Category: NYC Metro

  • The Long Island Music & Entertainment Hall of Fame Gains Permanent New Home

    After nearly 18 years without a physical place to call their own, the Long Island Music & Entertainment Hall of Fame announced they will finally have their first building location in Stony Brook. The grand opening for the space will be held in November. 

    Long Island Music Hall
    Photo Credit: Long Island Music & Entertainment Hall of Fame

    The non-profit signed a long-term lease with the Ward Melville Heritage Organization and will move into the educational and cultural center located in Stony Brook Village.  With 8,800 square feet and two stories, the Long Island Music & Entertainment Hall of Fame has ample space to make the building their own.

    The Hall of Fame has existed since 2004 with no permanent building. With over 100 inductees including Billy Joel, Joan Jett, Lou Reed, LL Cool J, Twisted Sister, and more, the building will allow for a permanent “Hall of Fame” with plaques and exhibits to recognize these talents.

    We’re looking forward to creating world-class displays that showcase Long Island’s rich and diverse musical and entertainment history in new and exciting ways. We will feature different and exciting exhibits, displays, videos, and education offerings that will make our center a dynamic place for people of all ages to visit on a regular basis.

    LIMEHOF Chairman Ernie Canadeo
    Photo Credit: Long Island Music & Entertainment Hall of Fame

    The space will allow areas for a library, classrooms for educational programs and master classes, and even a theater. The main exhibit space will rotate through different themes to celebrate Long Island’s long musical history.

    Designed by world-renowned visual designer Kevin O’Callaghan, the music hall’s first theme will be “Long Island’s Legendary Club Scene: 1960s-1980s.” According to the president of The Ward Melville Heritage Organization, Gloria D. Rocchio, the center was specifically constructed with performances and exhibits in mind.

    Photo Credit: Long Island Music & Entertainment Hall of Fame

    Our organization has grown and our wish has always been to have a physical facility to showcase our mission of celebrating Long Island’s musical history and supporting education … we can now achieve our dream. 

    LIMEHOF Co-founder Norm Prusslin

    The official ribbon-cutting and public opening of the completed space is scheduled to take place this November. For more information and to see artist renderings of the exhibits, visit limehof.org

  • Butterfly Haus to Release New Record “Hold It Against Me” on June 22

    Brooklyn-based indie-alternative artist Osaze Akerejah, also known as Butterfly Haus, is set to release his new record, Hold It Against Me on June 22 via Glass Bullet Sound Company.

    The New-Jersey-born Nigerian-American artist came up with the project in 2019, and after three years, is ready to share it with the world. As an indie musician, the young artist’s production explores indie rock, alternative pop, hip-hop elements, and even snippets of the ’70s/’80’s new wave. Akerejah originally began making music in the late 2000s, and formerly went by the moniker SAZE.

    With this upcoming record, Butterfly Haus becomes more introspective, exploring themes such as love, mental health, identity exploration, and more. The project was born out of intense personal struggles, including a recent heartbreak, cancer diagnosis, and other mental and physical health battles. 

    These last few years have been beyond transformative. I’m not nearly the same man or artist I initially set out to try to be. Making music under the SAZE moniker was a lovely cocoon that I existed within since 7th grade, and I guess all the trauma, growth and self discovery of the past three-four years especially was what finally cracked the cocoon, ya know?

    Osaze Akerejah

    Butterfly Haus wrote “Hold It Against Me” after an extended hospital stay and as he attempts to grapple with questions about life, the nature of the universe, and manifestation.  The record is quite an emotional one, featuring hard-hitting lyrics, background vocals from Norwegian singer-songwriter Rosarii, and psychedelic electric guitar from Levi Wilkinson.

    Stayed tuned for this record’s release on June 22, and see below to explore more of the impressive artist’s work. 

  • Paul McCartney Welcomes Bruce Springsteen and Jon Bon Jovi at Metlife Stadium

    Paul McCartney put on an epic show at Metlife Stadium on Thursday, June 16, just two days before his 80th birthday. The Beatles legend was joined by two New Jersey legends to help celebrate. First Bruce Springsteen joined Paul to sing his hit “Glory Days” as well as “I Wanna Be Your Man.” He also came out during the encore to trade guitar solos with Paul’s longtime touring guitar players Rusty Anderson and Brian Ray on “The End.” Jon Bon Jovi also made an appearance to wish Paul a happy 80th and lead the crowd in “Happy Birthday to You.”

    Bruce Springsteen and Paul McCartney at Metlife Stadium

    Another highlight, besides Bruce Springsteen and Bon Jovi unexpectedly showing up, was when Paul McCartney played a duet of “I’ve Got A Feeling” with footage of John Lennon isolated from the recent Get Back documentary. This show was the last stop on his Got Back Tour and it was a marathon. Paul played for 3 hours without leaving the stage and performed 40 songs. Other songs on the setlist included more Beatles hits like “Getting Better” and “Love Me Do” as well as “Blackbird” and “Get Back.”

    Paul McCartney at Metlife Stadium

    Paul sounded great and seemed to sound even better as the night went on. When asked on PaulMcCartney.com if he enjoyed being back out on the road after such a long break because of the pandemic, he said Yes! It’s always a bit of hard work trying to get back up to speed again, but the audiences make it so enjoyable that it doesn’t feel like work. So yeah, we’re all having a good time.

    Before the show, some lucky fans got a glimpse of Paul as he arrived via police escort into Metlife Stadium. He passed by slowly with the window down waving to his fans, some waiting for hours just to see him for a few seconds, but it was totally worth it! It was amazing to see people of all ages, including kids from this generation, holding up signs to greet him and even getting emotional after he passed. V.I.P. ticket holders also got to attend a 13 song sound check that included many songs not on the actual setlist.

