Brooklyn-based indie-rock band Wilder Maker released their newest single, “A Professional” on June 27 from their upcoming album, Male Models, out on July 29 via Western Vinyl. The single features guest lead vocalist Felicia Douglass of Dirty Projectors and Ava Luna.
Photo credit: Ebru Yildiz
Made up of musicians Gabriel Birnbaum, Nick Jost, and Sean Mullins, Wilder Maker began with a series of self-releases and home recordings before debuting music such as “New Streets” (2017), and Zion (2018) to much acclaim. Their upcoming Male Models album was live-recorded over several days and includes an impressive lineup of guest vocalists.
The track, “A Professional” is one of twelve songs on Male Models. Although the lead vocalist and songwriter of Wilder Marker, Birnbaum, does not sing on the track, Douglass’ vocals shine right in the start. Her voice carries the song’s message of isolation with feeling. With simple chords eventually overlaid with drum beats and other instrumentation, the track blends together beautifully.
’A Professional’ dips into the feeling of digital isolation … the way the physical world has become less real and more ghostly, less mysterious and more quantifiable. It’s inspired by this recurring experience I have, usually traveling, where I’ve been alone all day and I suddenly want to connect very badly with people I care about. I fire off several texts and sit there waiting for the phone to light up, with this strange feeling that everyone I know might have vanished. As soon as I imagined Felicia singing this song, I knew she’d be perfect for it, and she was. I’m so happy and grateful she was able to do it.
– Songwriter Gabriel Birnbaum
The upcoming Male Models features more guest lead vocalists, including an impressive line-up of Adam Duritz (Counting Crows), Katie Von Schleicher, Felicia Douglass, Alex Schaaf (Yellow Ostrich), V.V. Lightbody, and Mutual Benefit. Across the 12 songs on the album, audiences will find electrified soul, heartfelt folk songs, indie rock, and more.
Birnbaum drew from a wide array of inspirations for the album, including everything from American novelist James Salter, the NBA playoffs, to Thin Lizzy and the topic of masculinity. After making music for nearly a decade together, Wilder Maker is set for the release of yet another energetic album – stay tuned for July 29.
On July 16 at 7:30 PM, Flushing Town Hall will celebrate Louis Armstrong’s jazz legacy with its second annual Jazz Jam All-Stars Concert. Featuring the high-caliber musicians from all ages, they will be backed by the Jazz jam house band led by Carol Sudhalter, with Joe Vincent Tranchina, Scott Neumann and Eric Lemon.
Jazz Jam All-Stars Concert
Flushing Town Hall (FTH), a Smithsonian affiliate, presents multi-disciplinary global arts and supports local, immigrant, national, and international artists to advocate of arts equity. FTH celebrates the history of Queens as the home of Jazz, by presenting the finest in Jazz performance. They are committed to arts education and hands-on learning, for the arts-curious, arts enthusiasts, and professional artists.
The concert will begin at 7:30 PM, opening with a Louis Armstrong tune played by the jazz house band led by Carol Sudhalter. After that, each All-Star will perform two tunes with the band. The evening will close with a finale with everyone on stage to perform another Armstrong tune.
In 2016, Carol Sudhalter took over the monthly jam as leader of Flushing Town Hall’s house band. In 2019, Flushing Town Hall hosted its first-ever Jazz Jam All-Stars concert. However, due to the pandamic, Sudhalter led virtual jams, attracting more than 7,000 viewers and 200 musicians Zooming in from over a dozen countries worldwide, including New Zealand, Italy, and South Africa.
“When we held our first Jazz Jam All-Stars concert in 2019, we were excited to make this an annual celebration of our wonderful and faithful jammers who show up month after month and really keep this alive! We are so thrilled to finally be able to host our second annual All-Stars concert, especially after such a long break due to Covid. The musicians joining us on July 16th are all incredibly talented, dedicated, and part of our wonderful community. I am honored to share the stage with them to celebrate Louis Armstrong’s legacy.”
