One could not have asked for a more pristine summer evening, on Wednesday, July 12, when Fleet Foxes brought their sounds to the Beak and Skiff Orchard in Lafayette.
There is perhaps no other band more in touch with the various seasons these days than Fleet Foxes. Hailing from Seattle, Washington, Fleet Foxes continue to tour in support of their latest release, 2020’s highly praised Shore. The album, which was released for public consumption precisely at the autumnal equinox, drew much praise from critics and fans alike. Known for creating acoustic folk-rock with exquisite harmonies and musicianship, they have released four studio albums, several EPs as well as 2021’s live offering A Very Lonely Solstice.
Nigerian-born singer/songwriter, Uwade opened the evening. She is well known to fans of Fleet Foxes, having sung extensively on their latest release. Taking the stage by herself and armed with only an acoustic guitar, Uwade quickly took a captive hold of the audience. She delivered a thirty-minute set of acoustic folk tracks, intimately and honestly. It seems often this type of permanence can get lost in a large venue such as Beak and Skiff, however, this was not the case on this evening. The area surrounding the stage was quiet enough to hear a pin drop, as Uwade performed tracks dealing with topics such as the illness of her father. he was joined by Fleet Foxes members Christian Wargo and Christopher Icasiano to finish out her set.
After a brief intermission, the Fleet Foxes took to the stage. Boasting an impressive eight-piece band, and accompanied by opener Uwade, they immediately launched into “Sun Giant.” It was an appropriate opener to showcase what was to come, featuring a beautiful acapella track with layers of harmonies that floated about the concert field. The band followed with the mellow “Wading In Waist-High Water,” which saw Uwade again take lead vocals (as she did on the studio track) as layers of the band’s instrumentation built. The band then followed with the more upbeat “Can I Believe You,” which had the audience singing and dancing along.
As their set rolled on, the band would dig deeper into their catalog. Backed with a video board that showed nature scenes and other colorful visuals, the band churned out fan favorites such as “White Winter Hymnal,” “Montezuma,” and “Mykonos.” In what is becoming a tradition at their concerts, the band pulled an audience member from the crowd to sing and play guitar on “White Winter Hymnal.” For the uninformed, one would not have known this fan was not a lifelong member of the band.
In all the band would perform over 20 songs followed by a three-song encore. The band would close the evening with “Helplessness Blues,” a track about longing for a simpler life. Featuring the lyrics “If I had an orchard, I’d work ’til I’m raw,” it was a near-perfect ending to a brilliant evening of music.
Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.
Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.
Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.
For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.
The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.
While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.
Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.
Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”
“St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.
As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.
Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.
Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.
Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.
Spafford is a band that deserves more: more fans, more coverage, and more respect. With a signature sound amphitheater-ready and a technical proficiency seldom heard in today’s music, the fact they haven’t reached greater heights yet is truly one of life’s simple mysteries. Hooked from the moment I first heard them in 2017, I’ve been singing their praises to anyone who will listen for years now. That being said, a recent fan post in the band’s “Spaffnerds” group got my blood boiling a bit. It read something to the effect of “Guys. Spafford is destroying the northeast right now and not a single jamblog is writing about it. WTF.” Having written about this band several times in the past, at first I took offense, but then I took it as a personal challenge to get these guys some more ink. So in a completely irrational, last second decision, I loaded up the car in Albany and made the two and half hour drive across state lines to catch Spafford’s headlining show at the Homestead in Morristown, New Jersey on Monday, July 10th.
Spafford brought weekend vibes to Morristown, NJ on Monday 7/10/23.
Having never been to the Homestead before, I initially found parking to be a bit of a situation. With the summer night life of Morristown hustling and bustling right through showtime, I ultimately ponied up at a nearby municipal garage. Following my ear, I knew exactly where to go once I stepped out of the car. That’s because you could hear Spafford’s opening reggae-styled cover of “Soul to Squeeze” by the Red Hot Chili Peppers’ firing up from almost a block away. The colorful and luscious guitar tone of Brian Moss’ custom ax, Raven, was like a beacon calling to everyone nearby, ‘lend us your ears and we’ll send you home happy.’ By the time the band landed on “Plans,” the entire outdoor patio was packed with people. Even the curiously vacant parking lot adjacent to the venue started filling with people who were at least interested enough to listen, but on the fence about paying for it.