    V.I.P. Soundcheck Setlist: Instrumental Jam, Matchbox, Honey Hush, Coming Up, I Wanna Be Your Man, Women and Wives, Let Em In, Every Night, Mrs. Vanderbilt, Ram On, Midnight Special, New, Lady Madonna

    Setlist: Can’t Buy Me Love, Junior’s Farm, Letting Go, Got To Get You Into My Life, Come On to Me, Let Me Roll It, Getting Better, Let Em In, My Valentine, Nineteen Hundred and Eighty-Five, Maybe I’m Amazed, I’ve Just Seen a Face, In Spite of All the Danger, Love Me Do, Dance Tonight, Blackbird, Here Today, New, Lady Madonna, Fuh You, Jet, Being for the Benefit of Mr Kite!, Something, Ob-La-Di,Ob-La-Da, You Never Give Me Your Money, She Came in Through the Bathroom Window, Get Back, Band on the Run, Glory Days (With Bruce), I Wanna Be Your Man (With Bruce), Let It Be, Live and Let Die, Hey Jude,

    Encore: I’ve Got A Feeling, Happy Birthday to You With Bon Jovi), Birthday, Helter Skelter, Golden Slumbers, Carry That Weight, The End

  • Post Malone Announces ‘Twelve Carat Tour’ With Stops at UBS Arena and Madison Square Garden

    Grammy-nominated artist Post Malone has announced a month-long, 33-city North American tour that will see him headline UBS Arena at Belmont Park on October, 9 and Madison Square Garden three nights later. The “Twelve Carat Tour” comes on the heels of Post Malone’s highly-anticipated fourth studio album, Twelve Carat Tootache.

    Produced by LiveNation, the tour kicks-off on September, 10 in Omaha, NE and will see Post Malone perform throughout the Mid-West before heading East for a layover of performances. The “Sunflower” crooner will grace the stage at DC’s Capital One Arena, The Wells Fargo Center in Philadelphia, and Newark’s Prudential Center. The East-coast portion of the tour culminates in performances at UBS Arena at Belmont Park on October, 9 — where Roddy Rich will make a guest-apperance — and Madison Square Garden on the 12th. The Twelve Carat Tour continues down south before concluding on November, 15 at L.A.’s Crypto.com Arena.

    Twelve Carat Tootache was released on June, 3 and debuted at number 2 on the Billboard 200. The album was heavily anticipated with the high-charting singles “Cooped Up,” “One Right Now” and “I Like You (A Happier Song),” and an all-star cast of features which includes Doja Cat, Gunna, Roddy Rich and The Weeknd.

    Since coming onto the scene with his breakthrough hit “White Iverson,” Post Malone has become one of the most successful pop-stars of the last decade with 66 entries in the Billboard Hot 100 — including 11 top 10 hits — and is a 9-time Grammy-nominee. In 2019, he became youngest artist in history to have a total of three diamond-certified singles with the records “Congratulations,” “Rockstar” and “Sunflower” reaching the 10 million sales plateau.

    Tickets for the Twelve Carat Tour are live at livenation.com

    TWELVE CARAT TOUR DATES:
    *With Roddy Ricch

    Sat, Sep 10 – Omaha, NE – CHI Health Center
    Sun, Sep 11 – St. Paul, MN – Xcel Energy Center*
    Wed, Sep 14 – Chicago, IL – United Center*
    Thu, Sep 15 – Milwaukee, WI – Fiserv Forum*
    Sat, Sep 17 – St. Louis, MO – Enterprise Center*
    Sun, Sep 18 – Columbus, OH – Nationwide Arena*
    Tue, Sep 20 – Toronto, ON – Scotiabank Arena
    Fri, Sep 23 – Boston, MA – TD Garden
    Tue, Sep 27 – Cleveland, OH – Rocket Mortgage FieldHouse
    Wed, Sep 28 – Pittsburgh, PA – PPG Paints Arena
    Sat, Oct 01 – Detroit, MI – Little Caesars Arena
    Sun, Oct 02 – Indianapolis, IN – Gainbridge Fieldhouse
    Tue, Oct 04 – Washington, DC – Capital One Arena*
    Thu, Oct 06 – Philadelphia, PA – Wells Fargo Center

    Fri, Oct 07 – Newark, NJ – Prudential Center*
    Sun, Oct 09 – Belmont Park, NY – UBS Arena*
    Wed, Oct 12 – New York, NY – Madison Square Garden
    *

    Thu, Oct 13 – New York, NY – Madison Square Garden*
    Sat, Oct 15 – Columbia, SC – Colonial Life Arena*
    Sun, Oct 16 – Nashville, TN – Bridgestone Arena*
    Tue, Oct 18 – Atlanta, GA – State Farm Arena*
    Fri, Oct 21 – Dallas, TX – American Airlines Center*
    Sat, Oct 22 – Austin, TX – Moody Center*
    Tue, Oct 25 – Houston, TX – Toyota Center*
    Wed, Oct 26 – Ft. Worth, TX – Dickies Arena*
    Fri, Oct 28 – Tulsa, OK – BOK Center*
    Sun, Oct 30 – Denver, CO – Ball Arena*
    Tue, Nov 01 – Salt Lake City, UT – Vivint Arena*
    Thu, Nov 03 – Portland, OR – Moda Center*
    Sat, Nov 05 – Seattle, WA – Climate Pledge Arena*
    Sun, Nov 06 – Vancouver, BC – Rogers Arena*
    Thu, Nov 10 – Los Angeles, CA – The Kia Forum*
    Fri, Nov 11 – Las Vegas, NV – T-Mobile Arena*
    Tue, Nov 15 – Los Angeles, CA – Crypto.com Arena*

  • Tune-Yards Celebrate New Life at Brooklyn Steel

    Tune-Yards made their way to Bushwick’s Brooklyn Steel last Wednesday, June 15th, in support of their excellent fifth LP, Sketchy. The album was released back in March of 2021 and like most bands today, this is the first opportunity for Tune-Yards to tour behind the record.

    The band has released all five of their albums on 4AD records dating back to 2009. Singer and multi-instrumentalist Merrill Garbus took time at the end of the show to personally thank the label for being the backbone of their career.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    Tune-Yards is the musical project of Merrill Garbus and Nate Brenner and is an eclectic mix of art-pop, worldbeat, lo-fi, and vocal play. Garbus has a history as a puppeteer, and this method of visceral expression comes out in her performance style. Most of the songs have intricate vocal loops and patterns, all of which are recorded and performed live while Garbus bounces around the stage, engaging the fans. She also paraded various signs around stage, serving as introductions for her banter between songs.

