Category: Photo Gallery

Fleet Foxes Come To Shore At College Street Music Hall

Continuing to tour in support of their fourth consecutive critically acclaimed album Shore (Anti-Records, 2020), Fleet Foxes visited College Street Music Hall (CSMH) in New Haven, Connecticut this past Tuesday night for the fifth show on a 28-date trek of North America that kicked-off in Chesterfield, Missouri a few days prior.

Robin Pecknold

Formed in 2006, the indie folk darlings hailing from Seattle, Washington are the quintet of frontman/guitarist Robin Pecknold, Skyler Skjelset (guitar), Casey Wescott (keyboards, mandolin, backing vocals), Christian Wargo (bass) and Morgan Henderson (multi-instrumentalist, including upright bass and saxophone). Since last year, Fleet Foxes have also been joined by touring drummer Christopher Icasiano.

Despite the distance from their home on the west coast, the Pacific Northwesterners – particularly Pecknold – share a strong connection to New York State. To make a long story short (too late!), the recording of Shore got underway at Aaron Dessner’s (The National) Long Pond Studios in Hudson, New York back in September 2019. Although the majority of Shore was subsequently recorded at Woody Jackson’s Electro-Vox Studio in Los Angeles, California from late-2019 to early-2020, progress was halted in March 2020 – due to what else – COVID-19 of course. With Shore conceptually complete from a music standpoint, Pecknold was not satisfied with his writings and was struggling to find the right words to match the music. However, it would not be for too long, as he eventually found the lyrical inspiration he craved during time spent on long drives from his Greenwich Village apartment, where he had been quarantined, to Lake Minnewaska in Ulster County, and further north into the Catskill Mountains.

College Street Music Hall

A few ticks past 7:00 pm, doors to the historic venue constructed in 1926 and located in the heart of New Haven’s downtown arts district opened to the loyal Fleet Fox fans that had been queued a half block south of Yale University, many since the early afternoon. As throngs of patrons hurriedly began to file into the concert hall’s lobby, many headed straight for the merch table to purchase a t-shirt, hoodie or signed tour poster. Others were seen grabbing a craft beer on tap or a cocktail before securing a spot on the General Admission floor or heading to the upper balcony.

Uwade

Fittingly opening the show at 8:00 pm, as it’s her voice you hear opening “Wading in Waist-High Water” on Fleet Foxes’ Shore, was Uwade Akhere. A Nigerian born singer-songwriter based in New York City, Uwade is an indie-folk artist whose star has been on the rise since the release of her very first single, “Nostalgia,” in 2019. Performing a 30-minute solo set, she favored stage right as she played a six-string Torino Green Gretsch that nearly matched her dress perfectly. With an angelic onstage presence – her songs are fittingly spiritual in nature as well – she relinquished sublime versions of her only other singles released to date, “The Man Who Sees Tomorrow” (2021) and “Do You See the Light Around Me?” (2022). As the venue was nearing its 2,000-capacity, Uwade played “One Way Trigger,” a cover that her fellow New York City natives The Strokes released in 2013. With Uwade’s set nearing its conclusion, and much to the delight of Fleet Foxes fans, she welcomed to the stage Wargo and Icasiano for her two final songs.

Skyler Skjelset

After a brief intermission to address the stage’s final preparations, Fleet Fox took the stage a few ticks past 9:00 pm to raucous applause from the now packed house. With Pecknold snapping a few shots of the adoring fans in front of him with a disposable camera, he announced immediately, “Thank you so much New Haven, thank you. And thank you so much to Uwade, that was an incredible opening set.” The night’s festivities officially got underway with “Sun Giant,” a soft, harmonic piece written in 2008 that began a cappella, before fading into full accompaniment, including a two-man horn section. Reprising her role from Shore, Uwade reappeared onstage to contribute backing vocals to “Wading in Waist-High Water.” It would not be the 22-year old’s last appearance of the evening, as she would later join the band during the encore for exquisite backing deliveries of “For a Week or Two” and “Going-to-the-Sun Road.”

Christian Wargo

For the entirety of the massive, 24-song set that encompassed Fleet Foxes’ rich and diverse catalog over the past 17 years, the Seattle musicians were in top form across the board, in particular, Pecknold’s unique baritenor voice. Hailed for their refined instrumentation and vocal harmonies, their music was meant to be executed in a place such as CSMH – the destination for concertgoers looking for a venue within spitting distance of Boston and Manhattan – renowned for its world-class acoustics and lighting.

Casey Wescott

Morgan Henderson

Because Fleet Foxes’ two hour plus gig was filled with stand-out moments, picking the top song highlights is not easy. However, if I could choose only three, they would have to be (in order by appearance): Pecknold’s solo acoustic performance of “Silver Dagger” (a traditional American folk ballad popularized by Joan Baez); “Blue Ridge Mountains,” my favorite Fleet Foxes tune taken from their self-titled debut studio album (2008); and the impressive show’s finale, “Helplessness Blues,” the title track from their sophomore studio album (2011).

