Dan Deacon brought his colorful glitch pop to No Fun in Troy on Thursday, June 8th. This is his first tour since the pandemic, he had a huge tour planned in support (he was scheduled to play Ithaca) of his studio album from 2020, Mystic Familar, and it was just about to kick off as everything shut down.
During the downtime, Dan turned his energy towards writing numerous film scores, including the Academy Award-nominated documentary “Ascension”, and the Adam Sandler Netflix film “Hustle.” The Troy show was almost at end of a scattered tour that started in March, and even though he was pulling double duty (there was an early and a late show) the passion of his performance had not faltered or aged from years past, once the music started, he still had the charm of a mad man possessed.
Joining Dan Deacon on the tour was drummer Jeremy Hyman. Hyman has played for Ponytail, Avey Tare’s Slasher Flicks and also toured with Animal Collective when Panda Bear decided to sit out on drums during the Painting With tour. You know that if Panda Bear turned over the drumsticks to Jeremy for a tour, that he is an absolute monster behind the drum kit.
Starting out the night was Jeremy Hyman with a DJ set of some lovely ambient/house music that was the perfect appetizer for the night. His set entranced the crowd with some tripped out soundscapes, while occasionally locking into a deep house beat that would get the crowd moving. After his set he came back out with Dan to play drums, and since there were two shows and he played both sets, that made for an impressive 4 sets over the course of the night for Jeremy Hyman, a monster indeed.
Seeing a Dan Deacon show isn’t an average electronic music dance party, it is that, but it’s also an interactive slumber party with some like-minded strangers. It’s like going to a concert and all of a sudden that day in gym class breaks out where you didn’t have to play sports, and you just got to play silly games with a parachute. There is a lot of focus on the crowd and their dancing, which makes everyone feel silly and goofy, which is perfect mood for the kind of insane pitched up, ADHD-riddled, electronic pop music providing the soundtrack to all of this. Dan Deacon has really built up a nice catalogue of tunes to play live, and when you really distill down all of those earcandy electronic pop songs into a single show it’s a very impressive concert, musically, along with everything else going on. With the tour wrapped up and all of those scores under his belt, I think it’s a safe bet that Dan will be returning to the studio at some point in the near future for his next full length album.
Setlist: Become a Mountain, The Crystal Cat, Change Your Life (You Can Do It), Learning to Relax, Arp I: Wide Eyed, Arp II: Float Away, Arp III: Far From Shore, Arp IV: Any Moment, Wham City, Snookered, Sat By A Tree, Paddling Ghost, When I was Done Dying, Feel the Lightning
The Long Island Music and Entertainment Hall of Fame hosted a Hip Hop 50th Anniversary Show on Sunday June 11th. The show paid tribute to some influential artists and pioneers of hip hop. This event showcased the genre’s history, highlighted the achievements of renowned musicians, and provided a platform for insightful discussions. With the unveiling of an LL Cool J statue and a panel discussion featuring industry legends, the celebration was a memorable tribute to the cultural impact of hip hop.
Jazzy Jay, Son of Bazerk, Jazzy Jay, MC Glamorous, Aj Woodson
The event began with the unveiling of a stunning statue honoring the iconic rapper and actor LL Cool J. Created by sculptor Sherwin Banfield, the statue captured LL Cool J’s charisma, influence, and contributions to the hip hop industry. This immortalization of LL Cool J served as a powerful symbol of his lasting impact as one of the genre’s most influential figures. Banfield also has a monument dedicated to The Notorious B.I.G. located in Dumbo, Brooklyn.
Sherwin Banfield unveils LL Cool J statue
The 50th Anniversary Show featured a thought-provoking panel discussion that brought together several esteemed hip hop pioneers. Ralph McDaniels, a renowned video music director and host of the legendary “Video Music Box” program, joined forces with DJ Jazzy Jay, a trailblazing DJ, and Keith Shocklee, a member of the influential production team The Bomb Squad. They were joined by MC Glamorous, Dinco D, Aj Woodson, Johnny Juice, and members of Son of Bazerk, Tony Allen, and Cassandra Jackson.
The panelists reminisced about their experiences on Long Island and discussed the evolution of hip hop. Their wisdom provided attendees with a unique opportunity to gain firsthand knowledge of hip hop’s cultural significance and its enduring impact on music and society.