Spafford fans made themselves at home in Morristown on 7/10/23.
Inside the Homestead was a completely different vibe. A combination of danceable and sweaty energy, the smell of chicken wings and comfort food, and more mesmerizing than anything, the sound. The high ceilings of the venue made Spafford sound huge. Admitted audiophiles, the band which consists of Brian Moss (guitar,vocals), Jordan Fairless (bass,vocals), Nick Tkachyk (drums,vocals), and Cory Schechtman (keybords), work tirelessly before every show to achieve peak tones in whatever room they’re playing; they always sound great on whatever stage you put them.
Originally formed in Arizona, the last few years have seen much of the band return to their east coast roots. With Moss growing up in Jersey, the show would take on a bit of a “hometown throwdown” feel. Close family and friends could be seen dancing along on the side of the stage, including Moss’ adorable little rock star, Henry, who appeared to be having a blast watching his dad shred into our third song of the night in “Todd’s Tots.” While I don’t know who Todd is, I do know this was the musical highlight of the opening set. Things would then get down right “untzy” then “reptilian” with a well-placed combination of “Funkenseven” that alligatored into the Jordan Fairless led “Salamander Song” to send the Morristown crowd dancing the whole way into set break at the Homestead.
Keyboardist Corey Schechtman played his first show with Spafford at this same venue in 2023.
Walking out for second set accompanied by music from Rage Against the Machine, you could just feel the boys were about to get down to some serious business. Launching into the nights only track from their most recent studio album, 2022’s Simple Mysteries, “Fake the Fate,” the dance party resumed almost instantly. Some fans expressing themselves by spinning in circles, showing their moves to drift away while the surging groove carried us straight into “Windmill,” one of the band’s most sought after originals. Perhaps the centerpiece of the show, Spafford let it all hang out here, tongues included. Sustaining those high notes for added emphasis, when Moss starts making unintentional stank face, you know things are going pretty good. People who were seeing the band for the first time simply could not believe what they were hearing. As Brian’s complicated guitarwork reached soaring new heights reminiscent of what you might hear in the peak of Phish’s “David Bowie,” one older gentleman near the soundboard commented how he hasn’t heard chops like that since his days of seeing Jerry.
So Raven: Spafford’s Brian Moss plays his custom ax in Morristown 7/10/23.
Exchanging rays of mental dues Accepting moods that new grooves proves A simple song, it has no cost Through this rif my troubles’ lost You’ve got me dreaming again Open my mind to a new way A long way from fine
-Lyrics from “Windmill”
Up next came another Fairless special with “Lonely,” a track that has continually showed itself to be one of the bands biggest jam vehicles. This exceptional rendition proved that true once again with Jordan crooning his heart out while the band stretched its legs into some beautiful type II territory. Keyboardist Corey Schechtman also really shinned here. Schechtman, who played his first Spafford gig at this same venue one year prior, has really settled into his role nicely; you can just see how much more confident he is now. With other-worldly skills dripping out of his fingertips, Schectman has the ability to completely change the direction the jam is going…and that’s usually for the better. Often locking eyes with Nick on drums, the two seemed to have formed a strong bond over this past year.
Spafford drummer Nick Tkachyk played Jersey in a jersey on 7/10/23.
Showing amazing musical maturity by building the groove up, then holding onto it until they have everyone’s undivided attention, imagine how difficult it must be to show this kind of restraint. Like driving a Ferrari through a 30mph school zone, Spafford’s patience has always been one of their biggest assets. They always seem to know just the right moment to step on the gas and when to let off of it. Closing the four song second set was our second cover of the night, a crowd-pleasing version of “Love Song,” as popularized by The Cure. It was only the second time they’ve played it this year.