Christopher Icasiano

In the coming days and weeks, the North American leg of Fleet Foxes’ Shore Tour 2023 will sweep through Pennsylvania, Wisconsin, the Carolinas, Florida, Alabama, Louisiana, Oklahoma, Nebraska, Minnesota, Indiana and Maine. And in case you missed the CSMH show, or you just cannot get enough of Fleet Foxes in a live setting, they will be playing Beak & Skiff Apple Orchards in LaFayette, New York on July 12. The tour finale is slated to occur near Fleet Foxes’ old stomping grounds, at Thing Fest in Port Townsend, Washington, on August 25. To date, the only additional public appearance on the calendar for Fleet Foxes is the Festival Corona Capital in Mexico City on November 17.

Fleet Foxes Setlist: Sun Giant > Wading in Waist‐high Water (with Uwade) > Sunblind > Can I Believe You > Ragged Wood > Your Protector > He Doesn’t Know Why > Featherweight > Third of May/Ōdaigahara > Phoenix (Big Red Machine cover) > Bedouin Dress > White Winter Hymnal > Mearcstapa > Mykonos > Silver Dagger (traditional cover) > Montezuma > Cradling Mother, Cradling Woman > Maestranza > Blue Ridge Mountains > Grown Ocean > Encore: Someone You’d Admire > For a Week or Two (with Uwade) > Going-to-the-Sun Road (with Uwade) > Helplessness Blues

FLEET FOXES

June 23, 2023
Peach PRC’s First U.S. Tour hits New York City’s Gramercy Theatre

Breakthrough Australian singer and songwriter Peach PRC announced her first U.S. shows in June, following a sold-out Australian tour. The three-date run has her playing on show in Los Angeles at The Roxy and two shows in New York City, the last of which was last night at the Gramercy Theatre.

Peach PRC Live at Gramercy Theater

Peach PRC’s unique blend of dreamy pop and introspective lyrics captivates listeners and transports them to ethereal landscapes. With her mesmerizing voice and poetic songwriting, she creates an intimate connection with her audience. Peach PRC’s music explores themes of love, self-discovery, and the complexities of human emotions. Her artistry transcends boundaries, effortlessly blending genres and pushing creative boundaries. With each release, Peach PRC continues to enchant listeners and establish herself as a rising star in the music world.

Launching her TikTok page in 2019, she organically attracted an audience by posting everything from funny moments to self-care advice and, of course, music. A snippet of her first single “Blondes” played over the background of a video where she discussed the track’s meaning, and it went viral. The full version eventually amassed over 7 million Spotify streams as she maintained this momentum with the follow-up “Colourblind”, racking up another 2.7 million Spotify streams. Along the way, she carefully cultivated an undeniable style with a twist. That twist defines her debut single “Josh,” the ultimate kiss-off to the worst ex ever and has already received over 16 million streams and counting.

“Heavy” is the new single from Peach PRC, turning the tempo way down and instead setting the weight of her brutalizing mental struggles to a delicate, evocative piece of pop balladry.

June 22, 2023
Re:SET Forest Hills Day 3: Steve Lacy Gave the World to his Fans and their Fathers

The Re:SET Concert Series closed its New York run at Forest Hills Stadium this past Sunday, June 18th. The brand-new summer festival welcomed LCD Soundsystem and Boygenius on Days 1 and 2, respectively, and will continue to travel to many major cities across the US. Featuring alternative R&B artists like Fousheé, Toro y Moi, James Blake, and Grammy-winner Steve Lacy, Day 3 of Re:SET was not a show to miss. While some people celebrated their Father’s Day at home, at restaurants, or with family, others attended Sunday’s concert (with their dads) for a day full of dancing, singing, and an overall great time.

Steve Lacy, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun.

Thousands of eager fans lined up hours before doors to secure their spots at the front of the barricade, clearly ready to see their favorite artists. Bright colors flooded the entire venue, as concertgoers interwove the rainbow into their carefully-picked outfits, glittery makeup, and fun hair accessories. Fousheé successfully opened the show with unparalleled energy, exciting her crowd of almost 13,000. Her unique voice goes both ways—sweet and angry. During her performance of “stupid bitch,” she asked the crowd to repeat the lyrics, “I’ll blow your brains out, you stupid bitch” at the start of the song. Screaming into the mic and hitting impressive whistle notes during her other tracks truly wowed her audience—who gave her a well-deserving round of screams and applause at the end of her set.

Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

Next up was Toro y Moi, wearing a bright orange jacket, blue shades, and lime-green nails. His chill, lofi set included songs like “Rose Quartz,” “Laws of the Universe,” and “Magazine.” Perfectly matching his vibe was a montage of cat videos on the large stage screen. Concertgoers were seen dancing, swaying, and twirling to his fresh beats on the tennis court floor and even in the seated sections of the venue.

Toro y Moi, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

Toro y Moi is the definition of cool, as he scaled the stage with his swift, nimble movements. Knowing exactly how to keep his crowd engaged, he pointed to the audience members and encouraged them to move their hands up and down in sync. During his and Lacy’s set, Fousheé was even spotted in the general admission section dancing and spinning to the music.

Toro y Moi, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

The last opener of the evening was James Blake, who upon entering was greeted with a large roar of applause. The 34-year-old musician from England blew up on TikTok in 2020 for his Frank Ocean cover of “Godspeed.” During his somber and deeply emotional rendition of this song, fans watched in complete awe—certainly mesmerized by his warm vocals and buttery vibratos.