    Tune-Yards made it a point early in the show at Brooklyn Steel to remind the audience that we are all living on Native American land and that fact must be constantly acknowledged. There was also a long interlude later in the show (noted on the setlist as “extinction memorial”) where Garbus instructed the audience on the plight of the Bramble Cay melomys. The rodent, native to islands off the coast of Australia, is confirmed to be the first mammal to go extinct due to climate change. The rising sea level surrounding the low-lying islands destroyed their habitat and led to the rodent’s extinction.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    The music of Tune-Yards is impossibly difficult to categorize. The band performs live as a trio, but with all the vocal and synth looping, once the songs are structured live they feel larger than life. Garbus’ vocal abilities are captivating and have always been a fundamental component of the music. Sketchy track “Hypnotized” is a prime example and has been a mainstay in this tour’s setlists. Garbus delivers a bit of vocal play over a sparse, but deliberate drum beat to open the track, before an array of art-pop synths and a chunky bass line fill in the groove. The band also featured the track “Gangsta” from their second LP, Whokill. The song has been one of Tune-Yards’ most succesful, appearing in TV shows Letterkenny, Orange Is The New Black, Weeds, and The Good Wife.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    Tune-Yards’ tour concluded over the weekend, with a final show on Saturday, June 18th, at Union Transfer in Philadelphia. The band spent a lot of time throughout the show thanking the people that have been supporting and enabling them to create their music. Garbus is also a new mother, and she relished in that as her baby was off-stage sharing in the moment. Garbus lamented that she felt that Tune-Yards would never be able to tour again after the pandemic, admitting that these shows were also a celebration of their miniature victory over COVID. Head over to the band’s website to see a handful of one-off shows they have scheduled, and see NYS Music’s full photo gallery from Brooklyn Steel below.

  • Brooklyn Instrumentalist Chris St. Hilaire Joins The Black Keys Touring Band This Summer

    This summer, Brooklyn-based multi-instrumentalist Chris St. Hilaire will join the Black Keys Touring Band as part of their ‘Dropout Boogie’ tour. The tour will kick off in Las Vegas on July 9th and wrap up in Dallas on Oct. 18, arriving in New York State at SPAC on July 20th and Jones Beach on July 22th.

    Chris St. Hilaire
    The Black Keys Dropout Boogie

    Born in Huntington to Trinidadian parents, music was a rich part of Chris St. Hilaire’s foundation and cultural upbringing. His father is also a toured guitarist and influenced his playing and songwriting. St. Hilaire started playing drums at thirteen and was influenced by Jimi Hendrix, Cream, Led Zeppelin, Stevie Wonder, and Michael Jackson. His vocal, harmony structure, and songwriting style was mostly shaped by The Beatles.

    Chris St. Hilaire
    Chris St. Hilaire

    Besides the tour, Chris St. Hilaire will also complement the release of the band’s 11th studio album Dropout Boogie. This particular arrangement will give St. Hilaire an opportunity to offer his multi-instrumental capabilities onstage, and represents a unique inflection point in his career.

    I think my instincts are going to be pretty compatible with everything that they are doing. The melodies are really strong, which is always fun, and their music is rooted in rhythmic music, so percussion-wise I’ll have a lot of room to play with space and work to keep the rhythm driving. I think this will be a really cool opportunity to tour in a highly efficient and dignified way.

    Chris St. Hilaire

    The Black Keys ‘Dropout Boogie’ Tour (Summer/Fall 2022)

    July 9: Las Vegas, NV @ MGM Grand Garden Arena

    July 11: Salt Lake City, UT @ USANA Amphitheatre

    July 13: Denver, CO @ Red Rocks Amphitheatre

    July 15: St. Louis, MO @ Hollywood Casino Amphitheatre St. Louis

    July 16: Indianapolis, IN @ Ruoff Music Center

    July 17: Chicago, IL @ Hollywood Casino Amphitheatre Tinley Park

    July 20: Saratoga Springs, NY @ Saratoga Performing Arts Center

    July 22: Jones Beach, NY @ Northwell Health at Jones Beach Theater

    July 23: Holmdel, NJ @ PNC Bank Arts Center

    July 25: Columbia, MD @ Merriweather Post Pavilion

    July 27: Charlotte, NC @ PNC Music Pavilion

    July 29: Boston, MA @ Xfinity Center

    July 30: Philadelphia, PA @ Waterfront Music Pavilion (formerly BB&T Pavilion)

    Aug. 24: West Palm Beach, FL @ iTHINK Financial Amphitheatre

    Aug. 25: Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre

    Aug. 27: Atlanta, GA @ Ameris Bank Amphitheatre

    Aug. 28: Huntsville, AL @ Orion Amphitheatre

    Aug. 30: Charleston, SC @ Credit One Stadium

    Sept. 1: Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek

    Sept. 3: Cincinnati, OH @ Riverbend Music Center

    Sept. 6: Toronto, ON @ Budweiser Stage

    Sept. 7: Detroit, MI @ Pine Knob Music Theatre

    Sept. 9: Cleveland, OH @ Blossom Music Center

    Oct. 2: Seattle, WA @ Climate Pledge Arena

    Oct. 3: Vancouver, BC @ Rogers Arena

    Oct. 5: Mountain View, CA @ Shoreline Amphitheatre

    Oct. 8: Los Angeles, CA @ The Forum

    Oct. 10: Phoenix, AZ @ Ak-Chin Pavilion

    Oct. 13: Rogers, AR @ Walmart AMP

    Oct. 15: Houston, TX @ Cynthia Woods Mitchell Pavilion

    Oct. 17: Austin, TX – Moody Center ATX

    Oct. 18: Dallas, TX – Dos Equis Pavilion

    For more information visit www.chrissthilaire.com

  • Phoebe Bridgers Wraps US Tour with Lucy Dacus and Muna in Brooklyn and Queens

    Phoebe Bridgers played three nights in Brooklyn and Queens the week of June 14, 2022 to conclude the US leg of her Reunion Tour with support from Muna. The first two sold out shows at the Lena Horne Bandshell at Prospect Park in Brooklyn saw fans camping out overnight to grab a spot as close to the front as possible. The final show of her North American tour was at Forest Hill Stadium on June 16, which she called, “the biggest show I’ve ever played.”

