicely extended opening section and the band was off and running. A silky smooth segue into the instrumental “M1” came next before an inverted “Naeba” and the end of “Caterpillar” wrapped up the opening stanza.
A Biscuits classic in “House Dog Party Favor” kicked off the second set in fine fashion as the band’s iconic light show replete with laser beams coated the walls of the Capitol Theater in a rich tapestry of colors and images. The second set maintained an old school vibe to it early on with the near-20 minute “Helicopters” that came next and featured a well crafted jam with guitarist Jon Gutwillig leading the way. As it reached yet another climax, a slight change in the rhythm then ushered in the second cover of the night, the band’s instrumental take on Donna Summer’s Disco Era hit “I Feel Love.”
Another funk laden jam with a slow build in intensity served as the foundation for a segue into the ending of “To Be Continued,” another one of the the new batch of Disco Biscuits originals and the first time it’s ever received the “inversion” treatment, with the ending section played immediately before the beginning of the song. Another newer number in “Freeze” followed before a quick re-visit to “Helicopters” to close out a second set that was one long segue of music after the opening “House Dog.” “Times Square” followed by a triumphant and powerful “Morph Dusseldorf” put one last finishing touch on the evening in the encore slot.
Saturday night’s first set featured another extended bookending as it both began and concluded with another selection from the newer originals, “Twisted In The Road.” Seemingly picking up right where they left off the previous night, a dark, up-tempo jam was the first one out of the shoots. The band continued to show their comfort with the new material with another seamless segue into a monstrous “Buy The Time” that came next and clocked in at close to 30 minutes overall. With infectious melodies provided by Aron Magner on keys and a completely danceable beat, this one is sure to be a live staple for years to come and produced, arguably, the best jam of the entire weekend.
Near its completion, elements of “Digital Buddha” began to seep in and the Biscuits were soon away with an inverted take on an old crowd favorite. The band then shifted from the old right back to the new with the fittingly-titled “Monster” that came next, only the third time ever this instrumental song has been played live. It featured some familiar chording that had some thinking “Lunar Pursuit” or otherwise instead. As the tempo began to increase, another familiar sound began to emerge, this time the peak of “Crickets” as the band steamrolled through another inverted rendition of a live staple before wrapping up the set.
The last frame of music for the weekend did nothing but feature more of the same: only a few songs needed with added bountiful jams placed in between each. Things got started with a cover of Pink Floyd’s “Run Like Hell” that started with a slow, patient intro jam before fully kicking into gear. Much like its first set predecessor in “Buy The Time,” a significant chunk of the second was devoted to another new tune in “The Deal,” with this one clocking in at well over 30 minutes in total.
An inverted (for the first time ever) “One Chance To Save The World” took the yet-to-be-released ‘Space Rock Opera’ took the song to new height, peak performance that found itself slipping into “Basis for a Day.” Fans got a taste of “Basis” in April when the second set of the final night featured multiple segues in and out of portions of the song, fitting newer tunes like “The Deal” and “To Be Continued…” within “Basis.” This evening, just one new song, “Photograph” would be sandwiched in between, an intense, energy driven combination, closing the night over the last 38 minutes.
An encore of “Home Again” fit the bill nicely, as fans have found the Capitol Theatre to be home base in the New York metro area, with annual – and now bi-annual runs at the original rock palace. Just before truly calling it a night, Marc Brownstein thanked the crowd and dropped the band back into the final portion of “Basis for a Day,” dubbed “Basis for a Tour” in the Nugs recording.
While the band is done touring for the year, they will be at North Beach Music Festival in Miami in early December, at Palladium Times Square for a late night show on December 28, followed by two nights at Franklin Music Hall in Philadelphia, before heading out west in 2024. Full tour dates can be found here.
Disco Biscuits – The Capitol Theatre, Port Chester, NY – Friday, October 27, 2023
Set 1: Hope, Safety Dance > Caterpillar > M1 > Naeba 1 > Caterpillar Set 2: House Dog Party Favor, Helicopters > I Feel Love > To Be Continued 2 1 > Freeze > Helicopters Encore: Times Square, Morph Dusseldorf 1 inverted 2 first time inverted
Disco Biscuits – The Capitol Theatre, Port Chester, NY – Saturday, October 28, 2023
Set 1: Twisted in the Road > Buy The Time > Digital Buddha 1 > Monster 2 > Crickets 3 1 > Twisted in the Road Set 2: Run Like Hell 4 > The Deal > One Chance To Save The World 5 1 > Basis For A Day > Photograph > Basis For A Day Encore: Home Again, Basis For A Day 6 1 inverted 2 LTP 3/12/22 (108 shows) 3 w/ Gamma Goblins tease 4 unfinished 5 1st time inverted 6 reprise
New York duo Frog return with their fifth album, Grog, a collection of gorgeous Indie Americana full of the nostalgia, hope, defeat, and lust.l
Frog is made up of brothers Danny (songwriting) and Steve Bateman (drums, percussion, backup vocals).