Spafford bassist Jordan Fairless had his fingerprints all over the Morristown setlist on 7/10/23
With a hard 11pm curfew rapidly approaching, it was from here to “Eternity” as another Jordan led song was selected as the lone encore of the evening, capping off another stellar performance by a band that’s currently at the top of their game. Afterwards the guys could be seen hanging out by the merch table, signing posters and taking selfies with fans. Their approachability is yet another endearing quality.
While the high-flying bird band Goose is currently commanding most of the jam scene headlines, bubbling just under the surface is a whole litany of other amazing acts of the same genre. Right at the top has got to be Spafford. Using music as their weapon and perhaps benefitting from all the recent attention the improv community has been getting, we can only hope this band will get their big break soon. Worth every penny of the $20 ticket and worth traveling for every time I’ve seen them, these guys are the real deal. Real people with a real shot at achieving their dreams. Still finding the balance between touring life, raising toddlers, and writing new songs, these hardworking guys are putting it all on the line every time they go out there, both musically and personally. When I asked Moss point blank if filling amphitheaters is even what he wants, without hesitation he said, “Of course, that’s what I’m in this for. We’re here to take over the world.” A true rock n’ roll answer if there ever was one, well Mr. Moss, I believe you can do it and I believe in Spafford.
Spafford | July 10, 2023 | The Homestead | Morristown, New Jersey
Set 1: Soul to Squeeze*, Plans, Todd’s Tots, Funkenseven>Salamander Song
Set 2: Fake the Fate > Windmill, Lonely, Love Song **
Max Schneider, the charismatic and multi-talented artist, set the stage on fire as he opened for Big Time Rush on June 9th at Jones Beach Theater in Wantagh, Long Island. With his infectious energy and undeniable talent, Max captivated the crowd from the moment he stepped foot on stage.
This highly anticipated show brought together fans who were eager to witness the magic unfold. As the sun set and the first notes reverberated through the air, it became evident that this night would be filled with unforgettable moments. The atmosphere was electric as fans anxiously awaited Max’s performance, knowing they were about to be treated to an extraordinary display of musical prowess and captivating stage presence.
Max Schneider, the versatile and dynamic artist, is making a name for himself with his magnetic blend of pop, R&B, and soul. Hailing from Manhattan, Max’s musical journey began at a young age, with songs like “Someday” from the Nickelodeon movie he starred in Rags. Since, he’s immersed himself in various genres and honing his craft as a singer and songwriter. With his undeniable talent and captivating stage presence, Max quickly gained attention and built a devoted fanbase.
His music is marked by infectious melodies, heartfelt lyrics, and an innate ability to connect with his audience on a deeply personal level. With breakout hits like “Lights Down Low” and “Love Me Less,” Max showcases his versatility as an artist, effortlessly blending catchy pop hooks with soulful vocals.
As he continues to push boundaries and explore new sonic territories, Max’s star continues to rise, solidifying his position as a rising force in the music industry. With a string of successful releases and an electrifying stage presence, Max Schneider is poised to captivate audiences around the world with his undeniable talent.
Max’s performance at Jones Beach Theater was an exhilarating display of his immense talent and showmanship. With a setlist that spanned his diverse discography, Max delivered a high-energy and unforgettable performance that had the crowd on their feet from start to finish.
Kicking off the set with the infectious hit “Love Me Less,” Max immediately established a powerful connection with the audience. The atmosphere was electric as he seamlessly transitioned into a medley of “Holla” and “Drop It Like It’s Hot,” infusing his own unique style into these iconic tracks.
Max’s versatility as an artist was on full display as he effortlessly shifted gears into the hypnotic and dreamy “Acid Dreams.” The crowd was captivated by his smooth vocals and mesmerizing stage presence, fully immersed in the musical vibes he created.
Taking a moment, Max performed a heartfelt mashup of “Someday” and “Me And You Against The World,” showcasing his ability to tug at heartstrings with his soulful delivery and emotionally charged lyrics. The audience swayed along, enveloped in the powerful atmosphere Max created.
