This past Wednesday, July 5, the iconic 80s band Tears for Fears took the stage at Bethel Woods for a night of new-wave nostalgia. The English band, consisting of Roland Orzabal and Curt Smith, with Lauren Evans supporting the two on vocals, put on a fantastic show for their The Tipping Point Part II tour.
Tears for Fears, photographed by Sarah Hyun
Tears for Fears originated in Bath, UK in 1981 and disbanded for a nine-year-long period in 1991. After reuniting in 2000, the two released albums Everybody Loves a Happy Ending, The Hurting, and their most recent release, The Tipping Point. Tears for Fears recently played a show at Madison Square Garden and Saratoga Performing Arts Center. With nineteen dates left in the North American / European leg of their tour, the duo will be busy playing shows until late November.
Tears for Fears, photographed by Sarah Hyun
Orzabel and Smith have been playing shows virtually their whole lives. The two know exactly how to work for a crowd, as thousands of fans in middle age and older stood up in their seats to get a good view of the stage. Concertgoers danced, jumped, swayed, and clapped along to iconic songs like “Shout,” “Head Over Heels,” and their most popular track, “Everybody Wants to Rule the World.” After playing “Everybody Wants to Rule the World,” Orzabel paused for a moment and said, “This song gets a million streams every day, which would be remarkable if they weren’t all from us.” A sustained laugh from the crowd. During their performance of “Mad World,” fans screamed in excitement as the two scaled the stage, singing and dancing as colorful lights flashed about.
The end of the show was exciting yet bittersweet, as the two closed the night with a powerful performance of “Change” and “Shout.” Although they do not have any more scheduled tour dates in New York State, the two are sure to come back again as they have in the past.
Setlist: No Small Thing, The Tipping Point, Everybody Wants to Rule the World, Secret World, Sowing the Seeds of Love; Long, Long, Long Time; Break the Man, My Demons, Rivers of Mercy, Mad World, Suffer the Children (sung by Lauren Evans), Woman in Chains, Badman’s Song, Pale Shelter, Break It Down Again, Head Over Heels / Broken
Bolstered by charismatic rock-star energy and a one-of-a-kind voice, the legendary live band known as My Morning Jacket lived up to all expectations and then some on Friday night, delivering a max effort, powerhouse performance to the storied city of New Haven, CT on the last day of June 2023.
An outstanding evening of song and dance, hugs and headbanging, and music with enough substance and depth to make even the most jaded concertgoer feel alive, fans who couldn’t make it to their headlining Peach Festival set the following night were treated to a far more intimate experience at the Westville Music Bowl. Featuring bust-outs, rarities, and songs played for the first time on this tour, the two-and-a-half-hour, career-spanning set felt inspired and special and showed exactly why many consider MMJ to be one of the greatest American bands of this generation.
My Morning Jacket performing live at Westville Music Bowl on 6/30/23
A timeless attraction, My Morning Jacket possesses a rare appeal that spans across generations. Consisting of frontman Jim James on vocals and guitar, multi-instrumentalist Carl Broemel, bassist Tom Blankenship, drummer Patrick Hallahan, and keyboardist Bo Koster, after more than two decades on the road the Louisville quintet have remained innovators of their genre and a creative force to be reckoned with. Still one of the “hairiest” bands out there, their look often harkens back to the glory days of 70’s rock n roll, while their sound has continually evolved to include more sonic experimentation and a wider palette of styles ranging from country to soul to psychedelia to even a bit of pop — all of it would be on full display on this hazy, humid Friday in New Haven.
With the bowl in Westville slightly more than half-packed, one could only assume the draw was directly impacted by The Peach Festival happening at the same time; the same festival My Morning Jacket would headline the very next night. But make no mistake, this was no “warm-up” gig for the band. In fact, they’d been on tour for several weeks already at this point, doing different setlists in each city, and by all fan accounts, have been having as much fun playing together as we’ve seen in years, acting reinvigorated and ready to rock out.
My Morning Jacket performing live at Westville Music Bowl on 6/30/23
After taking the New Haven stage accompanied by some hypnotic orchestral music and, of course, the colorfully dressed bears, Pooch and Denise, fans would see the light early as the show kicked off with the tour debut of “The Dark” from My Morning Jacket’s earliest album, 1999’s The Tennessee Fire, letting everyone know they were in for a treat tonight and to buckle up for the ride. Flowing directly into the thought-provoking crowd-pleaser “Compound Fracture,” vocalist Jim James, wearing heart-shaped sunglasses, would put his guitar down and work his way out to the front of the stage, locking eyes with the audience and drawing them in closer with his every movement and gesture; his presence was simply magnetic.