While Steve believes a lot of his albums felt as if they took place in real-world cities (such as New York, and LA in the 70s), Steve describes this new album as taking place in Hades. He writes, “The whole thing is bathed in flames and the grooves are bubbling and the devil is a DJ smiling broadly.”
Eclectic and wildly creative, Frog’s new fully-realized LP veers from the gorgeous grooving funk of “Black on Black on Black” to the classic pop of “Maybelline” before “New Ro” exemplifies the “gothic and cartoonish” characteristics that songwriter Daniel Bateman describes his latest work with.
Sometimes it’s Jonathan Richman, sometimes it’s Hall & Oates, sometimes it’s Billy Joel, sometimes it’s Steely Dan, sometimes it’s Townes Van Zandt…but it’s always Frog.
“There are really exciting places we were able to get to on this record, places that I didn’t know existed before I found them. It feels both gothic and cartoonish to me, big gargoyles, dark skies, storms, but the statues are of ‘Aaahh!!! Real Monsters.’ Every song is a step deeper into the abyss.”
Daniel Bateman
Grog will be released both via CD and digital on November 17 and launched with a performance at YoFi Fest 11 (Yonkers, NY) which accompanies a screening of their “Kings of Blah” documentary.
Foo Fighters played an emotional performance on Saturday Night Live (SNL), alongside host Nate Bergatze and surprise guests H.E.R. and Christopher Walken. The appearance was their first SNL showing since the tragic death of drummer Taylor Hawkins in March of 2022.
The group first played their track “Rescued,” introduced by actor Christopher Walken. Walken recreated his former pronunciation of the band’s name, as a reference to their 2003 pairing on Saturday Night Live where he recited, “Foo FIGHTERS.” The Fighters delivered an electric performance of “Rescued,” complete with vocalist Dave Grohl’s headbanging.
https://www.youtube.com/watch?v=xMHEBSnoX4A
Foo Fighters followed up with a performance of “The Glass,” accompanied by special guest H.E.R. The collaborative rendition began with an emotional Dave Grohl, reminding the audience of the band’s great loss of Taylor Hawkins last year. The emotion was not to the performance’s detriment, as H.E.R lended stunning vocals and guitar alongside Grohl.
https://www.youtube.com/watch?v=oON5LswFU9A
Foo Fighters are set to embark on tour next month, with shows across Australia, the UK, and more. Their North American tour next summer includes two can’t-miss dates at NYC’s Citi Field on July 17 and 19. Tickets are still available for both July 17 and 19.
FOO FIGHTERS U.S. STADIUM DATES 2024
Wednesday, July 17 — New York NY — Citi Field *
Friday, July 19 – New York NY — Citi Field #
Sunday, July 21 – Boston MA — Fenway Park #
Tuesday, July 23 – Hershey PA — HERSHEYPARK Stadium #
Thursday, July 25 – Cincinnati OH — Great American Ball Park *
Sunday, July 28 – Minneapolis MN — Target Field **
Saturday, August 3 – Denver CO — Empower Field at Mile High *
Wednesday, August 7 – San Diego CA — Petco Park $
Friday, August 9 – Los Angeles CA — BMO Stadium #
Sunday, August 11 – Los Angeles CA — BMO Stadium %
Thursday, August 16 – Portland OR — Providence Park Soccer Stadium %
Saturday, August 18 – Seattle WA — T-Mobile Park %
Producer San Holo made a stop at Buffalo Riverworks October 21 for his latest tour. The Existential Dance Music tour invited a night full of emotion and mystical imagery.
Photo Credit: Maddie McCafferty
Openers ZWAAN, OddKidOut, and DROELOE opened up the night for Buffalo. Through lush instrumentation and grit, they gave room for a night full of soothing sounds.
Photo Credit: Maddie McCafferty
San Holo stage presence invites an innovative take towards weaving personal journey through a live show experience. He is constantly running around stage, creating beats from scratch and layering on top of his guitar riffs. He utilizes his punk and alt-rock roots in adding a seamless grunge aspect to his music.
Photo Credit: Maddie McCafferty
This musician’s concert performance is nothing short of an emotional experience. All of the colorful imagery, projections, and use of a huge curtain captured the navigation through life’s highs and lows. His opening montage utilized a curtain that projected symbols depicting the turbulences that life takes us through. With the drop of the curtain, San Holo stood invoking the audience on a journey.