Carol Sudhalter
Flushing Town Hall’s committee has selected a stellar lineup of ten musicians to perform at the July 16th concert—including one as young as 15 years old—who were chosen for their high-caliber musicianship, cooperative spirit, and dedicated participation in the Louis Armstrong Legacy Monthly Jazz Jams.
Young musicians are also actively participating in Jazz Jams. The youngest All-Star began participating in the jam since 12 and grew his musical talents with the support of the community of musicians and aficionados. The 15-year-old All-Star drummer Ezra Kessler said that he is still learning from this incredible house band. And he had showcase with the saxophonist Jeff Coffin (DMB, Bela Fleck) at a virtual jazz jam last year.
In contrast to the regular Louis Armstrong Legacy Monthly Jazz Jam, participation in the Jazz Jam All-Stars concert is by invitation only. Audiences are invited to listen to the honorary jammers in-person or virtually on Saturday, July 16 at 7:30 PM ET. Cost for general in-person audience is $25, $20 for members and $15 for students. Those unable to attend the All-Stars concert in person can still join the livestream and tune in for free on YouTube or Facebook.
The Pleasantville Music Festival will be held on July 9 at Parkway Field in Pleasantville N.Y. The festival’s Main Stage headliner this year will be X Ambassadors – current hit makers from Ithaca, NY with hugely popular songs like “Renegades”, “Unsteady” and “Boom.” “Renegades” was featured recently in a national Jeep advertising campaign. Other performances on the Main Stage will include Tarrytown native Clare Maloney & her band the Great Adventure. She and her band perform regularly at Garcia’s and are favorites of the Grateful Dead and Jefferson Airplane crowds. She’ll be followed by a solo performance by the legendary Glenn Tilbrook; founding member and lead sing of the band Squeeze. Next up on the Main Stage will be Black Joe Lewis and the Honey Bears, performing their funk and R&B mix, often channeling James Brown. They’ll be followed by ’80s and ’90s icons 10,000 Maniacs featuring Mary Ramsey, a band that has come to be known for hit songs like “What’s the Matter Here”, “Like the Weather”, “Trouble Me” and “These are Days.”
This year, the Chill Tent Stage will feature performances from Cornwall on Hudson’s Chaz Kiss; singer-songwriter Greg Jacquin, originally from Sleepy Hollow; Riki Stevens , a singer-songwriter from Norwalk, CT; and Cole Quest & the City Pickers – a five-piece bluegrass band. The band’s founder and namesake, Cole Quest, a Mt. Kisco native, is Woody Guthrie’s grandson. The Chill Tent’s schedule will culminate with a performance from the Chill Tent Stage’s headliner, singer-songwriter Paula Cole, known for huge hit songs in the ’90s like “I Don’t Want to Wait” and “Where Have All the Cowboys Gone.”
The Party Stage this year will feature The Breaks Inc. , a retro rock band with a Beatles vibe featuring guitarist Adrian Cardenas from Croton on Hudson; Blankslate , a Denver-based alt-rock trio with partial roots in Armonk; Sid Simons , alt-rockers from Brooklyn featuring the Simons brothers from Mamoroneck; and The Narrowbacks – Rowdy Irish rockers hailing from the Bronx and Pearl River. The Party Stage will close out with headliner’s Illiterate Light, a talented Virginia-based duo known for their recent radio hit “Better Than I Used To.”
“We do our best to appeal to a wide variety of musical tastes and demographics. We try to check off as many boxes as we can so there is something on our stages that everybody will appreciate,” says festival Director Bruce Figler. “Some come to see the headliners. Some come to see artists they have never heard. We’ve got something for every one. After two years off, we are super pumped to get the festival back up and running, and I think our audience is pretty pumped too.”