The audience was treated to a energetic performance featuring some of the industry’s most celebrated artists after the panel discussion. DJ Jazzy Jay, a true turntable virtuoso, took to the stage followed by DJ Johnny Juice, MC Glamorous, Aj Woodson, Dinco D. A Son of Berserk reunion set was another highlight creating an electrifying atmosphere.
Son of Bazerk
The 50th Anniversary Show was meant to include the induction of the legendary hip hop group, the Fat Boys. However, due to unfortunate circumstances, Damon “Kool Rock-Ski” Wimbley was unable to attend, leading to the postponement of their induction. The organizers of The Long Island Music and Entertainment Hall of Fame recognized the Fat Boys’ immense contributions and ensured that their induction would take place at a future event.
On Thursday June 8th, Hawthorne Heights started Albany’s Alive at 5 concert Series with tribute to their roots as Emo artists. The show was moved to Albany’s rain location under I-787, but the skies were as clear as could be for the show.
James Woodruff of Hawthorne Heights – Photo by Jarron Childs
Alive at 5 is a free summer concert series that the city of Albany has been throwing on annually for over 30 years. The series host artists from from the local area to national scene to bring the capital region some music from their favorite genre. Each week has a different theme; this one being Emo Pride Night.
The show’s opener was the band Bad Luck from New York City. They had just come off a spring tour to play a 45 min set. Bad Luck set the tone for what was to come for the headliner.
Hawthorne Heights formed in Dayton, Ohio a little over 20 years ago in 2001. They sent out their first song, “Silver Bullet,” to hundreds of record labels until one stuck with Confined Records. By 2006, they had two gold albums and were opening for Fall Out Boy during their Black Clouds and Underdogs Tour. The first stop on that tour, in fact, was in Albany, at what is now MVP Arena.
Hawthorne Heights is currently on a traveling festival around the US called the “Is For Lovers” festival. It has lineups of some of the best emo and pop-punk bands that could have ever been assembled, all in one place.
Hawthorne Heights played a long 90 minutes set to start Albany’s Alive at 5 for 2023. Lead singer, James Woodruff, said this was the longest set they have ever played. Though he proclaimed early on that they would rock out the whole night, there were a lot of speeches in between songs. Fans grew restless towards the end of the set as it could be felt that he was trying to fill up their time slot. Though the speeches did give their songs more meaning, and young fans got to understand emo better, it could be felt that fans just wanted to rock out the night.
Hawthorne Heights did come through with their promise as fans got to mosh to some of their favorite songs. At least two mosh pits that broke out on top of, crowd surfing and the audio engineer jumping into the crowd. The crowd screamed the lyrics to “Niki FM” and helped to close out the show with “Ohio is for lovers.”
Hawthorne Heights will continue their “Is for Lovers” festival on June 24th in Stateline, NV. There are currently no NY shows scheduled, but hopefully NY fans will get new music from them soon.
Don’t miss this week’s Alive at 5 with Mihali with special guest Side B opening. NYS Music will be on site so stop down and check out what the NYS Music team has in store!
Hawthorne Heights Setlist: Pens and Needles, Constant Dread, This is Who We Are, Lucerne Valley, The Transition, Crimson Sand, Saying Sorry, Rescue Me, Spray Paint it Black, Silver Bullet, Hard to Breathe, Blue Burns Orange, Stab Myself, We Are So Last Year, Niki FM, Dandelions, Ohio Is For Lovers
Local Utica musicians moe. played at Saranac Brewery over June 9 and 10, bringing in packed crowds to the Varick Street biergarten.
The weekend provided as great a pair of hometown shows as you’d expect. A “Crab Eyes” to focus the crowd’s attention to the stage started the show off and was followed by a song for said crowd, “Happy Hour Hero.” Driving the tempo back up with “Not Coming Down” was met with Blind Faith’s “Can’t Find My Way Home,” a rare treat that then dipped into the typical segue from “NCD,” “Wormwood.”
https://www.youtube.com/watch?v=0MB-kJcookw
Set two opened with Allman Brothers’ “Jessica,” and had Lotus guitarist Tim Palmeri join for a firey “Puebla” a few songs later. “Tubing the River Styx” did not go into “The Pit” as it typically does, but instead “Billy Goat” followed by “Tailspin.”