James Blake, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

During one particular song, he realized his keyboard was out of tune. While a stagehand replaced his keyboard, James continued on to his next scheduled song on a different instrument. Although his solo vocals are beautiful to listen to with eyes closed, James Blake is also an extremely talented electronic and experimental artist. He blended a variety of different elements into his performances of tracks, “CMYK,” “Hummingbird,” and “Say What You Will.”

James Blake, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

The energy before Steve Lacy’s entrance was unmatched. Fans in the seated sections stood on their tippy-toes while those on the floor squished up against one another to get as close to the stage as possible. The buzz of excitement could be felt by anyone, as fans waited eagerly in anticipation for him to come out. A plume of smoke. Deafening screams. A flashing of lights. Another uproar. And finally, his entrance to the stage, wearing his iconic cyberpunk glasses—this time in navy blue. Fans jumped up and down, unable to contain their excitement.

Steve Lacy, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

Steve Lacy opened his set with iconic songs like “Buttons,” “Cody Freestyle,” and “Helmet”—all of which are from his latest album Gemini Rights. He vibed to the music, moving his body to the beat as his band and backup singers accompanied him. During “Amber,” he told the crowd to take out their phone flashlights, leading to a beautiful and dreamlike scene as thousands of lights flooded the venue. Lacy is a very talented guitarist, and during many of his tracks, he performed his own guitar solos for the crowd to watch in amazement.

Steve Lacy, Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun

The alternative R&B artist brought out Fousheé during the performance of their song “Sunshine.” The two blended incredibly together on stage, and the crowd reacted accordingly. Before singing his hit songs, “Static,” “Bad Habit,” and “Dark Red,” Lacy said, “Pride month is almost over. It’s time to come out. Look to your neighbor, say, ‘Neighbor, you gay.’” The bisexual artist is proud of his sexuality and serves as a role model for many members of the LGBTQ+ community.

Steve Lacy put his all into Sunday’s performance. Fans sporting his iconic glasses waved and screamed as he made his bittersweet goodbyes. Finishing the night on a glorious note with his performance of “Dark Red,” fans were clearly satisfied by the show’s end.

Re:SET Forest Hills, 6/18/2023. Photo by Sarah Hyun.

Coverage of Re:SET Day 1 and Day 2 can be found through these links. Day 1 featured an incredible performance by New York’s beloved LCD Soundsystem, while Day 2 welcomed the iconic girl band called Boygenius. Below is a gallery from Steve Lacy’s closing night—be sure to check it out!

June 21, 2023
SPAC Provides Blast from the Past with Shaggy & TLC

Saratoga Performing Arts Center played host to Sean Kingston, En Vogue, TLC and Shaggy on Friday June 16. SPAC stands head and shoulders above any outdoor venue in the Capital Region, and this evening, the venue lived up to its reputation as even the rain couldn’t stop a good time.

The way that thousands of people filed into SPAC in the name of R&B brought joy to my heart. It is wild how much we take basic necessities for granted until we lose access to them. Alas, a mix of live hip-hop, R&B, and dancehall always proves essential for the well-being of citizens.

R&B + Dancehall Concert in New York

Sean Kingston maximized his thirty-minute set with plenty of vibes. Dutty wine dancing, nostalgia, and vocal energy set the tone for the whole evening. Certainly, when “Beautiful Girls” blasted through the speakers, every person of age instantly reminisced about the era of ringback tones.

Next, En Vogue continued the theme of setting the tone with radiant energy. Not one drop of rain could stop their shine as they played renditions magnificently. Some people questioned the order of the setlist but nobody could debate the way En Vogue prepared the audience for the next act, TLC.

TLC-Waterfalls [06/19/23]

Now, TLC stole the spotlight if you ask me. It seemed as if the rain would subside during breaks and lesser-known songs. But when songs like “Red Light Special” and “Diggin On You” made their way through the airwaves the whole crowd started to feel the rhythm. Ironically, when the best songs came on the rain began to steadily flow.

Rain Washes Worries Away

This precipitation did not put a damper on things, whatsoever due to its light and misty nature. The beautiful woman by my side chose not to untie her rain jacket from around her waist as she embraced the evening elements. Altogether, the moment felt like it belonged in an R&B video.

The break between TLC and Shaggy proved to be well-deserved for the audience. After exiting the TLC trance, concertgoers gathered around for one last hurrah. Performers who emit strong stage presence tend to make you feel close to the stage no matter where you stand.

Toward the beginning of his set, Shaggy grew discontent with the energy level of the crowd. Calling an audible, he threw on “Red Red Wine” to lift the crowd to the level he desired. From there, not one person could resist swaying their hips to Mr. Wasn’t Me. While that song is the classic, “Boombastic” and “Guardian Angel” were the ones that really brought the house down.

Overall, this show at SPAC proved to be extremely worthwhile. Everyone needs an outlet and an opportunity to let loose. This dual-purpose event provided the chance to immerse within an incredible atmosphere and truly let any anxieties or worries dissipate for the entire evening.

June 21, 2023
In Focus: Lucky Moon Zooz at Lincoln Hill Farms, Canandaigua

Horn and percussion were powered and individually formed by NYC subway supergroup Lucky Moon Zooz, comprised of Lucky Chops, Moon Hooch, and Too Many Zooz. The group finished off their recent tour with a stop to Lincoln Hill Farms in Canandaigua on June 11.