The Pleasantville Music Festival, presented by Northwell Health, is known as New York’s Backyard Jam. It’s become a must-attend summer event for the whole family, with great local food and drink, a warm positive vibe, and of course, world-class rock. Tickets to the Pleasantville Music Festival are available through Ticketweb and the Festival Box Office located in the Pleasantville Rec Center. More information about the event and links to the performers can be found at www.pleasantvillemusicfestival.com
Navigating relationships as a young adult is akin to walking a maze blindfolded, often never knowing where you truly stand. While the term “dating” remains a pseudonym for two people getting to know one another, Gen-Z has developed its own distorted relationship standing, where the two parties are neither “just friends,” nor committed, yet are dependent on one another. On the single “Breadcrumbs,” Piper Page brings transparency to a messy situation.
The song came right from a personal experience with my ‘ex-who-wasn’t-really-my-ex.’ We had an on-again, off-again relationship for several months and it inspired me to write about the concept of ‘breadcrumbing’ which I had just come to learn about.
Breadcrumbing is defined by Urban Dictionary as “the act of sending out flirtatious, but non-committal text messages in order to lure a sexual partner without expending much effort.” The song “Breadcrumbs,” is a soulful ballad that sees the 21-year-old Brooklyn native cleanse herself of her situation-ship. Remaining brutally honest about her standing within this cycle of ambiguity.
Piper Page’s songwriting paints a vivid picture as she recounts a common tale within the current social media based dating scene. While infidelity has alway played a part in relationships, Piper Page captures the essence far less desirable role of “best-friend, with a little romance and flirting in the DMs.”
The meanings are supposed to be completely obvious and relatable. Navigating dating is recognizing that at a certain point, you just have to say what you mean. Instead of always thinking someone is going to know what you mean.
The record is one in a slew of singles from the songstress in anticipation of her upcoming album, Based on True Events. Singles like “Do You Want Me Or Not?” and “Risk” follow similar themes of “experiences with dating and exploring relationships as a young adult for the first time.” Yet, Piper Page’s polished vocals gives each record a mature feel.
Long running series Bowlive returns to Brooklyn Bowl in July. Bowlive IX will celebrate Brooklyn Bowl’s 13th Anniversary with a three-day celebration featuring soul-jazz organ trio Soulive on Thursday, July 7th, Friday, July 8th and Saturday, July 9th.
For the debut performance of their three night run at the Bowl, Soulive will perform a special Rubber Soulive Beatles Set. Marking their only performances in 2022, the trio will be joined by legendary Meters founding bassist George Porter Jr. on Friday, July 8th and Saturday, July 9th for a special performance to showcase Brooklyn’s iconic venue in style. Three day passes are sold out but you can purchase individual passes for Bowlive IX for 7/7, 7/8 and 7/9.
Bowlive is one of Brooklyn Bowl’s most unique traditions. It’s New Orleans at three in the morning after Jazz Fest and one of the venue’s longest running residencies. Guitarist Eric Krasno, drummer Alan Evans and keyboardist Neal Evans have been playing every year since 2010 and have welcomed a number of world class musicians to the stage over the years, including Derek Trucks, Susan Tedeschi, Warren Haynes, members of Lettuce, Joe Russo, Marco Benevento, Karl Denson, Questlove, Chris Robinson, Luther and Cody Dickinson, Bernie Worrell, Talib Kweli, Anders Osborne, GRiZ, Lee Fields, Los Lobos’ David Hidalgo, Run-DMC’s Darryl McDaniels, Nicki Bluhm, Steve Kimock, Citizen Cope, Matisyahu and more.
Brooklyn Bowl New York is the flagship venue for the Brooklyn Bowl franchise, with its groundbreaking integration of premiere music, 16 lanes of bowling, a bar featuring locally crafted beers, and food by the acclaimed Blue Ribbon restaurant group. Keeping its homegrown values on its sleeve, the Brooklyn Bowl is the first ever L.E.E.D.-certified bowling alley in the world and boasts a sound system and amenities that “no other local rock club can offer” (The New York Times). Open seven days a week, Brooklyn Bowl has become a mainstay for New Yorkers and has hosted greats like Guns N’ Roses, The Roots, Lauryn Hill, and Elvis Costello.