An encore of “Farmer Ben” showcased percussionist Jim Loughlin’s vocal stylings where the medley portion at the end was used to highlight songs they were not playing “Moth,” “Plane Crash” and “Timmy Tucker” among them. “okayalright” closed the show and wrapped up a “Not Coming Down” > “Wormwood” > “okayalright” extended trio sandwich.
moe. – Friday, June 9, 2023 – Saranac Brewery | Utica, NY
Set 1: Crab Eyes, Happy Hour Hero, Not Coming Down > Can’t Find My Way Home > Wormwood > Deep This Time > Downward Facing Dog, Haze Set 2: Jessica, (nh) Silver Sun > LL3 > Puebla$ > Tubing the River Styx > Billy Goat > Tailspin Encore: Farmer Ben, okayalright $ w/Tim Palmeri
While there were no bears during “Bearsong” on Saturday, the band fooled fans with a “Time Ed” fake out in a “Ricky Marten” jam that shifted into “Water” instead. Shannon Lynch joined on saxophone for “The Road” to close the set.
https://www.youtube.com/watch?v=Wd2509fKTwg
A setbreak performance by ‘FingerbanG’ -a crew band that first performed at Summer Camp Music Festival in May – found them wearing ‘ridiculous inflatable costumes’ and played Spinal Tap’s “Big Bottom” and Queen’s “Fat Bottom Girls” in the short time they had.
Set two opened with Not Normal track “Prestige Worldwide” and featured the ever-enjoyable combo of “Jazz Wank” > “Spaz Medicine,” followed by a solid “Opium” and “She” and “Brent Black” closing the set, with Chuck Garvey playing a top notch solo, even giving a Chuck.announcement and wishing his wife a happy birthday.
The encore of Eric Clapton’s “Let it Rain” has found a comfortable spot in the rotation with Nate Wilson having joined the band and providing vocals for a proper Derek and the Dominoes cover.
moe. – Saturday, June 10, 2023 – Saranac Brewery | Utica, NY
Set 1: Skitchin Buffalo, Bearsong, White Lightening Turpentine, Big World -> Ricky Martin, Water, The Road* Set 2: Prestige Worldwide, Jazz Wank -> Spaz RX, Opium, She -> I don’t Wanna Be -> Brent Black Encore: Let It Rain *w/ Shannon Lynch on saxophone Ricky Martin had a Time Ed Jam fakeout. Opium had a “She’s So Heavy” by The Beatles intro.
Governors Ball is in full swing over in Flushing Meadows Park with day 2 wrapping up on Saturday. Picture perfect weather settled in for the day, while a diverse lineup did their thing across the three stages, punctuated by a thunderous spectacle courtesy of Odesza.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
At the GoPuff Stage, KennyHoopla brought the energy. Fans were deeply invested in Hoopla’s rash, indie rock tone as his live band brought the lyrics to life. Kenny Beats rocked the Bacardà stage with a stellar DJ performance, mixing current favorites and old school classics. Before the set began, Kenny brought numerous fans onstage to enjoy his set from a platform behind him. Kenny Beats had the moshpit raving over his bass-heavy beats and high climax drops, frequently turning around and dancing along with the fans on stage.
Kenny Beats, Governors Ball, 6/10/2023. Photo by Lucas Kurzweil
Saturday also highlighted two of the biggest artists from South Korea and Japan who are making waves in the United States. The GovBallNYC Stage hosted Rina Sawayama earlier in the day. The Japanese singer dazzled the devoted fans with her energetic interpretive dance sequences and mega vocal prowess. Later on in the afternoon, fresh off throwing out the first pitch at a Yankees game, South Korean girl group Aespa brought their signature K-pop and hyper-pop music to the stage. Self-proclaimed “number one fans” flanked the barricade for their chance to see Aespa up close and personal.
Aespa, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Back at the GoPuff Stage, Oliver Tree brought his wacky pop music to the festival stage. Utilizing a keytar, Oliver played unreleased music and got the fans rocking with his viral song “Miss You.” To close off the night at the GoPuff Stage, Lil Baby put on a show stopping performance. Baby circled his discography going through hits like “Drip Too Hard,” “On Me,” and “Yes Indeed.”