    Phoebe Bridgers tour
    Phoebe Bridgers playing Prospect Park, Photograph by David Reichmann

    When the Prospect Park dates first went on sale earlier this year, the two shows sold out almost immediately. Phoebe quickly announced a third date at Forest Hills Stadium in Queens, teasing a secret “special guest” to be announced the day of show. Fans speculated wildly for weeks leading up to the event, and it was finally revealed as Boygenius alum and friend of Phoebe, Lucy Dacus. Lucy and her band came out after opener Muna’s set.

    Lucy Dacus playing Forest Hills Stadium, Photograph by David Reichmann

    For the first two dates at Prospect Park, some fans lined up as early as 4:30AM and camped out overnight to secure their spot. Prospect Park was the perfect setting for a relaxing afternoon (or entire day, for some) in the park. The line wrapped around the block and wove its way through the park. The scene featured fans reading, eating lunches, and relaxing with friends on picnic blankets.

    Fans waiting in line at Prospect Park, Photograph by David Reichmann

    Phoebe Bridgers fans are known for their intense dedication to her music, with some of her most diehard of fans reportedly passing out at several points during her shows due to overwhelming excitement. Many in attendance adorned Phoebe Bridgers tees, tote bags, handmade signs, and tattoos, showing their devotion to the multiple Grammy Award nominated artist. Although waiting hours for an event can sometimes devolve into an impatient and tense scene, this queue featured only smiles and eager anticipation for what promised to be an unforgettable experience.

    Fans waiting in line at Prospect Park, Photograph by David Reichmann

    Having been only the second act signed to Phoebe’s label, Saddest Factory Records, in early 2019, Muna quickly rose in popularity before being announced as the supporting act for Phoebe’s 2022 Reunion Tour. Muna’s lyrics and public statements quickly led to their become a symbol of queer acceptance. The members of the band publicly identify as queer, and their songs explicitly handle themes of acceptanece and inclusiveness in the queer community. Both Muna and Phoebe have become strong and vocal allies for LGBTQ+ rights movements. The band wished fans a happy Pride Month several times. Fans waved rainbow flags and screamed every time she mentioned gay, trans, or queer rights issues.

    Muna playing at Prospect Park, Photograph by David Reichmann

    Muna opened each of the three nights with a powerhouse set, their signature uplifting beats, and an entranced audience who sang along with every track. Some fan favorites included, “Number One Fan” and “I Know a Place.” Katie mentioned Muna would be releasing a new album, releasing the week following the show, and they included a song from the album in their set.

    Muna playing at Prospect Park, Photograph by David Reichmann

    Throughout Muna’s set each night, Phoebe could be spotted beside the stage dancing and beaming as Muna worked the audience into an elated state. Each night they ended their set by inviting Phoebe onstage to join them for their single, “Silk Chiffon.” The audience seemed to have been waiting for this, and frontwoman Katie Gavin even joked, “I think you know what song this is.” The audience danced, sang, and screamed each word.

    Muna and Phoebe Bridgers singing “Silk Chiffon” at Prospect Park, Photograph by David Reichmann

    Phoebe had teased a secret special guest for the final night of her US tour at Forest Hills Stadium. Although rumors had spread regarding which artist would be featured, Lucy Dacus was announced as the guest on the day of the show. She and her full band came onstage after Muna’s set to play a packed setlist including top tracks, “Brando,” “Night Shift,” and “Hot & Heavy,” which was recently featured as a music video at Tribeca Film Festival.

    Phoebe Bridgers tour
    Lucy Dacus playing at Forest Hills Stadium, Photograph by David Reichmann

    Lucy shed some tears during her performance of “Thumbs,” a tragic and sorrowful song telling the story of observing a lover’s interaction with an estranged father. The song features difficult themes, and many in the audience wiped tears and sobbed as she played. The entire crowd screamed the lyric, “You don’t owe him shit” as the verse played. Lucy joked at the end of the song, “Wow, we’re crying already. It’s been a while since this has happened.” The crowd not only chuckled, but their cheers surged in loving support of Lucy. Phoebe observed Lucy’s set from the sidestage, smiling, crying, and laughing along with the audience.

    Phoebe Bridgers tour
    Phoebe Bridgers observing from sidestage at Forest Hills Stadium, Photograph by David Reichmann

    Lucy invited Phoebe and Muna onstage with their bandmates for a singalong rendition of “Going Going Gone.” Throughout the song, Phoebe held onto and danced with her pug Maxine. Some fans held handmade signs made out just for Maxine, and several pointed and cheered specifically for the dog. Maxine certainly had her day in the spotlight.

    Lucy Dacus playing “Going Going Gone” with Phoebe Bridgers at Forest Hills Stadium, Photograph by David Reichmann

    Phoebe took the stage each night to immense applause. The instant her silhouette began to shine through the backlight, the crowd starting cheering and screaming in delight. Phoebe’s staging, lighting, and set-lists for each of the three nights featured pristine production and popup-storybook-themed visuals to match the story and progression of each track.

    Phoebe Bridgers tour
    Phoebe Bridgers taking the stage at Prospect Park, Photograph by David Reichmann

    At a few points on the first and third nights, one or two crowd members experienced brief medical emergencies. Phoebe immediately paused the show, called for EMTs to assist, and waited until she got a thumbs up from those affected before continuing the show. She also paused several times each night between songs to instruct staff to pass out water bottles, asking, “Does anyone need water? Can we pass around a case of water for anyone who needs it?”

    Audience at Prospect Park, Photograph by David Reichmann

    During her Forest Hills Stadium show Phoebe told the crowd, “this is officially the biggest show I’ve ever played.” Because this was the last show on her US tour, she thanked her crew from a printed list. She joked that the list was “arranged by astrological sign.” She went through each sign, occasionally joking about which signs were most common among her crew, and thanked every member of her crew by name, including her truck drivers, managers, techs, and her dog’s nanny.

    Phoebe Bridgers thanking her crew at Forest Hills Stadium, Photograph by David Reichmann

    She ended each night with an encore performance of a fan request. On the second night at Prospect Park, she ended the show with a solo acoustic rendition of Boygenius track, “Me and My Dog.”