The highlight of his set was the debut of a new, unreleased track titled “Say Less.” The funky and energetic song ignited the crowd, with its infectious hooks and irresistible groove. Max’s performance of this fresh offering left fans eager for what’s to come from his forthcoming album.
Continuing to dazzle the audience, Max delved into the energetic yet intimate “Blueberry Eyes,” a fan-favorite that showcased his vocal prowess, korean rapping mastery, and ability to evoke genuine emotions. The crowd sang along, creating a beautiful moment of unity and connection.
With “Strings,” Max demonstrated his artistry and musicianship, delivering a captivating performance that showcased his skill on the guitar. The intricate melodies and heartfelt lyrics resonated deeply with the audience, further solidifying Max’s status as a true musical talent.
The energy reached its peak as Max unleashed the infectious anthem “Satisfied.” The crowd erupted into cheers, dancing and singing along to every word. Max’s infectious energy and stage presence were contagious, filling the venue with an electrifying atmosphere.
A standout moment came with the performance of his chart-topping hit “Lights Down Low.” As the opening chords filled the air, the entire stadium was illuminated by the sea of phone flashlights held up by fans, creating a magical sight and a testament to the profound impact this song has had on listeners.
Closing out the set with the powerful and dynamic “Mug Shot,” Max left the audience craving more. In a moment of excitement and anticipation, he announced a forthcoming album, set to be released at the end of the year, accompanied by an accompanying tour. The crowd erupted into cheers, eagerly awaiting what promises to be another exceptional chapter in Max’s career.
His performance was a masterclass in showmanship, talent, and connection. With an electrifying stage presence, a versatile setlist, and an unwavering connection with his fans, Max proved once again why he is a force to be reckoned with in the music industry. As fans eagerly anticipate his upcoming album and tour, it’s clear that Max Schneider will continue to rise, and his captivating performances leave an indelible mark on all who have the pleasure of witnessing his artistry.
Stay up to date with Max on socials and any updates from upcoming tour here.
MAX Setlist: Love Me Less, Holla / Drop It Like It’s Hot, Acid Dreams, Someday / Me And You Against The World, Say Less [Unreleased], Blueberry Eyes, Strings, Satisfied, Lights Down Low, Mug Shot
The anticipation was palpable as My Morning Jacket took the stage at the Artpark Amphitheater in Lewiston on June 26. The crowd erupted in cheers as the band launched into their set with the powerful and infectious “War Begun.”
From that moment on, it was clear that this would be a night to remember. My Morning Jacket flawlessly navigated through their setlist, effortlessly blending old favorites with newer tracks. “Circuital” and “Mahgeetah” showcased the band’s signature sound, with Jim James’ distinctive vocals soaring above the intricate guitar work and driving rhythm section.
The band’s musicianship was on full display throughout the night. The intricate guitar solos and dynamic drumming added depth and complexity to each song. Whether it was the introspective beauty of “Golden” or the raw energy of “One Big Holiday,” My Morning Jacket commanded the stage with a magnetic presence that held the audience in rapt attention.
As the evening progressed, the crowd was treated to a range of emotions. The hauntingly beautiful “Never in the Real World” and the introspective “If All Else Fails” showcased the band’s ability to delve into more introspective and introspective territory. The energy reached its peak during fan-favorite anthems like “Wordless Chorus” and “One Big Holiday.”
The encore was a fitting culmination of an already exhilarating performance. “Touch Me I’m Going to Scream Pt. 1” enveloped the venue in a wave of sound, with its infectious rhythm and soaring vocals. The atmospheric “Spring (Among the Living)” provided a brief moment of reflection before the band unleashed the explosive “Touch Me I’m Going to Scream Pt. 2.” The combination of these three songs created an electrifying finale that left the audience wanting more.