There’s no evil, there’s no good Only people doing as they should There is life in love and sound Get as much as you can keep around Before they put you into the ground
For who knows how long? (paradise calling)
-Lyrics from “Compound Fracture”
Now strapping back up with an acoustic guitar, James would go back to his childhood way with the title track of 2011’s Circuital before flowing directly into the classic MMJ rock anthem “Anytime.” A reimaged rendition of “I’m Amazed” featuring a Beatles-esq intro brought out goosebumps when the whole crowd shouted “Where is the justice?” in unison. Our next tour debut was the delicate song “Sooner” which saw multi-instrumentalist Carl Broemel move over to the slide guitar for one of the very few times in the evening. The show was already seven songs deep before the band would play anything from their most recent self-titled studio album, uncorking a seven-plus minute version of “Least Expected” that featured a beautiful extended keyboard solo from Bo Koster. Next came the song which perhaps best summed up the overall message of the night with “Love Love Love.”
Jim James of My Morning Jacket was all about love on 6/30/23
In another setlist surprise, “One Big Holiday,” a signature song usually reserved for the encore slot, dropped early and would feature James improvising lyrics over its outro, expressing his love for the “beautiful, scenic, historic, and wonderful people of New Haven,” leading us directly into one of My Morning Jacket’s most cherished songs and my personal favorite, “Steam Engine.” Played under hazy skies and a cool jeweled moon, the lyrics felt particularly potent on this number; complete with a beautiful saxophone solo from Broemel and a piano outro that seamlessly segued into a powerful rendition of “Feel You” that would see the members of the band huddle around Patrick Hallahan’s drum riser to headbang in unison, something the band often does when they are locked in and “feeling it.”
My Morning Jacket performing live at Westville Music Bowl on 6/30/23
A well-received “Victory Dance” would then set the tone for the real meat-and-potatoes of the show, putting in motion a series of songs that would alligator together through “Cobra” and see the incredible light show come to life before your eyes. After giving the crowd a chance to show off their best falsetto voices, “Wordless Chorus” took on a particularly funky groove before transitioning back into the hard-rocking second part of “Cobra.” Somewhat reminiscent of Metallica’s “Enter Sandman” here, the chugging low end was easily the heaviest of the night. “Cobra Pt 2” would then morph into the anthemic rocker “Wasted” which would evoke a dynamic, delayed pause that would send the audience into a frenzy, before reaching its high-octane peak.
Melting back into the conclusion of “Cobra” then slithering into the danceable electro groove of “Touch Me I’m Going to Scream Pt 2” (as popularized by the band’s guest appearance on Fox’s animated series American Dad), the song would see a bit of a different arrangement here, jamming out with more intensity and yielding a rocking, hair swishing, shred fest that would bring the impressive near 40-minute frame of uninterrupted music to a close. Not done pummeling the audience yet, “Holdin’ On to Black Metal” would get the crowd singing along once again before the band would disappear behind the smoke-filled stage to leave fans begging for more.
Fissure is the thrill of the day Forget about feeling, that’s not what pays But you know, all of this can change Remember the promise as a kid you made
Ah, ooh, ah, ah, aha Aha, ooh, ah, ah
We are the innovators, they are the imitators C’mon, hey, don’t you know how we started We forgot about love, but weren’t brokenhearted
-Lyrics from “Wordless Chorus”
My Morning Jacket’s Carl Broemel letting it rip at Westville Music Bowl on 6/30/23
After a brief break in the action, the band would reemerge from the shadows and Jim James would candidly address the audience, letting them know how special this moment together was, saying “Thank you so much, New Haven, wow, what a beautiful bunch. We’re so grateful to be here, so honored that you’re here. Were so glad to all be together, all be alive right now, right here on this beautiful planet. All together just having a beautiful, beautiful night.” The band would then slowly strum the opening chords of another bust outplayed for the first time on this tour in “Old September Blues” which also included a healthy nod to the Santo & Johnny classic “Sleep Walk.”
As if the show hadn’t been epic enough already, My Morning Jacket would then uncork a monstrous nine-minute version of “Spring (Among the Living).” A bit of freestyle pandering in the middle of the song would again feature Jim giving the audience some love, singing “Among the living in beautiful New Haven now, among the living in historic New Haven town, wooo” before breaking it down into one of the funkiest grooves heard all night to coincide with perhaps the most impressive light show of the night. With the venue’s early curfew now rapidly approaching, there was time left for just one more song. With fans shouting out dozens of titles still on the table, it would be the time-tested favorite “Magheetah” that was chosen as the final sing-along, sending fans home gleefully into the night with huge smiles on their faces, bringing the powerhouse performance to a close.