A project years in the making, the LMZ live show featured each band performing in their usual configurations as well as a host of new combinations of the various bandsâ personnel. Drawing from their shared roots busking in the NYC subway to their years touring the world, this was the brass fueled evening to remember.

Their live show featured each band performing in their original configurations as well as a host of various impromptu combinations of each bands performers finally finishing up the night with all three bands performing together in their entirety.

June 20, 2023
Dead & Company Get Sentimental in Saratoga Farewell

The long strange trip is allegedly coming to an end, but not before one more Saturday night in Saratoga Springs. Kicking off Father’s Day weekend on a high note, the spirit of Jerry Garcia was alive and well as Dead & Company rolled into town for a pair of sold out shows at Saratoga Performing Arts Center (SPAC) on June 17th and 18th.

Billed as “The Final Tour,” concert goers from all over turned out in huge numbers, creating both a circus-like atmosphere, a bit of an over-crowded cluster, and oh yeah, one heck of a good time! While the weekend also marked the 40th anniversary of the Grateful Dead’s first-time playing in Saratoga, many fans were also quick to point out the last time Dead & Company were in town, the show never actually happened, as it was abruptly called off due to a family emergency within the band. It was never rescheduled, although this year, a second Dead & Company show was added for the first, and last time ever.

Discover Grateful Dead shows from over the years across New York State with our interactive map below

In typical Dead fashion, just getting inside the venue was an adventure in itself. Between massive traffic jams, Shakedown Street shenanigans and huge lines at the turnstiles, before the show even started the lawn overflow had spilled well into the food court area. The place was absolutely packed and the buzz in the air was tangible, friendly, and electric. Strangers were literally stopping strangers just to shake their hand. As Dead & Company took the stage to a rousing ovation, things would kick off with a well-received cover of Sam Cooke’s classic “Let the Good Times Roll,” a sure sign that both the band and the fans were on the same page.

Anchored by original Grateful Dead members Bob Weir (guitar/vocals) and Mickey Hart (drums), this incarnation of the group features cross-over pop superstar John Mayer on lead guitar and vocals, Oteil Burbridge (bass/vocals), Jeff Chimenti (keyboards/vocals), and Jay Lane (drums). Noodling their way into the familiar sounds of “Scarlet Begonias,” the 14 minute dance party would pick up even more steam as the band segued into the time tested sing-along of “Deal.” Weir would croon “Black-Throated Wind” for us next, before handing over vocal duties to Mayer for the always appreciated “Dire Wolf.”

The centerpiece of the set, and perhaps the whole night, came next in the form of “Bird Song.” As people slowly realized what it was, you could almost feel the collective sense of joy. The delicate and lush harmonies transporting you to a place of peace and tranquility, despite having the controlled chaos of some thirty thousand people all around you, all clamoring for a better view of the stage. John Mayer’s melodic guitar work played particularly well off Chimenti’s tasteful keyboards here, yielding the longest piece of improvisation of the night, clocking in at just under 19 minutes. A silky smooth transition into “Going Down the Road Feeling Bad” had the entire place feeling groovy and singing along once again with huge smiles on their faces as the opening set came to close.

After a brief break in the action, an up-tempo “70’s era” version of “They Love Each Other” kicked things back into gear to start the second half of the show. The popularity of Mayer was very noticeable here. Anytime he would sing a verse, a wave of female cheers would cascade through the audience, though Mayer, wearing noise canceling headphones, would never hear them. Instead focusing on interplay with Weir and settling into a fiery groove that would eventually lead the train to “Terrapin Station,” the captivated crowed swayed to the music in pure delight as the lengthy, complex composition was executed beautifully. Oteil Burbridge, who will headline the Rye Bread Music Festival not far from Saratoga next month, was particularly charismatic as “Terrapin” reached it’s final peak.

Like I told you, what I said / Steal your face right off your head
– “He’s Gone”

After that, there was nothin’ left to do, but smile, smile, smile as the song that gave birth to one of the most recognizable logos of all time, “He’s Gone,” gave the audience both a chance to sing and to reflect. The slow and bluesy groove would gradually build on itself, adding subtle layers of momentum until coming around again and finally revealing itself as “The Other One.”

About 13 minutes into it, things would get a little weird as Mickey Hart and Jay Lane would tag team on “Drums/Space,” which took on a decidedly darker, droning-type vibe that had at least one person near me slightly concerned for their apparent heart condition. Eventually the rest of Dead & Company would return to the stage and seamlessly pick up right where they left off, continuing with the second half of “The Other One.”

Next, Bobby would lead the band though the emotional high point of the evening with a heartfelt rendition of “Days Between,” a tribute to the enduring legacy of Jerry Garcia and a sentiment that resonated deeply with everyone in the audience. Picking up the pace now, the band would get everyone back on their feet and dancing once again for a set closing “Turn On Your Love Light.” With the audience still hollering for more, everyone knew exactly what was coming for the encore. And while fans were treated to a smokin’ yet obligatory “One More Saturday Night,” you couldn’t help but feel skeptical at the shows bittersweet ending.