Setlist: War Begun, I Will Sing You Songs, Circuital, Love Love Love, Mahgeetah, Golden, Never in the Real World, Anytime, One Big Holiday, Death Is the Easy Way, Feel You, If All Else Fails, Lay Low, Friends Again, Off the Record, Evil Urges, Wordless Chorus
Encore: Touch Me I’m Going to Scream Pt. 1, Spring (Among the Living), Touch Me I’m Going to Scream Pt. 2
A sold-out crowd eagerly gathered at St. Joseph’s Lakeview Amphitheater in Syracuse for a momentous occasion – the highly anticipated Woman In Me Tour featuring country music icon, Shania Twain. With excitement in the air, cowboy hats, sparkle ensembles, and devoted fans were in for a treat that would be etched in their memories for years to come.
As the lights dimmed and the anticipation reached its peak, the crowd erupted in thunderous applause as Shania Twain surprised everyone by emerging from a box in the middle of the crowd singing “Wake Up Dreaming.” It was a jaw-dropping moment that set the stage for a night filled with surprises, energy, and pure musical magic instantly establishing a connection with her fans.
This concert marked a significant milestone for both Shania Twain and the Central New York region, as it was her first performance in the area in an impressive 25 years. The anticipation and nostalgia were palpable, as fans eagerly awaited the chance to witness the country superstar’s return to the region that holds a special place in their hearts.
Shania Twain’s stage presence was nothing short of captivating. Throughout the night, she effortlessly commanded the stage with her unmistakable charm and undeniable talent. The crowd was treated to a visual feast as she donned multiple dazzling outfits, and glamourous visual backgrounds to her set.
One of the highlights of the evening was Shania Twain’s exceptional crowd interaction. She had a genuine connection with her fans, taking the time to engage with them on a personal level. From sharing heartfelt stories and reading the signs her fans waved high in the air, she made everyone in attendance feel like they were part of an intimate gathering rather than a sold-out arena. It was this genuine connection that further heightened the concert experience, leaving the audience feeling seen and valued.
A true celebration of Shania Twain’s iconic discography, with hit after hit igniting the crowd’s enthusiasm. From timeless classics like “Any Man of Mine” and “That Don’t Impress Me Much” to heartfelt ballads such as “You’re Still the One” and “From This Moment On,” each song was met with resounding cheers and singing from the passionate audience. The energy in the venue was infectious, with everyone on their feet, dancing and singing along to every word. The combination of Shania Twain’s soaring vocals, the vibrant stage lighting, and the backdrop of a breathtaking sunset over the lake created a truly magical atmosphere. It was a moment where music, nature, and community seamlessly intertwined, amplifying the already incredible experience.
As the final notes rang out, the crowd erupted in thunderous applause, showing their gratitude and appreciation for the unforgettable evening they had just experienced. Shania Twain delivered a concert that exceeded all expectations, leaving fans with a renewed sense of joy and a reminder of why her music has stood the test of time. In conclusion, Shania Twain’s Woman In Me Tour at St. Joseph’s Lakeview Amphitheater in Syracuse was a monumental event that showcased the enduring power and talent of a country music icon and her long-awaited return to Central New York was a triumph, and the memories created will undoubtedly be cherished for years to come.
Set List: Wake Up Dreaming, Up!, Don’t Be Stupid, I’m Gonna Getcha Good, You’re Still The One, Giddy Up!, Any Man of Mine, Who’s Bed Have Your Boots Been Under?, Honey, I’m Home, Inhale/Exhale AIR with Breland, From This Moment On, Medley, Forever And Always, My Number One, Rock This Country.
Encore: You Don’t Impress Me Much, Party For Two, Man! I Feel Like A Woman!
Super 400, from Troy, NY, opened rock night with a strong 1 hour set. Playing together for over 20 years, they are no stranger to the Capital Region spot light. The trio were inductees to the Class of 2022 Eddies Hall of Fame. Their psychedelic and class rock sound really drew in the very adult Albany crowd. Towards the end of their set, they brought up singer, writer, and producer Sean Whiteford for a song. They crowd gave them a strong exit as they really played straight through the summer heat.