My Morning Jacket performing live at Westville Music Bowl on 6/30/23
In a city with such storied history, on the way out some fans could be heard drawing comparisons between Jim James and Jim Morrison. While the band never blatantly acknowledged The Doors’ influence, upon reflection, certain moments of the show certainly seemed to conjure up images of the Lizard King. From the opening lyrics of “The Dark,” to the cool jeweled moon above the venue, to the fact that Morrison became the first ever rock star ever arrested on stage in this same city, you couldn’t help but wonder if it was all a happy coincidence. Either way, both men should be considered icons of their era and two of the greatest frontmen in rock n roll history.
Strike a Pose: Jim James of My Morning Jacket performing live in New Haven, CT 6/30/23
After headlining the Peach Festival the following night, My Morning Jacket will get a few weeks of rest before returning to the road at the Newport Folk Festival at the end of July. Fans in New York will have plenty to look forward to this fall, as the band will return to the beautiful Beacon Theatre for a three-night run celebrating the 20 anniversary of their album It Still Moves. The fall tour will also see My Morning Jacket’s highly anticipated debut at the Place Theatre in Albany.
Setlist:The Dark *, Compound Fracture, Circuital, Anytime, I’m Amazed, Sooner*, Least Expected, Love Love Love, One Big Holiday, Steam Engine, Feel You, Victory Dance, Cobra (Pt 1) > Wordless Chorus > Cobra (Pt 2) > Wasted > Cobra (Pt 3) > Touch Me I’m Going to Scream Pt. 2, Holdin On To Black Metal
Encore: Old September Blues* > Sleep Walk **, Spring (Among the Living), Mahgeetah.
The Peach Music Festival returned to Montage Mountain for its 11 year in a row showcasing headlining acts like My Morning Jacket, Ziggy Marley, Les Claypool, Umphrey’s McGee, JRAD, Goose, and many more. Along with music veterans were a large number of newer bands such as Dogs in a Pile, Thumpasaurus, Andy Frasco, Brown Eyed Women, & much more.
The festival takes place on a ski slope/water park. The trek up the mountain to camp or even between stages is physically demanding, but the leisurely vibe of the waterpark provides much needed relaxation.
Security was definitely beefed up this year, probably due to the recent shooting at an EDM festival on the west coast. There were dogs sniffing for explosives and some nonsensical rules enforced by security. The photo pit was entirely too small and quite dangerous. I scraped my legs on metal bars many times trying to maneuver in there around a slew of other photographers. We maintained civility in the pit, everyone was very kind and respectful.
The first day started off with Friends of Brothers followed by Thumpasaurus who played a very energetic set to get the crowd going. Next up was Twiddle, opening up with funky favorite “Jamflowman.” The band also performed the fantastic “Slipping in the Kitchen” and heart-touching “Out in The Cold.” The first night concluded with two monstrous sets of Goose. Their set started with “Feel it Now,” showcasing Rick Mitarotonda’s vocals. Their first set ended with “Butter Rum,” and the set was filled with clever improvisation and classic Goose jams. The second set featured “Fish in the Sea,” a Fat Freddy’s Drop cover, “Red Bird,” “Hollywood Nights,” a Bob Sager cover, and concluded with “Thatch.” “Hollywood Nights” had everyone in the house grooving and “Red Bird” featured some tasteful solos.
On Friday all three stages were open and the day was packed with music! Trouble No More brought out Daniel Donato to sit in with them, playing a full set of Allman Brothers tunes including an incredible “Blue Sky” and a shred-filled “Whipping Post” to close out the set. Dogs In a Pile are quickly getting popular and they packed the Mushroom Stage with dancing fans. They started and ended with “Wipeout” and played a masterful “Jack Straw.” Umphrey’s McGee played a heavy set that had the main stage raging, with songs like “Remind Me” and “Escape Goat.” Tauk played an incredibly energetic set with the help of the ever-talented Kanika Moore on vocals. Ween was up next with a great set filled with exceptional vocals and guitar solos, spanning 25 songs.
Fans were going crazy for favorites like “Roses Are Free” and “Piss Up a Rope.” LP Giobbi played a two-hour set of Grateful Dead house remixes which was very danceable but left fans with mixed reactions. Due to a food vendor’s propane tank exploding, the pathway to the Mushroom Stage was temporarily blocked off for about an hour. When security finally figured out a path around, I had made it for the last hour of Daniel Donato’s Cosmic Peach which was much more Lotus-like jamtronica rather than the country vibe I was expecting.