Mayan Warrior brought their immersive and otherworldly Art Car to The Brooklyn Navy Yard for two shows this past weekend on Friday June 24th and 25th. The legendary music collective has been a part of Burning Man for ten years now and has a long history of bringing the spectacle outside of The Playa for shows in cities across the United States.
These shows are the only chance to see the Art Car this year outside of the festival and also serve as a fundraiser for the collective’s ability to travel to Black Rock Desert and fund their charitable work. June saw the collective stop in Austin, TX as well as New York City and there are two more events in Los Angeles and San Francisco in the months following Burning Man.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
The Mayan Warrior Art Car is one of the most unique music and art installations in the country. “The mutant sound system has attracted hundreds of thousands, blazing a trail of sonic creativity that celebrates the burgeoning underground Mexican electronic scene and pairs ancient art with modern technology.” The car itself is a large bus that has been stripped down and rebuilt with the goal of portraying ancient Mexican art and culture. The front of the bus adorns a large Mayan head and the entire production is laced with vivid lighting, pyro, and laser features. Even in such a large room, the production is mesmerizing no matter your perspective.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
The music for the night came from the Mayan Warrior community and musical curators including Mandrake, Perel, Jenia Tarsol, Dramian, Asaf Samuel, Chaim Avital, Moscoman, Robin Scott, and Lovecraft. While you can not pin down the music to a particular genre, there is a strong deep house background but all of the performers brought unique and interesting elements to their sets. From live guitars, to vocalists, and deeply experimental tangents the music never stopped evolving throughout the weekend.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
Stranger Than partners with Mayan Warrior to design a truly immersive experience around these shows. The Art Car itself is a dominant presence in the room, but there are also art installations, vendors selling jewelry and art, food vendors, and advocates. While the music is certainly a major proponent of the experience, it is far from the whole story. Fully costumed dancers and acrobats are seen dancing and engaging with the crowd. Two dancers on stilts put on a spectacle on the dance floor while fire breathers were seen blowing flames from the Art Car. The fans that Mayan Warrior attracts also contribute with costumes and wearable art of their own. Combined with the Pride celebration in NYC over the same weekend, the energy and atmosphere of these shows was unmatched.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
Next up for Mayan Warrior is The Playa at Burning Man. After that, you can see the Art Car in Los Angeles in October and San Francisco in November. Check out a photo gallery below for more photos from Night 1 at The Brooklyn Navy Yard.
Queens native Action Bronson put on a free show for Summerstage at Flushing Meadows Corona Park on Saturday, June 25th. The show was part of Queens Live thrown by the City Parks Foundation and also featured Karen Y Los Remedios, Statik Selektah and host Ralph McDaniels. Queens Borough President Donovan Richards was also in attendance. Richards said “Queens Live! isn’t just back for a second year, but it’s coming back bigger and better. I couldn’t be more excited to partner with the Capital One City Parks Foundation SummerStage team to bring Queen’s own Action Bronson to his home borough in what should be a fantastic free afternoon of music.”
Action Bronson at Flushing Meadows Park
Ralph McDaniels is the founder and curator of Video Music Box, the first tv show to feature hip-hop videos primarily. McDaniels has also produced over 400 videos for some of the biggest names in hip-hop including Wu-Tang Clan, Nas and Roxanne Shante. He has also produced several documentaries.
Ralph McDaniels at Flushing Meadows Park
Karen Y Los Remedios is a group from Mexico and features singer Ana Karen Barajas, producer jiony and guitarist Z.am.pa. Their latest EP, Recuerdos de Expiacion was released last year and features the songs “Resistencia” and “Permanencia.” In an interview with katacult.com, Ana and jiony said “We have been working through a lot of years together making collaborations. However, when we started the project of “Karen y Los Remedios”, the idea of making music with Latin roots, especially cumbia was the main goal.”
Karen Y Los Remedios at Flushing Meadows Park
Chef, actor, tv host, artist and rapper Action Bronson headlined the concert and performed with pure energy. His setlist was mostly songs from his latest album Cocodrillo Turbo. Griselda producer Daringer was Action’s DJ. The two have also collaborated many times in the past as well. Special guests included Alchemist, Hologram and Yung Mehico on sax. Action’s 2 year old son even made an appearance during the last song “Actin Crazy.”