    Phoebe Bridgers tour
    Phoebe Bridgers at Prospect Park silhouetted by moon, Photograph by David Reichmann

    At the Forest Hills Stadium show, Lucy joined Phoebe onstage to play “Graceland Too” and ”I Know the End.” During the latter song, Phoebe encouraged fans to “lose their voices” if they can, during the climax of the song. Phoebe, Lucy, and the entire stadium screamed at the top of their lungs to cap off Phoebe’s epic set. She thanked the crowd, Lucy, and Muna, and walked offstage to thunderous applause.

    Phoebe Bridgers tour
    Phoebe Bridgers and Lucy Dacus playing “I Know the End” at Forest Hills Stadium, Photograph by David Reichmann

    After a brief break, she came back onstage for her encore. Unaccompanied by her bandmates, Phoebe played a solo acoustic rendition of “Waiting Room.” She told the crowd, “I wrote this as a teenager. I used to think it was corny, but now I feel like it’s just sincere.” The crowd cheered and listened intently to what would be the final performance for Phoebe’s incredible US tour and three night run in New York.

    Phoebe Bridgers tour
    Phoebe Bridgers playing at Prospect Park, Photograph by David Reichmann

    Phoebe’s World tour is now underway, starting with dates in the UK and Europe. Her critically acclaimed full-length record, “Punisher,” celebrated two years since its release the following day of the Forest Hills show. You can listen to Phoebe Bridgers’ catalog here, as well as Lucy Dacus’s music here. Muna’s new album will be available to stream here upon its release on June 24, 2022. Check out our full gallery below.

  • Burning Spear Announces First NYC Show in More Than a Decade

    Reggae icon Burning Spear will play at Capital One City Parks Foundation Summerstage in Central Park on August 25, their first NYC show in more than 10 years and final announced show of the summer.

    A music-maker, community icon, educator and spiritual uplifter, Burning Spear has carried the torch of the political activist Marcus Garvey’s gospel, promoting self-determination and self-reliance for African descendants for over four decades, throughout 25 albums. Promoting messages of peace and love to all, through his complex lyricism and rhythms, Burning Spear is a lifelong touring musician and his return to the stage will be nothing short of monumental.

    The reggae icon will perform in New York for his Fan Appreciation tour which sees the Grammy Award-winning artist return to the stage for the first time in more than five years, playing cities like San Francisco, San Diego, Los Angeles, Portland, Seattle, DC, and more.

    Burning Spear’s latest single “Mommy,” pays homage to the bold, powerful, minor-key reggae style that the icon helped pioneer in the 1970s and is the first standalone single from his upcoming album No Destroyer (TBD release date).

    The show is presented by Sony Hall and DayGlo and tickets are on sale now. The full list of this year’s SummerStage lineup can be found here.

    BURNING SPEAR – 2022 TOUR DATES
    Jul 22 San Francisco, CA, US The Masonic
    Jul 23 San Diego, CA, US Cal Coast Credit Union Open Air Theatre at SDSU
    Jul 24 Inglewood, CA, US YouTube Theater
    Jul 26 Portland, OR, US Roseland Theater
    Jul 27 Seattle, WA, US Moore Theatre
    Jul 29 Silver Spring, MD, US The Fillmore Silver Spring
    Jul 30 Denver, CO, US Levitt Pavilion
    Aug 5 Boston, MA, US House of Blues – Boston
    Aug 6 Philadelphia, PA, US TD Pavilion at the Mann
    Aug 10 Vertheuil, France Domaine De Nodris
    Aug 13 Birmingham, UK Forum Birmingham
    Aug 14 London, UK O2 Academy Brixton
    Aug 25 NYC, SummerStage in Central Park

  • MVW and Valee Team Up to Present ‘Oscar’

    Classical musician turned hip hop producer, Michael Vincent Waller, returns with another entry into his budding catalogue. This latest effort, titled “Oscar,” sees the NYU grad team with frequent collaborator and Good Music artist, Valee. Since dropping his debut project, CLASSIC$, in November, 2021, MVW has not let up. “Oscar” is his one of several singles from the classical producer in anticipation for his second album. His rollout includes the Matt Ox assisted “Check In,” a collaboration with Desiigner, as well as a feature from Detroit rapper, Babyface Ray.

    On “Oscar,” MVW’s minimal expressionist style meshes with Valee’s laidback delivery, as he flows his way onto the track. While MVW’s production is laced with his aristocratic sound, Valee juxtaposes it with his own brand of luxury as he raps about the glamours of living the “Oscar” lifestyle.

    Yea, but that Mercedez Benz much better for my posture Bad B**** with me, Actress no Oscar.

    Valee’s unique set of flows and beat selection have helped him establish a niche fanbase in the luxury rap scene, yet his collaborations with MVW have seen the Chicago native find his perfect pocket. MVW’s relaxed production and Valee’s easygoing style of rap go hand-in-hand. On “Oscar” he rhymes about his cars, trips to luxurious fashion houses and his bank account, all with a devil- may-care attitude. His style isn’t forceful yet makes it mark.

    Yeah, definitely noticed that. It happened fast. It started happening, then it happened fast. More and more people. But I guess I’m happy that people noticed it. I didn’t have to call it out.

    – Valee on his flows being imitated
  • Governors Ball 2022: Iconic Music Festival Returns to Citi Field

    Celebrating its 11th anniversary, Governors Ball Music Festival took over Flushing, Queens for the weekend of June 10-12, 2022. Returning to Citi Field for a second year, the lineup featured headliners Kid Cudi, Halsey, and J. Cole, as well as a slew of other talented acts across three stages. NYS Music contributors David Reichmann and Joseph Buscarello were on the grounds covering the three day event. Full festival coverage and photo gallery below.

    halsey governors ball
    Halsey at Governors Ball, Photograph by David Reichmann

    Governors Ball in a Nutshell – Iconic Festival Returns to Citi Field

    Each year fans are treated to performances by some of the biggest names in music. The 2021 Festival was headlined by Billie Eilish, A$AP Rocky, and Post Malone while other notable acts from included, Rüfüs Du Sol, Future Islands, J Balvin, Megan Thee Stallion, Phoebe Bridgers, and Carly Rae Jepsen. Before the pandemic, Governors Ball was always held on Randall’s Island. It was moved to Citi Field for the first time last year, following 2020’s pandemic-related cancellation. The new festival location offers fans easier accessibility via mass transit; a welcome change for those familiar with traveling to and from the old location.