Day three was epic. Circles Around the Sun played an incredibly funky, spacey set with Mikaela Davis on the harp. Andy Frasco is quite the entertainer. This year they put him on the main stage, and that wasn’t going to stop him from stage surfing. There was a guy being held up by the crowd on a board while he was throwing jello shots into the crowd via slingshot. Then it was Andy’s turn, he crowd surfed from the stage all the way to the lawn! The set included sit-ins with Dogs in a Pile, Mike Dillon, & Mihali as well as raging covers of “Teenagers” by My Chemical Romance and “Ramble On.” The energy was high and Mike Gordon delivered with his band playing new songs off his album like “Guilty Pleasures,” “Mull,” and crowd favorites “Cities,” as well as a raging “Carini” to close out the set. The place was going wild.
Les Claypool played an epic set including Pink Floyd’s Animals album in its entirety with masterful solos by Sean Lennon. Les wore a pig mask for a song and a disco ball helmet on “Whamola” to close out his set. My Morning Jacket played an absolutely rocking set with incredible vocals by Jim James including a Beatles cover of “The Ballad of John & Yoko” and a Rolling Stones cover of “Happy”. The place was lit up like a giant disco ball and everyone was dancing hard. Australian Pink Floyd put on a spectacle, playing Dark Side in full with three incredible female vocalists doing the vocal parts in “Great Gig in The Sky.” They covered favorites like “Wish You Were Here” and “Comfortably Numb” as well as digging deep in the archives with “High Hopes” and “See Emily Play.” Their stage antics included a giant teacher monster the size of the stage during “Another Brick In The Wall” as well as a giant inflatable bouncing Kangaroo.
The final day had come but it wasn’t over yet. Ghost Light played a packed set at the Mushroom Stage including the very catchy “Keep Your Hands to Yourself.” Tom Hamilton would later return to the Main Stage to play an electric set that had every deadhead grooving on their feet. This featured crowd favorites like “Shakedown Street,” “Hell In a Bucket,” “I Need a Miracle” and a Jack Straw to close out the set that had Tom Hamilton shredding a solo like a madman! Rain delayed Duane Betts & Palmetto Motel since the Mushroom stage is uncovered, but they eventually got around to playing an incredible set featuring a cover of his father Dickey Bett’s “Blue Sky.”
Ziggy Marley was up at the main stage keeping the energy very…high. This included Bob Marley songs like “Jammin” and “War” as well as originals like “Look Who’s Dancing.” There were some rumors going around about Tedeschi Trucks Band not playing that night, but boy did they prove us wrong. The crowd was a bit tired at this last set but still going strong. The combination of Derek’s masterful shredding, Susan’s vocals, and their diversely talented big band proves to be a true powerhouse. Their set included covers like the opener “Woman to Woman” by Joe Cocker and “Dreams” by the Allman Brothers as well as many originals like the epic “Midnight in Harlem.” The band came back out for a massive encore ending with “Space Captain” a Matthew Moore cover that featured a dueling drum solo and a guitar solo by Derek that almost blew the roof off.
This festival is filled with incredible music and loving fans. Both old and young are happy to see music veterans they love and discover new younger bands. With a gathering so big on a ski slope is logistically difficult and there will always be some hiccups, but this year went off rather smoothly aside from maybe one small food vendor explosion and a very long shuttle line on the last day. Other than that everything was more than Peachy and filled with respectful people for the most part. In conclusion, I’ll leave you with a lyric from an Allman Brothers song I recently discovered I love called”Blue Sky.” “You’re my blue sky, you’re my sunny day. Lord, you know it makes me high when you turn your love my way.” Another Peach Fest is in the books, see you on the mountain next time!
Ziggy Marley is currently hitting 19 dates around the country with the Tedeschi Trucks Band. Reggae listeners know and love Ziggy, this listener included. His music was somewhat lost on the crowd at SPAC that evening. There were only sporadic dancers through the crowd grooving to Ziggy’s roots flavored reggae. Ziggy Marley and the Tedeschi Trucks Band continue their tour through August 13 with Trombone Shorty & Orleans Avenue as their special guest.