The Green-Wood Cemetery series of concerts in Brooklyn will feature boundary-breaking performers in its historic catacombs from July through September. This season features performances with violinist/violist and interdisciplinary performing artist eddy kwon, multi-instrumentalist and composer Zeena Parkins, and free jazz legend William Parker.
The Green Wood Cemetery
Established in 1838, The Green-Wood Cemetery is recognized as one of the world’s most beautiful cemeteries. As an affordable alternative to traditional burial spaces, the Catacombs are rarely open to the public. At the same time, Green-Wood is also an outdoor museum, an arboretum, and a repository of history. Throughout the year, it offers innovative programs in arts and culture, nature and the environment, education, workforce development, restoration, and research.
eddy kwon – July 6th and July 7th
eddy kwon will display their unique brand of interdisciplinary performance art, which explores transformation and transgression, ritual practices and mythology. Their art is inspired by American experimentalism, as shaped by the Associate for the Advancement of Creative Musicians as well as Korean folk timbres and inflections, textures, and movements from natural environments.
eddy kwon
Zeena Parkins – August 10th and August 11th
Zeena Parkins will bring their pioneering electro-acoustic style to the Catacombs. Parkins has designed a series of one-of-a-kind electric instruments and is also a master of modern harp practice.
Zeena Parkins
William Parker – September 21st and September 22nd
The New York City native William Parker will perform with his blistering improvisational bass. He has had a prolific career, released over 150 albums, published six books, and influenced countless students, musicians and artists over his decades long career.
William Parker by Peter Gannushkin
Because the Catacombs are deep in the Cemetery, attendees will be transported to and from the Catacombs from Green-Wood’s Main Entrance (25th street and Fifth Avenue) via trolley. There will be two performances each night, at 6:30 and 8pm.
Tickets start at $40, and are $35 for Green-Wood members. Attendees must wear a face covering at all times on the trolley and in the Catacombs. Doors close 30-minutes after the time on their ticket.
Seekers and travelers, both aquatic and avian, endured a nauseating sense of moral conflict while making their way to see Goose on June 24th and 25th for the sold out Radio City Music Hall shows. News of the Dobbs Supreme Court ruling was fresh; strong introspective notes of guilt and grieving rang in battle with the plans for a most jovial gathering. Hurdles of planning jumped for months to make those nights happen. Travel high jumps cleared in the last hour. All of this legwork to prepare for two nights when we thought we could finally be animals and move our abdominals for a night, instead receiving news that life for women just got a whole lot scarier.
Good news brought to you by Goose and Trey by Em Walis
Goose’s cover of “Mad World” from the South Farms Halloween show played on repeat the whole drive down. A song which leaned into the darkness in the throws of pod-era guilt stricken live music attendance. It also was a song Doom Flamingo played later that night with powerhouse feminist badass Kanika Moore appropriately addressing this particular moment of darkness.
During moments of self-preservation and protection, the mind for some went to a strange place where the value of innocuous thoughts skyrocketed. Distraction in the form of social anxiety, primal desire to hunt for big game in the form of a limited release poster, and theories of potential setlists and sit-ins began to swarm the mind, blocking out any space for all-out panic about women living in those states.
Empresses by Em Walis
SOS
Shock-driven imagination created a surreal mental image worthy of the “Weird Goose Dreams” facebook group. The line outside of Radio City before Connecticut Indie Groove band Goose played back to back sold out shows at Radio City Music Hall painted the sidewalks like the signs that once were held up only a few blocks away outside of MTVs TRL. Memories of pop-punk fandom long ago trailed while approaching. Opening conversations were mentally rehearsed. Would Dripfield have been hitting #1 on the hit music video countdown show if it were still airing today?