With the band currently sounding as tight as ever and clearly still with significant drawing power, are we really to believe this is the end of the road for Dead & Company, or is this perhaps just the start of an exciting new chapter? With scores of imitators and Dead cover bands already ensuing the music never stops, one thing is for certain: whether this band tours again or not, The Grateful Dead will never die. After a few days of rest, “The Final Tour” will resume at Citi Field in Queens, NY before heading to Fenway Park in Boston this weekend.

Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, NY | 6/17/23
Set 1: Good Times , Scarlet Begonias > Deal, Black-Throated Wind, Dire Wolf, Bird Song > Going Down the Road Feeling Bad
Set 2: They Love Each Other > Terrapin Station, He’s Gone > The Other One (verse 1) > Drums > Space > ‘The Other One (verse 2) > Days Between, Turn On Your Love Light
Encore: One More Saturday Night

Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, NY | 6/18/23
Set 1: Hell in a Bucket, Sugaree, Mississippi Half-Step > Mr. Charlie, Friend of the Devil > Lost Sailor > Saint of Circumstance > Big Railroad Blues
Set 2: Samson and Delilah, Playing in the Band > Help on the Way > Slipknot! > Franklin’s Tower > Drums > Space > Death Don’t Have No Mercy, Throwing Stones, Sugar Magnolia
Encore: Werewolves of London > Playing Reprise

June 20, 2023
In Focus: Mihali at Alive at 5

The theme for the second installment of Albany’s Alive at 5 was Jam Night. On Thursday, June 15th, Mihali along with Side B played 2 non-stop jam sessions for the people of Albany.

Mihali at Alive at 5 – Photo by Jarron Childs

Mihali is one of the co-founders of the jam band Twiddle. Out of Vermont, Mihali has been with Twiddle for the last 18 years. Late last year Twiddle, made the announcement that they were taking an “indefinite hiatus” following their Distance Makes the Heart tour.

Mihali plans to join the band for a few of their shows, but really started to branch off from the band. He has his own shows that he’s doing along with the Twiddle tour. He also released a single, “Raise it,” last month along with his second solo album Effection last summer.

Side B at Alive at 5 – Photo by Jarron Childs

Side B from Albany played a solid hour set to open Jam Night. They are no stranger to Albany stages as they played a set during the Holiday Tree Lighting. The young alt-rock band played an electric and energetic set for their first Alive at 5. Guitarist A.J. Horton ran in to the crowd to get them on their feet. They really started to turn heads as they grew a bit on an audience towards the end of their set, especially with a cover of Presidents of the United States of America’s “Peaches.”

Mihali played an almost non-stop one and a half hour set to a large crowd of Albany residents. The band really worked together well to take few breaks between songs and just really jam out. The saxophonist had a large presence on stage as they had many breakout solos alongside some of the other band members.

There was not one bad vibe to be found as Mihali played a mixture of covers, old, and new music. Parents with their children might have had stories to tell about some of their favorite Twiddle songs from high school.

As Mihali was leaving the stage, there was a reluctance from the crowd to just go home. No chants for an encore erupted, but instead a long applause. Nonetheless, Mihali came back saying that they still have 5 more minutes left of their set. He started of with the smooth a reggae beat from “Enemies” before switching to a more hard rock beat. It really felt that every strum of the guitar struck a cord on your inside.

Jam Night of Albany’s Alive at 5 – Photo by Jarron Childs

To catch Mihali next, he will be playing at the Peach Music Festival at June 29th in Scranton, PA. Mihali plans to rejoin Twiddle on August 10th for the Catskill Montain Jubilee on July 14th. To catch Twiddle next, they will be playing in Buffalo at the Cobblestone Music and Arts Festival on July 14th.

Mihali Setlist: All Day, Open House, Strongest of Our Kind, Terrestrial Tango, Carved Lines, Maplewood, Plush, Empty Overflow, Iron Lion Zion, Ballad of the Broken, Hypocrite, Find My Way, Breath and Let Go, Living is the Lesson, Enemies, Watchtower, Stairway

June 20, 2023
Country On Tour continues for Luke Bryan at Darien Lake

Luke Bryan gets his Country On at Darien Lake as his 4 month long tour makes stop in Western NY. Coming off a boisterous and packed house in Syracuse, Bryan coasted into Darien Lake Theme Park with special guests Alana Springsteen (no relation to the famous New Jersey guy), Chayce Beckham, and Tyler Braden.

With over 15 million album sales under his belt, 30 #1 hits, and 20 billion streams, the native of Georgia is no stranger to success and the crowds that come with it. The packed house at this Live Nation venue in Corfu, NY was proof of that as the crowd was on their feet for his entire set, singing along to nearly every word.

Opening the night for Bryan was Alana Springsteen. Newer to the music scene, Springsteen has released a few EPs since her debut in 2019, and in July 2023 will be releasing TWENTY SOMETHING: Figuring It Out. The first single, “When We Were Friends”, was just released this week and of course she belted it out for the crowd at Darien Lake. The song is about hardships among friends which many can and will relate to.

Used to wear each other’s sneakers // Get drunk behind the bleachers // Raise some hell, but we always said amen // I knew who you were kissin’ // What tattoo you were gettin’ // Now I don’t even know how you’ve been // Truth is, I miss when // When we were friends

A little Miranda Lambert, a little Chirstina Aguilera, and a whole lot of fire, Springsteen sang her heart our for about 25 minutes, preparing the fans for who was following her.