Lil Baby, Governors Ball 6/10/23. Photo by Lucas Kurzweil
While Lil Baby drew a big audience over at the GoPuff Stage, an eager crowd gathered at the GovBallNYC to catch Odesza’s headlining set. The Washington state electronic duo are known for larger than life production and they did not disappoint. The show opens with a drumline appearing out of thin air at the front of the stage followed by relentless stage pyro, sprawling laser shows, and an epic fireworks finale while driving electro-house keeps fans moving.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Governors Ball wraps up today, Sunday with a much anticipated headlining performance from Kendrick Lamar. Black Midi, Pusha T, Lil Nas X, and Giveon fill out the day; a proper finale to another installment of New York City’s premier summer music festival. Stay tunes for Sunday’s recap and check out a gallery from Saturday below.
Governors Ball kicked off the 2023 edition on Friday, June 9th, showing off their new digs in the sprawling in Flushing Meadows Park. After many years on Randall’s Island, and a brief stint in the parking lot of Citi Field, Governors Ball made the long anticipated move to the famed Queens park. Nestled amongst the giant trees and iconic landmarks, the festival feels right at home in the World’s Borough. The Canadian wildfire smoke cleared out entirely for the day, letting perfect weather shine for most of the day.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
On the GovballNYC stage, Saba set the tone with his early afternoon performance. He got the crowd going with hits like “Ziplock” and “Photosynthesis.” Over at the GoPuff stage, Tai Verdes kept it cool with “A-O-K” to get the crowd ready for Brooklyn’s own Joey Bada$$. Joey went through songs across his entire discography and made sure to let his hometown crowd feel his energy. Joey made a tribute to XXXTENTACION by performing their song “infinity (888).”
Joey Bada$$, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
The GoPuff stage did not disappoint with later sets from Ice Spice, Metro Boomin, and Lil Uzi Vert. Ice Spice drew one of the biggest crowds of the day, and took the house down with her viral songs “Much” and “In Ha Mood.” Metro Boomin’ followed up Ice Spice’s performance with an intricate DJ set. Rain started to pour but that didn’t stop the fans from screaming every word, bar for bar, during Metro’s performance. Over on the Bacardi stage, the brief rain shower made for an even raunchier set than normal from pop icon Kim Petras.
Kim Petras, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Lil Uzi Vert closed out the night with a bang. Interacting with fans throughout the set, he even announced that the highly anticipated “Pink Tape” will drop at the end of the month. Uzi went through the hits, brought out Ken Carson and Destroy Lonely and ended the night with their latest hit “Just Wanna Rock.”
Lil Uzi Vert, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
Meanwhile, over on the GovBallNYC stage, Lizzo dominated the stage with her larger than lifer performance. Flanked by a sea of dancers, backup vocalists, a killer live band, and several outfit changes, Lizzo’s powerful voice reverberated through Flushing Meadows.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Day 2 gets going today, with sets from Finneas, Snail Mail, Rina Sawayama, Lil Baby, and Odesza. Stay tuned for our Saturday recap tomorrow morning.
On May 31st, Hayley Kiyoko took over Irving Plaza in the heart of NYC, igniting a firestorm of excitement and pure musical magic. This show was incredible and energetic as she played Irving Plaza for the second day in a row on “The Panorama Tour”; delivering one breathtaking performance after another.
To make the night even more unforgettable, the incredibly talented Allison Ponthier opened her the night, adding an extra layer of brilliance to an already sensational evening. With Irving Plaza’s intimate setting, the energy in the room was palpable as fans eagerly awaited a night they knew would leave a lasting impact on their hearts and souls.
Allison Ponthier, the mesmerizing singer-songwriter hailing from Texas, has been making waves in the music scene with her unique sound and captivating storytelling. In a serendipitous turn of events, Ponthier’s journey took a remarkable leap forward when she shared her heartfelt song “Harshest Critic” on social media platforms, catching the attention of listeners around the world. Her raw vulnerability and haunting melodies struck a chord with audiences, leading to a growing fanbase and critical acclaim.
With her debut EP Faking My Own Death released in 2021, Ponthier showcased her introspective lyrics and ethereal vocals, solidifying her place as an artist to watch. Drawing inspiration from personal experiences and the human condition, Allison Ponthier’s evocative music resonates deeply, leaving an indelible mark on the hearts and souls of those who listen.