So ready by Em Walis
Why the rehearsals? The typical over-thinker would estimate that of the 6,000 guests, a core group of, say, 10% would be in attendance for every show. Another 20% will go to every run within a day’s driving distance. 30% will see every show where they can return home the same night. 20% could be first-timers and the remainder… It was complicated.
100% Sold by Em Walis
In a landscape of ever-changing risk, evolving life circumstance and financial whirlwinds, that percentage unaccounted for above could be dedicated fans, unable to attend for a solid chunk of time. Thankfully, they were able to continue to follow the band, only from the VIP view of the livestream and rode the rails of the coffee table with company of an active group chat. The poster line was more like reflexes with a Nintendo game, instead of the running of the bulls (or in this case, geese). The importance of a historic night for band and community might have inspired months of preparation in order to attend. The emotions of the prodigal children ran high.
The time they left Scarf the Redeemer in charge of the pit at RCMH – Georgiana Platt
Before crossing the street over to the line, all thoughts were immediately interrupted when a man standing with arms outstretched and body language that shouted, “Welcome!” and “I’m so glad you made it to the show!” Golden light poured over the massive Radio City Music Hall and line as far as the eye could see weaving behind. Scarf draped over the outstretched arms, the bit of fabric which has become a rock relic illuminated with vibrancy from the sun as it set behind.
The scarf danced and waved tirelessly during those early streams where the pods were spaced such that only two people from the crowd could be seen when Marta Goedde switched the cameras to the front of house viewpoint. A symbol of giving it all you’ve got to both thank the band for taking a risk during a dark time and to honor those that were not in a position to safely attend. A symbol of hope when we needed it most. A man whose outstretched arms and scarf draped, larger than life in front of the epic Radio City Music hall could only be described as “Scarf the Redeemer” washed away all doubts with a single hug. Radio City. Goose. Good News. Mood Boosted. Game on.
Start and end with glizzy sacrament by Em Walis
Seekers
Familiar faces full from streams and memes were assembled at the front of the line, taking part in the sacrament known as the eucharist of glizzies. Why show up so early when there are assigned seats? The group up front at Radio City absolutely wanted a poster, but more importantly, value the time waiting on line for doors as part of the community experience. Hours of sharing and connecting before as well as mutual experience up front for every show has created an unbreakable bond and ritual that could not be forgotten, even if their ticket put them somewhere up in the three Mezzanines.
Shine on by Em Walis
Stickers, baklava and pogs were passed around from arms draped in glistening sequin capes to ones with vibrant colors of one specific tie dye maker. Typically a sign on regional representation, these dyes transcend the regions and have been worn by community members hailing from an area much larger than their origins of Western New York.
The patterns on the dyes both thoughtful and ornate, evoked an unconscious mood boost because the coloring seemed to look exactly like the big looks from some most cherished moments from Goose shows past. The Blue Sky Dyes have been worn by members of Goose over the years which have been featured on streams played at home time and time again. Another mood boost.
Travel MVPs by Em Walis
Travelers
Seven missed flights, one broken truck and a marriage proposal later, one couple finally made it to Radio City for the show. Another seated monk figure had converted his van to follow Goose. Coast to coast, Midwest to Southeast. Representations from across the country were assembled together. The mood was cohesive and upbeat.
The Rockdale by Em Walis
Goin Down To The Rockdale
Arriving inside Radio City Music Hall felt like time travel. Lounges, not bathrooms, all had unique mirrored constructions. Water fountains made with artistry that could not look like anything further than the industrial robot fill stations of today. The merch line spiraled down an oval staircase. The surreal feeling seemed to never end as memories of the Resonance set from a few years ago kept appearing when chatter began to spread about what potential this band had. Familiar faces, big long hugs and selfies galore could be witnessed throughout the halls as thousands of people poured into the venue. This was a powerful feeling at a powerful time.
Peter remembering who is important by Em Walis
Gonna Lay It All Down For You
Before Goose began their first song during the biggest night of their careers, Peter took a moment to address the crowd about the devastating news. He stated the value for women’s rights among the band and tears were falling before the first note commenced.