Photos by Derek Java
Setlist: Rebellion Rises, Beach in Hawaii, Dragonfly, The Lucky One, Be Free, Personal Revolution, Wild and Free, Circle of Peace, See Dem Fake Leaders, Justice / Get Up, Stand Up, We Are the People, Love Is My Religion, Is This Love
The Tedeschi Trucks band, featuring Susan Tedeschi and Derek Trucks, brought their gutsy, blues-oriented rock-n-roll to Saratoga Performing Arts Center. The crowd was eager to gobble up the throaty singing of Susan Tedeschi and the equally soulful guitar licks of Derek Trucks. It was a good crowd, and the band fully entertained their audience. TTB can be caught on tour this summer and even in Japan this fall!
Photo by Derek Java
Setlist: Woman to Woman (Joe Cocker), It Hurt So Bad (Susan Tedeschi), Fall In, Yes We Will, Take Me as I Am, Circles ‘Round the Sun, Pasaquan, Just Won’t Burn (Susan Tedeschi), Gin House Blues (Bessie Smith), Part of Me, Looking for Answers (Susan Tedeschi), I Wish I Knew (Billy Taylor), Doo Doo Doo Doo Doo (Heartbreaker) (The Rolling Stones), I Want More >, Beck’s Bolero (Jeff Beck)
Encore: Keep On Smilin’ (Wet Willie), Stand Back (The Allman Brothers Band)
Weezer delivered an electrifying performance on their Indie Rock Roadtrip tour at CMAC on July 3, catering to audiences new and old with their expansive and iconic discography. For almost thirty years Weezer has been churning out hit after hit, including the notable “Buddy Holly” to “Island In The Sun,” as well as their infamous cover of “Africa” by Toto.
Photo by Jamie Mohr for NYS Music.
With storms earlier in the day, the clouds lightened up and the beautiful hot sun pounded down on those ready to see a night full of great indie music. Punk rock band Joyce Manor was the first opener of the night, with their grunge-esque sounds and aesthetic, the group kept the audience engaged and in the mood for the night ahead.
The second opener, Future Islands, was a whole different vibe and experience than the band before it. With their futuristic-sounding instrumentals, unique and intimidating vocals, and a stage presence like no other, the almost 20-year-old band pulled from their extensive and creative discography for a set like no other. Lead singer Samuel T. Herring put on quite the show with his immersive and passionate performance, moving all around the stage and even falling to the floor a few times.
Future Islands, photo by Jamie Mohr for NYS Music.
Finally came the moment everyone was waiting for, Weezer taking the stage. Founded in 1992, the band features Rivers Cuomo (lead), Patrick Wilson (drums), Scott Shriner (guitar), and Brian Bell (bass). Since its inception, Weezer has sold more than 35 million albums worldwide, finding fame with their 1994 record Weezer, dubbed “the Blue Album.” When the curtain fell to start the show, the stage emerged into a car, with the radio and wheel, and graphics showing different roads throughout the whole night, very fitting to the Indie Rock Roadtrip name.
Photo by Brian Ferguson for NYS Music.
Weezer opened with “My Name Is Jonas” an iconic and nostalgia-infused track from their first record. The crowd immediately started jumping and moving back and forth as the music started, with the band just as hyped. Quickly moving through tracks, the band performed one of their most famous tracks “Beverly Hills,” featuring the audience screaming the lyrics, “Beverly Hills/That’s where I want to be.”
Photo by Jamie Mohr for NYS Music.
Keeping up with the pace, the band grooved to their instrumental track “Return to Ithaka,” and brought out some oldies including “The Good Life,” “Pork and Beans,” “Pink Triangle,” and “El Scorcho.” During “You Gave Your Love to Me Softly,” Weezer brought out the lead singer of Joyce Manor, Barry Johnson, to sing, adding more vocals to the already perfected harmonies the band has. At this point, I was already spent from dancing and singing, but I carried on because the show was so energetic and infectious.
Things got softer in the middle of the show to give the audience the much-needed break, with Rivers Cuomo performing solo acoustic tracks like “I’m Just Being Honest,” the live debut of the track, and the infamous “Only in Dreams,” bringing out the rest of the members for the songs long instrumental break.
Photo by Brian Ferguson for NYS Music.
The rest of the concert was exciting and fun with more popular tracks like “Island in the Sun” bringing out new stage effects like a giant sun, and other tracks like “Say It Ain’t So,” seeing the crowd at their loudest. My favorite part of the night was the encore because the crowd was the most hype they had been so far, with songs like “Surf Wax America,” and “Buddy Holly,” ending the most perfect evening. Overall, Weezer’s Indie Rock Roadtrip was exciting, fun, and very tame, leading to a great experience full of amazing music.