Sean Whiteford and Kenny Hohman – Photo by Jarron Childs
Lead vocalist, Moriah Formica, got her start in music at a fairly young age. She was previously on The Voice at the age of 16 in 2017. She made it to the last playoff round before getting eliminated; but it was enough to jump start her professional music career. Plush was formed soon after during the COVID-19 pandemic mainly through ads on social media. The young, all female rock band has been capitalizing on the growing female rock scene. From debuting their first song “Hate,” it wasn’t long before they were supporting acts like Kiss.
Lead by Albany native Moriah Formica, they did not not let the heat stop them from playing a full hour and a half set. Plush braved the humidity with a burst of energy the radiated well into the crowd. With lots of bopping around stage, they really brought the excitement of rock to the stage with their classic and hard rock rock style. Bassist and New York native, Ashley Suppa, seemed to be a crowd favorite as she really took up the as much as the stage as she could. Her and guitarist, Bella Perron, kept switching places which helped really stimulate the audience to keep on moving with them. Perron also had some great solos where she really used her guitar to bring the energy from some of Plush’s newest fans.
Even though they may have had a weird start, they had a powerful exit with their latest single, “Left Behind.” They took a photo with the crowd before greeting them by the merch table for fans to greet their new favorite band. Their great sound coupled with young energy make them really hard not to like.
The closest show the band has to New York is in Atlantic City on September 8th. They play at Rock Fest in Cadott, WI on July 15th for anyone that can check them out soon.
Plush Setlist: Athena, Champion, Sober, Better Off Alone, Baracuda, Found A Way, Walk Away, Don’t Say That, Man in the Box, Hate, Will Not Win, I Don’t Care, Bring Me Down, Why Do I Even Try, Sorry, Heaven’s On Fire, Left Behind
Trey Anastasio’s Band stopped at The Stone Pony Summerstage amidst their tour. The place was packed and there were loads of people listening to the concert outside of the gated-off, outdoor venue. This proved to be an incredible show filled with fan favorites, incredible solos by Trey and the horns section and even Natalie “Chainsaw” Cressman’s masterful vocal work on “1977.”
The band opened up with “Set Your Soul Free” which featured the lovely accompaniment on vocals by Jennifer Hartswick & Natalie Cressman. The first set included “Steam,” “Heavy Things,” a roaring “Night Speaks to a Woman,” and a funky “Moma Dance.”
The second set opened up with a Trey original, “I Never Needed You Like This Before.” The sun was going down and the band was settling into a familiar groove with Trey’s solos getting loner and heavier. If this show is foreshadowing the Phish summer tour ahead, we are in for quite a ride! The second set included a personal favorite “Alaska,” which was jammed out entirely with an extensive solo by Trey, “1977” with Cressman’s mesmerizing rapping, an insanely jammed out “No men in No Man’s Land,” and “Everything’s Right” to close out the set.
That last song really helped this writer get through a rough day. The positivity and healing in Trey Anastasio Band’s music have helped greatly and I am sometimes in awe of its power. The band came back for their encore, an a capella “Over the Rainbow” and a shredding “First Tube.”
Set 1: Set Your Soul Free, Simple Twist Up Dave, Evolve, Rise/Come Together, Steam, Heavy Things, Cayman Review, Night Speaks to a Woman, The Moma Dance, Curlew’s Call.
Set 2: I Never Needed You Like This Before, 1977, Acting the Devil, No Men In No Men’s Land, Oblivion, Love is What We Are, Drifting, Alaska, and Everything’s Right.
This past Friday, July 7, the iconic Big Time Rush band from the early 2010s played an incredible show at Bethel Woods Center for the Arts. Playing almost eleven years earlier at the same venue, many superfans flocked back to see them—this time all grown up. Concertgoers sported sparkly attire, OG Big Time Rush t-shirts, and posters stating their love for their favorite band member as they waited eagerly in anticipation for their Can’t Get Enoughtour.