To learn about this rising star, click here Alana Springsteen

Next up to the stage, came Chayce Beckham. Imagine being a forklift operator and deciding to enter a singing competition on national television. Imagine being told by Katy Perry that you “sound like the heart of America”. Imaging singing a song you wrote and having that be the reason you won American Idol. This was the path that led Chayce Beckham to where he is now. He no longer is a forklift operator.

Serenading young and old alike, Beckham confidently kicked some ass on this stage, getting some hand shakes and fist bumps from fans. Sultry voice, with some slicked back hair, thoughts of early Johnny Cash, and maybe some Chris Isaak are sure to enter your mind as this 27 year old belts out lyrics from his song “23”

Following Beckham, Tyler Braden strutted around on the stage for another 25 minute set. The former firefighter has been raising eyebrows for about 7 years as he makes his presence know. Go watch him on stage for one set, and you will be forever hooked. Luke Combs-esque looks and smooth vocals will make Braden a household name very soon.

Where the longnecks don’t get hot in our hands
The bar keeps doublin’ down on doubles
It ain’t hard to find a little trouble
Neon Grave – Tyler Braden

Released in early 2023, Neon Grave is the latest EP that features the title track along with “Try Losing One”, “Middle Man,” “Wrong Right Now,” and “Choose Me,” Check out more of Tyler Facebook

I first saw Luke Bryan about 10 years ago. I don’t recall much of the night, honestly, but that story isn’t for publication. What I do recall is that Bryan got the crowd jumping, hooting and hollering immediately and never let off the gas. This night was no different in that regard.

From his first notes of “Kick The Dust Up” to his last notes of “Light it Up” Bryan had the entire seated crowd of 6400 and the extras in the lawn up and dancing around. The glow of cell phone screens filled the amphitheater and the subtle smells of vapes, pot, and spilled beer were prevalent as Luke was “Knockin Boots” on stage for close to 2 hours.

Starting around 905, the stage and house lights went dark as the crowd suddenly erupted in massive screams and cheers. We heard a little mash up of Luke Bryan songs as the curtains were pulled back and light filled the stage with light and finally Luke Bryan as he started off his set with a “Kick The Dust Up”

Along with his infamous dance moves and thought-provoking lyrics, Luke Bryan shows also boast quite a picture/light show throughout his performances. Each song is paired perfectly with proper graphics and/or light shows on large screens behind him. “Roller Coaster”, an appropriate theme for this venue, displays large coaster on the backdrop, complete with matching sounds. Other songs like “I Don’t Want This Night to End” show clips from music videos. While “Country On”, Luke’s most recent chart topper, the screen becomes an ode to service people.

With that song coming to an end, Luke called out Shannon from the pit area and brought her up on stage with him has he thanked her husband for his active duty service. Of course, this can’t be done without a surprise, right? Shannon’s husband Jeff came out from back stage and was welcomed by not only Shannon but the rambunctious crowd. Chants of USA were heard throughout the seating area. Very touching moment that brought tear to many eyes.

As Bryan continued playing until nearly 11pm, the fans kept getting louder and more active as they were dancing in all the aisles. As much as the ushers tried, these active fans were not clearing out. Ushers near me eventually gave in and began dancing along to the music.

Having been signed to music labels since 2017, Luke spent time prior to that writing songs for the likes of Travis Tritt and Billy Currington. With this experience, Bryan has nearly 40 musical awards, 10 headliner tours, and has played countless festivals and spring break events. Its no wonder why he has become one of the most famous acts in country music history. Keep up Luke as he continues his current tour and his subsequent ones. Farm Tour 2023 (lukebryan.com)

Setlist: Kick the Dust Up, What Makes You Country, Knockin’ Boots, Roller Coaster, But I Got a Beer in My Hand, Strip it Down, Rain is a Good Thing, Games, Country On, One Margarita, Sunrise/Sunburn/Sunset, Huntin’/Fishin’ and Lovin’ Every Day, I Don’t Want This Night to End, Kiss Tomorrow Goodbye, Buy Dirt (Jordain Davis), Play it Again, What She Wants Tonight, Down to One, I See You, Light It Up, Country Girl (Shake it For Me), That’s My Kind of Night

Photos by JM Photography

Young fan waiting for Luke to take the stage

Chayce Beckham

Chayce Beckham

Chase Beckham

Alana Springsteen

Alana Springsteen

Alana Springsteen drummer

Tyler Braden

Tyler Braden

Tyler Braden

Tyler Braden

June 19, 2023
From Asphalt to Lush Grass: Governors Ball 2023 Shines In New Home

Ten years ago in 2013, Kendrick Lamar made his way to Randall’s Island for a late afternoon set on the smaller of the Governors Ball stages. It was only a few months after the release of good kid, m.A.A.d. city as Kendrick’s meteoric rise was just underway. Fast forward to 2023; Governors Ball finds itself in a new (and hopefully, permanent) home in Flushing Meadows Corona Park and Kendrick Lamar is closing out the festival unopposed and under the fireworks. This past weekend, Governors Ball proved once again why it is New York City’s favorite music festival.