Set: My Name Is Jonas, Beverly Hills, Return to Ithaka, The Good Life, Pork and Beans, Pink Triangle, El Scorcho, You Gave Your Love to Me Softly, Blast Off!, Undone – The Sweater Song, I’m Just Being Honest, Susanne, Only in Dreams, The Greatest Man That Ever Lived (Variations on a Shaker Hymn), Island in the Sun, Perfect Situation, All My Favorite Songs, Say It Ain’t So, Run, Raven, Run (instrumental only), Hash Pipe, and Thank You and Good Night.
Encore: The Waste Land, Surf Wax America, Buddy Holly.
It was a night to celebrate 90s rock music on Sunday, as Counting Crows brought their Banshee Season Tour to CMAC on Sunday, July 2nd. The concert featured direct support from Dashboard Confessional.
It’s hard to believe it’s been 30 years since Counting Crows burst onto the music scene, releasing their multi-platinum debut album August and Everything After in 1993. The California natives have gone on to release seven more studio albums, along with numerous live albums.
Fronted by Adam Duritz (vocals), the band also features David Bryson (guitar), Charlie Gillingham (keyboards), Dan Vickery (guitar, pedal steel), David Immergluck (guitars), Jim Bogios (drugs) and Millard Powers (bass guitar). The band is touring in support of their latest release, Butter Miracle Suite One (2021).
Heavy showers swept across the concert facility minutes before gates opened on Sunday evening. This did not deter a passionate fan base from arriving early to take in opener Dashboard Confessional. Originally the solo-acoustic project of Chris Carrabba, it would morph into a full band in 2002, as Carrabba was asked to perform on MTV Unplugged. The added bandmates allowed Carrabba’s songwriting to take on new depths and sounds.
Just after 7:30, Carrabba and his band mates took to the stage, and were met with a heavy cheer from the audience. The band launched into the upbeat “Don’t Wait”, which delivered a call and echo vocals, to with the audience enthusiastically obliged. From there the band would perform “The Sharp Hint of New Tears”, a song from Carrabba’s 2000 debut release (with lyrics that showcase the origin of the band’s name). Once known for writing acoustic emo rock, with themes centering around heartbeat and loss, Carrabba and his mates delivered a 60 minute set, spanning the band’s twenty year catalog and was filled with songs of hope and self-triumph. The band would close out their set with perhaps their biggest hit, the high energy “Hands Down”, which saw his band mates jumping and leaping around the stage.
As the 9pm hour approached, a pedal steel guitar was wheeled to stage left. Moments later, the house lights would dim and Duritz and his bandmates took to the stage. A lone spotlight illuminated guitarist Dan Vickery as he began to pluck the hauntingly familiar guitar riff to “Round Here”, one of the band’s most well known songs. Additional lights would slowly illuminate the remaining members of the band as Duritz moved to the center of the stage to start delivering his poetic lyrics, at times acting out key moments in the song. As the song built on energy and emotion, the audience became engaged, belting out lyrics. The band continued to build on the energy and emotion, following up with the upbeat “Hard Candy” and then the familiar “Mr. Jones”.
While the band’s set would lean heavily on music from their early years, Duritz didn’t hide his excitement when they would perform tracks of the band’s latest two releases. Tracks like “God of Ocean Tides” and “The Tall Grass” hit home with the audience as well as the band’s early hits. The later portion of the band’s set saw them perform their latest release Butter Miracle Suite One in entirety. They would conclude the main set with the familiar classic “Long December” which saw the grounds illuminate with cell phone lights and erupted into an audience sing along.
Crowd pleas for an encore would be obliged by the band, as they would return to the stage and deliver a four song encore. Returning to the stage with “Time and Time Again,” a beautiful track of their debut release, Duritz’s voice proved to be strong as ever, as the chorus echoed through out the center. Chris Carrabba and his band would join the Counting Crows for the next piece of the encore, Dashboard Confessional’s 2006 hit “So Long, So Long” which saw Duritz provide a guest vocal appearance on the studio recording. Carrabba would return the vocal favor on the next song, trading lyrics with Duritz on the hit “Hangin’ Around”. Fans flocked to the aisles to sing and dance along, as Carrabba and Duritz bounced around the stage, singing and triumphantly trading high-fives with fans.
Counting Crows ‘Banshee Season’ Tour – CMAC, Canandaigua, NY – July 2, 2023
Setlist: Round Here, Hard Candy, Mr. Jones, Colorblind, Butterfly in Reverse, Omaha, Catapult, God of Ocean Tides, Friend of the Devil, Goodnight Elisabeth / Pale Blue Eyes, The Tall Grass, Elevator Boots, Angel of 14th Street, Bobby and the Rat-Kings, Rain King, A Long December
Encore: Time & Time Again, So Long, so long, Hanginaround, Holiday in Spain
On June 14th, Dave Matthews Band took the stage at Darien Lake, delivering an electrifying performance that left the crowd buzzing.