    This year’s production boasted a three-stage setup in the parking lot of Citi Field, dozens of local food and drink vendors, smaller experiential booths, lounge areas, and a space for intimate acoustic sets from artists on the bill. Governors Ball has always highlighted diverse local food vendors that represent the melting pot of New York City. NYC born and family-owned Doughnuttery was at the festival this year serving their iconic, coarsely sugared mini doughnuts and cold brew coffee.

    Performances encompassed a wide range of genres across the festival’s three stages, some highlights including: Black Pumas, Jack Harlow, Channel Tres, Flume, Joji, Chelsea Cutler, Playboi Carti, Clairo, Japanese Breakfast and 100 Gecs.

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    Playboi Carti at Governors Ball, Photograph by Joseph Buscarello

    Friday – A Diverse Day Punctuated by Kid Cudi

    This year’s festival started strong, with a warm and sunny Friday leading up to Grammy Award-winning headliner Kid Cudi’s main stage performance. Fans traveled from both near and far to come to the festival, with one fan telling staff contributor David Reichmann, “I came in from Chicago for the weekend today! I asked around, ‘What’s there to do for a weekend in New York City?’ I saw a post about the festival and bought my ticket!” Other fans came from throughout the Tristate Area and beyond, representing the typical “melting pot” experience New York is known for. The first day ran smoothly, and fans enjoyed dozens of their favorite artists during this action packed weekend event.

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    Crowd at Governors Ball at Citi Field, Photograph by David Reichmann

    Earlier in the day on Friday, the mainstage was dominated by indie rock. Plastic Picnic opened the day, followed by Julia Wolf, New York City native Samia, and Beabadoobee with her indie pop stylings. Over on the GoPuff Stage, punk bands Ultra Q and Aly & AJ kicked off the day before the stage transitioned over to hip-hop and EDM with Channel Tres, Skepta, and Louis The Child. Experimental rap dominated the Bacardí Stage with Coi Leray, Paris Texas and JPEGMAFIA. 

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    JPEGMAFIA at Governors Ball, Photograph by David Reichmann

    About a week before the festival began, Migos announced they would no longer perform and were replaced by Lil’ Wayne. Only a few hours before his set, the festival announced that Weezy would not make it due to “flight delays” and would be replaced by Harlem native A$AP Ferg. Joking with the crowd during his set, A$AP Ferg said he was on his couch when Governors Ball called, asking him to save the day. He did not miss a beat, delivering a fiery performance to a packed crowd eagerly awaiting Kid Cudi. 

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    A$AP Ferg at Governors Ball, Photograph by Joseph Buscarello

    Black Pumas Jump Into Action

    Black Pumas are a soul and psychedelic rock band from Austin, Texas. The group found immediate, worldwide success with their self-titled debut EP released back in 2019. The band has since won three Grammys, including ‘Best New Artist’ in 2020, and ‘Best Rock Album’ in 2022. Only a couple days after their mainstage set at Governors Ball, the group are heading out on a lengthy European tour. Barely a minute into their show, frontman Eric Burton leapt from the very tall stage into the pit, posed for the cameras, and walked the center aisle while singing and greeting fans from the front all the way to the back of the crowd. The future is extremely bright for Black Pumas, whose sophomore record will be one of the most highly anticipated rock albums when it comes to be.

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    Black Pumas at Governors Ball, Photograph by Joseph Buscarello

    The Bacardi Stage hosted Between Friends, Paris Texas, and Coi Leray before JPEGMAFIA went on to deliver a powerful set. The crowd went wild for each track in his set, and he interacted with them frequently. He joked before playing his song, “BALD!” that he sees “lots of beautiful heads of hair,” but “this one is for the bald” people in the audience. New York founded electronic duo The Knocks delivered the next hour of music before Jack Harlow closed out that day for the stage with massive pyrotechnics.

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    Jack Harlow at Governors Ball, Photograph by David Reichmann

    Channel Tres Continues Meteoric Rise

    Hip-hop and house music have a long history of coming together to create dance floor anthems spanning different generations. Channel Tres leverages that relationship and creates a hard-hitting yet cool and laid back sound. Thunderous bass and house beats provide the backdrop for his equable vocal delivery, all while dancing flanked by a crew of backup dancers. Channel Tres has collaborated on songs with the likes of JPEGMAFIA, Tyler, The Creator, Tinashe, and Robyn all while climbing the ranks and becoming more and more popular with each new song he releases. 

    As the daylight began to fade leading up Kid Cudi’s mainstage set, fans at the Gopuff Stage were treated to a special sunset. The sky glowed red, pink, and orange over the festival as Louis the Child played and fans reveled in both the increasing prominence of the light show and the gorgeous sunset. Fans still enjoyed a few more hours of music even after night fell, but this picturesque sunset came as the perfect way to punctuate a great first day of Governors Ball Music Festival 2022.

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    Louis The Child Sunset Set, Governors Ball. Photo by Joseph Buscarello

    Kid Cudi Plays Classic Hits, A New Single, And A Live Debut

    Although there were plenty of great acts spread across the three stages, diehard Kid Cudi fans waited by the mainstage for nearly the entire day, to secure a spot as close to the front as possible. With frequent hydration reminders displayed between sets on the stage screens, security and paramedics onsite worked constantly to distribute free water throughout the festival grounds, focusing on fans who were stuck waiting at the very front of the crowds. Kid Cudi closed out the first night with a powerhouse performance of tracks spanning his expansive Grammy Award Winning, seven-album catalog. His set featured a number of hit singles, deep cuts, pyrotechnic fireballs, and waves of emotion from his devoted fans in attendance.

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    Kid Cudi at Governors Ball, Photograph by David Reichmann

    Kid Cudi has just announced the premiere date for his new Netflix animated series Entergalactic. The show follows the story of a young artist (voiced by Cudi) as he finds love and success in New York City. He also played the new single “Do What I Want,” which saw its official release earlier that day and serves as the lead single for the album accompanying the series. Entergalactic premieres on Netflix later this year on September 30th; no official release date for the album has been set. 