Kendrick Lamar at Governors Ball 2023. Photo by Lucas Kurzweil

After spending many years on Randall’s Island followed by a two year rental of the Citi Field Parking lot, Governors Ball finally made its long desired move to Flushing Meadows Corona Park. The vast park in central Queens has been woefully underused by the city for decades; a trend that will hopefully be reversed after the success of this year’s festival. The park was designed and built with large-scale events in mind, hosting two World’s Fairs in 1939 and 1964. Flushing Meadows sits on the intersection of two major highways, is adjacent to a subway line with access to Manhattan, and has ample parking lots from the numerous stadiums in the vicinity.

Governors Ball organizers did an incredible job of laying out the festival to take advantage of all of these features, creating a wide open festival experience that never felt too crowded at any point during the weekend. Three stages occupied the larger fields while the vendors and centralized area of the festival was nestled under large trees providing ample shade and character to the grounds. The towering Unisphere greeted fans at the entrance while the main stage was set up right in front of the New York State Pavilion, giving an iconic backdrop to the festival.

The lineup for the 2023 edition of Governors Ball attempted to model the diversity of Queens, the World’s Borough, as well as the eclectic music tastes of New Yorkers. There was a heavy lean towards rap and hip-hop overall, but festival organizers did sprinkle in rock, pop, indie and EDM throughout the weekend. International artists graced the stages as well including Korean pop superstars Aespa, Puerto Rican rapper Eladio Carrión and Japanese singer/dancer Rina Sawayama. Indie and rock was represented by Girl in Red, Black Midi, KennyHoopla, and Haim while Odesza was the lone EDM act for the weekend.

Odesza at Governors Ball 2023. Photo by Joseph Buscarello

Kendrick Lamar Trades The Production For a Microphone

Kendrick’s latest album Mr. Morale and the Big Steppers was released a little over a year ago, but its relevance lived on with his Governors Ball performance. Although the stage production did not include the same amount of intricate detail that the “Mr. Morale and the Big Steppers” tour held, the set had a simplistic yet empowering feel. The only additions to Kendrick on the GovBall NYC stage were some lights on either side, large Henry Taylor backdrops, a couple of flares, and a few dancers. Kendrick proved that he does not need the fancy add-ons to pump up a crowd. He had all of Flushing Meadows screaming the words to his songs like they were the national anthem at a playoff sporting event.

Kendrick Lamar at Governors Ball 2023. Photo by Joseph Buscarello

Kendrick did the majority of the set solo, running through tracks like “King Kunta” and “LOVE.” and even his iconic feature on Pusha T’s track “Nosetalgia” (sadly, no Pusha T appearance even though he performed on the adjacent stage before Kendrick). Near the end of his captivating performance, Kendrick brought out his cousin and protegé, Baby Keem, to perform their RIAA Platinum song “Family Ties.” Through his crowd control and high energy performance, Kendrick Lamar further established himself as the best of the best in the rap game.

Lizzo And Odesza Headline With All The Fanfare

Lizzo was the Friday night headliner and she did not disappoint. Her band and numerous dancers lined the stage as the lights went out, leading up to a grand entrance to “Cuz I Love You”, the opening track of her 2019 sophomore LP of the same name. Lizzo’s thunderous voice reverberated throughout the festival grounds, especially when she dropped into her mega hit song “Juice” which sent the crowd into a dance frenzy. The glamorous staging featured retro big band style decor and backdrops, with sultry visuals playing along on the giant LED screen on the stage. Lizzo ran through her setlist with a powerful grace, performing her signature flute solo leading into “Truth Hurts” along with a fan favorite cover of Chaka Khan’s legendary “I’m Every Woman”; a song and a sentiment that has become a mantra behind Lizzo’s approach to music writing and performance.

Lizzo at Governors Ball 2023. Photo by Joseph Buscarello

Odesza fulfilled headlining duties on Saturday, with their larger than life EDM show filled with lasers, flaming pyro, guest vocalists, and a fireworks finale fit for a music festival. The duo took to the stage and started their set off with a bang with “This Version of You” and “Behind The Sun”. There was no shortage of pyro, as large fireballs erupted behind the DJs throughout the show, sending waves of heat into the crowd. Lasers fanned out over the crowd to interact with the tall trees in the back of the field, with house beats driving the dance floor until curfew. Odesza sprinkled in a Pretty Lights cover in “One Day They’ll Know” as well as a “TENSE” and “KEEP MOVING” from their BRONSON collaborative project with Golden Features. They closed out their set with a huge fireworks display over the stage while 2022’s “The Last Goodbye” pulsed through the night.

Filling Out The Days

Lil Uzi Vert was the perfect addition to the rap-filled GoPuff stage. Their Friday night performance had fans in awe. They came down from the stage to rock out with the fans on the barricade, and made sure fans that fell over were able to get up and continue jamming. They brought out rappers Ken Carson and Destroy Lonely, and got the crowd going with songs like “Do What I Want” and “Money Longer.” They left fans with a feeling of anticipation for what is to come in the following weeks by announcing that they have a new album releasing this month.