Big Time Rush, photographed by Sarah Hyun
Big Time Rush, consisting of members Kendall Schmidt, James Maslow, Logan Henderson, and Carlos PenaVega, originally began as a TV show for the Nickelodeon channel. They formed in 2009 and garnered a cult audience of superfans, continuing their show with four seasons until their final episode in 2013. The band took a break afterward to allow each member to work on his solo career but recently regrouped in 2021. Big Time Rush has been touring since, and is now at the beginning of their Can’t Get Enough tour, with twenty-five shows left. They previously played at Saratoga Performing Arts Center and are scheduled to play at Northwell Health at Jones Beach Theater.
Big Time Rush, photographed by Sarah Hyun
With the concert being delayed for almost two hours due to thunder, there was an almost-certain chance that the show was going to be canceled. Although openers MAX and JAX could not take the stage, the boy band made sure that the show went on. Fans were ecstatic. The boys came out on a large platform with bright lights shining behind them to create a silhouette of their bodies. The screams that followed were absolutely deafening and continued that way for the rest of their set. During their song “All Over Again,” the members pointed to different parts of the crowd whilst singing the lyrics “To the left, left, left/On the right, right, right/To the back, back, back/On the side, side, side.” Confetti shot out of cannons during the performance of “Confetti Falling,” and a video montage of the boy band played on the large screen during their intermission song, “I Just Want To (Party All the Time).” At one point in the show, each member chose a female fan from the audience to personally serenade on stage.
During the encore, the band left for a good two to three minutes before re-entering to perform “Windows Down,” their most popular song “Boyfriend,” and “Til I Forget About You.” At the beginning of the encore, the members ran off the stage and into the seated sections to greet some of the fans that were farther away from the stage. Big Time Rush promised that they would definitely be back at Bethel Woods to play more shows in the future.
Setlist: Can’t Get Enough, Elevate, Song for You, Waves, Weekends, All Over Again, Any Kind of Guy, Ask You Tonight, Forget You Now, Love Me Love Me, Paralyzed, Nothing Even Matters, Worldwide, Invisible, I Just Want To (Party All the Time), Famous, City is Ours, 24/Seven, Shot in the Dark, Big Night, Confetti Falling, Big Time Rush
Encore: Windows Down, Boyfriend, Til I Forget About You
It was a career-defining night for Connecticut’s indie-groove sensation Goose on Friday, July 7. Making their debut at the iconic Saratoga Performing Arts Center, it would ultimately prove to be their biggest headlining performance to date, drawing an estimated 11,000 fans from across the Northeast. Rising to the occasion, the high-flying band captivated attendees with their signature sound, all played with purpose, gusto, and pride. A milestone moment in time that was as satisfying for the fans as it was for the members of Team Goose, this show felt special and more like a homecoming celebration for our triumphant underdogs.
Goose made their Saratoga Performing Arts Center debut on 7/7/23
From the dimly lit club scene to lighting up amphitheaters across the country, the meteoric rise of Goose has been a phenomenon rarely seen in today’s music climate. Ever since accepting the proverbial “torch” from a guy named Trey at Radio City Music Hall last summer, the band has been running with it full speed ahead, no brakes and all gas. From making their national television debut to selling out Red Rocks and their residency at the Capitol Theatre, to earning praise from legendary Grateful Dead members Bob Weir and Phil Lesh and even comedians like Jimmy Fallon and Bert Kreischer, the widespread appeal of this band seems to span across generations. Even people who don’t listen to “new” music are talking about Goose.
Goose guitarist/lead vocalist Rick Mitarotonda performing at SPAC on 7/7/23
Consisting of Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], Ben Atkind [drums], and Jeff Arevalo [vocals, percussion, drums], the buzz surrounding Goose’s SPAC debut was palpable. Coming off major festivals like Peach and the final Resonance, then a pair of sold-out 4th of July shows at the Stone Pony and Portland, ME, the momentum coming into Saratoga had reached a level not seen since, well, Phish. Afternoon rain would make for a bit of a messy shakedown situation, but right around showtime, as if on cue, the clouds turned as fans started filling up the lawn and pavilion. The highly collectible posters commemorating the evening were long gone well before the first note was played.