Arms up, or not. You decide. By Em Walis
Leave Your Coat At The Hotel, We’ll Be Hanging In The Old Barroom
The atmosphere differed tremendously depending on location of seating. Each quadrant held a distinctive personality. Under typical circumstance, a Goose crowd would often resemble that of a high school cafeteria. Same people riding the front rails. Tamara, Crepes and Val on Trevor side, Phil, John and Noah in the middle. Binky between Rick and Peter alongside the Carusos forever dedicated to “Pete side, sweet side.” At Radio City Music Hall, everyone was scattered throughout. Some were able to experience the light show for the first time, despite countless shows attended.
Ryan Stasik believes in shenanigans by Em Walis
Orchestra: Elmegs and Empresses
In the Orchestra seating, there appeared to be a near checkerboard pattern of longtime family and friends mixed with first timers and socializers. Similarly dispersed were those that danced hard with those who would fall under a still, hypnotic trance. In the center of it all, fittingly, was the Goblin King. The “George Washington of hot guys in the jam scene,” according to Andy Frasco. Ryan Stasik was in attendance. “So hot right now,” someone whispered from nearby.
Escaped animal by Em Walis
First Level Mezzanine: Animals
The first mezzanine was a different story. These bunch of animals danced hard and could be called rowdy. The view of the stage from the back rows could have been better, but it didn’t matter. Every person of every age sang each word as if it were a church hymn. It was discovered here that amidst a tumultuous emotional experience, it can be extremely healing to let all of that angst out with dance and shouting the words. Catharsis comes in the form of the silly and leaving egos at the door. Appropriately, this quadrant of the venue went all out bananas when Animals came on. Little did they know the amount of banana jokes that would be made after the following night.
A game the animals played was called “Guess When Goedde is in Charge!” The critters up in mezz 1 would try to spot moments when the lights matched what was happening musically and participants in the game would try to guess what they thought Goedde would say through the monitors to the band like a circus ring leader. “Again!” was the most common guess.
Feed the creatures. They will grow. By Em Walis
Second Level Mezzanine: Creatures
The second level was where true entrancement happened. A sensory experience where holding a prism, balloon while adorning 3D Glasses was common ground. The visceral reactions and empathy held by all. The bigger meaning was felt here. The growth of the band and its fanbase. The creature which grows when nourished and loved. When Trey came on, all bets were off and everyone beamed with excitement in celebration of the good news we all finally needed. Conversations afterword consisted of repeatedly exchanging the question “what the actual f?” back and forth to each other for the remainder of the night.
Mezzanine 3: Red Birds
Perched up above, the full view of the light show was quietly enjoyed by those that dedicated their night to doing everything possible to appreciate the small moments of beauty in life. The colorful moments viewed from a safe distance created a space for the Red Birds to begin to heal. In the most heartfelt performance of the new song “Red Bird,” dedication to all of the women struggling with the supreme court ruling. Caring, judgement free words were sang to the Red Birds up in Mezz 3, reminding the rest of the crowd of Peter’s assertion at the start of the run. Attendee Tony Vasile put it best,
“Red Bird was a necessary anthem for women’s rights tonight.”
Leave your coat at the hotel by Em Walis
Going Down To The Rock Dale
All in all, the two night of Goose at Radio City Music Hall were memorable because of the good news it brought. Everyone seemed to get exactly what they needed out of it and left feeling better than when they arrived. For good reason. Fans both streaming from home and in attendance were able to witness their favorite band live out their childhood fantasy. It does not get more proud mother goose than that. One proud parent in the crowd recalled an early rendition of Goose practicing every Friday night for three hours over the course of seven years before they all left for college. With the occasional Saturday and Sunday jam session peppered in, it is remarkable to see the result of dedication as well as a coming of age tale converging during two beautiful nights.