While rock and indie were not as prevalent on the lineup this year, the biggest draw in the category was certainly Haim on the GovBall NYC stage. The three sisters burst onto the scene in 2013 with their debut record Days Are Gone featuring the utterly infectious song “The Wire”. Throughout the set, the three sisters alternate vocal roles and instruments while also engaging heavily with the fans. Their dynamic performance style creates a light and fun atmosphere that is perfect for the summer festival stages.

On Saturday, KennyHoopla and Snail Mail kept the rock vibes going on the GoPuff stage. KennyHoopla’s vigorous post-punk dominated the crowd first, bouncing all over the stage while delivering a rambunctious vocal performance over heavy guitars. Snail Mail came up next, keeping the punk rock going, featuring a set full of songs from their two excellent LPs: 2018’s Lush and 2021’s Valentine.

Governors Ball Artists March On

In the wake of Governors Ball, many of the artists who played use the opportunity to announce new projects and tours. Many of the artists are on their own headlining tours and mix in the festival appearances. Right before Governors Ball weekend began, Metro Boomin released his highly anticipated soundtrack to the movie Spider-Man: Across The Spider-Verse. Just after the weekend, Eladio Carrión announced a North American tour with a stop at The Theater at MSG in October. Philadelphia’s major music festival, Made in America, announced their lineup with Lizzo making another headlining appearance along with Ice Spice, and Metro Boomin. Joey Bada$$ is running through the festival circuit with a dozen appearances including Glastonbury, Rolling Loud, and Lollapalooza.

Odesza at Governors Ball 2023. Photo by Joseph Buscarello

Kendrick Lamar, fresh off the epic Big Steppers World Tour, is also hitting the summer festivals, taking his minimal yet relentlessly in your face festival show to the biggest stages in the world including Bonnaroo, Lollapalooza, Rokslide, Austin City Limits, and Summer Sonic in Japan. If any of those festivals are within reach, it is worth the opportunity to catch a generational talent at his very best.

The Future Of New York City’s Premier Music Festival

By all accounts, the first edition of Governors Ball in Flushing Meadows was a major success. The layout of the venue was nearly perfect, transit in and out of the festival went smoothly, and three days of music went on without skipping a beat. Governors Ball has been at it for many years and are no strangers to throwing such a large party in NYC, but expectations were sky high this year. One could have argued that the very future of the festival rested with this weekend going off without a hitch. The cost of putting on these events has never been higher, and fans have so many choices of shows these days that it was unclear if Governors Ball could even draw a large enough crowd. Last weekend in Queens put all of the chatter to bed. With the Canadian wildfire smoke clearing out just in the nick of time, a glorious weekend of sunshine and music ensued. There is no doubt Governors Ball will be back at it in 2024; now we can all start dreaming of our ideal lineup we would want to see grace the stages in Flushing Meadows.

June 17, 2023
In Focus: New York State Blues Festival, Day 1

The 31st edition of the New York State Blues Festival kicked off Thursday afternoon of June 15th at the New York State Fairgrounds in Syracuse, underneath beautiful blue skies. The annual event, which has grown substantially over the last thirty years, is known for being one of the largest, free, multi-day blues festivals in the northeast, and features a mixture of local, regional, and national blues acts.

Brandon Santini performs at the 2023 NYS Blues Festival

The festivities kicked off Thursday afternoon with a high energy set by Syracuse’s own Fillmore Blues Band. As the band took to the stage, the areas in front of the stage were already filled with early arriving blues fans, eager to get the party started. Festival goers sang and danced as the Fillmore Blues Band weaved their way through a 75 minute set of covers and originals. The set showcased a band known for their dynamic musical improvisation. Led by Mike Petroff on harmonica and vocals, the performance did not disappoint those in attendance. Petroff even took his harmonica into the crowd, playing stage-side on top of a table, giving passionate onlookers an up close view of the musician.

The Fillmore Blues Band kicked off the 2023 NYS Blues Festival

Next up was Memphis based rocker and blues harmonicist, Brandon Santini. Santini launched into his set with a harmonica solo which set the stage for his performance. The set was high energy, and saw crunchy blues guitar riffs to back Santini’s deep vocals and harmonica playing. Santini paid tribute blues harmonica legend Sonny Boy Williamson, with a phenomenal rendition of “Nine Below Zero”. Santini, who played the festival in 2016, was easily an early favorite of the audience as many in attendance came donning his merchandise. His set did not disappoint.

Brandon Santini performs at the 2023 NYS Blues Festival

Headlining the evening were the Blood Brothers ft Mike Zito & Albert Castiglia. The duo of blues guitar heavy-weights were touring in support of their January 2023 full length album Blood Brothers. Easily one of the most anticipated sets going into the weekend, the two did not let those in attendance down. The long time friends, known for their immense musical chemistry on stage, showcased why Joe Bonamassa once stated “They finish each other’s sentences, musically.” Their set, which leaned heavily on tracks from their self titled release, saw the pair dual on many guitar solos. Their passion for the music was visible from the audience, as the two routinely flashed smiles to each other as they tried to “out dual” the other.

Blood Brothers ft Mike Zito & Albert Castiglia perform at the 2023 NYS Blues Festival

The festival continues through Saturday and features headliner and blues legend, Buddy Guy with direct support from Samantha Fish on Saturday night. Admission is free.

June 17, 2023