Allison Ponthier Setlist: Autopilot, Hollywood Forever Cemetery, Hardcore, Crash Test Dummy, Cowboy, Faking My Own Death, I Lied, Character Development
Hayley Kiyoko, the charismatic 28-year-old artist hailing from California, has been making waves in the music industry with her unwavering talent and unapologetic authenticity. In an unanticipated but welcomed turn of events, Kiyoko’s journey took a remarkable pivot from acting when she released her breakthrough single “Girls Like Girls” in 2015. The empowering anthem not only resonated deeply with audiences but also caught the attention of major influencers in the industry.
Garnering a devoted following, Kiyoko continued to captivate hearts with her distinct sound and emphasis on sharing queer stories. With each subsequent release, including her debut album Expectations in 2018, Kiyoko solidified her position as a force to be reckoned with. Embracing her role as an LGBTQ+ icon and advocate, she fearlessly uses her platform to champion self-acceptance and love. Hayley Kiyoko’s undeniable talent, combined with her unwavering dedication to authentic expression, has firmly established her as a rising star, destined to leave an indelible mark on the music scene.
Kiyoko’s electrifying performance left the audience in a state of pure euphoria. From the moment she took the stage and launched into the opening chords of “Found My Friends,” the crowd was swept up in a whirlwind of energy and emotion. Kiyoko’s magnetic presence and infectious enthusiasm had everyone dancing and singing along, creating an atmosphere of unity and celebration.
In a surprise moment, Kiyoko treated the crowd to a nostalgic rendition of “Determinate,” a throwback to her performance as a main character in the Disney Channel Original Movie, Lemonade Mouth, which had the entire audience belting out the chorus. As a dedicated fan named Jennifer was called out, Kiyoko dedicated a heartfelt rendition of “Pretty Girl” to her, further solidifying the connection she has with her dedicated fanbase.
As the familiar notes of “Girls Like Girls” rang out, the energy reached its peak, with the crowd erupting in a chorus of voices, an amazing start to Pride month, and affirming Kiyoko’s impact as an LGBTQ+ icon. The introspective and empowering “Gravel to Tempo” followed, further solidifying Kiyoko’s message of self-acceptance and authenticity.
The night drew to a close with the poignant “Well…” and the empowering anthem “For the Girls,” leaving the audience with a sense of empowerment and unity. However, the crowd’s fervent cheers and applause brought Kiyoko back for an unforgettable encore, culminating in the breathtaking “Panorama.” As the final notes echoed through the venue, there was a collective understanding that this was a performance that would be etched in their memories forever.
Hayley Kiyoko’s show at Irving Plaza was a masterclass in connecting with an audience and creating an atmosphere of love, acceptance, and celebration.
In terms of upcoming shows, “The Panorama Tour” has come to a close, but updates for any future Hayley Kiyoko shows can be found on socials, and her website. The same goes for Allison Ponthier, and you can find her socials and website linked here.
Hayley Kiyoko Setlist: found my friends, luna, sugar at the bottom, What I Need, underground, deep in the woods, Greenlight, flicker start, Curious, Determinate [Lemonade Mouth song], Pretty Girl (Dedicated to Jennifer, fan from crowd), forever, Sleepover, demons, Girls Like Girls, Gravel to Tempo, Hungry Heart [Steve Aoki, Galantis feat. Hayley Kiyoko], well…, for the girls, panorama
Twiddle and Frends returned to the Charles R. Woods Park in Lake George for the 2023 edition of Memorial Meltdown for the unofficial start to summer and kickoff of a huge music festival and summer concert series season across New York State.
photo by Derek Java
Also on this year’s lineup were Twiddle, Dogs in a Pile, TAUK, Giant Panda Guerilla Dub Squad, Mihali and Frends, One Time Weekend, and Annie in The Water. The two-day event as always included a wide variety of craft and food vendors, a short walk from the shores of Lake George.
Memorial Meltdown bookends the summer at Charles R. Wood festival commons, with the Labor Day weekend Adirondack Independence Music Festival. The two fests have grown to nearly the same size, following Meltdown, meaning this September’s ADK Fest will have even more in store that is not to be missed!
photo by Derek Java
Visit Mirth Films for a full recap, videos, interviews and much more from the Memorial Day weekend in Lake George.