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    Kid Cudi at Governors Ball, Photograph by Joseph Buscarello

    His setlist included fan favorite tracks, “Memories (David Guetta cover),” “Mr. Rager,” and “Surfin’.” Cudi brought out King Chip (a.k.a. Chip Tha Rapper) mid-set to join him for a performance of their track, “Just What I Am.” Cudi also treated fans to the live debut of his Travis Scott collaboration “THE SCOTTS.” Kid Cudi closed out the first night of the festival by playing, “Pursuit of Happiness (Nightmare) – Steve Aoki Remix.” You can Listen to his latest single here.

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    Kid Cudi at Governors Ball, Photograph by David Reichmann

    Kid Cudi walked off-stage to a thunderous applause and a fully-satiated fanbase. Now that Governors Ball takes place in the heart of Flushing, fans were able to exit the grounds and hop on the subways, buses and ride shares that awaited them. Local food trucks and vendors were eagerly awaiting the departing crowd, offering an authentic array of the rich Latin food from the neighborhood. 

    Saturday – Halsey Can’t Resist Playing “Running Up That Hill,” Debuts New Single

    The second day of the festival started strong, with another sunny day and some weather reports of minor scattered showers and thunderstorms. Festival staff were on alert in the event of a sudden storm, to maintain crowd safety and all costs, but thankfully only a few light raindrops dared to rain on the festival goers. And the second day went off without a hitch, with numerous excellent acts leading up to Halsey’s incredible and jaw-dropping headlining performance.

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    Halsey at Governors Ball, Photograph by David Reichmann

    The Mainstage featured standout acts, Benee, Tove Lo, and Still Woozy. Tove Lo wished the audience a happy Pride Month during her set, and played a number of her hit tracks, including “Bikini Porn” and “Habits (Stay High)

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    Tove Lo at Governors Ball, Photograph by Joseph Buscarello

    DJ Diesel (Shaq) Dunks On The Bacardí Stage

    There is little NBA legend Shaquille O’Neil is not involved in after retiring from basketball. The CEO of Papa John’s and ubiquitous spokesperson has cultivated a second life and a cult following as a dubstep producer and DJ. DJ Diesel just released “Welcome To The Playhouse,” a collaboration with EDM giant Steve Aoiki, and is curating (and headlining) two weekends of Shaq’s Bass All Stars which features surging names in the underground bass music scene. 

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    DJ Diesel at Governors Ball, Photograph by Joseph Buscarello

    It’s hard for a 7 foot NBA hall of famer not to cast a big presence in everyday life, but behind the decks at Governors Ball, DJ Diesel took on an even larger persona with his hard hitting musical style and frequent cries of “where’s my mosh pit” into the microphone. Drawing one of the largest crowds of the weekend on the second stage, DJ Diesel dropped a wide palate of crowd pleasing favorites and underground bangers. Jerseys from the Lakers, Heat, and Magic littered the crowd, and many were brought onto stage for Shaq to sign and return to his fans. 

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    Fans at Governors Ball, Photograph by Joseph Buscarello

    Roddy Ricch had been scheduled to perform on Saturday, but apparently was forced to cancel at the last minute. A few minutes before he was scheduled to begin his set, a message displayed on the screens alerting the crowd of the cancellation. There was a momentary upset among the crowd, but they picked up from their spots and went on to enjoy the other upcoming sets, Joji, Ashnikko, and Flume. Flume put on an amazing set, with stunning visuals and lighting as the sun went down. Towards the latter half of his set, he brought Tove Lo onstage to join him for a song. The crowd loved it.

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    Flume at Governors Ball, Photograph by David Reichmann

    Halsey Reminisces About Signing Her Label Deal

    Halsey took the stage to a packed crowd of fans who had waited for hours to get the best possible spot. During her set, she mentioned having attended Governors Ball 8 years ago, on the day she signed her record label deal. She told the audience how much of an impact that moment had on her life, signing the deal with her Governors Ball wristband on.

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    Halsey at Governors Ball, Photograph by David Reichmann

    Halsey made waves in recent months, speaking up against her record label’s insistence on creating “fake” viral moments on TikTok before releasing new music. Her post on TikTok about the issue had ironically gone viral, with many fans taking her side against the label. Although the label responded in their own defense, fans seem to have sided with the artist on this issue. She briefly took a shot at TikTok on stage, joking about it. The crowd recognized what she was talking about, and cheered even louder than usual, showing their support.

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    Halsey at Governors Ball, Photograph by Joseph Buscarello

    Halsey debuted a new single, “So Good” towards the end of her set. As she began to wrap up, she thanked the crowd again and began a cover of the trending Kate Bush song, “Running Up That Hill.” The song recently made it to the top of the charts for the first time in decades thanks to its inclusion in Netflix’s fourth season of Stranger Things. At the end of the song, she laughed and said, “I couldn’t resist.”

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    Halsey at Governors Ball, Photograph by David Reichmann

    She ended the set with her powerhouse single, “I Am Not a Woman, I’m a God.” Fans once again exited the festival in an excited buzz, talking with friends about the long and full day of performances. With the second festival day over, only one more day remained. And fans would have to savor it. Weather reports looked mixed, and there was no telling whether New York would have clear skies or daylong thunderstorms for Sunday. Fans would just have to wait until the morning to find out.

    Sunday – J. Cole and Playboi Carti Close Out Governors Ball with a Bang

    Despite some ominous weather reports and a passing storm overnight, fans enjoyed mostly sunny weather and moderate heat for the festival’s final day. J. Cole and Playboi Carti were set to close out the festival, with fans in eager anticipation of what was to come on the last day of 2022’s Governors Ball Music Festival. Although many fans complained of sore feet, lack of sleep, or responsibilities they had been shirking all weekend, they all did so with gleeful smiles and laughs.

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    J. Cole at Governors Ball, Photograph by Joseph Buscarello

    Clairo – “Can You Guys Hear Me?”