Photo Credit: Maddie McCafferty
San Holo mostly played songs off of his recently released album EXISTENTIAL DANCE MUSIC. This included his hits “DON’T LOOK DOWN” and “…BRING BACK THE COLOR.” His artistry shines through his candid songwriting and ability to translate that effortlessly on stage.
Photo Credit: Maddie McCafferty
This night in Buffalo forged room for an intimate connection with fans. This is especially so when he performed his fan favorite song “LIGHT.” The crowd appeared mesmerized and connected throughout. His shows speak to that existential thinking and allow people to move through that with dance. A new movement that is building in the electronic music scene.
Photo Credit: Maddie McCafferty
If you’re looking for more electronic music in Buffalo you are in for a stacked few months! Must Die! comes November 3 and Tape B performs November 4. Get your tickets here.
There was a palpable buzz across the Arbor Hill neighborhood in North Albany on Wednesday, as rockers My Morning Jacket made their long-awaited return to the area with a performance at the Palace Theatre. The band last played in the city in 2006. Madi Diaz opened the performance.
Hailing from Louisville, Kentucky, My Morning Jacket has amassed quite the resume over its twenty-five years. Fronted by Jim James (vocals, guitar), the band also features Carl Broemel (guitars), Tom Blankenship (bass guitar), Bo Koster (keyboards), and Patrick Hallahan (percussion). The band has released nine studio albums, along with several EPs and live albums. Their current tour is in celebration of the 20th anniversary of the release of It Still Moves, and has seen the band perform the album in its entirety at certain shows.
Those arriving early on this evening were treated to an opening performance by singer-songwriter Madi Diaz. A lone spotlight illuminated the stage, as Diaz took opened the performance, just herself and a guitar. Diaz would take those in attendance on an emotional journey, performing songs like “Crying In Public” and “Same Risk.” Her powerful vocals, reminiscent of Phoebe Bridgers, filled the theater and captivated those in attendance.
As the clock struck 9:15, the stage went dark and the band’s familiar orchestral walk-on music played over the house speakers. The band members took to the stage to a thunderous roar from the audience. The familiar chord strums of “Circuital” would open the show and immediately all in attendance were on their feet. As the song slowly built in energy, fans made their way to the front of the stage, filling the side wings to dance about as the song kicked into full gear. The band kept the momentum going early, playing fan favorites such as “It Beats 4 U,” “I’m Amazed,” and “Mahgeetah” early in the set.
Jim James would bring Madi Diaz back to the stage early in the performance, to offer a beautiful rendition of the band’s classic ballad “I Will Be There When You Die.” The song would see Diaz harmonizing with James, with the two trading lyrics during the second verse, which even included Diaz adding a line to call out her hometown in Pennsylvania.
In all, the performance would feature all the familiar staples of a My Morning Jacket concert. Jim James’ signature vocals danced about the beautiful Palace Theatre. The band consistently elevated songs from their studio form, with jams and improvisations making each song unique to this night, with several tracks stretching into extended jam sessions. A prolific light show mesmerized those in attendance, with a giant disco ball dropping from the ceiling during “Wordless Chorus.”
After a nearly two-hour, career-spanning main set, the band would return to the stage for four more songs, opening the encore opening the encore with the hypnotizing “Feel You.” The band broke out older classics “The Dark” and “Anytime” before ending with the high-energy “One Big Holiday.” After such a brilliant set, fans poured into the streets, hopeful the wait for a return performance wouldn’t be nearly as long next time.
My Morning Jacket – Palace Theatre, Albany – Wednesday, October 25, 2023
Setlist: Circuital, It Beats 4 U, Love Love Love, I’m Amazed, Mahgeetah, Spinning My Wheels, I Will Be There When You Die (with Madi Diaz), Spring (Among the Living), Off the Record, Lay Low, Old Sept. Blues, I Will Sing You Songs, Phone Went West, Victory Dance, Holdin On to Black Metal, Lucky to Be Alive, Wordless Chorus
Encore: Feel You, The Dark, Anytime, One Big Holiday
With Halloween on the horizon, the KISS Army packed the Paramount Hudson Valley for their favorite spaceman, Ace Frehley, on Friday, October 27. Frehley, a New York native growing up in the Bronx, has added a string of tour dates ahead of releasing a brand new record in February.
Frehley’s band is composed of Ryan Cook on bass and Jeremy Asbrock on guitar. Asbrock and Cook are also in The Rock City Machine Co. alongside former Ace Frehley band member Philip Shouse. Rounding out Frehley’s band on the drums is Scot Coogan who is in his second stint with Frehley.