Goose made a little Saratoga magic during their SPAC debut on 7/7/23
Walking out to a thunderous and sustained standing ovation, the members of Goose were grinning ear to ear upon taking their positions on the storied SPAC stage. Afterward, on social media, the band would reflect on it saying, “We will never forget the energy we felt right at the start of last night’s show, absolute chills.” Soaking it all in for a moment, the guys would suddenly drop into an inspired “Silver Rising,” with Mitarotonda emphatically singing out the opening lyrics:
Peter Anspach lead Goose through “Red Bird,” a touching tribute to his Mother on 7/7/23
Next came the emotional high point of the first set with a personal song near and dear to multi-instrumentalist Peter “Handini” Anspach. Leading the band through “Red Bird” in a fitting tribute to his mother who has supported his music every step of the way, hearing Peter sing it during the biggest show of his career was very touching. After dipping their toes into some gorgeous improvisational type-II territory, a rollicking rendition of “Same Old Shenanigans” (SOS) would send us to intermission and leave the excited crowd buzzing about what they’d just witnessed and what was still yet to come.
Red bird don’t get tired now
You can almost touch the light
Red bird don’t stop singing your song
Fly for tomorrow tonight
– Lyrics from “Red Bird”
The second set started off with the band paying homage to Goose’s precursor project Vasudo. Playing a heartfelt rendition of “The Empress of Organos,” a song that was also played at the final Vasudo show ten years ago, one couldn’t help but be inspired by just how far this band has come during that time. Now playing with a new custom-made guitar appropriately named “The Empress,” Mitarotonda’s tone sounded glorious all night long and the band looked completely comfortable and at home on the big stage. They are simply born for this. Following the 23-minute “Empress” came a beautiful blues-inspired cover of David Gray’s “Please Forgive Me” that saw some serious peak shredding from Snakes.
The Empress: Rick Mitarotonda’s new custom ax sounded glorious under the SPAC pavilion on 7/7/23
The SPAC show will be remembered for a lot of things, but for me, the real “get down” took place during the SPAC “Thatch.” One of the funkiest and crunchiest grooves this side of Phish’s “Moma Dance,” the band originally debuted the song just up the road in Glens Falls last November while opening for the Trey Anastasio Band. Nearly doubling its length with this version (while also managing to sneak a “Tequila” tease in), the song is destined to become a fan favorite and setlist staple for years to come. Check out pro-shot footage of “Thatch” here:
Easing us into the comedown was another beautifully executed version of “This Old Sea,” one of the most tender ballads in the band’s arsenal, it would also be the shortest song played all night. Seamlessly transitioning into the title track from the band’s latest studio album, 2022âs Dripfield, the mesmerizing climax and stunning light show courtesy of LD Andrew Goedde left Goose fans dripping for more.
On your way to kill the beast
You meet the child, the only one you know
And he sings to you, “Let go,
May the nighttime be your home
-Lyrics from “Factory Fiction”
After hanging backstage for a minute to bask in the ovation and savor the moment, there was only one song that made sense for an encore; a song reserved for only the most special and monumental occasions. As the opening notes of the rare “Factory Fiction” rang out (or ‘Spactory Fiction’ as some fans are already calling it), the excitement and jubilation could be felt by everyone who was there and collectively sent chills down your entire body. Bringing the band full circle on this surreal summer night, from beginning to end, their performance made an emphatic statement. The golden Goose has arrived, and buckle up because their time is now
Goose played their biggest headlining show to date on Friday, 7/7/23 at SPAC
Up next, the band will return to the Newport Folk Festival for their first appearance on the main stage. Later this fall, Goose will return to New York to headline the Borderland Music Festival in Buffalo, before heading across the pond to play their first European tour in November.
For more information, tickets, and tour dates, visit here.
Set 1: Silver Rising, California Magic, Animal, Red Bird, Same Old Shenanigans
Set II: The Empress of Organos, Please Forgive Me (David Gray cover), Thatch, This Old Sea, Dripfield