From the energetic opener “When the World Ends” to the soulful encore of “You Never Know” and “Shake Me Like a Monkey,” the band captivated the audience with their musical prowess and heartfelt lyrics. One of the highlights of the night was a fantastic version of “Don’t Drink the Water.” The song featured a weird and exploratory intro, which sounded similar to something you’d hear at a Phish show. As the venue is close a Native American reservation, the song about the slaughter and colonization of the Native Americans was extremely poignant.
As it often is, “Lie In Our Graves” was the standout of the night. Probably the longest song of the night, they stretched out the classic and the Darien Lake crowd loved it. The night was heavy with new songs from their recently released album, 2023’s Walk on the Moon, but it was also sprinkled with some deeper cuts to keep everyone happy.
From the infectious energy of their opening song to the soul-stirring encore, the band showcased their exceptional musicianship and their ability to create an unforgettable live experience.
Dave Matthews Band – Darien Lake, Darien Center, NY – June 14th 2023
Setlist: When the World Ends, Stay or Leave,Funny the Way It Is, All You Wanted Was Tomorrow, Madman’s Eyes, So Damn Lucky, Busted Stuff, Grey Street, Looking for a Vein, Don’t Drink the Water, The Space Between, Lie in Our Graves, Walk Around the Moon, Louisiana Bayou, Break Free, You Might Die Trying, Jimi Thing, Brick House (Commodores cover)
Ithaca Reggae Festival 2023 took over Stewart Park this over June 23-24, bringing some roots and rhymes to local reggae fans. Giant Panda Guerilla Dub Squad closed the festival off Saturday evening playing some favorites.
For five years now the Ithaca Reggae Festival has been drawing crowds to the Finger Lakes Region. This years line up included Sundub, New Planets, Scientist, Double Tiger, and the Giant Panda Guerilla Dub Squad. With great food, arts, and activities for youth and adults, the reggae festival helps build community and keeps the music alive.
Rochester Reggae and Jam band Giant Panda Guerilla Dub Squad finished the festival off Saturday night with high energy felt from both the crowd and the band. Founded in 2001, the band is well known for their reggae roots and dub sounds. Performing old and new songs from their latest release, Love In Time, the crowd was left wanting more.
Wallice, the rising indie-pop sensation, graced the stage at Bowery Ballroom in Manhattan on June 27th, captivating the crowd with her infectious melodies and magnetic presence. This performance marked her triumphant return to NYC (and Bowery Ballroom) after her opening act with JAWNY last March.
With her irresistible charm and undeniable talent, Wallice delivered a performance that was nothing short of electric. Sharing the spotlight was the indie rock boy band Nitefire, whose infectious energy and captivating melodies set the perfect tone for the evening.
As the lights dimmed and the first chords resonated through the venue, it was evident that this would be a night to remember. The atmosphere was charged with anticipation as fans eagerly embraced the fusion of Wallice’s honest lyrics, vulnerability, and witty storytelling. With each song, she effortlessly transported the audience into her world, exploring themes of love, self-discovery, and the rollercoaster of emotions that come with growing up. The synergy between Wallice and Nitefire created a dynamic and unforgettable concert experience, leaving the crowd craving for more.
Nitefire,the dynamic musical project of Nico Geyer and Luke White, boldly defines themselves as the “budget Wallows.” Blending the pop sensibilities of turn-of-the-century indie rock with the vibrant sonics and youthful spirit of Brit-pop, Nitefire fearlessly carves out a lane that is uniquely their own, leaving nostalgia behind. With their roots embedded in the thriving Los Angeles music scene, the band has gained recognition for their DIY approach, hosting their own events and shows that embrace an “if you build it, they will come” mentality, diverging from the digital-dominated landscape of today. Nitefire’s sound and attitude are entirely their own as they carve out a distinct lane. With their debut single “Up 2 U” released, the band has already amassed an impressive following and garnered over 40K monthly listeners on Spotify. Nitefire’s journey has only just begun, and their upcoming releases and live performances promise an exciting and vibrant future for the band.