    Clairo’s mainstage set featured some technical issues with her microphone, but she played it off very well with her charming laugh and smile, to huge applause from the audience. The rest of her set went off smoothly, with fans packed to the front of the barricades, singing along for every song. She apologized to fans for the technical difficulties as she exited the stage, but the audience didn’t seem to mind, cheering and thanking her for the moving set.

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    Clairo checking her mic at Governors Ball, Photograph by David Reichmann

    JID Takes One for the Team, Breaks Wrist Onstage

    Atlanta-born rapper JID filled a mid-day slot on the main stage on Sunday. At this point in the day, fans were packing into the main stage grounds to claim their spot for J. Cole. JID is a relative newcomer to the scene, releasing his debut LP The Never Story back in 2017, but the fans who were there to see him were quite familiar with his music and rapped along with him throughout his set. Towards the end of his set, he brought out Kenny Mason for an energetic performance of fan-favorite “Stick.” Unfortunately, JID fell and fractured his wrist while moshing onstage during his performance, but continued on despite the minor injury. It wasn’t made clear the extent of the injury until he was brought onstage for a guest spot during J. Cole’s performance where he admitted he “went too hard, don’t be like me!”

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    JID also treated the Governors Ball crowd to the live debut of his just released new single, “29 Freestyle.” JID’s flow is as cohesive and vibrant as ever on the new song, which is being teased as a lead up to a new album, The Forever Story. The single and music video were officially released Friday, June 17th. 

    Japanese Breakfast Returns to Citi Field – the “Scene of the Crime”

    Twice-Grammy-Nominated artist and New York Times Bestselling author of Crying in H Mart, Michelle Zauner and her band performed to a dedicated audience of her most hardcore fans. Japanese Breakfast had played Governors Ball once before, and a huge crowd of adoring fans came to their set to cheer and sing along through nearly every song. “I didn’t know if you would all come today,” Michelle told the crowd, “but you came through, New York. As you always do.”

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    Japanese Breakfast at Governors Ball, Photograph by David Reichmann

    Michelle threw out the first pitch at Citi Field just a few weeks prior. She joked, “We’re from Philly […] I know I am returning to the scene of the crime, where I threw out the first pitch here for the Mets.” Japanese breakfast recently featured on SNL as the final music guest of the year for season 47. They also released a two-song EP for Spotify Singles this year, featuring a cover of Bon Iver’s “Skinny Love” and an acoustic rendition of Japanese Breakfasts’ hit single, “Be Sweet.” During their set, a newly-turned fan was overheard saying, “Wow, they’re amazing. This is amazing, I have to check them out later.”

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    Japanese Breakfast at Governors Ball, Photograph by David Reichmann

    Playboi Carti Moves the Earth

    Playing opposite J. Cole on the GoPuff Stage, Playboi Carti brought his signature staging and rap style and offered a fiery closing to the weekend. Some fans lamented having to choose between the J. Cole and Playboi Carti, but both acts drew impressively large crowds. Playboi Carti spent a good portion of the show rapping from atop a tall pyramid while a singular guitar player patrolled the stage. Featuring constant pyrotechnics and a rabid, near heavy metal-like performance, the set was one of the most chaotic and in-your-face moments of the weekend. Carti’s fans were raging, causing a noticeable bounce in the parking lot of Citi Field while screaming along to the lyrics. 

    J. Cole Waxes Nostalgic Over Queens

    J. Cole took the mainstage for the final performance of the festival’s 2022 year. He came out swinging, starting the opening track, “95 South” from his latest LP, “The Off Season” without wasting a second to introduce himself or greet the crowd, which he only took the time to do before moving into his next song, “Amari.” The crowd let out massive cheers and their dancing literally shook the ground beneath their feet throughout the set. He also included classic tracks “G.O.M.D.,” “Wet Dreamz,” and “No Role Modelz” in his expansive setlist.

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    J. Cole at Governors Ball, Photograph by David Reichmann

    J. Cole took on a more wistful tone between songs, pausing for a moment to listen to the sound of a nearby passing 7 train. He then talked about living in Queens writing songs “just down the street from here,” listening to the sounds of the trains while looking out his window. He thanked the audience and said, “New York is like a second home to me.”

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    J. Cole and JID at Governors Ball, Photograph by David Reichmann

    JID and Kenny Mason joined J. Cole on stage to perform “Stick.” Before they started, JID told the crowd, “I want you to be safe out there.” He held up his hand, wrapped in bandages, and said, “I broke my hand earlier during my set because I was raging too hard. Don’t be like me.” He asked the crowd if they felt comfortable with some mosh pits, and told any fans who weren’t comfortable or interested to move back from the pits before they began. “I see fun. I see mosh pits. I see safety.” He held up his hand one more time, “Listen, I’m serious, don’t be like me. Have fun.” The crowd obliged, and a massive wave of movement took over the excited crowd. The three artists flew around the stage.

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    J. Cole at Governors Ball with JID and Kenny Mason, Photograph by David Reichmann

    J. Cole played a few more songs before walking off to an instrumental version of “Hunger on Hillside.” He thanked the audience once more as he walked off. As the fun of the weekend came to a close, fans shuffled off from Citi Field in a happy daze of exhaustion and excitement. They told stories of their day to each other as they found their way to the buses, cars, trains, and bikes that would see them home. Although each fan had their own unique experience, with their own mix of artists and activities, they all shared in this singular one moment that was Governors Ball Music Festival 2022.

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    J. Cole at Governors Ball, Photograph by Joseph Buscarello

    See You Next Year, Governors Ball!

    Another year of the Governors Ball music Festival has come and gone. Fans were treated to dozens of massive acts who may not typically share a stage together, and were – hopefully – exposed to plenty of new styles, genres, and artists as a result. Governors Ball has and always will be a definitive New York experience, and although New York concert-goers may have to wait another year for the upcoming 12th installment of the festival in 2023, music fans in the Tristate area will have plenty of great options until then. Summer concerts and festivals continue strong in New York City, with Rolling Loud Music Festival, Central Park’s Summerstage Concert Series, and Celebrate Brooklyn’s Summer Concert Series just to name a few.

    You can listen to all artists mentioned wherever music is streamed, and see the full photo Gallery featuring coverage from David Reichmann and Joseph Buscarello below.