Check out photo galleries from Conor McMahon and Derek Java below.
On the heels of releasing her eighth solo studio album on April 14, Keep Your Courage (Nonesuch Records), Natalie Merchant played the Alice Tully Hall at Lincoln Center for two consecutive sold-out shows this on the evenings of Friday, June 2 and Saturday, June 3.
A huge fan of hers since the heyday of the 10,000 Maniacs in the late-1980s and early-1990s, I was “blessed and lucky” enough to be in attendance for the night two performance on June 3.
At the midway point of a 45 date tour that shares the same name as her new album, the Jamestown, NY native brought her trademark, unmistakable alto chops to the Adrienne Arsht Stage, within the warm, wood veneer confines of the Starr Theater. In celebration of her first new material since 2017, Merchant has been performing several shows on the tour while backed by an orchestra. And Friday and Saturday’s concerts were no different as The Knights, a symphonic orchestral collective based in New York City and led by Associate Conductor Michael P. Atkinson, accompanied Natalie Merchant onstage for lush arrangements of career-spanning tunes.
On an atypically chilly evening for late-spring on the Upper West Side of Manhattan, patrons began to congregate in Alice Tully Hall’s foyer one hour before showtime to relax with a drink from the bar and to check out the ‘merch’ table, which included signed vinyl copies of Keep Your Courage selling for $50. At 7:30 pm, doors to the 1,086-capacity theater renovated in 2006 and known for its exceptional acoustics officially opened. Walking into the theater alongside other attendees to take our respective seat in the orchestra section or balcony, we were immediately taken aback by the theater’s grandeur, particularly the venue’s centerpiece, a cathedral-sized, 19-ton, Swiss-made pipe organ built in 1974.
Running slightly behind schedule, the house lights suddenly dimmed at 8:10 pm and the moment we all had been waiting for was finally upon us! Entering stage right in the first of two elegant, long skirt and blouse ensembles Merchant would be rocking tonight, the epic 23-song show comprised of two sets (separated by a 20-minute intermission) and an encore was officially underway with “Lulu,” from her self-titled studio album released in 2014. At the song’s conclusion, Merchant explained that she wrote the song about Louise Brooks, the American film actress and Jazz Age icon of the 1920s and 1930s who of all things, popularized the bob hairstyle.
With a setlist mimicking Friday night’s selections and order (despite Merchant and The Knights reportedly sound checking “Seven Years” and “My Skin” at rehearsals earlier in the day), Merchant’s voice was in top form, like a fine wine, as she gracefully danced, twirled and flowed from one end of the stage to the other, frequently interacting with her beaming audience.
Speaking of superb vocals, Merchant was joined onstage by two back-up vocalists for several songs, including “Lady Bird,” “Break Your Heart,” “Big Girls,” “Come On, Aphrodite,” “Kind & Generous” and “Tower of Babel.” One of the vocalists who teamed with Merchant during both Lincoln Center performances was Abena Koomson-Davis, a renowned performer and the musical director of the Resistance Revival Chorus, who also sings two duets on 2023’s Keep Your Courage.
As The Knights continued to compliment Merchant’s repertoire of current and past array of heartfelt melodies Saturday night, her innocent charm was palpable. Having matured into a beautifully refined artist over the course of nearly four decades, her songs have the ability to touch the inner soul of her listeners. Tonight, during “Beloved Wife” (Tigerlily, 1995) and “Sister Tilly” (an homage to powerful women from Keep Your Courage), she pulled on her own heartstrings as she was brought to tears during each of these emotional song deliveries. Poking fun at herself as she continued to wipe away the tears, the 2 hour, 30 minute display of live solo material was unfortunately nearing its climax.
The second set consummated with the entire house rising to their collective feet for a rousing rendition of “Kind & Generous” (Ophelia, 1998), followed by thunderous applause which lasted for minutes until Merchant appeased her adoring fans for a three song encore consisting of “Tower of Babel” (Keep Your Courage), fan-favorite “Carnival” (Tigerlily) and “These are Days” (Our Time in Eden, 1992), the lone 10,000 Maniacs number of the night. Before commencing the encore, Merchant quipped, “You are [all] gluttons! A three hour show, that’s what you all get, like Bruce Springsteen!”