Nitefire’s opening performance was an electrifying display of energy and connection. Despite a minor setback earlier in the day, with Luke breaking his pinky, the band turned it into a playful guessing game during their set. Nico, the charismatic frontman, challenged the crowd to speculate on the cause of Luke’s injury, teasing them with the statement, “You’ll literally never guess.” Hilarious suggestions of door-related incidents were quickly debunked, fueling the curiosity of the fans. To their surprise, it was revealed that the pinky was actually broken in a Frisbee accident, leaving many scratching their heads and engaging in animated discussions.
Nico’s crowd interaction was a highlight, as he jumped into the crowd multiple times with guitar and mic in hand, creating a central pit of excitement. One fan attempted to converse with Nico in French, only to be misheard, prompting Nico to ask if she was speaking Spanish instead. The lighthearted exchange drew laughter and further showcased the band’s down-to-earth and approachable nature. The finale saw Nico leaning back into the crowd, crowd surfing during the last song, “Saturday.” Nitefire’s performance was a thrilling and engaging experience, leaving fans captivated by their boundless energy and genuine connection.
Nitefire Setlist: Daisies, Here We Go, La La, LAâs Got Gorgeous, Love Gets Ug, Uptight, Lovekiss, Life Gets Funny, Worth It, Saturday
Wallice, the rising indie-pop sensation hailing from Los Angeles, is making waves with her captivating blend of honesty, vulnerability, and wit. With a musical upbringing that exposed her to a diverse range of influences, from classic rock to 90s R&B, Wallice has developed a unique sound that sets her apart in the industry. Her breakout hits, including “23” and “Off The Rails,” have garnered attention for their raw and authentic approach to songwriting, tackling themes of love, loss, and self-discovery with remarkable vulnerability. Her newest EP, “Mr Big Shot,” released June 23rd, further showcases her exceptional songwriting prowess, offering a masterclass in Gen Z’s hopes, dreams, and failures.
Following a successful run of North American shows with JAWNY and Australian dates with The 1975, Wallice is now embarking on her own headline tour across the US, captivating audiences with her infectious energy and tongue-in-cheek, self-effacing anthems. With each release, Wallice reaffirms her status as an artist to watch, captivating listeners with her authentic storytelling and undeniable talent.
Wallice’s performance at the iconic Bowery Ballroom was an extraordinary display of her artistry, accompanied by heartwarming moments and genuine interactions with the audience. The show kicked off with a sweet gesture as she gave her guitarist a peck, setting a playful and affectionate tone for the evening. A fan’s gift of a black gemstone studded cowboy hat became a striking accessory as Wallice embraced it during her soulful rendition of “John Wayne,” captivating the crowd with her magnetic presence. After the song, she graciously returned the hat from whence it came.
Throughout the set, Wallice’s affection for New York was evident as she expressed her love for the city, instantly establishing a connection with the enthusiastic crowd. The audience reciprocated with adoration, elevating the energy in the venue. A touching moment occurred when a fan handed her a crochet bandana and a heartfelt letter accompanied by personal photos. Wallice graciously accepted the gift and wore the crochet bandana while performing the introspective and introspective song “Quarterlife,” adding an intimate touch to the performance.
In a playful exchange, Wallice humorously reprimanded her bassist for removing his goggles after the spirited performance of “Why Do You Love Me?“. This lighthearted banter showcased the camaraderie and dynamic chemistry within the band, further enhancing the overall experience for the audience. Following the energetic performance of “Prepaid Wireless,” Wallice took a moment to introduce her talented band members by name, highlighting their contributions to the music.
Although faced with a technical glitch during “Japan,” Wallice’s professionalism shone through as she gracefully restarted the song, seamlessly carrying the audience along with her. Her ability to handle unexpected situations with poise and maintain a strong connection with the crowd was a testament to her artistry and stage presence.
Wallice’s set at Bowery Ballroom was a memorable and captivating experience, filled with genuine moments of connection. Her ability to embrace fan gifts, engage in playful interactions, and overcome technical challenges showcased her authenticity as an artist. With each song, Wallice’s honesty and vulnerability resonated deeply, leaving the audience with a lasting impression of her talent and charisma.
Wallice Setlist: Disappear, Little League, Loser At Best, Punching Bag, 90s American Superstar, Wisdom Tooth, Rich Wallice, John Wayne, Headache, Quarterlife, Dramamine, Hey Michael, Why Do You Love Me?, Prepaid Wireless, Off The Rails, Japan, 23, Best Friend, Funeral
In terms of upcoming shows, Wallice and Nitefire will be on the road with plenty of chances to catch them on tour until they wrap up on July 20th in San Francisco.
Updates for any future Wallice shows can be found on her socials, and her linktree. The same goes for Nitefire, and you can find their socials and linktree here.