Media team and long time friends Adam Berta and Bryan Murphy perched by Em Walis
One Life To Live For
The spirit of the night was impactful for more than just bands and fans. The crew behind the scenes have all been friends with Goose for years. The amount of tears shed could fill buckets. It was not only a dream come true for the band to collaborate with Trey, or play this venue. Aspiring audio engineers, lighting designers and photographers dream of working Radio City Music Hall. To ice the cake with both musical and photographic heroes sent it over the edge into something that could once only be joked about as a “Weird Goose Dream” facebook group fantasy.
Not The First Time by Em Walis
And The Sun Will Be Rising Soon
Beneath the brightly illuminated city lights and glowing marquee reading the words “Sold Out” and “Goose” common ground established between birds of a feather and fish in the sea. It turns out, they were all just animals. It was phenomenal. Finding an exit path through the boisterous carnival and second consumption of the eucharist of glizzies outside Radio City Music Hall, chirps of praise volleyed between friends old and new.
Glancing upward, the bright white points of St. Patricks cathedral glowed brightly as they peeked out from behind Rockefeller center. Like a scene from a movie, it all clicked. We have been here before. The face tingling sensation from Arcadia was felt this intensely only one other time during the Goosemas livestream performed atop Rockefeller Center amidst the throes of shutdown.
Its a new light creeping out…
This band seems to have made it a habit of there for us when we need it most.
Goose – Friday, June 24 – Radio City Music Hall, NYC
Set One: California Magic, Elizabeth, Jack-a-Roe (1), Turned Clouds, This Old Sea, All I Need
Set Two: Tumble, Borne, The Whales, A Western Sun, Pancakes
Set Three: Madhuvan, Hot Tea (2), Arrow (2)
Encore: Animal
(1) Grateful Dead cover, Goose debut (2) Studio arrangement with Stuart Bogie on saxophone, D. James Goodwin on guitar, Dave Nelson on Trombone
Goose – Saturday, June 25 – Radio City Music Hall, NYC
Set 1: Atlas Dogs, Moonrise, Wake Up(1), Atlantic City(2), Flowdown, Elmeg the Wise
Set 2: Rockdale, Seekers On the Ridge (Part 1)>Seekers on the Ridge (Part 2), Redbird >I’m Writing a Novel(3), Creatures
Set 3: Silver Rising, Hungersite (4), Arcadia(4), Dripfield(4)>Loose Ends(4), Empress of Organos (4)
Encore: Tomorrow Never Knows(5)
(1) “Wake Up” by Arcade Fire (2) “Atlantic City” by The Boss (3) “I’m Writing a Novel” by Father John Misty WITH FATHER JOHN MISTY!!!!! (4) Trey Anastasio Playing with the boys! (5) Jeff on Guitar w/FJM on Drums, Trey has returned) “Tomorrow Never Knows” by The Beatles
The NYC-based funk and rock collective Specialists are set to perform across New York as they kick off their summer tour on July 1. The band completed a Southeast US tour in January of 2022 and returns to the Northeast with 6 shows across NY and PA.
The summer performance schedule coincides with the band’s release of their upcoming full-length record. Other Specialists releases include Too Easy (2020), Specialists (2019), and No Need to Explode (2018). With irresistible groove, crafty arrangement, witty lyrics, and catchy hooks, the band’s sound will get any audience up on their feet.
Specialists initially consisted of duo Billy Harden (guitar) and Mikey Rotunno (bass) before adding Christian Hickey (drums) and Pete Harden (keys) to the mix. Their newest single, “I Got You,” released in March of 2022, gives listeners a taste of their newest sound.
After the band’s Brooklyn Made performance on July 1, they will head off to Syracuse’s Funk N Waffles on July 2. The Specialists will then take their sound to the Sterling Stage Ameribeat on July 3 before eventually finishing their tour in Peekskill. To listen before their upcoming tour dates, the band’s music is available on Apple Music or Spotify.
Specialists Summer Tour Dates
July 1 – Brooklyn Made – Brooklyn, NY
July 2 – Funk N Waffles – Syracuse, NY
July 3 – Sterling Stage Ameribeat (4pm – 5:10pm) – Sterling, NY
July 22 – Deutschtown Music Festival – Pittsburgh, PA