Well past 11:00 pm, Natalie Anne Merchant fans of all ages, including a generous sampling of teenagers with their Gen X parents, gleefully filed out of the concert hall and into the Gotham night. Despite all of us going our separate way, we unanimously agreed on one thing – that it’s true, we are all “blessed and lucky” to have witnessed firsthand an emotionally-captivating performance by an artist that oozed both life and passion.
The North American leg of Merchant’s Keep Your Courage Tour will resume in St. Louis, Missouri on June 22. And in case you missed either of her Lincoln Center shows in the Big Apple, or you just need another dose of ‘90s nostalgia, Merchant will be back in the tri-state area to perform with a full orchestra again at New Jersey Performing Arts Center (NJPAC) in Newark, New Jersey on June 25. The thirty-sixth and final show in the lower 48 will occur on September 30 in Los Angeles, California.
Following a much-needed respite during October, Merchant will then continue her tour abroad with nine more shows, including five across the pond in the United Kingdom, as well as stopovers in Dublin and Amsterdam, with the tour finale scheduled for November 14 in Brussels, Belgium.
Setlist
Set 1: Lulu > Maggie and Milly and Molly and May > The Feast of St. Valentine > The Worst Thing > Frozen Charlotte > Ladybird > Giving Up Everything > The Letter > Narcissus > Break Your Heart > Big Girls
Set 2: River > Ophelia > Guardian Angel > Beloved Wife > Sister Tilly > Wonder > Come On, Aphrodite > Life Is Sweet > Kind & Generous
Encore: Tower of Babel > Carnival > These Are Days (10,000 Maniacs song)
A picturesque late spring afternoon yielded way to a beautiful evening of music at Beak and Skiff, in Lafayette on Saturday, as Noah Kahan brought his Stick Season tour to the apple orchard. With the tour lauded as one of the summer’s hottest tickets, the event sold-out well in advance of the show.
Kahan, a native of Strafford, Vermont, is known for his blending of folk-rock and pop music. His first full length studio album, Busyhead, was released in 2019. But it was during the Covid pandemic when Kahan’s popularity began to really soar. He first released the Cape Elizabeth EP in April of 2020. Following its release, and during the height of the pandemic, Kahan would retreat home to Vermont and write his most successful album to date, Northern Attitude (2022). The album, which leans heavily on themes of mental illness, struggling with substance abuse, feeling homesick, and childhood nostalgia, has earned Kahan much critical acclaim and a devoted fan base all across the age spectrum.
The evening kicked off with a set by Richy Mitch & The Coal Miners. The folk-rock band from Montana was joining Kahan for a special, one-off concert. The four-piece band delighted early arriving concert goers with a forty five minute set of folk-rock jams.
During the stage change-over between sets, excitement in the concert field was at a high. Fans packed the area in front of the stage, and shouted the singer’s name. Each crew member received a small roar from the crowd as they made their way across the stage, placing set-lists and water bottles. Finally the house lights dimmed, and the band took to the stage. After a brief instrumental piece, Noah Kahan took to the stage with a mandolin and launched into the crowd favorite “All My Love”. The audience exploded with excitement, and sang along to every word. Impressively, the singing did not stop after the first song. The majority of the crowd sang along, every word, to every song. Kahan kept the energy running for the first portion of the set, playing tracks “Everywhere, Everything,” and “She Calls Me Back”.
As the setlist moved on, Kahan would touch on heavier subject matters. Kahan, a staunch advocate of mental health awareness, would sing openly about his own struggles with mental illness on many songs. He sang in loving memory for a friend who passed too soon, on “Carlo’s Song”. During this song the concert field would glow in a sea of green (for mental health awareness) as fans held lights up from their cellphones. Noah Kahan would sing of substance abuse and finding sobriety on the track “Orange Juice.” Perhaps the most power full moment of the night would be when Kahan returned for an encore. He would open the three song encore with “The View Between Villages”, a reflective and nostalgic track written about an emotional return to Kahan’s childhood home town many years later. The song would build with emotion until its epic climax, and the audience did not miss a beat, singing along to every word. Kahan would finish the night with crowd favorites “Stick Season” and “Mess”.
If you missed out on this performance, you are in luck. Kahan has already scheduled a return visit to Syracuse, at the Lakeview Amphitheater on September 1.