With the 93-year-old theater filling up with eager KISS and Ace Frehley maniacs, Black Dawn hit the stage. As Black Dawn plugged in, they powered through a metal set that was on the shorter side. With Black Dawn leaving via stage left, the middle band, Mainline jumped on stage to an enthusiastic crowd. Mainline features Anthony Schettino on bass, Johnny Iodice on lead vocals and guitar, Devin Reck on guitar, and Mason Servedio on drums. Mainline had a very memorable set as the talented musicians played all new material with the exception of Aerosmith’s “Toys In The Attic” as the final song.
The anticipation for Frehley came to a boiling point as his instrumental song, “Fractured Mirror” blasted through the speakers. “Fractured Mirror” segwayed right into 2001: A SpaceOdyssey’s theme song and the announcement of “You wanted him, well you got ‘em, from The Bronx, New York, Ace Frehley!”
In the blink of an eye, Peekskill immediately turned into “Detroit Rock City” for the remainder of the band’s 13-song set which included tracks from Frehley’s solo record as well as KISS classics.
Frehley’s band is extremely talented in that the three other members of the band sang vocals on at least one song during the set. Asbrock took over lead vocals during “Speedin’ Back to My Baby” which can be found off Frehley’s KISS: Ace Frehley record. Cook did his best Paul Stanley impersonation during “Detroit Rock City” and Coogan grooved on drums while belting out lyrics during “Love Gun.”
Halfway through the set, Frehley stopped to address the crowd and announce that his brand-new solo record was being released in February. The crowd, which was filled with Frehley’s “Rock Soldiers” all cheered as this would be the first record since Origins, Vol. 2 which was released back in 2020.
Throughout the show, the entire band was throwing guitar picks, bass picks, and drumsticks into the crowd. There were so many guitar picks thrown into the audience that it seemed like everyone could have gone home with at least one. Fans were reaching into the air, jumping and diving into the rows of seats to collect fallen, unclaimed picks.
During KISS’ heyday in the 1970s, they were known for their theatrics. From pyrotechnics to spitting out blood and rocket guitars, they all had different ways to wow an audience. Despite Frehley not being in KISS since his last show of the Reunion World Tour in 2002, the theatrical side of “Space Ace” hasn’t left.
During “New York Groove,” Frehley brought out a guitar that lit up and flashed during the song. Once the guitar was brought out and Coogan pounded on the kick drum, fans immediately knew what song it was. “New York Groove” then transitioned into “Shock Me” off of KISS’ Love Gun. Frehley brought out his guitar that releases smoke and it was full steam ahead.
Even though the city of Peekskill was rather quiet on Friday evening, the rock and roll inside The Paramount was deafening. Despite Frehley not being in KISS for over 20 years, he still brings fans classic KISS songs that make audiences reminiscent of what was while also creating new memories for the newer generation of rock fans. The Peekskill crowd, which was full of fans of all ages piled out of the theater in awe after witnessing one of rock’s most influential guitarists of all time and went home knowing that they witnessed real live rock and roll.
Setlist: Rip It Out, Rocket Ride, Speedin’ Back to My Baby, Parasite, Rock Soldiers, Love Gun, Hard Times, Detroit Rock City, Emerald, New York Groove, Shock Me, Cold Gin, Deuce
Like A Doll, Brooklyn’s music project from musician Emma Stacher, shared their brand new track, “Don’t Throw Your Words,” from their upcoming self-titled album. The record is set to release on November 10, with a release party that night at Alphaville in Bushwick.
“Don’t Throw Your Words” is a hypnotic, insistent track that truly evokes the band’s dollhouse aesthetics. The dreamy vocals and recurring guitar riff create a stirring aura, repeating the lyrics “Don’t throw your words out.”
This feels like an anthem to believe in yourself. It jolts you from slower to faster and swings to reflect the back and forth of birthing self-confidence. The lyric ‘Don’t throw your words out’ repeats in the chorus with the overall message emphasizing how important our thoughts and voices are.
Emma Stacher, vocalist, guitarist, and leader of Like A Doll
Like A Doll was created by Emma Stacher, who rallied a group of childhood friends to comprise the project’s live band: Isabella Dafonseca and Gabriel Paiano on drums, Daniel Barbrack on bass/synth, Adrian Dilulio on guitar, and Leah Beck on synth. The group grew up together in NYC’s East Village neighborhood, parting ways for many to study music at Berklee College, The New School, and Purchase College. Like A Doll marks a new beginning for the group, but is also a reunion of old friends.
Like A Doll’s debut self-titled album is set to release on November 10. The band will play a celebratory album release party at Bushwick’s Alphaville on November 10, alongside Noah Kesey and The Burning Sun.
